#and what else??????? it may not be written the greatest but its MY series that isnt written the greatest square up

[100percentdirtball]

follow me on letterboxd and you can get many dumb reviews like:

dream scenario ★★★ This review may contain spoilers. cumming 🤝 farting

or this one here!

barton fink ★★★★★

john goodman is a great actor, but more than that, is one of the greatest men, and truest friends, i have ever had the honor and the privileged of knowing. rest in peace, john.

ⓘ Readers added a Community Note to a post to which you replied, Liked or reposted

This Letterboxd user has never met John Goodman. She never even met John Candy.

Also, John Goodman is still alive.

or even this one!

shogun assassin ★★★★★

when we're on a mission, i keep count of how many ninjas my father kills. he says not to keep count, only to pray for their souls, but if i don't keep count, i don't know how many souls to pray for

when i was a kid in the 90s, manga was hard to come by. there were a few shonen jump issues to be found. tankoban of even the most popular series-one piece, dbz, naruto, the sort of thing you could find wall scrolls littering the floor of every budget hotel anime con-were a specialty product. bookstop & the nascent barnes & noble had a few volumes of something or other tucked in the comics section between x-men and dilbert. my local comic book shop, dragon's lair on pearl street, had lone wolf and cub. half-price books had lone wolf and cub. even bookstop had a seemingly random assortment of them, volumes chosen according to the spine colors that were complementary or prime numbered chapters.

there were six lone wolf and cub movies in the 70s, none of which got an american release. in the early 80s, american producers bought the rights for the first two, chopped them to bits, smashed them together, and dubbed them over with a new script to make Shogun Assassin. if you're a fan of japanese or chinese movies from the era, it's a story you've heard a dozen times, the clumsy hackjobs to make movies slightly less impenetrable to american audiences. it's why my dad still thinks of godzilla or kung fu as mindless action flicks with non-sequitur dialogue that doesn't match the actors mouths. that's what happens when american producers got ideas in the 80s.

shogun assassin is something else. somehow, they made something beautiful, something i might call perfect. it shares more dna with kung-fu movies than the samurai flicks it might get compared to, it's more Riki-Oh than Harakiri or even the Zatoichi series-the first movie of which was directed by the same man who directed four of the six lone wolf and cub movies. there's drama here, but it finds its way to the screen only between scalps and fingers being severed. in most samurai movies, blood is an exclamation mark. here, it is the essential grammar, the script written in drips, rivers, and sprays of the japanese hallmark blood, candy-red and not quite viscous, like cheap home depot paint. 

the father, lone wolf, speaks rarely. he's an astonishing presence, played by tomisaburo wakayama and voiced by lamont johnson. heavyset and solemn with a wild dog speed. over the run of the movie, he becomes progressively scarred and bloodied, his haori slashed to ribbons, his hair becoming a wild mane. the son, cub, speaks for him in voice-over, letting wolf deliver fewer lines of dialogue than characters who get five minutes of screen time. he is perfectly kempt at all times, his clothes clean and crisp, his shaved head and forelocks immaculately maintained. one imagines lone wolf carefully tying up his topknot, shaving the top of his head, then staring dead-eyed at the road and barely pausing to push his own hair out of his eyes.

each tankoban, each chapter of the manga was a stubby white slab, lurid monochrome colors and a splash of color, a banner with japanese writing, across the bottom third. half-price books had lone wolf and cub, dragon's lair had lone wolf and cub, and my childhood friend zoey's dad had all 28 volumes, neatly organized on a bookshelf between old issues of heavy metal and photo books made to live on coffee tables. i never read the manga, but i flipped through a number of them, grazing on lurid black and white violence, decontextualized images of katana flashing to behead ninjas rendered as black smudges. watching shogun assassin brought me back there, an unrelenting pace of half-remembered violence. 

i desperately had to pee for the middle third of the movie. during what felt like a lull i finally gave in and squeezed past a full row of old men and pasty nerds. when i came back to my seat, i learned through cub's narration that the lone wolf had just killed an army.

you must watch shogun assassin

#oops that one's serious #my writing #shogun assassin #barton fink #dream scenario #rook watches

[beneaththetangles]

Finding God in Anime, Vol. 2 Fills the Need for an Otaku Devotional

Why is no one else like me? I like anime, but I’m told by the Christians around me that it’s a ungodly art. My friends who do like anime, on the other hand, say and do things that don’t reflect my religious values. What do I do?

If you’ve ever thought this, you’re not alone. Even though anime has become mainstream (even Thor says so), it’s telling that this same thought pattern is one I still hear now in my interactions with young people. And as Kendall and I talked about in his latest podcast episode, it is something we both experienced decades ago. There remains a persistent image of anime—possibly fuelled by the very adult titles that were among those most available in the 1980s, and a reputation for family-unfriendly content—as ungodly.

For instance, a few years ago, an editor at Christianity Today accepted a piece I’d submitted about anime and Christianity. He was interested in the topic, and patiently guided me in the development of a strong, final piece. But before it was posted, the editor retired. His replacement was someone whom I must admit (albeit through gritted teeth) that I admired, and whose work I’ve studied (as recently as last month!) and even used as a teaching tool. But this editor told me that the form was still too strange for their readership. (Hence the gritted teeth.) That was some six or seven years ago, and while the magazine has posted some on anime since then, it just goes to show how little ground has been broken within Christian circles, even for so open a publication as Christianity Today.

This is not to say that there aren’t any resources for this generation of Christian anime fans: This very website is testament to the contrary, as we seek to provide some instruction about how a confused anime fan might approach the topic of whether and how to watch anime, including particular kinds of shows. But even so, it can still feel like an uphill battle for Christian otaku—and a confusing one at that.

That’s why Finding God in Anime, edited by Moriah Jane and our own Laura A. Grace, and now in its second volume, is so significant. It emphasizes to Christian otaku that “anime” and “Christianity” are not mutually exclusive worlds, but that there is a way to worship the LORD while diving into one’s passion for animation.

And that’s not even digging into the actual content of the work, which is full of Bible-centric devotionals that will encourage readers to think more deeply about God through reference to anime, and consider his work while they view series from their favorite studios.

I was honored to be able to write the foreword to Finding God in Anime, Vol. 2. In the short piece, I wrote that within “these pages lies an opportunity, dear readers, to ‘join the party,’ to partake in the greatest adventure…”

Sometimes the analogy of being warriors or sojourners can be overstated, but for those of us who watch shonen series and cheer along with these epic tales, it’s helpful to remember that God’s story for us is vast in reach, fraught with danger, and resulting in the highest prize—the “One Piece” that we’re all seeking.

It is indeed a journey. And for you, dear readers, finding this page or this site may be just an early step in that adventure. Finding God in Anime, written by Christians like you who adore anime, will bolster your faith, even if you aren’t familiar with the particular series it references. Volume two is now available—and as another gift, the digital version is free.

Dive in. Study it. And experience Him through the devotionals. God is speaking to you through your passion. Even if the world deems you strange for liking anime, God doesn’t. You’re his beloved, otaku and all.

=====

The editors of this devotional are running a promotion in which the first 40 people who order a paperback and send a receipt of purchase to [email protected] will receive a free postcard and two stickers (artwork designed by Pippa at strawberryshojo).

#Anime #Manga #Christianity #Finding God in Anime #Devotional #Articles #Author: TWWK

[kalinjdra]

For the ask game! 31 and 37!! 😄

hehe! i shan't shut up now :) 31. Do you take liberties with canon or are you very strict about your fic being canon compliant?

Ohohohohoho, I am a firm believer that canon is my sandbox that I am free to play with however I wish! I will twist canon in my hands like silly putty >;3c Personally, I will incorporate things from canon if I think they're cool or under-rated and I go out of my way to read source materials and nonfiction just to make my writing more grounded. Currently reading the War Games just to know *how* to change it for a fic (mutter mutter why do i do this to myself...) So yeah! I love a good canon compliant fic once in a while but I most often kick it straight to the curb :)

37. Talk about your current wips.

-Questionable Decisions: this is a short little oneshot that ive plotted out about JayTim, proposals and accidental baby acquisition. I have like 12 scenes for that and no idea what the wordcount will be. My main problem writing it currently is that the characters get drunk but I have minimal experience in that so I don't know how to write :( buts its okay there's always other stuff to work on -Triple Trouble side fics: I have side fics planned out for my series TT which is a TodoDeku ABO fic (with minimal ABO) and kids. ...I really like sudden child acquisition, okay? Anyways, I ended up finishing the "main" fic which is about Izuku's kids (3 of them hence the name lol) getting kidnapped form camp, Todoroki's agency is in charge of handling it and literally everyone goes like "uhhhh yo these kids more or less look like you or your siblings" and then yeah meetcute stuff where the main couple doesn't even *meet* each other until the last chapter. Very on brand for me lol. Anyyyyways I promised a few one-shots for the series consisting of: Christmas fic, Baby Shouto fic, TodoDeku first meeting fic, and Moving In fic. This was around Christmas time so I was going to do that first. I did /NOT/ end up actually writing them, though Christmas fic has a valiant start and will probably be a two-shot where they celebrate Christmas with Izuku's side of the family and New Years' with Shouto's side of the family. Hm. There is a surprising amount of worldbuilding for this series despite it only being 17k... -Reflection: this is Harry Potter grows up in Gotham fic! with minimal influence on the bats! this one is written... in an unusual style for me and I've been working for this one for about a year or so? its currently only 6k but its a little past the trolls scene and I want to finish 1st year before I post it. the one song that encapsulates this fic is Eight by Sleeping At Last. anyways here's a snippet :) ---

hari potter grows up in gotham. 

it changes nothing. (it changes everything.) ---

hari potter smiles shyly under the floating candles. his green eyes seem luminescent with the reflection of golden lights. his skin seems bronze, a picture perfect storybook hero cast from metal. these people desperately want a hero. a savior is all they see.

hari potter is a reflection. he adapts. he takes your expectations, your sterotypes and shows what you want to see.

after all, hari potter may be the boy-who-lived but he was a gothamite before that. ---

hari potter is swept under the inviting wing of gryffindor and why shouldn't he? he's a carbon copy of his father, after all. from his bird's nest hair, to his round glasses, to the way his nose slopes downwards.

hari potter is brave. he's saved all of britain from you-know-who! what else can he be other than a gryffindor? who else could face the greatest dark lord of their age! there are books about his death-defying stunts as a five year-old facing down a dracula, a novel about him destroying a cursed catacomb, a memoir about the adventures he's had. hari potter is brave.

(hari potter is brave. hari potter lived in gotham city. he's seen monsters come out of the sewers and has been mugged with a gun pressed to his temple. he remembers when the clown hid a bomb in the street over. he remembers seeing the cloud of dust flying outward, the slow collapse of the building. he remembers running, running so hard, hoping so hard to the edge of that rubble. pleasepleaseplease don't let him die. dig with bloody fingers and wiggle into tight crevasses. looking for a person, his very best friend majid. he remembers a firefighter dragging him away. five hours later, majid is carried out broken and blue. three days later, he attends the funeral. hari potter is brave.

hari potter is more than a cold halloween night.)

---

last but not least, Keystone: this is currently my largest and longest running fic and I literally posted the first chapter on a whim and a random person commented and encouraged so now here we are 10 chapters later. basic plot is Harry sends a letter to adult!Tim Drake because he really doesn't want to live with the Dursleys anymore, Tim essentially plans out a convoluted, multi step plan that has Jason pick up Harry from a train station to take him to a safe place (features: the Jewelry Protection Squad! cool gay vampire professors! Jason killing werewolves! and more!) Btw, the fic is currently on ch10 and the last 7 chapters have literally spanned the events of two days. I need help... anyways! I am currently writing a scene where Harry + Jason discuss with the Goblins about the Potter estate, land ownership and I get to hint at a larger but oppressed wizarding world! World building! From there, we might or might not get to the bunker where it'll be peace for Jason+Harry while they wait for the jewelry Protection Squad to do its thing. While that's happening, I'll be writing about what's going on Gotham and why Tim didn't just have Harry come over to Gotham. I am also currently reading War Games (and prbly No Man's Land later on) just to figure out how I can move around Keystone's Batclan characters and what might have changed and what stayed the same.

aaaand yah that's about it! thanks for asking! i really enjoyed talking about these :D

#kali speaks #keystone #reflection #triple trouble #questionable decisions #my writing

[lochnessies]

@cockati3l the church isn’t ruling people from behind the scenes. even the devs confirmed that. the church in adrestia doesn’t exist, the church in the alliance is ‘toothless’ and nobody pays attention to them as said by lorenz, and the western church is in open rebellion against the central. also, when does the church control anybody in the game? nobody is forced to follow them and they even take on nonbelievers as staff.

once again, what corruption are you talking about? it can’t be what edelgard mentions in her speech because that’s been proven false.

it can’t be killing the western priests because they attempted assassination more than once, grave robbed, and attempted to kill students. not to mention are racist af

it can’t be changing history a little because in your own words “what the fuck so u want her to do?” humans killed her race when they found out the amount of power stored in their bones, blood, and hearts. at that time in fodlan’s history clans were fighting for power with the relics of her family and she had to find a way to broker peace as said by intsys: “seiros and co. meddled with history not in order to rule over humans, but to quell the flames of war and chaos as much as possible, and to also keep a steady balance about humanity.”

also yes, rhea was about to step down. she says so herself. even calling herself a “mere proxy” for byleth.

tell me how claude piggybacked off of edelgard’s war to further his own aims? the game tells and shows that he’s spending his time trying to just keep the alliance together.

she’s literally called the hegemon. there is no freedom under her rule. she centralizes all power onto herself and makes herself the supreme ruler. what she says goes and in order to achieve that result she murdered, lied, and stole.

she literally said “i have no regrets.” why? because she doesn’t. she may feel kinda bad about all the dying but obviously not enough to stop what she’s doing and find another path.

also her words about the followers of seiros are far from kind. she calls them “mindless” multiple times (even in her s-support). the faithful are forced to flee from her. people even lose contact with the believers in the empire, and it’s not even allowed to be one in the first place. not to mention in hanneman/manuela’s ending the church can come back but only under the empire’s supervision. so we have a state controlled church. look at all the freedom!

when does dimitri leave crestless people to get fucked? he literally talks at length that he believes that people with crests and people without need to work together and recognize each other’s strengths.

also the church isn’t the one behind the “crest system” (if you can even call it that since the way each house interacts with it is so different). crests/clans became noble houses because of their strength (aka the empire’s meritocracy in the beginning) and the strong aka crest bearers rose to the top bc in the 91 years it took to kill nemesis his elites had already started their own bloodlines and families. the nintendo interview says that rhea lied about the origin of the crests and relics bc she wanted the wars to end and the only way to have gotten rid of the crests humans had would be to genocide them.

with nemesis gone and the adrestian empire now in charge of the continent, a meritocracy started to form among the nobility. hanneman in his support with dorothea says this about the founding of the empire: “consider this. at its inception, the concept of nobility assumed that the greatest among the populace would rise to power. in my mind, i believe that those who value knowledge, those who strive for more, and wish to protect and guide their fellow man. however, in practice, nobility often serves to keep those deemed commoners down, segregated from those who, by chance, were born to a noble family.” this is also paired with ferdiand’s support with edelgard: “certainly, we must recognize the common folk who strive for greatness and attain it. but for those of us born into nobility, things are more complicated. from birth, nobles must excel. if we do not, we will be forced out of our houses. this environment breeds superior individuals, and they, in turn, recreate the rigorous environment for their own children. without that cycle, there would be no political elite guiding the world towards prosperity.” so from these supports we learn that the empire was founded on the idea of the strongest shall rule and they would be replaced if they didn’t reach a standard. however, over time, the nobility started to abuse this power of theirs and the idea of meritocracy was forgotten. which, ironically, is how it always works in the real world as well. that’s where the concept of nobles often bearing crests comes from. it’s comes from the empire not the church. and when faerghus and the alliance break off from it they kept the tradition. also, if you talk to rhea in verdant wind when she talks about zanado you can tell she hates crests. at the very least she hates the fact that humans have them due to how they were acquired. you know, through genocide. it’s also in the book of seiros that the reason the goddess left was because people were abusing crests and it saddened her and she went back to the blue sea star. so no, the church isn’t propagating anything. and they can’t force the noble houses to adhere to their religion so they don’t.

i’m not sure what you mean by “squander any rebellion”. i think you mean squash/stamp out? well the only rebellion we see in the game is from the western church and as i said previously, the priests were punished because they attempted assassination more than once, grave robbed, and attempted to kill students. not to mention are racist af. the church wasn’t the aggressor and only stopped the rebellions because they were dangerous and were also attacking innocent people. however, we do know that in crimson flower there are rebellions under edelgard’s rule and they are put down as well by the empire secret police aka hubert.

the devs also mention that azure moon was written to be a counter to crimson flower. and that is the route where dimitri has to learn to rely on his friends and work together with his people in order to usher in a bright future. in crimson flower edelgard berates people who lean on anybody else for support (all while taking some from byleth) and believes humans need to stand on their own two feet. in azure moon she says: “if after all of this you believe the weak will still be weak, that is only because they are too used to relying on others instead of on themselves.” to which dimitri responds: “yes. perhaps someone as strong as you are can claim something like that. but you cannot force that belief onto others. people aren't as strong as you think they are. there are those who cannot live without their faith... and those who cannot go on once they have lost their reason for living. you path will not be able to save them. it is the path of the strong, and so, it could only benefit the strong.” so yes, there is someone who represents human unity in the game: dimitri.

edelgard doesn’t make fodlan better. she’s the game’s hegemon (called this in three routes). there are rebellions under her. her people are starving (ashe says on cf), she attacked two nations she had no rights to, and defamed an entire race/religion.

crimson flower ends in flames and darkness. this is made VERY clear by the ending mural. unlike the others, which all show a very joyful scene; am has dimitri being loved by the people with archbishop byleth at his side, ss has byleth being held up in the crowd of people as it talks about how they are now the arbiter of every soul and mother of all life (which are the exact words used to describe sothis), and vw has claude talking with the people and the almyrans are visiting; which infers peace between the two nations. however in cf, we have edelgard standing on the flags of the nations she has conquered. she holds a napoleonic staff in her hands, and the mural portrays people with their heads bowed in obvious sadness and defeat. the biggest indicator that this is not an ending to be celebrated, but rather lamented, is the border. In all the other endings, the border is white and is accented by the color of the route. in cf you can see that the border is black. black and red: colors synonymous with evil or darkness. the epilogue also mentions rebellions against her rule that she has put down.

edelgard’s role in the story is that of nemesis 2.0. someone that is manipulated by twsitd and is fed false information to lead her to finish what nemesis started over a thousand years ago - the extinction of the nabatean race.

another massive red flag is what the devs have said about crimson flower being the supreme ruler route. “edelgard in "crimson fower", or rather known as the, "supreme ruler (hegemon) route" is something we honestly meant to be much more difficult to enter.” (they were talking about why it is harder to enter cf than ss). let’s focus on the word ‘hegemon’. the direct definition is ‘a supreme ruler.’ in another interview they mention the ‘hegemon’s path’ which is a chinese philosophy that goes along with the mandate of heaven that the devs have said that they based cf off of. there is a rule of the mandate of heaven: the right to rule is only granted if the ruler cares about his people more than he cares about himself, and if this is not the case, then the people rise up to overthrow the tyrant. we know for a fact that edelgard is this ‘tyrant/hegemon’ because she is called this in the game.

the devs have also said: “due to all the previous titles in the series, the thought/impression that the empire = antagonists is left upon the playerbase. when you think about the "empire", you usually get some sort of "bad/evil" image, i think. and as for the story, it really feels like it started from the romance of three kingdoms, but we force them all to take part in school life. In other words, a period in which there was peace must exist, before starting the fires of war. and because of that, someone evil (villain) has to exist, and so we had the empire bear that burden.” this interview also blew the common argument pro-empire fans had of fodlan not being at peace at the start of the game. they said themselves that the three countries were at peace. even the game states at the start that ‘these three ruling powers now exist in relative harmony.’

also even if other characters did some things wrong that doesn’t suddenly let her off the hook for her actions just like her’s don’t nullify theirs. if she wanted to peacefully change how things worked in her nation then fine. i don’t care. however, she invaded two other independent nations in order to change their systems and put them under her control. that isn’t morally gray no matter how you spin it. it’s tyrannical.

actually it was humans as a whole who fucked up the earth first. the agarthans are a race of humans that have been around for over a thousand years at the start of the game. when the goddess sothis came down from her home on the blue sea star she arrived in fodlan and took on a form that resembled humanity and lived among them. she used her blood to birth a race of children called nabateans. in the beginning, these two nations lived in harmony.

sothis and her children helped the humans advance their technology and weapons over time until the humans’ hubris grew to the point that they began to wage war on each other and eventually the goddess herself - the one who gave them the technology to do so. as confirmed by seteth, (who was there during that time) some of the weapons they used in the war are also seen in the game, such as the missile of light that destroys fort merceus. so basically, it was a ye olde nuclear war that almost completely destroyed the land and the humans. during this, a faction of humans left the surface to live below ground. they built a city called shambala and officially became known as agarthans. back on the surface, sothis used her godly power to try and heal the earth. however, due to the incredible damage done by the weapons, so much of her power was used that she fell into a deep sleep to try and recover. so no, sothis didn’t fuck shit up. it was the arrogant humans that took her kindness and decided they wanted to try and kill each other with it.

yes, dimitri and claude do have the rest of fodlan under their command at the end of the day. however, they way they achieved this was nothing like edelgard’s. they had no intentions of starting a war to unite the three under their rule. dimitri was given the alliance (the round table came to an agreement and willingly became part of faerghus) and when he kills edelgard the empire is now, by default his whether he likes it or not. same with claude. he defeats the empire which by that point had taken the kingdom. both are now without leadership and he doesn’t even stay. he fucks off to almyra. edelgard on the other hand started the war to put all of fodland back under her rule. it’s not comparable.

