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tcthinecwnself-a · 4 years

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post 3 - 5 songs that remind you of your muse

Lupin

The Bidding - Tally Hall: I've been here like a thousand times / Dated every woman in the atmosphere / I've been to every continent / Broken all the hearts in every hemisphere / And if I'm not the type of guy you like to circumvent /Just remember not to love me when I disappear

The Villain I Appear to Be - Connor Spiotto: I don't take back what I say or regret what I do / I know that some stay in line and they stick to the plan / But if you leave it to me I'll do whatever I can 'cause I know that's what I'm here for / I don't wanna wait around anymore / Even if you can't see the good inside meI don't have the time to tell you / Why I do the things that I do / Just please hold on and soon you'll see /That I'm not the villain I appear to be

Good Old Fashioned Lover Boy - Queen: Ooh love ooh loverboy / What're you doin' tonight, hey boy / Set my alarm, turn on my charm / That's because I'm a good old-fashioned lover boyOoh let me feel your heartbeat (grow faster, faster) / Ooh ooh can you feel my love heat, ooh / Come on and sit on my hot-seat of love / And tell me how do you feel right after-all / I'd like for you and I to go romancing / Say the word, your wish is my command

Smile - Sammy Davis Jr: Smile tho' your heart is aching / Smile even tho' it's breaking / When there are clouds in the sky / You'll get by / If you smile / Through your fear and sorrow / Smile and maybe tomorrow / You'll see the sun come shining through for you

Bonnie - Jeremy Jordan: Can't wait to tell her how much I've missed her. / Feelin' sorry for James Cagney, 'Cause he's never kissed her. / I start dreamin' bout my Bonnie, / Just as soon as I'm asleep. / They're the kind of dreams that keep you in your bed. / I am makin' love to Bonnie, / And that sure beats countin' sheep. / Gotta feelin' there are good times up ahead.

Jigen

Line Without a Hook - Ricky Montgomery: Because there is something, and there is nothing / There is nothing in between / And in my eyes, there is a tiny dancer / Watching over me, he's singing / "She's a, she's a lady, and I am just a boy" / He's singing, "She's a, she's a lady, and I am just a line without a hook." / Baby, I am a wreck when I'm without you / I need you here to stay

Just What I Needed - The Cars: You always knew to wear it well and / You look so fancy I can tell / And I don't mind you hangin' out / And talkin' in your sleep I guess you're just what I needed (Just what I needed) / I needed someone to feed / I guess you're just what I needed (Just what I needed) / I needed someone to bleed

Telescope - Cavetown: It's a perfect time to put my money in my mouth / Chew it up and spit it directly on the ground / Make some plans I'll never get to / Shake some hands at the venue / Sittin' in a telescope / Silently with his fingers entwined / He puts his hand to the glass / What's it like outside?

So Good At Being In Trouble - Unknown Mortal Orchestra: Now that you're gone, it's been a long, lonely time / It's a long, sad, lonely time / Rolling along, I'm in a strange state of mind / It's a strange, old state of mind / She was so good at being in trouble / So good at being in trouble / So good at being in trouble / So good at being in trouble / So bad at being in love

New York, New York - Frank Sinatra: These little town blues, oh, are melting away / I'm gonna make a brand new start of it in old New York / And if I can make it there, I'm gonna make it anywhere / It's up to you, New York, New York

#Lupin | musings |#Jigen | musings |#Jigen | headcanons |#Lupin | headcanons |#;dash games #{ i dropped everything so i could do this one }#long post

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wellhalesbells · 5 years

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I see you reblogging some comic stuff an I was wondering if you have a favorite comic or favorite character or ship?

this ask is from so long ago but [DEEP BREATH IN] i’m finally going to answer it, nonny. finally. i kept wanting to read a little bit farther in my comics stack because.... maybe i’ll like that and will regret not having recced it, i just hafta--get--to it, see? and, honestly, i’m still there BUT, come on, i’ll never be caught up because that would mean comics would just have to stop coming out and i would be sad forever if that happened, SO

i’m not even going to pretend like i can narrow this down to one comic. (one ship? sure, that’s spideypool. one character? sure, that’s the merc with a mouth, the regenerating degenerate, wade motherfucking wilson. but one comic?!) there is just straight-up too much out there to make a definitive ‘yes, this is it, this is THE ONE ™ ’ statement. instead, uh, let’s break this shit down, yeah? (super special secret bonus round, will note all lgbt+ rep and standalone comics.) in no particular order, here the frig it goes!

