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aklaustaleteller · 1 day

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Might Fancy You

Y/n went from fearing Klaus, to studying in his studio, to then throwing Shakespeare insults at him while chasing after him to put paint on him; he'd started it. But what happens when she ignores his one warning and he has her cornered in a flash?

Warnings - few mentions of blood and some kissing.

Word Count - 1.8k

I told you I'll have part two out in two days and here it is! You can read part one here, and well, I hope you enjoy both the parts!

“And you are?” Elijah asked the girl standing in the doorway of the mansion, clutching onto so many things that he worried all of it was going to fall out of her trembling hands any time now.

“Um, I’m here to meet Klaus?” She said, an awkward smile pulling up the corners of her mouth. “He’s helping me with an art project,” she continued when the original didn’t say anything.

But he did raise an eyebrow at that, making her even more nervous and bunch up her shoulders in a defensive shrug. “You know what? I’ll just leave,” her voice made a few tumbles as she turned around and began walking out the door she’d just come in. Her guard was high up because she had no reason to believe that this vampire wasn’t going to drain her of blood then and there for stepping onto his property without any permission.

“Y/n!” She heard a voice call out and she flinched, her heart trying to make up for the missed beat and speeding up as a result.

“Y- yes?” She stuttered, slowly turning to face him, fearing what’s to come. How stupid had she been to ask a goddamn original to help her out with some- some school work!

“What did you say to her, Elijah?” Klaus glared at his brother on seeing his new friend so shaken up.

Elijah only turned towards him in a slight confused daze. “I simply asked her who she was,” he said, walking away from the scene to probably his reading chair, leaving as nonchalantly as he could’ve killed her.

A smile creeped up on Klaus’ mouth, a chuckle rumbling inside his chest at how easily she’d been frightened. It was almost bordering on endearing.

“C’mon love, follow me,” he urged her as he walked up the stairs, coming to halt when he didn’t hear her move. “Y/n?” he called her, looking back at her from midway up the stairs. and coming to a realisation that she might genuinely be scared of him.

“I think I’ll go,” she said, looking very close to passing out. “Forget I asked you for anything.” She didn’t even look him in the eyes and turned back around to leave and get away from this mansion as fast as she could.

But of course, Klaus stood in front of her just as she turned, almost sending her heart flying out of her mouth. It was strange, to witness this completely new side of the girl who ferociously bit right back at him the most creative insults he’d ever heard in his long life.

“Why are you so suddenly terrified of me?” Klaus asked, his face creasing in confusion as his eyes showed her specks of hurt that could very well just be the mossy-green of his eyes deceiving her. “What happened?”

“I- I don’t know maybe the sense that you’re an original who could rip me to shreds or drain me of all my blood right here,” she stopped herself like she’d done something insanely stupid and – ”finally knocked at my brain,” she trailed off very softly, almost as if cautious of making him angry.

“Y/n- love, you know I’d never do that,” he mumbled, cupping her face and almost flinching when she went stiff. “I mean I could do that but I never would!” he reframed his sentence when she narrowed her eyes, for some reason, desperate that she understood him.

“What do I have to believe you wouldn’t?”

“Because I do not have any reason to,” Klaus reassured her, not saying that maybe because he fancied her a little, just because this wasn’t the ideal moment for a confession like that.

Y/n didn’t say anything at that. Standing still and looking into his eyes, searching his face for any signs of underlying betrayal but she didn’t find any – not that she expected to, he is a thousand years old after all, surely he’d know how to disguise his motives.

And yet, when Klaus grasped her arm and led her up the stairs, she let him.

“I see you brought all of your stuff,” Klaus chuckled, trying to lighten up the mood as he took a million things out of her hold, placing it all on the rug and smiling when he saw her setting up the canvas for him. He could get used to this very easily.

“I did, it’s my work you are doing after all,” she said softly, slowly coming out of her shell. “I didn’t want you to waste your supplies on it,” she continued.

“I wouldn’t say this is wasting anything,” Klaus proposed, thinking that maybe this would be the topic for their discussion today, slight banter even?

“I wouldn’t either,” she agreed with him, catching him a little off guard. “But the school people will tear this apart and throw it in the trash before I could ever get to it.”

Klaus shook his head at that, preparing the paints and the brushes. “And why would you want to get to it?”

Y/n had managed to make herself comfortable on the floor a couple feet away from him, her papers already scattered on the floor of his studio, and Klaus only hoped that they could do this more often after this day.

“Well, I wouldn’t want it go to waste… you see? Maybe hang it somewhere in my house when it’s purpose in school is served,” she shrugged nonchalantly, taking the cap off of a pen by her mouth and Klaus wanted nothing more than to rush over to her and cup her face to kiss her.

Which reminded him that she was quite fastly transitioning back to her usual self around him. He smiled at that, the scary thrill in his heart that had come at the thought of her fearing him slowly fading away.

Neither of them said anything after that, getting to their individual works in silence. The soft sounds of Klaus’ brush against the canvas, mixing colours on his palette and rinsing the brush rid of the previous colours filled the room along with sounds of Y/n flipping her book, turning the pages in notebooks and changing pens.

The sun peeked in through the windows, the lighting constantly changing as the clouds drifted calmly through the sky.

While painting, Klaus began to worry about this girl who was so engrossed in her homework that she hadn’t moved once. He worried that she’d gotten so serious and quaint that she might just tumble into sadness. All that to say, he missed her laugh a little as well.

He tuned to just look at her while he was sure that she was unaware. Her hair was tied up, circular glasses that had a coppery rim slipping lower and lower on the bridge of her nose until she had to fix them. She looked cute, Klaus caught himself thinking.

Her lips were resting in a faint pout as she focused, her fingers picking at them while she jottled down something in her notebook with her free hand. His hand ached to trace its fingers over the highs and the lows of her face. The little frown that had formed inbetween her eyebrows made her look all the more cute and Klaus found himself walking over to her, his feet functioning on a mind of their own.

He bent down to come face-to-face with her as she was sitting, and he almost cooed at the fact that she still hadn't quite registered the close proximity at which he was in front of her. Raising up his hand, he booped her nose – getting the very reaction he was hoping for.

She looked up at that, slightly startled, only to catch Klaus’ eyes widening a little themselves.

“Why did you do that?”

“Uh, because there was something…” he panicked, his eyes frozen on the spot he had gotten yellow paint on her nose. “I removed it though, don’t you fret,” he smiled, brushing over his pants as he began to stand up straight.

