#aww here we go | Explore Tumblr Posts and Blogs

jq37 · 1 year

Text

Twice Upon a Time - Neverafter Ep 1

The Times of Shadow

What is up y’all? A new season of D20 has started and I’ve been lured back to recapping by the siren song of fractured fairy tales. Fairy tales are one of my first loves (my thesis project for school right now is a fairy tale retelling in fact) and it’s very exciting to see that the D20 crew is digging into the darker side of these foundational stories.

I hesitated in starting recapping this season because as much as I love doing these, it’s a big time commitment and I am A Busy Person BUT the premiere ep was just so fun that I couldn’t resist. So, here’s the deal. I will do my best to keep up but no promises, OK? And I’ll be messing around with the formatting a bit to see if there’s a way to make the process a bit easier for me so bear with me.

And with that we start our story in the only way we really can…

Once Upon a Time.

Rosamund Du Prix (Siobhan’s PC)

We start with Brennan mesmerizingly telling the traditional tale of Sleeping Beauty–it goes down exactly like the Disney version. Three fairies. A fourth who isn’t invited and crashes the party after the first two have given their gifts and curses the baby princess to prick her finger on a spindle on her 18th birthday, killing her. The third fairy uses her gift to soften the curse so death turns into a 100 year sleep. Parents try to protect her by getting rid of all the spinning wheels but magic’s gotta magic and on her 18th birthday she finds a spinning wheel in an old tower and pricks herself anyway. She falls into a deep sleep as does the rest of the kingdom and the kingdom–the kingdom of Reverie–is covered in briars.

Rosamund (who I will be calling Roz) wakes up, 100 years later, unable to close her eyes or mouth because of the briars that are growing out of her body and all around her, completely encasing her. Everyone at the tables is visibly and audibly gagging at the description which I will spare you. Roz is horribly claustrophobic but also feels a weird sense that she’s holding something that feels like a troubling sort of sixth sense (not fully explained but I’m wondering if it’s some kind of Ranger ability because she is a level 1 Ranger).

She manages to get a hand free with minimal damage to herself (one fairy did give her the gift of grace after all) and painfully pulls the briars out of her mouth and nose. As she does, she hears whispers in her own head that she can’t understand and which stop when the root of the briars are out of her stomach.

Roz shakes the Briars that surround her, looking for the prince who was supposed to rescue her from this fate and, as she does this, pricks her finger. A tendril of the massive plant pokes out and drinks her blood, giving her a vision of the hundreds of corpses of the princes who have tried and failed to rescue her. The briars seem to think they are keeping her safe from the world outside and are fearful to let her go.

Now, well past the point of uneasiness, she tries to tell the plants thank you for the hospitality but it’s time for her to go. The plants do not agree and after she fails at trying to lull them to sleep with a lullaby, the plants try to stick her with the spindle and put her back to sleep. There is a bit of a tussle which ends with her diving out of her tower window and barely making it to the bottom in one piece. When she calls out to see if anyone is around, she gets no answer and decides to make her way out of Reverie–a process that takes months of traversing the thorny landscape. The kingdom seems fully destroyed.

By the time she escapes, she is in *rough* shape and she’s fashioned herself a bow of thorns.

[Note: Sleeping Beauty as a ranger is an interesting take. I wonder if she’s going to go Beastmaster for the traditional Princess With Animal Companion? Maybe Drakewarden if she wants to play with the Maleficent angle from the Disney version. Would be pretty cool to take on some of the traits of your captor–and she does already have the thorny bow. Fey Wanderer is an option because she was fey-touched upon being born.]

Now, in the present, Roz is a part of a traveling caravan in a wagon that’s going to the town of Shoeberg. In her wagon, she finds something damp and unpleasant being covered by a threadbare blanket and when she removes the blanket, she finds herself a surprise.

Gerard of Greenleigh (Murph’s PC)

Ger is prince turned frog turned prince turning back into a frog. He’s at the halfway stage so he’s still human height and build but with huge bulbous human eyes and damp, mottled, green skin.

