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#and luffy as a protagonist is just the best
hatake · 7 months
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bayleafpaprika · 1 year
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thinking about how Oda chosing Luffy, a pirate, to be the protagonist of One Piece may be one of the most brilliant story moves by any shonen mangaka ever. by virtue of its main character being an in-world criminal, OP naturally lends itself to becoming a story about the exposure of a society festering with corruption for what it really is, and the dismantling of a dystopia and its propagandist facade. you simply do not get a story like that with a shonen protagonist who conforms to or tolerates the shitty system they're born into
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fiapple · 11 days
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i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.
just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.
you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.
to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.
#obligatory disclaimer that i’m aware luffy is the protagonist & a lot of interesting stuff is explored w him. this isn’t abt him though.#part of me wonders if this is an aspect of why people will write off this arc sometimes tbh... like that & the political themes.#but yeah anyway i get why people say that for all there are 100% misogynistic tendencies in oda's writing & character design#it is very very hard to say that he as an individual is an ideological misogynist. like the level of care he puts into his female cast mem#-ers generally speaking & how he approaches what existing as a multi-dimensional individual would look like in their specific contexts is#like... in a lot of ways still something that is unprecedented across all forms of media.#but also not the point but anyone who says nami in particular doesnt get real fights/is unskilled um... no you're wrong read her fight in#alabasta & then all of skypeia.#like in alabasta she takes on arguably a stronger opponent than sanji when considering the structuring of BW. not only that but she does s#with a weapon she has never used before while actively reading the instruction manual. and she WINS. she wins based on sheer intellect &#the ability to utilize skills the audience already knows she has. the pre-existing basic fighting skills she's introduced with are elabora#-ed upon by incorporating her skill w navigation. same with the way her cunning is used in skypeia to cover her lack of sheer brute. &#the best part about it is she's fucking tough in a way that makes sense! she isn't strong/weak just for the sake of positioning her as such#it is thoughtful & it strengthens her as a character rather than just like giving the power-scaler types smth to mindlessly chew on.#like do i wish nami got to fight more & take a more active role in that regard even if i don't think she needs to be a fighter in the same#sense as the monster trio? yes absolutely. i'm guessing this is going to be smth that bothers me potentially even more with robin.#but that does not mean her fights are not masterfully written when she gets them or that she isn't tough as a bag of nails.#respect my darling woman or die.#skypeia#nico robin#nami#grey's one piece tag
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mitsubachiaria · 3 months
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Remembered a conversation I had with some friends a while ago and became curious, so thought I'd pose this question to the people.
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smartass-hoot · 8 months
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all i need in life is a pocket sized luffy
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frankencanon · 9 months
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I'm curious to see how the results will change now that the top contenders from each poll are all being pitted against one another!
※ Why were these specific characters chosen?
All of the characters above were taken from the top six results of the two preliminary polls.
※ What do you mean by "best protagonist"?
Which character would you most prefer to have in the role of protagonist?
What sort of personality, backstory, attitude, skills, motivations, morals, and various other traits would you prefer for the protagonist of a shounen series to have?
(It's also fine to just vote for your favorite character however since "likability" is, afterall, a very important, very vital part of being a protagonist...)
The results are in...!!!
The Best Shounen Protagonists as Voted by Fans are... 🥁
Top 3:
1. Edward ‐ 1,886 votes
2. Luffy ‐ 1,653 votes
3. Mob ‐ 1,420 votes
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Runners up:
4. Maka ‐ 534 votes
5. Gon ‐ 376 votes
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※ The vote counts were estimated based on the total number of votes multiplied by each character's percentage.
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incomingalbatross · 30 days
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One Piece isekai story but. different
So there's a teenage boy. Reads One Piece. Loves the battles, the characters' strength and determination, the wildness of the world and all the adventures.
One day, as sometimes happens, he gets hit by a bus and reborn into the One Piece world.
It takes some time for him to grow up enough to realize it's the One Piece world - he was reborn for real, and his brain takes a bit to catch up to his first-life memories.
His new home is a small, uneventful village in the East Blue, not brushed by the main plot, and our isekai protagonist grows up wondering what to do with this second chance.
Because on the one hand, just being born into One Piece did not automatically give him main character energy. He doesn't have a Devil Fruit and has not managed to figure out how to become a powerhouse like Zoro or Sanji. Probably the smart thing to do would be to take his out-of-the-way location as a sign and avoid anything that looks like Plot.
