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#and if they do it will also be a wound
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@foulbearobservation turn on your location
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ruporas · 5 months
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🎆 (id in alt)
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lucabyte · 1 month
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Taking pride in One's own appearance.
#you people are becoming my guinea pigs for my finally learning how to communicate information via comics. a thing ive needed to practice at#also BLEGH. YUCK. andrew hussie was right candy makes you sick. this is a little too saccharine for me. yeesh. let me get back to the meat.#isat#isat spoilers#in stars and time#in stars and time spoilers#isat fanart#in stars and time fanart#isat siffrin#isat loop#sifloop#doodlebyte#'let me get back to the meat' i say eyeing something similarly sickly in my sketches. at least it's mildly tormented as a counterbalance...#you people have no idea how much im having to stay my own hand. oh i can draw miserable nudity but the most basic of fluff? visceral#anyway i dont know the logistics of picking up a glass eye or where loop got money (besides pilfering from siffrin) & ive previously drawn#sif with a vague blank middle-grey eye as either being scarred over or a blank occular prosthesis put in quickly at the nearest town#i dont know that they'd have a glass eye during the game but considering prosthesis are reccomended to keep the skull etc from deforming#id imagine it would probably come up postgame as something to do now theyre not on a time limit trying to save the country#plus i assume that having it gouged at by a sadness wasnt exactly a clean wound by any measure#all this to say. idk i just wanted to get some information across in comic form to Test my Abilities#and we're far enough down now to say my absolute most wretchingly sweet fluff headcanon that actually inspired this#which is that i think siffrin gets into the habit of not wearing the eyepatch around loop so they kinda match.#and as a signifier to the other that they're letting their guard down around them. vulnerability etc.#just kinda wearing it around their neck so they don't lose it
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eveledoze · 2 months
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it's always the right eye
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rassebers · 4 months
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Ok [throws danganronpa in the den of hungry sharks]
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royalarchivist · 5 months
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NOTE: In light of the recent information that's come out about Forever, I've turned off reblogs on this post.
As an archivist, it feels disingenuous to delete history and pretend it never happened, so clips related to Forever can still be found on the blog and timestamps for past VODs will still be up on the VOD Timestamp Archive for archival purposes. However, I won't be posting anything about him or updating his VODs moving forward.
Original caption under read more.
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Forever is one of my favorite streamers I've met thanks to QSMP, so I wanted to show my appreciation for him and love for his character as thanks for all the laughs he's given me! Here are some of my favorite clips of him and his friends from 2023.
I wasn't able to include every clip I love since that would make this video too long, plus I only wanted to use clips I had from Forever's POV (with one small exception), but hopefully there are still a few old and new bits that'll make you laugh as much as I did the first time I saw them!
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ganondoodle · 8 months
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the golden dragon zelda she only does the transformation for the final fight in the sky, here she is just after doing it chasing after 'ganondorf' to save link, she tackles and bites gan to make him let go of link
design notes:
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(notes written here again for better reading) - horns are vaguely shaped like the hyrule crest - she has feathers and markings on the nose to reference owls - green mouth to switch the colors around (and neat contrast), bc gan has a blue mouth, zelda now has green, and if link ever was a dragon hed have it red -markings on the head feathers are a reference to the lil things satori and rumi (blupee?) have on their head
(totk rewritten project)
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royaltea000 · 1 month
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Guy who never looks the same when I draw him
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The inherent homoeroticism of 70s cop shows
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tim and bernard who break up and it's nothing big, no one cheated or anything. it's just their lifestyles didn't work out well together. tim cannot give up vigilantism currently and bear cannot handle the level of danger tim puts himself in. and on the other hand, tim cannot handle the fact that bear chooses to run into danger as an emt bc he already worries about everything but now he has to worry if he'll find his boyfriend convulsing from fear gas in a random alley but also bear who felt the life drain out of darla cannot stand the thought of not helping people and runs headfirst into dangerous situation after dangerous situation hoping that every person he saves can somehow make up for the fact that he could not save darla.
