Why is the anime so weird, it's not even the same series dude?? It's like,
Anime:
GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)
VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!
Manga:
GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of?
VEGETA: Hey Kakarot let's play the quiet game until one of us dies.
I realize I don't have a reference for this guy yet so ta-da! Meet the Shadow Mewtwo that Sidia is currently trying to purify :)
His name is [reDActED] and he's Psychic/Dark, which makes him x4 effective against poor Obsidian and her Psychic/Ghost typing. She's screwed, lmao.
Does he have lore? Yes. Will you get that lore? Not anytime soon, lmao. Am I gonna get around to drawing that? Maybe, or I'll write it out fic style since the art takes too long in my opinion. Maybe I'll start tacking that on the ends of the comics to provide some context in some scenes, might help with the burnout.
Fun facts: only one of the Synergite crystals growing out of him is supposed to be there. He doesn't know how to take care of it, which is kind of what's led to this predicament in the first place. There are a lot of things he doesn't know about his biology, between what's been modified and what is from the mythical Mew that nobody's ever seen. Allegedly. They had to get the DNA somehow...
I think one of the problems with the HoO characterizations is Rick kind of forgot to give half the cast hobbies and general interests, and maybe like people they know outside of their families and outside of camp, or if he did remember to it rarely gets brought up for most of them, or in the special case of Annabeth - she randomly develops a hobby in weaving for exactly one scene and then never again. Apparently she just knew how to do that, even though it is a skill she has literally never used before nor uses again.
The best examples I can give of this are comparing/contrasting the examples of when we do actually get this with the lack-thereof:
Hazel and Frank are good examples. Hazel has hobbies and interests generally unrelated to all her demigod stuff (horses and art) and we see this repeatedly discussed and brought up. She also knows and interacts with people outside of the necessities of her quest/Camp Jupiter or her family - Sammy was her best friend at school and they hung out and stuff! Meanwhile, Frank, as far as we know, doesn’t know anybody outside of his family even though he presumably went to school before Camp Jupiter? His hobby is... archery? That’s the only thing he ever really shows interest in but at the same time it only rarely gets brought up except for him using a bow as his main weapon and the like two instances of noting that Frank had hoped he was an Apollo kid for a little bit. The closest other detail we get to Frank having any other kind of hobby/interest is him mentioning off-hand that he used to play Mythomagic.
Piper and Leo - We can presume that Piper knew Shel before moving to Oklahoma, because Piper used to visit her grandpa often and as far as we know that’s also where Shel lives. But we never see Piper ever mention knowing anyone else in her grandfather’s community. Heck, when she’s introduced we’re basically outright told that she doesn’t interact much at all with any of her classmates outside of necessity, and we don’t even have any confirmation that before Hera’s mind-meddling that she even acknowledged Leo’s existence. Also, Piper has like, exactly zero hobbies. We do not know what Piper does in her free time or what she likes (except vaguely that she has surfed before), only really what she dislikes. Leo at least does have some kind of excuse for not really knowing anybody, and an explicit explanation about why that is the case and how he feels about it. Leo also has a repeatedly referenced interest/hobby in mechanics that’s very core to his character.
Percy and Annabeth? Pre-HoO, they both have plenty of interests and know people outside their general circles! Percy knows kids at school. Annabeth’s general outer social circle is Camp Half-Blood, because she grew up there, but she clearly knows people at camp. She’s also super into architecture! And Percy does a ton of stuff in his free time - he skateboards! He plays basketball! He has two pets he takes care of (Blackjack and Mrs. O’Leary)! Post-HoO he’s on a swim team! But during HoO? Percy’s hobbies just kind of disappear, besides “oh yeah he uh. Does water stuff.” There’s no acknowledgement of like, “Yeah Percy sets up a little basketball hoop on the back of his door on the Argo 2 and shoots trash at it.” Literally anything! And yeah, Annabeth’s architecture interest is somewhat acknowledged, but also like, not really? We at least get some kind of “Yeah, in her spare time she’s usually on her laptop working on stuff” but we also barely get any instances of Annabeth thinking about her friends at camp except for like, Tartarus.