But she passed him a glare then, clutching the bottom of his henley to stop him. “Klaus,” she began. “Did you remove something or put something there?”

He shrugged at that, focusing back on the canvas and out of the corner of his eyes, he saw her getting up.

“Klaus.” She said his name with an underlying warning. She brushed her own finger over the very spot he had touched, and saw the paint.

“Everyone’s entitled to act stupid once a while, but you really abuse the privilege,” she was walking closer to him and Klaus knew exactly what was about to commence, making him cover his head with his arms when she pressed her hand against the paint on the palette.

He howled with laughter when she dragged her hands across his neck, twisting and turning to get away from her. Still laughing at the insult she threw at him because it was a bloody good one, Klaus swiped his finger across her collarbone, earning a whine from her as she began chasing him around the studio.

Stopping to catch her breath, she began shouting at him – “thou crusty batch of nature!” But laughter slipped past both of their mouths before they could even contemplate what she’d just said.

“No way you just threw a Shakespearree insult at me,” Klaus laughed, standing on the complete other side of the room, opposite to her.

He feigned a growl when she began walking towards him, red paint almost drying on her palms. “Take another step, and I can’t be held responsible for my actions,” Klaus whispered loud enough for her to hear.

And she ignored his warning, just like he was hoping she would. Watching her creep up closer and closer to him, Klaus felt a smirk pull up a corner of his lips.

In a flash, Klaus had her pinned against a wall, her wrists held above her head in his hands. His face tilted to the side lightly, his eyes focused on her mouth as he felt her gaze on him heating up her skin. She tipped her chin forward, her lips not quite meeting his’, making him close the gap between them and connect their lips.

Lips moving in a perfect sync, Klaus brought one of his hands down to snake it around her waist, her mouth opening with a gasp at the sensation and giving him the chance to kiss her further. The back of her head met with the wall behind her as they kissed with a passion that felt too heated.

Detaching their mouths, both of them took in heaves of breath, Klaus pecking her lips once more before releasing her wrists. She was looking into his eyes, searching them for something and Klaus couldn’t help but smile at her, her lips very lightly swollen, looking like they’d just been kissed.

“Think I might fancy you a tad,” he grinned, laughing out loud when she grabbed his face to kiss him again, making him lose his balance only for a second before he was cupping her face ever so gently.

"Never realised I wanted to hear you say it so much,” she let slip a breathy chuckle, looking into his eyes before kissing his lips once more. Lord, it was addictive – he was addictive.

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carigm · 1 day

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A BREAKDOWN OF THE POTENTIAL S5 EPISODE TITLES!!

Okay, so today entertainment journalist Jeff Sneider shared some alleged insider info about S5 of ST, mainly directors and titles of the first 6 episodes.

Here’s a screenshot

It’s important to keep in mind that this guy isn’t always the most reliable, and considering he also said he believes S5 could come out before the end of this year, let’s not take any of this too seriously. (Many cast members have mentioned they’re filming until December of this year so that’s literally impossible). The information about the possible directors I believe is correct, because it’s been circulating around from other sources too.

The episode titles I’m less convinced about because it’s also possible the Duffers could’ve put out fake episode titles in case they leaked. I remember for S2 all the episodes titles they announced were changed later on lol. But for the sake of fun, here’s an analysis of all of them:

1. The crawl (only confirmed title) is a very broad, open title. It personally makes me think of the UD and vines, or maybe even the idea of Vecna crawling back to life. Could also be an allusion to the military.

2. The Vanishing of ___ Wheeler is arguably the most insane one. The journalist said he wasn’t revealing the actual name of the person because it’s a spoiler ofc. My gut tells me it’s gonna be Holly, mainly because of the recast and her supposedly being involved in the hospital plot, which we have guessed takes place in episode 2. Could explain why she’s suddenly “more important” this season, especially if she’s used as a plot device of sorts. Could also tie into what Ted’s actor said in a podcast back in February about the first episodes being a rollercoaster of emotions, and that comment he made about Ted having a soft spot for Holly. It would be a perfect tie in for Karen to find out about the UD as well. The implications of naming the episode the same as the first episode, which is so intrinsically tied to Will, is very interesting. It’s also a new connection/tie between the Byers/Wheelers that I assume will bring the families closer together. I don’t think it’s about Mike because I doubt he’ll go missing in ep.2, or be dragged to the UD just like Will was. It would be an interesting concept but I doubt it. I also don’t think Nancy’s gonna go missing. Karen could be interesting but I doubt it as well. Ted would be an incredibly funny choice. Imagine he just goes missing while at the house 😭 Nonetheless, I think Holly is the clear choice here, and I do very much worry for her if she goes missing. Mainly because while Will survived this, I’m not sure they’ll do the same for Holly :(

It also ties into Vecna’s threat to Nancy against her and her family.

Here’s an interesting leak from the same anon that leaked the hospital stuff (which seems to be correct)

I think this could be the very same scene Holly goes missing.

3. Turbow Trap 😭 This one is utter nonsense. I have no idea what a Turbow is, so I assume it’s gonna be a code or nickname for something. Absolutely clueless here.

4. Sorcerer is incredibly interesting, and imo a clear allusion to Will. His D&D character being a cleric, basically a wizard. Could also be a reference to Vecna imo. Or both 😉

5. Shock Jock is clearly tied to the radio station plotline. Imo the title could be a reference to Steve, Jonathan, or even Murray (he fits that eccentric, somewhat annoying personality quite well) In case you guys don’t know a shock jock is like a very eccentric radio host.

6. Escape from Camazotz is another crazy title. He’s a figure from Mayan mythology who’s a bat spirit. That immediately makes me think of Eddie, but also Steve ofc. However, camazotz has a larger meaning that goes beyond “bat spirit”, it’s also a representation of death and night. So the title seems to be alluding to someone escaping from death or a perilous situation.

Even more interesting perhaps is that kamazotz is a name of a planet in A Wrinkle Time. It’s the planet where IT resides, the mind controlling antagonist of the narrative. So I guess in this comparison Kamazotz is the UD, and IT is Henry.

#byler #byler theory #stranger things #st5 leaks #st5 spoilers #st spoilers

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elisaintime · 1 day

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Woah, I must have missed something, why are people jumping down your throat?

From what I can gather at this point, it seems like they feel like anyone who likes Anne Rice herself and the books better than the show=automatically racist. Even if they ALSO enjoy the show and support the race change of the characters and all the racial conversation the show incorporated into its adaptation.