#i had to use tiny text to try and make this smaller lmao #mine

[perpetual-stories]

Inspirational Advise You Need To Hear: Writing Edition

This is going to be an inspirational post. I’ll be writing down advise that you didn’t know you needed to hear or you heard before but need to be reminded. This is advise I wish someone would have told me sooner, but of course it’s never to late to implement it and follow them.

1. It is never to late to start writing

I started writing when I was in elementary. The moment I had properly mastered reading I began to write. I had the pleasure to fall in love with a good book when I was three years old. Granted, I could not read what was in my hand, but the amount of care and respect I had for a book was beyond my understanding as a toddler. I just knew that a book was something I should care for and respect.

Don’t feel pressured or intimidated by the fact I started writing in elementary school, that’s not the point of what I am intending to do. I started young, but I could have well started in middle school, high school, or even this year. It’s never to late to start writing! Grab a pen or pencil and begin writing down your first idea! Many successful people start working towards their dream a little later in their lives, but they go for it! Don’t let age ever stop you from doing something.

2. No Idea is a Bad Idea

If you have an idea for a short story, or a novel go for it! Don’t think it’s a bad idea, or that no one will ever read it. Don’t shut yourself down before you even had a chance to write it down. A small idea can become the greatest thing for you. J.K Rowling had the idea for Harry Potter written on a napkin, and she kept at it; it eventually became one of the biggest franchises in the world. You can become the next big thing, but all you gotta do is write down that idea you think isn’t good. You could surprise yourself.

I’m going to be honest here and now. It’s hard to come by an original idea. It is, but that doesn’t mean you shouldn’t try and write down your story. All the greatest things that ever happen are all inspired or based off of something else. If you’re story is inspired by another story or its similar to another one, write it down! Don’t ever think your story is not worth bringing it to life.

3. Write Whatever you Want

It’s your story, you can write it however you want. There are no write or wrong ways or writing a story, you just write. If you want to write a sequel or prequel to Víctor Hugo’s Les Miserables, go for it! No one is stopping you. If you want to reimagine Twilight but through Jacob’s perspective go ahead (of course you need to acquire the rights of the story and characters), but as a fanfic go right ahead! If all you want to do is write fan fictions about your celebrity crush then go for it! Don’t ever be embarrassed or writing what you want to write.

Hell, I am a 23 year old woman in a loving relationships and I still think about writing Yami Yugi fan fiction where I am the main love interest, or fan fiction about Tom Holland. I am not embarrassed, or ashamed that I think about writing that. It’s what I am interested and what I like.

Write about what you like, and what you love. Again, never let age or insecurities stop you from that.

4. Read, Read, Read, Watch, Watch, Watch

Don’t ever let someone tell you, “All you do is read, you’re so lame.” Or, “All you do is watch movies and tv shows, don’t you ever go outside?” Don’t EVER let anyone knock you down for those. What people don’t know is that as writers we have to read and watch tv shows to get understanding of how characters, writing, and worlds are created.

Books, tv shows and movies are different when it comes to writing style but it’s still writing nonetheless.

Books help us with understanding writing structures, grammar and character development (to name a few). Tv shows and movies also help with that, but also help the writers get a visual of characters and story line.

I personally enjoy reading and love watching plays. Playwrights often have the best characters because they create them very realistically. Playwrights are the best actors, and actors are the best playwrights. They go hand in hand. If I want to study characters and their development, I read a good play or watch a good play. Plays are very important, in understanding characters. I definitely recommend reading plays to get an understanding of human nature. If you need a list of play recommendations feel free to ask me :)

Great books, and shows, and movies have one thing in common - great writing. So don’t ever feel like you’re not doing anything or doing much by spending time doing one of the aforementioned. We are all great writers and we write at our own pace.

5. “Comparison is the thief of joy.” —Theodore Roosevelt

Don’t ever compare yourself to anyone else. I know it’s hard not to, but don’t. You make yourself feel bad. Everyone and anyone can be a great writer. It takes time and practice. Don’t think your writing will never be published, don’t ever think you don’t have the skills to finish a book.

All the great writers must have felt what we all feel. But they didn’t let that stop them. They wouldn’t have published their first book is they told themselves they would never be as great or successful as the writers before them. They wouldn’t have created the sequels to your favourite series if all they did was compare themselves to others.

Shakespeare didn’t get to where he was or be who he was if all he did was compare his writings to Aristotle. No, because he followed his passion he is known all over the world as a great playwright. Stephen King wouldn’t have written the greatest thrillers and horror stories if he compared himself to Edgar Allen Poe, and told himself he couldn’t do it. No, Stephen King made a name for himself and does horror just as did as Mr. Poe.

“Comparison is the thief of joy.” Don’t ever let anyone take what makes you happy away from you.

6. Ask for Help

It’s hard to do things on your own, but it’s not impossible.

Don’t be afraid to ask for help. Having a close group of friends or family who support you is the best thing you can have when creating a whole new world with characters, traditions, religions, etc.

If you’re writing a story about a Muslim community reach out! Ask the Muslim community or someone you know. If you don’t know anyone reach out online! Thanks to the Internet it’s very fast to acquire all kinds of information. Don’t write about what you think you know about something without being 100% certain of it, you don’t want to offend an entire community about anything or everything.

I am also here to help! If you’re too shy to reach out to someone for advise regarding writing, or need someone to proofread your work. I’m here for you! :)

There you have it folks! Inspirational advice you may or may not have needed :). I hope you all read these and few motivation begin to boil Inside you :)

If you found my advice inspirational and know other people should read it, please feel share to share, repost, or comment, or do whatever you have to do to help others hear this advice :)

#writers on tumblr #writerscommunity #writerslife #original writing #writing #writersofig #writing advice #writing tips #ygo dm #ygo #yami yugi #yugi moto #yugioh #tom holland

[collisiondiscourse]

on the wonder duo (part 1)

(BNHA Analysis Post Ahead! This isn’t explicitly romantic, but it is an analysis of the relationship between the two most popular characters in BNHA--Katsuki Bakugou and Izuku Midoriya. Split into two posts because I realized that this was gonna be long as HELL)

yall ever think about the fact that the wonder duo is perfectly set up in so that bakugou and deku together are the better version of all might?

bc like. ive been thinking.

everyone knows the win to save and save to win parallel. How they are supposedly two halves of a whole perfect hero (which, previously, was defined as all might)

but ever since bakugou and deku started working as one—growing together to win AND save and continuously reminding each other that they shouldnt try to do things alone, ive realized that its BECAUSE theres two of them that they surpass all might. its not a case of deku and bakugou both being 50% of an ideal hero, but rather i think that they are 100% of what all might SHOULD HAVE BEEN from the very beginning.

as early as the AM v AFO battle in kamino, we see the effects of all mights flawed existence. the fact that he, the greatest and supposedly infallible symbol of peace, was destroyed—society had begun to collapse. there was suddenly no pillar to hold people together and the impacts were so severe that even in the latest chapters of mha it keeps on getting worse. the truth is, all mights biggest mistake was the burden he placed on his own shoulders

with bakugou and deku... its different.

its different for them because down to their attributions, they seem like two halves of a whole person.

i think that the wonder duo are going to surpass all might because of the fact that they work together.

@bakugoukatsuki-rising @svpercraigus @tybee​ @isaustraliaathing​

(batshit crazy and conspiratorial essay under the cut !)

1. Complementary Colors

I’d like to first preface literally everything I say by the fact that I am not an expert analyzer or literary major in any way. I am literally just some random fan on the internet who has wayyy too much time and looks wayyy too deep into things, but here we go!

A common thing we see when we talk about bakugou and deku is the way they are... sort of an inverse of one another.

Down to the design of their features and the way they move, Deku is the obviously softer of the two. There’s an intentional contrast between the two of them, in the way that Deku’s drawn with round shapes and curvy hair and the way Bakugou is literally all spikes and half-mast eyes and rough muscles. Bakugou’s movements too are languid and showy, with the way he leans when he walks and splays his legs and kicks open doors. Katsuki, in a casual sense, is loud and dramatic. 

Deku on the other hand s finicky. He jitters when he walks and he’s often fidgeting and mumbling. Comparatively, the aura he radiates is energetic and frenzied, even self-conscious to a point unlike Bakugou’s calm and confident movements.

the point is, there’s a clear difference in how either of them are designed and what exactly they are supposed to represent. They utterly complement each other down to the way they behave and even their main colors (red-orange and blue-green) being literal complementary colors.

Now, moving to my more ungrounded points, this is quite a bit of a stretch so I’ll try as much as possible to make sense of these with hyperlinked sources because. yeah.

Down to their names, I think Deku and Bakugou both symbolize something deeper. I think that the way Hori expresses characters and what they’re meant to do is something that we have to pay close attention to when we talk about the Wonder Duo’s rise to success.

Izuku Midoriya (緑谷 出久), as some of us may know, does have an interesting meaning when broken up. According to a lovely fan translation of his name, ‘Izuku’--while not an actual name used commonly in real life--means to ‘Come out’ or ‘Long time’. ‘Midoriya’ on the other hand means (Midori) ‘Green’ and (ya) ‘valley’. The translator further pointed out that his first name ‘Izuku’ could be a reference to him being the first legendary hero to come out of the long-running All Might Era. (or, if you’ve been reading @/bakugoukatsuki-rising’s posts, the first significant anime protag in a long while to come out as queer, ppfft)

but that isn’t my focus right now.

We know that Hori LOVES telling stories with names, and more often than not in the BNHA universe, names alone tell us a lot of things about the characters. When referring to Izuku’s last name, Midoriya, it’s important I think to step back and realize that hey, maybe there’s something more to Green Valley than just the fact that his motif is all green.

After searching for a lil on the specifics of green valley, I’ve found out that across many cultures, the colour green and valleys in general tend to represent life. From dream analysts, to Christianity, and even old Taoist teachings, valleys are seen as areas of fertility and escape. They are seen as safe havens and often escapes for people to come to after running away from bad circumstances.

(Sound familiar?)

Deku, in essence represents life and peace. He represents being the “salvation” that the world in BNHA needed. To me, it sounds like Horikoshi is trying to say that he is the long-awaited hero in the sense. The one that people can feel will create a society that feels safe for everyone after years of All Might just saving people from themselves as a band-aid solution.

On the other hand, we have Katsuki Bakugou (爆豪 勝己), who’s name we commonly know means (Katsuki) Winner and (Bakugou) Explosion Master. He is essentially, the champion. The power. His name means success and power and all the things that make up winning.

When putting them side by side, it then becomes increasingly... interesting to me how their names almost perfectly slot into All Might’s save to win and win to save mantra, and how they are both quintessential parts to what made All Might as a hero.

2. Hero Too!

Now, I’m not even gonna really TOUCH much of what happens in canon. If you want me to do a step by step breakdown of their arcs in regards to the plot of manga and anime, feel free to send me a gratuitous ko-fi tip so I can pay for the headache I get after trying to organize my thoughts into word vomit.

What I WILL talk about on the other hand, is the subtle shift both of them slowly have in regards to how they look. Bakugou and Deku, while growing up, seem to have MANY many parallels--but before I elaborate on all of that, I wanna talk about something else.

Detour: Deku’s Red Shoes 

We all know the iconic symbol being Deku’s red shoes. For all his life, save for some outfits like his hero one, we see Deku more often than not wearing his signature red sneakers which have become a running joke in fandom.

But the funny thing is, in Japan, red shoes seem to have an interesting connotation.

In 1922, a popular Japanese nursery rhyme was written, called “Red Shoes”. The interesting part to me about this song was the symbolism that, in my tiny pea-sized brain, I could connect to the story of BNHA.

The story goes that there was a little girl with red shoes named ‘Kimi’. She was from Shizuoka prefecture (which, if you didn’t know, is most likely where Musutafu supposedly is) and was raised by a single mother. When she was young, her mother had to entrust her with a foreigner under the impression that they would give her a better life in America. The stranger is a man named Charles Hewitt (who was described to have blue eyes) and supposedly took her away. 

The singer of the song (supposedly the mother, but some argue it was written from the perspective of a childhood friend) believes that Kimi is happy and living a better life away from them, when the reality of the situation was much worse. The young girl with red shoes in actuality had Tuberculosis, and thus the foreigner whom she was entrusted to had left her to fend for herself and eventually left her to go to America while she died alone and orphaned.

“When I see red shoes, I think of her.”

A very interesting story with very interesting implications indeed.

-

Anyway, moving on to the more... “nuanced” and connected parts of this section, I have every reason to believe that Bakugou and Deku were simply MEANT to be working together down to how they dress. Now, I’d like to discuss their hero costumes.

At the start of their series, using these godawful pics for reference, it’s clear to see that neither of them seem alike in any way--reflecting the dissonance in their relationship at that point in canon.

ough. deku why. (yes we know why its because you love your mom you stupid little bunny <3)

Anyway, we see an immediate gap in how the two of them are. Deku’s first costume is one that reflects how he treated his dream of being a hero. He was still in that childlike idolization phase, the one where his dreams and aspirations were hinged on pure feelings and inspiration from All Might. Katsuki on the other hand was a lot more tactical--professional to an extent. The gap between their respective development with their quirks is something that is clearly felt in every fashion decision they’d made.

(Notice how Deku’s green is a lot brighter and less like the green accents Katsuki has all over his costume.)

As time progressed however... their costumes changed. The colors, the silhouettes, the practical functions, most things.

(Deku’s Gamma Costume and Bakugou’s Winter Costume used respectively)

we begin to notice a few similarities.

As the show goes on and we see more evolutions of their costumes, it almost seems like they begin to look like a matching pair. Deku’s green grows darker and almost teal in nature, while Bakugou’s orange is veering towards red territory. This is important to note because red-orange and blue-green as I said earlier were complementary colors as compared to simply orange and green. The minute shift is something I really wasn’t quite sure was intentional, but something I find interesting to pick up nonetheless as the colors they used to accent their costumes begin to match up.

Secondly, I think and important thing to note is silhouettes. The way that both Bakugou and Deku’s costumes are designed follow a lot of parallels that typically we don’t see with the rest of 1-A. For one, they both have a combination of tight long-sleeved tops with a bulkier set of bottoms. They also share the use of utility belts and metal pieces typically worn around their necks. Deku has his bunny-eared hood that mimics All Might’s hair, while Bakugou has his orange and black explosion ear-pieces that mimic his own quirk.

i don’t think any other people in class 1-A match each other as subtly yet strongly as these two. Uraraka and Deku and Bakugou and Kirishima do come close however.

“But Codi, you fucking knob!” I hear you plea. “This is such a reach and tells us practically NOTHING!” And yes, I’m inclined to agree with you! You’d be sort of right in the idea that this is a reach. Maybe I am looking too much into this, and maybe it really isn’t that deep--but I do think that them subconsciously matching outfits means something quite brilliant.

In the way that their costumes are designed, each aspect of either outfits have a very logical explanation. The changes were strategic and made with their fighting styles vividly in mind, so what that tells me is that BECAUSE these costumes are so complementary or similar in nature (Bakugou’s reinforcing his arms while Deku reinforces his legs), these two are implicitly showing the audience that their combat styles are complementary as well. 

The evolution of their design choices and similarities tell us that even unknowingly, their minds line up in strategy on the battlefield--a clear exhibit for why they would be INCREDIBLY POWERFUL as a Hero Duo to begin with.

When I look at their hero costumes side by side, I see a mirror. I see the way that these two are reflections of each other and are strong where the other isn’t. The point I see in BNHA repeatedly is that EVERYONE HAS A WEAKNESS. Nothing is infallible, regardless of how hard you train or how powerful your quirk is. Everyone will always have a weakness, but the significant difference I see when fandom discusses the future of Pro-Hero Society is that the new generation is finally raising itself to be RELIANT on each other. 

Observing their fighting styles and the simple use of their quirks, its obvious that they are indeed two parts of a whole hero. Bakugou, who’s quirk emphasized his arms and hands and the power that comes from it, while Deku who’s quirk now emphasizes his legs and lower body and the way he’s always running to save people.

IN CONCLUSION:

As they become heroes, it is easy to assume that if nothing else, Bakugou and Deku will cover each other’s weak spots (especially when you consider the way Deku probably won’t be able to keep using his arms with the way both the anime and manga are going...) (also chapter 285, anyone?)

-

Part Two: Interactions, OfA

kofi || commission details

#idk maybe this is obvious and im just Slow on the uptake #but yeah #delete later #bnha #wonder duo #bakudeku #bkdk #codi.txt #bnha meta #mha meta #long post #tw long post #cw long post #THIS IS PART 1 DONE ILL TRY N FINISH PART 2 SOMETIME THIS WEEK #izuku midoriya #midoriya izuku #bakugou katsuki #katsuki bakugou #kacchan #deku #dynamight #dynamite #codi.docx

[writings-of-a-hufflepuff]

Prompt List #8 - Lines from love letters

All Prompt Lists

All these lines come from a book called ‘The Love of an Unknown Soldier’ which is an antique book that’s essentially a series of love letters from the Great War that were found in a dugout and published. All unsent from a British Officer to an American Nurse he met in Paris. He never told her that he loved her and presumably died before he had the chance.  

I was so many times on the point of telling you - every evening after I had left you I accused myself and spent half the night awake planning the words in which I would confess when next we met. 

I wonder if you have guessed. Surely I could not have loved you so much without your knowing. 

What right have I, who may be dead within a month, to speak to you of love? To have done so would have been the act of a coward. 

You, all the time you would have been lonely. All the time you would have been worrying about my safety. 

And yet there is still time to tell you. I have only to unhook the receiver and to telephone to you. 

Perhaps it was fate; I prefer to think that it was something else. 

You’d never guess how long I spent in polishing my belt and buttons. Yes, men are like that. 

And my emotions! Shall I be frank? They were awfully muddled. They were made up of longing, hope, doubt and the terror that I might appear absurd. 

The longing was all for you. 

The hope was that you might share my longing. 

The doubt was lest I might have idealised a memory which, when I saw you, would fade into reality. Oh, the heresy of me! 

I have spoken of the touch of your hand, but I think it was the sympathy in your eyes that touched me. 

I suppose you’ll never know how proud I was to be seen beside you. 

I felt so keenly aware of you; your beauty was almost painful. 

The paths were slippery; I took your arm at times to help you over places and laughed within myself at its reluctance. 

She does care for me a little, I told myself - that thought kept my heart singing after we had parted. 

One never hears you coming; you are absent - one looks again and you are there. 

You trusted me so much from the very first; is that a good sign from a lover? 

Strange, that I should have conquered fear in the front-line, should have lived for days quite calmly with sudden death, and yet should tremble before a girl.

The letter I shall send you will be strictly conventional and not too lengthy - it will be the kind that I might write to any acquaintance of either sex. And yet - yes, that is the thought that troubles me - we may have met and parted for the very last time. 

Since you will never read this, I will play a game; I will not send you what I write, but I will speak the truth to you on paper. 

I can at least carry the memory of these things back; they are unspoilt by any sadder knowledge. 

We stopped so long talking over dinner that by the time we reached the opera the first scene was ended. 

I am glad I met you. I am glad of the pain I shall carry back with me. 

Your face will be with me, the sound of your voice and the memory of your gentleness. 

I shall be a better soldier because we have met.

If I die, I shall die satisfied. 

I didn’t have much time to catch my train, but managed to stop long enough to order you some flowers. They were roses, deep red, the colours of the ones you wore at the opera on our last night. I bought far too many for good taste - I bought the way I felt. 

How far away you seem - how far everything seems that I have loved. 

You’re a captain in rank, aren’t you? Then you’re my superior, for I’m only a subaltern. 

There must be more in you than I have guessed; to have left luxury and come into danger just to look after other people’s babies, that took courage. 

There’s a sacredness of devotion, which goes deeper than mere beauty. 

Do you begin to understand why it is that you seem so far away? 

You can weave all kinds of fancies out of our nights if you’re in love and have an imagination. Those white flares, appearing, racing, vanishing, seem to me a phantom-city and make me think of Paris. 