For Jason it at least kind of works because a.) he has amnesia and it’s implied he doesn’t really have close friends at Camp Jupiter besides Reyna, so it figures he only ever really references random other legionaries like, twice. and b.) there is also the heavily implication that Jason doesn’t have hobbies, because his entire life was so focused around his training at Camp Jupiter. This works less with Reyna, but she also kind of has an excuse for not knowing people besides like, her sister and Jason, given she ran away when she was young, Circe’s island was destroyed, and she could have only been at Camp Jupiter for like 3 years maximum at that point. And she’s not exactly the most social character. We also don’t get much indication of her hobbies, besides she also likes horses and it’s heavily implied she likes nature/gardens? Presumably, given we get like, one note of that in HoO, maybe two if you count her living on Circe’s island, and then like one more nod to that in TOA. And we only get her POV chapters in BoO anyways so again, she has some excuses. Coach Hedge also is incredibly bland besides maybe him having a hobby in sports, and... violence? Which definitely does not count. And him lacking any POV chapters doesn’t really help.
I think this is why Nico continually feels like such a strong character, simply because we know what he does in his spare time. We know he knows people outside of the camps (most of those people are gods or ghosts, but he at least knows people) and technically you could argue him knowing about Camp Jupiter between BoTL and TLO counts too. He even references his old neighbor at one point. Obviously, he’s very into Mythomagic, and that comes up a lot because it’s his special interest and is usually also relevant to their quests. He travels a lot, and apparently used to when he was younger as well. We also learn he used to have a special interest about pirates and that apparently may have played into his crush on Percy. Like, all that is so simple and minor but it makes such a difference for how Nico feels as a character. Most of Nico’s stuff though is established in the first series, which definitely helps because the first series was pretty good about giving characters hobbies and maybe some people they know - Annabeth, Percy, and Nico we’ve already covered, but also like, Grover knows other satyrs and is usually practicing music and also we know what foods he likes. Thalia is very into punk culture and music. We know she particularly likes Green Day. We know she knew the Hunters of Artemis before the events of TTC. Rachel's whole thing is that she’s super into art and she has a bunch of connections through her rich family, and she’s basically Percy’s only mortal friend. They have lives!
If you put a protagonist in a room and told them to occupy themselves, you should have an answer for what they do. They should be able to name one person outside their immediate social circle who they are generally friendly with or vaguely know, unless they have a specific reason for that to not be the case. HoO crew needs to occupy their time by themselves, no weaponry, for twenty minutes? Hazel could be drawing, Nico could be organizing his cards, Leo could be tinkering, Annabeth could be working on her laptop, Percy could be trying out little skateboard tricks. Jason, Piper, Frank, and Reyna? What would they be doing?
TOA does actually answer that question for Jason, at least, because we learn that Jason makes tiny dioramas! That’s adorable! Why doesn’t he do that in HoO?! TOA also gives us more depth to Will Solace besides “He’s a medic and does medic things” with telling us that he’s into Star Wars. Like, that’s actually so much information to work with! Thank you! And then we also find out in TOA that Nico’s also kinda into art! We still don’t get anything new for Piper, Frank, or Reyna - besides again one more potential implication that Reyna thinks plants are Pretty Okay, and that nature is Mildly Alright. Like, not even “maybe she keeps a houseplant” territory, all we have is “if she had the option, she might be interested in visiting a flower garden.” But honestly TOA at least gives us something for most of the characters we see. Like at least one thing. Most of the rest of the writing is a mess but at least the characters are mildly interesting.
