Pouring one out for Afghanistan and Anguilla and Antigua and Aoteoroa and Barbuda and Australia and the Bahamas and Bahrain and Bangladesh and Barbados and Belize and Bermuda and Botswana and Brazil and Brunei and Canada and the Cayman Islands and Cornwall and Cyprus and Dominica and Egypt and the Islas Malvinas and Fiji and Gambia and Georgia (the country) and Ghana and Gibraltar and Grenada and Guyana and Hong Kong and India and Iraq and Ireland and Jamaica and Jordan and Kenya and Kiribati and Kuwait and Lesotho and Malawi and Malaysia and Maldives and Malta and Mauritius and Montserrat and Myanmar and Nauru and Nigeria and Pakistan and Palestine and the Pitcairn Islands and Qatar and St Lucia and Saint Kitts and Nevis and Saint Helena and Ascension and Tristan da Cunha and St Vincent and Grenadina and Scotland and Seychelles and Sierra Leone and Singapore and the Solomon islands and Somaliland and South Africa and Sri Lanka and Sudan and Swaziland and Tanzania and Tonga and Trinidad and Tobago and Turks and Caicos and Tuvalu and Uganda and United Arab Emirates and United States and Vanuatu and Wales and Yemen and Zambia and Zimbabwe tonight
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I just imagined a scene where Steve has like his little unhinged boyfriend moment and just licks across Eddie's cheek. Eddie's giggling and Robin is watching this á la 'live robin reaction'.
We always write or draw Eddie doing this to Steve but if we really think about it. Steve is touch-starved af - Steve was so tactile with Nancy. And now he's with someone who allows and enjoys this kind of playful side to be unleashed. He's finally allowed to be his childish playful self that years of monster-hunting, protecting and neglectful parenting (my hc at least) almost destroyed.
Just felt like sharing this with you - Idk why tho 😅😅 (Ok. secretly I'm hoping you get inspired. But it's absolutely valid if you don't.)
I LOVE IT I LOVE IT I LOVE IT. I agree!!! Steve would totally have some unhinged moments 😂
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assorted bodies doodles (transcript of that messy relationship square under the cut due to my handwriting/incoherency)
TAKE THESE W A GRAIN OF SALT i am like 90% joking:
hillinghead -> hasan, and vice versa: immediate mutual respect
hillinghead -> whiteman: he's incredibly smart, deceptively cunning but very kind. but he is also so annoying oh my god--
hillinghead -> maplewood: "please someone explain science fiction to me"
whiteman -> iris, and vice versa: two friends secretly think of the other as the sidekick
whiteman -> hillinghead: annoying him is quickly becoming a favorite pasttime
whiteman -> hasan: will not admit it but he wants parenting tips from her
hasan -> whiteman: has slipped a parenting book to him
hasan -> maplewood: deja vu about their future weirds her out a little, but she trusts her
iris -> hillinghead: fond of him from the time they spoke in the prison. enjoys fucking with him
iris -> hasan: SHE'S THE GOAT
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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