HORROR

infidel, by pornsak pichetshote and aaron campbell. in case you haven’t seen this on every 2018 best list ever, here it is. and, yeah, it was good. a muslim-american main character living in a haunted apartment building where the entities feed off the xenophobia of its occupants. if that’s not a fucking modern horror story i don’t know what is.

spread, by justin jordan and kyle strahm. THIS IS ONE OF MY NEW AND ALREADY ALL-TIME FAVORITES. what an awesomely weird and epic story. the spread is an uncontrollable, unstoppable monster-making force that humanity accidentally unleashed by digging too deep. it infects everything it touches and basically all of humanity is running from quarantine to quarantine just hoping for the best. and speaking of hope.... she’s a baby, rescued by no, and the only thing that’s ever been able to stop the spread. also, no’s gay? and i just DID NOT see that coming. it seems like it’s going to be such a formulaic, bro-y story about the action hero who kisses the face off his girl (her name’s molly and she’s batshit insane and amazing) and instead, nope, it is not that at all. lgbt+ main characters.

the black monday murders, by jonathan hickman and tomm coker. hate capitalism? think all the rich and powerful are evil, soul-sucking monsters? [obnoxious, low-budget commercial sound effects] MAN, HAVE I GOT THE SERIES FOR YOU.

the beauty, by jeremy haun and jason a. hurley. i just started this recently but so far, oh my good golly gosh, i looove it. a sexually transmitted disease that makes you conventionally gorgeous.... at least before it explodies you. [wide, creepy smile] the art is gorgeous, the characters are aces and i am very, very pleased so far. lgbt+ minor characters.

the great divide, by ben fisher and adam markiewicz. this? was a COOL idea. the execution stumbled a bit but, gosh, was it neat. it’s post-apocalyptic where touching another person will literally kill.... one of you. the survivor then absorbs the memories of the person who dies, taking on a ‘rider.’ some people collect them, some people go mad, some form a bond, all have the side effect of dyslexia. like i said, neat as all get out. lgbt+ minor-ish/main-ish character. standalone.

revival, by tim seely and mike norton. a rural town in wisconsin experiences ‘miracle day,’ where the dead rise again.... except, they were kinda already mourned and buried and this is really just fucking up the status quo.

the woods, by james tynion iv and michael dialynas. a high school gets picked up and plopped down in an entirely new, and wickedly hostile universe. it’s all survival and alliances and seeing what you’re really made of when it comes down to it. lgbt+ main characters.

clean room, by gail simone and jon davis-hunt. a cult, a journalist and a clean room walk into a bar...

anya’s ghost, by vera brosgol. you think it’ll be a cute story of a girl and her ghost. HA HA THAT IS NOT WHAT HAPPENS AT ALL, OKAY.

FANTASY

rumble, by john arcudi and james harren. SCARECROW WARRIOR GOD, SCARECROW WARRIOR GOD, SCARECROW WARRIOR GOD!!! okay, first off, the art in this? pushes every friggin’ button i’ve got, and many i did not know i had. second, this book is so fucking fun. it’s mythology that’s balls to the wall ridiculous, funny, and features a main character whose life motto is basically: ‘do i have to?’ infinitely relatable and then some.

heathen, by natasha alterici and rachel deering. UGH, ONE OF MY FAVORITES. the art is just horribly, horrendously gorgeous and it’s LESBIAN VIKING MYTHOLOGY, OKAY. OKAYYYY??? lgbt+ main characters.

the wicked + the divine, by kieron gillen and jamie mckelvie. one of my favorite ever series right here. it’s a hella cool concept (gods reincarnating as humans every twelve years, and burning up their hosts in two), whip-smart and if you’ve ever met a human being who likes a pun more than kieron gillen i defy you to produce them. lgbt+ main and minor characters.