The boys came in intending to buy something; they hardly noticed you at first. Then they saw you, stared and tried to spin out an awkward conversation...they’d returned to buy something else. They really returned to get another sight of you. 

You fascinated me as well. 

What are you? You are drifting away from me, becoming unreal already. 

Did you care for me at all, even for a moment? 

Did you ever picture the life to which I was going? 

Was I only an incident - some one transiently amusing, and perhaps a little pleasant? 

For me there was always poignancy in our happiness. The thought was constantly with me of our parting. Something within me kept warning, ‘it is the end - the end - the end.’/ 

If I had only met you earlier, in the days before war started, I could have made love to you honourably. But not now. 

And yet - “I wish I had married my man,” your friend said. It’s a problem. Self-interest dictates that I should tell you. That choice might be more righteous than silence; it depends on you. But because the choice would be selfish I distrust it. 

Had you stayed a moment longer I might have spoken the words which were better left unsaid. I think you knew that. 

At the cry ‘mail up’ I forsook my dignity and went out on the pretence of seeing that the teams were clear of the position. 

For a little while memories travelled back to affections and quiet.

You mean more to me than anyone in the world, yet I have never seen your handwriting. That brings home to me vividly how much we are strangers. 

I never knew a man more in love with anybody. 

Why didn’t you write to me? I had counted the days and made allowances for delays. A letter might have come yesterday; to-night it seemed certain. 

I form so many conjectures...you were busy. You did write, but forgot to post it. You posted it, and it’s held up in transit. Then there are other conjectures of another kind: that you do not care; that the knowledge that I care would come to you as a surprise; that it is the knowledge that I care that keeps you from writing. 

When I remember you like that I feel your kindness. You may not care, but you are not careless. 

To have known you as I have is more than I had counted on - more than I deserved. 

To have had love come to one in the midst of a war, was more than could have been expected. 

All my life I had waited for that; then, when one had sacrificed so many human affections, it happened. It was a gift from the gods. Though you may never know, I ought to be contented. 

I must not entertain hopes about you. To do so would be weakening. 

You have happened in my life - that should be sufficient. To have snatched one last glimpse of loyalty should make me braver; it should be like the sacrament pressed against the lips of those about to die. 

I don’t think I will write to you any more, my dear. These unposted letters, written out of loneliness are becoming a luxury which is dangerous. They make the future seem too valuable. 

I begin to realise how sweet life is - how glorious we could make it. 

A letter from you! Such a jolly letter, so full of yourself! It’s just as though you were at my elbow and I could hear your voice.

I’ve read it how many times? I can’t count. I think I know it all by heart, and yet keep on turning back to my favourite passages. 

To save France, Joan of Arc charged on horseback into battle. You go with less drama, but with an equal heroism. 

You would laugh quietly and say that I make too much of what you are doing - that it’s really very ordinary. 

You can’t love a woman and not gaze into the future. You can’t feel the need of her and be resigned to die. 

I wish I knew that you felt the need of me. In the loneliness of this existence the knowledge that there is one woman who cares supremely helps. 

I mustn’t think of you too often. 

But this is foolishness - one can’t get rid of memory. Since I can’t forget you, I must make your memory a help. 

I write you letters which you will never receive, recording the fact that I love you; but I fail to tell you. 

I persuade myself, as Benham would have persuaded himself, that it is honest and fine not to confess. 

I don’t do the passionately human thing - the thing that Jack Holt did when he won his wife. I act idealistically but, God knows, i’m by no means certain of my motives. 

It’s easy to be brave for one’s self, but to have known that you were in danger would have been intolerable. 

Could I see you I should find you changed, you say; the sleepless nights have done their work. I expect I should find you changed - as metal is tried in the furnace. 

Like every man who loves a woman, the desire of my heart was to shut you up in a cage of unreality. 

I beg you to take especial care of yourself. Don’t run more risks than you can help. 

My mind is full of you to-day. I have been trying to remember your face, the tones of your voice - all the things that make you you so essentially. 

At first, when I feel in love with you, I almost resented your intrusion

I used to mistrust love as a kind of sickness, and yet all the while - I must tell the truth - I longed for it desperately. Love always avoided me. 

I wanted to have something so worth giving to a woman: perhaps that was why I was willing to delay. 

Then a quaint little picture forms in my brain of you and me alone in a darkened room. There’s a fire burning. You’re sitting in a great armchair; i’m crouched on the floor beside you, my head against your knees. 

But one grows weary of being strong; one wants to be loved so badly, just once while there is time. 

It’s the feel of you I need, the protection, the security - the sure knowledge that I am yours, whatever happens. 

It’s you that I want - the feel of your hands touching mine in the darkness and your arms about me. 

I’m afraid i’ve been acting like the traditional Englishman; you’re the greatest pleasure I have and i’ve been taking you sadly. It isn’t much of a compliment to you and I must stop it. Unhappiness is a form of disloyalty.

You came upon me so suddenly; you awakened such longings; your very presence spoke so loudly of a future which, perhaps, I may not share; you offered all that I had once hoped for before I put hope behind me. 

Your presence to me was like St. Peter’s shadow to those sick men; it healed me, but it made me long for more than the shadow. The thought that you would walk through other cities where i could not follow, filled me with emptiness. 

I realised then what a gaiety would fill my world if I had the assurance that you loved me. 

In a vain attempt to make you a part of my world I lie awake imagining half the night. What a foolish heart I have!

How sick I am of my own pose of spurious manliness! What I want is to feel your arms about me and your lips against my eyes, whispering, ‘Mon petit.’

I know at last for certain that I am nothing and you have forgotten me. And yet there was a time when - or do I deceive myself? You could not help writing to me if you have ever cared. You are breaking the news to me slowly by your silence. Perhaps that is the kinder way to do it. 

I know that love in one who is not loved, must always seem absurd. I know that I ought to smile and bow in a gallant sort of fashion, excusing myself for having been so mistaken as to have troubled you with my affections. But the men who used to love like that loved lightly; they had scores of years before them to seek their love elsewhere. 

I love you as a man loves only once, and I may have but a few hours. 

If I come through to-morrow safely, I’ve almost a mind to write you a real love letter. I can picture you reading it, if I were to send it. Those straight brows of yours would draw together. The more impassioned I was, the more puzzled you’d become, It would all be so sudden after my carefully proper letters.

I think of you, as I shall think of you to the end, if the end comes. I do not want you less. I want you more perhaps, only not so selfishly. 

And yet there is always you, you, you, to lure me back from death. You with your grey eyes and your intense atmosphere of rest - you with your unconscious womanliness. 

Aft4er such a long wait, two nights ago I received your last letter. You hadn’t quite forgotten me. You hadn’t forgotten me at all. You have been ill, but you’re better now. 

I dreamt of you last night. It was the first time that this has happened. We were in a garden full of sunshine and roses. You were learning on my arm. We must have been married for some time, for there was no strangeness in our being together. We cam to an old stone summer-house and sat down. You sank your head against my shoulder, gazing up into my eyes, and brushing my lips with your hair.           

My heart cries out for you and hears only the silence. 

If I come through this, I have made a pledge that I will tell you. The last few months have educated me in taking chances. 

I shall never know now whether you would have loved me, or could have been made to care for me. Perhaps you did care, and were waiting for me to give the sign. 

It’s the touch of live hands, of lips pressed to lips that counts. 

I want to hold you and to say nothing. I want-                   

#a bit of tragic history that pulls at the heart strings #prompt list #writing prompt list #prompt lists #history #ww1 #world war 1 #wwi #world war i #the great war

[docholligay]

Please rant/rave (well, we already know which one it will be here) about Harry Potter!

GEE I HOPE THIS WAS WORTH WAITING FOR

OH MY GOD. The level of hatred I have for Harry Fucking Goddamn Potter, the culture around Harry Fucking Potter, extending its poisonous tentacles even to the concept of young adult fiction, fantasy, and the United Kingdom as a country and people. 

When you being on this, you may think, “Oh, Doc will explain that Harry Potter sucks because JKR hates trans women” and I will say, oh no, dear reader, that is a fantastic reason to hate the author, and I really suggest we all continue to hate her, and perhaps not purchase the QUEEN’S TONNES of officially licensed merchandise and movies and theme parks that give her stupid little fucking hands all that cash, but no, that is not why I hate the work. There are a number of great works done by terrible people, and the further out the lens of history gets the truer this is. 

I hate Harry Potter because it fucking sucks, and mentally stifled an entire fucking generation. 

“Well, Doc, Harry Potter was really there for me when--” Oh my god I could not fucking care LESS about your personal emotion connection to “orphan wizard boy turns out to be a rich aristocrat yet somehow less woke than Cinderella though” I have personally emotional connections to hot fucking garbage pails of media properties, and if someone came barreling through talking about the myriad ways in which they were horrible, I would be like, “Oh, you aren’t fucking wrong, pal” 

Harry Potter gained wild ass popularity in part due to its magnificent sorting system of Smart, Brave, Evil, and Other, because there’s nothing liberals like more than being able to put everyone’s personality into an easily labeled box, which is why astrology is so popular, or for the intellectuals, Myers-Briggs, which is just as fake but with the veneer of science. This allowed people to give into the tribalism they so desperately liked to pretend they did not possess, and also allow them to write thinkpieces about “The misunderstood Hufflepuff” or “Slytherins aren’t all bad!” or really anything that allows them to write a very real piece about their very imagined oppression for being a part of a totally fake house in a children’s book. Excellent use of your sociology degree, Kai, I thought the addition of phrases like, ‘Content of socialization” and “axes of oppression” really spoke to the struggles you face when wearing a green and silver scarf. 

The other reason it became popular is that it’s essentially wallpaper paste formed into characters. I have read all of the books, and I could not tell you even remotely what Harry’s defining personality traits are other than “protagonist”. In American, at least, a large part of it was the fascination with all things British, with the idea of boarding school and prefects and uniforms that aren’t inexplicably chinos and polo shirts for nine year olds. It allowed children to project onto something so bland that it could be anything. And for children, THAT’S FINE. There is a great deal of bland media made for children, but what I’m speaking to is the fandom, which is largely well over the age of 18. 

Because if we look at the books, are they...actually good? Was it good, or did I experience it as a child? I mean, honestly, on a literary level, are they, or was it just like we all watched Friends, we did it because everyone else was doing it, because I have a distinct memory of a series that involves such greats as “magical geegaws with poorly defined rules that are quickly forgotten despite being able to solve later problems quickly” or “Everyone loves Harry or is a bad guy, or secretly loved Harry all along” 

Oh, speaking of, man, if this was an actual well-written book, wouldn’t it have been wild to have Snape’s whole thing be to teach us that sometimes people do good things for the wrong reasons? Instead of naming your fucking child after the guy who ‘protected you’ because he still wanted to bone your mom? “After all this time” “Always.” 

While all this could have been explained, we have Quidditch added into the mix instead because 20 pages of the goddamn Puppy Bowl is exactly what I was looking for while I was waiting for JK to move the goddamn ball on literally any of these actual magical concepts. 

Harry Potter is a fucking trust fund baby, star quarterback, who grows up to be a cop and marries his high school sweetheart. (Speaking of, why were we shocked that JKR turned out to be a piece of shit when this was and always has been the conclusion of Harry Potter? Why are liberals so fucking into this series that upholds structures like it ain’t no one’s business? It’s a series that opines that those beneath us “Muggles” should be kept in the dark from us) Literally, he finds out he is a wizard and has a dragon-guarded fucking VAULT OF CASH. At 11. It’s such a series for little tyrants, you are special from birth and need do nothing to prove it, here is a letter certifying as such. Oh, not only are you rich and the greatest seeker and have excellent quips, but also your parents were not only rebels, but the best of rebels, and so deeply involved that your parents were killed by the big bad personally, again, because you are so special. His mother’s love literally saves his ass over and over again, because he was SO SPECIAL. He fought Voldemort FROM THE BEGINNING, and WON.  It’s literally the most privilege baby fantasy in the world. 

“But Doooooooooooc, it’s for chiiiiiiiiiiiiiiildren” 

A) Yeah, and you’re 32, you’re making my fucking point about Harry Potter setting an entire generation up for intellectual failure to launch. 

B) Okay, and? I can think of a bunch of kids’ books off the top of my head that in no way require specialness to be given by birth so as to roll out the red carpet for master protagonist. The Hunger Games. Watership Down. A Series of Unfortunate Events. The Chronicles of FUCKING NARNIA, about which I have only a small handful of particularly kind things to say. I’ve never read Percy Jackson, but it’s my understanding that despite his being a literal demigod, the attitudes of the supporting cast are allowed to fall between the extremes of “Appreciates Percy” and “naughty or will learn” Harry does nothing to improve himself even after knowing that he is HUNTED BY THE BIG BAD! “I won’t do this because I don’t like Snape”. So There” which, again, if this series were written with the slightest bit of care or know-how, could be a humbling fucking plot point! BUT NO THAT WOULD BE NAUGHTY. 

But the real reason I hate Harry Potter so much has everything to do with the fandom surrounding it, and how it intellectually stunted a generation of adults. The promise of Harry Potter was that it was supposed to make a new generation of readers, and so the popularity of them was pushed, and so there was discussion of teaching them in schools, but I tell you fucking what, I know a whole lot more folks who grew up reading Harry Potter that never advanced beyond reading YA, or even just rereading the entire series every year and that’s pretty much them done and dusted. 

In the attempt to recapture whatever it was about Harry Potter that attracted children (A lot of it was your peers doing it. I read them all as they came out, and it was literally the equivalent of watching the game so you could talk at the water cooler. That was never going to be recaptured) people, who by this time were likely in their teens, kept getting recommended stuff at the same and same level. No one ever felt pushed to read things that are challenging, to read things that have some of the concepts or themes of Harry Potter but maybe complicate. I know FAR more adults who read adult books that aren’t into Harry Potter, even if they were as children, than the reverse. 

But Doc, why is reading only books meant for 14 year olds a problem??? I mean I suppose I can’t convince you that comfort is not the job of literature or of life, it is the job of an easy chair, because Americans especially are decadent as fuck about being comfy cozy all the time and if anything causes them distress or pain it should be immediately avoided. But Maybe I can convince you that you’re fucking up these books for actual ass children who deserve to have their own writing section without adults bringing their fucking asses into it. They deserve their own spaces. There’s a number of YA editors who have talked about the difficult space YA now occupies because since Potter’s blowup, it’s no longer a niche category, but basically “adult easy reads” and so they have been buying books that are more about the tastes of adult buyers than of literal 14 year olds. 

Is that not...sad? To anyone else? Honestly, and this is not part of the essay because it’s a broader reaching problem, but CHILDREN’S MEDIA IS NOT FOR US. CHILDREN’S MEDIA IS NOT FOR US. CHILDREN’S MEDIA IS FOR FUCKING CHILDREN. The fucking 40-23 set really needs to get their shit together and grow up a little bit and engage in some fucking adult media, and maybe, if we support what we’re actually looking for FOR ADULTS, it will come to us. No one is saying you can’t read Harry Potter or watch some Cartoon Network show, but like, search your heart and come the fuck on. Engage in something more complex. If not for yourselves, for the kids getting shoved into simplified adult stories. It should not be about us. 

ANYWAY, my larger point is that it was Harry Potter, a badly written series about a magical boy who was chosen and magic and also rich and also a favorite of the headmaster and also more clever than most adults and also spoke the same magical snake language as the big bad and was also star quarterback, but at least there was a system in which you could buy a scarf in block colors and feel like you belonged to a team. 

(But not a sports team! lol handegg! I’m cool I don’t get into sports! Except Quidditch.) 

#TO say nothing of the fact that I haven't been able to wear gold and burgundy together without some dumbass comment for years #despite being a favored color combination #Anonymous #Eight Days 2020 #Holligay Rants and Raves #I didn't even GET to every point I had but it's been over an hour #GOD I HATE THIS FUCKING SERIES SO MUCH #Doc do you hate me for liking it? #oh sweet thing allow me to reassure you: Yes. Absolutely. #also the prose is god-awful #I've taught teenagers with better rpose

[eagles-translated]

Analyzing the writing of Eagles

Here's a post I've been wanting to make for a while! I've expressed my thoughts on some of the storylines in previous posts, but I've never done a complete post on the writing of the whole show. I've divided this post into separate parts, focusing on each season and its plot points. Keep reading to see my analysis of the writing in Eagles! 👇 Word Count: 18k

If you've stumbled upon this post from the Young Royals or the Beartown tag (tagged them since I've drawn some parallels from those shows), here's a brief summary of what Eagles is, which you can watch with English subtitles here. This post contains Eagles spoilers from 1x01 - 3x10.

Eagles is a Swedish TV show that revolves around a few teenagers living in the Swedish ice hockey town Oskarshamn while experiencing friendship, love, and rivalry on the ice.

To start this off I would like to say that I have no experience with professional screenwriting and if anything, this is just a way for me to procrastinate on actually writing my own projects.

I love experiencing new stories and when I discover one I really like it's just natural for me to branch off with "what ifs" and to start wondering how the story would've turned out if some things were changed. Sometimes it's with a storyline improvement in mind, and other times it's just out of plain curiosity.

You might feel like this post is leaning towards the critical side, and I can definitely understand why since there are a lot of small details that I've picked apart from all seasons. I added a section for each season with things that I thought were really well done so this post wouldn't be too negative.

I actually did enjoy all seasons and I feel like the quality of not just the writing but every single thing has steadily increased each year.

Season 1: Tropes and clichés

Eagles premiered its first season in 2019 and was, despite many negative reviews, a big success among its target audience. Every episode on SVT Play amassed around 700 000–800 000 views and there didn't seem to be any doubt that the show would get renewed.

What the critics had issues with were that "Eagles rarely takes the unexpected path, and feels like a slightly soulless product of studied target group thinking a little too often," (Karolina Fjellborg in Aftonbladet) and "In Eagles, the characters seem to be locked in the role of a "teenager" but the humanity is missing. They've simplified the construction of the character," (Django Lorentzson in MovieZine).

Eagles was unfortunate enough to constantly be compared to SKAM in its infancy, and that's a tough comparison to live up to. SVT sort of shot themselves in the foot as they were the ones who contributed to it. While the show was still in the casting process, SVT wrote an article hyping the show up as a Swedish SKAM (which has since been edited, but led many to falsely believe that it would involve all the familiar SKAM characters with some hockey elements sprinkled in).

So, why exactly did critics think the first three episodes of the show were predictable and soulless? Well, it's pretty simple. They'd seen it all before. The setting, the characters, the storylines—just in different TV shows and movies.

Season 1 for me is nostalgic and very enjoyable despite its clichéd nature. I also felt like I'd seen the show before due to its generic storylines, but there is a reason why tropes are tropes and why clichés are clichés. It's because they're tried and true, and actually somewhat good writing tools as long as you expand on them. The keyword here is to expand—a story doesn't magically become good simply because you mimic something another writer has done. Tropes are fine to use but you can't just apply them and stop there. Everything in a story needs to be developed in order to be good.

It's safe to say that it's pretty much impossible to write a story without any tropes that have been used before. Striving to avoid clichés at all costs in hopes of making your story as original as possible is harder than it sounds, and almost impossible to boot. Here's a great piece of advice for aspiring writers written by a user on Carvezine:

[...] if you look down at your story and are worried it’s already been told before – don’t spend another second thinking about it. It has. A million times. The only difference is that it hasn’t been told by you. Accept that regurgitation is part of writing, and just do your best not to regurgitate the same way as the guy next to you. We’d all do well to acknowledge there is at least a portion of our stories that are really someone else’s. [...] Beyond that, write with the motivation that if you don’t get around to telling your story, eventually somebody else will.

Even the greatest books have storylines with some clichés. And that's not really a bad thing, either. Think about it. How many times have you decided to binge a TV show solely because it reminded you of another series? Or picked up a book simply because you love a good enemies to lovers romance, a battle between good and evil fantasy, or whatever it might be?

I found this article from Masterclass that perfectly describes what tropes are and why they're used. It's written from the perspective of novel writing but it is still applicable.

A trope in literary terms is a plot device or character attribute that is used so commonly in the genre that it’s seen as commonplace or conventional. For example, a trope in superhero stories is a villain who wants to take over the world. Tropes are popular for a reason—if something has been written about over and over again, there’s a good chance that it’s something readers enjoy reading! Tropes can be helpful, but a novel made up only of tropes will quickly start to feel stale and predictable to readers. That’s why you need to read up on tropes—and then innovate. Deliberately taking a favorite trope and turning it on its head is a great way to put your own unique spin on the genre and keep your readers interested.

Eagles, in its first season, didn't really do a lot of expanding upon the tropes they used and it's understandable that they were still trying to find their footing. I can also imagine it's difficult to do so when you only have eight 20 minute episodes in the season.

However... There definitely should've been more work put into these characters to make them their own. It's tricky, yes, but still achievable if you don't abandon them in their cookie-cutter form and try to actually decorate them with something unique and fresh.

So, how did they write their characters?