He still has the bearing of a prince though and quickly identifies who he is and insists that his situation is temporary. Roz realizes that she’s related to him via marriage (“I think we’re cousins 3 times”) and is happy to join the self-gaslighting about how everything is fine and good and will be back to normal soon enough. They’re royals after all.

Ger says that though his kingdom is taken and his wife is missing, everything is fine and the fact that he’s turning back into a frog has NOTHING to do with his relationship with his wife which is FINE–something that Boffit (the trollson manager of the caravan who tells them they’re stopping for the night) doesn’t really buy.

From there we’re thrust into Ger’s flashback.

It is post-curse break and he’s doing pretty well. Except, he’s starting to realize that his frog traits are coming back. First his throat swelling. Then his eyes start migrating to frog positions. Then his tongue gets all stretchy. (“We fixed this though,” he says with a pathetic but kind of charming dismayed petulance). He tries to ignore the changes, even as he has a tense dinner with his wife–Princess Elody. Elody is discussing war-time matters with three of her generals–the kingdom is at war with Snowhold, the kingdom of the ice queen–but Ger just wants to talk about the upcoming ball and leave the unpleasantness to the soldiers.

Elody is baffled by her husband’s lack of interest in actively protecting the kingdom and his desire to hole up in the castle while others fight and die for them. It’s the Time of Shadow, she says. Never After is being overrun with giants and witches and sea creatures! Why is he so content to coast on their supposed happily ever after? Though Ger clearly isn’t the fiercely protective active ruler she is, he says he’ll try to take a look at his fencing books. And she says that she’ll try to give him what she can. But that night, she doesn’t come to bed because she falls asleep at her war table with her generals. And the next morning, Ger’s nose is gone. Bad!

[Note: Ger is a fighter. I don’t really have a good guess on his subclass. I am fascinated by his relationship drama with his wife, though. I really hope she shows up again soon because the dynamic of these two people being in love but having such opposed life philosophies is very interesting–especially when it’s having the mechanical consequence of forcing Ger to turn back into a frog. To be in denial about how things are going as you’re literally turning into a frog is so indicative of character.]

Back in the present, we shift to another carriage in the caravan–a very nice shoe being pulled by 4 white horses. Inside is the pompous Lord Bandlebridge of Shoeberg who is toasting two figures–a cat wearing a cape and boots and a puppet of a little wooden boy (with a splintered nose–I’m guessing it was removed to allow for lying without an obvious tell).

Through a back and forth, we learn that Puss in Boots (also known as Pib to his friends–I’ll be going with Pib or Puss interchangeably) and Pinocchio are scamming this man. They’ve told him that Pinocchio is actually a prince who stole 40 pennies from a witch and was cursed to be a puppet. They just need to borrow 40 gold pieces to break the curse and then they’ll pay him back in platinum. Lord B is so desperate to believe the story that he doesn’t look too deeply into it and goes with everything they say.

Puss finds that he is very hungry and slips into a flashback.

Puss in Boots (Zac’s PC)

Pib is living the good life in the Kingdom of Marienne. He’s straight up chilling on a pillow in a shaft of sunlight and his breakfast is brought to him–100 live mice!

The king comes in to talk to him privately and, as soon as they’re alone, starts freaking out. This is the miller’s son–Tomas–who in the traditional Puss in Boots story–is thrust into king-ship by Puss’s trickery. That’s all well and good but now it’s wartime and Tomas doesn’t have any idea how to run a country! Giants are attacking. He doesn’t know statecraft! He can barely read! And he loves his wife but he’s been tacitly lying to her for years and it’s all getting to be far too much.

Pib just brushes it off and is like, hey buddy. Don’t worry. It’ll all be fine.

Spoiler alert: It is not fine.

The kingdom falls to giants and Puss flees. And he has no idea what happened to Tomas and his wife.

[Note: Puss is a tabaxi re-skin and a rogue. Also don’t have a guess/hope in mind for subclass but I do love the bringing of the Puss In Boots story to its logical conclusion of–yeah, this guy doesn't know how to run a country. Of COURSE it’s gonna end badly the second times are bad and you can’t let the kingdom run on autopilot.]

