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ofcowardiceandkings · 3 years

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I think you mentioned listening to podcasts? Do you have any favorites to reccommend? I've run out of content :(

that i do !

im not entirely sure what kind of podcast you'd be interested in but i'll throw out a few of the goodies in my huge library of stuff , i'll miss out a few of the HUGE podcasts that have been all over tumblr though

a LOT of it is true crime or human interest stuff , or history because im nerd ,, and a few of these dont have nearly enough attention so [shrug] i'll try to keep this short i guess lol this isnt EVERYTHING ive got in my library or listened series' by any measure

i AM gonna pop a shout to both Stuff You Missed in History Class and Stuff You Should Know from iHeartRadio because their HUGE archives have kept me from losing my mind many times over , and they cover a wide range of both important and wacky topics

BomBARDed (ongoing) this is the only fiction podcast i have happening right now really but its DAMN GOOD ONE .... it's an actual-play D&D 5E podcast in the DMs own musically-inspired world, focussed on a group of multiclass bards going to music school !! and all players (+DM) are members of the Texas band Lindby !! and they actually use and play music in the show with one original song an episode !! Kyle's worldbuilding and storycraft are truly incredible, and (Nick) Goodrich, (also Nick) Spurrier, and Ali's characters are in depth and interesting as well as an absolute powerhouse :') i actually made a piece for its first fanzine, Bardic Dreaming, which published earlier this year and is free to view now, all the players and the community are super wholesome its just very good overall 💙

History & Humans;

Fall of Civilisations (ongoing) legit one of my favourite podcast finds, im so glad my youtube autoplayed one of these ... it took me like 2 hours to realise it was 1) not the same as what was playing before and 2) had been on for 2 hours and wasnt near finished lmao. anyway, this is a series by historical fiction writer Paul Cooper, and is honest to all thats good one of the best documentary series ive encountered in years - and ive consumed a LOT of documentaries. it covered the downfall of various civilisations through history, and the episodes run from an hour to FOUR hours depending on the topic. its so chill to listen to and just get done, but over the pandemic all of the episodes have been given full movie-quality video versions too on youtube if youre more of a visual person.

Casting Lots: A Survival Cannibalism Podcast (on series break) yeah that says that lol ... its a SUPER niche topic but its very interesting and treated very well despite being kind of comical at times, the hosts are just naturally funny lol ... it delves around from the history of cannibalism in whole regions to specific incidents as recently as the 1970s, and of course the first episode is about the Donner Party, and it covers things ive never heard of despite being kind of important ?? anyway Alix and Carmella are good eggs

Sawbones (ongoing) i probably dont need to mention much here other than say that Justin and Sydnee saved me from being SO BORED sooo often, the history of medicine is wacky as hell and its what most of my history GCSE was on so [shrugs]

Cautionary Tales (on series break) this was a wild-card find lol ... it's by Tim Harford "the undercover economist" who writes for the Financial Times, and its topics kind of weave modern topics and science with how to learn from historical errors ... its a bit weird but well worth a go, also each series has a few celebrity guest voice actors which is pretty awesome

Ephemeral (ongoing) this is a very strange but thought provoking series about sounds and other things just barely saved. topics include the last castrato, the hello girls, hand-stamped records, the spread of kīkā kila music, and acoustic fossils of wild places.

Neat! The Boozecast (ongoing) history and bartending whats not to like lol ... hosted by Teylor Smirl and now their dad Tommy, they're just digging around in how important booze is to human culture

True Crime (white collar and weirdness);

Swindled (ongoing) this is an amazing show full stop. A Concerned Citizen details some of the most impactful and unruly things to happen in white collar and corporate crime. very factually accurate but given the sheer bullshit of the topics the deadpan snarking is [chefs kiss] absolutely warranted ..

American Scandal (on series break) this one is a series within a series type, and spends a few episodes at a time poking holes in some of America's biggest scandals, from a dramatised but fact-based point of view. such as what the hell was going on with Enron, how big tobacco was forced to own up to covering its own ass, how Iran-Contra happened, etc. it also now has a sister show called British Scandal, which does the same thing for British cases but with a slightly different format.

Missing in Alaska (finished) this was a fascinating series, a deep dive into what happened to two US government officials who disappeared on a small chartered flight in Alaska in 1972. it goes some really strange places, but it actually turned up a lot of previously unknown information through the audience. John Walczak's new series in a new feed is Missing on 9/11 which looks into what happened to Dr Sneha Philip.

