Okay so I loved the movie "A Cinderella Story" growing up I probably watched it 200 times a least and 50 with commentary. And I don't know how but they somehow managed to get the burb on google wrong??
First off there is no "cell-phone" mix-up that leads to them communicating they meet in a chat room for people who want to attend Princeton University (get it cause she is supposed to be Cinderella) and second she doesn't "look for a way to make herself cooler" Hillary Duff gives this whole speech at the end about how Austin Ames (played by Chad Micheal Murray) was pretending to be someone else but she never pretended to be anyone else she was always authentically her.
I don't know why this bothers me so much but it does lol
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Have you ever wanted to draw something but you fought due to your skill level at the time you decide not to do it
oh definitely. the hardest part of art is starting- and being comfortable making something that’s not perfect. i find drawing something *intentionally* bad to start or like, with stick figures and very basic shapes, is a good way to get over that first hurdle. and there’s also tutorials online for pretty much anything if you don’t even know where to begin!
you never know what you can do if you never try though, and you also can’t improve if you never do- i avoided backgrounds for years & i’ve been slowly getting myself used to them and have been really liking what i’ve done! (not showing the piece i have in mind yet cause it’s for a zine that’s not come out yet hehe)
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I really like when interesting narrative things happen in fights due to various game mechanics. Examples:
- against the Masks in Auntie Ethel's lair, Roman went down to death saves for the first time. Gale was the closest and got him back up. Ronan never even needs healing so I like to imagine there had to have been a moment of anxiety within the party over that along with the strengthening of comraderie between Gale and their cleric as he hands Ronan a few healing potions.
- along the monastary traul, there is a fight with some death shepherds. In that fight, Gale actually dies for a moment, down to death saves before a ghoul finishes him. Ronan has to use revivify for the first time before the rest of the party take out the last remaining undead. After, I like the idea of Ronan fretting, uncharacteristically shaken as he heals up the chunk missing out of Gale's neck.
- the party has a habit of singling out someone in a room and taking out that one person with no one else being the wiser. So I just really like the image of Ronan walking into a room silently, letting everyone in, and closing the door as he nods to Karlach and Astarion to take care of the very confused person watching all this happen.
- this happened in the prison under moonrise towers to the warden, along with the party just hanging out behind Gale in the warden's office as he had thunder wave prepared and aimed at the door to take out the scrying eyes that came through. This took several minutes so I imagine it the party is genuinely just chilling and chatting as they wait. Ronan's standing resolute with his hand on his mace, watching Astarion drink off the dead Warden while he and Karlach, whose perched on the desk, discuss next steps. Extremely chill, bloody, and funny scene to me.
- while protecting the portal for Halsin, Ronan was put in front of said portal, cast spirit guardians, guardian of faith, had lathanders mace, and was genuinely just a beacon of light as he blinded nearby enemies and took out anything that got past Gale casting fireball or the other two picking off larger targets. In game, he's being a cleric making full use of the capabilities I tend to ignore for most fights. Narratively, since Ronan usually stays back and focuses more on keeping everyone alive and well while picking off smaller targets so everyone else can do the impressive damage, I like the idea that it was a stark reminder of what Ronan is capable of. Especially to certain vampires looking to murder their old master.
- Astarion gets down to death saves A LOT. Just all the goddamn time. Most of Ronan's healing is going to keeping him going since he's specced to be in the face of opponents, his armor sucks, and also I forgor all the time he has a fucking bow. Narratively, I like to think Astarion is doing it somewhat on purpose as it gets him physically touched in a way that is intimate, yet not expectant of anything more. Fucked up way to get intimacy for the guy with intimacy issues.
- adding onto that, the second time Ronan had to had to use Revivify was during the fight with the Apostle of Myrkul. Astarion went down to death saves, and before Ronan could get him back up, he was knocked off the platform and dead. Immediately revivify him and a healing word to keep him going. I like to think Ronan ordered him to stay out of range and swap to his bow, but Astarion ignored that, ran up, and got the last hit on the big skeleton and then was EXTREMELY smug about it later when Ronan had to patch him up. Again.
- last one: at the circus, I sent Ronan up at Dribble's request. Obviously, clown man turned out to be evil and combat starts. By game mechanics, Astarion is most likely to be first in initiative and he does just that here. I didn't see the other guys closer by, so we send the rogue to go stab a clown, at which point I notice there's like 2 other dudes in the lineup. So game wise, I make a mistake because Ronan is a tank who can 1v1 a clown for days, but narratively: I think it's a cute idea that Astarion sees the large dragon man he's in a relationship with (and who he needs to help kill Cazador) get threatened by a dog and a clown and just snaps into action before anyone else has a chance. That's adorable to me.
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