Massive Attack, Tracy Thorn - Protection
Music Video
Artist
Massive Attack
Tracy Thorn
Composer
Andrew Vowles
Robert Del Naja
Grant Marshall
Tracey Thorn
Lyricist
Andrew Vowles
Robert Del Naja
Grant Marshall
Tracey Thorn
Produced
Massive Attack
Nellee Hooper
Credit
Massive Attack - programming
Marius de Vries - programming
Andy Wright - programming
The Insects - programming
Nick Warren - programming
Tracy Thorn - Vocal
Released
September 26 1994
Streaming
3 notes
·
View notes
I am quite sure my attempts at understanding the previous decade musically brought me to a state close to aporia. The thought expressed here might be connected with the lack of optimism I currently feel about the world, which the records that the musicians did as the introductions of the era contain. To give you an example – Big Music by Simple Minds does possess a going-back-to-what-we-are-good-at nostalgic ethos, yet there's a feeling they rejuvenated themselves this way. To be honest, Simple Minds' latest LPs get ignored thanks to them being always severely underappreciated, those who have them for their idols caused us to realize what a great group they are. Thus, Big Music does, ha, big stuff for them, but I still feel like they can find more space for improvements.
1 note
·
View note
I thought Hot fuzz was THE gay one of the Cornetto trilogy but what the fuck was going on with The world's end???????
Like following the objectively worst guy ever to the literal end out of loyalty?
Going on his stupid beer quest while going trough a fucking divorce
Not being able to say no to his stupid ideas until you have to to save him from self destruction
Pulling him to your shoulder as you two watch the town you grew up in literally turn to ashes in the same hill you watched the sunrise as your youth died
Like what the fuck if Andy Knightley wasn't absolutely truly in love with local asshole Gary King I will eat my hand I'm not joking
88 notes
·
View notes
The World’s End (2013), Dir. Edgar Wright, Starring Simon Pegg and Nick Frost
One night. Six Friends. Twelve Pubs. Total Annihilation.
And with this beautiful entry we end the Cornetto Trilogy Journal Entries (C. T. J. E.’s for short), it’s been a truly beautiful ride! I hope my (frankly deficient and almost awful) little journal entries have provided at least a little bit of enjoyment or inspiration to all of you, my beautiful Peggsters <3
I had a lot of fun making them! And this served almost as an exercise or test in if I had any creativity left, I hadn’t done anything like this before so it was a nice little refreshment from my normal journaling routine.
(Pss, there is one for Spaced on the way, this is not the end!)
The World’s End proved to be the most exotic (for lack of a better word) movie out of its siblings, while I felt like Shaun and Hot Fuzz were grounded in reality enough that their events could realistically happen in our reality (well, perhaps excluding the zombies), I felt like The World’s End went all out with the mysticism, fantasy, extravagance, and exuberance.
Of course, this is to be expected, it IS a Sci-Fi movie after all! And I didn’t realise how much I needed a nice, time-to-fight-a-planetary-menace movie until I saw this beaut.
Which speaking of that, this movie is visually beautiful! All of Edgar’s Cornetto movies have this signature look I can’t quite put my finger on, but World’s End (I’ll call it that from now on for the sake of convenience) exudes a certain look and feel that I can’t quite describe, it’s sophisticated almost?
The editing in this film is the best in the entire trilogy, it’s got that signature snappy and dynamic style Edgar does so well, but this time it’s refined to the maximum level, with every scene change and transition leaving you in awe in a “THAT IS GENIUS!” sorta way.
Actually, I remember absolutely losing my shit at the intro ALONE, it was that much of a treat to the eyes.
The score was just PHENOMENAL as well! Normally I’m not one to pay much attention to a film’s score, they almost blend in and become complementary to the film in some cases, but this score drew me in almost immediately. It just started to become more and more impactful and present with each passing scene, I stopped taking the score for granted, and the whole film became a feast for the senses, the scene where Gary, Andy, Sam and Steven are driving away from Newton Haven was so powerful and imposing, I must get this score on some sort of physical format (don’t trust digital media to last forever! much less streaming!)
The plot was the thing I was most afraid of, I’m not known as a huge Sci-Fi guy, I find it quite boring and even uninteresting most of the time, so I was terrified of feeling disconnected from this film. The contrary ended up happening, I think this film may have put me onto the genre! That strange sort of cosmic horror and the implications of bigger and stronger societies outside of our own planetary grasp is very, very intoxicating.
GARY WAS PHENOMENAL.
The first time I watched the film I was honestly a little afraid that I’d dislike him, every little juvenile and childish joke or one liner he’d pull made me worried, specially since he was surrounded by a bunch of people that clearly knew he was not someone to trust. This all changed relatively quickly though, I learnt that Gary was just someone clinging to the past and the fun times he used to have with his mates, and honestly his struggles with addiction and feeling like you have nothing going for yourself hit particularly close to home for me. I ended up completely adoring Gary and I wish him the best, my sweet 40 year old baby boy.
The dynamic between Gary and Andy was perhaps the most interesting in the entire film, you could even argue it’s the central theme of the whole film, and seeing how it all slowly developed, unraveled, and blossomed, and Andy grew to care for Gary again was very, very sweet. The scene where they’re together at The World’s End was the most cathartic and powerful moment of the film. To err is human, truly.
I struggled to grow particularly attached to the rest of Gary’s and Andy’s friends, besides Steven and Sam, I didn’t care much for Oliver and Peter, admittedly, sorry!
This movie was surprisingly powerful, even now I find myself still thinking about it, specially the message of how making mistakes and being imperfect is part of the core nature of being human, to rob us of imperfection is to rob us of humanity, of warmth, of thought, of intention.
The World’s End. 10/10.
Until I (inevitably) rewatch you again, Cornetto Trilogy, which will probably be sooner than I expect it to be ❤️💙💚
43 notes
·
View notes