batgirl, by gail simone and adrian sayaf and vicente cifuentes. you know how people rave about gail simone? there’s a reason people rave about gail simone. honestly, i’ve never had much interest in babs. i don’t tend to go for superheroes who don’t kill and i have even less interest in ‘the killing joke’ story line and i am convinced only gail simone could’ve done the recovery on that and she did a GLORIOUS job of it.

red hood and the outlaws, by scott lobdell and dexter soy. (ignoring recent - and annoying - developments), this is my favorite of all the rebirths dc did. scott lobdell is the only writer to have gotten the idea down of: okay, we’re starting over, i assume you don’t know anything but i also assume there are a bajillion people reading who know everything, and hit the perfect medium between those two things. so if you want to start a jason todd run, you legitimately can here, and get all the found family, badassery, batman-teasing enjoyment there is to be had.

iceman, by sina grace and robert gill (covers by kevin wada). classic super-heroing here and bobby’s first solo title. he’s figuring out coming out while fighting (and flirting) with baddies. sina really gets his humor and how truly wonder-awful it is! lgbt+ main character.

spider-man/deadpool, by joe kelly and ed mcguinness. watch those names there, those are your guys right there, period. they looked at the void of a spider-man/deadpool series and filled it with absolutely everything you could possibly want for the pair (sans a hardcore make-out sesh, though they did get a few variant covers with some puckered up lips in there!)

limbo, by dan watters and caspar wijngaard. a fusion of 80s aesthetics, voodoo elements and a noir tone. just some remarkably cool shit in this. the ending, for me, left something to be desired but it was more than worth it to see worship via mixtapes. standalone.

hawkeye: kate bishop, by kelly thompson and leonardo romero. kate bishop is, apparently???, a super impossible character for a lot of writers. kelly thompson is not one of them. kelly thompson is my favorite kate bishop writer, actually, and the fact that she is ever not writing her is a gd travesty.

the unbeatable squirrel girl, by ryan north and erica henderson. honestly, i’m so tempted to just stick this under ‘contemporary,’ because it really does just feel very... normal. doreen’s navigating college, new friendships, and y’know... the squirrely-ness. this had every opportunity to suck and instead it’s funny as heck, never takes itself too seriously, and is just pure good-hearted entertainment through and through.

wolf, by ales kot and matt taylor. a paranormal detective and the-possible-antichrist go on a road trip. people hated this comic and i don’t know how you can hate a comic that has a character called freddy chtonic who has tentacles for a mouth???

ms. marvel, by g. willow wilson and adrian alphona. hi, you read ms. marvel because the world is a garbage fire and people are terrible and your cynicism is at an all time high and then kamala khan waltzes in and reminds you people generally want to help each other and the world improves when we work together and that thing optimists feel? you’ll feel that for as long as you’ve got the pages open and that’s a magical thing. lgbt+ minor character.

monstress, by marjorie m. liu and sana takeda. psychic links with monsters, matriarchal societies, magic and witchery, half-human/half-animal (and other ratios) characters, all through a steampunk lens. what’s not to like about that??

inhuman, by charles soule. i love this series, i love the idea of being a total average joe/joanne, getting smacked in the face by a cloud of mist and suddenly having to figure out how to live basically a whole new life. also, if you don’t fall madly in love with dante pertuz, i don’t even know what to tell you, my dude.

heart in a box, by kelly thompson and meredith mcclaren. break-ups suck, but only because of that whole pesky broken heart thing, right? so emma gives hers away. problem solved, no? standalone.

i kill giants, by joe kelly and j.m. ken niimura. i didn’t cry my eyes out or anything. did not. standalone.

sex criminals, by matt fraction and chip zdarsky. having sex = stopping time, which leads suzie and jon to the only logical conclusion: let’s rob some banks!

hawkeye, by matt fraction and david aja. honestly there are a lot of other artist combos in this run but the only ones that are worthwhile are the ones that have fraction and aja’s names on them - sorry not sorry.