Anyways, give your characters hobbies, it’s good for them.
y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
And before I close this chapter for good I'd like to say this, none of this is bad writting, it all is a narrative choice
It was a narrative choice to have people be glad that Boston was finally settling down when they got wind of Nick in the picture, as if sleeping around was wrong, it was a narrative choice to have nobody but Nick know that the real reason why Boston got attached to no one was really because he was leaving, till the very last episode of the show
It was a narrative choice to have the other character that reassemble Boston the most finally realizing the "errors of his way" and staying with someone longer than 3 months, it was a narrative choice to have everyone insist on the fact that he had never had a relationship longer than 3 months because he is one of the kings of sleeping around, it was a narrative choice to make that the only actual thing that character did wrong was sleep with Boston while he was flirting with someone else, when nowhere in that flirting stage was "no sleeping with other people" even established as a rule, and to insist that one of the main problem with that was the fact they'd done it with Boston specifically
It was a narrative choice to have someone lie about being forced to sleep with Boston, and getting explicit pictures of himself taken by force and being blackmailed by Boston with them, to then suffer from virtually no consequences of his actions and that someone being one of the group's little brother, which make it so Boston should not have slept with him by "principle" even if the little brother is a grown ass man who made an active decision, but no one is saying that maybe the little brother should not have slept with his sister's friend by those so called "principle" either
It was a narrative choice to have Nick run after Boston, realize that in the end he wanted something exclusive (which is fine btw you can realize you want different things in any relationship), but then instead of just ending it with that, to have him declare to Boston "I think maybe you're the type of person who should roll alone"
It was an narrative choice that the last Boston scene is him sitting alone in a dirty fucking hallway holding the framed picture of someone he loves who claimed to understand him but in the end didn't understand him either, it was a narrative choice that his last scene was not him driving away to his new future with the city blurry around him as he speeds away or even have a scene of Boston at the airport, being send off by literally ANY of them, hell even by his fucking dad
It was all a narrative choices, narrative choices that I hate, but choices nonetheless
Do you guys ever think about how many times CLAMP tiptoe around the word "death", in Clear Card? (you: what kind of question is that???)
Because it's an awful lot.
The actual verb 死ぬ (to die), the classical one, is never mentioned* to indicate "death", and I totally see the reasons why: mainly target and "world view" of the series (lord, if there's something I learned during these 8 years of observing the reactions from the JP fans is that the 世界観, the "world view" is EVERYTHING and if the authors dare doing something that goes against it, they won't forgive them. Especially for a series rooted deep in everybody's childhood).
* (Actually, it is used in chapter 43 in a funny skit with Kero, Suppy and Nakuru, where Kero says "I thought I would die!!!" because he's too embarrassed by the SyaoSaku scene he had to forcefully witness hidden in Sakura's bag 😂but it's a foolish scene)
I think the first time where they actually start to dangle it in our faces is in chapter 28, when they make Momo scream in panic: "If you rewind that far, the repercussions will be immesurable!!" and then Kaito confirming right after "Time magic shortens the caster's lifespan". 命を削る indeed means "to shorten one's lifespan", and what else does that mean, if not that he's killing himself little by little, by using time magic? Sure, magicians have a longer lifespan, but...
Another instance where they make us "sniff" the smell of death but they don't serve the actual meal is in chapter 33, when Kaito goes out in the garden to counter the attack coming from the Association. He condescendingly says 力不足と己の身が滅ぶのを恐れて, mocking them for not including time magic in their collective attack because they're afraid their power won't be enough and they'll literally wreck their bodies in the process. Kaito doesn't straight up say "they're afraid to die", but the verb 滅ぶ means "to perish, to be ruined, to be destroyed" and we all saw what effects time magic had on Kaito's body. He's basically calling them p*ssies, yes.
And excuse me, but the most apparent one....when Kaito (or the Clan) says multiple times "Her soul will break", should Akiho write on herself more power than her body can sustain....isn't that just a very generous way to avoid saying "Akiho WILL DIE" to not scare the young readers away? Because, think about it...if her soul breaks...what is left of her? What is left of Akiho, as we know her? Yes, just a shell, a corpse for use and consumption of the Association/Clan, exactly.
