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cuddlytogas · 1 month

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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pocketgalaxies · 1 month

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We want to destroy my mother. (insp by @dadrielle)

#critical role #criticalroleedit #imogen temult #liliana temult #laura bailey #matthew mercer #gifs #*#*cr #cr3 #cr spoilers #angst tag #cr meta #nova shh #scheduled #3h12m c3e88 #18m c3e12 #3h17m c3e42 #3h42m c3e51 #4h20m c3e51 #1h35m c3e49 #i think this gifset might be a little bit unfair to liliana from a third party perspective but #i think it's Very Real for imogen. to feel like she reached out so many times and the loyalty there was so fucking flimsy #barely there to begin with and then gone in an instant as everything turned to red mist #thinking about how laura on 4sd a while ago said imogen is so fucking sick of it she's sick of having that hope #her reality is that her mother no longer has any loyalty to her and the pain of thinking she does isn't worth it anymore #:((((#'help me.' 'this is for the best.' breaks my H E A R T :(((((((((#and matt's fucking Smile afterward. speaks a thousand words #thanks rj for the discord message that kicked this off!!!

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dysfunctionalcreature · 8 days

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just rewatched Dune Part 2 and noticed something, when Feyd Rautha enters the area for his birthday fight, and after he wins the fight, the people in the audience of the arena are chanting his name in a very rhythmic and quite frankly terrifying way - "Feyd Rau-tha! Feyd Rau-tha! Feyd Rau-tha!"

And after Paul kills Feyd Rautha, takes Irulan's hand in marriage, and declares war on the great houses, the Fremen people around Paul begin to chant - "Lisan al Gaib! Lisan al Gaib! Lisan al Gaib!"

They chant for Paul with the same rhythm and ferocity with which the Harkonnen audience chanted for Feyd Rautha earlier in the movie. If that doesn't show Paul's transformation and loss of humanity then idk what does

(also FeydPaul parallels in general yessssss I love every connection between these two fucked up boys, it's tragic that they barely even get ten minutes of screentime together)

#if this is incomprehensible it's because I'm barely awake falling asleep as I write it #sorry but not sorry bc i just really needed to get my thoughts out #dune part 2 #dune #paul atreides x feyd rautha #paul muad'dib #paulfeyd #paul atreides #feydpaul #feyd rautha #feyd rautha harkonnen #dune 2 #dune meta #dune analysis

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thesherrinfordfacility · 26 days

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it has taken me until today to interpret the story/moral of sodom and gomorrah within aziraphale accepting jim into the bookshop and giving him sanctuary. and in his decision to return to heaven. are you serious

#ignore this i barely know what im saying. but aziraphale. your abraham is showing #good omens #s2 meta #...ish. just tagging for posterity tbh with you

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khattikeri · 3 months

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one of my favorite things about mdzs is that for how heavily its plot involves politics of classism and misogyny... even the characters most directly impacted by it can't and don't free themselves from it. literally the closest exception is mianmian.

meng yao being the "son of a whore" wasn't some sort of commie awakening for him that led him to wanting everyone to be socially equal. he played the political game, climbed the ladders, sucked up to and backstabbed and murdered people, including other prostitutes who actually had nothing to do with how he and his mother were treated at the brothel he grew up in.

he put in so much extra excessive effort for even a fraction of the same respect that members of gentry cultivation clans got. and he did deserve to be treated more humanely! but he feeds into the exact same system that created him, leading to his own undoing.

his efforts were for a fragile upward mobility that was never going to hold up. he never surpassed his origins nor did he empower others in similar stations, because the society he lives in is not one that would accept that.

the second he got caught and all those crimes exposed, he was scapegoated to hell and back, replacing wei wuxian as society's terrible one-sidedly evil boogeyman overnight.

speaking of not-quite male gentry, i think it's interesting that wei wuxian explicitly doesn't try to climb the ladders in BOTH lives, knowing full well that anything he does will be punished just for the sheer fact that he is wei wuxian.

wei wuxian is scolded for giving intelligent and correct answers in school. lan wangji does the same and is praised.