Personally, I think it does a disservice to the fandom to assume that the only reason one could like the books over the show is because of racist reasons. Anne's books speak to so many people in so many ways, especially those who have ever felt like outcasts or apart from mainstream society, and many fans have extremely personal connections to the books for a huge variety of reasons.

Like I said in my videos, I was excited and intrigued to see this AU version of the story (I love AUs!) but my complaints with the writing of the episodes mostly came back to when the show was trying to stick TOO MUCH to the books.... Because the show was really making its own thing with its own versions of the characters and all these new ideas, but then suddenly it would shove in a scene/dialogue straight out of the books which would contradict or make no sense with everything else the show had already worked to set up with the new direction it was taking itself.

Critiquing sloppy/weak writing does not mean I or any other fan who feels the same is doing it for racist reasons. Much of my criticism was about how the scripts changed Lestat's character to make him so much worse than he was in the books (which would be fine, it's their story, whatever--except the show runners told us over and over again that the whole reason Louis was doing a second interview was so that this time we could see the real version of Lestat and how Louis felt about him instead of the mean, insulting version he gave in the first interview). There was a lot promised by the showrunners about what their adaptation would be like that was not delivered ("closer to the books than the 1994 movie," "true to the spirit of Anne Rice" etc). The entire reason I made my videos was to evaluate how well the show measured up to those promises.

Worse than making Lestat so irredeemable, the way the first season ended in a way that made so many fans believe that Louis might have been lying about everything didn't sit well with me at all--it's a harmful stereotype to make the black man a liar, especially when it comes to abuse. I know the "the DV didn't actually happen and black Louis was lying or mind controlled by his evil non-white boyfriend" became a running fan theory, but I personally don't believe it one bit. But I can see why so many fans do--again, sloppy/weak writing on the show's part.

Like I said in my video, the only thing Louis actually lied about in ep7 (and he was lying to himself, not deliberately lying to Daniel) was the depth of his love for Lestat at the end. And that's entirely canon for Louis to deceive himself about--admitting how much he truly loves Lestat always came hard for him. I personally don't think it's going to turn out that anything Louis told us in season 1 was a lie. I think the show would have revealed that at the end of the season, not waited another season (or two or three) to reveal that. And the theme of season 2's promotional material has all been about memory, not honesty. I don't think Louis could mistakenly remember getting dropped from a mile in the sky and the months/years of recovery afterward, so I personally think all those memories were real.

The first three episodes of season 1 made Louis's struggle with race its primary focus, and the series description began with how Louis was chafing at society as a black man. But then from episode 4 on, the focus of the show shifted entirely. Obviously racism still existed in Louis's world, but the show pushed it all entirely to the background with little things, like segregation on the bus, and we saw the characters quietly taking in stride, not making any plot out of it. Suddenly all of Louis's character-driving moments weren't about that anymore and we were in a whole new story, when his battle against racism had been the entire theme of the first three episodes. This was something I noticed and pointed out in my videos--I didn't say it was a bad thing (after all, seeing people be racist to Louis on screen, while "realistic," isn't exactly fun for anyone, and we'd already seen plenty), but I did think the sudden dramatic shift in story focus weakened the show's themes and throughline.

Again this comes down to writing, and the premise/script was written by white people. I think they could have done much better with much more non-white involvement on the writing level. I think the show could have been stronger with some more care taken to create consistency and smoother transitions between episodes (like when they take Claudia out to feed in episode 4, suddenly all the race riots are gone, when everything was on fire 2 hours ago). It's common for shows to have each episode written by a different person, even though they all collaborate in a writer's room, but to me it felt like the show lacked efficient script supervision to make sure all the scripts flowed into each other without any contradictions or inconsistency.

When I talked about these things in my videos, when I said I would have liked the show to do better with the way it missed the mark sometimes in handling racial aspects (even though other parts I commended as being great), and the way I critiqued the inconsistencies and contradictions, some people took that to mean I hated the show entirely. The point of my videos was to see how well the show measured up to Rolin Jones's promises that it was so faithful and respectful to the spirit of the books and that all he wanted to do was honor Anne's work. I know the books back and forth, enjoy having a ND hyperfixation that gives me near-encyclopedic knowledge of the texts and Anne as an author. So people ask me questions about them all the time, especially in comparison to the adaptations. Who better to make videos evaluating how well the show measured up to RJ's promises and claims of faithfulness? But some people took me comparing the show to the books to mean I thought it was a bad thing that they weren't the same, and I hated the show entirely for not being the same as Anne wrote it, and therefore that meant I (and anyone else who loves the books) was racist 🤷

#amc interview with the vampire #vampire chronicles #maven of the eventide

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ultramarine-spirit · 2 days

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Hi, I heard that the donghua Athy will have prophetic dreams instead of being a reincarnated person and that Lucas will probably remain in his adult form all the time( I hope this is not true I want to see baby Lucas but considering the first pv, i think it will probably be true, hopefully not). I fear that their dynamic will change and Lucas is gonna catch pe*o allegations now 😭 even though they were two adults pretending to be kids.

The first thing is pretty much confirmed, going by the donghua's summary, but the details are unclear. I don't know if the "LP timeline" was only a vision or something more, it's too early to tell. As for Lucas only staying in his adult form, I don't know what makes you/people think that?

Lucas was introduced in his adult form in the novel and manhwa, and he is wearing the same outfit in the PV, so it seems to me that that'll be his introduction scene. I guess we'll have to see if he keeps his younger form, but the donghua's summary confirms that they will fall in love, so I doubt the chinese team will suddenly make it weird? (Especially when chinese media is heavily censored, which is likely the reason the plot was adapted to be less violent). Let's also remember that Lucas used his adult form multiple times in the manhwa, so if people disliked that, um, it's nothing new?

I know you mean no harm, but part of me feels like I shouldn’t even address this possible "discourse" because it's way too dumb. Some people have called novel and manhwa lucathy problematic before, for multiple reasons, all of them idiotic, so I'm sure they'll find a reason to dislike the donghua version too. I don't care, and you shouldn’t either.

We should just cancel Claude for the 1000th time.

