Answer My Call Chapter 2 Part 2
Happy WIP Wednesday! So last week, we had a tie between Bring Me Home and Answer My Call. The tie breaker didn't come in until Monday after I'd already finished the entire Bring Me Home chapter and half the Answer My Call one.
So y'all will be getting two fic upates today then I'm going to sleep. I'm tired after a full day of work with a call out. XP
If you want a say in next week's update, vote in the poll!
Story Summary: Jazz, Sam, and Tucker manage to help Danny escape the GIW, but they can't follow him and are under too much surveillance to communicate with each other. Sam snuck Danny a phone as he ran and Jazz sends him a text every day, hoping to hear he is all right. But he's not the one getting the texts.
Jason was away for several months on a mission with the Outlaws. When he finally returns home, he is surprised to find dozens of messages from an unknown number begging a Danny to tell her he's okay. Looks like there's not going to be a break between missions this time around.
Chapter 1: AO3 (user locked), Tumblr
Chapter 2: Part 1
Word Count: 1.3k
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After the performances—an odd mix where the main band yielded the stage to a poet or an accordionist when they needed a break—Jazz and Todd continued to mingle.
Jazz waited until about fifteen minutes had passed before reaching into her bag to search for her phone. “Todd!” she cried.
“Jazz? What’s wrong?”
“I can’t find my phone! Shit, what time is it?”
Todd pulled out his. “Eleven fifty. Did you have it when we arrived?”
“I don’t know! I haven’t checked it. Where could it have gone?”
One of the other attendees broke into the conversation. “Lost your phone? What does it look like? We can help you look.” She was a woman in her forties or fifties. Next to her was another woman who nodded her agreement.
“Thank you, that’d be great.” It didn’t take much effort to bring tears to her eyes—all she had to do was remember that Danny was still missing. “It’s a Samsung in an unfortunately standard black case. The lock screen has picture of and my brother. My name’s Jazz, by the way. And this is Todd.”
“I’m Mel and this is my wife Jayden. I’m sure we’ll find your phone soon enough.” Then, in a voice loud enough to cut through the chatter, “Oi! Anyone see an unattended phone lying around? Jazz here misplaced hers?”
Even Mel, though, had to admit defeat after half an hour of searching through the entire apartment yielded nothing.
Jazz sat down on the floor and let herself cry. “And by now we’ve missed the last train. I’m sorry, Todd. What a disaster.”
“Hey, no. None of that, now. Tonight’s been a blast. This sucks for sure, but I can get us an uber or something—”
“How far are you kids going?” asked Jayden.
“Too far,” cried Jazz. “I live out of the city. Parked at Alewife and took the red line in.”
Jayden winced. “Well, we parked nearby. Is there somewhere close we can drive you?”
Jazz blinked up at them. “You’d do that?” She turned to Todd. “I just want to go to sleep. Is there a motel nearby we could stay at?”
Todd pulled out his phone and searched. “Looks like there’s a Holiday inn just down the street or a La Quinta that’s a little cheaper just a bit further out.” He smiled ruefully at the women who’d been helping them. “If you could get us to either place, we’d be more than grateful.”
One of the residents, an older man named Rob, took a seat next to them. “Hey, kiddo. What’s your email? We can contact you if anyone finds it.”
Jazz smiled at him gratefully and gave it. If it wasn’t so necessary, she’d feel bad for lying to and worrying all these people. But they were in so much danger. To the women, she said, “Would the La Quinta be too far out of the way? If I end up having to get a new phone, I’d like to save as much money as possible. Thank God I still have my wallet.”
“Sweetie, it’s totally fine,” assured Mel. “We’d take you all the way home if we didn’t live on the opposite side of the city.”
“Thank you, but that’s really okay. I just want to go to bed and worry about it tomorrow.”
“Come on, dear.” Mel reached out a hand to help Jazz up. “Let’s get you cleaned up then we’ll be on our way.”
