#anaylasis

[leafatlaw]

it gets dark way too early now, so im think about Rand and exactly he decided to give up

#aka how much can i project onto rand before it changes from anaylasis post to straight up vent #sparrow speaks #answers alot btw #hes soooooooo #i miss him :(((((((((((((((((((((((\ #rands been dead for 1 year and i still think about him everyday

[vinegar-rights]

r u fine with people wanting to discuss mh lore with u......im sorry i just think ur anaylasis of mh is one of the coolest ive seen in a while

yeah thats fine :) <3 i love talking abt marble hornets!!!!!!!!!!! ask away yall!

#asks

[noramthe]

I'm going to post a licht route anaylasis? Idk what to call it but anyway it's coming soon hopefully when i finish his route because i just started it again to do the dramatic ending

Very excited🫣🫣

#ikemen prince #ikemen prince licht #licht klein #ikeprince #ikepri licht #ikepri #I want to hear more positive things about my boy he deserves better):

[bonkerin0]

Hero anaylasis!

Hero at first glace is the golden child between kel and him, he is the smart and kind older brother that will try to help anytime needed but if taken a deeper look he is actually a husk of his former self. He is covering his anxiety by putting more work into his table and using it as a way of escapism! he took medical school not just wanting to help people but to trying to get away from the thing that reminded him of mari the most which is cooking! He doesnt hate it but everytime he cooks it will always remind him of mari and him cooking with each other and etc! Hero is also afraid of losing the praise of his parents and praise by others imo, where people lack he tends to cover so he can look mmore talented and get more praise. All in all hero in my eyes is just an anxious person who is afraid to lose the one final thing that let him move which is praise from others!

#omori

[im-fairly-whitty]

I want to ask your opinion on something that I've been wondering: We knows that Coco continued to love music in secret all her life and even sung to baby Miguel, so, why didn't Coco just lifted the music ban after Imelda died? Was she respecting her mother's memory? or did she believe to some extend that music was bad but just couldn't help loving it? And while we are on the subject, what are your headcanons about Coco's relationship with Imelda growing up?

Why didn’t Coco bring back music when she was the matriarch?

This is a great question, it all comes down to family dynamics!

Let’s take a look at the different stages of the Rivera family over the last few generations shall we?

1. The Young Couple^^

Imelda and Hector are married and live together. Their relationship is star-crossed and overall stress levels are relatively low, decisions are made together as a team, probably often bending to Imelda’s strong opinions. Keep in mind that Hector is 17 and Imelda is 18, meaning that their emotions run comparatively high and hot, both their disagreements and decisions are likely dealt with quick. 

Current family authority figure: Largely irrelevant, they’re a couple of kids who do everything together and don’t yet have any serious responsibilities other than keeping each other happy. 

2. The Young Family^^

Coco is born and now the couple becomes a family. Stress increases considerably as the new parents now have to care and provide for a child, leading both Hector and Imelda to take their roles much more seriously. For Imelda, this means putting Coco’s needs before her own (as referenced in the movie) but for Hector, this means taking his music more seriously so that his career can effectively provide for his wife and daughter.

Current family authority figure: Hector has nothing but the utmost respect for his diosa, meaning that he does not lord his male status over her, but the fact remains that he is indeed a man in the early 1900′s and he ultimately has the final word on family decisions. Unfortunately, one of those decisions is to go on the road with Ernesto. Imelda is unhappy with the decision and doubtless she voices her opinions loud and clear, but she does recognize/respect Hector as the main provider of the family and of course trusts that he will come back home to her.

3. The single mother^^

When Hector never returns, Imelda becomes a young single mother with a daughter to provide for. She learns a new profession, opens a shoe shop, and becomes fiercely protective of her child. Being a single parent is difficult and shouldering the burden of filling both parenting roles hardens her, making her headstrong personality into something sharper. 

Current family authority figure: Imelda by default has complete control and responsibility in this family of two. As the parent of a young child, everything she says goes, including her absolute ban on music as a kind of emotional revenge against her missing husband. As the shoe shop grows Oscar and Felipe come to live and work with her, but her status as their older sister gives her authority over them as well, meaning they fall under the music ban as well.