Pretend (ongoing) Host Javier Leiva holds interviews with anyone living a lie, or who have been touched by them. con artists, snake oil salesmen, former cult members, catfishing victims, anyone and everyone.

Power: The Maxwells (finished) hosted by journalist Tara Palmeri, the story of media tycoon Robert Maxwell from nothing to empire to mysterious death and the scandals uncovered after he was gone.

Lets Talk About Sects (ongoing) Sarah Steele covering cults from around the world, in particular those in Australia - where she is from. She often has former members on the show to share their stories, and share knowledge of how they left. each story has the relevant content warnings at the start of each episode.

Brainwashed (finished) investigation of the CIA's covert mind control experiments, centred on the experiments performed at a hospital in Montreal, and its cultural impact.

Dr Death (2 series finished) two series investigating huge cases of fraud and medical malpractice, and how they were brought to a stop. series 1 covers Dr Duntsch and his horribly butchered neurosurgery, series 2 covers Dr Fata and his fraudulent cancer clinic

The Immaculate Deception (finished) untangling the weird and disturbing fertility fraud of Dr Jan Karbaat, who fathered children himself through his fertility clinic, and the impact of his deception. later episodes also touch on other similar cases.

True Crime (Violent/General);

The Casual Criminalist (ongoing) Simon Whistler of-the-many-youtube-channels cold reads a script about the case of the day, with some of his daft commentary thrown in.

Southern Fried True Crime (ongoing) Crimes from the American South hosted by Erica Kelley, she puts all the facts out there but refreshingly for true crime she doesnt hesitate to tell you if she thinks someone is human garbage lol

They Walk Among Us (ongoing) probably one of the most popular UK crime podcasts, very measured and well put together, not weird or annoying about it either.

All Crime No Cattle (ongoing, feed slowed down for now) specifically about crimes from Texas, hosted by Erin and Shay, they're very sensitive hosts and a lot of the cases they cover shed light on why the Texas criminal system is how it is or show an impact at a national level

Canadian True Crime (ongoing) Canadian crime from an Aussie who's lived there for a decade, Kristi is again a sensitive and measured host covering some important topics

True Crime (Violent/Deep Dive);

Hitman (finished) journalist Jasmyn Morris digs around in the sticky tangle around a book published by fringe publisher Paladin Press, and its apparent use as a blueprint in the killing of a mother, her friend and her 8 year old boy for financial gain.

Camp Hell: Anneewakee (ongoing) this series is exploring how a wilderness camp "correctional facility" was endorsed by the Georgia care and juvenile reform system, despite widespread abuses and shady practices the whole time. warning for csa and child cruelty throughout.

True Crime Bullshit (on series break) this one is a huge huge rabbithole but a very interesting one where the host Josh Hallmark has spent years digging into the life and potential crimes of Israel Keyes. Keyes is often mentioned as a serial killer with no pattern, but in picking it apart thats not quite true, and has sparked some re-evaluations of missing persons cases and stumbling upon information the FBI has redacted organically. there's also a series in the middle looking into the crimes of Kelly Cochran

Forgotten: Women of Juárez (finished) this series looks into the huge numbers of missing women of Ciudad Juárez, the strange circumstances surrounding them, and the potential cover-ups and corruptions on both sides of the border, trying to give a voice to all of the forgotten women and girls and their families without answers. the series itself is finished, but a spanish language edition is being released every week now.

aaaaaand i'll call it there before i list everything lol, i hope you find something to plug your boredom hole with !!

#audio #rory's ramblings #podcasts #asks #anon #long post

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letterboxd · 3 years

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How I Letterboxd #12: Joe Lynch.

Self-described cinedork and Mayhem filmmaker Joe Lynch tells Horrorville’s Brett Petersel about cinematic sausage, getting to direct Creepshow episodes and being a three-star starter on Letterboxd.

“Even when I watch what I would think is a real stinker, I also consider that there were many people involved in that film who didn’t walk on set going ‘okay people, let’s screw this up today!’” —Joe Lynch

It is always a pleasure to find film directors lurking on Letterboxd. Joe Lynch is a bona fide, OG member, having racked up more than 1,500 diary entries, giving half-star reviews to his own work, and creating lists of the movies that have influenced the making of his films.

There are the films that were in Lynch’s subconscious when he made Mayhem, a workplace splatter led by Steven Yeun and Samara Weaving. There are the movies he watched while researching the Salma Hayek-starring Everly. And this just in: films that influenced The Right Snuff, one of Lynch’s two episodes for the new Creepshow series—based on the 1982 horror-comedy classic and its sequels—which premieres on Shudder April 15.

