Q: Why hasn't the SAG-AFTRA strike been resolved?
A:
6K notes
·
View notes
i’m so sick of writers who proudly proclaim that they don’t read and directors and actors and other filmmakers who smugly say that they rarely watch movies or any artist who acts like an audience is stupid for connecting with their work like what the fuck is wrong with you that you hold such contempt such derision for the art that you have chosen to make the art that so many people dream of the opportunity to make the art that brings meaning and connection to people’s lives it’s unbelievably disrespectful to both your audience and the art-form and if you can’t muster basic respect for either your art-form or your audience then kindly fuck off and do something else
29K notes
·
View notes
hugh laurie purposefully gay acting and rsl completely obliviously gay acting is why they’re such a good holmes and watson
1K notes
·
View notes
I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.
549 notes
·
View notes
rent was due. they had a dollar between them. heating gone. they did what they had too
643 notes
·
View notes
My school put on a Doctor Who play. All of the actors were students except for the Doctor, who was actually Matt Smith. I hid backstage with my instrument as per usual and he aggressively winked at me.
841 notes
·
View notes
If you had an employee who was perfectly civil and did all their work but just didn't want to be your friend what would you do?
I actually had a similar situation a while ago, not with an employee but a colleague! I was on a show with an actress who was really, really cold to me - to the point that some of the crew even commented on it like, "I can't believe I've just seen her do that, she's never this rude to anyone else!" After one incident I asked her whether I had done something to upset her and she denied it in a very odd, stiff way, so I was scratching my head a bit.
I reflected on my own behaviour and eventually I hypothesised (never found out if this was true, so it might all be in my head) that I might be accidentally activating her insecurities for a cluster of reasons, some of which weren't within my control but some of which arguably were. For example, I was pretty sure my being trans was part of it and that definitely indicated some shit she needed to work through! But I'd also been talking excitedly about my upcoming work on another show, which might have come across as bragging; I like to share my excitement, and I'm learning that some people take it as boasting when I don't mean it to be. I'd assumed she'd share my excitement because in my eyes she's much more successful than me, but you never know how people view their own careers - she might not have had anything lined up after that project and could have been really anxious about her career even though from the outside it looked good to me! (I also found out much later she'd been going through some difficult personal stuff during the shoot, so maybe she wasn't at her best - it happens!)
So having done that reflection I considered taking it to the producers but then I was like, "Y'know what? I've only got 2 weeks left on this thing, I don't have to see her much, let's just get through it." I finished the shoot with no more incidents, gave her plenty of space whenever we had to be together, and then afterwards I chatted to my agent about it too and we agreed yeah, not worth picking a fight over :)
Not sure if I'll ever run into her again but I'd be happy to start afresh if we ever did! We all have bad months sometimes <3
647 notes
·
View notes
Emily Swallow’s face when d*nbo shippers in the crowd started yelling at Katee Sackhoff for saying Bo-Katan Kryze and Din Djarin have "no romantic undertones:"
Please don’t harass actors. Katee has been humoring inappropriate questions about a fictional romance for MONTHS. She has made jokes and played along to diffused awkward fan situations; ship what you want online but please don't bother actors with it (image from a different angle of this panel).
318 notes
·
View notes
Exceptional emotive work by Rhys Darby. You can see the emotions shift. The excitement (and the fun, because Stede does like doing this) of the escape moving towards the memory of where he is and where Ed is and what he needs to do. The tears in his eyes that he doesn't let go on deck but holds until he's next to Ed's body. The break in his expression when Izzy tries to thank him, that little surge of anger as he turns to go below deck. It's a single, fairly static shot, which means that it all depends on the emotions on his face.
Something this show does exceptionally well is managing that shift between comedy and more serious emotions - yes, Stede is a silly little guy, and he's also a guy with a deep well of love and pain and hope. He will make an ass of himself by belly-flopping into the ocean and he will save his crew because he loves them and he will hold his emotions in check until he can sit by Ed and grieve alone. There's a great fluidity to his characterization - he's the guy who came up with a fake death scenario involving a fight with a leopard and a piano, and the guy who wrote a thousand love letters and threw them into the sea, and the guy who will shove Blackbeard up against the wall for the purposes of hot gay sex*.
All of that works because the show doesn't treat him as an object of derision or like he has to prove anything or change himself to be loved or treated right. He changes, but he changes organically and neither in the writing nor in Darby's performance does he lose his earnestness and his whimsy and his silliness. In fact, the show clearly indicates that that's what endears him to the crew and why Ed fell in love with him in the first place. But he does feel, and he feels deeply.
It's a very hard needle to thread, both in terms of writing and in terms of directing and performance, but dang they pull it off.
*Not my phrase, but it looks like the original poster may have removed the post?
297 notes
·
View notes
While the teaser trailer for the live action looks fantastic and the stills released on Twitter look amazing (APPA LOOKS SO GOOD!!!), I just cannot and don’t think I ever will get over Katara and Sokka having immensely lighter skin compared to their animated originals.
I’m not gonna go into the Ian Ousley Situation™️, but just wanted to speak on the colorist choice to cast paler indigenous actors for darker skin roles. This is no hate to the kids, but indigenous peoples (including Asian-based communities) with brown/darker skin do exist and it’s unfortunate that both live action adaptations fail to acknowledge them.
And before my notifications start getting spammed with that SAME picture of Kiawentiio sitting under the warmest toned lighting possible at a convention, the trailer and released stills have now shown us what they will look like in the actual show. Regardless of lighting, Katara and Sokka were very visibly brown and darker than Aang and Zuko in the original show. Not simply one shade tanner, but brown and this is an important distinction.
I make this post just as a reminder that while the trailer looks promising, and it’s good actual Asian and Indigenous actors were cast (mostly), colorism is still a very real problem that shouldn’t be ignored or dismissed.
285 notes
·
View notes
I was so scared to be the club head. I was afraid I’d lead our band to failure. I was afraid our club would get canceled because of me. But my biggest fear was that I’d make you disappointed.
Fourth Nattawat as Gun
MY SCHOOL PRESIDENT (2022-2023)
790 notes
·
View notes
I'm trying to analyze why I'm so entranced by Gallavich kisses and not as much by other couples (not just Shameless,from other shows as well), and it's not just the actor's chemistry, I think it's a combination of body movement, as they seem to be attuned to each other, but also there's something in the angles and the way they act when they kiss, like suddenly giving the camera the best view has become a secondary objective?
So the camera is sort of chasing the action rather than the actors putting it directly on camera.
For the most part I think they really just... get you with the kisses, and then you stay cause these two could literally have an apocalypse happening around them but they wouldn't notice as long as the other was around.
82 notes
·
View notes
Also can we just give Amber Lee Connors an extra big round of applause for being the best voice actor in all of Genshin Impact? Not just because of perfectly capturing Furina, but of having to give the same character three very different voices that nonetheless are all identifiable as being the same person. From the bombastic and larger-than-life facade Furina puts on, to the more subdued but still completely recognizable Focalors, to how young Furina, and her inner monologue, started out as earnest and polite if uncertain, but became more quiet and dejected.
Like. The way Focalors did the same weird inflections in her words as Furina does, but subtler and calmer--it was really cool and I admire every single actor who has to do several versions of the same character and rely mostly on body language or tone of voice to differentiate.
222 notes
·
View notes
While im on the topic, the seething hatred by a huge chunk of this fandom towards Vaggie is so baffling to me. I'm not saying I expected her to be popular. I'm not new to loving an unpopular/ignored character. But the way some of these people go out of their way to misinterpret her so badly to justify their very vocal hatred for her is just such a huge shock.
116 notes
·
View notes