Felicia's character and backstory

To start off, Felicia is a famous influencer known for starring in a reality show next to her former NHL professional father. There's already a clear disconnect because it's hard to relate to a character with such a public past and large following. But it is 100% possible if you let the viewer know the character has humane qualities just like the person watching the show.

Look at Wilhelm from Netflix's Young Royals, another Swedish TV show. Wilhelm is the prince of Sweden, set to attend a prestigious elite boarding school, and is the heir to the throne. That doesn't exactly sound like a relatable scenario, does it? And yet the writers make it work because when we're introduced to Wilhelm we realize he's just like everybody else. He wants a normal life, he latches on to his older brother for support, he has anxiety, and he struggles between following his heart versus doing what his family is expecting him to do. A lot of these factors are relatable among the audience.

So, let's look at Felicia Kroon. She is in many ways portrayed as the main character of the show. Eagles starts off with her family having moved to Oskarshamn and the following episodes focus on her developing relationship with Ludde as well as her traumatic past. There's almost too much focus on Felicia here, and I'll get back to that.

Comparing Felicia to Wilhelm from Young Royals, they're both well-known teenagers with famous parents. Of course they have different circumstances considering Felicia is Instagram popular and Wilhelm is a blood royal, but in the grand scheme of things they're similar. Felicia is even referred to as a "Kroon princess" because of her last name Kroon bearing a resemblance to the Swedish word kronprinsessa, meaning crown princess.

The students of their respective schools treat their attendance as a big deal when they first arrive and then Wilhelm and Felicia start spending time with the "popular" crowd despite not really fitting in there.

I personally found it easy to relate to Wilhelm but difficult to relate to Felicia. Some people may feel differently, but her character is basically a popular party girl who attracts the attention of one of the school's star players and is "welcomed" by the popular crowd on her first day of school. I put welcome in quotation marks because Klara, the leader of the girl group, isn't exactly the most welcoming person but she does welcome Felicia to the school. My point is, Felicia doesn't have a lot of relatable traits in the first episodes.

Felicia then goes on a date with the guy she's met, Ludde. Okay, so there haven't been that many layers to her character yet. We're at the third episode and so far she's been kind of flat.

Near the end of the third episode, we get some depth to the character and we hear her back story.

Felicia: [...] We don’t have a good relationship, my dad and I. And that’s probably why we moved from the beginning, because he’s an idiot. We’ve never been close, but… Elias and he have been since they’ve had hockey. [...] And mom has been really involved, so… And I… They’ve never really cared about me. And… And I haven’t really been a problem either. I’ve had good grades, good friends, and… I don’t know why I’m telling you this. I don’t talk about it to people. [...] I just felt so fucking lonely and invisible. I was worried all the time, couldn’t sleep, panicked because I couldn’t sleep… So I started going out more. It went overboard. It started affecting school, my grades slipped… I started taking things to be able to concentrate. Everybody does stuff like that. And then I still couldn’t sleep, so… I started mixing with sleeping pills. And there’s always wine and booze at our place. I don’t want this to come out, that’s really important. Ludde: Of course, I’d never tell. Felicia: One night, something happened that made me… Act out of control more than usual. I woke up the next morning in the hospital. So they sent me to rehab. It was really rough for mom and dad that I was suddenly in focus. When I woke up, dad wasn’t even there. Ludde: What made you take too much that night? Felicia: I’d forgotten my phone at home, so I ran up and got it while my friends were waiting in an Uber. Then I came into the hall and I heard noises. You know, like, when somebody is doing it. Ludde: Okay. Felicia: And I thought it was really weird because mom wasn’t home. So I went into the living room… Dad was fucking my mom’s best friend. On the rug below the couch.

This gives Felicia more layers and does separate her from every other "popular pretty party girl" trope that you see on TV. But this is a huge info dump, and that's a problem. I would've liked to see this happen on-screen instead of only being told what went down. The golden rule of Show don't tell, as people like to say.

Show, don’t tell is a writing technique in which story and characters are related through sensory details and actions rather than exposition. It fosters a style of writing that’s more immersive for the reader, allowing them to “be in the room” with the characters. In his most commonly repeated quote, Chekhov said, “Don’t tell me the moon is shining. Show me the glint of light on broken glass."

This back story could've been more impactful that way if, perhaps, the show began with Felicia in a hospital bed with a strong headache and hazy flashbacks of that night where she saw her dad sleeping with another woman. Then we're introduced to her mother and brother sitting next to the hospital bed tired and worried, and Felicia notices her dad isn't present. They tell her Felicia is being sent to rehab and then there's a time-jump before we see the Kroon family having moved to Oskarshamn.

That's just an idea I threw together at the top of my head, but you get my point. It would've been more interesting if we knew from the beginning that Felicia had a traumatic past like this, leading the viewer to want to know more about what actually happened.

We did get a brief flashback at the very beginning of the show—we see Felicia partying with her friends and taking some pill before lying unconscious on the ground. There's also a glimpse of Ludde's car accident with Andreas yelling at him to get out of there.

That segment only lasts for around 45 seconds and it's easily forgettable upon your first viewing of the show. It's also hard to even recognize Felicia in the dark nightclub setting with the flashing lights. Some dialogue in that short scene could've made it more memorable, because I found that when I first watched season 1 I remembered Andreas yelling at Ludde despite that being drowned out by the music.

Ludde's backstory was way more well-done, in my opinion. We see him having crashed the car and bleeding from his head. He looks terrified and almost frozen by fear, needing to be pulled out of the car by a panicked Andreas yelling at him to bring Ludde back to the reality of the situation. We see Andreas yelling and pointing, telling Ludde he needs to run now. It's more powerful when we get to see it.

And in episode 8, when we learn the truth of what happened, it's not a long and dragged-out monologue. It fits into what's going on in the story. Felicia and Ludde have known each other for a few months now and are much closer than they were on their first date. They've had disagreements and fights, but at this moment they're in a good place.

And it feels like the right moment for Ludde to come clean about what happened to him.

Ludde: Hey… There’s something I’ve been meaning to tell you. Felicia: What? Ludde: About… My brother. It’s not really as everybody thinks. Felicia: What do you mean? Ludde: That night when he crashed… It wasn’t Andreas who drove the car. We were on our way home from one of his buddies. We’d had some fun drinking. And then… I’d just started learning how to drive. So I nagged and nagged at him. Felicia: So you were the one driving? But he’s an adult- Ludde: He was drunk as hell. He was going to leave the car, but I thought it was so cold and it was only three blocks away so I thought that I could drive. Felicia: And what happened? Ludde: It was slippery and really dark… And a car came. I hit the brakes in time, but it… Yeah. Right after he pushed me out of the car and yelled that I should run home straight away. He really didn’t want me to get into trouble. So, yeah… It was fucking bad luck. I want to just gather everybody and scream that it was me. Felicia: Hey… I love you. Ludde: I love you too. I love you so fucking much.

As Ludde is telling Felicia what happened as the other car came, we see a silent flashback of it along with Ludde's voice narrating. We see Andreas pulling him out of the car and yelling. Cutting to this scene that we've already seen in the beginning but might've forgotten about is a smart choice and makes the story Ludde is telling more real. We see it unfolding as Ludde is telling this to Felicia. It's a powerful scene.

We then see Felicia hugging Ludde from behind, a sign of support with no words needed. She tells him she loves him and Ludde says it back. It's an honest and sweet moment that comes at a perfect time in the story. It's not too early like Felicia's backstory was.

I sort of understand why Felicia's backstory was info-dumped because it was right before the drama of Mats accidentally spilling the beans to Klara's family. They wanted the audience to know what happened to her early, so they could move on to the plot point of Felicia thinking Ludde was the one who told everybody.

But we don't need every single detail of Felicia's story. Let it come organically. The only thing that was really needed was for Ludde to know that Felicia had struggled with drug use and was sent to rehab for this storyline to work. The reason why could've been saved for later, and it would've made for a more interesting reveal. Maybe just have Felicia allude to seeing something that night, but don't tell the viewers right away what it was.

In 1x06, Felicia is incredibly upset when she hears that her dad was the one who told Klara's family what happened to Felicia in the US. And rightly so.

Felicia: Don’t you get it? You ruined everything! Mats: What? Felicia: You told the whole damn town about me! About the US! Mats: I really didn’t mean to disclose you- Or disclose us. Sorry. Hey, sorry. Flisan, please. Hey. Felicia: Did you tell them you fucked mom’s best friend too? Yes, I saw you.

If this had been the moment where we first find out what Felicia saw, it would've been more surprising. Our reaction would've mirrored Mats's, and it would've been more heart-wrenching to know that Felicia was traumatized by an affair her dad had only to be cheated on herself in the very same episode.

Ludde's problematic nature

One of the scriptwriters of Eagles, Fanny Ekstrand, was interviewed in the behind-the-scenes documentary Edvins Skådisdrömmar. In this interview, she states:

Ludvig, he's the one who's been the easiest to retain the personality of. Because he's so... He's calm and friendly, but he makes dumb decisions. Ludvig isn't a typical hockey guy. He has a bunch of other qualities—music being one of them.

I found myself slightly disagreeing with this take, despite knowing Ekstrand is literally a part of the writing team and most likely helped shaped Ludde's personality. I just interpreted Ludde's character (at least in season 1) differently.

I also didn't find him that much different from any other typical hockey guy just because he happens to have another interest. That's a bit like saying Archie Andrews from The CW's Riverdale isn't a stereotypical jock because he also plays the guitar.

In season 1, we see Ludde break into the rink because he wanted to test out the ice. He just loves hockey that much. He also uses it as a way to express frustration and anger, which we saw in 1x05. He flirts with the new girl in school and in the beginning he even uses it as a tactic to gain a position on the main hockey team. This was confirmed by the creator Stefan H. Lindén in his Q&A, where he said:

My idea has always been that Ludde was blown away by Felicia and that he really likes her but that they both initially interacted and met to go swimming because Felicia knew it would piss her dad off and Ludde knew that it might throw Elias off since they were competing for the same position in the team.

I would say that the characteristics of a typical hockey guy would be someone like Adam—obsessed with the sport, flirting with girls, going to parties, and just spending a lot of time in the rink. Ludde checks off all of these points. However, I will give this the benefit of the doubt since season 2 Ludde seems to change a lot and it's easier to interpret him as the calm and friendly guy he was supposed to be in season 1.

So to me, Ludde wasn't calm and friendly at all. In season 2, yes, but when we're first introduced to him?

Ludde shows anger issues and violent tendencies in 1x05 when he head-butts Elias and breaks his nose. It's violent and messy. He then yells at Felicia to leave when she's trying to communicate with him and belittles her drug problems solely because she's rich. To me, Ludde wasn't a nice person in 1x04 either when he let his friends make suggestive comments about Felicia and what she was like in bed.

Omar: I can tell you one thing - you’re not borrowing my towel today cause I don’t know where that dick has been. Adam: It’s nice when she sucks, right? Omar: Can’t you tell us some more, does she bite you or is it just really, really nice? [...] Adam: Is that what you sound like when you’re coming? What does she sound like?

This was described as "locker room talk" and the writers probably wanted to show an authentic view of what being a hockey player is like. I understand that. But it's a little problematic when it's later swept under the rug and treated like something that we're just supposed to accept.

Elias: [...] it’s not very fun to sit in a hockey locker room where people are talking about how nice it is to fuck my sister. Felicia: Ludde would never say anything like that, you know that. Elias: He wouldn’t? It’s a locker room, Felicia. That’s the only thing they talk about.

It did not sit right with me how Felicia seemed to be the one Elias blamed in this scene, and Ludde and his friends never faced any real consequences for what they said. Elias did lash out at Ludde, but there was no severe consequence for Omar and Adam's comments.

Compare this scenario to another Swedish show, Beartown on HBO. Beartown is similar to Eagles and focuses on a hockey team in a small town with one of the star players hooking up with a girl who's recently moved to their small town.

This girl is raped by the hockey player. And because of his status as the star of the team, he has almost the whole school behind him. The girl however is labeled as a lying slut. It's unfair and frustrating to see it happen, but it's authentic and done in a way that doesn't glamorize the ugly side of hockey culture.

Eagles is not as dark as Beartown so this comparison might be a little unfair. Beartown's whole storyline did revolve around this incident while in Eagles the hockey culture is treated more as a side thought. It's like they decided to throw in a taste of what goes on in a locker room just to create drama without really addressing it further.

Beartown did a much better job of portraying the problematic and toxic elements of hockey culture without making it seem like it's just something normal that we should accept. It was honest and raw. If you haven't seen the show, this short video does a great job of depicting how much thought was put into the toxic hockey culture, winning mentality, and subsequently hockey players thinking they're entitled to do whatever they want.

So, to respond to Ekstrand's quote from Edvins Skådisdrömmar—I did not experience Ludde as a "good guy" who only makes dumb decisions at all. In season 1, he's a bad person for letting his friends sexualize a girl he likes and letting her brother hear their disgusting comments. He's a bad person for fighting with her brother and later yelling at her, saying her drug issues are insignificant despite acting supportive of her only two episodes earlier.

I don't mind conflicts like these because they drive the story forward. I didn't particularly like Ludde in season 1 because of the reasons I just stated, but they're necessary to create drama and make the show interesting.

It's just weird to me how one of the writers is saying that Ludde is a calm person and a good guy when that is not at all how I interpreted his character.

Eagles is a show targeted towards a young audience, among them probably a lot of easily influenced pre-teens. What kind of message does this send to them when the guy letting his friends sexualize a girl he's slept with and on top of that laughing at their inappropriate comments is referred to as the good guy?

Klara is mean... What else?

From the moment we're introduced to Klara, it seems obvious that she'll play a living and breathing version of the infamous Alpha Bitch trope. She's also a prime example of the basic Popular is Evil trope and has her own Girl Posse consisting of Sara and Amie.

Klara feels threatened by the arrival of a potential new popular girl, Felicia, and does everything in her power to bully Felicia to show dominance. She barely shows any good sides of herself.

The only instance I can think of where we sort of see season 1 Klara in a positive light is when she talks to Amie in 1x05 about their friendship and then accompanies Amie to her audition for the school band.

Klara: Ever since Felicia started at school… It’s felt like you only hang out with her and that you’ve forgotten about me. She like took you from me. Amie: But I haven’t forgotten you. Klara: No, but do you get what I mean? Amie: I get it, but I haven’t forgotten you. Klara: No, I know. Amie: I know, but it just turned out that way when school started. Klara: Okay. Amie: But I’m sorry. Klara: It’s fine. Amie: Are you sure? Klara: Yeah. You can make it up to me when you go on your world tour.

Klara is really supportive of Amie's musical endeavors, but she also uses her support as a way to alienate Felicia from the girl group. It's very on the nose and kind of feels suffocating in the way it's written.

Klara: Amie, did you remove the clips? Amie: Yeah, she said they weren’t good. Klara: She’s just jealous. It’s so obvious. I mean, I’m jealous. You sing absolutely amazing. I don’t know, I just think it was really rude of her to sit in the cafeteria and criticize you like that Amie: Yeah, maybe. But she apologized. Klara: But still. That clip of you in the bathroom… Like… Sorry, but I’d be so mad if someone had posted something like that of me. I mean, you were standing there without makeup, completely non-fixed up. And the whole thing with her filming you without you knowing. That’s really weird. You don’t do that. Don’t you think so?

I'm sure there are plenty of people who act like this in real life. And maybe that's part of the problem, because Klara in season 1 really isn't an interesting character. We've met this person before and we know exactly what she's like. There's nothing new to discover. So season 1 is essentially just Klara being petty and rude every chance she gets, and to me it felt like a large part of her character was written just to stir up drama.

In 1x06, we see Klara backstab Amie by filming her making out with Ludde at her Halloween party. But I thought it was established in 1x05 that Klara feels like Amie was taken from her? And if Klara actually cared about Amie and didn't want to lose her as a friend, she wouldn't just stand by and watch with her phone recording the whole thing. It doesn't make a lot of sense.

Klara even made that whole point about how it was really weird of Felicia to film Amie without her knowing. So why would Klara do it, when she expressed that's weird and not something a normal person does? Is that supposed to be foreshadowing? Because if so, that's a clear contradiction and not how foreshadowing works.

When Sara happens to see the video on Klara's phone she immediately says that Klara should delete it.

Sara: What is that? Did they know you were filming? Klara: No, of course they didn’t know. Sara: Oh my god, Klara. You should probably delete it. Klara: I’m going to! But it’s crazy, right? Sara: Yeah, god. But seriously, delete it. Klara: I’m going to.

So Klara says she's going to delete the video. But it's still unclear why it was filmed in the first place if Klara insists that she's going to delete it. It's not like she filmed it just to show it to Sara either, since Sara wasn't meant to see it and only saw it by chance while swiping through Klara's photos on her phone.

It doesn't make sense for Klara to film a video like that of her best friend that she's supposed to care about. It doesn't make sense for Klara to film a video of anybody without their knowledge when she previously made a big deal about how you shouldn't do that.

What Klara's character is, is a bad attempt at the classical mean girl. She's clichéd, boring, and full of tropes.

Even her eventual character development is riddled with tropes like the Heel Realization where a character realizes they're actually one of the bad guys. This realization seems to come in 1x08, where Felicia calls Klara out on her behavior.

Felicia: You know what, Klara. I’m so fucking tired of your fucking comments. You didn’t get to be Lucia this year. Poor you! Was dad unable to fix that? Cry then, Klara. Cry. You’re so fucking mean. Everybody here is tired- Everybody here is scared of you. Even those who liked you once, they can’t take it anymore. Klara: That’s not true. It’s not true. Felicia: Yes, everybody is scared of you. You know what? Look around. Show people some fucking respect. Klara: Well say something, Amie! Amie: What is there to say? She’s right.

Klara needed a wake-up call like this. It's just unfortunate that she goes back to her mean girl behavior and posts the video after Amie insinuated that Klara wasn't a real friend. Klara already knew that Amie felt that way since she said Felicia was right in her assessment of everybody being scared and tired of Klara. So wouldn't it have made more sense for Klara to post the video right after that moment instead of during Amie's performance?

Or rather, why not pull a Subverted Trope and not have Klara post the video at all after she realized how horrible she'd been acting? That would've made me respect her so much more and be a great introduction to her character development in season 2.

The Halloween Incident

To me, the whole Halloween episode was questionable. First off, we never got actual confirmation of what happened in that room between Amie and Ludde. Some viewers insist that they only made out and others believe they went all the way. Here's what the creator of the show, Stefan H. Lindén, had to say about this in a Q&A post he did:

I think if you went into the writers room of Eagles and asked all of us what really happened in that room [between Ludde and Amie at Klara's Halloween party] we would all have different answers.  I know what happened, but I’m not sure we will ever truly know for sure, unless Ludvig or Amie eventually are open enough to admit to anyone what really happened.

This is kind of a vague answer, but that's fair considering that when Stefan did this Q&A the latest episode that had been released was 2x05 and he probably didn't want to spoil anything. However, looking back at this answer knowing how the season turned out I still feel like it's unclear what happened. It's also strange that Stefan seems to be saying that they never actually decided what happened between them since the writers "would all have different answers".

1x06 was just an odd episode for me overall. Lots of things felt rushed and underdeveloped. Let's not forget that this episode also contained, in my opinion, some of the weirdest lines in the whole show (along with Elias's strange monologue about plague vampires).

Ludde: Hey, I only have like 3%. Do you have any power? Adam: Are you wondering if I have a power bank in my shorts? It’s coming-

Ludde: I like shellfish. (said to Amie, wearing a lobster costume)

Up until this episode, Ludde has shown zero interest and attraction towards Amie. We are basically told that Ludde only hooked up with Amie because he was so drunk that he practically had no idea what he was doing.

In 1x02, we see a drunk Amie try to kiss Tobbe and upon getting rejected she moves on to make out with Adam. She gets overly friendly when she's drunk so the fact that she makes out with Ludde later is... Weird, but not entirely out of the realms of possibility.

Ludde on the other hand is moping about Felicia all night. He regrets how he yelled at her at the end of 1x05 and it shows. He's trying to drown all his problems in alcohol and it seems to be working, because when it enters his system he seems to be on top of the world.

What I found kind of ambiguous in this incident was if Ludde even remembered what happened that night. He was drinking so much compared to Amie, who doesn't really need as much alcohol before she reaches her "overly friendly" state. I thought for sure that Ludde was oblivious to the situation when he woke up in his bed the next day and immediately messaged Felicia.

There are just so many questions to unpack here that were never answered. What prompted Amie and Ludde to go into that empty room? Why did Ludde come with her? Why didn't Adam seem to care about this, when he'd been sitting next to Ludde and taking care of him most of the night? And as I wrote before, why would Klara film this video of her best friend when she previously expressed that was a weird thing to do?

There's just too much in 1x06 left unanswered. The Amie/Ludde hook-up was a badly executed plot twist because there wasn't anything hinting that this would happen. It just came out of nowhere.

