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#aside from the horror the vibes are immaculate
wholelottagin · 7 months
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You guys, I'm so bad at horror games lol
I'm like 20 mins into Call of Cthulhu and I have a tension headache from straining my neck so bad
I am never going to finish this game...
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dailyadventureprompts · 2 months
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I don't really have one cohesive campaign setting for my d&d games, as I prefer to purpose-build each landmass for the overall quests/adventures I think will fit together. That said, I do have a few homebrew worlds that I've been toying around with for a while that I'm not sure I'll ever really get to game in/what system I should use for it.... but the vibes are immaculate.
The Atomic Age: Rockabillies and rayguns, a psychedelic 50s retro futurist feverdream where a bunch of meddling kids have to dodge B-movie monsters and shadowy government agencies while trying to figure out why the world keeps ending. Can they finally hit snooze on the doomsday clock? Or will OURGREATNATION be forever trapped in an increasingly surreal loop of self destruction?
The Master's House: Aside from the fact that it's Inspired by Gibli and some of my favourite children's book series, this one might be a little hard to describe. A 1920s inspired panoply of warring factions, crumbling kingdoms and revolutionaries fighting over a world that adheres to the logic of a great manor home. Dig deep enough under the mountains and you'll find the bricks laid by The Good Master's hand, ride the train far enough past the horizon and you'll find the walls of the world. Every place name is a pun, like the wartorn farming province of Pantry and it's burnt out capital of Hearth, the waterside vacation town of Vanity, or cabinet: home to the provisional government trying to seize power over the kingdom of Nave away from its ruling steward.
Badlands Burnout: You and your archaeologist friends pile into a van, tune the radio just right, make sure your supplies and ammunition are topped up, and take off on a roadtrip through the post-post apocalypse. Your mission? Scavenge the ruins of the old world for grandest wonders and smallest joys, all while avoiding the weirdstorms and the horrors that devoured it. It's a journey about balancing nostalgia with discovery, regret with reinvention.
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jerryterry · 8 months
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Hi Jerrod! I'm a college student taking a music appreciation class, and I have to use the musician I talked about on Day 1 for a project, and that so happened to be you, haha. Is there anyone who has inspired you musically for some of your horror work like Kiss Me/Kill me (which happens to be the song I chose cause honestly? A bop). Thank you so much in advance!
Hmm. Honestly, in cases like that one, I don't really have any conscious inspirations aside from the obvious song itself (as I've mentioned in the past, Kiss Me was mainly inspired by hearing the song on the radio and really listening to the lyrics for the first time and thinking "woah what if she keeps asking to be kissed next to increasingly-creepy things" lol). Started with the lyrics, then once I got the vocals back from Juliëtte I just started with "basic cover of the original song, then just see where I can take it".
The previous work "The Boys are Back (to kill you)" was a much more subdued 'remix', in that many elements were a 1:1 recreation (the backing guitar and bass are remade but mostly adhere to the original) or direct sample (that lead guitar riff) that I built up on in a more subtle way - different drums, lil blips and bloops here and there, but more of a cover than a remix in vibes. Kiss Me starts in a similar way, there's some added synths but it's mostly a close following of the original track with minor embellishments. But as part of the bait-and-switch (in that the listener was intended to assume it's the same situation as the previous one, both in terms of the remix style and the vocals being a sentence-mix), the plan was to just keep winging it in a new direction and see what happens.
Like most of my stuff, the rest kinda formed in this real hazy-to-remember bout of extreme productivity and luck. It's kinda like one of those cartoon fights where you just see a dustcloud and the occasional fist - like I'll zone out (or I guess in) into this very intensely-focused session for hours, and emerge having made a ton of progress thinking "I honestly don't remember how I got here". Sadly can't do it on command (hence my usual low output), but in this case I left everything so last-minute that the stress of the Halloween deadline was really propelling me forward, haha.
Come to think of it, is any of this useful at all? Was the project specifically just about inspirations? If so, kinda sucks that I guess I just went "huh, not really", sorry about that. Obvs not trying to claim my work is immaculate and wholly original and incomparable or whatever (it sure ain't), just that any inspirations for this one were more just my own ingrained inspirations and less conscious ones that I could pinpoint and list, yknow?