On the other hand... he's in One Piece. There's so much cool stuff out there. This is everything he dreamed about the first time around. This is the best chance he'll ever have to become someone like Luffy or Zoro, the kind of person he's always wanted to be. How can he not take it?
This bounces back and forth in his brain the whole time he's growing back up. Even staying home doesn't protect you from loss, he learns when he becomes an orphan - this is both an argument for and against going anywhere.
And then. One day in his teens.
Luffy lands in the village.
Our protagonist recognizes him from hundreds of chapters and hundreds more episodes, with his crew by his side - or the beginnings of his crew, at least, there's hardly any of them. This must be early in canon.
Of course he makes friends with them. How could he not? They're the Straw Hats.
And, of course, they uncover an evil plot threatening his village - and, wait, he actually vaguely remembers this arc? Though it didn't go this way in the manga, because he wasn't there...
Huh. He's getting to affect a little bit of canon. And while our protagonist is more focused on making sure nothing goes wrong for the village and people he's grown to love, part of his brain is fanboying about that. He's gotten his brush with the real Straw Hats! He's gotten an adventure with them!
And he does okay. They save the day, and he even helped, and Luffy calls him a friend and even Zoro gives him approval. The rush is kind of a lot.
It makes things click. Our protagonist finally lets one side win in his mental argument. He'll never be happy if he doesn't go out and experience this world, reborn normie or not. He packs his bags and decides to set out, saying goodbye to the Straw Hats on his way. Maybe he'll even get to see them again--
Wait.
Why are they telling him to board their ship.
Why are they asking him to join the crew.
This is way beyond a little canon divergence, and he knows he should say no, knows trying to insert himself into the main characters is insane...
But they want him. Luffy wants him to join his crew, and even a day in his company has made him feel like not just a character but a friend. Who can say no to Luffy?
...And, actually. He's already affected the plot. They got a ship out of this adventure, and he is 90% sure that didn't happen in canon. They tended to swap their ships out a lot in early arcs, so maybe it won't have a lasting effect, but...hey, maybe he won't either! Maybe this is just a little extension of his brush with greatness.
Maybe he can push his luck anyway.
So, with a laugh and a cheer, our isekai protagonist boards the Going Merry and asks - just to see - if he can be the captain.
Luffy says no, obviously, but that's okay. Usopp knows he was never supposed to be here - he's happy just to get a chance on the crew.
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So I’ve been trying to get into a new anime and had to force myself to go through the first three episodes because the protagonist did not sit well with me. Nothing bad about him, he’s just not the kind of intelligent bastard character I prefer.
And that got me thinking. I’ve been obsessed with Luffy for two years now. He’s my favorite One Piece character. He’s one of my favorite characters in all media, period. I adore him.
But, and I think we can all agree, he is very much not the sharpest crayon in the box.
Usually, I would hate this type of character. In fact, it was one of the reasons it took me so long to watch One Piece – I was one hundred percent sure Luffy would bore me. I saw the fandom joking around about his idiocy, and didn’t really look more into it before deciding that 900+ episodes is too long of an investment when I knew the main character is exactly the kind of protagonist I hate. The fact that I actually started One Piece was a total fluke, and I did it despite everything I saw and read about Luffy.
Here’s the thing. I still hate the stock shōnen characters. But I love Luffy, and I think that the main difference here is that Luffy is, before anything else, competent.
He is not a stupidly naive, bleeding-heart hero trying to see the best in everybody and having no actual connection to the real world. He does not bumble around, being tossed around by forces bigger than him and only resolving an impossible situation thanks to luck or being able to throw a bigger punch (though the punching bit does play a significant part). Luffy is always the instigator, the one in charge of the plot, the one driving the whole thing forward – the plot does not happen to Luffy, Luffy happens to the plot.
He’s not the smartest. Often, he’s not the strongest even. But when something needs to be done, when someone needs to step up and resolve the problem, he knows what to do. And he does not hesitate to do it, often in the most surprising of ways. He is a very simple thinker, but that simple thinking lets him see a clear line from a problem to a solution, without taking any detours a more intelligent character might have taken. It’s not just about who punches the strongest. It’s about pulling the right emotional lever (Robin in Enies Lobby), or finding a hidden weakness (Crocodile), or even about concocting the most outrageous solution that would resolve the situation immediately (destroying the Baratie, anyone?)
Also, he might not be the cleverest person around, but his insane emotional intelligence ensures that he does not have to be. He has friends for that. He surrounds himself with people who are smart and strong and just as competent as he is. His nakama do what he cannot, and so even this personal drawback is eliminated.