Almost all isekai/time travel manhwa have an odd aspect since more often than not the protagonist is (mentally) way older than her love interest. No matter what, that's an element the writer can't avoid, but I think lucathy is one of the few pairings where this doesn't happen, because of their circumstances (Lucas slept for centuries so his body's age and his mental age are very different, plus he is a magician. There's no reason to think this will be different in the donghua. And Athy has her whole reincarnation thing. We'll see how that plays out.). Despite all of this, you have no one calling athykiel or other manhwa ships (I could give plenty of examples but I'd rather not) problematic because Athy/the FL is (at least) a (mentally) 30+ yo woman thinking a teenager is attractive. That's because manhwas are not that serious. Unless we are talking about the Princess Mint one. That one was weird and I don't like it.

#that last part is a joke please don't start claude discourse #but lord i would rather take Jennette discourse than this #that was also a joke do not send me your Jennette hot takes #this is not @ you anon. i'm just talking to the void #i think i sound kinda harsh here but wmmap discourse is so 2020. we've been over this. there are opinions too dumb to even address #wmmap #wmmap donghua

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jimmyspades · 1 month

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The season 4 premiere of Boston Legal is like psychological terrorism. Alan being begged to have a baby. Word salad. Sex in an elevator TWICE. Shirley/Denny moment that makes me sob. Infidelity. The arrival of Carl. Guys looking at each others’ dicks. Alan saying his penis has been a bad boy. Carl’s hair. One of the greatest guest appearances on the show by Craig muMs Grant. Alan calls himself fat. He wears a dress just for fun. Big dance number. I feel like I’m being hit with baseball bats the entire episode.

#‘what is this show about’ yes❤️#boston legal #there’s great lighting in two different scene that makes his eyelashes look so blond and long #james is alan alan is james so of course he always looks like himself. but sometimes he looks so… him #yk what I mean. the smallest expression and it suddenly reminds me of crash of all things. or something he did in SLV or pretty in pink #idk why it’s so hard to explain. or it’s not but it sounds silly I don’t know. he’s just so strikingly handsome in vastly different ways #at different times in his life #movies are easy to compare of course jim is always doing little jim things in his 90 minute films #but alan is so fleshed out I’ve seen alan more than I’ve seen all the others combined except perhaps red #but I have the same feeling with red! they’re separate almost. it’s almost a shock when I see james spader in their eyes…#anyway um. season 4 already making me INSANE this time yay :)

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airenyah · 11 months

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TinnGun Aquarium Date: Where Did Tinn’s Sharks Suddenly Come From and How Are They Connected to Liking Gun?

So in episode 7 when TinnGun go on the aquarium date with Yo and his girl there is a bit of dialogue that really confused me back when the episode aired. And maybe it confused you too. So now I’m here to share some background information with you.

I’m talking about this specific line:

Back when the episode aired I just didn’t understand why Tinn was suddenly talking about sharks when he had just been referencing their date. Where did that thought suddenly come from? What’s the connection between those topics, how did Tinn get from their date to sharks and biting to liking Gun?

Well, you see, I wasn’t able to follow because I had completely forgotten about one key element here: ฉลามชอบงับคุณ (= “sharks like biting you”) is a song by Bonnadol ft. IIVY B and Tinn is directly quoting the first line of the chorus to Gun. Cue the ensuing jokes about sharks and liking and biting.

Now you might see this and think “Ohhh so it’s a song reference and that song suddenly popped into Tinn’s mind so that’s why he’s randomly changing the topic. Plus, the song talks about sharks and liking so that’s how Tinn made the mental jump from ‘sharks may bite you’ to ‘I like you’. Got it, thanks.” and, well... yes. That’s the short answer. However, there is more to discover in this scene and more word play going on in Thai.

So come with me on a deep dive into the dialogue of this scene and find out what exactly is happening here in Thai.

We’re gonna take a closer look at Ep7 [3/4] from 10:10 onwards till pretty much the end of the scene. The given English translation of the dialogue goes as follows:

Tinn: Sharks, they may bite you. But I like you, no bite. Gun: Are you flirting or what? Here. Let me tell you something. If you want to hit on someone, use your own line. (laughs) Sharks, they may bite you. (Tinn steals Gun’s snack) Tinn: Sharks, they like to bite. I do too, but only the one I like. Gun: Bite, my ass! (laughs and shakes his head) Tinn: Look at you now. I bet you like the one that bites you.

Before we go and take a closer look at what is hidden in the original Thai lines, let me give you a quick vocabulary lesson, though:

ครับ [kráp] – often also transliterated as krub. If you’re an experienced thdrama watcher you are likely familiar with this word. But if you’re new here: ครับ [kráp] is a particle that is added at the end of a sentence to make that sentence formal and polite. ครับ [kráp] is typically used by men, while women typically use ค่ะ [khâ] instead. (You’ll also hear this particle as an answer to or confirmation of a statement/request/order/etc., but this isn’t relevant for the scene we’re about to discuss.)

ชอบ [chôp] – to like. If you’re an experienced thdrama watcher you’ve also heard this one a lot. However, what you might not know is that this word can also be used to talk about a habit or about what someone/something tends to do. Earlier I translated the song title ฉลามชอบงับคุณ [chà-lăam chôp ngáp kun] as “sharks like biting you” but it could also mean something like “sharks tend to bite you”. (word for word the title makes shark(s) – like/tend to – bite{cute} – you{formal})

ผม [pŏm] – formal/polite first person pronoun for males (I)

คุณ [kun] – formal/polite second person pronoun (you)

งับ [ngáp] – cutesy word for “to bite”

Part 1: The Song

Now with that out of the way I want to take a look at the first line of the chorus from the song:

ฉลามน่ะชอบงับคุณ ส่วนผมน่ะชอบคุณงับ [chà-lăam nâ chôp ngáp kun • sùuan pŏm nâ chôp kun ngáp]

So this line is made up of two sentences:

ฉลามน่ะชอบงับคุณ [chà-lăam nâ chôp ngáp kun]: This is the first sentence and translates to “sharks tend to bite you” or “sharks like biting you” which is also the song’s title.

ส่วนผมน่ะชอบคุณงับ [sùuan pŏm nâ chôp kun ngáp]: This is the second sentence and translates to “as for me, I like you”.

So here we can immediately see how talking about sharks and biting leads to talking about liking someone and it’s through the repeated use of the word ชอบ [chôp] aka “to like”. First the singer talks about what sharks like (biting), then the singer talks about what he himself likes (“you”).

But there’s more!

Maybe you’ve already noticed that there is another word from our vocabulary lesson that is repeated in both sentences:

ฉลามน่ะชอบงับคุณ ส่วนผมน่ะชอบคุณงับ [chà-lăam nâ chôp ngáp kun • sùuan pŏm nâ chôp kun ngáp]

Yes, the word งับ [ngáp] gets repeated as well. Now you might be a little confused, because I just told you that this translates to the verb “bite” and I also just said that the second sentence translates to “as for me, I like you”. How does the biting fit into this sentence?