A lot of people think Boys are Back was inspired by Neil Cicierega. Which I totally get (on multiple levels, both the sentence-mixed mashup PLUS the "creepy old 90's-style computer UI" stuff are SO his bag), but tbh his work wasn't a direct inspiration in this case, it was mostly another accident. Maybe kind of a "man invents Frankenstein 200 years after Mary Shelley" vibe for sure. Though funnily enough it does take a lil conscious inspiration from one of Neil's works in a less-expected way, in that a distant memory of his track "Super Hey Ya" popped into mind while I was partway through the remix and inspired the lil bouncy chip-arps you hear from 0:50 onward. SHY came to mind on account of being what I guess I'd call an "additive remix", in which he took the whole song and put his own additions on top of it, which was only partially the case for TBaB but it was a bit of a similar process (I specifically remember thinking like "ok so I've got this pretty direct cover of the backing track, I don't want to go full capital-R Remix here but let's add some lil embellishments... oh hey, remember Super Hey Ya?").
Is any of this helpful? Sorry I couldn't really answer the question in a very satisfying way.
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“but my Hot Take is it totally was worthy of Album of the Year BEFORE John got killed.” Yes! As far as the songs are concerned it does kind of feel like an incomplete play because how do you go from I’m Moving On to Yes I’m Your Angel?? (I started out ironically liking this one now tralalala is the default ringtone in my brain). How would you rate the songs? :)
Just listened to the whole thing again to give a better answer. Fun birthday morning activity before I go brunching B)))))
(Just Like) Starting Over: Gorgeous. Fun. Beautiful. Immediately became one of my top John songs. The chords on this are gorgeous; masterful use of an augmented. Also the "but when I see you, darling" melody is perfect. This song just makes me incredibly happy. Also the bass is good :) 10/10
Kiss Kiss Kiss: I LOOOOOVE how much this messes with the previous vibe. It works so well. The opening guitars are v cool. Yoko's side 1 sound is so varied and does such cool blending of genres. Like there's a ska thing going on here? I am also lowkey um. kind of into her noises. 9/10
Cleanup-Time: this is definitely a silly-goofy song but it is suuuuuuuch a banger. I love the moments of high tension. "Now it begins" and the "well, well, well." bits. It adds a darkness to the song. The horn section went offffff. 9/10
Give Me Something: Absolutely Insane. the best use of Yoko's vocals and style imaginable. The production is immaculate. 10/10
I'm Losing You: Absolutely Insane Pt. II. The bridge bit "Now in the valley of indecision" is sooooo devastating (+ it's an obscure biblical reference! literary beatle At It Again). This song builds so well, I love how genuinely upset he sounds towards the end, breaking down on "Don't wanna hear about it!!!!" and generally how his voice gets nasty at certain moments. The song feels like slowly and extremely painfully discovering irreconcilable differences. The guitars in each verses breakdown moment sound like alarm bells. It's an immaculate breakup-or-almost song. The sound is so good, the harmonies are great. The guitar solo is crazy!!!!!! (it actually reminds me of George's work on How Do You Sleep? but without the cringe!!) THE PRODUCTION IS CRAZY OKAY?????? 10/10
I'm Moving On: the most insane follow-up to the previous song. He laid his deepest fears bear and she said "And What Of It???" The lyric "When you were angry you had love in your voice" keeps me up at night. But BANGER of a bassline and funky fresh nonetheless. Most effective song transition on the album and most of them are good to great! 9.5/10
Beautiful Boy: Absolute devastation aside, I must confess I find this song a little more boring musically. Though I do appreciate the adventurousness of the vocoder and the bridge is gorgeous. The outro is nice and really relaxing. 7/10
Watching The Wheels: I love John Lennon and I want him to be okay :( also the way the song slows down at the end of the chorus is soooooooo much to me. Like it hurts my heart. I like his talk-singing here, it really works for the vibe. The lyrics are kind of depressing despite the fact they're on the surface positive. But I think the question of what constitutes a happy life is interesting and deep at its core. 8/10
Yes, I'm Your Angel: I love that John is sharing an album with a granny song again. Nature is healing. I vibe with this and it suits Yoko surprisingly well. Tralala, as you say. But it's insane of Yoko to call John her fairy. Girl. STOP. 7/10
Woman: It's distinctly more boring than anything else John wrote for this album but I do enjoy it and find it sweet for the most part (aside from the horrors). The production reminds me a lot of Here, There and Everywhere. 6/10
Beautiful Boys: this is the least good one. It is just musically pretty uninteresting and the lyrics are kind of clunky. But the intro and instrumental bits sound cool tbh and I like how the production builds. "You've got all you can carry / And still feel somehow empty." OKAY???? 5/10
Dear Yoko: cute!! The sounds are very fun. "Even when I watch TV / There's a hole where you're supposed to be / There's no body lying next to me" is soooooooo much. I like the silly voice he puts on and I LOOOOVE the spoken bit at the end :((( 7/10
Every Man Has A Woman Who Loves Her: The production is good I just wish the song itself was better and it's too long. I like John providing backing vocals because it makes sense given the content. I feel like if this was just FASTER it would be great. The solo reminds me of ABBA. 6/10
Hard Times Are Over: I like this song!! It's sweet. The melodies are good, very cool playing between minor and major. I also like how the "over" ties back in with Starting Over. It works well as an album closer. Though Of Course, one begins to wonder what these hard times were exactly when the album cut off mid-conflict. Makes You Think. (This album gives me brainrot!!!!) Anyway I like Yoko's vocal here a lot and I like John joining on the refrains in the background :) 7.5/10
In conclusion: Double Fantasy good
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So we know Jo is your number 1 fav but who would you say are the other nine with reason?