Like so many of us, Lynch took time during the pandemic to catch up on films he had neglected to watch in spite of a previous career as a video-store clerk (a Criterion Channel subscription helped him get on top of the backlog). In this edition of ‘How I Letterboxd’, Lynch discusses how those classics have informed his craft, who his Letterboxd faves are, and why the horror genre is the future of the industry.

Steven Yeun and Samara Weaving in Joe Lynch’s ‘Mayhem’ (2017).

How long have you been on Letterboxd? Joe Lynch: I remember when Letterboxd was in its beta phase way back in good ol’ 2012 and I couldn’t wait to sign up, breathlessly waiting for an invite to the party. At the time, I had a digital database where I would log movies I’ve seen, but it was always subject to whatever laptop or device I had handy and would just be a mess of titles with no rhyme or reason.

When a member follows you, what should they expect? I put it right up top in my description: “I am not a critic”, just a lover of cinema. At first I didn’t want to write “reviews” in the description, especially since I first started using the service whilst in the throes of a horrible experience making a film that I thought would bury me and I’d never work again. I was like, and I still feel this way, “who am I to rip on a movie when someone can throw it right back at me? Like ‘dude, you directed Knights of Badassdom, sit down’.”

I’ve always had the highest regard for filmmakers who can get anything made. So even when I watch what I would think is a real stinker, I also consider that there were many people involved in that film who didn’t walk on set going “okay people, let’s screw this up today!” but instead were trying their best and circumstances just got in the way, which always happens. Having made a few films and TV now, I’m fully aware of the trials and tribulations that go into making a movie and have all the respect in the world for anyone who can steer that ship to completion. It’s hard making movies and even harder making one that is your original vision [and] that is widely embraced by an audience.

I have very weird tastes so don’t be shocked if you glance at my recent activity and you see Casablanca, The Silence of the Lambs or Bigger Than Life right next to The Legend of Billie Jean, Con Air or Candyman 3. I’m usually bouncing all over the place in terms of what kinds of movies I’m screening. From films recommended to me, to films that I may be watching for research, or even just how I’m feeling that day and maybe need a good laugh or a good cry or to be scared stiff. I like that kind of variety. There’s something out there for everyone and every emotion. If anything, I’d say expect the unexpected when it comes to my viewing habits.

What’s your favorite feature to use and why? One of the residual effects of working at video stores as a kid was my desire to siphon people’s tastes in movies and possibly recommend films to others as well, so my favorite feature is the ease of use in logging films and being able to quickly recall those films as well in the event someone asks me “what’s something I should watch?”. Getting older, the “employee’s picks” in my head is getting a little harder to cross-reference than usual so to have the ability to whip out my phone and say “oh man, I just watched Possession and it was awesome!” is exponentially helpful to a cinedork like myself.

‘Big Trouble in Little China’ (1986)—a five-star film says Joe Lynch.

How do you rate the films you watch? For example, what type of film is worthy of a five-star review? Funny, I always start out on three-stars mainly because I’m so proud of the filmmakers actually getting it completed! I’ve been there! I’m somewhat biased in my reflections because I’m always rooting for the artists and from there, it’s usually gauged on both an emotional level and a technical level. I always get made fun of while watching movies because I can point out hidden cuts or when a shot is reversed but [I’m] not trying to point out flaws, it's just how my brain is wired at this point. When you pull the curtain back enough to see how the cinematic sausage is made, it's harder and harder to objectively watch a movie without trying to dissect how it was done. I try so hard to shut that part of my brain off to just passively enjoy a movie but it’s tough. I usually skew towards the positive.

The films I’ve given five-stars are movies that have continually affected me over the years and have inspired me as a person and a filmmaker, which is everything from The Empire Strikes Back, Dawn of the Dead and When Harry Met Sally... to Big Trouble in Little China, The Blob, The Last of the Mohicans. I looked back at my five-stars and it’s mostly movies that made a significant impression on me from an early age and continue to do so, maybe even more so as I get older and I view these movies in a different light.