And what to say about the scene of chapter 41 when Nadeshiko is trying to mom-talk Kaito into reason and the guy answers "I guess it's because I'm getting closer to become the same kind of entity as you", meaning, a ghost??? Hence, he's basically saying "I'm about to die"? I always snicker when I read that part because I'm like "OH COME ON, CLAMP, MAKE HIM SAY THE WORD" 😂
Another instance where the characters dance around the concept of death is in chapter 51, when Momo gets to have this very mom-son talk with Kaito (yes, exactly, Kaito set into motion several mother figures throughout the story - Lilie, Momo, Nadeshiko herself - that should tell you SOMETHING). Momo is trying to make him understand that he's literally betted his life away when he made the contract with her, so that should give him an idea of how important this mission is to him, and for whom he's doing this for. She says "When you made the contract with me, you revealed your true name. We could say I hold your heart as magician in the palm of my hand". Here Momo is basically already mentioning the concept I've been saying time and time again when Kaito revealed his true name to Akiho in chapter 80: in CLAMP works, revealing your true name to someone is like placing the most vulnerable part of yourself in their hands. The "imagery" Momo suggests here is actually pretty disturbing: the word 心臓 (heart) is the one commonly used to indicate the actual organ, more than "heart as core of the emotions", and so what she's suggesting is that at any moment, without notice, she might close that hand and crush his heart, basically killing him. Of course Momo would never do that, but she wants to remind him of what damned situation he's put himself in, how far he went for the person he still isn't ready to recognize at this point of the story.
I think the closer they went to say the "forbidden word" was when Lilie in chapter 72 explained to Sakura the extent of her premonitory dreams: "I know things that will happen shortly ahead...things way far ahead in the future...and even things that will happen when I'll be gone".
Another instance where they TOTALLY dance around the real situation (that is, Kaito should've been dead-dead-dead by then) is in chapter 80 when Eriol explains to Akiho what Kaito had been doing: I'm not sure if it's Eriol who sugarcoated it in his speech, or Akiho herself while recounting it to Sakura, but she says "He messed with lots (of dangerous magic), so his condition wasn't supposed to be that good", another polite way to say "he should've been dead by now". In fact, what's keeping him alive is literally the fact that the pocket watch (and therefore, his time) is frozen for now.
And sometimes I wonder if the "unhappiness" or "grief" that Yelan foresaw for Sakura, in the eventuality she couldn't gain control of her own powers, included....death too....NAAAAAAAHHHH
(well, I mean, who didn't think of THAT when they made Kaito say that he could see Nadeshiko because he was close to dying?? Well knowing that Sakura could suddenly see her too?? they did that on purpose jfc)
i wanna post my skip to loafer art but i cant do it knowing ppl are gonna put it on tiktok and pinterest bc itd be like. bringing an invasive species ykwim
When Al Haitham dreams, it's in shades of sandy blonde and red, metallic gold and feather-blue. His nightmares are colored much the same.
Kaveh leisurely strolls ahead of him, shoes leaving deep treads in the soft desert sand. He keeps a careful distance, arms length, and in return Al Haitham keeps an eye on him, the other man's back dead center in his sights.
He curses the sand in his boots and the long line of footprints he steps into, already the exact shape of the soles of his shoes.
They aren't lost. Al Haitham knows where they are. They've been here before. They are still here.
Kaveh doesn't watch their feet. His head is constantly tipped back with his eyes on the stars and their constellations (of which Al Haitham only knows two, Vultur Volans and Paradisaea). He'll walk right into a cactus like that. Al Haitham yells ahead for him to watch where he's going.
Kaveh reaches up to touch the side of his head in a strange motion, but otherwise there's no acknowledgement. They press on into the dark of night.
Something squelches beneath Al Haitham's boot.
It stops him short, pulls his attention like a magnet and as much as he wants to, he can't ignore it. He doesn't want to lose any more ground. But something won't let him move on. Al Haitham watches as red seeps into the golden sand, spills beyond the border of his bootprint until he slides his foot aside.
It's an ear.
It's a human ear, and there's a heavy earring attached, metallic gold, gems red and green, a familiar shape, a familiar shade-
Al Haitham opens his mouth to yell. Chokes. Swallows the lump in his throat as he quickly restarts his pace. Tries again.
"Hey!"
