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#bc it wasn't needed as much
athenagranted · 19 days
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the way i would pay for oliver to write meta about buck's character
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thefrogdalorian · 17 days
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I was watching Chapter 15: The Believer yesterday and something stood out to me that I guess I'd never really thought about before...
When the Juggernaut is getting attacked by the Pirates, we see several shots of Din struggling without his armour. It's a new way of fighting for him and he struggles to adapt at first.
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He quickly rallies and skilfully fights them off, though. But more pirates soon appear and after fighting them off, Din is thrown backwards. He sees several pirates approaching.
Din lies down in defeat, powerless to fight them off without his armour or weapons. Knowing his death is likely imminent, without hope of survival.
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Instead of giving up and accepting defeat, he does not allow himself to wallow in despair and mystery. After sighing deeply he steadies himself and gets right back up:
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Facing down death as the pirates approach, he does not show weakness or fear.
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He doesn't allow himself to be cowardly, or dwell on his likely impending doom and the fact he has failed in his quest to rescue the child he loves so much...
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Instead, Din stands there with his fists up, outnumbered and without weapons, prepared to fight to the end even in the face of certain death...
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Fortunately, of course, the TIE Fighters appear to save the day and Din succeeds in his quest to rescue Grogu and, well, you know the rest.
But I think this little moment in one of the best episodes is such a good insight into his character.
Standing up with his fists clenched like that, outnumbered and hopeless but refusing to accept defeat is perhaps one of the most Mandalorian things he's ever done. Yet only a few minutes later he removes his helmet and that act leaves him rendered an apostate in the eyes of his people. Told he is a Mandalorian no more, even.
It's kind of heartbreaking because he really did not deserve to be told that. Mandalorians are proud warriors, who never give up. Being a coward is the worst insult in Mando'a, their ancient language. Here, Din showed that he is nothing of the sort.
Din Djarin is as honourable a Mandalorian as they come.
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inkskinned · 1 year
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one of the things about having an unstable parent is that it can so easily ruin your future. you want to get out, but getting out takes having agency. it takes the resume and the grades and the stellar community service history.
but you have to choose your battles. you know if you sign up for an after-school activity, it'll be okay for a while, so long as the activity is parent-approved and god-fearing. over time, like all things, it will become an argument (i can't keep carting your ass to these things) or a weapon (talk to me like that again, see if you get to go to practice). sometimes, if you love the thing, it's worth it. but you also know better than to love something: that's how they get you. if you ever actually want something, it will always be the center of their attention. they will never stop threatening you with it. telling you of course i'm a good parent, i came to all of those stupid events.
you learn to balance yourself perfectly. you can either have a social life or you can have hobbies. both of these things will be under constant scrutiny. you spend too much time with her, you should be at home with family is equally paired with you're acting like this because you're addicted to what's on that goddamn screen. you cannot ever actually win, so everything falls within a barter system that you calculate before entering: do you want to learn how to drive? if so, you'll need to give up asking for a new laptop, even though yours died. maybe you can work on a computer at the library. of course, that would mean you'd be allowed to go to the library, which would mean something else has to bleed. nothing ever actually comes free.
and that bitter, horrible irony: you could be literally following their orders and it still isn't pretty. they tell you to get a job; they hate that your job keeps you late and gives you access to actual money. they tell you to do better in school; they say no child of mine needs a tutor. they want you to stop being so morose, don't you know there are people who are really suffering - but they revile the idea you might actually need therapy.
you didn't survive that fall the way other people would. you've seen other people scramble and get their way out, however they could. maybe you were made too-soft: the answer didn't come to you easily. it wasn't quick. it was brutal and nasty. some people even asked you why didn't you just work hard and escape during school? and you felt your head spinning. why didn't you? (they control your financial aid. they control your loan status. they love having that kind of thing). maybe in another life you got diagnosed sooner and got the meds you needed to actually focus and got attention from the right teachers who helped you clear hurdles to get up out of here - but for now? here?
the effort of trying. the effort of not-dying. that kind of effort was absolutely agonizing.
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lazylittledragon · 3 months
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Feel free to ignore if this is intruding but I remember you posting about dealing with caffeine addiction and I hope you're doing ok <3 Addiction is really hard to deal with so I hope everything is going alright for you!
!! thank you for checking in <3333
i haven't cut it out completely (i really don't think i'd be able to) but i'm still doing much better, i've cut down from 6 shots per cup to only 2. i've also changed my sleep/eating habits so now i don't feel like i need the caffeine as much because i just don't feel as shit anymore.
it's been very nice :3
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rui-drawsbox · 2 months
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Comm for @ SproutAstro :3c
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thepringlesofblood · 2 months
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anyone else having to go through fhjy at a snail's pace bc every time there's a teacher-student interaction (even the positive ones!) you want to set something on fire because of how much you hate high school and american academic culture and it throws you back to the Bad Old Days of actually being in high school, but also you really like fantasy high and you really like the characters and their story and the players and the way they're exploring & critiquing the US school system and basically everything about the show but actually watching it makes your brain explode?