Well, so the thing is… Remember the very first word from our list? Remember ครับ [kráp]? Maybe you’ve also noticed that I put it on the vocabulary list, but then it doesn’t even show up in the song lyrics at all...

Except, it does! It just doesn’t look or sound like ครับ [kráp]. It sounds like งับ [ngáp], aka the word that I just pointed out that also gets repeated in both lines.

So, as you might have guessed by now งับ [ngáp] can either be a cute way of saying “to bite” or it can also be used as a cutesy word for the polite particle ครับ [kráp]. Tinn has already used งับ [ngáp] in this sense on Gun back in episode 2 when he was pretending to be Lion, like we can see here for example:

ลองไปที่นี่ดู แล้วพี่จะรู้เองงับ [long bpai tîi nîi duu • láeo pîi jà rúu eng ngáp] try–go–to–this–see • then–older sibling–will–know–self–[cutesy polite particle]

Now let’s go back to the second sentence of the song and take a look at the pronouns: ส่วนผมน่ะชอบคุณงับ [sùuan pŏm nâ chôp kun ngáp] (= “as for me, I like you”).

The singer here uses the polite first person pronoun ผม [pŏm] when he refers to himself and the polite second person pronoun คุณ [kun] when he says “you”. These are pretty formal pronouns that usually also come with a polite particle. So technically the sentence “I like you” with these formal pronouns should go ผมชอบคุณครับ [pŏm chôp kun kráp] – literally “I like you krub”. However, the singer wants to be cute, so he switches the polite particle ครับ [kráp] with the cutesy form งับ [ngáp] and sings “I like you ngáp” instead.

(On this note, some interesting tidbit: according to my Thai friend who I discussed this scene and song with, in his words, it’s mainly “lesbian tomboys” who use งับ [ngáp]. He said men might use it in writing but don’t really say it.)

Anyway, now that we know that the song lyrics make “Sharks like to ngáp you. As for me, I like you ngáp”, let’s see what they do with it in MSP.

Part 2: Tinn and Biting

The dialogue starts out with Tinn saying “Sharks, they may bite you. But I like you, no bite”. At least it does according to the English subtitles. What he really says in Thai is this:

ฉลามอะ ชอบงับคุณ ส่วนผมอะ ชอบคุณงับ [chà-lăam à • chôp ngáp kun • sùuan pŏm à • chôp kun ngáp] shark(s)–[particle] • like–bite–you {formal} • as for–I {formal}–[particle] • like–you {formal}–[cutesy polite particle]

Here is the line from the song in comparison:

ฉลามน่ะชอบงับคุณ ส่วนผมน่ะชอบคุณงับ [chà-lăam nâ chôp ngáp kun • sùuan pŏm nâ chôp kun ngáp] shark(s)–[particle]–like–bite–you {formal} • as for–I {formal}–[particle]–like–you {formal}–[cutesy polite particle]

As we can see, Tinn is pretty much directly quoting that line of song to Gun. So a more literal translation of what he’s saying here would be something along the lines of “Sharks like biting you. As for me, I like you”. Or rather, if we remember the word play with the word งับ [ngáp] = to bite and งับ [ngáp] = cute form of ครับ [kráp], what he’s saying is actually “Sharks like to ngáp you. As for me, I like you ngáp”.

This makes Gun laugh and he says “Are you flirting or what? Here. Let me tell you something. If you want to hit on someone, use your own line.”

Now that we know Tinn quoted a line of a song we also understand that Gun recognizes it as such and that when he says “use your own line” it’s actually him calling Tinn out for quoting a song instead of coming up with his own original pick-up line.

Gun then turns away and repeats the first part of the song lyrics to himself, still very amused: ฉลามชอบงับคุณ [chà-lăam chôp ngáp kun] (= “sharks like biting you”).

Tinn was just scolded for not being original in his flirting and what does he do? He “bites” Gun and then, according to the subtitles, says: “Sharks, they like to bite. I do too, but only the one I like.”

Now let’s once again look at what’s happening in Thai. What Tinn is saying here is this:

ฉลามอะ ชอบงับคุณ ส่วนผมอะ งับคนที่ชอบ [chà-lăam à • chôp ngáp kun • sùuan pŏm à • ngáp kon tîi chôp]

Let’s bring up the song lyrics again:

ฉลามน่ะชอบงับคุณ ส่วนผมน่ะชอบคุณงับ [chà-lăam nâ chôp ngáp kun • sùuan pŏm nâ chôp kun ngáp]

We can immediately see that Tinn is once again directly quoting almost the entire line of the lyrics to Gun. He repeats the whole “Sharks like biting you. As for me…” part, but then he unexpectedly changes the last part. This time around he doesn’t end the sentence with “I like you ngáp” (ชอบคุณงับ [chôp kun ngáp]) like the song does, instead he ends it with:

งับคนที่ชอบ [ngáp kon tîi chôp] bite–person/people–that–like

Since Thai doesn’t have plural forms, this can be translated as “I bite the person that I like” or “I bite the people I like”. So what’s happening here is that after being scolded for being unoriginal, Tinn then quotes the song again but decides to prove that he can indeed think of a line on his own by changing the second sentence from “as for me, I like you” to “as for me, I bite the person/people I like”.

What’s kinda interesting to me here is that the second sentence from the song talks about คุณ [kun] (= “you”) and Tinn in his own continuation talks about คน [kon] (= person/people). I find it interesting, because these two words sound very similar. In fact, when I tried to transcribe the Thai lines I actually wasn’t sure whether Tinn was saying คุณ [kun] or คน [kon] here. It sounded like งับคน [ngáp kon] (= bite person) to me, but I was a little unsure since the song itself talks about งับคุณ [ngáp kun] (= bite you). I played it to my Thai friend and he too had to listen to it a couple of times before deciding that it must be คน [kon] as that would make more sense.

Alright, moving on. So Tinn has just quoted the song again but with a changed ending: “Sharks like to bite you. As for me, I bite the person/people I like.” Gun doesn’t know how to response to this, so after a moment of consideration he comes up with a witty comeback: “Bite, my ass!”

