keishin finally (finally) gets you into bed with him—well, onto couch with him, in his little one-room apartment in the back of sakanoshita mart—and he thinks all his prayers have finally been answered. thinks he's found some sort of cosmic apology for every misfortune he's ever suffered in how soft your lips are against his and how sweet you taste.
he knows he doesn't deserve this; that he hasn't done anything in his unremarkable life to merit how good you feel underneath his hands, or how dizzying those little noises you're making when he touches you are. but, against all odds, you're really here, you really want him, and he's determined not to fuck this up.
"keishin."
every time you say his name he feels like he's hearing it for the first time. like he's being blessed by it. it takes him a moment to process the way you've called for his attention as he suckles a little bruise against your throat, using every modicum of will he has left in him to pull away and meet your gaze.
you look so good underneath him on his ugly, ancient couch that it makes him ache. your lips glossy and swollen, your eyes heavy-lidded and yearning. you reach up and touch his cheek, and he can't tell if your hand is cool or his face is burning.
"do you have a condom?"
and all at once keishin comes crashing—violently, disastrously, crushingly—back to earth.
he blinks at you, wide-eyed, in the wake of your question. you seem to understand his answer even though he can't bring himself to say it.
"are there any in the shop?" you ask him, optimistic and gentle, with an encouraging smile.
keishin perks up—visibly brightening at your moment of genius—but as quickly as the hope uplifts him, he's deflating again. he pinches his bottom lip between his teeth.
"we're out right now," he murmurs sheepishly, suddenly unable to meet your gaze.
he only keeps a couple of boxes of condoms behind the counter at a time, since so few people ever come in asking for them. last week takinoue had showed up half-hammered two hours after closing, and banged on the shop door until keishin grumpily answered it. his drunk friend went on to explain that he'd gone out drinking with his colleague from work and she'd invited him home with her, but he desperately needed condoms. keishin chucked the last box at his stupid face, and yusuke swore up and down their next night out drinking would be his treat before skittering off into the night again with a grin from ear to ear.
he was going to kill yusuke with his bare hands the next time he saw him.
"keishin, it's okay," you say with a light laugh at the positively crestfallen look on his face. "we don't have to—"
"no!" keishin interrupts you before you can say the words he just cant bear to hear. not right now. not from you.
even if you promise him that this could happen again another time—that you don't have to go all the way tonight, that there will be other opportunities—he has no way of knowing if that's true. no way of guaranteeing it.
he's got a taste for you now. he knows what you sound like. he knows how you feel.
and he refuses to let this opportunity pass him by.
keishin pulls himself upright so quickly from where he'd been hovering overtop of you on his lumpy sofa that he almost gives himself whiplash. he stumbles up to his feet, brushing his bleached hair back from his eyes—he's not sure where or when he'd lost his hairband, but the strands are hanging freely now and falling into his gaze. he grabs his jacket from the floor where he'd hastily shucked it when the two of you stumbled through the door in the throes of passion.
"I'm just gonna run to shimada mart!" he says to you as he stuffs his arms ungracefully into the sleeves of his jacket, his words so frantic they're almost bleeding together. "it's only about 10 minutes away, if you just wait right here—"
"keishin."
"shouldn't be longer than 25 minutes! 20, even! i might even be able to get macchan to drive me back if—"
"keishin, wait."
your laughter makes him stop dead in his tracks, halfway to the door. he's only got one slide on his foot, the other still sock-clad, and in his haste he realizes he'd grabbed his television remote instead of his cellphone to shove into his coat pocket.
you've caught him by the sleeve of his jacket, holding the material pinched between your thumb and forefinger as you stare up at him from the sofa with the sweetest smile on your face. he's frozen as he peers down at you, his lips parted, his dick still half-hard in his jeans.
"don't go," you say to him, tugging him back towards you by your grip on his cuff. he moves easily, gravitating back into your orbit in spite of how gentle the actual pull had been.
"b-but,"—keishin casts a forlorn glance back in the direction of his apartment door—"what about the condoms?"
his voice cracks a little on the question and he has genuinely never wished so ardently for the ground to open up and swallow him whole.
you release his sleeve in favour of twining your fingers with his now that he's near to you again, your soft hand slipping easily into his own. that same dull ache in the pit of his core (and between his legs) throbs again as you blink up at him.