Unbalanced screentime and Elias's wasted potential

A large portion of season 1 was dedicated to Felicia. This was kind of a let-down for me since I thought more focus would be placed on Eagles as a hockey team (after all, that's what the show is named after). I also thought more attention would be on Elias since he's the talented star player who's supposed to live up to his father's legacy.

The show starts with a couple radio hosts hyping up how Elias Kroon, son of the legendary Mats Kroon, is going to join the Eagles hockey team.

Host #1: [...] It’s finally official. New center in the junior team - Elias Kroon, son to the legendary NHL-pro Mats Kroon, who has now chosen to move home from the US to his hometown where Elias will play in his father’s old club Oskarshamn Eagles. Host #2: This is so freaking cool. Who doesn’t want a Kroon on their team? Host #1: We hope that he’ll take a spot on the A-team.

But we don't learn a lot about who Elias actually is in the first episode. The attention is on Felicia and her interest in Ludde.

Elias is so discarded that he barely has anything to say in the first couple of scenes we see him in. Here are all his eight lines in 1x01, and I'm not even joking.

Elias: Yes. Elias: Shut up. Elias: Ow. Elias: It's fine. Elias: Really? Elias: Fucking hell. Elias: I'll stay here. Elias: No, it's fine.

In 1x02 he has even fewer lines. Three, to be exact, and all he says is that his injury is a sprain and that it's fine. Essentially just an echo of two of the lines he had in the previous episode. It's nothing new.

There's a way to have a character stand out when they don't have many lines, but Elias just fades into the background with every other extra. There's too much time spent on having other characters talk about Elias than us actually getting to know him. So when we do meet him, it's pretty underwhelming.

Compare Elias to his sister who gets so much more attention from the writers. I don't really understand why either, since I thought Elias was a much more interesting character than his influencer sister. Felicia's character only seems to revolve around a guy. I wonder how many times we've seen that before?

In 1x02 we see the Eagles hockey team play their first game, but Elias is unable to play and has to sit in the stands for what was supposed to be his debut match. Why? Because during a hockey practice session in 1x01, Adam rams his stick into Elias to purposely injure him. I mean, fair enough. Adam is trying to get Ludde on the main team since he and Elias are competing for the same position. The shot of Adam smiling after Elias sprains his wrist is a bit too on the nose, but whatever.

What this does is minimize Elias' presence in season 1 by a lot. We don't see the son of the legendary NHL professional play an actual game until 1x05, which is more than halfway into the season. It's kind of disappointing but I understand the injury is done to dramatize his situation.

Elias barely gets his own storylines in the first few episodes. He just has things done to him instead of acting on his own. When we do see him on screen he gets injured by Adam, reprimanded by his father, and later told he can't play in his debut game.

His sweet side (or any side of him, really) isn't shown until 1x03 when Amie wakes up at the Kroon house and Elias reassures her that they didn't do anything together and that she can borrow Felicia's clothes.

Elias doesn't really do much for the plot until he hears Ludde's friends objectify Felicia and he starts a fight with Ludde and confronts Felicia about it. That's when it feels like Elias is actually a part of this show instead of just being an extra shoved into the background. His actions are finally affecting the plot.

Elias's potential in season 1 was hugely wasted. The only episode where we actually got to see him shine was 1x07, when he travels to Karlskrona with Amie. We find out he doesn't want the hockey arrangement his dad has planned for him and that he's actually a pretty goofy guy who likes making jokes (and eating green candy).

If less time was spent with Felicia and the distribution of every episode's 20 minutes was more balanced, season 1 could've been massively improved. It got much better in season 2, but season 1 suffered and made many people think that Felicia was a basic and unentertaining character.

The side characters and their comic relief

So one thing that I found really disappointing with Felicia's amount of screentime is that we barely got enough time for the other main characters, let alone the side characters.

What I mean here is that the only people we really know on the Eagles hockey team are Ludde and Elias. Ludde's friends, Adam and Omar, just feel like comic relief sidekicks. We don't really know what they're like, besides the fact that they like to make jokes and mess around.

This issue is largely created by the short running time the episodes have along with season 1 only having eight episodes in total. That's definitely understandable. It did get better in season 3 where we see Ludde having a deeper conversation with Adam and Omar and they finally don't just feel like the comic relief characters, but actual people with layers.

Ludde: I’m going to quit hockey. Adam: Are you serious? Omar: What the hell are you saying? Ludde: It’s not the same anymore. I’m not passionate about it. I… Yes, it sucks, but… I’ve thought about it for a while now. Omar: We make jokes about it and all, but… Yeah. It wouldn’t be the same without you. Kingelikingen. Adam: I get that it’s a tough choice. But yeah… You’ll work things out. You and Felicia. You always do. Ludde: You guys are pretty awesome sometimes, actually.

This scene was really sweet, and I wish we could've had moments like this between the guys in season 1. Just one scene to show that they're not just the "typical hockey guys". It feels like Ludde was the only person on the team in season 1 who wasn't just a background character. Even Elias, who you would assume should be at the forefront, isn't properly developed until 1x05 where we see him defending his sister and starting a fight with Ludde. Otherwise, it very much felt like Elias was kept in the background.

There are also guys on the team called Herman, Simon, Näslund, Ekbäck, Hoffmann, Berglund (even Montell, which was a fun nod to the show's director)... But who are they, actually? Do you even remember their names? To be honest with you, I don't. Because they're just names—not actual characters.

None of the other guys on the team get any depth. They're just sort of there as extras and to give the audience a sense of comedy with their "hockey team shenanigans". This was illustrated in 1x08, where Adam and Omar make their teammate Liam do a "sexy dance" on a table because he lost his virginity. Or a more extreme example—Jönsson, who only exists to be the comic relief and the unlucky guy who just can't catch a break.

In 2x04, Jönsson is told by Jack to do extra time in the gym and gets told off when he only spends a few minutes on the exercise bike. Later, Jack also makes a joke about how he should get Jönsson a defibrillator. In 2x09 Jönsson invites Ludde, Adam, and Omar to come to his mom's place to hang out. After he's left, Adam makes a comment about how there's no way he's going to "rot" in Jönsson's apartment that doesn't even have a balcony.

Don't get me wrong, these scenes aren't bad and I don't mean they should've been scrapped. Comedy can absolutely have its place in a show like this. Let's take the scene where Ludde flashes a couple of unfortunate old ladies on his first date with Felicia as an example. It feels like something a teenage boy would do to try to make a girl he likes laugh. It's a brief scene and it's nice to see Ludde being able to goof off only moments after talking about Andreas. We know that's a touchy subject for him.

However, it feels slightly overdone sometimes with how almost everybody on the hockey team is only there for comedic purposes and to fill space. It's more refreshing when they're shown to be multi-dimensional. I wish this is something that the writers would've considered when the show is literally titled after the hockey team, yet most of the hockey players are hardly in the story.

To add to this, it felt like Sara and Tobbe completely disappeared from the story in season 2. With Sara we understand that she probably didn't want to hang out with Klara anymore after knowing she filmed the Halloween video and posted it on Instagram, so that's fair. But it would've been nice to see Tobbe stick around in season 2, and I'll get back to why I think that.

The potential of season 1

When I look back on season 1 I feel really nostalgic. No matter how many small details that irked me, I can't deny that the setting of the show is beautiful and I really appreciate the depiction of it. Instead of showing Oskarshamn as a boring small town, we're shown the beauty of it which is incorporated into the storylines.

Some examples would be Ludde and Felicia's first date at Gunnarsö and walk through Havslätt, the gorgeous view of the Oskarshamn harbor from Klara's house Villa Högklint, and Badholmen where the school band performs and we later see Elias and Amie walking by in season 3. All these places are listed on the Eagles Oskarshamn site and I feel like they did a great job tying the storylines in with the locations.

Another aspect of season 1 and its writing that I really enjoyed was Elias and Amie's budding relationship. They just have a natural chemistry together and the dialogue between them also felt authentic and sweet.

Season 1 is just a very polished teen drama overall compared to some of SVT's previous series.

Back in 2007-2010, SVT used to air a soap opera-style show focusing on a few teenagers living in Gothenburg that was called Andra Avenyn (translation: Second Avenue). I was only seven at the time but I watched this show religiously as it aired three times a week. Just mentioning the show brings a lot of nostalgia.

Andra Avenyn amassed around 500 000 viewers per episode and was, just like Eagles, nominated for a Kristallen television award. But how good was it, really? If I take off my rose-colored glasses for a second and actually consider the show's highly dramatized storylines and unlikely scenarios, it had a tendency to drag on (which usually happens with soap operas). It didn't offer a realistic view of teenage life and on IMDb it currently sits at a rating score of 5.6 stars out of 10.

Comparing this old teen series to SVT's newer one, Eagles season 1 was a huge improvement and continues to be the most popular teen series that SVT has aired so far.

This idea and all the characters have lived in Stefan H. Lindéns mind since 2008, while Andra Avenyn was still on the air. It's actually amazing how high the quality of most TV shows has risen since then. Eagles has a rating score of 7.4 out of 10 stars on IMDb and has become internationally known in a way that Andra Avenyn never was.

Eagles season 1 laid the groundwork for SVT's most successful teen series of all time, and that's a huge achievement.

Season 2: "Subverting expectations"

When Eagles came back for season 2, the script made it kind of obvious that the writers had listened to the critique of season 1 being predictable.

I did find season 2 a huge step up from season 1—the directing was so much better and when it came to the script we got a deeper look into all the characters that they hadn't really scratched the surface of in the first season. My main disappointment however was that it felt like they threw in a bunch of weird plot twists just for the sake of "subverting expectations".

The core idea of subverting expectations can be great if done correctly. You lead the audience to believe they know what's going to happen, but then you surprise them with an unexpected and clever twist.

A post in Cinematography written by Mason Leaver defines the phrase of "subverting expectations" as:

[...] a method of surprising the audience with some element of a story, be it the plot, themes, characters, etc. This goes beyond a “twist” in a film. Expectation subversion actively works within the genre of a story, and attempts to reinterpret or subvert the conventions of that genre, breaking patterns in surprising and interesting ways. However, this method of surprising the audience is not always well received- it can sometimes be the source of heavy criticism from fans of the tropes which have been subverted.

This included "unexpected" relationships such as Elias/Klara and Amie/Ludde. The former actually worked, but the latter? Not so much.

Amie's crush on Ludde—make it make sense!

Amie and Ludde were my biggest issue with season 2, and it felt so out of character of Amie to be head over heels for Ludde. They work great as friends but romantically they're a huge mismatch.

But they have music in common, I hear you say. Yes, they do. But having a shared interest doesn't mean people are automatically a good match. You have to consider their chemistry and overall compatibility.

Before actors are cast in a show or movie where their characters will be romantically involved with each other, it's common to do what's called a chemistry read. Here's a neat description from an article in Backstage written by Caroline Liem:

Chemistry is the complex emotional or psychological interaction between two people. If this were a romantic article, it would be about love. Instead, we are discussing the astonishing rapport between two actors, and how that connection is achieved in order to book [...] the role. A chemistry read is an opportunity to read with actors being considered for a role opposite yours, usually lead roles. The main purpose is to see how you instinctively connect and work with the other actor.

This obviously wasn't done for the actors playing Amie and Ludde, since there didn't seem to be any intention of having their characters be involved in a romantic relationship.

That was even confirmed by Stefan H. Lindén in his Q&A of season 2, where he said that a love triangle between Ludde/Felicia/Amie was planned but later scrapped.

I can confirm that from the beginning of development of the series and the first version of the storyline a triangle drama was at some point intended for season 1 but later removed  – however when creating the characters, Ludvigs skill in music and arts was always there from the beginning so by knowing that, we always knew that interactions would appear between them. When looking back at Season 1, in the first scene by the lockers when Amie tells Felicia who Ludvig is, she does know exactly who he is and she is well aware of that his friend Tobias is a music guy that Amie wants to get to know. Also when looking at it, when I was the same age as Ludvig and Amie I, and I am sure a lot of people can relate to it, fact is that we never really knew if it was love or friendship in the beginning.

Knowing that the triangle drama was scrapped for season 1, it makes sense why it seems so arbitrary. There was no groundwork laid down for this pairing before it was hastily thrown together in 1x06 for a cheap plot twist. This continues in season 2, where Amie and Ludde start spending more time together. Yet it's hard to see Ludde as a potential love interest for Amie in the way the writers want us to. They still come off as friends despite having hooked up at a party.

I mentioned that Tobbe should've stuck around for season 2 and here's why. Tobbe was written to be the leader of the school band that Amie later joins, and he was friends with Ludde before the video was posted. He would've been a perfect fit for the Amie/Ludde music storyline but he's completely absent. He had the potential to be the person who could've helped them with the song a little and then later picked up on whatever there was going on between them.

I think the Amie/Ludde storyline could've hugely benefitted from a scene between Amie and Tobbe, where Tobbe asks if she actually has feelings for Ludde and we get to hear exactly what Amie is feeling. Maybe she's torn, not wanting to get together with Ludde because of how much they hurt Felicia, but at the same time finds it hard to suppress her feelings. A scene like that would've allowed us to get into Amie's head and make the Amie/Ludde storyline much clearer.

To add, this storyline was in desperate need of more interest from Ludde's side. There needed to be some indication from him that would make Amie believe he liked him back, even if that wasn't the case. All we get is Ludde complimenting Amie's song and then a hug in 2x05 when Amie says the record label in Stockholm wanted a meeting. And apparently, that was enough for Amie to think Ludde was interested in her despite him blowing off the Stockholm meeting and Amie hearing Ludde say that the Halloween incident was a mistake.

Ludde and Amie don't really mesh as well as Elias/Amie do or even as well as Ludde/Felicia do. Elias and Amie had sparks flying from the very first scene they shared. That pairing is one of the main reasons why the show became popular internationally, and why is that? Because of the actors' chemistry.

Amie and Ludde are a clumsy attempt at throwing together two people who don't really work together with the intention of "subverting expectations". And I suppose that's what the writers wanted to depict—an awkward crush that doesn't really make sense, which I'm sure many people have experienced as a teenager. That part is fine. But what I didn't like about this storyline is that Amie had no good reason to believe Ludde would be interested in anything with her beyond a platonic friendship.

While season 2 was airing, I was convinced that Amie wasn't actually in love with Ludde. She was just lonely after the aftermath of the Halloween video and mistook her feelings for Ludde as love when she just appreciated his company. Here's what I wrote:

So as we know, Amie kissed Ludde in episode 6 when he was in the hospital after having been injured during the hockey game against Karlskrona. She immediately seemed to regret having done that and ran out without an explanation, leaving Ludde alone and confused. I honestly don’t think Amie has any romantic feelings towards Ludde. I think she might mistake her feelings for a crush or something, when in reality she’s just lonely and appreciates Ludde always being there for her and giving her compliments on her musical ability. Ludde was complimenting Amie at the hospital, saying she was amazing, and I think Amie was just really touched by that and maybe wanted to thank him somehow, and ended up kissing him. And then she freaked out and left because oh my god did she really just kiss Ludde. It was an uncomfortable and awkward situation and that’s probably why she ran out. However, I really believe that if she had just stayed to explain and apologize, Ludde would understand and they could’ve just laughed it off. But this is a drama show so of course that wouldn’t happen! Do I think the writers are making them into a couple? No, definitely not. They know that season 1 was sort of predictable and cliché, so they’re making season 2 as different as possible by including these unexpected pairings such as Klara & Elias and Amie & Ludde. But Amie and Ludde won’t ever be a couple, because Ludde is still very much hung up on Felicia. I don’t see them as a couple either - yes, they have music in common, but they work way better as friends than in a relationship.

In Edvins Skådisdrömmar, which is a behind-the-scenes documentary of Eagles season 2, writers Fanny Ekstrand and Michaela Hamilton discuss the writing of the show in the documentary's third episode. The third episode is mostly focused on the lead-up to the scene where Amie kisses Ludde at the hospital. Adrian Öjvindsson, who plays Ludde, says:

Filming the kissing scene was [...] awkward and weird, actually. And that's how it ended up. Yandeh and I haven't really had any intimate scenes. In this case you could take in that it was weird, because that's also what the scene wanted to depict.

When Edvin reads the script, he describes the scene as a "nightmare" scenario. I agree. And the lazy build-up to this Awkward Kiss trope doesn't make it any better, because just like the Halloween incident this doesn't make a lot of sense.

It's supposed to be awkward and weird, just like Adrian said. But he also mentioned one of the most important details: Yandeh and I haven't really had any intimate scenes.

Before this kiss scene, there was nothing that indicated any chemistry between them. No accidental hand-touching, no longing stares, no nothing. Just a friendly hug. A proper build-up to the kiss scene would've made it feel less out of place.

The love confession from Amie to Ludde in 2x10 really threw me off as well. The confession to me made no sense and honestly felt like a prank call. There was no feeling behind it and zero reason for Amie to believe that there was a chance Ludde liked her back.

At the end of 2x08, Felicia goes to Ludde's house after he's confessed the truth to the police about the Andreas situation. Amie happens to overhear the conversation and she hears Ludde very clearly say that he's not interested in Amie.

Ludde: Felicia, there’s nothing between us. Between me and Amie. It was really the biggest mistake of my life. Felicia: Goodbye, Ludde. Ludde: Felicia, please!

Amie, now having her heart broken, crosses Ludde's name off the contract while crying. She knows he doesn't feel the same. So why would Amie even bother to call Ludde up to tell him she's "in love with him"?

Amie: [...] Hey, Ludde… Ludde: Yeah? Amie: It feels really weird to hear our song now. Because I know who the lyrics are about. And… And I… I really like you. Or, well… I’m in love with you. I just need to know how you feel. Or if you feel anything. Just tell me. Ludde: I’ll always want to be your friend, Amie, but… It’s Felicia I’m in love with.

This moment is on par with the awkwardness from the hospital kiss between them in 2x06. The second-hand embarrassment with this one was really rough, and what I don't understand is why this was even added to the script when Amie had already gotten the confirmation that Ludde didn't think of her in a romantic way. This storyline could've ended in 2x08 after Amie overheard the conversation between Ludde and Felicia.

It really didn't need to drag on for the whole season, essentially making Amie's whole storyline in season 2 about a guy. Her moment of finally getting signed to the record label was ruined when it could've been regarded as a fresh start if the storyline had just ended where it should have.

What this storyline did instead was ruining my favorite friendship of season 1, which was Amie/Felicia. This mess made it so hard for them to reconcile and they didn't end up properly addressing it until 3x09, spending almost two whole seasons mad at each other. It sucks that the writers decided to drag out their fighting and disagreements for this long when they could've instead shown two girls in solidarity who don't let a guy get between them and their friendship.

Amie apologized in 3x03 for how she hurt Felicia, but Felicia made it clear in 3x06 that she still harbored ill will towards Amie for what happened at Halloween (which in the timeline of this show was more than a year ago).

Felicia (to Amie): Are you going to start slobbering with [Elias] now too? Just give me back that sweater first, I don’t want slobber on that. Thanks.

I talked about how much I disliked the Amie/Ludde storyline in this post, with my main reason being that it really messed up the character dynamics that were established in season 1.

This storyline [of Ludde and Amie hooking up]—along with Amie falling in love with Ludde—is by far my least favorite one because it messed up the whole character dynamic. I feel like Amie and Felicia won’t ever go back to the kind of friendship they had in season 1 before the Halloween incident because the trust was so broken, and Amie really should’ve tried harder to apologize to Felicia like Ludde did instead of going after her best friend’s ex in season 2.

If there's just one thing I could change about this show, I would 100% get rid of the Amie/Ludde storylines. There is nothing that annoyed me as much as those storylines did.

Amie's musical ambitions

I've talked about this a bit before in another post because this was something that really bugged me about Amie's character in season 2. Here's what I wrote:

I honestly still feel like Amie’s whole storyline with sending in a rather basic demo written by two teenagers with little to no experience and then getting praised on it [by the Stockholm music producers] with comments such as “it’s going to be a real summer hit” felt so unrealistic to me. Maybe they only said that so Amie would accept their offer or something, but that’s still very strange because she would have still said yes without a doubt. I can understand that they thought Amie was marketable as a person and there was this bonus with her having gone viral before on Felicia’s Instagram, but that demo did not seem good enough for me to be immediately released as a single and then have them decide on the spot that Amie would be given a contract. I mean, come on. It never felt earned because we never really saw Amie struggling with her songwriting journey to achieve this dream. Sending in one demo to one record label and having them immediately want to make a whole album with you just doesn’t happen in real life unless the song is extremely good or you have a very unique voice. Amie is really talented but there are hundreds of people just like her, if not thousands. I was never convinced by her getting signed so quickly in season 2. I understand that they wanted to establish her as a successful artist [at the beginning of season 3], but that felt so rushed. I was so sure that the record label would screw her over and steal the song rights to record it with another artist who was already established, and that we’d have to see Amie work even harder to achieve her dreams. But we didn’t get that at all. Where was the struggle? [...] Of course I wanted to see Amie achieve success (and I was happy when she did), but the journey there was so bizarrely easy. She didn’t start to seriously work on making her music career become a reality until season 2. Amie had dabbled in music prior to that, like when she auditioned for the school band and did that performance of Follow, but she didn’t truly start to work towards it until season 2 when she decided to have her work sent to professionals in the business. And then, just five episodes later, she gets contacted by the record label in Stockholm. To put this into context—season 2 took place somewhere around March, and episode 5 around three weeks into April. So when Ludde first started helping Amie it took less than two months for her to get signed. You could argue that the song was just that good or that Amie is just that talented, but it never felt like a realistic storyline to me.