wei wuxian occasionally lounges around with fellow disciples and is punished. jiang cheng does the same and mostly escapes.

wei wuxian refuses to carry his sword around in public (after losing his golden core, which nobody knows) and is scorned as an arrogant upstart. nie huaisang has been doing the EXACT SAME THING for YEARS and nobody bats an eye.

unlike jin guangyao, wei wuxian knew subconsciously from the start that his acceptance was superficial and that he could be cast out any time. when he was 10 and recently taken in by the jiangs, he canonically would not eat or use "too much" food and water because he thought they'd find him a nuisance for "wasting their things" and kick him back out.

now away from just the classism, yu ziyuan is a proud and strong noblewoman in a society that belittles and derides women for everything they do. her strong cultivation doesn't matter. she's victim to the vicious rumors of her husband loving another woman who is strong like her but apparently had a more likeable personality.

it doesn't matter even if jiang fengmian didn't cheat or that wei wuxian is wei changze's son with cangse sanren; yu ziyuan can't bear with the humiliation of herself (and by extension her children) not being "good enough". she's ridiculed for "failing" in that one duty as a wife, mother, and woman.

she lashes out and takes out that anger on everyone present for years, giving her children lasting trauma and also being a key element in how the jiang family and yunmeng jiang sect are effectively wiped out at the hands of the wen clan.

madam jin doesn't even have a name outside of the fact that she's married to jin guangshan. i don't even remember reading anything that indicates if she's a strong or weak cultivator, or what, which in itself proves that to most people, it doesn't matter. she's "just" a woman.

of course she's angry at her husband's affairs and all the bastard children they bring in. but she also can't do anything about them, so she lashes out at the few people she can: servants. non-cultivators, probably. those very same bastard children.

shoutout to meng yao getting shoved down a flight of stairs at age fourteen, because if madam jin tried that move against her husband instead, it would make her lose even more face, which as a noblewoman she'd never do.

and that's not getting into how jiang yanli is consistently sidelined for being physically weak.

that's not getting into how mianmian was actually a good cultivator, but was mocked by everyone around her for trying to stand up for wei wuxian when everyone was turning on him. how everyone scoffed at luo qingyang's words as "just some lovesick woman" who "obviously wants to marry or bed him since he saved her".

luo qingyang is the only one of these characters who HASN'T died. she didn't play society's games like jin guangyao. she didn't dig her heels in confidence of her own abilities like wei wuxian.

she didn't bitterly lash out like yu ziyuan and madam jin. she didn't gently accept it like jiang yanli.

she just LEFT.

she married an ordinary merchant and cultivates separately from mainstream cultivation society, and therein found her own peace and happiness.

mxtx doesn't bother with particularly class conscious or feminist vocabulary to hand-hold readers into understanding these disparities, but that choice highlights them & the deeply entrenched politics of their society even more. i really love it.

#keri chats #mdzs #mo dao zu shi #long post #mdzs spoilers #im novel only but still tagging.#the untamed #cql #yeah yeah everyone's written meta addressing this aspect of the story BUT I THINK ABOUT IT ALL THE TIMEEEEE #maybe i just don't get to read a ton of books often; esp not ones that mirror my own culture. but it's just so. soooooo. augh #the fact that the setting itself enables so much of the tragedy in mdzs... which is true of all tragedies but STILL...#this isn't even getting into qin su and the power imbalance w her and jgy post-reveal... man.#man. so much going on here. man #THIS POST IS MESSY AND BARELY EDITED BUT IF U READ IT. ILU

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lolipop-lord · 22 days

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they found the greatest sweets in the galaxy!!

this is basically the plot of my comic lol

#kirby #kirby fanart #kirby fandom #galacta knight #meta knight #king dedede #galacta is my boi and i will die for himp!!!#i wish i could paint more but man it takes so long and i barely have time to draw

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anteroom-of-death · 2 months

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It always drives me insane, but especially now, how people dismiss 12 and Clara as romantic canon or eventually subtextually romantic. We've seen the Doctor in Canon romantic love. We've seen the Doctor in Canon best friends situations.