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ryctone · 5 months
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No seriously cringe culture traumatized me so bad as a young artist because even now I can't say "yeah so, my OC Sun's Grace is like the physical manifestation of Golden Cheese's Soul Jam because said Soul Jam wanted to experience the world, and Sun's Grace is very powerful as a result even if she doesn't know the reason why" without feeling like I'm gonna be yelled at just for her existing.
So just a word a word to young artists out there: Your OC is so cool and don't listen to people saying they're "cringe" just bc they are a bit powerful or somehow rewrite the canon or have a rainbow color pallet or are shipped with a canon character or whatever bc what matters is that you're having fun 🧡
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seventeendeer · 1 year
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the tf2 fandom on tumblr is in such dire straits, it wraps around from being annoying to being funny
no one knows anything about the time period it's set in. no one knows anything about the time period it was written in. no one knows the media genre it's parodying. no one knows how to write mostly-middleaged, mostly-white men who are intentionally and comedically a product of their time and individual cultures. no one seems to even realize each character is hugely informed by (the stereotyped version of) their culture. no one is comfortable engaging with the old war propaganda it's satirizing. no one knows anything about guns. some people actually think the sniper is 26
it's hard to watch, but then again the official comics post-2015 fall into every single one of these pitfalls too so like. maybe a lack of media literacy isn't just a fandom problem
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brb-on-a-quest · 4 months
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I had a thought last night, and even though the only canon bat source I've had is WFA, and I've only *just* started getting into fanfic, so characterizations may not be accurate/have been done before, but IDK. I need this to exist out there.
Timothy Drake-Wayne writes fics sometimes.
It started off with the necessity of creating so many fake IDs. One thing led to another and Tim was coming up with backstories for all the Johns, Marys, and Joes that he invented while doing his Gotham digital surveillance. After all, he was trying to make these people's fake IDs look as real as possible, which meant more than just a name on a couple of sheets of paper.
It means creating a fake digital footprint. For each one.
So, on the rare occasions when things are calmer, and he's not immediately needed, he sits on his computer and types out head cannons for each of the OCs he has created. He spends a lot of time doing research on different cultures, neurodivergencies, physical abilities, and backgrounds to try and 1) paint accurate pictures and 2) learn. He hides the world building tidbits in a secret folder that he's taken so many measures to hide from Oracle (she already knows, but she doesn't actively look after finally figuring out what the folder of names, complete with physical descriptions, life stories, and preferences is out of respect for Timothy). (Also, all this writing knowledge actually comes in handy for crime-solving things, but he doesn't fully realize it at the time).
Tim even went as far as to make social media accounts for some of his favorites and posts bits and pieces of the head cannons to make them, again, seem like real people. Just in case. As a precaution. You never know.
Jason finds out somehow, in a freak accident and collision of siblings that so often happens. Tim is sweating bullets, trying to steel himself for the endless teasing. He is fully prepared to delete every single file that's in that folder and deny that it ever exists for all eternity.
Except Jason doesn't. Jason's too much of a literary nerd (granted, he prefers more classic literature than social media fics, but this is another thing he can connect with his little brother on- he's *excited*) to tease Tim about the writing. He kind of persuades Tim to take more time for his hobby because Tim has some markings of talent in his very specific creative niche. Tim may have also convinced Jason to try it exactly once, to create a fake Twitter profile for Mr. Darcy and create shitposts from his point of view. He has a great time with it once, and then he moves on (but sometimes he creates other accounts for other characters that Tim doesn't know about).
They make a pact between the two of them not to tell the others; they'd ask too many questions and make it less fun.
But every once in a while, Tim would walk into Jason's place to crash for a bit, steal all of his Red Bull, update Jason on his writing projects, and get writing advice.
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brookheimer · 11 months
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i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.
(read more under the cut because jesus christ did this get long)
in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.
again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.
so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.
really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.
i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.
shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.
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d0llh0use-of-h0rr0rz · 5 months
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Wileroad redrawz :3
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raayllum · 5 months
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Now, don't get me wrong, by all accounts, Rayla isn't a particularly 'good' assassin. She fails to follow mission orders when she's actually given them (1x01, 1x02) and outright defies them (1x03). A lot of this is because of her own sense of morality and compassion, which is exactly what Runaan criticizes her for and what Ethari worried about.
R: Your heart isn't hard enough to do whatever it takes.