(he very pointedly does not think about the fact that there was nothing he could do because if he thinks about that, he'll spiral until they have to lock him in arkham too)
and so they break up but they were tim & bernard in high school and when they started dating they balanced out the worst of each other and they became tim&bernard. and everyone who knows them, knows that they're better together but they cant be together, they refuse actually because they cannot lose another person to the violence of gotham and by the time they figure out that they cant work together as long as the other is an emt or vigilante, it's too late for both them. they've already left too many pieces of themselves in each other.
tim still knows what bear means when he says "tim" in that exasperated voice. tim still goes boneless when he hears bear say "baby" in that firm tone. bear can still read tim like a book. he still knows the right way to massage tim's neck so that tim can go to sleep. everyone at the first responders gala knows not to bother ceo drake-wayne and senior emt dowd when they're talking.
(and if they're standing a little too close to each other than what is normal, who are they to judge? everyone knows that dowd and drake-wayne have history)
and if everyone on the night shift has caught red robin with his head tucked into the crook of emt dowd's neck as emt dowd runs a soothing hand up and down the vigilante's back, well then, they just quietly back away.
(after all, dowd's one of like, five, emts that can get the bats to receive medical treatment so if turning a blind eye to whatever the fuck they have going on is what allows them to give back to their heroes, then the night shift will do it every time)
and of course, tim and bear are practical people. they loved (love) each other sure, but when your lives are fundamentally incompatible, well, you cant get too stuck on the what-ifs, that's for sure. and so they do find love with other people and yeah, maybe it's not what they expected love to be when they first fell in love with each other. it's not the bubbly, stomach-swoopy, cant stop grinning, feeling that permeated tim&bernard's early days or the i Know you/you Know me that was their middle or the quiet despair that was their end but it is contentment. and in a life with as many losses as theirs, contentment is something they hold dearly
and they're happy! truly! but sometimes, at galas when they're making each other snort champagne out their noses or in darkened alleyways when their clothes are both stained with blood or at rallies for stricter gun regulations in gotham where they both sit too close to each other, fingers enclosed around each other in a death grip, when the presenters inevitably bring up grieves
(worst school shooting in gotham in decades, there's blood on their hands and blood in their mouths and darla is dead in between both of them and there is a chasm so wide that they are screaming to get their voices across and she will always be dead and maybe this had always been the problem that she is dead and there is no coming back from that and that there is blood on their hands and blood in their mouth and blood on their han-)
but sometimes, most especially on opposite sides of the street, as life pulls them in different directions, just sometimes, they see each other and just for a second, nothing too long, the flap of a hummingbird's wings, the time it takes to blink, an electron's orbital, they look at each other and for the briefest moment, blue on brown, a barely noticeable stutter in their steps, the space between heartbeats, because this is all they will give themselves because they do not dwell on what-ifs or what-could-have-beens, or what-should-have-beens, or delusions of a softer world, their eyes meet and they think to themselves, god, in another life, i would have really liked just doing laundry and taxes with him.