With his arguably biggest (based on how insane the fandom and writers, especially rtd are/cling onto) nu who love interest, Rose. When she's in danger he's fawning and doesn't bend. 10, especially isn't furloughed in morals as much as 12. (Or 9, but this is a different talk for another day.) He's not laying awake thinking if he's good or evil. He just accepts and goes.

When Rose and the whole Doomsday plot happens, all 10 does is burn up a sun to say good-bye. (Then treat Martha like shit until uWu Donna time.)

With Clara, he frequently goes to the next level. Hell, most his words in seasons 8 and 9 is her name! He's jealous in a way he never was with Mickey at Danny. He's constantly at odds with himself. He feels and acts legitimately threatened.

When she is finally dying. He loses all pretense, gives into his urges and threatens genocide, holds hostage, coups and kills. He is willing to undo his past of saving Gallifrey from falling, to save her. Keep her. Hold her.

It's only when Clara reels him in does he think differently. Go a different route. Be nicer. Chose a shard of kindness to the rest of the universe.

They both brought out the best and worst in each other until the bitter end.

"Friendship" my ass. That's real, toxic, deep all-consuming love.

#personal #doctor who #clara oswald #12th doctor #whouffaldi #i could defeat the lady me #oh missy is the lover of chaos didn’t you think she planned for this #bold of u to assume the master actually can think that far ahead past oohoo schemes #missy probably mourned clara #Missy liked clara #duh #i could defeat lady me in combat #give me a break #doctor who meta #parellels #river and 11 honorary mention but river can hold her own and 11 barely interveened cause river can hold her own and flitted in and out #rose tyler i versus i had a duty of care

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sapphic-loser16 · 3 months

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Is it just me, or is interaction in the Zelda fandom (LU and other such aus included) disproportional to the amount of people/content there is?

#I’ve been talking to another artist bigger than me #And we’ve both noticed that there’s so many people in this fandom #But barely any interaction on anything (ie meta posts and art and writing and the like)#If you’re an artist or writer I’d love your input #legend of zelda #the legend of zelda #linked universe #linkeduniverse

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ilovetheater24601 · 10 months

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#bare a pop opera #bapo #theater #musical #bare a rock musical #bare the musical #bare fandom #bare meta #michael arden

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somehow-a-human · 24 days

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Oh look it's another crack theory!

Crowley is the current supreme archangel.

DO NOT ASK NEIL ABOUT FAN THEORY

Okay so hear me out, and look, I SAID CRACK! I have fun crack theories pop in my head every once in a while and I'm gonna write em down. It's not cannon with any of my other ideas or metas it's just *a thing*.

So! If you want to follow me down a wormhole of extrapolation, do so below!

"There is always a supreme archangel!"

Michael said it not me! Blame her! But look, that line is a choice, and it feels there for a reason. Maybe there IS always a supreme archangel. Maybe it's not a job you're hired for, maybe it's something that's inherited like royalty, and transfers automatically.

The 25 lazarii miracle.

Okay yes, I think it's just love and angel/demon working together is more powerful than apart, shades of grey, all that. BUT nobody else thinks that. Heaven and hell do not think that. They do not think Az and Crowley should have been able to do that miracle by any means. So I'd assume they're scratching their heads, and Aziraphale does tell the Archangels initially that he performs the miracle alone, which I assume would have then been relayed to the Metatron.

"A miracle of enormous power happened last night, the kind of miracle only the mightiest of archangels could perform" ... "How do you know I didn't do it?"

Let's say I'm right, look I'm humoring my own theory aren't I? Does Crowley know? Would he be aware of what happened? Would he feel it? If he did I could definitely see him keeping that card close to the chest, but still being a snarky ass to Shax.

Crowley opens the file in heaven.

So he's at least a Throne or Dominion or above, probably even higher up than that. He says they never change their passwords, and if that's true what else don't they change? What else have they forgotten? Bureaucratic nightmares like heaven often overlook so many things, who's to say a certain high up angel wasn't taken off all the books fully after they became a demon?