(Fun fact: the expression he uses here that was translated as “my ass” in English is พ่อมึง [pâaw mueng] which literally translates to “your father”. If you’re a German speaker: it means Gun is essentially saying „Deine Mutter!!“ in response lmao. Brilliant comeback, really. Extremely witty. Good job, kiddo.)

Unfortunately for Gun, Tinn’s whole flirting tactic, as silly as it was, has in fact worked on him and he can’t help but laugh again in an “I can’t believe this is the man I have chosen to love” kind of way.

Now it’s Tinn’s turn to call Gun out for it: “Look at you now. I bet you like the one that bites you.” That’s how the subtitles put it. But one last time I wanna take a look at the original Thai lines.

Tinn says two sentences here and the second sentence is more relevant for the whole song reference/word play thing, but since you’ve made it all the way here I assume you like languages and would be interested in knowing the literal meaning of Tinn’s words where the subtitles go “Look at you now”, so I’ll just tell you that too while I’m at it.

So all in all Tinn says:

อาการแบบนี้อะ สงสัยชอบคนที่งับ [aa-gaan bàep níi à • sŏng-săi chôp kon tîi ngáp]

That first sentence (อาการแบบนี้อะ [aa-gaan bàep níi à]) is a little difficult to translate for me because I don’t really know what to do with the first word, but the แบบนี้ [bàep níi] part means “like this”. The first word is อาการ [aa-gaan] which can mean “symptom” or “condition”. According to thai2english.com other meanings also include “expression” or “manner”. All in all, what Tinn is essentially doing here is pointing out Gun’s reaction, so I think to make it sound more natural and not too weird in English we could maybe say something along the lines of “A reaction like this...” for this line.

As for the other thing Tinn says, it’s this:

สงสัยชอบคนที่งับ [sŏng-săi chôp kon tîi ngáp] suspect–like–person(s)–that–bite

As I said earlier, Thai doesn’t do plural forms. Nor does it do articles. And yet another thing that Thai often doesn’t do is pronouns, meaning pronouns are often left out of the sentence entirely. Such is the case here, so this sentence could mean one of the following:

I suspect you like a person that bites.

I suspect you like the person that bites.

I suspect you like the person that bites you.

I suspect you like people that bite.

I suspect you like people that bite you.

Now what’s fun about this line is once again the word play and the reference to Tinn’s line from earlier when he said “I bite the person/people I like”. Let’s do some more comparison.

So this is what Tinn says to Gun right after he steals the snack by “biting” Gun:

ส่วนผมอะ งับคนที่ชอบ [sùuan pŏm à • ngáp kon tîi chôp] as for–I {formal}–[particle] • bite–person(s)–that–like

And this is what he’s saying to Gun now:

สงสัยชอบคนที่งับ [sŏng-săi chôp kon tîi ngáp] suspect–like–person(s)–that–bite

The reason why this is fun is that Tinn switches the words งับ [ngáp] and ชอบ [chôp]. Where first he said งับคนที่ชอบ [ngáp kon tîi chôp] (lit. “bite–person(s)–that–like” = “[I] bite [the] person/people that [I] like”) he now says ชอบคนที่งับ [chôp kon tîi ngáp] (lit. “like–person(s)–that–bite” = “[You] like [the] person/people that bite [you]”).

Let’s look at it again side by side to really see how delightful that is:

งับคนที่ชอบ [ngáp kon tîi chôp] bite–person(s)–that–like

ชอบคนที่งับ [chôp kon tîi ngáp] like–person(s)–that–bite

What’s more, Tinn switching around the words is reminiscent of, if not a deliberate callback to the word switch from the original song lyrics that started it all:

ชอบงับคุณ [chôp ngáp kun] like–bite–you {formal}

ชอบคุณงับ [chôp kun ngáp] like–you {formal}–[cutesy polite particle]

Part 3: Summary

Since this was an overwhelming amount of information in one go I’ve put all the dialogue into a table so you can look at it again side by side:

As you can see, I’ve also included the official English subtitles for those who are curious. However, I wanna stress that this isn’t to imply “the eng subs suck and I did it better!!!1!11”. I’ve put my own “literal” translation into the table mainly because the word-for-word translation of the Thai lines can be pretty confusing and I wanted to put it into a more natural sounding English so that it would make more sense.

You’ll also notice that I’ve put some of the pronouns into square brackets. That is to signify that the Thai sentence doesn’t include any pronouns there, which is relevant mainly for Tinn’s very last line as the English sentence could work either with or without the second “you”.

As for the curly brackets in the Thai column, those indicate the level of formality or the connotation of a word, especially of the pronouns.

The red text marks every time when the song lyrics are being quoted.

In Conclusion

All in all, what is happening in this scene is that Tinn quotes a line of a silly little song that includes a silly little pun and then when Gun scolds him for being unoriginal Tinn goes and takes that silly little word play even further, turning it into his own thing. And the most delightful part about it is that it absolutely works on Gun, as much as he may hate to admit it.

#my school president #tinngun #msp #msp ep7 #airenyah explains thai #adrm #no but my thai teacher has a habit ending his classes by playing us a thai song #and weeks before msp was even airing he ended the zoom session with ฉลามชอบงับคุณ #and then i just. totally forgot about it... the song was completely wiped from my memory #that's why this post is so late!! i'm really sorry!! i just really didn't remember this song at all when msp was airing #and i got so puzzled about this scene here bc Tinn's line seemed so random like #why is he suddenly talking about sharks and biting where did that come from #i mean ok sure they're at an aquarium so sharks aren't THAT strange as a topic but still #something about it just didn't sit right with me #until a while ago it just suddenly hit me out of the blue #i was just going about my business when suddenly my brain goes #WAIT DIDN'T WE ONCE HAVE A SONG ABOUT SHARKS AND BITING AND LIKING IN CLASS #and i'm just standing there like oh my god???? it's a song reference???? and i could (aND SHOULD) have known all this time????#a very random but very eye-opening experience #everything about this suddenly made so much more sense #anyway did i write this instead of writing my bachelor's thesis? yes i did :)))#which is ironic considering my bachelor thesis is about the thai language as well

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nyhti · 11 months

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Superman #164

Not gonna lie, this is still the sexiest fight in all comic book history to me and not only because they're shirtless. Most "fights" are just snapshots of the hero punching the villain, with the only goal of said fight being to make the hero look as cool as possible. Most fights are just vain and meaningless. This one isn't. This one wasn't just snapshots, this one, despite being short, had choreography. The purpose of this fight, this issue, wasn't to make Clark look cool, it was to make Lex a more 3-dimensional character. This fight had actual weight, it felt real. It was equal and intimate and most importantly they were shirtless.