always illegal to ask me who my faves are but nine's a healthy number so like. in no particular order it's gotta go
mine genuinely i do not need to fucking. i have enough essays on why i like him ok dont ask me to write nine comprehensive essays my brain doesnt work ever. tl;dr alexa play Lay All Your Love On Me
daigo i just think his character development is really cool and overlooked and underappreciated and how the idolization he has for kiryu affects him is wild and makes me insane
masato he used to be goth and he hates his body and wishes people liked him and you can just tell he hates himself so much wow hes just like me fr but he also sucks which is not like me fr. he traded his emo swag for lungs, should be deducting points for that one tbh
ichiban im goign to start crying if i even try to explain why i like him im so deadass just please know i love him with my whole heart and if i type anymore the tears WILL start
arakawa peepaw:) he was a theater kid once :) plus the horrors that come with being a parent and trying to get connect with your son but then gradually having to watch him grow up to commit Horrors and trying to figure out how this couldve happened and ouuguggghhh.. also the only good dad aside from HIS dad in this goddamn franchise jesus fucking chri
tanimura sorry i like cop stories where one dude tries to figure out why everyone sucks, plus his plot was the only part of y4 that had me invested. and he speaks tagalog and i want his jacket and i just think hes cool shoot me officer
kiryu i dont even know. i dont know where to start. he's so silly but so serious and he's not a horrible father but his priorities are so fucking Im Going To Kill You and he has such a savior complex Oh Kiryu......... im hitting you with a rock but can we go fishing later
shinada he loves boobs and i love him. also he likes baseball and his vibes are immaculate. i also want his jacket.
adachi big fan of his vibes :) team grandpa
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beardedhandstoadshark · 7 months
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Can you share about a fictional character you like and why you adore them? (Any series but if you can specify a title with the character name it'd be super cool!) I love seeing people gush about fictional characters they love. It makes me happy to see the positivity.
Sure! I’ve actually gushed about one of my faves before here, and aside from that my absolutely favorite character is Kirby, from the Kirby series! Both of them are from videogames though, hope that’s cool XD
Anyways, I think he’s what you’d call a comfort character? Lil guy‘s just good vibes all around.
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It’s pretty basic really. Kirby loves his friends, food, and napping, he’s pink, and says "hiiiii! :D“ in the most adorable voice ever. Helps people in trouble even without knowing them because it’s the right thing to do and a chance to meet new friends. He’s a bit overeager and tends to rush into action first, then listen later, so he got tricked by more scheming people multiple times, but he’s doing it all with good intentions! The lil guy’s endlessly curious and views the world with literal stars in his eyes, and gets so genuinely exited about all the small wonders of his little world every day.
Despite being utterly adorable, he’s still kicking ass though, fighting against enemies who are way bigger than him with weapons that are also bigger than him! A very brave lil guy. I very much grew up with all that "pink is only for girls and they’re weak“ talk, so seeing this little pink puff rocking both was always nice. (Also fun fact! Kirby going by he is an English thing, in the original they don’t use gendered words for the puffball).
There‘s also The Lore™,which is absolutely wild, and very complicated, but according to it Kirby‘s vibes are so immaculate he might actually be the "good vibes“ reincarnation of the divine being that created the universe named Void, or at least caused Void to reincarnate in his image. Also the power of friendship is real, and he’s got an unlimited amount of that. They even made a whole game about it, Kirby Star Allies. It’s entire premise is about all the friends kirby made along the way of saving the planet, with many of them even being the former bad guys of precious games! He befriends the bad guys of that game, too. They even make photos of their hangout :3
And the thing is, you have this tiny pink puff with rosy cheeks and big eyes here canonically holding the power to destroy worlds, and in any other story it would’ve gone somewhere along the lines of "ohhh it’s actually not that innocent and it’s all super dark and edgy“, and the cut thing turns into some monster with too many teeth, but not with Kirby. All the dead gods and cosmic horror adjacency don’t take away from Kirby’s cuteness, it adds to it. Because Kirby straight up doesn’t care about his own lore.