It's tricky to write a storyline like this when you only have ten 20 minute episodes in the season and a limited amount of screentime for every character. All that is understandable. But it's strange that they didn't opt for a time jump to really sell this storyline and make it believable.

Eagles uses time jumps a lot, but somehow this particular plot point was omitted from that and kind of glossed over. I don't really understand how they expected us to buy this storyline. The viewers aren't stupid, and more effort should've been put into this storyline.

In the post where I wrote this, @gajana18 also had an interesting thing to add:

[...] it's equally unrealistic that this huge record company would be hounding Amie, a teenage onehit wonder essentially to come back to the label- don’t they have other bigger artists?

This is a very strong point. Considering how Amie kept expressing that she wanted to finish school and then proceeded to ignore their calls, it's weird that they didn't just decide to discard her contract when Amie clearly wasn't taking her singing career as seriously as they wanted her to.

So, back to season 2. Maybe they could've gone with the record label stealing the rights to Amie's first song and screwing her over. This fuels her to try again and after a time jump of a few months we see Amie having worked really hard on a new and better song. Maybe even a whole album. And this time, she's learned from her past mistakes and improved her songwriting. This time, she's successful in her endeavor and it feels so much more earned after knowing the struggles she's been through to get there.

I also feel like a storyline like that would've made people sympathize with Amie more in season 2. It was really hard to root for her when she had nearly screwed Ludde over by not giving credit to his songwriting and saying "fuck him" when he didn't return Amie's feelings.

Klara's character development

When we're introduced to Klara in season 1, she's a stereotypical mean girl with wealthy parents who is the popular girl at school and has her own followers.

In season 2, the writers decided to develop the character. We find out Klara has issues at home and her mom is barely there. When she is, her parents will start fighting. Klara is feeling really lonely and doesn't really hang out with her friend Sara as much as she used to.

I appreciated the added depth, but it seemed like a drastic shift. The changed perspective could attribute to that but when you step back and really look at s1 Klara and s2 Klara, they're like two completely different people.

Maybe Klara's reputation suffered after she posted the Halloween video? Maybe she had a change of heart after Felicia finally confronted her during Lucia? I mean, I guess.

But what most fans (including me) didn't like about Klara in season 2 was that there were no clear consequences for her after she posted the Halloween video. Klara still hangs out with what seems to be the popular crowd and she has people to go out with. In a post I wrote last year about my thoughts on season 2, I wrote this:

I actually wish that Klara would’ve become more ostracized from her school friends to emphasize how alone she is, but she seems to still be pretty popular so that was kind of disappointing. I thought the fall-out of her posting the video would be worse, but I guess not. Anyway, I like that they’re taking a disliked character and making her into a better person. Feels like it’s been done a few times before, but I still appreciate them doing it. I hated s1 Klara for being so one-dimensional, but s2 Klara is well on her way to being a pretty good and nuanced character.

Her character development sort of comes a little out of nowhere, though. Her reputation wasn't ruined by posting that video and she didn't really lose any friends besides Sara (she had already lost Amie prior to posting that video considering what Amie said to her after Lucia in 1x08).

So what prompted Klara to become this whole new person who actually considers other people's feelings in a relatively short amount of time? Here's a conversation between Felicia and Klara in 2x07.

Felicia: Was there anything in particular you wanted to talk about? I understand that we’re not best friends just because you and Elias are together. We’re not here without a reason, right? Klara: No, I get that this feels weird for you. And if you don’t trust me after everything that’s happened - or that I’ve done. Felicia: Klara… Klara: I know that I haven’t acted like the world’s best person. And I regret that. Sorry.

But why does Klara regret her past behavior? What made her realize she hadn't acted like the "world's best person" if the ramifications from posting the Halloween video were so minimal?

Was it the relationship with Elias that made Klara change? No, I don't think so. When they first start talking at the bar in 2x03, Elias tells Klara that he doesn't always agree with Felicia and that he has his own viewpoints. In 2x07, he says Klara wasn't the one who messed up, but rather Amie and Ludde. And in 2x09, the script tells us that the Elias/Klara relationship seemed to bring more change to Elias rather than Klara.

Felicia: What did you do to him? Klara: What? Felicia: He’s smiling. Elias is like a whole new person since he met you. Klara: Stop. Felicia: I mean it!

So what made Klara change? In 1x08 she's mocking Felicia's drug problems and posts a video that will for sure ruin Amie's reputation. But at the start of season 2, she's suddenly become more withdrawn and considerate of people's feelings.

I can only name one factor that actually makes sense, and that's the fighting between her parents. Klara seems to turn into this quiet child when she has to listen to her mom and dad yelling at each other. This is something that didn't really begin until season 2, when Ola's company GECED started going under. This storyline was very well done.

But the other things, like Klara's reputation and friend group which you would assume would be affected, remain as they were in season 1.

Jack's sudden character change

Jack came into season 2 as a charming and charismatic character, seemingly fooling everybody into thinking he was a good guy. He knew the Kroon family from before and both Felicia and Elias were none the wiser when it came to the eventual reveal of his true colors.

Here's what Stefan H. Lindén had to say about the Jack character in his season 2 Q&A:

Bringing Jack in was actually originally not my idea, it came from my writer colleagues after that they revised my storyline notes for Season 2, while I was still down in Oskarshamn shooting Season 1. We had always intended for a character to come in and raise the stakes but I never imagined it to be Jack. When we started to develop the character, we all started liking him so he was kept in the story. Like with any new character we never really know who they are and what [the] point of them for coming in is [...]

Personally, I feel like the point of Jack's character is pretty obvious. When he first comes to Oskarshamn he is very much the embodiment of the new love interest coming in to date the girl who has broken up with her previous lover, while the previous lover still loves her and does anything he can to get her back although she's dating someone new. Jack is the Romantic False Lead trope who later becomes an alpha-dog Jerkass.

What I found interesting about Jack compared to Klara (in season 1) is that Jack isn't just a bad guy. He's very clever with his manipulation tactics and can easily charm people with his good looks and charisma.

When Felicia accuses Jack of cheating in 2x07, he manages to spin the whole thing around and make Felicia apologize to him and say it was stupid of her to believe he would cheat on her. I talked about this in a post while the season still aired, before Jack's true colors were revealed. Here's what I wrote:

I still don’t know if Jack really is cheating on Felicia with Olivia (the girl that texted him) but I would say he is. Jack is incredibly confident and charming, which makes him able to easily lie and manipulate people. We know he’s not an entirely good person since he’s already lied to Elias about not knowing that Mats would bring him back to Eagles. I wouldn’t be surprised if he really did hook up with Olivia and ended up being a really good liar. The fact is that not only did he deny it but he then shamed Felicia for blaming him and causing a scene, ultimately shifting the focus in the argument to her and making Felicia feel bad that she even confronted him in the first place. Jack says that maybe they shouldn’t even be together, which causes Felicia to backtrack and apologize. It’s actually pretty impressive how Jack was able to spin that around to blame Felicia and make her apologize.

Jack is able to take a small detail and use it as ammunition to get what he wants. In this situation, he brings up the girl in the Stockholm club that Felicia partied with and also kissed.

Jack: You shouldn’t accuse me, either. Felicia: What? Jack: I saw on Instagram, you and some girl in Stockholm. Have I whined about that? Coming here and blaming me for things, it feels really immature. Felicia: Fuck. Sorry, Jack.

Jack wasn't bothered by that at all. It happened before Felicia and Jack were even an official couple, and all they had done was hooking up at a party while Felicia was high. Jack, having cheated on Felicia, couldn't care less about the random girl Felicia kissed. That was just something he used to manipulate her.

When we discover that Jack is actually cheating on Felicia, he immediately reverts to a one-dimensional "evil" character. He's become the 2.0 version of Klara in season 1—written in just to stir up drama.

This "master manipulator" version of him just goes down the drain and Jack turns into a manchild who starts petty fights, files a police report because Ludde pushed him, and says to Felicia "I'm gonna tell on you!". Alright, maybe those weren't his exact words, but you know what I mean. It's a sudden shift and you start wondering how Jack was able to hide this version of himself so well before.

In 3x05, Jack sees Ludde and Andreas after a hockey game and fumbles trying to find any insult he can to hurl at Ludde. Everything he says from that point on is just line after line to really solidify that Jack is the bad guy. You didn't forget that, right? Here, let's have Jack call Felicia a druggie so you know just how shitty he is. And have him call Andreas a junkie later for good measure—there, that should be enough for people to understand that Jack is the villain here.

Jack: Johansson! Ludde: What the hell are you doing here? Jack: What does it look like? Ludde: I guess it’s you I should thank for the victory. Nice work. Jack: What is Felicia doing these days, then? Does she miss me? Ludde: Hey, you’re shutting up now, do you get it?! Jack: Jesus Christ. Do you think you can save her? What do you think she even sees in you? You two play in different leagues, Ludde. Ludde: You have no idea what we’re like. Jack: Come on! You should leave her. While you can. She’ll just pull you down into the dirt with her. You’re no hero, Ludde. Isn’t she still doing drugs? Once a druggie, always a druggie, right?

Jack is a horrible person, but at least he was able to pretend to be a good guy in season 2. And that was actually really fascinating. I wish we could've seen more of Jack's manipulative side that he showed in season 2 instead of making everything coming out of his mouth be a half-assed attempt at insulting the other person. That's a pretty boring villain, in my opinion.

Jack's backstory of his father being an alcoholic and him starting to resent the whole Kroon family because they had everything growing up while he didn't is interesting. It would've also made more sense if his anger was only directed towards the Kroon family since they're the ones he grew up with. They're the ones he was after the whole time.

His anger towards them feels cheapened when Jack also starts insulting Andreas (who he's probably never met before) for no good reason. It's like Jack's human qualities are just gone and all that's left is this empty shell made to start fights. His backstory didn't really make anybody sympathize with him, either.

The improvements of season 2

What I liked about the writing in season 2 was that they explored new ideas and had some solid storylines (besides the mess that was Amie and Ludde). Elias and Klara actually worked pretty well as a couple, even if they were pretty much the 2.0 version of Felicia/Ludde as the "wealthy, popular pretty girl starts dating the star player on the sports team".

Felicia finally gets some more depth. The scene at the end of 2x02, where Felicia and Leila park their car near the harbor and just start crying, is so powerful.

2x05 is also one of my favorite episodes of the show, as well as the ending montage of the 2x10 season finale. In Gameday, we had a very touching scene between Felicia and Mats where they finally communicate. It's not the most understanding conversation but it's a start. It's an interesting contrast between their talk in 1x06 where Felicia revealed she saw Mats cheating on Leila versus the talk they're having now.

Another one of my favorite scenes is when Felicia and Ludde meet up at their bench in 2x10 after Ludde has called her up asking Felicia to come if there's any chance of them getting back together.

The dialogue is simple and to the point. There's no long-winded love confession for the sake of drama. It's a moment that the whole season has been building up for, and when we finally get there we realize that this is how love should be.

Easy and simple.

Ludde: You came back. Felicia: Yeah, I did. Ludde: Do you remember our first date here? Felicia: No. I’ve forgotten. Ludde: I was so freaking nervous. Felicia: Everything you said… Did you mean it? Because you hurt me, Ludvig. And I… I’ve really tried to hurt you back, but… It’s not possible. I can’t… Not love you. Do you think… Do you think it can be us again? Ludde: What do you think? Felicia: I don’t want anything else.

Ludde admitting how nervous he was on their first date is sweet and shows us how much they've been through. Felicia is struggling to find the words to say and she's acknowledging how hurt she was, but still can't seem to find it in her heart to hate Ludde. It's honest.

Another plotline that I think was a little underrated in season 2 is the GECED company going bankrupt and Ola, Klara's dad, is under investigation for financial crime. This isn't a storyline you would usually see in a teen series. It's much more serious. It also gave us a really touching and poignant scene in 2x08 between Ola and Klara sitting on the floor of his office, where Klara has to comfort her father who starts crying.

Ola: When you were little you used to sit like this. On the floor, while I was working. You had your own room, but you wanted to sit with me. “Help daddy work”. Mom’s doing the right thing by leaving for a while, don’t blame her for that. Klara: What, you can’t just leave because things get a little tough. Ola: Maybe you should get away for a while too. You know, I never wanted you two to… That you… Everything’s gone. Klara: It will be fine. It will be fine. Ola: Sorry. I’m sorry.

In 2x09, Klara is at a party when she notices a bunch of missed calls from her dad. She immediately senses something is wrong and rushes home to find her dad having attempted suicide. It's executed very well and I really liked the more serious tone they went for in season 2.

It set up season 3 perfectly, which continued with the darker themes but balanced them very well with the more light-hearted moments.

Season 3: Finding one's footing

Season 3 was a highly anticipated season. I thought the season 2 finale was masterfully done and it left me wanting more. When season 1 finished on its cliffhanger of the video leaking, the focus only seemed to be on that.

But with season 2 there's Felicia/Ludde getting back together and Ludde having been sued by Jack, Jack threatening that he would leak all of the Kroon's family secrets, Klara's dad passing away, Elias deciding to get on the train and go to the draft combine anyway, Amie having finally become a recording artist but being isolated and heartbroken... There's so much to unpack, and it's a lot more interesting than the ending of season 1.

Where's Jack?

Jack is supposed to be the main villain but he's gone for most of the season, failing to show up until 3x05. In the season 2 finale Jack makes a huge deal about how he's going to destroy Felicia's life. He's threatening her in a very violent and abusive way.

Jack: [...] I know a lot about you, Felicia. And your nice family. It’s enough for me to leak to one news site. I can destroy you. Do you get it? I’ll tell them everything. The drugs, the cheating, your abortion! Felicia: Shut up! Jack: Hey. Huh? Did you seriously think I wanted to be with you? The little Kroon princess, who has gotten everything for free her whole fucking life! You and Elias! Like spoiled brats! You don’t understand what it means to fight for something!

In 2x10, Jack decides to report Ludde for assault but he doesn't follow through on destroying this family that he hates. If there's anything Jack seems to despise above all, it should be the Kroon family, right? So why did he fight back with Ludde but not the Kroon family?

I expected Jack to leak all the Kroon secrets at the beginning of season 3, but Felicia seems strangely calm at the funeral which I'm assuming only takes place two weeks or so after Ola's passing in the season 2 finale.

Then, a whole year passes with no indication that Jack is ever going to leak anything. As season 3 was airing, I commented on how strange this felt in an ask I received:

One of my main questions about the time jump is the whole thing with Jack saying he was going to ruin Felicia’s and the Kroon family’s reputation in the press. It seemed like nothing really came of that? I’m pretty sure that detail hasn’t been abandoned entirely and that Jack will come back (we’ve already seen a glimpse of him in the third episode), but it feels strange that Jack threatened to leak all her secrets and then just never did. I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him. And yet there’s no mention of where Jack has been during that time or what he’s been doing. I feel like I would be pretty paranoid about this if I was Felicia, but we don’t see this haunting her until episode 3 when she sees a flash of Jack before realizing it was just some random guy. It seems strange that Felicia was relatively at ease during the funeral (which I assume took place not long after Jack first threatened her) and after the time jump. We don’t really know what’s been going on during that year, but Felicia seems to be fine and like she hasn’t had any thoughts of Jack at all. Maybe she assumed that his threats were empty and that he wouldn’t actually leak anything to the press, which is reasonable but at the same time I don’t understand why Jack has yet to do anything after a year. He was really pissed off in the season 2 finale, after all.

Going to repeat one of the things I wrote here because it deserves to be mentioned twice, and this point is one of my biggest issues.

I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him.

I feel like this was kind of a plot hole that wasn't explained. Jack is ruthless and doesn't hold back at all when his true colors come out. He has no problem talking about the sexual relationship he had with Felicia in front of her father. Jack is just that horrible.

So what prevented him from ruining the Kroon family's lives earlier, when it seems to be the thing he's wanted for years?

Michael's predictable predicament

Michael first appears at the end of 3x04, where he calls Amie up to tell her he's her father.

Man: Hey! Sorry for calling so late. Is it Amie? Amie Condé? Amie: Yeah. Man: I saw you on TV the other day. I’m Michael Condé. I’m your father.

In the next episode, we get a voice-over of the continued conversation between him and Amie.

Michael: [...] I understand if it’s shocking. I’m in Oskarshamn for work for a few weeks and— Could we meet up someday?

So, it's clear what the writers are going for here. It's the estranged father who returns into the child's life when they've become successful. We're made to believe it's a Daddy Had a Good Reason for Abandoning You trope when Michael meets up with Amie and tells her why he left.

Michael: So Petra, she— Has she said anything about me? Amie: Well… That you moved from Sweden before I was born… That you’re working as a lawyer. That you didn’t want to see me. Michael: I was… I was young when we met. Your mom and I. And everything went really fast. I was in love, but she had feelings for somebody else. And when she found out that she— That she was expecting you, then… She didn’t want me there. She said I wasn’t father material. To some degree she might’ve been right, but… I wasn’t much older than you are now. I had just gotten into a law school in Berlin. When I finally came back to Sweden, then… She didn’t let me see you. I had already lost you by then, but I want you to know that I— I’ve thought of you. And about a week ago, I… I’m seeing you. On TV. There you are. With my last name. I’m so proud.

However, it's pretty easy to identify the holes in Michael's story. To be honest this whole storyline was predictable from the very start. Before Michael even came into the story, I made this post which pretty much summed up Michael's whole character when we didn't even know he existed yet (this was when 3x03 was the latest episode that had aired).

I don’t think we’ve heard any mention of Amie’s dad in the whole series except for 3x02 when Amie was being interviewed and was asked about the Condé name where she said that while Samuelsson was from her mother’s side, and Condé was from “the other side”. I found her word choice a little interesting. I don’t think Amie’s dad has passed—but rather that he’s alive and just chosen to not be a part of her life, which is why Petra seemed to be a little offended when asking Amie why she didn’t want her last name anymore. This might also be why Amie said “the other side” rather than “my dad’s side” because they have an estranged relationship. [...] I’m not really sure if they’ll do anything with Amie’s dad (maybe they’ll go for that trope where the parent who previously abandoned their child returns after the child has accomplished something big/something major happened and the parent wants something from them for personal gain?).

When we actually get to meet Michael and hear his explanation of why he left, I wrote this post pointing out some of the holes in this storyline.

Michael meeting Amie only after she’s become famous is a little suspicious, but it’s understandable if he previously thought she didn’t want to meet him and then sees her with his last name on national television. Obviously he would contact her after that. I feel like there were some question marks with Michael’s whole story though, and the fact that his work just conveniently happened to send him to Oskarshamn after he’d just seen Amie on TV. Maybe I’m missing something here, but how did he know Amie had gone back to Oskarshamn if he saw her living as a pop star in Stockholm? Was this information about Amie quitting the tour and going back to her hometown even online? If Elias (who actually witnessed Amie saying she was done and quitting) seemed taken aback when he saw Amie in Oskarshamn, then how did Michael know?

I do think Michael will return for season 4 though, so hopefully this storyline will be straightened out a little. We don't really know what Michael has been up for the past few years and if he has a family of his own. Maybe he'll contact Amie again to tell her she has some younger half-siblings?

They ended on sour terms, but if Michael does have his own family it's something Amie deserves to know and she can decide whatever she wants to do. I'd also like to see a Michael/Petra reunion, but I'm getting a little ahead of myself.

This storyline wasn't bad, and I do appreciate we got to find out what the situation with Amie's dad was. I also liked how I was able to sympathize with Michael. He's not entirely awful, even if he did put a lot of blame on Petra. It's one of those situations where you don't really know what it's like to be in Michael's position unless you've experienced it, and it's very realistic.

Plot holes

Some of the plot holes of season 3 that I've already mentioned are how Jack waited a whole year before leaking the Kroon family's secrets and how Michael conveniently knew Amie was in Oskarshamn when nobody seemed to know she was coming except her mom.

I actually don't mind that it was never explained how Michael got Amie's phone number either, because that's usually pretty easy to find with a Google search. Things like addresses, economic status, and even your criminal history are easily accessible in Sweden when googling someone's name. So finding someone's phone number is probably fairly easy as well.

On the other hand, one of the most glaring plot holes appeared in 3x08. In this episode entitled Lost, the Kroon family is frantically searching for Felicia who has gone missing. Leila and Elias knock on Petra's door to see if Amie is there and might know something about Felicia's whereabouts. Petra tells them Amie isn't there and they leave.