The anthology show Creepshow returns to Shudder this month. Tell us about the two episodes you directed for the series, ‘Pipe Screams’ and ‘The Right Snuff’. Both Creepshow and Creepshow 2 were important films in my youth and even today, they were some of the first movies I remember where I wasn’t quite sure if I was supposed to be scared or laugh. These films proclaimed we could do both! As a disciple of George A. Romero, Stephen King and Tom Savini, Creepshow really shaped how I watched movies and how I made them—consider the anthology I did a few years back, Chillerama, as a prime example. So when Shudder announced the show, I had to do everything on my part to convince them I could take the baton from these masters of the macabre and do them and the many fans proud.

To come to the table and say “I want ‘The Right Snuff’ to feel like 2001: A Space Odyssey crashed into The Andromeda Strain, and ‘Pipe Screams’ is my homage to The Blob and Delicatessen”—and then everyone just immediately getting it—was a dream. Between the casts I was lucky enough to work with and the amazing crew, especially the FX geniuses at KNB, it really was one of those dream jobs I’ll never forget. I hope audiences dig the madness we conjured up on those!

Season 2 of the Shudder series ‘Creepshow’ returns to the horror streamer this month. A third season has been ordered.

If you were to expand the Mayhem universe, what would it look like? We tried! I pitched the producers the idea of the ID-7 virus in other locations and situations because in essence the idea of being uninhibited by mental and emotional constraints is so ripe. My favorite was the idea that it would get loose in a Wal-Mart or a mall on Black Friday when consumers swarm to these department stores for the best deals. You’ve seen the videos, it’s just mass hysteria. The footage already out there would have been perfect to use already and those people aren’t even infected!

Sadly it didn’t come to pass, mainly because they asked “how do we get Steven and Samara back?” and I didn’t want to force those characters into that scenario, Die Hard 2 style. Plus they’re both huge stars now and likely unavailable for the next twelve years. But the ideas people have thrown out to me show that it was impactful enough to warrant variant scenarios in a “what if?” way that’s really exciting. Who knows, maybe the ID-7 virus could find its way onto the set of a movie production…

What excites you about the future of filmmaking, especially in horror films? The world is embracing new faces and voices more than ever and it means we’re getting stories that may not have ever had the chance to flourish and be seen and heard before. For the longest time the system was much more rigid because executives and producers thought that the audience was much less accepting of a wider world view in cinema and I think the last ten years has proven them wrong. There shouldn’t be any more “token” character or “strong [insert non-white-male] character” descriptions in development meetings. I hear it less and less, which is great because that’s not our world and since cinema—especially horror—is and always should be a reflection of our culture and times, it should reflect these evolutions as well.

When I made Wrong Turn 2: Dead End, the discussions over how one of the characters—a Black character played by Texas Battle—survived at the end was not in the original script but I pushed for it mainly because it was rare for the Black character to do so in a horror film. That shouldn’t be an anomaly! Why can’t there be a ‘final guy’ or have the survivors be LGBT+ or a POC and not the usual stereotypes?

I think now it’s more commonplace to see this and it excites me for the future of the genre that artists are being more welcome to express themselves without it feeling like it’s a gimmick or a twist on the norm.

I think generations of kids growing up with horror now are gonna see these strides in the storytelling—and who’s telling the stories—and push it even further. Places like Netflix and Shudder are willing to take chances with new voices more than the studio system, now more than ever, and that’s only going to produce some great stories now and in the future.

Erica Leehrsen and Texas Battle in a scene from ‘Wrong Turn 2: Dead End’ (2007).

How has the pandemic affected your creativity and influenced your work moving forward? Aside from losing a bunch of gigs due to the shutdown and being delayed on shooting Creepshow—which was a blessing in disguise considering the time we took to further develop the scripts and design of each episode—one of the main effects of the pandemic was how it gave many of us the time to catch up on a lot of films, mainly older ones. As you’d see from my diary entries on this very site, my viewing habits changed from a lot of modern films in that rat-race of catching up with the latest release, to mainly watching films I loved in the past and a lot of ’40s to ’70s films that I never got around to.

We have the tendency as film lovers to keep a mental list of films we’ll eventually get around to as if we have all the time in the world, but with the threat of the apocalypse and no real new content coming our way at the usual rapid clip, it was so gratifying to buy an annual subscription to Criterion Channel and start watching films like The Old Dark House, The Crimson Kimono, Contempt and many others.

All of these films impacted how I view film now and have bled into future projects I’m working on—especially on the technical side, when the world wasn’t influenced vicariously through MTV coverage and letting scenes play out in masters or longer takes, relishing in the performance or the mise-en-scéne. So, silver linings!