4. The lone matriarch^^

Several years go by with Imelda being in complete and undisputed control of the family. When Julio begins courting Coco he undergoes a rigorous approval process to gain Imelda’s blessing. Imelda is NOT going to let her daughter end up abandoned like she did, meaning that in order to join the family Julio also must completely give up all music. He completely defers to her will, submitting to any and all of her rules in order to be with Coco. The Rivera household gains another member (and shoemaker) for the first time in over ten years.

Current family authority figure: Imelda’s status remains unchallenged despite the arrival of a new family member, which sets a precedence of controlling authority that remains in force throughout the rest of her life.

5. Mamá Imelda^^

Time passes and Imelda remains in complete control. The music ban remains in force and an entire generation of children are raised under it, truly believing that music is evil. Coco is old enough to remember life with music and hides her secret love of dancing. It is not until she injures herself while dancing and scares her two young daughters that Coco comes clean about it to her mother and gives up her dancing habit altogether. (A scene from the novelization.) 

Coco respects her mother’s wishes and is now sandwiched between her mother and the rising generation that all reject music, so she keeps her continuing respect for music to herself. She has been raised to put her family before music, and she does just that, no matter how much it hurts her.   

Current family authority figure: Imelda all the way.

6. Coco y Julio^^

When Imelda passes away in the 1970′s the Rivera family is a bustling business with at least two generations living in the home. Coco becomes the new matriarch, but instead of directing the family by herself, she has her loving husband by her side. There is a strongly established family culture by now that all the family members down to the children uphold (including her daughter Elena). Coco could technically have brought music back at this point, but remember that she’s spent her entire life hiding it. To do so would be to re-write the emotional core of the Rivera family that has been built on everything that “He-Who-Must-Be-Forgotten” wasn’t. Ie: Family always comes first, never leave your family, no music.

Besides, Coco isn’t the headstrong single mother that Imelda was, Coco values her relationship with Julio and presides with him as an equal partner. This makes her less likely to try dramatically upheaving the family just because she as an individual would prefer to have music, she cares for the group before herself. 

Current family authority figure: Coco, but operating under the very strong legacy of Imelda and the expectations of the rest of her family, who have all been raised to rigidly respect the rules Imelda set. Since Coco has also been raised to put her family first she respects her mother’s wishes and simply continues to steer the family the direction Imelda did.

7. Elena takes control^^

Coco grew up in a very emotionally turbulent time, meaning that her wishes were always bent to obey her mother out of necessity, but Elena had the luxury of growing up in a stable home with both parents. This means that Elena’s firey streak has never had to be repressed, allowing her to fully take after her Abuelita Imelda. 

Elena has grown up fully believing in the music ban and enforces it religiously within the family, believing that by doing so she is protecting them all from the kind of evils of the mystery man who abandoned her abuelita all those years, the man who has haunted whispered adult conversations in her home as long as she can remember. When her Mama Coco begins to decline Elena rises as Imelda’s spitting image, doing whatever she deems necessary to protect her hard-working and beloved family.

Current family authority figure: Elena all the way. While her mother was more docile when it came to sharing authority, Elena rises magnificently to the role of matriarch.

The Future:

The Rivera family has always been one full of love, but the roots of this particular family tree were badly scarred, triggering it to develop strong defenses against anything that could hurt it that way again. While Coco as an individual kept music and her Papá’s memory alive in her heart, she existed as only one part of a larger group that she had been trained to always put first.

The Rivera paradox is that change couldn’t come from Coco alone, it had to be initiated by Miguel, a member of the rising generation, who could reach out and support Coco with his own music. The beautiful part is that “Remember me” is a song that spans all the generations of the Rivera family, from Hector (Father) to Coco (daughter) through Miguel (great-great-grandson). 

“Remember Me” heals the hurt the Rivera family has endured for generations from both ends, reviving memories of the past while being played by Miguel, who represents a bright musical future for the Riveras.