Luffy is just straight-up competent, in every way and situation possible. He does what needs to be done, always and without hesitation. And he does it well.
In his own way, he is just as effective as my personal favorite intelligent bastard characters. He’s just so much simpler about it.
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shima-draws · 19 days
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Just in case I don’t end up finishing my special art piece for him today. Happy fucking BIRTHDAY Monkey D Luffy. To the protagonist of all time. To the most selfish selfless captain. To the boy with dreams wider than the entire ocean, who sees the best in people before they themselves realize, who will topple kingdoms with his bare hands for his nakama, who never gives up fighting even if all seems lost, who brings joy and sunshine and HOPE to everyone around him, who loves his crew so deeply that he would lay his life on the line for them in an instant, and who is definitely. Surely. ABSOLUTELY. Going to become King of the Pirates
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ohnoitstbskyen · 11 months
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one piece live action thoughts?
It looks very much like a live action adaptation of One Piece. For better, and very much also for worse.
I mean this in the sense that it's adapted to fit a form that helps it make sense 1) in live action and 2) to a general audience which isn't intimately familiar with manga or anime, and which a broadcaster or streaming service would want to reach.
Luffy especially, at least going by the relatively tiny snippet we have seen so far, seems to have had some of his more peculiar edges sanded off to fit more comfortably into the mold of a typical young adult protagonist, which includes the... I guess what people call "marvel speak" now? The little funny quips and asides and ironic saying-the-obvious-thing-out-loud beats, which are more Americanisms than Marvel specific but I digress.
In One Piece, Luffy is most often not the point of view character, especially early on. Luffy is usually observed from outside by other characters - Koby serves this role in the early chapters, and from then on usually we see Luffy through his crew, or through whatever secondary characters they're interacting with in that particular arc.
People have observed this before, but in the manga, we essentially NEVER get any internal monologue from Luffy, he always either SAYS what he's thinking, or he runs on head empty no thoughts just vibes instinct and gut reaction.
And that... probably doesn't really work with a typical young adult protagonist. If adapted faithfully to screen, I think a lot of audiences would read him as just a reckless, inconsiderate and kinda heartless asshole, because a framing and presentation of Luffy that makes sense in a manga or anime just doesn't read the same in live action filmmaking.
Like, One Piece opens with Luffy recklessly sailing off to sea despite having no idea how to sail, getting sucked into a whirlpool and surviving on sheer dumb luck, getting picked up by some pirates in a barrel. Then he meets an abused child named Koby who has been getting the shit kicked out of him daily for months and immediately calls him a clumsy, stupid, cowardly worthless loser to his face and laughs at him.
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Like, if you adapted that faithfully, how would that come across to a general audience? Imagine this scene staged in live-action, with human actors having to portray this conversation rather than stylized cartoon people. It simply wouldn't come across the same way, Luffy would come across as an It's Always Sunny character at best. Why would a general audience sympathize with him? Why would they find him compelling or worth investing emotionally in?
And I'm not saying there aren't ways to adapt One Piece faithfully into live action, there absolutely are (much like the manga, I would make everyone ELSE the point-of-view characters looking AT Luffy rather than try and present him as a Likeable Protagonist, for example).
My point is just that in any translation into live action, there are going to be concessions to the medium, there are going to be concessions to film language, concessions to audience expectations, concessions to the market conditions, concessions to the studio funding the filming, and so on. That's just the nature of the endeavour.
When it's done well, you get an adaptation that preserves the spirit of the thing while fitting its medium. Lord of the Rings comes to mind, an adaptation which changed huge amounts from its source material, but preserved the spirit.
When it's done poorly you get... well, Cowboy Bebop on Netflix.
I don't know from the tiny trailer snippet we've seen whether this show will preserve the spirit of One Piece, it very well may not, and end up another victim on the pile of bad anime adaptations. But I don't think the fact that it changed the vibe of the characters or Main Character'd Luffy alone are reasons to dismiss it, at least not yet. Those might have been necessary concessions for the show to work in live action at all. We shall see.
I'm not super optimistic or excited (because, again, I remember Cowboy Bebop), but I'm not despairing of it yet either.