Back in the present, Pinocchio is being a little brat and rubbing Lord B the wrong way. To calm him down, Pib calls Lord B his best friend and hugs him–checking his pockets as he does and finding a scroll which he notes but doesn’t steal.

Now, we check in on the third carriage in the caravan. Inside are two figures–”Mother” Timothy Goose and Ylfa Snorgelsson (better known as Little Red Riding Hood). Red knows Tim because he’s an older guy who used to read stories in her village. When things “got bad” (we’ll get to that) she met up with him.

They both get the announcement that the caravan is stopping for the night from Boffit (and that payment will be due in Shoeberg which is a problem because they don’t really have money). They have to stop in the Blackwoods (a primeval forest) which isn’t safe and they both offer to help with keeping watch (Red clearly being the more physically capable of the two).

As they stop, they also see two notable carriages that haven’t been mentioned before (a teapot drawn by a giant rabbit–clear Wonderland ref–and an uncovered chariot drawn by a ram with an older gentleman in it). They also see the shoe carriage which sparks their interest because Tim has this magic book that he writes words in that disappear. But the word “Shoe” stuck. So it has to be somehow relevant to his quest.

They go talk to Lord B who is going off about how much of a thriving metropolis Shoeberg is even in these hard times. While he does this, the guy in the ram chariot calls him a fucking idiot under his breath. Tim tries to respond to Lord B but is haunted by a vision of something behind Lord B and flips out, calling it a fucker and a piece of shit–freaking out Lord B so much that he runs off.

“I saw him again,” he confesses to Red and we jump into his flashback.

“Mother” Timothy Goose (Ally’s PC)

The Lullaby Lands are a really sweet place that’s mainly farmers and animals and doesn’t need a king or a queen to rule it.

Tim walks home with his son's bones in his arms.

His husband–Henry Hubbard–is horrified as Tim explains that their son, Jack, didn’t actually find whatever egg he said he found and was clearly mixed up with something shady. Tim said he saw Jack talking to some giant, black, demonic looking gander (a male goose) and say “I need my third wish” and then watched him age rapidly into the pile of bones he’s holding.

Then the gander said, “Do you wish to know what just happened?” and when Tim said yes, he was trapped in his own set of three wishes. He then wished for something to get his son back and was given the leather-bound book we saw him with before.

As a veteran bard and witch, Tim isn’t a stranger to magic. He opens the book, looking for an answer and finds the pages blank. Undeterred, he starts writing in the book and finds that everything he writes in the book disappears except for the word Jack that sticks.

He writes all day long and in the back of his head he hears the demonic whisper, “There’s no way you’ll find them all in time, Goose.”

Eventually, he notices a stain on the floor of the house where his son made a mess as a younger child, jumping over a candle and tries to just describe the person he wants. His son. He writes in his book the nursery rhyme (which it seems like he wrote in the world about his son) Jack be Nimble, Jack be quick, etc.

As he does, light fills the room and he sees a window open in the pages through which he sees his son, healthy and well and in a version of Pottingham that doesn’t seem afflicted by the floods tormenting it IRL.

“Dad I’m still here,” the Jack on the page says. “[The book] can save more than me. You’ll save them, I know you will.” Before he can say more, he is cut off and starts running. The book in the story sticks and Jack’s bones disappear in motes of golden light.

Tim realizes he has a LOT of work to do.

[Note: Tim is a bard. I could see College of Lore. Maybe Eloquence or Spirits? Also, I HATED how he got roped into his wishes. That’s some fey/lawyer B.S. “Do you wish to know?” Get out of here with that B.S. I hate the gander. All my homies hate the gander.]

Back in the present, the three groups of PCs are starting to get acquainted. Pinocchio introduces himself as a prince and, as a princess, Roz wants to know where he’s the prince of. Maybe they’re related! He lies and says he’s the prince of Shoeberg which Lord B overhears and knows to be false because he’s from Shoeberg.