Why does the Metatron actually want Aziraphale back in Heaven?

I mean? Sure he and Crowley averted Apocalypse Part 1 last time I guess that's why, but couldn't there have been an easier way than a faux job promotion? I'm thinking: Gabriel is gone, the position of Supreme Archangel is automatically inherited, none of the Archangels in heaven are it, Aziraphale is suddenly accidentally performing a 25 lazarii miracle all by his lonesome? What if the Metatron thinks it's Aziraphale who has been chosen for the role of Supreme Archangel. But there's one thing he's over looked...

A clerical error.

What if it's not Aziraphale but it's Crowley. Crowley was formerly a high ranking angel before the fall. He's still able to access files in heaven, maybe they've forgotten to completely erase him from all the books and databases, and he was next in line, or maybe God just has a funny sense of humor. Angels and demons alike seem to just automatically listen to Crowley this season and do what he asks, Shax calls him "Arch-traitor" he seems like he might just know a bit too much more than he should, and the scene during the trial where Gabriel says, " However I am the only first order Archangel in the room or ya know the universe." Then the camera cuts directly to a close-up shot of Crowley? It's a bit too foreboding in my opinion to be nothing.

Final Thoughts.

This comic is posted on Whickber street between Aziraphale's Bookshop and the Record Shop. Neil had asked that it revolve around the horrible crime of stealing halos. When I see this comic, I can't help but think that the original halo owner is very James Bond, a character our favorite snake like demon loves to portray. I wonder if Anthony J "just a J really" Crowley chose J for a reason more than just a J (maybe........... Jophiel?), and I wonder if he really was fully deserving of his fate during the fall or if there's a bit more to the story.

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rabbitprincessthief · 1 year

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gog i still can't get over minish cap vaati's Everything. He is So Fucking Stupid (affectionate)

Like. This guy's establishing character moment is, in order:

he's introduced as having won an entire tournament to get to touch a magic chest and get a cool sword, which was the prize for said tournament

turns around and does a goddamn evil soliloquy TEN FEET AWAY FROM THE GUARDS who were about to hand him his macguffin on a platter

(like this man fucks up his own horribly planned daylight heist because he cannot keep a lid on the dramatics for FIVE FUCKING MINUTES, IN PUBLIC)

(THE BAR WAS ON THE FLOOR VAATI, FUCKING GANONDORF PLAYS THE PIPE ORGAN FOR HIS OWN BOSS INTRO AND HE STILL KNOWS BETTER THAN THIS SHIT)

proceeds to fight the guards (it is, admittedly, a curbstomp for him, but it still clearly wasn't his plan, because otherwise why bother with the tournament)

gloats evilly

opens chest, unleashing a whole bunch of monsters

exposits out loud about Zelda's powers like a nerd while she is actively charging up her magic powers to kick his ass

RECOGNIZES and IDENTIFIES said magic as the special power carried by the female royal line

completely fails to recognize it as the light force he is currently trying to get his hands on (he spends like 99% of the game not figuring this out.)

petrifies her

(i have no idea if link could have deflected this spell if he had managed to get the right angle with his shield but i like to think somewhere there is a very short and very funny alternate timeline where it happens)

(more importantly: no part of vaati's original presumed plan would have involved doing this. he 100% created this situation for himself by being an dramatic idiot and picking a fight for no good reason.)

looks in the chest

there's no light force

considering his stated goals he might be as confused as you are about the monsters tbh

uhhh

evil laugh

teleports the fuck out

He then proceeds to spend the rest of the game trying to figure out where the light force is and ends up having to wait for Ezlo and Link to figure it out first because he was, as far as I can tell, GENUINELY stuck on this part. He fucking kidnaps and impersonates the King, not for access to Zelda, but to… send guards to go look for the Light Force, presumably because he was either running out of ideas or genuinely thought that would work.

None of the guards even had any idea what he was talking about. He's not even good at impersonating the King. He's already sent like twenty people to the dungeon by the time you get there and it hasn't even been a week. Somehow the game spins this as a cunning plan and clever manipulation or something.