Before we go, who are some of your favorite follows on Letterboxd? I’m a big fan of Sean Baker, who I’ve known for almost 20 years now! We worked together in NYC and I was already a big Greg the Bunny fan but our mutual appreciation for fringe and exploitation films, especially international horror and genre films, seems to have bonded us for life. I love when he posts what he’s watching. Even if he’s just saying he screened something on Blu or streaming, his thoughts on cinema are always enjoyable and engaging.

In the same breath, filmmaker Jim Cummings has the best perspective on modern filmmaking and he’s clearly a big fan of using Letterboxd, so whenever I see peers like them using the app it makes me feel less like an obsessive movie dork myself, who should be getting back to work.

Some of the other follows I really enjoy are cineastes like Elric Kane and Brian Saur, who are the hosts of the New Beverly podcast Pure Cinema. Writers Anya Stanley, David Chen, Walter Chaw and Lindsay Blair Goeldner, musician and filmmaker Brendon Small, writer and critic Brian Tallerico, author Glenn Kenny, filmmaker Rodman Flender—just to name a few people who clearly love film and love sharing their thoughts on films in a very thoughtful way.

More times than not, I’m getting some great advice for what to watch next in my “new from friends” section! Because, like being at the video store, it’s casual conversations like the ones on Letterboxd that I love and always steering me to new films or revisiting old ones with a new perspective.

Related content

Joe’s film influences for ‘The Right Snuff’ Creepshow episode

The Video Store: Hollie Horror’s list of horror films with memorable scenes in video stores

Office Workplace Horror: J Cara’s list of office horror and workplace thrillers

Follow Brett on Letterboxd

Follow Horrorville—the home for horror on Letterboxd

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demisexualnathanvuornos · 3 years

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RULES: It’s time to love yourselves! Choose your up to 10 favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works.

Got tagged by a couple of people/saw a mutual do it

Multitudes of (A)bsence / Monimuotoiset puutteet

https://archiveofourown.org/works/24717583/chapters/59745241

This is my one and only original work. It's a short poem with an English and Finnish versions, about being aroace, demigender and atheist.

I was inspired to write it when I was reading Jenna Clare's poetry book, she's ace and Finnish American, so I decided to get her book because I am also two of those things. It's a beautiful book but at one point it talked of god in a way that it really hit, all the things I'm lacking.

I Never Really Let You Go

https://archiveofourown.org/works/28260108

Just before Xmas, me and Grey-Haven (not on tumblr anymore) where talking about Lucas Bryant I guess and I lamented how impossible being able to watch Playing House (2006) has been. She, being in the UK, was able to purchase it on youtube and we watched it through some microsoft thing.

It was super funny and Lucas was absolutely perfect. So perfect that I wanted to write fic even after only one watch. I've since ordered both the book the movie was based on and a region free dvd from Australia, both of which I am still waiting for but should get them quite soon.

Also, this fic was more popular than I expected, I have lots of fics that struggle to reach 10 hits and this one has almost 40. Tagging the female lead maybe helped? Idk

Drabbles on Touch

I managed to write 9 chapters for Drabbles on Touch which I think is pretty good :

31. Dance (3x12 Reunion) (2020-03-30)

32. Fur (2020-08-14)

33. 1x8 PDA with Jess 1 (at the station) (2020-09-06)

34. 1x8 Almost sex with Jess (2020-11-02)

35. 1x8 PDA with Jess 2 (goodbye) (2020-09-07)

36. 1x8 Audrey's Cheek kiss (2020-09-12)

37. He Should Have Known (1x9) (2020-09-26)

38. Hands (1x9/1x10) (2020-11-01)

39. Accidental Touches (1x12 Resurfacing) (2020-10-04)

https://archiveofourown.org/works/11000235/chapters/24503604

It's Only Touch (All He Has Left)

I wrote an extra chapter for this that actually touches on a lot of the ideas I had about the fic but didn't end up including when I first wrote this.

https://archiveofourown.org/works/13596324/chapters/58917880

What a Waste of a Good Boner (4x7 AU)

Some fun little Nathan/Audrey smut fic I thought should exist.

https://archiveofourown.org/works/24738766?view_full_work=true

Next up are a couple of fun multi-chapter fics I'm delighted that I managed to write and finish within 2020:

East Haven Seadogs vs West Haven Cutters

https://archiveofourown.org/works/23750812/chapters/57042253

4 chapters of various stories about this silly little small town little league baseball rivalry. First Nathan pov in 2x4, then Audrey learns to appreciate baseball through Lexie and then James Wuornos' first game with his little sister in attendance and finally, I hit the 2020 pandemic, includes Nathan's childhood memories, including James Garrick and Duke.