#lex luthor #clark kent #something that really bothers me though is that they gave lex the same exact body as clark #i mean they do this a lot in the superhero genre #like this is nothing knew #they can only draw one type of body and one type only #but it's just so stupid to me that lex just suddenly lost weight the moment they gave him a shirtless scene

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itwoodbeprefect · 1 year

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i don't have a point here except ???, but i realized today that starsky & hutch episode the psychic a) was written by micheal mann of (among many other things) classic crime thriller heat fame, and b) contains a baffling amount of (references to) crossdressing. it's one of the two episodes that opens with starsky and hutch chasing a guy in a dress (which gives us the "well i don't know, you('d) look rather nice in basic black and pearls" starsky-to-hutch line), later on they interrupt a robbery being committed by ANOTHER guy in a dress (and grey wig, posing as an old lady - presumably with the intent to disguise his identity rather than express some part of it, but who knows), and THEN they meet a hot lady mechanic who among many fast lines says to starsky "i'm really a basketball player in drag. whatever turns you on, honey" (interestingly timely, considering starsky's earlier comment about hutch). and finally, not entirely related but also not unrelated, there's these people at a laundromat hutch hits up on his mad phone chase at the end of the episode:

so yeah. ???.

#haven't revisited this episode in a long time (if ever?) because maybe-THIS-psychic-is-REAL plots... are not among my favorite #(due south has an episode very similar to this and i'm blaming starsky and hutch for it. c'mon guys.)#but!! everything else about this episode is FUN actually!! slightly wacky lots of great s&h interaction and oooh that chase at the end #but i just. what's with this one thing. is this an attempt to be clever with a theme? as in. deception maybe. or you don't know what's real #or a kinder interpretation: there are things you may not understand in this world but that doesn't mean they're not true for someone else?#or is it meant as a recurring joke? is it literally pure coincidence?#did michael mann even write that first scene or did it come from the other episode that uses it and just got tacked on here #which suddenly makes this episode seem like it's Doing something when it wasn't supposed to #i have! many questions! among which is. why the hell was starsky in such a bad mood. what happened #... are you telling me he's psychic too and he had a deep dark feeling hutch was going to almost die later on?#i feel like i need to make a psych reference here but i haven't watched enough of the show to be clever about it. 🍍 i guess #*#starsky and hutch

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supercool-here · 5 months

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I just watched the rocky horror picture show for the first time ever, and this accomplished three things: I love Susan Sarandon in a whole new way than before, I am undeniably and inexplicably attracted to Dr. Frank, and I now understand the references to the rocky horror in The perks of being a wallflower

#specially the movie #like the part where they do rocky horror and Charlie helps all those scenes suddenly came to my mind and understanding it all makes me feel #rocky horror picture show #the rocky horror picture show #trhps #Tim curry #Is extremely hot #This movie is so weird in the way that I love it and it suddenly means something to me but at the same time I absolutely detest #I think it feels dear to my heart because I watched the perks of being a wallflower very young and my brain just connected the dots

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warpolomewdarkmatter · 9 months

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i think that if Lightyear (2022) didn't have the meat-bread-meat sandwich scene i would like the movie way more. the sandwitch gag was just so flabbergasting and honestly gross (so unhygienic!!!) that it yanked me out of the "being immersed in a story with my disbelief suspended" into "Who In Their Right Mind Wrote This Into The Movie Script. Am I, The Viewer, Supposed To Think This Is Funny?" soooo fast (and it was already losing me with all the new watery characters and the lackluster zurg plotline). there's a cool scifi story happening before & after that scene and Those events are always shown as something natural, i guess (within the setting they make total sense, i mean), and i always trust the main character to know what to do and Belong in the story. but the sandwiches were weird and alien even to him and even moreso weird and alien to me by extension... and that feeling of weirdness contributed to nothing re: mood of the moment/overarching plot/character development and it wasnt even FUNNY. if the creators wanted to include the sandwich so bad they needed to have zurg eat it to show what a deranged freak he is.

#i know this is kind of insane nitpicking but i do sincerely believe this. for me that scene is one of the most memorable parts of the movie #origpost #lightyear #oh my god and the cucumbers... the WATERY VEGETABLE SLIDES FROM THE FATTY MEAT!!! THATS OBVIOUS AND DISGUSTING!!#YOU HAVE TO CUSHION IT WITH SOMETHING DRY/TEXTURED LIKE BREAD OR LETTUCE!!! OR SLICE THEM INTO STRIPS NOT CIRCLES!!!#NOT TO MENTION THAT THE BREAD IN THE MIDDLE OF THE CUCUMBER SITUATION WILL BE SO SOPPING WET.#AND I DON'T EVEN KNOW IF THEY USED ANY SAUCE OR SPREAD BECAUSE IF SO THE BREAD WILL GET EVEN MORE MOIST???#unless the bread is covered on both sides with a fat-based spread eg butter which would prevent it from absorbing water. but who knows.#(echoing mumbling) or you could use cream cheese instead of butter... w/ some spices mixed in... god i wish theyd add some cheese on there.#um in conclusion. love to have characters take a break and enjoy some food that adds some flavor (ha!) to the setting.#like the grub in emperors new groove! or wreck it ralps pacman cherry! or wallace and gromits moon cracker!!#i just think the ly sandwiches underdelivered and the characters didn't even finish them (i mean buzz takes it [hands dirty] and #sets it on the table AND PICKS IT UP [HANDS DIRTY] AND ***TAKES A BITE***???? and LEAVES IT??? which is fucking insane????!?!?!?!)#um. sorry for ranting and nitpicking again. i just have Opinions on food. in scifi. i guess. (suddenly the blogger is weirdly embarrassed.)#the other food items in the vending machine were PICKLES btw. maybe the colony just got really good at growing cucumbers and nothing else..