(Meanwhile the guards are just. Poking around in random bushes and shit hoping to find the light force. One of them asks you what you think it might look like.)

Zelda is literally right next to the throne and Vaati does not figure it out until you find an actual honest-to-goodness LORE TABLET spelling out that the Light Force is Stored in the Zelda, at which point he's like "ahahaha you've done my work for me this was definitely my plan all along" and takes over the castle and throws a bunch of monsters at you to stall for time while he figures out how to extract the force from her. Somehow he still doesn't think to actually lock the fucking door.

#vaati #minish cap #loz #mc #he's my stupid little squeak squeak and i love him #meta #op #sorry this got long but i have So Many Words about this little bastard #i think he's a really fun foil to ganondorf tbh -#ganondorf looks like a brute force guy but in practice tends largely toward manipulating and long cons and cunning #the appearance of dumb muscle but is actually refined and clever and skilled while also still being built like a brick wall #vaati looks like a classic scheming squishy wizard guy but actually is just cheating and does almost all his nonsense very directly #and his plans tend to be either Do X / ??? / Profit stuff or barely exist at all #to the point where og four swords is gated primarily by your ability to convince great fairies to help you rather than vaati stopping you #ganondorf is a guy given power who wants a magic wish granting artefact #vaati is a guy given a magic wish-granting artefact who decides he wants more power now actually #vaati has had a significant minion approximately once (shadow link) and that was in shared custody with ganon

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lenaellsi · 8 months

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It's so interesting that in every single minisode, Aziraphale really is like...the POV character, for lack of a better term.

While we start Job with Crowley alone with the goats for a brief minute, the rest of the episode stays firmly with Aziraphale. We see him in Heaven, discussing the pact between God and Satan with Muriel and the archangels. We see his outrage, his confusion, his guilt. But we never see Crowley receiving his orders from Hell. We know only as much as Aziraphale does about the reasons for Crowley's actions--we don't know that Crowley has saved the goats and is planning on saving the kids until Aziraphale figures it out.

Obviously, the Edinburgh plot line centers Aziraphale's perspective as well, going so far as to have him narrate his thoughts and feelings in the form of a diary entry. We know why he's doing what he's doing, how deep in Heaven's rhetoric he is, and we get his very limited perspective on what happened to Crowley at the end--"that was the last I was to see of Crowley for quite some time." Again, Crowley's perspective on the story as well as what happens to him after it remains a little bit of a mystery, but Aziraphale's thoughts are front and center the whole time.

And 1941. Nothing about 1941 makes sense unless you know exactly what's going on in Aziraphale's head. That's why we get the shot of his face at the beginning, after Crowley hands him the books and walks away--it's saying, look! Aziraphale is in love! This is the story of the night he realized it! And Crowley doesn't know! And while we stick with both Crowley and Aziraphale that whole night, the audience can clearly see the motivation behind all of Aziraphale's actions, because we're in on his secret. We're sharing his headspace in a way we just aren't with Crowley.

But the narrative also plays with that, because in all of these stories, there's a level of "oh honey no" that we're supposed to be feeling with Aziraphale. We see him struggling with God's cruelty in Job, with his fear of falling after he defies the plan, and how it shakes his faith in Heaven, an institution the audience already knows to be corrupt. (Like S1). We see him talk about "the virtues of poverty" and inadvertently cause harm both to humans and to Crowley in his pursuit of Heaven's ideals, all while we are screaming at him to stop. (Like S2). But in 1941 (magic show aside), the audience and Aziraphale are finally on the same page! Yes, you love Crowley! Yes, you can trust Crowley!! Yes, shades of gray!!! Good job, Aziraphale!!!! (...S3?)

Idk what it means, really. I just think it's interesting that we're being offered such a close perspective of Aziraphale's thought process in the flashbacks. Obviously it has to do with priming the audience for his decision in 2x06, but I hope it's also a little preview of what's to come for him in S3.

What this means for Crowley is a different post.

#good omens #good omens meta #aziraphale #barely. i am typing this out on my lunch break because i am so. so bored.

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