Lord B starts accosting Pinocchio who is defended by Tim and then the Ram dude who comes to back Tim up. Ram dude is muscular and has armor and a sword. Though he backs up Tim in telling Lord B to step off, he also whispers to Tim that Shoeberg sucks and he shouldn’t talk about it so much.

Lord B retreats to his shoe carriage and on a Nat 1 insight, Pinocchio thinks that, despite his lie, he’s fine to still go in there. Everyone tries to stop his “chaotic entitled” ass and Red ends up stopping the sword of one of Lord B’s guards with a hairy paw and she goes into a rage. Flashback time for Red.

Ylfa Snorgelsson (Emily’s PC)

Red is outside of her home she is returning to. Apparently, she strayed from the path when she shouldn’t have and shit went down. She knocks on the door, and calls for her mom. No one answers. Red pleads for them to open the door, saying that her grandma is dead and she doesn't have a place to go but her mom says that her daughter is dead.

Read assures her that she’s alive and says somewhat fearfully that she doesn’t know what she might try to do to get in.

Inside, there’s some whispering about wolf-trickery and waiting for a woodsman but Red is eventually let in.

She manages to quell her churning thoughts and tells herself that everything will be fine once she’s in. Her mother will help her fix everything…but as soon as she steps in, a silver dagger falls on her while her mom calls for her siblings to run out the back door. It was a trap.

Her rage boils over and she flips the dinner table. A voice tells her to remember to breathe. She does and then, just like in the story, she huffs and puffs and blows her entire family away. Yikes!

[Note: God, talk about trauma. Love the weaving in of the Three Little Pigs story here. And man, Red is so young. Just a pre-teen. Emily plays her so unsure and awkward. I can feel Emily readying some emotional killshots with this character. Her pleading to be let in (which I realize as I write this is very “Little pigs, little pigs, let me come in) was so sad. Also, she’s a Barbarian in case that wasn’t clear. Path of the Beast would be the obvious subclass but we’ll see if she throws us a curveball as she is wont to do. Also,what’s the over-under on her multiclassing into bard? She already has a bard mentor in Tim and we call know mama needs her spell slots.]

In the present, the guard flees at Red’s display of strength and Tim hugs Red.

Pinocchio admits he’s not a prince but he and Pib tell a very sanitized story about how times are hard and they’re just been taking care of each other.

The stranger who helped them reveals himself as Old Cole (ie: Old King Cole was a merry old soul–but he doesn’t seem very merry anymore). He explains that Shoeberg was founded by an unkind woman who gave lordships to all of her shitty sons (ie: There was an old woman who lived in a shoe). It’s a rough city that chews people up and spits them out and it sucks that it got to survive while many other better cities crumbled in the Time of Shadow.

He’s–as far as he knows–the last survivor of his kingdom–Jubilee. Ger asks if he knows anything about his wife and Cole says she was a brilliant warrior on the battlefield (she’s a mace-wielder btw, and ad props for her to being a queen who actually gets her hands dirty) but he doesn’t know if she’s alive right now. Pib asks about Marienne as well but Cole only knows it was overrun by giants.

[Note: This probably isn’t important, but Cole is essentially making Stone Soup by his carriage which is another famous childhood story I wanted to point out because it’s glossed over.]

Everyone is told that they don’t get to eat if they don’t help with the food so Roz tries to do the princess thing of calling birds to help her. Of course, they’re in a gnarly, ultra-cursed forest so on a Nat 1 a fucked up ostrich comes to help her and she politely declines.

Pib and Pinocchio figure they can just steal some food and bring it to “help” but, when they go to do that, Pinocchio notices a coach with a key in it. When he opens it, he sees someone familiar is in there and sends Pib away while he talks to them privately (though Pib tries to eavesdrop).

Inside is a shadowy silhouette that Pinocchio nervously addresses as “Mom” Brennan says he’s only ever seen her shadow.