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fideidefenswhore · 3 months

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soulmate-ism ❤️

#am i joking? am i serious? who could say...#my qualm is not so much the style of acting or even the actors changed but seemingly the groundwork of this character #being disregarded and set aside #im fully a hater so believing this scene is cute means more coming from me.#i liked both that they depicted her as odd and her oddness chiming with his own oddness #bcus then by s3 she is just...serene and genteel. nothing else #i think it was interesting that she doesn't mention coa in s2 either and couldn't help wondering if this was an intentional choice?#catherine was #for one something that seemed to bond the group she became part of #(which is something they seem to omit it is just...the seymour faction. of seymours. and charles brandon. no one else)#but for another technically would have been an obstacle to her advancement. so if the omission was purposeful that (could) have been #masterful... they of course ruin that by s3 again lol #im assuming what they were going for was jane modeling her queenship upon catherine's in s1 by having her suddenly #express such admiration for her but this presents its own host of ...not plot holes persay but character gaps? i suppose?#(this has been theorized and that she succeeded is doubtful. it's not like henry's response to the may day riots intercession was similar)#namely: how does this square with jane's seeming devotion and idealization of henry in s3? she thinks the world of him and constantly #seems to be let down by him and expect better of him...but were she such a devotee of his first wife. whom he banished. then why?#another thorny issue they refused to grapple with by just eliding s3: she might have thought the world of him because*#of what was done to anne. in the vein of reginald pole #ridding himself of the 'heretical evil'. they sort of try to do this by a transference case; suddenly jane hates cromwell even tho he was #instrumental in her rise...?#they didn't have the confidence to explore that ; however. even though it would've been better continuity #bcus in s2 jane seems happiest in diminishing her rival.#and they didn't really give any of the complexity they did to AB...this sort of brash confidence and steady and public reviling of her riva #followed by these scenes of anxiety and fear ; like with her sister overlooking coronation sketches #instead she just becomes...serenely sad. somehow. surprised that henry has a mistress.#(i mean. cute being a relative term. jane is cute. henry is baring his teeth and doesn't seem to display much in the way of ...warmth?#could have actually been something really interesting done here...idk how accurate. but interesting #'as lancelot worshipped guinevere' is a fantasy...and not one that ends in marriage between the two #just as 'maitresse en titre' (i mean...it was a title for a reason...but) was a fantasy outside marriage

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not-poignant · 2 years

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probably youve had someone ask you this before, but any advice for when you really want to know what happens next in the thing youre writing but when you sit down to actually write all thoughts flee your head?

Hi hi hi,

Provided that like writer's block / burnout isn't going on (which can both cause this phenomenon and frankly both need quite different approaches to deal with), I have a few things I do to tackle the sort of 'I want to know what happens next but when I sit down all the thoughts go.'

I daydream pretty excessively about what's coming next. I actually think that's a crucial part of my process, and sometimes I'll even kind of verbally act out some of the lines etc. If I like the way something feels or sounds, I'll put little sentences or half-sentences down in the Notes app on my phone. Even if I don't remember everything exactly, it gives me something to go on. :D

If I have lots of different ideas, I'll write the two or three that I like the most in point format. Sometimes all the thoughts vanish because you're putting so much pressure on yourself to find the exact right thing to write, and it's really important to kind of learn how to gently quieten the perfectionist - because that's a Perfectionist voice - and perfectionism is the enemy of creativity. So if you sit down like 'what do I do next I have all these thoughts oh god what one is the right one none of them feel right I have to find the right one,' that's a trap. I think we all get that anxiety (or some of us do), and it comes in like a false compass, convincing us that there is only one path to what comes next. And that's not true. There's a thousand things you can choose, including the one that's easiest, the most fun, the most interesting to you, the most curious, the most dramatic, the most anxiety-provoking etc.

Notepad and pen, or Notes app, whatever it is, it can be worth jotting down the thoughts outside of 'writing time.'

Don't write what comes next as soon as you sit down if you don't know what comes next, write the bit you can imagine or think of. Write something that you can imagine happening a bit later, maybe even in the same chapter. I can't tell you how many chapters I've started about 'two pages in' and then go back and fill in the beginning. And remember, if you can write something in the future, that's still something you can use for your story anyway, so the writing session was still productive!

Use the tools around you to get back into the feel of the story. Sometimes the thoughts go because you might not be in your character's head-space, or you might not be feeling the setting of your story. I liberally use playlists to deal with this issue, because music helps me get into a character space, a chapter space, an emotion space. You might need complete silence, or you might need to reread a section of your writing, or the chapter that went before. Let the story tell you where it needs to go next:

Often, based on what you have set up, your characters will only have a certain number of paths they can go in that will make the most sense for where they're at psychologically and emotionally. Or basically 'how Peter feels will make him decide what he wants to do next.' Another version is 'Peter feels like this because this is what the plot is doing to him.' Your characters are reacting and acting throughout their entire 'lives' in your story, so sink into what you know of them - are they reacting to the plot right now? Are they acting as the plot right now? Is it a mix? Sometimes the thoughts disappearing can be what I think of as me trying to impose something that doesn't quite work on the characters, because I've stopped listening to them or because I've imagined something for them that doesn't fit yet. While not everyone is as character driven as I am, the whole 'what is my character doing, what does my character want, what does this mean re: what happens next' helps so much when I sit down and have no idea what to write next.

And finally, this is something I think a lot of writers would benefit from who struggle to 'get started': Don't end your writing sessions when you feel 'finished.' Leave a paragraph or sentence half done, that has an easy ending. This way when you sit down to do your writing session next, your mind will reach for that ending (or a version of it) and you'll immerse back into the story a lot faster than starting fresh with a new sentence or paragraph. This can be a really successful exercise for some people. 'Finish before you finish' basically.

Okay I think that's a good start. There's definitely more tools that can be added to your toolkit if this is an issue. It's also worth sitting down and asking if you're burnt out and/or experiencing other structural issues with the story. During part of Falling Falling Stars where the pace had previously been slower (the Forest arc) I realised we were way closer to the end than I thought and resisted it, trying to keep that slower pace. I had a lot of writer's block around then, and a lot of my ideas 'vanished' because there was a deeper urge to do justice to the story by picking up the pace and closing it off sooner than I expected.

Obviously I don't know what's going on, but it never hurts to have more tips / tools to deal with 'all my thoughts disappeared what do I write next.' Personally, I think the story and characters will tell you, if you give them to time to talk to you, but I'm weird that way.

#asks and answers #pia on writing #on writing #writer's block #generally speaking the plot and the character themselves intersect in a way that #give you more obvious options and less obvious options #if you have a character in the middle of an action scene with the enemy #they are not likely to suddenly stop and make their enemies tea #however!!!!#if you have a character that's confused and lost #sometimes you have to step back and look at the overall story and the other characters #i find 'lost' characters can make me feel a bit 'lost' re: what happens next because *they* don't know #when that happens it means the plot is *happening to them*#and i need to then step back and look at the plot #and the other characters moving it along #anyway hope something here helps!

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