Someone left me an anonymous ask which I answered in this post, pointing out how it was strange that Elias didn't just call Amie to ask her when she wasn't at home. We know Elias has her number because they've been talking on the phone and texting each other several times before in the season.

In 3x08, when Elias and his mom go to Amie's house and ask Petra if Amie has seen or spoken to Felicia or whether she's home, I couldn't help but wonder, uh Elias why not just call Amie and ask her if she has seen or spoken to Felicia? [...] if Elias had called her and she heard how frightened him and his family were and police being involved she would have told him and then there would be no point in the 3x09 episode really.

This is a very strong point. You could argue that maybe Elias just didn't think of that but if they went out of their way to visit Amie's house only to not find her there, it would seem like calling her instead would just be a logical next step in the situation? Here's what I wrote in response to this ask.

This is an issue I had with 3x08 and 3x09 as well. I had a hard time actually enjoying the moment between Felicia, Klara, and Amie knowing that her family was getting increasingly worried for her and even thought for a short moment that Felicia was lying dead at the bottom of the ocean. All that could’ve been avoided. To add, it didn’t make a lot of sense to me that when Klara finally decided to call someone she called Amie instead of Elias. An ex-friend of Felicia’s instead of her brother who could’ve helped a lot more. What was Amie supposed to do when she showed up at the hotel, exactly? I know there was the thing with Klara only knowing Amie’s number off the top of her head, but there is no reason why she couldn’t have gone down to the reception while Felicia was sleeping and asked to use a computer just to get a quick message to Elias. Like, “hey, Felicia attempted something bad but she’s safe with me, we’re at this hotel in this room but she didn’t want me to call anybody, I don’t know what to do”. That would’ve been so much better than keeping quiet about the situation for nearly 24 hours. I know that Klara probably has trauma from leaving her dad at the hospital after his suicide attempt and that she probably didn’t want to go against Felicia’s wishes. I understand the first part 100%. But Felicia was in a very bad place emotionally and was thinking that her whole family hated her when that wasn’t the case. I feel like in a situation like that you kind of have to be the bad guy just to ensure the family that Felicia was safe. Even if everything turned out alright in the end, it could’ve gone so much worse if Felicia had wanted to be kept hidden for longer. [...] Elias calling Amie would’ve been an easy solution to this whole debacle but we would’ve lost the drama. It’s still somewhat of a plot hole though, like you said.

I understand it was done this way for dramatic effect, but that doesn't really patch up the plot hole.

I also found it strange how many people turned on Felicia after Jack ruined her reputation in the press. I talked about this in an ask I received.

I don’t understand why the public turned on Felicia so harshly. And Leila too, for that matter. The way Jack told the story about how these two women had things done to them should indicate that they’re not the ones to be blamed. If I read this article and found out an 18-year-old girl got pregnant by a “violent criminal” who forced her to abort and then abused her I would not be angry with the girl. I would be angry that she was physically abused and also outed on her sexuality for being bi. If I read this article and found out Leila had been cheated on by her husband repeatedly with her best friends, I wouldn’t be angry at her. I would not agree with the decision to turn to alcohol (same as Felicia turning to drugs), but I wouldn’t blame them. And I feel like a lot of people should’ve been on Leila’s side after finding out the reason why they divorced. I don’t understand why people are saying they’re disappointed in Felicia and calling her fake when she’s been through so much trauma in her life. I feel like if this actually happened in real life, all the blame would be shifted to the men because they’re the ones who—in this story—are painted as the bad guys (with the exception of Jack, considering he was anonymous).

I got another anonymous ask sent in after this, pointing out how the anger directed towards Felicia was considerably more about her drug use rather than the abuse she endured. Here was my response to that:

[...] the drug use should’ve been understandable considering the stuff Felicia had been through was also written in that article. I don’t know. I can understand people unfollowing her if they didn’t want their young children to be exposed to all the controversy, but it’s still strange that everything Felicia received was hate messages. Did everybody just skip over the part where the anonymous source stated that Felicia was violently forced to have an abortion by an ex-criminal and probably did so out of fear for her life? Yes, we know this is fake, but why didn’t anybody seem to mention this? [...] they seem to have written this storyline with the idea in mind that the public was against the whole Kroon family. Felicia got comments such as “So fucking disappointed in you and your family”, “What a nasty fucking family”, “You and your family are so fucking disgusting”. So I think Leila received plenty of hate for drinking instead of divorcing her husband sooner and basically turning a blind eye to all the problems her family went through. That’s what Jack told the press, at least. The anger seemed to be directed towards every member of the Kroon family and that didn’t make a lot of sense to me.

Again, this is something the writers did to dramatize the situation and they kind of forgot to consider that what Jack actually told the journalist wasn't as incriminating for Felicia and Leila as it were for Mats and Elias.

The magic of season 3

What season 3 really excelled in, to me, was delving into some more serious topics as well as showing the gradual development of Amie and Elias' relationship. Amie and Elias are the prime example of how a slow burn is so much better than having a couple get together too fast, like Felicia and Ludde did back in season 1.

While season 3 was still airing, I wrote a post dedicated to questions I had received about Elias and Amie. Here's one of the things I said about them:

I think Elias’ interest in her really started to grow after he saw how caring Amie was to Felicia, and later on connecting with her on how they both ended up back in Oskarshamn after following their dreams which didn’t exactly turn out the way they expected. Yes, Elias has always sort of been watching and admiring Amie from afar, but that interest didn’t start growing until he actually got to know her. The experiences they had in the US and Stockholm, respectively, probably changed their mindsets and in my opinion it makes so much more sense for them to get together now than it would’ve in season 1 or season 2.

I still believe that Elias and Amie are the best-written couple of the whole show (at least so far), because they just make sense. We'll see what season 4 has in store for them because we have yet to actually see them in a romantic relationship, but I feel like their personalities and characters just fit together really well.

Another thing I really appreciated was the depiction of Felicia and Ludde's declining relationship. Things like that happen so easily, and I liked how we see Felicia do this huge gesture of planning a picnic for Ludde in 3x04 but there were still underlying problems between them. It's like that in real life too—no matter how big of a romantic gesture you make, communication will always be the number one priority in any relationship and that's where Felicia and Ludde fall short.

The obvious disconnect between them when it comes to money is also important. It's been like this from the beginning, but season 3 gave us an actual conversation about it.

Felicia: Please, I can’t talk about this. Seriously. It was stupid of me to bring this up from the beginning. Fuck, I get such anxiety talking about the future— Ludde: You get anxiety? I’m the one walking around with no money in my account. Mom and dad had to get a loan to pay off mine and Andreas’ fines. I’m playing on a shitty old synth, and living off you like some leech. That’s anxiety. Felicia: Everything isn’t about money. Ludde: Says the one who has money. Felicia: Move out then, if it’s so fucking hard to feel like a leech.

This felt very realistic. Of course a person like Felicia wouldn't think money is everything when she's never experienced financial issues. She's able to move out into her own one-bedroom apartment as soon as she's turned 18, it seems, and doesn't worry at all about the cost of furnishing and decorating it. She didn't even pay for it herself, because Mats mentions he's the one on the mortgage loan. It seems like Felicia has never had an actual job either, and that's starting to worry her because she has no idea what she should be doing.

Felicia: [...] I don’t know what I’ll be or what I’ll do in the future. I don’t know that. Ludde: You’re still an influencer— Felicia: Don’t say I’m an influencer, please. Do you think I want to be that my whole life? It’s not even a career. I'm— I’m graduating next year, and I… My grades suck, and— I have no plan. I only have you. Not like that—I have you. That’s what I have. I want to be here, in Oskarshamn. I don’t want to go to the US and chase some dream and be a hockey wife. That’s not a life. Sometimes I wish neither of us had a plan, just us together here.

Felicia's character finally offers something interesting here, which I've waited for since season 1. She's not just a party girl anymore who has issues with drugs. She's a privileged teenager who is co-dependent on the guys she meets and who has anxiety about the future, to the point where she wishes she could stay in Oskarshamn in her little apartment forever stuck in limbo.

She has to face a harsh reality when Ludde decides to break up with her, and later on when her name is slandered in the press and people all over the country are sending her hate messages. Her own family is furious with her and Felicia has nobody. She's pushed away a lot of people and her mental state is just crumbling in front of our eyes.

It's a strong storyline and actually very well executed. Almost everything gets taken away from her, and at the end of 3x07 you can almost feel what Felicia is feeling. We've been with her through this whole journey, almost, and we understand why she feels like suicide is the only answer.

It's tough to watch that final scene of 3x07. It's greatly amplified by Alva Bratt's superb acting, but the writing of the journey there is also amazing. It's very difficult to write a sensitive storyline like this.

Overall, I don't have a lot of critique towards season 3. I loved most of the episodes. I elaborated on this further in a separate post:

[Episodes 3x04 and 3x05] showcased what Eagles should be all about so well, which is relationships plus the struggles you go through as a teenager in a small town, and then of course hockey. The hockey game episodes are really good, even if I don’t think 3x05 topped 2x05 (the game where Ludde got tackled and knocked out). I loved the contrast in Date night of the budding relationship between Elias and Amie and then that fight between Felicia and Ludde on the cliff. [...] It was interesting to see how this sweet gesture from Felicia turned into a fight between the two of them. I thought that was very realistic, because no matter how big of a gesture Felicia made to apologize there were still underlying problems that they needed to talk about. I also loved the “non-date” between Elias and Amie in this episode. It was cute to see them goofing off before the movie started and then talking about it on the way home. I liked how Elias could connect to her on how they had both returned to Oskarshamn. The recent episodes that dropped last week (3x08 and 3x09) were very strong and discussed some important subject matters [...] They were dark, but not necessarily bad because they needed to happen. However, I have to say that I prefer Eagles when it’s about hockey and teenage relationships. 3x04 and 3x05 made me kind of nostalgic for season 1 and I liked the vibe they both had.

Eagles season 3 is in my opinion the best season of the show so far, and we haven't seen any signs suggesting that there is any reason for season 4 to not be even better.

Season 4: Hopes and wishes

Considering how each season has been increasing in quality bit by bit, I have pretty high hopes for the writing in season 4. I'm excited to see how the transition from teenager to young adult will be portrayed in the main characters, and what their future will hold for them after they've graduated.

My main questions are if Felicia and Ludde will find their way back to each other or if they'll remain broken up (that would be realistic as well), if Klara will reconcile with her mom, what's in store for Elias's hockey career, and if Amie will leave her label and maybe opt for something more independent.

I also want to see how Felicia deals with the new home she's checked in to, and if Ludde will in fact go to the school now that it seems Andreas will be getting into trouble again.

Amie and Klara are kind of wild cards here, because it somewhat feels like they've already reached their happy endings. Amie is famous and successful in her pop music career, and Klara has found her place as a businesswoman following in her father's footsteps. Maybe these developments should've come in season 4 instead of rushing them.

Nonetheless, I have faith in the writers. The writing suffered a little in seasons 1 and 2 but it has gotten better. Most of the things I pointed out about season 3 were just small details in an otherwise stellar season.

In conclusion...

This post was critical, but I tend to be critical of every show I watch. Eagles is still a very special show for me and having grown up in a Swedish small town myself I'm very fond of the show and its characters.

So huge thanks to the creator, Stefan H. Lindén, for making this show a reality and also to the director Carl-Petter Montell for contributing to the writing in season 3. And of course the writers of the show which include Michaela Hamilton, Fanny Ekstrand, and Anton Nyberg (plus Amanda Adolfsson who helped write 1x02 and 1x05 and Simon Ekbäck Nordström who is credited for helping with the hockey scenes in 3x05).

I hope you guys enjoyed this long, long post and major kudos to you if you read this far!

#eagles svt #svt eagles #eaglesspoilers #young royals #beartown #björnstad #been working on this post for a few days so i really hope you enjoy it!

[dmsden]

Homebruin - City Kobold Background

Hullo, Gentle Readers. Well, you have spoken. I heard from many readers who thought that Homebruin was the perfect title for a series of articles about homebrew mechanics written by a bear. So be it!

This month, since we've had a subclass and a race, I thought we'd go with a background. This background is meant for use by a more traditionally "monstrous" character - kobolds - which are available as a PC option in my home campaign.

City Kobold

Although many kobolds make their living in mines and dungeons, you grew up in one of the great metropoli of the world. Your people are an unusual sight in the city, to be sure, but people here don't run and scream when they see you. Your people have ancient treaties with the city, and you're proud to be one of those keeping the city running from its very core to the tips of its towers.

Outside of the big city, you know you may have to deal with some shocked faces, but you know your companions will be there to stick up for you. At least, you hope so. You're definitely more comfortable in bigger cities where there are plenty of places to get lost and just be a face in a crowd.

Skill Proficiencies: Insight, Stealth

Tool Proficiencies: You are proficient in tinker's tools

Languages: Choose one language spoken in your home city.

Equipment: A set of tinker’s tools, a map of your home city with points of interest drawn out on it and your own personal notes, a set of common clothes, a bedroll, and 7 gp.

Undercity Knack: All big cities can be laid out differently, but most of them have sewers, and those sewers have a certain commonality. When you are in the sewers of a large city, you can always determine the direction of travel, based on things like water flow and the angel of sunlight. In addition, you have advantage on Survival checks in a sewer for purposes of tracking and avoiding getting lost.

Suggested Characteristics

City kobolds are, in many ways, shaped and molded by the cities that they attach themselves to. One that lives in a dwarven city is going to be different from one who grew up amongst elves. Their city gives them a certain flavor that's easy to notice.

d8 Personality Trait

1 I find treasures among other peoples' trash.

2 I'm never completely comfortable when I'm not surrounded by city walls.

3 I am keenly aware of my peoples' reputation, so I go out of my way to seem overly civilized.

4 You can learn a lot about a city by visiting its taverns first!

5 I don't sleep well at night without the sounds of the city around me.

6 I can't help but look down a bit on people who were raised outside of a city.

7 My city is the greatest in the world, and I make sure everybody I meet knows it.

8 You have to hoard your treasures so no one else takes them from you!

d6 Ideal

1 Respect. I don't want people to look down on me, so I don't look down on anyone. (Good)

2 Change. Change is good for the soul. Once we were considered monsters, but now look at us! Changes come to all. (Chaotic)

3 Justice. If someone strikes at our community, we need to defend ourselves and then to bring the authorities in. That's what civilization is all about. (Lawful)

4 Loved One(s). I will protect those I care about and who protect me. We only have each other to rely on. (Neutral)

5 Hoard. I will gather and keep my treasures. I have only myself to look out for me. (Evil)

6 Community. We are stronger in numbers and when we work together. (Lawful)

d6 Bond

1 My city means everything to me. I will protect it at all costs.

2 I was close with my clutchmates. We may be apart, but I contact them whenever I can.

3 I owe everything to the old woman who raised me as her own child. I want to see her comfortable all of her days.

4 One man took everything from me. I will not rest until I see justice done to him.

5 I won't stop until kobolds everywhere are considered citizens of the land. Kobold rights!

6 I didn't mean to commit the crime I did! I will do anything to make amends for it.

d6 Flaw

1 I'm not brave. Don't count on me to stick around when things get tough.

2 I just can't seem to let go of treasures, even to help those I care about.

3 I'm a terrible liar, but it doesn't stop me from trying.

4 My trust is hard won and easily lost.

5 Fight fair? I don't think so!

6 I am descended from dragons. Don't expect me to consider you my equal.

This background has been uploaded to D&D Beyond, and you can add it to your homebrew collection. Look for it at https://www.dndbeyond.com/backgrounds/176128-city-kobold

[newmusickarl]

Album & EP Recommendations

My word, the music world has well and truly spoiled us this week!

The past seven days has seen a colossal avalanche of new releases, so much so I’ve barely had chance to keep up with it all. Although this is not the full list of everything from the past seven days, here are the 16 (yes, 16!) new releases I’ve enjoyed the most this week.

As there is so much to get through the rundowns are (mostly) a bit shorter than normal and there is no single Album of the Week, instead I simply recommend checking out whichever album or track sounds most appealing depending on your preferred taste.

So without further ado then, here’s what’s good:

Californian Soil by London Grammar

It’s been four years since the release of London Grammar’s last record Truth Is A Beautiful Thing - an album that I enjoyed, but I’ll admit also left me feeling somewhat underwhelmed coming off the back of their incredible breakout debut, If You Wait. As it turns out, the band themselves were also having a tough time around that period, with front woman Hannah Reid in particular battling relentless industry sexism, as well as the persistent physical pain caused by her fibromyalgia condition. With this being the case, it is amazing that the young indie-pop trio have made it to their third album at all, let alone delivering what is their best work to date.

Opening on a grand, string-drenched Intro, the record soon morphs into the sun-soaked guitars and soaring orchestration of the album’s glorious title track. It marks an early highlight as Reid catches the audience up with the tribulations of the last few years – “I left my soul on Californian soil.” From there the album doesn’t really let up as the band move through a series of career-defining tracks – the gorgeous contemporary groove of Missing, the dance-influenced How Does It Feel, the chilled-out ambience of the dreamy Baby, It’s You and the sublime, stripped-back closer America.

However, the album’s strongest moment comes when Reid confronts music industry sexism head on with defiant anthem Lord It’s A Feeling. Beginning with some twinkly xylophone, before evolving into an atmospheric synth-laced backdrop where Reid pulls no punches:

“I saw the way you made her feel, like she should be somebody else,

I know you think the stars align for you and not for her as well,

I undеrstand, I can admit that I have felt those things mysеlf”

The cutting lyrics against some blinding quiet rave instrumentation leaves quite the impression, as does this sterling record in general. After a slight misstep, London Grammar have well and truly rediscovered themselves and they have honestly never sounded better – a truly incredible album.

If You Could Have It All Again by Low Island

Oxford electo-pop outfit Low Island are another band that have defied expectations to get to this point. This, their debut album, was not recorded in a professional music studio – in fact, the vocals were recorded in a bedroom cupboard of all places. The band themselves don’t even have a manager or a record label. In every sense of the word, they are a truly independent band. For a self-financed, self-produced effort, If You Could Have It All Again is a quite remarkable first outing.

From melodic, uplifting opener Hey Man, the record quickly jumps into spoken word electro punk banger What Do You Stand For, featuring acid-drenched synths and a dancefloor-ready groove. Fans of FIFA 21 will recall Don’t Let the Light In, with the glitchy pulse of recent single Who’s Having the Greatest Time also standing out. That said, it’s the smooth, infectious sway of I Do It For You that still pulls me in the most.

Having followed the band since their early EPs, I’ve been rooting for Low Island for a while now and this is one debut album I was highly anticipating this year. Safe to say, my expectations have been met – this is a fantastic, accomplished record, which leaves me eager to see where they go next.

The Greatest Mistake Of My Life by Holding Absence

There was a time when the difficult second album used to be a thing, but listening to the sophomore effort from Welsh rock band Holding Absence this week, I’m really not sure that exists anymore. After a dramatic and impressive self-titled debut two years ago, the band have wasted little time taking things up a notch, with this new album cinematic and masterfully produced from beginning to end.

From standout singalong anthems like Afterlife and In Circles, to the album’s epic seven-minute penultimate track Mourning Song, The Greatest Mistake of My Life shows a band pushing themselves and driving forward with ambition at every opportunity. In a year packed with outstanding rock and metal albums already, this is most definitely another one you can add onto that list. Soaring, impressive and demanding of repeat listens.

We Forgot We Were Dreaming by Saint Raymond

It’s been six long years since Nottingham-born singer-songwriter Callum Burrows, AKA Saint Raymond, released his debut album. However it seems the time away has been well spent as this long-awaited follow-up finds Burrows in fine form, with this album packed to the brim with catchy, glossily produced indie-pop anthems.

From the brilliant title track that opens the record, to the bouncy riffs of Right Way Round, Talk and Solid Gold, to more subdued and heartfelt moments like Only You, this album will have you smiling, singing your heart out and dancing your troubles away.

Flu Game by AJ Tracey

AJ Tracey may have only been three years old when Michael Jordan was winning NBA championships with the Chicago Bulls, but that hasn’t stopped him making a record influenced by the legendary icon and his famous 1997 Flu Game. Like many others including myself, grime superstar AJ Tracey spent lockdown watching the brilliant The Last Dance documentary, and this record weirdly works as a fantastic unofficial companion, but also just a great summer rap record.

McCartney III Imagined by Paul McCartney

Even if like me you completely missed Sir Paul McCartney’s 2020 album McCartney III, it’s well worth checking out this reimagining, where he has called on the help of some of his famous musician pals. This is a real who’s who line up of guest features including Beck, Khurangbin, St. Vincent, Blood Orange, Phoebe Bridgers, Damon Albarn, Josh Homme, Anderson .Paak and more, making for quite a fascinating mix of sounds and styles.