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dykealloy · 1 month
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on wano law gets on luffy’s case for giving stolen food to villagers bc ‘pirates helping people makes him sick’ or something like that. so he thinks hes a pirate-y pirate
law is fascinating in that he's one of the only people who's convinced he's this big bad pirate captain. sure his crew respects and loves him and he's got the looks and the ship and the power to stand up with the best/worst of them but his commitment to his identity as a doctor and his inability to let people suffer for his own benefit really makes it difficult for anyone that knows him to believe he's morally reprehensible. also makes him a petulant brat and nerd whenever he says stuff like this because dude you saved the protagonist "on a whim" from a war you had no place in. less than a month ago you were willing to sacrifice your life for the sake of a random island kingdom (also for the sake of corasan and revenge but the end result would be the same).
his perchance for organ theft might raise an eyebrow but past his ooc sabaody intro he only seems to take part in it during fights or for a given motivation e.g. achieving warlord status so he can garner access to restricted world gov areas. also this requires discussion of whether organ black market trade is a thing in one piece for it to be considered a pirate-y pirate crime or if law is just a weird freak who keeps spare hearts and kidneys in his submarine walk-in freezer or to feed bepo.
I do think law's bad boy reputation is something he actively tries to add fuel to (and a defensive tactic that was instilled into him from a very young age) just so he can not be seen as an easy target to attack + avoiding the trouble of the general public thinking he's a non-freak who can save them (guy's already got enough survivor's guilt for one lifetime). I feel like Law would like to mean it when he says 'pirates helping people makes me feel sick' but deep down I don't think he has the heart to stop himself given the circumstance.
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roguejukebox · 6 months
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okay but like
who wants to hear my zosan/lusopp inuyasha au?
read more undercut
Sanji and Usopp are from the modern age, in university instead of high school. Friends since middle school (dead mom club and all that), and so Sanji sometimes hangs out with Usopp at the temple shrine Usopp was raised in after Banchina's death, when Sanji's family becomes too much to deal with.
Usopp wandered a little farther ahead of Sanji, to aim his slingslot randomly at some plants, when he suddenly falls through the ground. Sanji waits around for Usopp to pop back up and complain like usual, only this time he doesn't. Panicked, Sanji rushes forwards to the covered well Usopp was standing on previously, only the wooden cover had rotted out and broke when Usopp stood on it. The well is very dark and very deep.
Sanji is debating heading down for his friend verses running back to the temple for more help when something tugs him into the well also.
On the otherside, Sanji doesn't find Usopp. He does find a demon in the form of Wanze and his ramen kenpo abilities. After getting stuck to the noodles and tossed around, he decided to make a run for it, eventually making his way to the tree that Zoro is stuck in, held in place by Wado Ichimonji.
He doesnt stop to think, just yanking the sword out (if it food, I can deal with it, Sanji thinks, he just needs the right tools).
He elects to ignore the flash of light behind him, instead focusing on chopping up the incoming ramen (and for once glad that he was made to spar against his brothers using swords instead of his preferred capoeira kick boxing fusion). Zoro rushes in, two sword style, and finishes the demon, before relieving Sanji of his precious sword.
They argue a bit, Zoro says he needs to head into town and begins to walk off. Sanji notices the smoke from some fires and yanks Zoro in the opposite direction. Zoro killed the monster, Sanji will show him to town to settle any debt owed due to that.
Meanwhile, Usopp had not run into any demons upon first entering, though he did wander away from the well, seeing something in the trees. After walking a bit, he starts to hear not so great singing. He follows it to a tree and freaks out when he sees a man tied to it using his own arms and legs. Luffy hears Usopp freak out, and begs him to release him from the tree. He's so hungry, please?
And Sanji had instilled in Usopp his No Man Goes Hungry morals. Usopp makes Luffy vow to not eat him if his does help untangle the limbs. Luffy, of couse, agrees with a serious face. Usopp is still convinced he will get bitten once the other is free, but helps anyway. As Usopp unwinds the other, Luffy explains why he got tied to a tree, how he needs to find his friend Zoro, and that he will be King of the Demons one day. Usopp freezes at that, but it too late, Luffy is free enough to finish unwinding himself.
Luffy drags Usopp against his will to the nearest place that smells like it has food, conveniently meeting up with their companions along the way before they enter the village. Usopp and Sanji dispair to each other when it seems that the village does not contain any modern amenities. The villagers agree to host them in a barn overnight if they agree to some manual labour in the morning.