"i've been trying to tell you," you begin, a bit exasperated but not without its own fondness. you hesitate a little, looking away shyly before adding, "we don't... need one."
keishin thinks he might die.
really, genuinely die.
he wonders if maybe this is what the old man felt like when he almost keeled over from that heart attack last year, because keishin's pulse is pounding so violently in his head he feels like his vision is going a bit spotty around the edges—like when you stand up too fast after a night of drinking.
he's brought back to the moment as your hand squeezes his own—a gentle, questioning gesture.
your lashes flutter as you blink up at him, your head tilting slightly to the side. you smile a little at the dumbfounded look on his face.
"...if that's okay with you?"
(keishin pays for takinoue's drinks for the next six months, but never explains why.)
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Hi!! I hate to intrude on your blog but I don't have a blog to talk abt this stuff (too risky) and I can't talk to anyone about it irl so I was wondering if I could go on a mini rant abt my ed bcos I'm a little fed up w myself rn 😭.
So, I've had what I like to call Ana Lite (TM) for a few years now (I used to eat smaller portions at meals to shrink my stomach/appetite) but it devolved into a full blown ed around Oct 2023. That's when I started seriously losing weight (and tracking it). Well, I've been fat all my life. And I don't mean skinny fat, or midsized, I mean fat fat. Like, (medically) obese. When I started I was 85.7kg. Between Oct and Dec of last year, I lost down to 72.8kg. I felt amazing, I had hit two of my gws and felt motivated.
Well, afyer some intsnse fluctuation, for the past 5 months or so I've maintained at 74.8kg. My honeymoon phase was over and I was no longer motivated to actually fast and get actual progress. Well, about 2 weeks ago I decided to change that. I weighed in then at 74.7kg and at the end of that week I was at 72.5kg (a new lw!!) I was (and am) overjoyed, but there's one issue. I fast as much as I can, but I can't avoid dinner or meals on weekends bc of my parents (my parents have both already asked me if im eating, i cant risk them knowing). My period was supposed to come that week, but as it normally happens when I fast, it didn't start until I started eating more on the weekend.
My period makes it so so much harder to fast bc my cravings get so much worse and you already gain weight on your period, which means I'm constantly bloated and feel fatter than usual. Anyway, my goal is to hit 59kg before I go back to school next year (important weight bc at my height it means I'll be 15 lbs under overweight) and it'll be so much easier if I lose as much as I can before summer starts bc once I'm home all the time it'll be a lot harder (I'm also currently unemployed, so ik getting a job again will help.) I have 2 weeks before summer hits and I really really wanna hit 68kg by then but I'm scared I gained weight this week 😭 and I rlly just needed to talk about it bcos I haven't eaten all day and I'm about to go to the gym and I need to make sure I don't binge afterwards bcos I'm supposed to weigh in tomorrow.
(Also I feel rlly bad about this but my friend who is Chinese and slightly overweight very vocally hates her body and definitely has an ed but if I were to let her know I have one too or that ik she has one it wouldn't end well. That's not the part I feel bad about. This summer she's going to china to stay w her mom who is very skinny and very fat phobic and ik the ppl around her probably won't care if she starves herself and I feel so bad for feeling this way but I'm so scared she's gonna lose a ton of weight without me. She's always been skinnier than me and the way she talks about herself makes me feel so much fatter but I love her and we've been friends for such a long time. The one thing I have going for me is that I have skinny legs and she has expressed so many times how jelous she is of them and I feel so shitty that it makes me feel good about myself. Everything between us already feels like a competition, I just wish we could both be skinny without the drama. But also, i don't want her to go to the hospital or anything I want her to get better and all of this shit is just so confusing 😭)
So so sorry if I annoyed you! I just don't have an outlet for any of this stuff (other than my journal lol) and you seemed really sweet.
(🐚 for me to find later if you do decide to post)
Hii!! Im not gonna respond to everythinf you said, my apologies!