Like, yeah he cheated death, yea he killed the "destroyer of worlds“, yea the grim reaper has been stalking him in every single intro since 2011 and recently come out to fight for unknown reasons, and yea he can eat the whole universe if he wants to just like Voids last reincarnation-
But he doesn’t want that. He wants to be friends.
Kirby is in love with the world, and the world he lives is made up of the love people have for him. And I don’t just mean that in a figurative way, the producers of this series, HAL Laboratory, absolutely adore their pink puff, and you can even feel that while playing in every small detail they put in all their work. There‘s just so much care put into it way past what most people would notice or was necessary. (Especially when it comes to presentation and soundtrack. Omg, the soundtrack). There‘s just such a warmth surrounding this little guy who’s shaped like a friend and holds love in his hands.
Kirby wants to be friends, play silly games, he wants to eat lots of strawberry cake and take a nap in the grass under a tree and look at butterflies and go on adventures with all his friends and make drawings of all of them and go fishing with his bestie who trains to be just as brave as strong as him and then visit the sleepy but kind king he fought all the way back in his very first adventure but has since become one of his closest friends, and maybe on the way they‘ll meet the mysterious knight who‘s super serious but secretly cares too and likes sweets a lot so maybe they could all eat cake together and when it’s late they can all watch the stars on the roof of the castle and when the moon is high he’ll go to sleep in his warm bed in his tiny house full of pictures of all his friends and adventures, and then the sun will rise and he’ll take a big ol bout of air and jump out the bed and greet the new day with a big"Hiiiii!“ with the stars twinkling in his eyes from the light of the new day that he already knows he’ll love.
Because at the end of the day, that’s what Kirby has always been and will be about, love.
And I love Kirby for it :)
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kyndaris · 3 years
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Who Else Will I Have Da-Chao Beans With?
With a brand-new PlayStation 5, lovingly dubbed Seto Kaiba, now in my grasp I was excited to try out Final Fantasy 7 Remake: Intergrade. In particular, the downloadable content (DLC) featuring everyone’s favourite materia hunter: Yuffie Kisaragi. Yes, you heard it right. I suffered through disappointment and numerous attempts of trying to put my name down on a PlayStation 5 waitlist just so that I could play a $30 add-on. I mean, it’s not the first time that I’ve willingly put down money to enjoy more of the story, but it’s a rare occurrence.
With that out of the way, please know that this impression of INTERmission will be filled with spoilers. I know this post won’t go up until August but considering how hard it is to still get consoles, well…you’ve been warned.
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In contrast to Cloud’s stoic and no-nonsense attitude, Yuffie is a breath of fresh air. Right from the gates, her narration in a bid to impress the members of Avalanche that aren’t even present is a joy and delight. True, she’s younger than our main character, but she has seen a lot of things. The conflict between Wutai and Shinra back in the good old days of Crisis Core are very much part of the lore in the expanded Final Fantasy 7 universe.
In fact, our favourite puppy of the series, Zack Fair, also got to meet the rising ninja star of Wutai during the conflict.
But I’m getting off-topic. Back to INTERmission.
After traversing the wastelands around Sector 7, Yuffie finally reaches the slums before the plate has fallen. Once she has arrived, she meets up with the members of AVALANCHE. Except, of course, they’re not the ones that we know and love. Enter Zhijie, Nayo, Polk and Billy Bob.
As for Jessie, Biggs and Wedge? All three were located around the slums. Jessie was seated in front of Seventh Heaven (which Yuffie could not enter), Wedge enjoyed the company of many cats and Biggs was idling by not too far from the others. All of them were interactable but their dialogue essentially boiled down to: stop bothering me. I did like, however, being able to play the board game: Fort Condor with at least two of them. AND UTTERLY DESTROYED THEM WHILE I WAS AT IT.
Chadley too, made an appearance – this time offering a battle with Ramuh and also being the GRANDMASTER of the Fort Condor board games.
By the by, the Fort Condor minigame is probably quite reminiscent of the auto-battles that have gained popularity. Three towers to be defended, summonable units…
I’ve never played any of the auto-battles but it does seem fun. For a short while at least. And as a minigame within a game.