Except, in the middle of the night, some more demons attack. These are more zombie like in appearance, and all three of our protagonists plus an an Usopp that doesnt want to fight but doesnt want to be left behind either, go to help the village. All the zombies are congregating towards the shrine, where a priestess Nami is stationed. She is whacking the demons off as best she can, and Sanji rushes off to help her once he sees that. They thin the hoard, but at the end, Nami gets nabbed by a bat like zombie. None of them can help except–Sanji calls out to Usopp, kicking to him a red marble that must have been dropped in the scuffle.
Usopp aims and fires it at the bat creature, only it turned to try and deflect the object with its claws. It smashed the supposed marble, causing a bigger explosion as the shards flung itself to the far corners of the world. Nami screamed as she was dropped, only to be caught by Zoro, as the bat creature flew away.
Nami proceeded to beat the shit out of Sanji and Usopp, a few smacks aimed at Luffy and Zorro for good measure, as she explained that what was destroyed was a map that would lead to the previous Demon King's treasure, one of a kind type maps.
Usopp frees himself from her wrath, as he picks s piece of shard up from the pebbles in the road and says it should be too hard to piece them together again cause they shine so bright.
Apparently, no one else can see the shine and Usopp feels like its going to be a long day.
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whomadewaffles · 9 months
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Incase anyone wanted a complete newbies opinion on the one piece liveaction adaptation.
Before we start, here is what I knew vaguely before going on, never having watched a single episode of the anime
. A pirate gets killed but challenges people to find his hidden treasure before he is killed
.there is fruit that gives magical powers, main character can stretch like mr fantastic and elastiagirl
.longgggg ass sorry with alot of rich world building
Now i Adore great world building so was always interested in watching the anime but...paying for cruncyroll premium and the sheer length of the show has kept me away. But with the word of mouth about this live action show being very positive I thought why not use this as a starting point. So without further ado here is what I thought.
It was wonderful, I was either smiling like an idiot or tearing up through all of it, I was hear for the worldbuilding and it gave me plenty in that regard but I wasn't realy expecting to fall for like...pretty much every single charater, the strawhats are all delightful and have such a amazing found family vibe and I am SO weak to that trope, koby and his marine subplot grew on me and so much good well choreographed action and some actual laugh outloud moments (buggy was a scene stealing highlight). Everyone said sanji's backstory was a tear jerker and that's 100% correct but nami's third act betrayal realy caught me of guard but love how it was handled. Luffy lives up to his shonen protagonist roots by just being an inspiring becon of positivity who I wish the absolute best for, the show would have fallen apart of we didn't care for luffy and luckly they nailed it. I would say zoro is my favourite of the crew though he had such a dry sarcastic sense of humor that i vibed with. The world was absolutely fascinating with how everything revolves around the sea, and the technology isn't advanced at all like they use snails as phones i loved that, it was so weird! And the way they used pratical effects when they could was great to see gave the world a real and lived in feel. and I realy get the sense there's so much magical stuff still to see! And the music!!! Omg the music! It added so much to so many great moments. Just have to hope netflix sticks with it but with their track record I'm.....not optimistic. But in summary what a charming start to an adventure!
I am curious am I the only person watching as a new fan? Is gate keeping generally a thing with this fandom?
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One of the best parts of khr is how much Tsuna insist on protecting the relatively normal teenage years of his group.
Most shonen protagonist with his profile would be jumping head first into the conflict or would had given up on it, but to the very end and beyond it, Tsuna rejects that idea. Even when at that point he is rightfully the next boss of the Vongolas and his guardians were confirmed to be the strongest dudes around, Tsuna just wants them to live an ordinary highschool life. Even when there's future confirmation of what they'll become together (he will eventually accept his role as a Vongola boss and he'll do an amazing job), Tsuna reiterates to Reborn that he doesn't want it (yet).
And Reborn allows it to be. He tells Tsuna "we'll keep working on it". He tells Tsuna he's not the amazing 10th Vongola boss yet and that's okay.
This is not like Naruto becoming Hokage or Deku becoming the strongest hero or Luffy getting the one piece. Tsuna's dream was to be free to enjoy his life with his family and friends, so it ends with the characters incomplete yes, but they are just walking to a new daily-life adventure, calling his name. Those will never be his subordinates alone, those are his friends.
I love the khr ending so much.
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superkitty4789 · 29 days
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I wanna start doing lists/rankings. I doubt anyone will wanna see them, but it's for me, so that's fine.
If anyone does wanna see. Some might have spoilers (like this one), so look out for that.
Anywhoo...