Another squelch under a hurried footstep. He doesn't stop to look. Al Haitham is pretty sure he knows what it is.
"Kaveh, hey!"
The path becomes littered, little slices and small pieces, fingertips and knuckles, Kaveh's arms once held casually behind his back now strewn along the sands. Every time Al Haitham extends his hand to him, reality warps and bends like the twisted image in a broken mirror, lines mismatched and edges jagged. Kaveh flits just beyond his grasp, fleeting fae, no longer able to hear him or to reach out to him. Al Haitham can only grit his teeth and follow.
His right foot marches forward. His left follows. His right again. His left suddenly doesn't follow, and Al Haitham is thrown off balance and pitches forward, swinging his arms outward to land on his palms and keep his face off the ground, because he's been in the desert enough times to know what a foot suddenly being stuck can mean.
Quicksand.
Al Haitham curses and swears in just about every language he knows as he tries to spread his weight as evenly as possible, stay afloat at the top of it because if he sinks, he knows he'll be done for, and shit, Kaveh.
His neck cranes uncomfortably in his search, Kaveh had only been a few feet in front of him, he can't be sunk much further, and he's in the desert much more often than Al Haitham anyway, he'll be familiar with what to do-
Kaveh stands in front of him, empty sleeves fluttering loose. Still just out of his grasp, still watching the stars. The quicksand is already up to his calves.
"Say, Al Haitham..." It's the first he's spoken this whole time. His voice resonates somewhere deeply nostalgic in Al Haitham's chest, produces a ripple that momentarily stuns his heart.
Kaveh is sinking.
Al Haitham stretches out on his belly as far as he's able, it's quickly up to his knees, Kaveh isn't even trying to redistribute his weight or pull himself out, it's at his thighs, Al Haitham sucks in a breath and yells for him, his hips, yells louder, his waist, Al Haitham's trembling fingertips can almost reach, his chest, Kaveh drops level with him, quicksand about his neck like a noose.
Kaveh's head tips back, back, impossibly far back, until it hangs, angle awkward, and he's looking right past Al Haitham with his tired smile and gouged, blinded sockets full of starlight.
"Do you believe in karma?"
The quicksand swallows him entirely and Al Haitham dives, shoves his arms deep and pushes off with the one foot he'd had left on safe ground, because he can't, he can't, it's not the same without Kaveh, not anymore, he needs him, no one else keeps him sharp, no one else challenges him like Kaveh, if he can just grab him, if he can just pull him back up-
Al Haitham thrashes, against the sands, against gravity, against the hardwood of his bedroom floor. Clumsily scrubs the back of his hand across his face to rub the grit of quicksand and sleep out of his eyes.
Sometimes he thinks he preferred it when the Akasha was still harvesting his dreams.
He pops his head out from under his weighted blanket and lays where he'd fallen out of bed for a moment, blinking blearily against the lamplight shining from his desk in the corner. Deep breaths. His consciousness shifts along the blurred line of nightmare and reality, crosses over the slow transition into wakeful awareness.
He's home, Kaveh is home. It's dark out. The house is dead silent.
He's just going to go check, he tells himself as he peels himself out of his sweat-soaked shirt and roots around for a replacement. He's already losing memories of his nightmare, the details spilling away from him like wet ink, but he knows he needs to see Kaveh. It'll feel better to do something, anything, than try to go straight back to sleep.
He's quiet when he slips out of his bedroom door, because they both keep late hours but their bedrooms are right next to each other, and Al Haitham will never hear the end of it if he wakes his roommate up.
Lights off, door shut. Nothing conclusive. He moves out to the main room.
Kaveh sits on one of those ridiculous sofas he'd ordered three of for some reason, back to him as he tucks a lock of hair behind his ear. A mostly-empty wine bottle stands tall on the table, next to the cobbled-together remains of an architectural model that's been picked and fussed over for four days straight now.
"Kaveh? What are you doing?"
This earns him an exaggerated startle, but Kaveh doesn't turn to look at him, preoccupied with whatever new sketch or blueprint he probably has in his hands. "Ohhh, nothing," he slurs cheerfully. "Just working. Just thinking."