Once I had explored the slums to my heart’s content, it was back to the story missions. Enter Sonon. As soon as he appeared, I knew that things would not end well. After all, Yuffie did not have a companion when you met her as an optional side character. And in every other iteration: from Advent Children to Dirge of Cerberus, he was never present.
But though I knew his time would be limited, he brought excellent banter to the adventure and served as an excellent support to Yuffie. Even if the brother-sister connection was a little ham-fisted with Yuffie reminding the warrior of his own sister: Melphi. Still, despite the way the developers bungled the immediate connection, I didn’t mind. Yuffie, after all, was on a mission to nab the greatest and ultimate materia right from under Shinra’s nose.
It is important to know that while not much changes in the way of combat, Yuffie does play quite a bit different from the other main characters. In fact, she can fight both close-up and at range with her ninjutsu arts. Another change to the formula is that you cannot change to Sonon. Only Yuffie can be controlled – though you can give commands to Sonon and have him perform abilities and spells.
Then, of course, there’s also the synergy aspect wherein Sonon and Yuffie would combine their attacks to deal additional damage. It was fun experimenting with the system and showed how versatile the combat system could be.
Once they enjoyed a trip chasing Zhijie to obtain High-D cards that would allow them to slip into Shinra Headquarters, it was back to the slums to see Tifa and Barret return without SOLDIER-boy Cloud Strife. What I loved about this moment was that we also got to see a private conversation between Tifa and Barret that did not feature in the first game or in the Remake run. Seeing the aftermath of Cloud falling down into the slums below and how it had impacted both Tifa and Barret was a great character moment. And it also helped serve to explain the reason why Tifa ended up in Wall Market in the first place.
With that moment out of the way, our heroes Yuffie and Sonon head to Shinra headquarters. As they slip into the elevator, they are joined by Scarlet: Head of Weapons Development. From there, the game becomes a gauntlet of battles. It’s not the most thrilling chapter to experience but it does showcase how well the Wutaians fight and the innate teamwork between Yuffie and Sonon.
This new piece of downloadable content, however, is not satisfied to simply end matters here, however. When Scarlet is defeated (and even in defeat she’s assessing how best to finetune her machines of war), she activates DEEPGROUND. For the first time in a long while, I got to see Weiss the Immaculate and Nero the Sable.
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While I may not have played Dirge of Cerberus, I did watch ALL the walkthroughs that I could find on YouTube back in my younger years. I watched Vincent Valentine grapple with his past and finally learn to control the power within.
That aside, the new threat that Nero presented was a challenge. With his arms strapped to his chest in a straitjacket, he reminded me of Anima Aeon from Final Fantasy X. But it was his darkness powerset that gave me all the Kingdom Hearts vibes. If I have to hear ‘Darkness’ again in anything, I think I might have to scream.
Beyond these few nitpick moments, I felt that Sonon’s death was a little overdone. Particularly for a character that had only been fighting beside us for only a few short moments. Don’t get me wrong, the developers tried their best to sell it: the swell in the orchestra, the use of copious flashbacks…
Still, the pain expressed by Yuffie (which was then followed by the Sector 7 plate falling) was enough to sell a bit of the horror.
My only question though is: WHAT IS NERO GOING TO DO WITH SONON’S BODY?
From there, the credits rolled and we caught a glimpse of Yuffie out in the wilds, on a chocobo and humming. As a side note, does everyone know the chocobo theme song? Is it a piece of canonical music within the game universe that is associated with chocobos? Like, is it used in advertisement for chocobos? I NEED TO KNOW!
We also get to see Barret, Tifa, Aerith and Cloud traipsing along on the road to Kalm. Better than that, we see Zack in his alternate dimension reaching the church in the Sector 5 slums, debating how best to reintroduce himself to his fair flower lady. Where is his version of Cloud in all this? Why are there so many people in the church? How does this whole dimension/ alternate timeline thing work?
Once again, the Final Fantasy 7 Remake left me with more questions than answers. Though I never played the original, over the years, I had scoured the wiki sites to learn as much as I could. And though I knew the plot beats, the creative directors and script writer have kept things close to the vest – tantalising me with the prospect of what is to come.
I still need a slap fight between Scarlet and Tifa, okay! It had better be in there!
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the-cookie-of-doom · 3 years
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Good morning! Whats your favorite show/movie? Who are your favorite characters? Why do you like them so much? Also!! Did you have a good sleep?
Okay so I was a film major for a while, and I have opinions. 