SCIENCE FICTION

black bolt, by saladin ahmed and christian ward. saladin revived this character one hundred million percent. there is absolutely a reason this was parading around all over ‘best’ lists when it was released. it really, really did the damn thing.

saga, by brian k. vaughan and fiona staples. this is the comic you recommend to people who don’t even like comics because it is that good. like, my dad - who hadn’t read a comic since he was a pre-teen, eagerly awaits each new trade. the world-building, the characters, the care put into every single solitary bit of all the things? unparalleled. lgbt+ minor characters.

frostbite, by joshua williamson and jason shawn alexander. a post-apocalyptic story that has humanity dying from a plague that literally freezes you from the inside out. very neat, very cold, very readable. standalone.

descender, by jeff lemire and dustin nguyen. this had a rough start, for me, with the main character of the first trade being tim-21, an android who is literally incapable of having the depth to be a lead BUT that does not last through to the next trade, thank god. lots of space and found family and world-building in this to be had! but you know how people rave about jeff lemire? there’s a reason people rave about jeff lemire.

paper girls, by brian k. vaughan and cliff chiang. the 80s and time travel and lifelong friendships. it’s brian k. vaughan, you know it’s good, okay? why do i even have to sell you here, man? lgbt+ main characters.

injection, by warren ellis and declan shalvey. this is another one on my list that started out a little rough but really appealed to me later on. there was just a lot to absorb in that first trade but, once you’ve got it, the ride gets way, way smoother. lgbt+ main and minor characters.

black science, by rick remender and matteo scalera. this was a rocky start, because the main character is such an asshole but in a way where he can’t see he’s an asshole, he’s just a tortured genius who’s superior to all of you, don’t you know? but i am so glad i persevered because if that’s the set up? the rest of the series is knocking him back down. super scientist grant mckay finds a way to access the eververse, every possible reality the universe has on offer, and that’s really what causes every single problem that follows. hard to cause the apocalypse and be an arrogant prick, ya know?

CONTEMPORARY

giant days, by john allison and lissa treiman. this series is so funny and smart and warm. these girls are so kind to each other and relatable and failing at adulting regularly and often and i love reading about them. lgbt+ main character.

lumberjanes, by noelle stevenson and grace ellis and brooke a. allen. this is funny and ridiculous and kind and cool and all other awesome adjectives and you should read it, fact. lgbt+ main characters.

my brother’s husband, by gengoroh tagame and anne ishii (translator). this is such a sweet story about acceptance and family tbh. lgbt+ main character.

fence, by c. s. pacat and johanna the mad. i mean... i need to see nicholas and seiji hook-up, i need that, stat. stat means now! lgbt+ main characters.

WEB/INDEPENDENT COMICS

long exposure, by kam heyward. so mitch and jonas are my absolute faves and i love them to death and the author is so kind in that they actually put this up in print on indyplanet so i can read it the way i, personally, love to read comics (and - bonus! - support them with the monies). lgbt+ main characters.

modern dread, by pat shand and ryan fassett (editors). i’ve been trying to find more better horror comics lately so i’ve been kind of half-heartedly stumbling through kickstarter on the hunt and this was SUCH a great find. it’s an anthology but more cleverly done than any other kickstarter anthology i’ve read, with a main story line that seamlessly strings together the would-be-disjointed ones. this was really thoughtfully put together and really well done! standalone.

heartstopper, by alice oseman. a very sweet story about two high school-aged boys becoming fast friends, playing rugby and falling in love. the two characters are mentioned as an aside in the author’s book, solitaire, and she became so invested in them that she wrote their backstory as a free webcomic. lgbt+ main characters.

the pale, by jay fabares. JUST started this (like, just a day or so ago) but i’m enjoying it so far!

hotblood!, by toril orlesky. i mean... is it a webcomic about a centaur falling in love with his boss? it just might be. did i get a bound edition through a kickstarter campaign? maybe. maybe i did that. who’s to say? lgbt+ main characters.

the bay, by bbz. life on mars through the lens of three young professionals who form an odd but lasting friendship. lgbt+ main characters.