Kaveh has always been the world's chattiest drinker. Al Haitham waits for the rest of it.
"Say, I think...I think I asked you this years ago, back then, but you never answered me." Al Haitham feels all the blood drain from his face in ominous familiarity, drip cold down the length of his spine. Kaveh sinks into the couch until he can tip his head over the back of it, looking up at him with a tired smile and exhausted eyes.
The way it's depicted, Cybertron's pre-war societal issues had a lot less to do with Functionism and more to do with unchecked government corruption, massive wealth disparity, high layoff/unemployment rates, and disenfranchisement.
People were starving, they needed work, they weren’t getting any. Those that were fortunate enough to have work didn’t get paid living wages, much less have anything to spare for health contingencies. Even then stability’s still the luxury of the top few tiers; they live one cut away from layoff. The government cared only enough to exacerbate these issues by coming up with new ways for exploitation. Any attempts to protest or lobby were shut down through political persecution. As a result the masses turned increasingly to crime, drug abuse, thuggery, and violence. Extreme acts of terrorism gets lauded as long as the collateral damage's suffered by someone else. Morality and caution are eroded in the face of desperation.
Meanwhile the many alleged restrictions of Functionism are just lip service complaints made by the characters which doesn’t match up to most of the stuff we’re shown. Like if Rung could become a psychologist, a specialized job that requires higher education, despite having zero background on top of such a weird alt that he had to be classified as an ornament, then wow the functionists must be open-minded. If Dominus Ambus could be a scientist/doctor/explorer/author/successful social rights advocator during the height of functionist control with a minesweeper military-use alt (assuming that his secondary alt's the same as Minimus'), then wow the functionists must be accommodating. If Tyrest could become chief engineer under Nova and later go into law, a complete change of profession, while being a jet, then wow functionism's flexible. If Ratbat and Momus could become senators in a society that discriminates heavily against beastformers and labor frames, then wow that’s progressive. If every Prime from Nova to Zeta (with the exception of Sentinel, his alt’s a tank, he only has wings in Megatron Origin as part of his Apex armour upgrade), every single named pre-war senator other than Proteus and Momus, and four out of five of Nova Prime’s buddy club (only Galvatron's a grounder) were wingframes in a society that supposedly discriminates against wingframes, then wow that’s… inconsistent worldbuilding.
Megatron didn’t get into bloodsports or start a war because he didn’t get to pursue his dream job. He got driven into the pits and down the slippery slope of moral degeneration because his only source of income was cut off by the mine closure incident. People wanted livelihoods above anything else, it's the failure to provide that that made the miners go off the deep end and resulted in the death of a guard. If Functionism actually ensured that everyone could be guaranteed a job or at least minimized the unemployment rates, then stratified castes or not, there would have been no war. People, or societies, are generally capable of tolerating an incredible amount of injustice as long as the majority still have a chance at scraping by at the end of the day. But the government, and later Megatron, kept yanking the rug out from under everyone over and over until they no longer even had a chance at that; there's no other choice left but fight or die.
We finally have another mage in the series and he is gorgeous! The long hair, hand prosthesis and what seems to be head scales, I love the design. He seems to be connected to the dragons, so I can't wait to see his backstory.
I suddenly noticed this pretty curious pattern within some of my favorite works, and I had to express it somehow - turned out to be the perfect occasion for a take on this meme!
(Might've chosen to order the songs in a chronological order)
I will say I actually don't really like the no-mercy route too much in Undertale Yellow,,, I think from a skewed justice standpoint it's REALLY interesting! And I do like the way it effects Dalv's way of thinking, how it changes the entire sequence with Axis, and how Clover straight up. pulls out the gun sometimes. Like the fact that you basically mug Mo out of house and home
,,,,But
Martlet.... absolutely had no business being the final boss. Her death is haunting and the music is incredible, but I'm not sure how fitting it was with her. Not to mention the ending of the route overall.
I can't believe I was hyped for this character when these photos of the stranger things set got leaked, just for him to be in the background for 2 seconds