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E: I told Runaan you were too good hearted for the work of an assassin, so I know you did not betray them out of malice.
However...
There is still a reason that Runaan thought she would be a good assassin. Part of that is because he's a lot like Claudia, his love for his family obscuring a more objective reality. The other part is that, other than her 'too soft' heart, Rayla has what she needs to be an assassin in terms of the skill set (her blades were at Marcos' throat) and because she doesn't always listen to said 'soft heart'. In fact, she often tries very very hard not to (see a lot of early S1 in particular).
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“Of course. For…” she chewed her lip and counted on her fingers. “Hrm, maybe fifteen years now. Anyway, you can call me Redfeather.” [...] Rayla felt her heart turn soft in her chest in just the way she hated. She wanted to know more, had to know more. “What did you do?”
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Now, we see that in S4 Rayla is a lot better at well, not listening to that soft squishy part of herself, and that Soren was less good at appealing to her about it than Ezran. Some of this is probably because he pivoted away from the dragon and went after it from an identity standpoint — which, not only does Rayla have a pretty malleable sense of self in her own head, she does not believe that any part of whatever identity is there is particularly good / does not think she's a 'Good' person quote unquote — but this was absolutely doomed to fail post-return. Spending two years alone, trying to singularly hunt down a man and murder him, and knowing all the while that you hurt the people you love the most and have nothing to show for it... Yeah, no one's gonna be in the best head space for that, or be overly inclined to trust their own judgement or capacity to save people.
Like most characters in the show, Rayla struggles with always knowing what the right thing to do is, and what served her well in the past — trusting her gut, taking on things alone, laying herself down in the line of fire, removing her hesitation, and going to save Phyrrah in 2x07 — may not always serve her well in every scenario. She thought she was right to do all the same things when she went after Viren, didn't she? So she errs on the side of inaction, of not wanting to make another mistake by acting with her heart rather her head (again), and inadvertently waltzes into another mistake (Soren being captured and going missing).
Rayla will do the right thing, and hate herself for it, and will stubbornly ignore the signs screaming at her when she isn't doing the right thing (and she'll hate herself for that, too.)
[ Sidenote: bonus post about how Arc 2 increasingly treats more and more character traits and decisions as circumstantial rather than inherently good or bad ]
As she says to Ezran:
R: I let him go. I don't know why. E: Because you felt for him. R: But he was a human — my enemy! E: Yeah, but then you saw he was scared. And you knew he was a person, just like you. R: That shouldn't have mattered. I had a job to do.
I think we can read this in two ways. The first is that to be an assassin, you have to be able to dehumanize others on a fundamental level because you're 1) murdering strangers 2) on someone else's orders. Although Runaan preaches about balance in Bloodmoon Huntress (when you kill someone, you remove their capacity for love and change) we have all of Arc 1 talking about why that mindset is flawed and isn't good enough, especially because it culminates in Harrow's death when he still had plenty of things to love, like his children, and so much he wanted to change, and it would've led to Ezran's death as well. This is one of the reasons why assassination and dark magic, conceptually, often go hand in hand for the characters and their explorations of personhood and the right thing to do, etc etc.
The second way is that Rayla, by ignoring her own wants and personhood — her own heart — is also dehumanizing herself. It shouldn't matter that she's a person with wants and weaknesses; she had a job to do. We see this reflected in a lot of her behaviour ("Don't worry about my hand. The egg is all that matters now" —> "It's agonizing. But I know our mission comes first: the world is in danger, and you can trust me to stay focused") and in Runaan's / Moonshadow elves infamous "I am already dead" thing.
(There is also the factor that, because her and Callum mutually informed the construction of each other's new senses of identity to an absurd degree, if Callum doesn't want her then she doesn't know / doesn't have a firm footing on who she is anymore without him, but that's a codependent post for another day.)
All of this is a very long winded way of saying there, much like Viren and Claudia, are two consistently contradicting aspects to Rayla's personality that she is catapulting between, and the Assassin Rayla and Protector Rayla are, as of S5, still equal parts of her as she finds her way. Both have good and bad qualities of her, even if the Assassin Rayla side is — let's say more negative — and far more worrisome given what Callum has asked her to do if he is possessed again, and how it seems like S6 will be going full steam ahead in exploring that plotline.
In a lot of ways, Assassin Rayla and Protector Rayla have the exact same set of traits — selfless, protective, strong, willing to sever close bonds or divert from the mission to do the Right Thing — but instead describe the circumstances she's making those choices in. Protector Rayla is the one who stands against Runaan on the battlements; Assassin Rayla is the one who refuses to prioritize her parents even when she absolutely could (or at least, more than she is).
Assassin Rayla causes her to forget her own needs and put the world above everything else. Assassin Rayla causes her to ignore other people's needs, either not helping them (although iirc 4x05 is the only real example of it) or by leaving / keeping secrets.