hard drive, by artroan. is it a nsfw comic about a dude and a robot? .... it might be a nsfw comic about a dude and a robot. [coughs] lgbt+ main characters.

seen nothing yet, by tess stone. a nsfw comic about two amateur ghost hunters. can’t imagine why i might be interested in that [coughs] lgbt+ main characters.

captain imani and the cosmic chase, by lin darrow and alex assan. i mean did i want a starship captain who can’t help but lust after the smuggler he’s chasing. i mean, maybe i did. maybe. lgbt+ main characters.

taproot, by keezy young. ghost falls in love with boy, boy falls in love with ghost, AND THEY LIVE HAPPILY EVER AFTER. lgbt+ main characters.

always raining here, by bell and hazel. just two boys falling in lurve. lgbt+ main characters.

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simptasia · 7 years

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my “richard is daniel’s biological dad” theory is one of my oldest headcanons (it’s the third post on my lost headcanons tag, and it was made 4 years ago) and since i’ve just rewatched season 5, it’s fresh in my mind, so i wanna elaborate

warning: quite a bit of elaboration

in canon, daniel is the son of eloise hawking and charles widmore (and the half brother of penny widmore and the brother-in-law of desmond hume).

fun fact about me, i’ve studied genetics since i was a child. the x-men movies inspired me to do so. however, even people who are unread about the subject can see that daniel faraday doesn’t resemble any member of his family

ellie and charles have blue eyes. daniel has brown eyes. there’s a bunch of other differences but this is what stands out to me. this is what started my theory. i can forgive daniel being american, that’s something that can actually happen. and yes, a brown eyed child of two blue eyed parents can actually happen. it’s very rare, but possible. if i encountered this in real life, i’d assume that it’s a throwback from a brown eyed ancestor. HOWEVER, this is fiction. its different.

this is all due to casting choices being made a season before character choices (if daniel was cast right he’d be british, blue eyed, round faced and actually played by a 26 year old. however that means no jeremy davies and lemme tell you, good can be better than right. so we are to accept what we are given)

upon the discovery that ellie is an other, indeed she was the leader of the others, that meant she worked closely with richard alpert. richard is advisor to the other’s leader (on a side note, he also picks who becomes the leader)

it started as “richard is her advisor, he has brown eyes, a stronger jawline, and he’s attractive enough for ellie to want him so this makes sense”

seeing more of season 5 (in particular, the variable and follow the leader), it made more sense to me. richard and ellie get along better than ellie and charles. they come across like they care about each other. richard in particular, seems to genuinely respect her more than charles does. he’s also very protective

in canon, this protectiveness can be chalked up to ellie being pregnant. and in general, although morally eschew, richard is a rather nice person. and charles is consistently a very not nice person. however this makes this make more sense

by this point in time, charles has already had an affair, which resulted in penny. and at one point richard points out that charles and ellie love each other but have a... difficult relationship. it’s not unlikely that ellie would have an affair

now, richard. i’m aware of how much he loved his dead wife isabella. i’m not ignoring that and i choose to believe that richard was relationship-less and celibate for a reeeeally long time before he fell in love with ellie

what’s important to this is i see the affair as happening not just because of sex (richard would never), but out of romantic feelings too. also no, i don’t think richard picked ellie to be leader because of love. neither richard or ellie are perfect but i think he picked her honestly believing she’d be a good leader

oh another thing: i still like the idea of dan being penny’s half brother and des’ brother-in-law, so to have it both ways, i’ve decided that only ellie and richard will ever know about this, keeping everything intact. penny would still posthumously consider daniel her brother (in my mind, naming a daughter after him)

i don’t mean to be smug but this theory is better than canon. not just genetically but having thought about it, i realised it’s more interesting and has more depth

and there’s really no reason to not see it as the truth (besides the fact that if this theory was true, daniel would be biracial but played by a white guy. much like my trans!charlie headcanon, im asking you to take this with artistic license)

here’s more about what this theory would mean:

both of daniel’s parents watched daniel die

it’s a given that richard having children would lead to him having to watch them die, but not like this.... not like this. also the idea of a man who’s ageless and lived for so long, having a child who died young

i like the idea of when ellie realises she’s pregnant, and tells richard, she feels guilty and says sorry because she knows richard will have to see daniel die (the dramatic irony. it HURTS) and richard vehemently telling her not to be sorry because despite that, he’s happy this is happening