Heir to the Herald

https://archiveofourown.org/works/22099819/chapters/52743043

I started 2020 by properly reading The Colorado Kid. I was really taken with Stephanie McCann and rereading the pilot script inspired me to write a combination of all 3. Post canon, someone needs to run the Herald and Stephanie is perfect for the job.

Christmas Party in July

https://archiveofourown.org/works/27899377/chapters/68318356

I know there were some prompts about this in July bcus Haven's 10 year anniversary but I wasn't inspired to read or write about this then. Because I don't even like this episode much. But rewatching it on its anniversary, I did find myself inspired to write about the aftermath of the party. Heavy still-one-sided Nathan/Audrey.

And then I thought about that calm bit in s5a and how that was probably in July. And the Paige is not as different from Audrey as one might think. It was fun to write these as almost advent thingies.

----

Moving on from fic, I absolutely loved Lucas' Country at Heart movie and especially the song, A Life in a Love, that he performs. I couldn't help but notice how well some lyrics with Haven, so I did graphic for all the lyrics. It's in many parts and I still think I might do Jennifer/Duke graphic for the last chorus, but that's not happening too soon. But I'm very happy with these and that I managed to do the Audrey pov before the year ended.

https://demisexualnathanvuornos.tumblr.com/tagged/a-life-in-a-love

Ever since it was established that Nathan was a Pet Shop Boy fan, I wanted to do a graphic about it. I even researched ages ago that in 1983/4 West End Girls would be the most likely song he had heard from them and it mentions 'Finland station', so it was perfect. But I then never really started to properly work on it and then I almost forgot it. Until I made those ALiaL graphic and I managed to finish these ones two. Needed to do it in two parts because it works better that way.

https://demisexualnathanvuornos.tumblr.com/tagged/pet-shop-boys

All in all, 2020 wasn't too bad a year for me, creatively. I could give special shoutouts to my Duke Sterling fic (now with a wip sequal), and fics for Lucas' two earlier Xmas movies, Merry In-Laws and A Very Merry Daughter of the Bride. Links available upon request or I might add them myself later.

#nocticola art #nathan wuornos #it's only touch #drabbles on touch #calvin puddy #playing house 2006 #east haven seadogs vs west haven cutters #christmas party in july #audrey parker #lexie dewitt #paige x nathan #paige (haven)#a life in a love #lucas bryant

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recentanimenews · 3 years

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INTERVIEW: Jeff Trammell Speaks on Craig of the Creek and its Anime Influences

In celebration of Black History Month, Crunchyroll is releasing interviews with prominent Black figures across the anime world! Stay tuned for more announced features, or donate to Black Girls Code, which educates young girls of color to encourage careers in computer science and technology!

Anime has had and continues to have a huge impact across the globe, and that impact can be found more and more in Western animation! Kids who watched anime on Toonami are growing up and creating series of their own that take with them that seed of affection for the medium. One such creator is Jeffrey Trammell, the head writer of Cartoon Network's Craig of the Creek. Cameron Trentalange, our Associate Manager of Social Video, was lucky enough to talk with Jeff about his work on the series, his love of anime, and how the two are intertwined. See the video interview below, followed by a complete and uncut transcription of the full interview!

youtube

Crunchyroll: Thank you for taking time to meet with us. We’re really excited to be chatting with you today. To get things started, if you could just introduce yourself to our audience, your name and what it is that you do.

Jeffrey Trammell: My name is Jeff Trammell and I am the head writer, as well as a voice actor, on Craig of the Creek.

How has anime influenced or inspired your work?

How hasn't anime influenced my work? It’s been such a big part of everything we do. Everything I do as a writer … We're constantly thinking back to the storytelling, the kind of one arc, one-off episodes, as well as arc-long stories ... it’s really allowed us to use anime as a bit of a blueprint for the stuff we wanna do on Craig. Anime is a big part of the show. A lot of people on the crew grew up watching things like Dragon Ball and Sailor Moon and Evangelion. Samurai Champloo gets brought up a lot, too. So, any chance that we can get to kinda pay homage to those classic shows as well as the other stuff we’re into, we kinda jump at the chance to do.

via Cartoon Network

That’s awesome. Are there any other specific elements that reflect your experience with anime in Craig of the Creek or your other works? I know the Elders of the Creek seem to be very pulled from people you might meet in the fandom.