The part of her we don't want her to listen to, the part she listens to when she's Scared — the one that walks away from the drake in 4x05, that tries to walk away in 1x09, and what led to her leaving, in a lot of ways, in TTM (both out of love, trauma, and a desperate need for control) — and how S4 reaffirms those qualities is precisely what may lead her to hurting Callum (again) in S6.
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Because Callum is asking her to become an Assassin, Aaravos marks her as a failed one, and Rayla still — deep down — wants to ultimately be a Protector. We'll just have to see what side she answers to (and why).
More thoughts on Rayla, identity, and murder to follow lmao
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viiridiangreen · 5 months
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pansyfemme · 1 month
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thinking about an ask i got when i was 14 that has stuck with me forever because it was like. accusing me of lying about having bi4bi parents. why would that be anything even remotely interesting enough to lie about
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natp20 · 16 days
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I am alive. I am alive for the first time. And I am alive, not because I was made by D or Dancer or even the Changebringer. I’m alive because they made me alive. And it’s the connections that I made with all of them. And it’s a feeling of joy.
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And I’m happy to do this, because they saved my life and I’ll save theirs.
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And some connections are made with wire, some are made with blood, some are made with bone, and some are made with wood. But they all matter. And even in this dark cave they make it a smiley day. But they all matter. And even in this dark cave, they make it a smiley day.
wheat fields/finale ultimo - starry, a musical about vincent van gogh
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goldkirk · 4 months
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I'm so proud of myself about finances in the past couple months. I still struggle with money but I did enough meditation and journaling and practicing about it to make myself able to actually face my loans and credit cards and savings and bills and start really truly organizing and addressing them for the first time in years instead of just flying by the seat of my pants.
Like. This is a huge deal for me. I've felt like I'm in deadly danger every time I've tried to think about money for years and years. I'm finally able to look it in the face and stare it down and start to organize and plan on purpose instead of just keeping up with the minimum to stay afloat. I'm so proud of myself.
It's still a refrain of "GUILT (funny link)" every time I think about money but I'm able to actually make spreadsheets and face the numbers and monthly tracking again, and even make a new full budget which I haven't been able to do in ages.
still feel guilt, overwhelm, and helplessness, but no longer feel as much deep elemental shame and terror. that's progress baby
#we don't need to talk about how many months and months of therapy visits and doctor appointments I put on credit cards#among other things#but I had to put my foot down about it a couple months ago and shout at myself a little saying HEY#I AM SHAKING YOU BY THE SHOULDERS I AM SHOUTING FOR YOU TO HEAR#OF COURSE IT WAS A TERRIBLE FINANCIAL DECISION BUT YOU WEREN'T EVEN EXPECTING TO BE ALIVE#THE CREDIT CARD DEBT WAS NECESSARY TO KEEP YOU ALIVE AND IT DID AND EVERYTHING ELSE IS WAY LESS IMPORTANT THAN THAT#why the FUCK are you feeling SO ASHAMED for making the best decision you knew how to make at the time???#just because you know NOW that you could have tried some other options doesn't mean you did THEN#you may have known enough to feel shame and guilt yes but you would never in a million years have gotten the help you needed fast enough#by attempting to go another route#you didn't trust anyone besides a very few handfuls of people and even them it wasn't fully#and the stress of running it through parental insurance was so terrifying to you bc you didn't know what that would do#and you never had cosigners for anything your whole adult life. it's OKAY#you fucking DID YOUR BEST#YOU HAVE LEARNED. YOU HAVE MADE CHANGES. YOU HAVE ALREADY DONE BETTER#YOU WILL CONTINUE TO LEARN AND IMPROVE OVER TIME#it is not the end of the world. even the utilities sending you to debt collections etc etc#YOU ARE FIGURING IT OUT ONE PIECE AT A TIME#MORE PEOPLE ARE ASHAMED AND AFRAID OF THEIR OWN FINANCES THAN YOU THINK#if the people who fought and argued with and shamed you for considering student loans much less taking them out#had wanted you to actually be financially safer and healthier#they could have just fucking helped out or cosigned your loans or actively helped you find other solutions#instead of spending months and months telling you it was the worst decision ever and would ruin you financially for decades and such#you made the best decisions you could with the level of terror and knowledge that you had. it was enough to keep you alive.#isn't that enough?#isn't it a victory to survive?? isn't that enough??????#god i'm cringing at sharing this but if it's been this hard for me surely at LEAST one of you has also made financial mistakes or regrets#and seeing me be honest that I fucked it all up too and it's a mess and I'm just climbing back through it as best as I can as I go#will hopefully make at least one of you feel a tiny bit less alone
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