THEN TWO WEEKS LATER IT ALL GOES TO SHIT

imagine the tragedy of both of them burying daniel

rather than be made by two people who may of loved each other but barely liked each other, daniel would be made in a loving relationship

this theory makes a lot of scenes with richard and ellie feel very different, in a good way. richard being concerned for her being pregnant around radiation (YEAH THAT HAPPENED, my mum commented that no wonder daniel is fucked up) and even going so far as to knock her out so she wouldn’t be in danger. richard doesn’t get this protective of other leaders

on that note, this changes reaction shots from richard. richard’s reactions to this situation in the variable look totally different to me now. after dan says “i’m your son”, ellie looks shocked and richard looks at her with great surprise. stuff like that. and like, yeah that already makes sense, but i’m saying with this in mind, the context for all this has changed

and yeah, daniel saying “i’m your son” with both parents present

after dan’s death, charles and richard are looking him over and charles says “i don’t know why but he seems... familiar to me”. then richard looks at charles with big eyes. curiosity & shock, yes but perhaps also “uh oh”?

also that line makes more sense in this context, because as i’ve said, it’s not like daniel looks like ellie at all (besides being white)

this didn’t happen in the episode proper, but there’s a photo from the filming of this episode that shows richard caressing daniel’s face after he dies. please note that richard barely knows this person

what ellie did was wrong but this adds extra justification. ellie is the type of person who shoots a man in the back without asking questions first, because he was pointing a gun at richard. with this in mind, ellie wasn’t just protecting her trusted advisor, she was protecting her lover

there’s the irony that the classically beautiful richard + the fairly pretty ellie = ...daniel. who, i don’t mean to be unkind, isn’t conventionally attractive

dan and miles were friends and considering i ship miles/richard post-finale, that means miles is gonna unknowingly date his friend’s dad

the scene where daniel tells richard that he’s in love with charlotte becomes daniel unknowingly telling his father he’s in love. either way, richard relates to this whole thing due to aforementioned dead wife

on that note! even taking away my headcanon personality traits for them, richard and daniel do have some things in common. they’re both polite, kind and at times diplomatic (by which i mean, they both attempt to calm down their friend’s attitude problems). they’re both lost loved ones to tragedy. yes, i know LOST had a lost lenore problem, shut up. and despite both their friendly demeanours, they’re both done morally questionable things. also remove my shipping and they’re both still friends with miles (he is the salt to their sugars). so while dan was raised by ellie (very badly) i feel like some of the kinder aspects of him came from richard

not that being polite is genetic. in canon, dan has a nightcrawler situation where he’s a the good son of two shitty people. here i’ve... given him a good dad. whom he’ll never know is his dad. because that’s sad

also while they’re both smart, at the end of the day, they are ruled by their emotions over rational thinking. love being paramount. and they both eventually completely snap, leading to irrational and suicidal behaviour

i know richard didn’t raise him, i just thought it’d be nice to bring up what they have in common. (also i think richard visited when daniel was very young. and made several attempts to convince ellie to not go thru with it)

oh also it makes the scene where charles goes “he’s my son, too” unintentionally funny because i swear i thought “nah, you idiot”. and a theory that leads to charles being duped and not realising it is great

there’s def more but then i’m just writing fanfiction, so i covered the basics. i like this theory and with each person who agrees with it, i gain more power

if you bear this theory in mind, it honestly enhances any scene with richard & daniel, and richard & ellie, and richard & charles, etc etc

in conclusion, this is a family picture:

thank you for your time

#lost headcanons #this is something i've discussed with my friends #but never actually posted about #i just. make jokes about it #i went on for a really long time actually #and to think #this all started because jeremy davies has brown eyes

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