But im so glad you were able to rant and please feel always welcome to, either anonymous like this or in my dm's youre always welcome ♡
Hope you feel a bit better :) and tysm for calling me sweet ahaha you seem nice too
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Me and my gf of 4 years broke up recently and the last few months, as things got worse, I was writing really well. You know that Siken tweet about the vocabulary of loss being the dictionary? But now that we've finally broken up I cant write anything.
I've always used writing to process things - I need to write stuff, to sound it out, to see if thats how I feel. I don't know what's going on. I assume I'm just not feeling my feelings but I don't know how to do it.
I'm sure I'll be fine, this is not an SOS, but do you have any tips? It feels like Im stuck and its frustrating.
Love ur blog and your kind words, stay safe, have fun, X
I'm really, really sorry about your breakup anon, and I'm sorry too that you're going through such a frustrating an difficult time in the wake of it all. Someone asked about writer's block a while back which I answered here, though I don't know how much of it will help in this particular situation.
I think it's interesting that you make a distinction between processing your feelings and actually feeling them--why are they different? do you think you're removed from your feelings when you're writing to process them? And if so, is writing in order to process something actually putting you in touch with the real, raw emotion or simply breaking it down without fully acknowledging and being present with those feelings?
I ask because I'm also someone who needs to write and sound my feelings out sometimes, but I've found I'm also someone who runs a deep risk of intellectualising my feelings when I do write about them--writing, even when processing, happens at a distance for me and in some ways I've found it's more an escape than a confrontation; my feelings, when I write about them (and I rarely do it because of this, and other reasons), turn into a narrative that circumvents the simple acknowledgement of "x happened. I feel y," and moving on. I'm not saying that this is you, but as someone who often has difficulty feeling my feelings, even through personal writing, it may be worth asking if your writing, much as it helps you process, might also be a way of avoiding a necessary confrontation with your emotions and just sitting with them, before writing about them. As I said, feeling my feelings is something I struggle with, but a dear friend shared this chart which has done wonders for me, so maybe it can help you, too (I hope)
I think it's also important to acknowledge that 4 years is a long, long time to be with someone and then no longer be with them. And if things, as you said, were particularly bad in the past few months before it happened, it could simply be that you, your mind, needs a period of stillness and recovery to full come to terms with what has happened. You have to let the reality of it all settle in, and maybe you cannot write as you used to right now because that settling hasn't fully happened yet; some things don't need to be analysed in the moment--they simply need an acknowledgement and that alone is enough to give some breathing space. I don't know if any of this will help you, anon, but I sincerely hope you can take something from it. I hope in time you are able to come back to yourself in the healthiest way for you 💗
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Hello !
I saw the ask you got about drama and copyright issues and maybe me feeling dismissive about drama stems from me just having being involved in theatre for years ??? I think casting is bound to cause some drama in the short term but i dont think anything long term will stem from it
Maybe its me being hopeful and having faith that the fandom based around a musical will be understanding of and respectful towards whatever casting decisions are made seeing as thats kinda just what happens in theatre????? Sometimes you dont get the part you want (if you even get cast at all) and it kinda sucks! But there will always be another opportunity. Shows will be put on again, and you never only have just one chance. Sure not getting the part you want is never and its okay to be sad about it, but sometimes someone else just fits the role better and theres not much that can really be done there. Id like to hope that everyone auditioning goes into it w an open mindset and will take whatever part they get w grace and treat casting like they would casting in a more traditional production (<- is a person who hasnt been active in online musical spaces in a few years. Take my words w a grain of salt i might not know what im talking about here)
If it does genuinely end up being a big issue though, maybe we could do smth w a cast a and a cast b ??? So that way more people get a chance to play a major character. It would be a lot more work as far as audio editing goes, but if theres enough of a want for it a second cast isnt impossible or anything. Itd honestly just take a bit more time to get out
As far as copyright goes thats! Iffier. Its weird and its wonky and itd be a bit of a pain but there are ways to deal w it
The easiest and simplest option is to only have the final version available to those who worked on it directly. No promotion, no making it public, just a fun thing for everyone who worked on it (and maybe their friends), and thats it. Itd be unfortunate to make a project like this so limited, but its the legal option that requires the least amount of effort 😔✌️
The other option would be to obtain the rights to put on the musical. I was curious about how much it would cost and after finding the copyright holders and filling out their mock form, it would come out to about 275 USD ????? Which is a lot! Thats a lot of money to pay out of pocket for a project that likely wont be monetized at all!