I would say I'm a bit more of a casual fan. There's people on the crew that are certainly closer to the Elders of the Creek. I'm more like Craig in that I have my own certain fandoms that I'm into. But yeah, anime is such a big part of the show in the weirdest ways — every episode has something we're sneaking in. Our crew early on would meet to do anime nights, so we would watch The Castle of Cagliostro or Totoro ... stuff like that. It's very ingrained in our crew.

That’s awesome. That sounds like a super fun environment to be a part of.

It’s really great when your workday ends and you’re just hanging out watching anime and playing D&D. Like there’s no complaints on our end.

Craig of the Creek often dips its toes into referencing anime, whether it's a background gag or, as you mentioned, an entire episode-long narrative like "Bring Out Your Beast." It sounds like, as a community, you and the team are largely inspired by anime. Was that kind of a coincidence that everyone was into anime or was that intentional in the structuring of the team?

Our crew consists of a lot of younger writers and creators, so naturally the stuff we grew up watching included so much anime and the stuff aired on Toonami. Even the co-creators, Matt Burnett and Ben Levin are like, really big into this stuff. You go to their office and there's like the entire Evangelion set, or all of Dragon Ball. I think they really created a show full of people who they wanted to be around, who were all going to tell really fun stories. I think it just happened that anime was such a big part of everyone's life on the show.

It’s kind of amazing to see how much anime has influenced so many people throughout the industry. You mentioned that you guys would do different movie nights for watching anime. Do you have any specific anecdotes or moments from working with the teams where you intentionally wrote an anime reference into the script and someone pointed it out later, or maybe an animator just added something entirely without it even being in the script? Are they any fun little kind of instances like that?

Yes. There’s a lot of instances where I’ll write something in the script and then at the boarding stage, the boarders would take it so far out. We did an episode where the Elders get trapped under Elder Rock and there's a bit about them having a very cool replica shovel from an anime called Shovelmaster Gorobi Q that I put in there. Immediately, it just became this whole other thing where the basis of the show was that this person's soul is trapped in the shovel, so if you use it, you can tap into their spirit. One of the Elders is in love with the character who inhabits the shovel ... it's wild! I never expected that whole story to come out of this one line I wrote.

via Cartoon Network

That's incredible. One of my favorite little background gags is one of the posters for a show called Sadboy Pilotgeddon.

Yes.

Was that written into the script, or was it an element someone else wrote in?

That was our storyboard artist Ashley Tahilan who is usually the impetus for those crazy moments in the show. She put in Sadboy Pilotgeddon really early on, and I think she's also the reason Shovelmaster Gorobi Q became the absurd thing that it is.

I love it. In one of the very early episodes, there was a character who was holding up a volume of manga and says, "you read manga backwards." I feel like I have said that verbatim as a kid!

via Cartoon Network

That was a really fun moment. We were trying to introduce the ninja kids who just hang out and read manga. We thought when you're introducing someone to manga, you can't start without saying, "Well, ya read it backwards!" We decided we NEEDED to put that in the show.

It was very true to life. I love those little moments. Speaking more generally, what does it mean to be a head writer on a TV show?

Being a head writer means a lot of different things depending on the show. On Craig, it's nice because I get to be the link between the writing and the storyboard artists. Our show is very cohesive in that it's very storyboard driven. That means we take the premise and outline and then hand it off to the storyboard artists, and they draw everything, including dialog. Then we come back together and they'll pitch their work to us. We'll make sure that we pitch ideas and jokes, and really punch it up to make it stronger. We have this kind of cohesion where everyone gets to really leave their stamp on the episode. Being a head writer means overseeing that process, the writing room, recording, assisting with directing, sometimes getting in on editing. It's so much more than just running the room. It's been a really cool experience for me. I get to follow the stories not just from their initial creation, but all the way to their end, which has been really cool.

That sounds so incredible. So, how did you break into being a head writer, as opposed to different writing roles?

I actually have only been a writer here in LA for about five years. Before that, I was a security guard at Target, oddly enough. I've always had an interest in writing, and I wanted to break in, but I didn't know how. I was able to find out about a yearly contest called the Nickelodeon Writing Program, where you would enter scripts and, out of around 2,000 applicants, they choose up to four people every year. They move you out to LA, and you get to work at Nickelodeon as a writer. You get to learn, you get paid, and you get all these amazing perks. I got to take improv and sketch writing, just all of these incredible things. When I moved out here once I finished up at Nickelodeon, I eventually found my way to Cartoon Network. I started working with Matt and Ben on Craig of the Creek. I was a staff writer for the first year, and by the second season, I was promoted to head writer. I've been very fortunate, the way I got in. I think it was a lot of "right place at right time," but also luckily having the skills to back it up that led to this quick rise.