Penny Dreadful 
I love this show. Like, so much. I adore it. I can not get enough of that show. Just all of the imagery, and the fantastic writing and acting. The episode intro alone is one of the most beautiful things I’ve ever seen. Eva Green is a goddess and I love everything she’s been in. The take on classic horror stories is So Good, and it actually became the inspiration for my Gay Frankenstein story! (Started as a stitch AU, and then went completely OC after I had Ideas) but the show itself is so intimate? I think it’s largely that the period they’re in, everything was so repressed and restricted. So when the characters break out of those moments, it’s more meaningful. And the love-hate relationship between Ms. Ives and Malcolm in season one? Exquisite.  I could literally write essay’s about this show, but I’ll restrain myself and just say: it’s the best ensemble show I’ve ever seen. The characters come together, but they also each have their own distinct lives that sometimes intersect, but in s2 especially, are quite separate. They are constant with one another like ensemble shows usually portray. Also gothic horror and romance? My absolute favorite. 
Anything by Guillermo del Toro
This man Owns My Entire Soul. I’m not even joking, everything he writes and directs is perfection. Crimson Peak is probably my favorite (I have a stitch AU for this too ;) ) because again, Gothic horror and romance. I’m a slut for that shit. Also Tom Hiddleston and Jessica Chastain? Delightful casting. I think it’s obvious by now that I love tragic relationships, so their dynamic is *chef’s kiss* amazing. they’re so damaged. And this quote right here is one of the BEST things I’ve ever read: 
“But the horror... The horror was for love. The things we do for love like this are ugly, mad, full of sweat and regret. This love burns you and maims you and twists you inside out. It is a monstrous love and it makes monsters of us all.”
Engrave that on my headstone, please?? I’ve got a sort-of Dorian Gray AU (it’s delightful) that’s basically built on this entire premise. Mitch makes the mistake of falling in love with Stiles, and does many terrible things because of it. Mostly to himself, at least. 
I think my love of Crimson Peak is very closely tied with The Shape of Water. another beautiful movie, I could wax poetic about this forever. it was beautifully written, and such an artistic movie. I love the way it was filmed, and the set design, and all of the subtle imagery. Such as Elisa’s apartment being cast in cooler tones, it always felt very damp and had evidence of water damage, compared to Giles’, a mirror image of her own, in more warm tones. This is another one I could (and have) write essays about. There is so much packed into this movie, from the themes on toxic masculinity and entitlement, to the conversation on queerness and race and disability, and how all the various relationships are portrayed. Like. there is so much to pick apart in this movie. 
Aside from that, ofc Hell Boy deserves an honorable mention because i grew up on those movies. I’m pretty sure the Golden Army especially is responsible for who I am today, given all the lore on the fae in that universe. Wow, that explains so much about me... Also one of my first WoW characters was an elf named Nuala xD I still have her, too, and it’s been like 12 years lol
Near-Future Sci-Fi
Sci-fi is one of my favorite genres, I am a huge nerd for theoretical and astrophysics. But my favorite kind of sci-fi is the stuff that still takes place on Earth, rather than epic battles in space. Ex Machina and Annihilation are at the top of that list. Alex Garland is another writer/director that I love. He has the same kind of approach as del Toro, where he puts a lot of fine details into his work. And I love that it’s very cerebral; there are so many layers to Ex Machina. My English 101 prof actually refused to analyze it in class when I suggested it to him, because he didn’t think my class could. Basically handle? Dissecting that movie? Because a lot of it comes across as very surface level, but in some cases when you look deeper, it’s actually suggesting the opposite of what you might think at first glance. (And he was right, my fellow students were awful. I miss that class though, it was one of my favorites T_T Mr. Ryder was an awesome dude and super chill.) 
Morgan is another good example. As you can see, I fucking love androids lol. Which brings me to another of my all time favorite movies: Cloud Atlas. I could literally watch this movie endlessly, I love it so much. The acting, the writing, the filming, all of it is top notch. And one thing they did in the movie that didn’t come across in the book, was reusing the same actors through the different eras in the book. That was just so neat, because it really encapsulates how connected these souls are, as we follow the threads of their story throughout time. If you haven’t seen the movie, I can’t recommend it enough.  
Another one I always think of alongside Cloud Atlas, even though they aren’t related at all, is Predestination. It’s a great movie that explores the idea of fate and free will in a really clever way, utilizes time travel in a very organized way that I think was neat (think Umbrella Academy. They even use briefcases! As you can see, I love sci-fi bureaucracy, it’s fun. In fact The Bureau is another movie I enjoyed) and the main character is actually, explicitly trans, which was cool. You basically get to see the entire story of their life, and I don’t want to spoil anything, but it’s just. So good. Mindfuckery galore. 