But, having said that, 275 starts to feel a lot smaller when you take into consideration how many people are interested in taking part. I think you mentioned about 30 or so people filling out the form??? If those 30 people individually contributed 10 USD (which is smth ive actually seen mandatory for a lot of non profit theatre companies and school shows) we would have some money left over even
275 is really only a lot if its just one person paying for it. I do 100% realize that having a cost would probably change this project a bit just by nature of real life money being involved, but i do still want to point out that its an option if youre willing to take it. Also i want to mention that the mock form said real prices might not be reflected. They didnt have an option for digital shows for where itd be put on, so if location impacts it at all 275 probably wont be the final cost 💔💔 (id like to hope the final cost would be lower though since it does assume the show in question is a more traditional in person show :') )
Also actually now that im thinking about it theres a secret third option which would be to combine the two???? Start out w it being just for everyone who worked on it but then put out a little interest check and fundraiser to see how many people would be interested in buying it. Kinda like what some physical print zines do but just w a musical instead! It would require putting a paywall on the final show which would also be kinda super unfortunate and a massive shame, but if enough people are interested its another way to deal w the licensing fees. Also if the project gets more money than the licensing costs maybe the leftovers could be donated or smth. Idk
Copyright is to me a much bigger issue than casting drama could ever be just bc of the legal issues it could bring up, but there are still definitely definitely ways to get around and deal w them ( ^^)b
(Btw @ the anon who kinda got me thinking about this and led me to send an ask in response, this is nothing against you !! I genuinely think bringing up copyright and potential dramas is a good thing to do especially so early on into a project like this. And running into copyright issues specifically could kill this project faster than anything else could tysm for bring that up genuinely :')
Also op sorry for such a long ask orz )
yeah casting will definitely raise some issues but there are after all only 8 major roles, you said it better than i ever will sjdjgkl also this is literally my first online musical space i got into bmc in like MARCH what am i doing
i actually have been thinking about doing an act 1 cast and an act 2 cast, but thats gonna raise the issue of finding two people with similar voices for one character so its not too jarring. we could totally do it but thats just more work for the casting people i feel. i mean if theyre up for it we could, again we'll just wait and see. there probably would be understudies too, and ive been thinking about having multiple voices for small sections of people who were squipped, like rich in the squip song, or jenna and christine in pitiful children/the play, even the creepy stock guy. there will be one "main" actor but maybe understudies will do underlying voices. will be a little more work for the editors so again we'll see
COPYRIGHT here we go. i really dont want to limit this project so the only option would be to pay. i did a tiny bit of googling and "Section 107 of the Copyright Act provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that may qualify as fair use." now if we were doing like one song then that would be fine, but we're attempting to remake the WHOLE THING, so i really think we might have to buy the rights which hm. wow.
i dont know if people are willing to pay 275 dollars for something that might not even succeed, so i think if we go through with this then we work on it first and see our progress. if it looks like we might succeed in actually doing the whole thing then we'll set up a thing for people to donate. to my understanding as long as we buy the rights we can release it to the public?? so as long as we get the 275 dollars we can release it, so it wont be only limited to the people who paid. but if we dont get enough then idk what to do with the money. maybe donate it or just wait until we hit 275. or we set a price and give it to the people who paid, sorta like a vip subscription or something
i actually have SIXTY RESPONSES as of now and its been at 60 for a while so if everyone gives 5 usd then we would have more than enough. ofc not everyone would be willing to pay tho so its really a gamble. i checked out the mock form too and are we even able to buy them if we're producing it digitally?? all that about ticket fees and average attendance if we cant even get the rights then theres no way we can release it to the public
im ngl i dont think i can do the actual licensing so we might need someone to handle finances specifically. also im not even a legal adult i really dont know if i should 💀💀 we gotta find someone responsible
YES everybody say thank you to anon for bringing problems up it would be bad if everyone got hyped only to realize we cant even do it
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