His mom says that Roz is very important and is being hunted so he needs to help keep her safe and hidden. She’s too busy caring for his father. Pinocchio asks for an assurance that his dad is OK and she says that she promised to keep him safe when she married him. She says something about some candle “burning low” and reminds Pinocchio of the night they met.

[Note: I can’t believe I’ve gone this far without mentioning that Lou had committed to this Mickey Mouse sounding squeaky voice for Pinnocchio which is Certainly A Choice. Also, not sure what the candle refers to yet. The most famous candle story is the Jack Be Nimble one and that doesn’t fit. Will think about this more.]

Pinocchio (Lou’s PC)

Pinocchio is in his town (Amarti in the kingdom of Marienne) up later than he should be. And he’s a real boy. A pointy woman in all black carrying a staff shows up and Pinocchio recognizes her as the second fey he’s met in his life.

The woman has a ball of magical energy which looks so so fun and says each child will get a chance to play with it if they answer a question honestly. Behind her, going into the village, something shadowy flickers. Maybe rats?

She asks a child what their father’s name is. He answers. There’s a scream in the village. She moves on to the next child. Same thing happens. The kids start crying, realizing something awful is happening.

She gets to Pinocchio. She asks for his name. Then she asks for his father’s name. He lies.

Instantly, he drops dead and wakes up on his strings in his father’s house as his dad breathes in and turns.

Back to the present, Pinocchio’s mother says that he’s been telling a lot of lies and she hopes he can keep them straight. And that’s where we end for the week!

[Note: OK, this is my big Pepe Silvia moment of the week. I have this fraught relationship with the show Once Upon a Time but I feel like it’s prepared me for the analysis I’m about to do.

When the character card shows up for Pinocchio’s mom it identifies her as “The Stepmother” (who is his patron btw–he’s a warforged warlock) and it identifies her as being from Cinderella. BUT it doesn’t say she’s THE stepmother from Cinderella.

Let’s think about this for a second.

She’s presented in silhouette. Why? It could just be patron dramatic-ness. But it also could be to set up for a reveal later.

We never get a name–just a title: Stepmother. And it’s totally normal that Pinocchio would just call her mom. But that also could be a setup for a reveal.

This is a weird pull but there’s an apt quote from Disenchanted (the other thing I’m currently obsessed with). “Stepmothers are wicked but they’re not usually very powerful.” Cinderella’s stepmother as a patron wouldn’t be my first guess, you know? Like, of course in this world she COULD be magic, like Tim is, but I think there are better candidates here.

Let’s think about the flashback now. Pinocchio’s mom leads into it by telling him to remember when they met.

He describes the fairy that he meets and her features. But Brennan also says he’s only ever seen his mom in silhouette. So the fairy and the mom don’t seem to be the same people even if that is the night that they met. Brennan also says it’s the second fairy he ever met which means the first is likely the Blue Fairy. So this isn’t likely a twisted version of the fairy from his story.

So the fairy this is likely to be is the one from Cinderella. The Fairy Godmother. And it seems like she’s controlling rats which tracks with the Cinderella story–rodents to horses, right?

(Though, sidenote, because I’m going full Pepe Silvia, I will also point out two other possible links. The first being something Pied Piper related. And the second being a Pinocchio pull as the Pleasure Island owner in the Disney version has these shadowy minions. Oh and while we’re talking shadows–Peter Pan. None of this is part of the analysis proper, just throwing out possibilities.)

ANYWAY, if this fairy is Cindy’s fairy and I’m skeptical the stepmom is The Stepmother then what if Pinocchio’s stepmother is Cinderella herself? The OG Stepmom in the story never had enough proximity to magic to be a patron but Cindy did. I could see her getting magic much more easily. And it would be a killer reveal story-wise.

I don’t know what the motivation would be yet and I don’t even know if she’s evil or just shady. But there was clearly a lot of intentional vagueness during this section, and this is my best attempt to parse it. I look forward to getting more puzzle pieces as the season goes on!]

#dimension 20 #dimension 20 spoilers #d20 #neverafter #neverafter spoilers #twice upon a time #aww shit here we go again

150 notes · View notes