Shoot, and I almost forgot! Arrival! That is one of the best movies, and another one I could watch nonstop. It focuses on mathematics and linguistics and I swear to god, I almost altered my entire college course because of this movie. Amy Addams is brilliant, Jeremy Renner is so soft and nerdy, and again, it has an amazing take on time travel. I am very particular about how time is handled in Sci-fi, and this portrayal was one of my favorite. (Most of my physics studies have been dedicated to the theory of time, so like. Strong Opinions.) 
Fantasy
Stardust! It wasn’t until Good Omens can out that I realized Neil Gaiman is responsible for most of the stories I loved as a kid lol, and I had no idea he wrote stardust! But that is such a beautiful movie (I have a Stardust AU lol) and it’s definitely one of my comfort movies. Captain Shakespeare is one of the best characters ever, bless Robert de Niro. I would die for him. Fun fact, i had no idea Ipswitch was a real place until like. 2019. I 100% thought it was made up for the movie 😂
Alongside Stardust, I’ve always loved The Golden Compass. It’s fantasy, but also with that old-timey steampunk science feel, which is so fun and surprisingly difficult to find! 
Mortal Engines also has the same kind of feel, and it was such an epic movie in every sense of the word. I’m a little sad that after all the work that went into it, it didn’t get a dedicated following or fan base, because I feel there’s so much potential in it. But at the same time, fandom tends to gather around media that has plenty of flaws for us to repair with gold, and there wasn’t much room for that in Mortal Engines. 
I’m going to put Jupiter Ascending here even though it technically fits with the sci-fi, because that section is long as fuck and also this movie has such a fantastic feel. Mila Kunis? beautiful. The CGI? beautiful. Eddy Redmayne? One of the best villain portrayals i’ve ever seen. The whole oedipal vibe he had was immaculate, as was their portrayal of reincarnation, and just. The world building. GOD. I get so weak for through world building. Also the fkn intergalactic bureaucracy when they’re basically at the space DMV? One of my all time favorite scenes in movie history. 
Horror
I have very little room in my life for horror. As I said, I have strong movie opinions, especially when it comes to horror movies. I don’t like how most of them rely on cheap jump scares and overused gore and gratuitous rape scenes, instead of, y'know, actual good writing. 
Which is EXACTLY why I adore It: Chapter 1 & 2. It has none of those things, but still manages to be so terrifying. They are my favorite horror movies, and I’m saying this as someone who has genuine childhood trauma bc of the novel. Like. I couldn’t shower/take baths alone until I was almost 10 T_T When I was 6-7 and saw kids play by storm drains, I would run over screaming about how Pennywise was going to get them. Like, I had issues man. I was terrified to see the first one, and wouldn’t go until I could go with my best friend after she had already seen it, so she could warn me when something scary was about to happen 😂
And, one of my favorite aspects of the movie, and the thing that gave me Mad Respect for Any Muschietti? The way he filmed Bev and her father. They have a character who is literally being molested, but they never once have to show it. And yet their interactions are still so viscerally upsetting to watch. Sexploitation puts me off of most horror, and the fact that Muschietti doesn’t use it here, even when it would be actually somewhat justified? *chef’s kiss*. I love him. 
I love horror as a concept, I’m just really picky about it because I expect the writing to be good. I don’t like short cuts. But in a lot of cases, even if I don’t enjoy the movie itself, I love to watch analysis videos on youtube! I love to see the philosophy and symbolism in different horror movies, even if i don’t like to watch the movies themselves. It’s a fun hobby. 
Misc. 
Then in general, some other stuff I love in no particular order:
The Internship (Bless Dylan, Stuart is such a bitch and I love him) 
American Assassin (ofc. The writing itself is eh, but Mitch is my man) 
Dylan’s episode of Weird City. (I actually have a lot of feelings about this one. Jordan Peele is another amazing writer/director, I really need to catch up on his works.) 
Dorian Gray (*chef’s kiss*)
Rogue One (Makes me cry every time) 
WARCRAFT (Obviously this is a fav. It made me so happy, words cannot express.) 
Coraline and most other stop motion animation. I’ve always had a soft spot in my heart for that. 
Literally anything associated with Tim Burton. Fun fact, when I was 12 and in middle school, I planned to decorate my future house inspired by tim burton. Like, i had Plans. 
Most adaptations of Alice in Wonderland!
So! this got long as fuck! But you said you like that kind of thing lol 😂 I had kinda Eh sleep since I was up so late lmao, and I kept waking up (as usual, rip). And I’m so mad I go up for nothing! The dude I was supposed to show my listing to never showed, and is refusing to answer my calls >_> It’s been 2 hours now, and I still haven’t heard from him. But whatever, I already have a full price cash offer on the house so who cares. And that means I can play WoW all day, now! 