#meta #coco #matriarch #anaylasis #family dynamics #long post #Thanks for the ask! #In related news I am critically incapable of doing anything by halves #no music #wit writes

[sitabethel]

Hi I was wondering if you could explain the appeal of deathshipping to me. I don't understand that ship (it seems to me that yams Mark just wants to kill people and I don't know how I feel about you having feelings for him).I want to know why its so popular and why so many people ship it. I am into thiefshipping tho(mostly because of ygotas lol). Thanks so much!!

I can’t speak for why *every* deathshipper likes the pairing, but I can go into a few of the reasons why *I personally* like it. Oh boy, this is going to be long, so it’s going to go under a cut…

The Ryou side of Deathshipping: So when I first got into the fandom (2012-ish?) the vast majority of Ryou-paired fics had Ryou-crying-often hurt/physically abused-victim of non-con acts/abuse And not only did I hate these fics but they seemed so … ooc. I read the manga, but I didn’t see the anime, so scenes like Ryou getting attacked in the church, and Tristan tossing the Ring (only for it to come back on its own) weren’t part of the ygo reality that I knew existed until later, so it was honestly confused why ppl wrote him as such a weak victim. Ryou is a strong character. We know this, because people who aren’t strong that put on the Ring catch fire (Pegasus watched this happen right before he got the Eye). So one part of the appeal of Deathshipping is that Ryou is so strong, so clever, so capable, and such a horror-nerd that he sees this crazy monster character and is just like… aaaaaaw. In a good Deathship fic, Ryou uses his cleverness (and kindness) to always stay a step ahead of trouble. He’s capable and empowered instead of weak and victimized. 

Also, the whole seme/uke relationship dynamics of older fanfiction often plays out like a cis-het, abusive male in a relationship with a cis-het, victim female (although both characters are actually male, the “ukes” often read like badly 2-D female characters). And in them, it’s like the uke never gets to *enjoy sex* (hence the non-con). There’s this weird notion of “bad men like the “yamis” have raging sex drives and *need* sex, but if you’re a good “hikari” character and nice, then heaven forbid you do any of that uncouth sex stuff unless pressured into it, forced into it, or roped into it under inaccurate notions of “but he loves me so I guess I have to”. 

And this concept offends me. Women have sex drives. Nice people have sex drives. Kind, loving, caring people have sex drives. Even *gasp* some Aces have sex drives (they might lack sexual attraction, but that doesn’t mean some aces don’t feel erotic desire). So, going back to deathshipping, Ryou was getting portrayed as this sexless, uke character, and it’s just nice to write him as not only strong, clever, and kind, but as someone with all these good qualities who also has a sex drive, enjoys sex, and even *double gasps* initiates the sex instead of waiting on the more aggressive character to do it for him! (*side note: this is not to say that Ryou *has to have* a sex drive or sexual attraction. Ace!Ryou headcanons are awesome. I’m just talking about what I have fun writing when dealing with Ryou’s character). 

The Yami Marik Side of Deathshipping: First, I think it’s important to note that in canon, Yami Marik is not a full person/human. He’s not even a fully developed alter ego. Yami Marik is a Emotional Part Fragment of Marik’s disassociation disorder. His purpose is the hold the memory of the initiation, and to hold/process things like pain/anger. Why is this important?Because it means Yami Marik’s character has the ability to quickly grow/change in ways that other characters wouldn’t. I mean, obviously a fic can use Yami Marik as the antagonist and keep him in a simplified, angry state that just wants to murder/hurt things, but most of the times in deathshipping the author asks, well what would happen if he became fully human? What would happen if this Fragment ended up in a full body without a host ego to feed it commands? How does he process the past trauma? How does he move forward and grow as an individual? How does he connect with other people? What type of a person *could he* become? Even in shared body fics, Emotional Parts can evolve into more complete personalities, so the potential for character growth is still there. 

I mentioned this in author notes before, but I still like to apply the Soggy Potato Chip theory to Yami Marik (a child wants to eat a crispy potato chip, but will eat a soggy one if it’s the only way he can get a chip at all. Likewise, children want positive attention/interactions, but if they can’t have any, they will behave badly to get *any* (even negative) sort of attention/interactions.) Yami Marik has *only known* soggy potato chips. Poor thing doesn’t even know they come in crispy- Ryou becomes his first experience with a real chip (positive human interaction). Again, it’s about development and growth. 