#what the fuck is this#the theme was wistfulness. hopefully that came across right. and like i wanted this to be all 1 text block so you feel how it all collapses#into that 1 thought they have at they end but fuckass tumblr has a 4096??? text limit for a single paragraph???? so here's multiple paragra#anyway here is my middle of the road sad timbern hc. do i think this will happen? no? is this still a fun world to play in? yeah absolutely#also super huge fan of darla haunting the narrative. darla as this chasm they cannot cross. darla as smth they shelter each other from#but also smth like a 2 way blade. it cuts them both. it will never stop cutting them. smth smth the wound will always bleed#also i cannot stress how important it is that they are happy with other people!!! they are both satisfied with other people. it's just that#they have a very specific history and they are the only two people who really know and understand that history#and also it's not that theyre unhappy with their partners but just that smtimes they look at each other and... wonder. in a softer world#maybe i could've been a chef and you could've still been a superhero and we could've still worked out. maybe we would've gotten a boat#together and maybe we could've come home to each other. maybe i could've trusted you to come home to me. maybe you could've#understood my need to help people. maybe we could've held our love as something precious.#maybe in a softer world our love wasn't something that hurt us both.#i need to lay down. im going crazy#as always i do love reading yalls thoughts in the reblogs and replies!!!#bernard dowd#dc#tim drake#timbern#timber
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saltycharacters · 26 days
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[ID: Digital artwork featuring Shimazaki Ryou from Mob Psycho 100, with some cameos from Serizawa Katsuya and Reigen Arataka. First drawing has Shimazaki in a casual pose as he rests one hand on his hip and the other grasps his white cane. He's wearing a short pink dress with a leather jacket, heels, some pointy jewlery and leggings, smiling smugly. The next image is a rough comic following Shimazaki as he infiltrates Serizawa's home, the text above it stating "Headcanon: Shimazaki likes to teleport into Serizawa's house and steal his food bc he's too nice to stop him". The first panel shows Serizawa flicking the light on, asking in exasperated disbelief, "Shimazaki. Whya re you in my kitchen at 3 am" as Shimazaki casually responds with "Heeeey bud don't mind me just doing a late night food run". Next panel has Serizawa and Reigen sharing a couch as Shimazaki rumages through the kitchen in the background, the words "After Reigen moves in" written near the top. Reigen is facing the kitchen with a confused glare, angrily questioning, "WHY is he in our apartment" while Serizawa stares at the tv in tired acceptance as he responds with "Ignore him". Shimazaki, from the kitchen, inquires "Yo Serizawa did you change the location of the pretzels I can't find them", followed by "3rd cabinet to the left" from Serizawa and a "Thanks" from Shimazaki. End ID]
Shimazaki headcanons for the win
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shadowduel · 29 days
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the red that flows underneath (bloody version under the... cut. lol)
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cherrywhite · 6 months
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Congratulations hayward and carpenter for doing absolutely nothing this episode. I think it's high time THEY get to be silly while other characters get to go through the worst experience of their lives. You know, as a treat
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tungtung-thanawat · 9 months
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Ray's mother, music and the barriers to his heart that Sand must overcome
TW: discussion of suicide This is building upon the shorter meta I wrote here about the Micro song that plays during Ray's suicide scene. The parallels between Ray's arc in falling for Sand and Mew are so overt that I was completely overlooking the person that Sand is really up against in Ray's wounded heart and who, I believe Mew is ultimately a proxy for - his dead mother. I go into a little bit about how Sand's affection for Ray can sometimes read as familial here and I think it's quite readily noticeable how Ray acts very childlike around Sand with his puppy dog eyes and constant wheedling. One thing I do want to note is that Ray doesn't particularly come off as childlike in any of his other interactions either with his friends or in his conversation with P'Yo except for perhaps that first night when he got drunk and told his friends how much he loved them and during the suicide scene when he cries wrapped up in Mew's arms, distraught by how his mother never loved him. I think Ray is the epitome of someone with a deeply wounded inner child and the only way he can ask for love is as a child, somewhat helplessly and appealing to people's caretaker/protective nature. The parent child relationship between Sand and Ray comes up a few times through the episodes. The earliest explicit acknowledgement as far as I can tell is here at the end of episode 2:
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There's another explicit nod as to how their dynamic is set up within Sand performing acts of service for Ray in Ep 3:
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Sand says he has been Ray's driver, drinking buddy, shrink and chef. Three of those things - driving him around, cooking for him and providing him emotional support are not just familial activities but activities you would normally do for a young child. Sand pointedly leaves out that they've had sex from this list of services. And yes, that's because Sand doesn't view sex as a service and if it was just this then it would be hard to make the point that I'm trying to make which is that Sand needs to fulfill that parental attachment need that Ray craves; give him that type of no strings, unselfish kind of love before he will ever be able to gain Ray's trust enough to be able to build a romantic relationship with him. So how is the show making this point? That Sand is replacing not just Mew but Ray's dead mother in his heart? Well, let's start with the two things that Ray's mother has left him with: 1) music and 2) her alcoholism. Ray's friends were all very surprised when Ray volunteers to arrange the music for the party. While that was more about Ray's lack of interest in taking responsibility (His now in restrospect gut wrenching 'I'm only good for spending money' line from Ep1 like ouch) but it also indicates that none of them really know or connect with Ray over his music. How can they?