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RANDOMRECORDWORKOUTSPRINGTRAINING2017 Session 10 Queen: Jazz Time: 45 minutes Songs: 13 Calories burned: 337 calories per song: 25.92 Calories per minute: 7.49 Scouting Report: Ok, by show of hands: who here does NOT know who Queen is/are/were? If you raised your hand, please show yourself out. Get out. Get. Out. Right the f#*% out. Jazz is the seventh studio album by the British rock band Queen, released in November 1978. The first album produced by Roy Thomas Baker since he had co-produced their 1975 album A Night at the Opera. The album's varying musical styles were alternately praised and criticized. Jazz has sold over 5 million copies to date. You know why? Because it is Queen!! And at a great time in their career! They were full swing and at the top of their games. They should be named King (#seewhatididthere)! The magical front-man wizard known as Freddie Mercury (the best in show biz if you ask me) begins our operatic adventure. "Mustapha" is perhaps an homage to Freddie's home? It is a brilliant mathematical rocker. "Fat Bottomed Girls" is of course the high charting single you will recognize. Also the theme song for many bar going women everywhere...at least in my experience. It is kind of disturbing, actually and sort of makes cringe a little inside. It s a quick, radio friendly gem though. About as classic rock as you can get with a line like " Get on your bikes and ride!" The next song, "Jealousy" is more of a ballad salad. On a diet after the heavy rock sauce from previous. Pretty, pretty, etc. "Bicycle Race" is up next. Personally, I feel as though this song should follow "Fat Bottomed..." Simply because of the aforementioned bikes line. Huh? Yeah? You hear/see it now, right? No matter. THIS is the reason to own this album in my opinion. An almost punk rock Billy Joel. Such harmonies and range. And hey!!! Who DOESN'T like Star Wars, Freddie?!!?! WTF, dude. Just kidding. Brian May's guitar are immaculate conceptions here (#seewhatdidthere). Sister tones (?? Is that a thing??) to Pink Floyd if you ask me. That is followed up with the return of Kansas level rock, with "If You Can't Beat Them". Perhaps Yes, even. Yes the band, not the affirmative actions. Multi-level harmony and vocal prowess too. Side one ends with a mildly forgettable track called "Let Me Entertain You" -written specifically by Mercury for the audience. Side two opens with "Dead On Time". Perhaps a lesser known but certainly overblown track full of sweet (suite?) and sour moments. I think this is where The Darkness learned a few tricks. A cacophony of harmonies. Written by May, it contains some very impressive guitar work. The song ends with the sound of a thunderbolt, followed by Mercury screaming "You're dead!" The thunderbolt was actually recorded by May on a portable recorder during a vicious thunderstorm. The album's liner notes humorously credit the thunderbolt to God. "In Only Seven Days" is a song about making you a man from the Rocky Horror Picture Show. Just kidding. (#seewhatididthere). Actually, it is a soft and subtle showcase of this ban's amazing range. There is literally no one like them. They can practically pull off anything. "Dreamer's Ball" follows and has an almost vaudevillian vibe. Good old ragtyme jigs. The next two tunes are "Fun It" and "Leaving Home Ain't Easy"- both mediocre and filler. And I am not just saying that because "Fun It" has disco undertones...which now that we are on the subject; gross Queen. Just... Gross. Gross in that it is disgusting use of your talents, and gross in that it is negligent for the protection of your listener's ears. It's fine though, because they recover with "Don't Stop Me Now"- one of Queen's most famous songs. It s a piano driven rocker, which Mercury was so good at live. Basically, it might just be their "November Rain". Actually, it may be the inspiration for G 'n R's aforementioned chart topper...I fully expect G 'n R fans to chime in here and correct me if I am wrong. I feel as though Freddie probably was listening to a LOT of Elton John's Yellow Brick Road around this time. Finally, the album comes to an epic conclusion with "More of That Jazz". Hold up, hold up, this isn't jazz at all!! It's borderline metal! It does also humorously sample parts of other songs on the album. Pretty witty. Truly, this may not be the magnum opus for Queen's catalog, but it really is an excellent example of why they were and still are so revered today. Aside form a few duds here, Queen equals Quality and you could certainly do your ears a favor by listening. Queen "Bicycle Race" #RANDOMRECORDWORKOUT #RANDOMRECORDWORKOUTSPRINGTRAINING2017 https://stevecanmakeanythingnerdy.tumblr.com
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