Basically, is the human soul capable of growing/healing even after extreme abuse/trauma?  I know deathshipping is a relationship, but the underlying themes are usually (at least in my fics) about trauma recovery. Yami Marik trying to recover from Marik’s childhood. Ryou trying to recover from the death of his mom/sister, the neglect of his father, the spiritual wear of being the Host of the Ring. They’re both complex characters that have been through a great deal of emotional trauma, so it’s nice to see them play off each other in a relationship while both growing and becoming better people on their own and as a couple. *That* is the appeal of deathshipping for me. 

In conclusion, giving Yami Marik a puppy in Creepy Hide & Seek was the greatest thing I ever did, um, I mean- I hope this has given you some insight into why some ppl like the ship- it’s because it describes the characters as complex human beings capable of moving beyond their pasts and growing/thriving. Ryou isn’t a 2D “perfect” goody goody. Yami Marik is redeemable despite past mistakes. There’s potential for their character dynamics to play nicely off each other in a relationship, and that sometimes includes (because it’s a romantic relationship) healthy exploration of sex, and sometimes it just includes  simply establishing an empathy bond with another person. 

#deathshipping #character anaylasis #relationship anaylasis #relationship dynamics #blunt mentions of sex/desire #crap it took almost 2 hours to write this my ass should have been in bed so goodnight everyone

[prisonerofthegoldenland]

The Use of Yasu Over Sayo - Reasons and Analysis-

The last time that I tried to explain why I prefer using Yasu over Sayo in regards to the main story culprit of Umineko, it was not all around coherent looking back, so, this is me trying to expand on my points and make it better. =^)

 1) ambiguity

The name Yasu gives rise to an ambiguous truth to new readers.

 ‘The truth’ of Umineko was never meant to be easy, you were meant to search, and work, and put in effort to reach the heart of the story. (on the story teller’s terms.)

Umineko is so! SO! great in my opinion, because on the surface it is a pretty ‘simple’ story, and you go in expecting there to be a clean cut end, but, that’s not really how it plays out at all. By just using Sayo, you are giving people who haven’t and, never will reach the end of the story, for whatever reason, the wrong idea in a LOT of ways.

2) Yasu does not just equal Sayo/Shannon and it is really confusing to limit this character to the name Sayo.

(Definitely a lot of debate about this one so let me state my case.)

Sayo = Shannon persona

<p>Yoshiya = Kanon persona

if you play around with the kanji a bit yoshiya’s name, can also be read as Sayo Yasuda.

However, it is still ultimately a fake name given in order to hide the true Lion, or the person behind the persona’s. Regardless of intentional writing or not both alias’ end up only belonging to their respective personas.

<p> The reason I see it this way is because, the name Sayo very much gets tied into Shannon. as the VN hammers in and, vice versa with Kanon and Yoshiya. Both names and counterparts are false identities, therefore I cannot connect both sayo or yoshiya to anything other than those personas and not the actual ‘true’ character (who we are told is actively hiding) behind them.

To clarify, I do realize that yoshiya is deffinately not really brought up as much. I also realize that Battler was the one to write Kanon a “real” name, as opposed to Yasu themselves. However meta world (and story flaws) aside, its just an important point in my opinion. 

This is because, actual story wise, it does not make sense for Kanons real name to be written into the story at all. unless it was connected to and, a very important hint to the face known as ‘Sayo’ or ‘Shannon’.

There is also a scene in the manga, where Will is questioning Shannon/Sayo and it really highlights, just how empty the Shannon sona actually is when brought into the spotlight. like it’s chilling how robotic we are shown Shannon’s self is. actually yasuda-yoshiya really did a good anaylasis in my opinion which you can find below.

  http://yasuda-yoshiya.tumblr.com/post/106895054442/jiniattou-7-weights-this-scene-was-so-perfect 

 3) Yes, the character HATES the name Yasu, and I think that perfectly highlights the raw nature of the culprit.