Jazz thanked Rob for his help before Mel led her towards the bathroom with an arm around her shoulder.
Less than forty minutes later, Todd and Jazz were alone in a hotel room together. She pulled the blinds shut and finally let herself relax.
When she turned back to the room, Todd was looking at her with one eyebrow raised. “Want to explain to me what all of”—he threw out his hands—“that was about?”
Jazz glared back at him. “You didn’t tell me you died! Damn it, if I’d known in advance—!” she cut herself off and took a deep breath. “Never mind. What’s done is done.”
Todd was deadly still. “How do you know that?”
Jazz threw her hands in the air. “It’s obvious to anyone who knows how to tell. Including the Guys in White who I told you are dangerous to ghosts and liminals! I had plans for what I’d say when they found us, but those won’t work if you’re dead!”
“Wait.” Todd held up his hands. “You’re saying I can be persecuted under those Anti-Ecto acts?”
“Yes! You’re more ghostly than me, and I am watched every minute of every day.”
Todd narrowed his eyes and stared at her for a moment before asking, “Have you heard of Lazarus Water or had any dealings with the League of Assassins?”
“No! I have no idea what you’re talking about. Quit changing the subject. My brother is the only thing that matters and you and Red Robin promised to help me find him.”
“That’s what I’m trying to do!” Jason’s eyes flashed green, and Jazz glared right back at him. “The League of Assassins are the ones who brought me back to life with Lazarus Water. I need to know if you and your brother are mixed up with them because that would change our approach. If it’s a rogue government agency, that’s one thing. If it’s also the league, we’ve got a whole set of other problems.”
Jazz sat down heavily on one of the bed. “Oh. Sorry, I didn’t— It’s been a long few months. After a long few years.”
Todd sat down across from her and nodded for her to continue. “Tell me what happened.”
“It started three years ago. My parents, they’re ghost hunters. Been building weapons to detect and hunt ghosts since before I was born. But three years ago is when they finally finished their life’s work: the ghost portal. Only it didn’t work at first. Then my brother Danny and his friends decided to be stupid. They went to check it out. I wasn’t there and the three of them don’t talk about it, but something happened down there that day.
“My brother died and the portal was working. Only, he didn’t die all the way. He became half-ghost, half-human. And that would have been bad enough, but with the portal open, ghosts came through from the Infinite Realms, sometimes called the Ghost Zone by humans. Some were benign, but many of them came to cause problems or hurt people. Danny stopped them.”
Todd held up a hand to stop her. “Your brother became a supehero? How didn’t the Justice League hear about this? How old was he?”
Jazz shrugged. “I don’t know about the Justice League. It could be that no one ever contacted them. It could be they didn’t believe us. And it could be that no one cared. Danny felt responsible though, since it was his fault the portal turned on. And he was the only one with the ability to stop the ghosts, so…” She held up her hands in a what-can-you-do gesture.
Todd closed his eyes and let out a careful breath. “I can guarantee you the JL didn’t know about your town. A fourteen-year-old would never have been left alone to monitor an interdimensional portal if we had.”
Jazz had no idea what she thought of that. Danny had done it all alone. So finding out he could have had help? She shook her head. What-ifs were a waste of time. “Well, he did. But the government didn’t like that a ghost was the main defense against ghosts. So the Ghost Investigation Ward, more commonly called the Guys in White or GIW was formed. At first, they were as incompetent as any other ghost hunter. But they didn’t stay that way.”
“What happened to your brother, Jazz?” asked Todd.
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Next
Sorry to end it there. But it's the right length and I need to go to bed. XP
Hope you enjoy!
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Not much to say about this one. When I went to the event at this location, my friend and I very nearly missed the last train. It was pulling into the station as we entered. If we'd been 2 or 3 minutes later, we would've been stranded so far from my car, I don't even want to know what that uber or cab would've cost.
Luckily Jazz and Jason had a few good Samaritans nearby.
Next up: We learn more about what happened to Danny!
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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