Moratorium (Broadcasts from The Interruption) by Enter Shikari

And finally on the albums front this week, genre-benders Enter Shikari have released a brilliant compilation of all their lockdown live performances, headlined by an incredible string-tinged acoustic version of The Dreamer’s Hotel and a beautifully stripped-back “At Home” rendition of Live Outside.

Tracks of the Week

Introvert by Little Simz

Wow, wow and wow again. Still fairly fresh off the back of her masterful, Mercury Prize nominated third album Grey Area, this week British rapper Little Simz released the first taste of her next record in the form of this epic and triumphant opening track. At six minutes in length, this majestic and operatic political anthem aims to grab the listener by the collar and shake them awake. Without a doubt, one of the best songs of the year so far, the powerful video for which you can view above.

Smile by Wolf Alice

The second taste of their forthcoming album Blue Weekend, Smile continues Wolf Alice’s pattern for alternating Loud/Soft releases, with this one featuring buzzy guitars, punky vocals and a hypnotic chorus melody.

Beautiful Beaches by James

Although written off the back of the California wildfires that impacted front man Tim Booth’s local community, the lyrics on the band’s latest anthem purposefully offer a dual meaning, giving hope to those dreaming of a post-lockdown getaway and fresh start.

He Said She Said by CHVRCHES

The Scottish trio made their much-anticipated return this week, with Lauren Mayberry also sharing her experiences of sexism on this arena-ready synth-pop banger.

Matty Healy by Georgia Twinn

Georgia Twinn delivers an infectiously catchy break-up anthem, inspired by an ex-boyfriend, who’s most interesting feature was supposedly looking like the 1975 frontman.

Kill It by Vukovi

Underground Scottish rock outfit Vukovi’s new single is so good, they even managed to get KILL IT trending over the weekend of its release. Masterfully produced with big bold riffs and trancey synths, this one just sounds huge.

Can’t Carry On by Gruff Rhys

The latest solo single from the former Super Furry Animals frontman is a stunning, super-melodic tune with an instant chorus you’ll be singing before the track has even finished its first play.

Ceremony by Deftones

One of the highlights off their last album Ohms, the nu-metal rockers have now delivered a cinematic new video directed by horror legend Leigh Whannell. Check it out!

Chasing Birds by Foo Fighters

And finally this week, Dave Grohl and company released a trippy new animated video for this Medicine At Midnight cut to help celebrate 420 in their own unique way. Again, well worth a watch!

#best new music #new music #little simz #introvert #london grammar #californian soil #low island #holding absence #enter shikari #james #saint raymond #vukovi #aj tracey #michael jordan #the last dance #foo fighters #deftones #gruff rhys #super furry animals #wolf alice #chvrches #paul mccartney #albums of the week #tracks of the week

[angieschiffahoi]

Before I start Harrow, I want to share my thoughts on Gideon.

 Spoilers ahead.

While I don’t believe it was the greatest book ever written, it was perfectly fitting for me.

The genre: It was a mix between sci-fi and fantasy, very simple in its worldbuilding, it didn’t shy from some exposition (I hate new fantasy books that don’t use exposition at all... you’re not that good at the spreading the information thingy, I don’t understand your overly complicated worldbuilding!) and used it in pretty much conventional ways. It didn’t invent every single tiny little thing (which I find very annoying in modern fantasy and sci-fi books - let your MC say fuck), but mixed things familiar with our world with future/innovative elements, almost seamlessly. Thank you, Tamsyn, for using insults we know (I understand why TV shows do it, it’s to keep a PG-13 rating and still use swear words, but I find it insufferable when books try to invent terms for everything... even pens or bread). 

I’ve seen people say it is heavily sci-fi and I disagree. It is not hard sci-fi in the slightest and the magical/necromantic elements are a lot more technical than any of the technology, which was basically non-existent (at times I was stunned whenever they mentioned anything that was “modern” or techy, since it felt like fantasy 80% of the time). The author built a magic system and tried to fit it into a sci-fi setting. It very much resembled Warhammer 40k at times (come on, the Undying Emperor?) and had they mentioned Chaos Gods every now and then, I would have believed this was a WH 40K novelette a-la Blackstone Fortress.

The plot: Gay necromancers in space, with a plot similar to And Then There Were None which at times felt a little bit like Catching Fire as well (Tamsyn, did you read my diary?). It was very simple, straightforward and the fact that we only had one narrating voice made it very easy to read and to follow along. The fact that it was a bit cinematic is probably the reason I managed to finish it (I am tired of 100 subplots and 200 characters in the same book). All of the plot twists felt earned, because looking back I can see where the author left those crumbs. I feel like the red herrings were a bit weak (except Ianthe at the end, which was a bit disappointing as the main villain so I was glad to see she was one), because I started to suspect Dulcinea right away (even though I never would have guessed why). Also, I was too focused on the characters to actually pay attention to the plot, so I didn’t guess much going forward, which made me feel pretty stupid, because some of that shit was very obvious. 

The characters: What I really loved was Gideon’s voice. The first few chapters were a bit flowery and there was a lot of purple prose to set the tone (which failed a bit, because I still imagined it more as a fantasy setting than a sci-fi one), but then it flawed perfectly. The jokes (narrated or spoke aloud) were great and it felt like they always fit. Sometimes the insults were a bit gratuitous but I like the trope of being infuriated with someone all of the time, you can’t help but think “oh fuck this bitch”. Also, the puns. Gideon, I love you. I would’ve liked them to be more mature (maybe 20 somethings), but it’s because I’m old and I want this type of narratives to have older MCs sometimes. 

Harrow really picked up in the second part of the book and I can’t wait to see how she’s changed in the second one. Loved Dulcinea from the start and I don’t care she was an evil god-like entity. She was a bit over the top in the battle (that thing about the arms and legs, why?!?), but I do love a dramatic bitch (I still lowkey like her & Gideon together). I was sorry for the Fourth & Fifth houses, but while I loved Magnus, I couldn’t stand the teenagers (but I did feel so, so sorry for Gideon). The Third house was obnoxious and I enjoyed Corona the most. I’m pretty sure Ianthe’s coming back, so we’ll see about that. Not gonna talk about the Eight - gave me WH 40K Inquisitor vibes, felt unneccessarily over the top. The Second was forgettable, I didn’t even understand the captain was a necromancer until she killed Teacher. And Sixth, oh, my darlings. If Camilla is dead I’m going to burn my kindle. Writing wise, concentrating on only one POV, kind of underdevelops secondary characters, so while Gideon’s voice was very strong, I feel like everyone else was a bit forgettable unless Gideon spent time on them. It was a book that could’ve easily been written in first person, if it didn’t have that ending. 

The relationship: I am going to be brief - I love rivalry that turns to love (any kind of love). So, I loved every single interaction between Harrow and Gideon (the pool scene broke me). Palamedes and Harrow had chemistry. I loved that Gideon just adopted everyone: I am your cavalier, now I am yours! Oh, screw it! I’m going to protect everyone! Gideon is such a himbo, even though she’s a shembo, but not a bimbo? I hated every single time the Third called their cavalier “Babs”. 

Things that were left open and Tamsyn better solve before the end of the series: “Gideon, you’re a ginger!” and basically everything fake!Dulcinea told Gideon about her past (”You don’t know what you are to me”). Also, why Gideon didn’t die when she was a child (and the obvious, where is she from?). Where are Corona and Camilla? What happened to Gideon’s body? And a few things I forgot about, because I wrote this “review” yesterday in my head and I didn’t write stuff down. 

Overall it was a very pleasant experience. And I may re-read it in the future to catch the foreshadowing and some hints. Now, onto Harrow the Ninth! Which is confusing? ‘Cause the Emperor called her Harrow the First?

Anyways. We love a tiny goth stirring shit with her “dead” girlfriend’s  two-hander. I am a bit scared, though, since what I really loved was Gideon’s narrating voice, but I’m guessing Harrow picked up some of her mannerism since she “ate” her? We’ll see. 

#gideon the ninth #gideon the ninth spoilers #spoilers #angie rants #ignore #the locked tomb #gideon nav #harrowhark nonagesimus #griddlehark

[ad1thi]

@starklysteve  rhae asked for some winteriron recs (read: i volunteered to spam rhae w buckytony fics because i adore them), so in no particular order, and based on my memory alone, here are some of my favourite buckytony fics!!

(please remember to leave kudos and comments!!)

American Memorial: @/spqr

“Pick up the shield,” Tony said. Understandably, Bucky told him to go fuck himself

Losing You (Is My Supervillain Origin Story):  @amethystinawrites

There are a lot of things that Bucky regrets. The list is, quite frankly, longer than he can handle on most days and, right at the very top, is lying to Tony about who killed his parents. Bucky has known even from before they started dating, but he simply can't bring himself to say anything — to ruin one of the few good things he has in his life. It's selfish and wrong, but Bucky just doesn't know how to tell Tony that he is the one responsible for Howard and Maria Stark's deaths.

So when he starts receiving anonymous emails, threatening to expose the truth to Tony and the rest of the world, Bucky is desperate enough to agree to the blackmailer's terms, even if it means breaking up with Tony. Bucky cannot, under any circumstances, let Tony find out about his parents from anyone but Bucky himself.

Too late Bucky realizes that there is much more to the blackmailer's scheme than just having Bucky break Tony's heart. Too late Bucky realizes that despite his best intentions, he will still end up losing everything — in a much more permanent way than he could ever have imagined.

Hindsight: @amethystinawrites

Ever since he was a little boy, Bucky has dreamed of becoming an astronaut together with Steve, and he can hardly believe their luck when both of them are picked for the Ares 3 crew — the third expedition sent to explore Mars. It is, quite literally, a dream come true.

Things get complicated when Bucky finds himself inconveniently attracted to their mechanical engineer, however. Tony Stark is funny, competent, and absolutely captivating, but considering NASA's strict non-fraternization policy, Bucky knows it's better to keep his interest to himself — at least until they return to Earth. He can wait.

Not once does Bucky consider the possibility that all of them might not make it back alive, or just how much he'll come to regret not acting when he had the chance.

Arsenal: @tangodancer91 (part of a series) (also my all time favourite buckytony series ever)

Two years after the Civil War that tore apart everything she’d bled to build, Toni Stark sacrificed herself for her newly-reinstated teammates and ended up stranded in the past. Freed of her name, her fortune, and her hostile ex-teammates, she built herself a life as an agent for the OSS, the American secret service, and, having nothing to lose, accepted a mission to infiltrate the newest player in the war: an organization that call themselves HYDRA.

Then, she met a young draftee with a dreadfully familiar face, and they clicked like she had never clicked with anyone before. By the time she realized she’d fallen for the man who’d cost her everything, it was too late, but she’d always been an all or nothing type of girl, and if she was damning herself, well then…might as well go all the way.

Yield: @aurumacadicus (this is an a/b/o verse fic)

All Bucky has ever wanted was to win the contest for Tony's hand in marriage. It's a bit harder now that he's down to one arm, but luckily his friends are willing to help make up the difference.

Barnes Family Motors Inc: @phlintandsteel-ao3 (this is an a/b/o verse fic)

In a world where alphas legally own omegas, Bucky is just a small time mechanic from Brooklyn who gets lucky in a poker game. Tony is an omega whose life is fraught with abuse, until his luck suddenly takes a turn for the better.

In the grand scheme of things they may only be able to make little differences in the lives of those around them, but that doesn't mean it's not worth making them. After all, a journey of a thousand miles begins with a single step.

The Long Con (don’t kid yourself): @phlintandsteel-ao3

When Tony finds out that Howard is thinking about changing the terms of Tony’s trust fund, he embarks on a not-so-elaborate scheme to prove that he’s totally settling down and not in continued need of Howard’s “guidance” until 25 instead of 21. Step 1: Get a fiance Step 2: ??? Step 3: Profit (Finally be free of Howard)

Unfortunately, Tony Stark is the worst con-artist ever, and may only be kidding himself..

Hot Mess:  @/niki

“Would serve him right if we had the world's most ill-advised one night stand.”

Imperceptions and Assumptions: @/NarutoRox

Afterward, Bucky would look back on their first meeting with fondness and a healthy dose of amusement. At the time, though, he’d mostly been confused - and more than a little embarrassed.

Bucky hadn’t paid much attention to the media in his early days, and hadn’t bothered really reading up on the team or anything, either, so when Steve had said ‘Tony Stark’, Bucky had just assumed.

The same way he’d looked at the three people who’d walked through the door - an imposing redhead in heels, a bored-looking brunette who dimpled when she saw him and Steve, and a sturdy-looking man wearing a slight glower - locked eyes on the man, and assumed him to be the infamous Tony Stark Steve wouldn’t shut up about.

It was Bucky’s first lesson when it came to Natasha Antonia ‘Toni’ Stark - never assume.

~

In which Tony Stark is actually Natasha Antonia 'Toni' Stark (which everyone knows) as well as Iron Man (which everyone does not know), assumptions are made, and there are misunderstandings.

From this prompt: How about a cross between my two favorite tropes? Nobody knows who iron man is other than Natasha/Antonia Stark's bodyguard but Bucky is in love with one or both of them

i know, you know (that i’m not telling the truth) : @imposter-human

psychic tony stark is called to work a routine case with detective bucky barnes; only, he seems to be more connected to the case than anyone thought

or, a psych au!!

the new romeo and juliet: @imposter-human

Bucky and Tony weren’t dating, because a firefighter and a detective couldn’t date (never mind that Tony hadn’t slept with anyone else since their thing had started, and he and Bucky hung out with an alarming frequency, and the whole precinct thought that they were an item). It didn't matter how many nights they spent together, how Bucky had a drawer of Tony's things and vice versa, they just couldn't.

It was a classic Romeo and Juliet situation, if Romeo and Juliet actively disliked each other on top of everything.

if found, please return to: @capnshellhead

Tony Stark shows up at Bucky's bar after a really tough break up and Bucky decides to look after him

gods of carnage:  @deathsweetqueen (part of a series)

On May 29, 1970, the Winter Soldier feels a burning sensation and looks down at his wrist to find a single name written in enduring ink: Antonia Margaret Stark.

HYDRA, fearing the defiance of their greatest asset due to a bond that cannot and will not be denied its due, immediately dispatches the Soldier, to locate, collect and deliver this newborn girl to HYDRA, which will become her new home, her new family and her entire world - to be raised as another one of HYDRA’s great warriors: their Engineer.

But the Engineer is a faulty asset. She thinks things that may get her killed one day. She wants things that she shouldn’t, that are not hers to want. She has a mind and body that belong more to herself than any handler, than any commander she may have.

And if she cuts her strings, when she cuts her strings, well, when you put sheep next to wolves, you ask for a bloodbath.

where i walk, you follow (where i burn, you burn):  @deathsweetqueen

At his father's command, Anthony Stark trades in his northern keep for a southern crown, wedded and bedded by Alexander of House Pierce, First of His Name.

Tony does his duty, becomes a wolf in name only, toothless and clawless, and a dark, gleaming ornament for the King, even if he would make himself a widower a hundred times over.

Honour demanded it of him, and so he did.

But it is Ser James Barnes, named the Kingslayer for his sins during the Rebellion, that draws his eye, gives him comfort in this pit of liars and monsters

So, what is honour compared to a good man's love? They are only human, and the gods have fashioned us for love.

[Fic by deathsweetqueen, Art by MassiveSpaceWren]

Cat Parenting (And Other Meet Cutes):  @singingwithoutwords (this is an a/b/o verse fic)

Of all the ways Bucky could have finally gotten a chance to speak to his crush, why did it have to be his cat getting Tony's cat pregnant?

Codename Heartbreaker:  @rinnwrites (part of a series)

Today was a day that, contrary to popular belief, Tony Stark had most certainly not been looking forward to. It was election day, or election night, rather, and the polls were closed, the results were in; Howard Stark was the next President of the United States of America.

or

Tony Stark Bingo - R3: Election Day

Fate Strings Not Required: @akira-of-the-twilight

“Hey doll,” a new voice said from Tony’s side.

Tony glanced at the person approaching.

Someone was working the rugged, bad boy look. The new guy rocked a leather jacket and blue jeans.

His blue eyes lit up with joy as he approached Tony. “Something wrong here?” The new guy gave the first guy--the one insisting he was Tony's soul mate--a once over then turned his full attention on Tony. “You’re looking a little stressed, anything I can do?”

Tony took the hint.

Tony wrapped his hand around the new guy’s elbow. He kept his touch light and breakable in case he’d misread the cue.

“Just some guy claiming to be my soul mate, babe.”

The new guy’s eyebrows rose to his hairline in surprise. He chuckled and gave the first guy a smirk. “Strange. Last time I checked we were soul mates.”

Siren’s Treasure: @akira-of-the-twilight

Prompt: I really love the idea of playboy!Bucky flirt of the seven seas first-mate to Captain Rogers, falling completely overboard in love with our Blacksmith-Inventor Inexperienced!Tony who goes from confident captive to shy woe-begone man in the presence of Bucky's fierce affections. Virgin!Tony wonders what a siren like Bucky could possibly want with him. Bucky wants to know what the fuck Logan thinks he's doing flirting with the man who stole his heart like sunken treasures. Happy ending please?

“Sirens killed your crew?” Steve repeated.

The dark haired man nodded. Just an hour ago the Avenger crew had found the man clinging to driftwood in the middle of the ocean. Now he clutched the flask of rum Bucky had given him like it was all that kept him buoyant during these tumultuous times.

The man—Tony—had already downed more than half the flask and was still sober. “Not exactly my crew, but close enough. Yeah.” Tony uncapped the flask and threw back a mouthful.

Steve frowned. “What do you mean by that?”

Tony shrugged. “I wasn’t captain of the ship.”

“So what were you?” Steve pressed.

Road hazards: @riotwritesthings

Steve and Bucky's BFF road trip is not going well. For starters, Steve couldn't even make it, and for some bizarre reason asked Tony to take his place. The fact that it’s only a couple days before someone is trying to kill them isn’t nearly as stressful as the fact that Bucky and Tony have never really had an actual conversation.

It’s hard to avoid someone when stuck in a car with them though, and if they manage to stay alive they just might learn a thing or two.

Once Upon a Wintertime: @iam93percentstardust (this is an a/b/o verse fic)

Look, Bucky knows that he’s fulfilling every cliché in the book right now. He knows that, as a bodyguard, he’s not supposed to fall in love with his client. But Tony’s good and sweet and so, so lonely and how could Bucky not? He thinks he’s got a shot after Tony breaks up with his boyfriend but on a trip across the country, he finds out that Tony needs a bondmate or the board will steal SI—and Ty’s already said yes.

little bird: @thxngam

Bucky laughs, and it’s loud and unbidden, a way he hadn’t laughed for years before, tugging his giggling omega into his lap. Tony quiets and nestles into Bucky’s chest like he was made to belong there, and Bucky has noticed several times that Tony is much smaller than he is, but he never quite noticed how Tony always seemed to curl into him as a reason for his size.

Tony nestles like a little bird.

Teenage Dream:  @anthonyed

Tony Stark develops a crush on the school's bad boy who is too cool to hang out with anyone. At least, it's what Tony thinks. He never considered that James Barnes is probably as lonely as he is.

(in the process of editing)

The Best Laid Plans (of Mice and Men):  @arboreal-elm-ash-oak

His Dark Materials AU

It was Annalise who noticed their small visitor first.

“Tony,” the spider daemon said softly, skittering up the collar of his dress shirt, two of her eight legs resting delicately against his cheek, “Don’t startle them, but I believe we have a guest. Look, by the coffee table.”

A Kitten and a Soldier: @/ThatDamnKennedyKid

Bucky hadn't heard from Rumlow in years - since the whole Winter Soldier fiasco in Siberia. They've been discharged for nearly six years, but when he gets a message that only says "I need your help" , he grabs his jacket and keys.

The Prince’s Bride: @hddnone

After Tony loses the love of his life to pirates on the high sea, not much matters to him. He agrees to wed Prince Justin Hammer to gain access to vibranium and shut himself away in his workshop until the end of time, but a group of ruffians kidnap Tony to take him to Hydra.

Tony's rescue takes on an unlikely form - the Dread Pirate Rogers, who killed the love of his life five years ago.

A Princess Bride AU

A Kind of Destiny: @weethreequarter

A chance meeting at a wedding brings together an American war veteran and the Prince of Wales. Little do they know, the wheels have been set in motion for a relationship which will change not only their lives, but the monarchy itself. Bucky and Tony strike up a friendship at Steve and Peggy’s wedding, a friendship that soon develops into more. But it’s not so simple: Tony is the Prince of Wales, and heir to the throne of Great Britain and the United Kingdom. Any relationship is played out in the press and public eye, and then there's that pesky issue of succession to consider too. But Bucky is no coward, and when he finds something he wants, he’s prepared to fight for it. And fight he will, at Tony's side, for their very own fairy tale ending.

#adi's rec list #buckytony #winteriron #bucky barnes/tony stark #bucky barnes x tony stark #bucky/tony #bucky x tony #i should create a tag for fic rec lists #this got sort of long so ive hidden some of them under a read more #that doesn't mean they're any less good though!!