Since of course they did, it was a reminder of who they ‘actually’ were behind the illusions, and they hated every aspect of themselves right up to and including their suicide. That is what is so painful about Yasu, it’s the fact that at the end they honestly believed that they were not worthy of existing. And that their entire existence was a nuisance, and ‘fated’ to end in tragedy from the point that their life as Lion was erased. Since at that final breaking point, there was no ending persona that they they could fully take on that would allow them a happy ending. I think the fact that yasu never planned on staying alive, regardless of the outcome, really kind of emphasizes this.

4) WHO AM I? 

 “Illusions to Illusions" 

Although we are given the straight forward question of ‘who am I?’ it’s not -really- the actual question. If it was, we could point our finger at the selfish culprit and be done with it. (and even Will who is shown to be insensitive as hell in his search, refrains from pulling just one name out, most likely for a reason.) The thing is, to tell them who they ‘actually’ were was never the point. Rather, it was a plea for someone to understand their pain and suffering. The character was split with both their gender and identity issues, and there really is no way to take that lightly, which kind of involuntarily leaves you with the third very confused person in agonizing over the why.

Conclusion

 in the end Sayo and Yoshiya are both fake identities made by Yasu for different reasons to make life more bare able the same way they created Gaap and Beatrice To help with their loneliness and insecurities. So everyone describing “Sayo” as the overall true sona kinda makes me sad? Since it is not who they really are, it is a part of them, but not the overall. Hence why yasu is an easier way to describe them in regards to the person behind Shannon and many others, because the illusion of shannon/sayo the one george fell in love with. Was definitely not Yasu themselves therefore Sayo/Shannon easily becomes a lie, as she is not the entire truth, and i just feel like people throwing Sayo as the full person are missing this, they are missing the heart. In my opinion by acknowledging the existence of Yasu you’re acknowledging the person behind the illusions. So yes, while Sayo is an important part that makes up Yasu I do not consider them the fully correct way to refer to this person 

You don’t have to agree these are just the reasons I personally use Yasu over Sayo Yasuda. 

#Umineko no Naku Koro ni #umineko #sayo vs yasu #its been a while #but i finally rewrote this #analysis #i hope it is fully comprehensible now #since i know it sure as hell was not before

[squuart]

OOF idk what’s going on in one of the fandoms I’m super into right now but uh here’s my fresh hot take:

If you’re a minor do fucking not go into things that are for adults and do NOT talk to adults about this thing while lying about your age. Not only is it not good for you the minor but you’re gonna get someone in trouble for lying to them 3:< !!!

Also... I’m a strong believer of fiction is fiction and partake in what you want. Some things I’ll admit I really don’t agree with bc of the things that have happened in my life but like, as long as you understand fiction isn’t fucking reality like... idk it’s ridiculous. I watch csi Miami u wanna tell me how problematic that is lmao. Plus this thing has warnings and listed all potential triggers so.. ??? I mean, horror movies and shit exist so if you wanna talk abt how bad this game is give me an anaylasis on every single slash film bc apparently if u ever have watched one and enjoyed it then ur gonna do it irl

Idk I’m tired of this debate. Just partake in the content you want and block what you don’t want, it’s really that simple to do on here. I know the difference between what is wrong and right and take in the media I know I can handle

#real salt hours are now #idk im like.... hmm #personal

[entertainmentthings]

IPL 2020 | KXI Vs RCB | Pre-Anaylasis, Preview And Playing | SPORTS FUNDA

#ipl #ipl2020 #iplsquad #rcb #punjab #dream11 #matchfacts #best11 #viratkohli #kl rahul

[db-best]

Global Flare Tips Market 2019 Comprehensive SWOT Anaylasis | UOP (Honeywell), Fives ITAS, Zeeco – Montana Ledger The Global Flare Tips market report mainly studies the size, recent trends and development status of the Flare Tips market, as well as investment opportunities, government policy, market dynamics (drivers, restraints, opportunities), supply chain and competitive landscape.

#finance tips #marketing #money monitoting #tips

[jimjams-fiddles]

Things I love: my hero academia

Things I love more:solid critiques of bnha

Things I love even more:critiques and anaylasis of the universe

Things I love the most:well formed anyalsis of that universe's inequalities, relating to things like class and quirk and how the hero business is a cog in an unequal economic system.