Music is such a deeply personal part of him, that's where he keeps the love he holds for his mother; the love that is entirely grief - painful in its vastness, beautiful in its consistency. And the first thing Sand tells him to do is be grateful for it - her good taste in music. The second thing? Is to show him how to enjoy it:
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The fact that he's taking his hand and Ray is half resisting it, the silliness of the gesture more than the touch itself but he's undeniably enjoying himself - It reads to me like the awkward, stilted movements of a childperson who doesn't know how to move their limbs when they're first being taught how to do something. And when you realize that the song that Ray plays for Sand in ep2 is the same one that is playing when he's taken the pills - the positive associations that Sand is making with Micro in Ray's life suddenly becomes monumental. This happens twice more in the show. Once, in the car when Sand ditches his date to drive them to Ray's house where they engage in a delightful flirtation around it, Ray singing badly while Sand eats it up complains about it
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And again, at the night of the party when Ray tells Sand to play Micro for him and Sand like the simp that he is serenades him with it:
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But their connection over music doesn't stop at teaching Ray to cherish and honor his past - and unknowingly the pains that are attached to it. No, Sand goes further to expand it, help Ray find a space for himself in music, carve a corner of it that isn't only pain, isn't only that moment of seeing his mother laid flat on that floor with a whiskey glass inches from her fingers.
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When music is such an integral part of Ray's personality how else does one interpret this scene other than Sand telling Ray to move on, when Sand plays Selina and Sirinya for him because finding new music he likes is Sand's happiness how else do I interpret it as anything other than Sand teaching Ray how to be happy? What am I supposed to do but pull out my own hair when they're connecting over music, looking at each other like this:
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And Sand will do it AGAIN - as the ep5 preview suggests - take Ray's hand and teach him how to enjoy contemporary music while Ray makes his awkward, adorable face where he's having fun in spite of himself. And the sheer amount of joy that Sand gets in seeing Ray like this is just - they're so insufferable:
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But perhaps the most surprising (and delightful!) of all is this:
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Ray taking his headphone off, interrupting this magical moment of being with Sand and the music, telling him he wants to be close to nature and drink beer - for the very first time Ray desires alcohol not as a means to destroy himself but as a vehicle of peace and of connection and I haven't been well since seeing it and understanding what it means. In many ways, Ray's mother is such a tragic character. I know nothing of this woman other than the three seconds I have seen of her dead and the frightful way she has driven her son to follow in her footsteps, to feel so unloved and unwanted. And yet she named him Ray Pakorn (pakorn meaning sun) - a ray of sunshine. Perhaps even, her ray of sunshine.
How can I truly believe that she never loved him?
I know Ray tells Mew that she never held him but he loves her so dearly, wants to be with her so desperately, she permeates every moment of his life so thoroughly that the loneliness she left behind isn't a gaping emptiness but the festering carcass of a love so profound and full to bursting that Ray keeps trying to give it away, keeps trying to love his friends, keeps trying to save them and aches in the way that he finds no recipient for it.
People wonder what Sand sees in Ray, why he would fall for him. But Ray is a creature made entirely of love, soft still in the way he lets it rule his life, innocent in the way that he asks for it, precious in the way that he gives it away - How can Sand be anything but desperately in love with him?
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callisteios · 1 year
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would you like to be a god? take this uquiz to find out what sort of god you'd be
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djsadbean · 29 days
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theyre just so annoying. all they do is show up to the lounge club and play music solely for each other, forgetting the 50 other people in the room
if tumblr takes this down, the song is: that's life (sang here by dennis van aarssen)
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