MY TOP 10 FAVORITE STRAWHATS
10 Sanji. I don't hate Sanji per se, as whenever he's not being weird around women, I actually like him. The problem is when he's around women. I don't like it. Stop it. Stahp. That being said at least he's cool when he's not around women and his genuine relationships with his crew and Zeff make me happy. I love his rivalry with Zoro
9. Usopp. Oh boy. I HATED him as a kid. I'm still not the biggest fan of him now, either. But he's... fine, and at least he gets better as the show progresses. He does get braver and less cowardly. But I still hate how much of a wuss and braggart he is. Also... his luck annoys me at times, but at least it comes in handy
8. Chopper. He was once one of my favorite straw hats, but as I got older, his naivity and gullibility started irking me. His "We need a doctor " joke was never funny to me either. He's still AWESOME. Don't get me wrong, all the straw hats are. I know my complaints about Usopp and Sanji may make anyone think i think otherwise, but i do geniounly like all the straw hats as characters. But those irks about Chopper are why he's so low. That being said, he's still a great character, and I love how compassionate he is about being a doctor. He's also adorable. I want to hug him.
7. Luffy. He's awesome! I just like the others more, sorry Luffy...I truly hate to put you this low. He's everything I love in an anime protagonist. Stubborn, brave, determined to protect those he loves. He can be smart when he needs to be and is so dang cool. Luffy is one of the best anime protagonists of all time, and I can't wait for him to be king.
6. Zoro. I love that he's not just a badass. He's also kinda dumb, and it makes him more endearing. But he's also still badass and super loyal. Amazing character, feck yeah. His directions gag is pretty funny, too. I also love the idea of three sword styles, and he actually makes it super cool.
5. Franky. Reverse chopper, he used to be one of my least favorites. But my God is he so FUNNY. He is easily the funniest character, in my opinion. He's also super epic, and I love his take on masculinity and how sensitive he is. I will say, tho...not a big fan of his redesign. I also love that he refuses to wear pants. Overall, great character.
4. Nami. She is so awesome. From day one, she was epic and I love that for the most part, she isn't a Damsel in distress. Her take on Fishmen despite what happened to her makes me respect the hell out of her. She's so strong and brave and even kind. She may be greedy, but it makes a lot of sense. Easily one of the best characters.
3. Brook. Look...I may not like his panty thing, but at least it's over fast and isn't as cringy as Sanji's thing. That being said... I admit I'm biased. I tend to like skeleton characters because I think they're cool. And well...Brook is no exception. He's a gentleman, a musician, and has skull jokes! There's so much to like about him!
2. Robin. She's my 2nd favorite character in the whole show. She's so intelligent and mysterious and super freaking cool! I love how she slowly starts to trust the straw hats and build bonds with them. Her character arc is my favorite in the entire show. I cannot stress how much I ADORE her. Amazing character. I will fight anyone on this.
1. Jinbe. Best character in the show, but it's close between him and Robin. Again,... some bias, as I think he's attractive. But I genuinely like him as a character, too. Fishmen are my favorite species in one piece, and I tend to like tackles of racism in media as a species. I liked this about the faunus in RWBY, too. Jinbe is a badass. He's funny and oh so huggable. Oh, and I love how he acts like a gentleman. So polite and well spoken. He's just...so damn cool, too. Love him. I love him so much
TIER LIST TIME
C Tier, lowest to highest: Sanji, Usopp, Chopper
B Tier: Luffy, Zoro, Franky
A Tier: Nami, Brook
S Tier: Robin, Jinbe
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thegreatcaptainusopp · 4 months
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Cannot decide if I like or dislike the mythical zoan twist to Luffy’s devil fruit bc on ONE hand yes it is a totally different and perhaps more relatable story when the protagonist has a comparatively normal/non overpowered devil fruit and uses it to defeat ones that are ridiculously broken. It’s an underdog story of the best kind and demonstrates that Luffy really did have nothing to go off except for a regular devil fruit and his charisma to go toe to toe with some of the strongest beings in the universe. Just a kid in flip flops against the strongest in the world, where he puts in the work and laughs in the face of the impossible. No chosen one storylines here.
On the other hand. Even before the devil fruit Luffy’s family connections/will of D. meant he was never going to be an underdog/already had a chosen one bent to the narrative. And with regards to the devil fruit itself…the idea of Luffy adopting the role of a sun gods opens such interesting avenues to his greater mission/interactions with people as a whole. It offers a whole new dimension to the loyalty and awe he inspires in a way that explains some things and also adds nuances of complexity that are kinda dark in a way that makes it is so compelling. It’s a different story than we started with but honestly it’s still very interesting
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