#bnha #mha #i speak to the void #chit chat

[fern1e]

I wrote a huge anaylasis on fern, his emotional state, and the grass curse but I fucking deleted it Rip

[bestdroneforthejob]

Global <b>Drone</b> Software Market 2019 Comprehensive SWOT Anaylasis | Airware, Inc., 3D Robotics ... https://ift.tt/2rgBMIY

The Global Drone Software Market report offers the complete information ... Further in the report, the Drone Software market is examined for Sales, ... from Google Alert - drones for sale via IFTTT #Drone #Drones

#IFTTT #Google Alert - drones for sale

[catherindonald]

Global Herbal Soap Market 2019 Comprehensive SWOT Anaylasis | Marius Fabre, Chandrika, Cholayil, LC Love - Galus Australis

Global Herbal Soap Market 2019 Comprehensive SWOT Anaylasis | Marius Fabre, Chandrika, Cholayil, LC Love  Galus Australis Global Herbal Soap Market 2019 Comprehensive SWOT Anaylasis | Marius Fabre, Chandrika, Cholayil, LC Love - Galus Australis published first on https://marcuskeever.blogspot.com/

[entertainmentthings]

IPL 2020 | KKR Vs MI | Pre-Anaylasis, Preview And Playing | SPORTS FUNDA

#ipl #ipl2020 #iplupdates #mumbai indians #kolkata knight riders #preview #team11

[im-fairly-whitty]

That recent drawing of Ernesto brought up some interesting possibilities; such as whether or not Hector made the song for solely Coco or simply a day of the dead song with Ernesto?

The illustration set referenced here is the ”Remember Me” narrative illustration that @sharpace posted last night. If any of y’all haven’t seen it yet, go and take a close look at each panel for a bit, it’s really lovely and Ace has done a top-notch job packing meaning into it.So was “Remember Me” really written for Coco or whether it was more of a buddy Dia de los Muertos song? I’m assuming this question arises since the song’s lyrics wind their way throughout scenes of Ernesto and Hector’s history together, perhaps suggesting that the song was written for their friendship or some other non-Coco reason. 

I’m going to directly reference two frames from the comic, (meaning the images both, of course, belong to the lovely @sharpace ). Again, if you havn’t read it yet click here to do so now.

So first off, Ace actually explains some of their purpose behind the comic under the cut on their post, saying “I wanted to incorporate Hector’s “Remember Me” versus Ernesto’s that are for different people with different motives.”

This comic isn’t the story of why the song is written, rather it’s the story of how a song (and a friendship) has been broken, torn from its true purpose to serve the needs of a murderer. 

Take a look at this panel:

^^Ace doesn’t add detail by accident. Notice how the broken string of papal picado hangs down from the lyric ribbon, cutting off Ernesto from Hector and his family. This represents the breakdown of their relationship, the moment when Ernesto felt cut off from his younger brother figure. It is presumably the beginning of his plot to take Hector’s life and his song.

It’s important to note that of course, this violent theft shatters the very essence of the song. This song is Hector, is love, is friendship and family. We’ve seen it winding through Hector and Ernesto’s childhoods as a representation of that feeling of family that they had, but when Ernesto chooses to rip it away from the man he considered his brother, he’s the one truly separating himself from Hector. 

Which leads us to the next panel:

^^Gone is the warm color palette of his youth, the song is still there, but barely. Check out the end of the ribbon, it’s frayed to pieces, snapped or broken by Ernesto’s actions. He’s snuffed out the source of color, of family, of friendship and heart in his life, tearing apart the song from the inside.

“Remember Me” was a song written for Coco, a song written for family. The symbolism of the ribbon shows that when Ernesto murders Hector to steal the song he does it, and himself, damage beyond that is beyond repair.

[Let’s have another round of applause for Ace for creating such a feels-stuffed comic, go check out the rest of their stuff too! And thank for the ask!]

#lovely art #anaylasis #remember me #ernesto #hector #murder #comics #illustration