That's amazing, what an incredible journey!

Thank you!

To be selected from over 2,000 writers — I think that says a lot about the talent you have.

Thanks, that's really cool.

In addition to Craig of the Creek, I know you have also worked on shows like The Owl House, and you mentioned that you spent some time at Nickelodeon. What is it like to write specifically for animation?

Writing for animation is tough because there's a lot of visual storytelling you have to be aware of. You are also writing for someone else. I think if you're writing novels or similar stuff, you can write the story exactly as it is in your mind and someone else can read it and see where you're coming from. When you're writing for animation, though, you have to be aware that whatever you write, someone else has to draw. Someone else has to design. Everything you write is going to be on someone else, so it's tempering all of those expectations you have for your own writing. You have to tell a fun, captivating story without pushing it too far, or making every shot a crowd scene. Then people would have to animate 50 people running by in every shot. It's a very intricate level of storytelling where you have to really see what the most important parts of the story are and convey that.

That's an interesting point. I think there's this sense with animation of like, "Well the options are limitless because I can just draw it!" But then there's the realization of, "Ah, well that burden is laid on a bunch of people who actually have to animate the thing."

Yes.

I imagine there's a good amount of give and take there. Did you always want to break into animation, specifically? Has animation been a passion for you?

Yes and no. I mean, I've always wanted to work in animation because I've been a fan my whole life. A lot of people have that teenage phase where they think, "I'm too adult for cartoons," and they kind of move away from it, but I've never done that. I've always appreciated animation. But I also appreciate live-action. The first time I got to work on an animated show was Harvey Beaks at Nickelodeon, and I really got to work with that crew and see everything that went into creating 11 minutes of television. It's so much work from so many people. It's like watching a conveyor belt in action. Seeing those things really laying out in front of me gave me a brand new appreciation, even more so. Since then, I've known animation is definitely where I want to be.

via Cartoon Network

That's so cool. Craig of the Creek features such a wide cast of characters. How do you and the team approach writing for so many different voices from different backgrounds? I think the thing that's been really successful for us has been to reach beyond our writing room. At the end of the day, we only have so many experiences and can only write from so many perspectives. Our crew is dedicated to representing perspectives people may not have gotten to see growing up. So, we reach beyond our room to the crew. People are welcome to share their stories, welcome to pitch ideas for stories and characters. We really want to make sure that at the end of the day, we're making a show that people are not only proud to work on, but that they're excited to show it to their family and friends.

Is it common for writing teams to be structured in a way where they have opportunities to work across other departments, or is that harder to find?

It really depends on the show. I've been on shows where the writers only hang out with writers and the artists only hang out with artists. Coming from Harvey, which was a very closely connected group, I knew that was something I wanted when I was starting on Craig. Matt and Ben had come from Steven Universe, so I knew they wanted the same things. Early on, we really made an effort to make sure our group was close and our crew was excited to hang out, to talk and share ideas. It's kinda been ingrained from the very beginning of the show.

I love hearing about the kind of collaborative environment. So, I know you've lended your voice to one of the characters on Craig, and that you've done voiceover for other cartoons as well. Did you always have an interest in voice acting, too?

I've wanted to be a voice actor since I was a kid! I was definitely that one kid who recognized voices in shows. I was like, "Oh that's Phil LaMarr!" I immediately knew! I always thought it was cool — it was this way to embody a character. You really get to step into their shoes and become someone else in a way that's similar to writing. I've wanted to be a voice actor forever, so it was fortunate that I finally got that opportunity on Craig. It was really nerve-wracking, though! You go into the recording booth and it's really quiet, and you're immediately aware of every single noise, like the weird click your tongue makes when you speak. Everything is hyper-focused. But it's been really cool. I appreciate them giving me the opportunity to really get to do it on Craig. I was able to transition into other opportunities by doing voices on this show called The Fungies! at Cartoon Network. I have a blast every time!

You touch on something really interesting, which is how writing and voice acting both go hand in hand in terms of getting into the head of a character. What have you learned about writing through voice acting and vice versa?

The thing I've learned about writing from voice acting is that, even if I'm not sure of a joke while writing it, actors are so talented that they can usually deliver it in a way I wasn't expecting. They'll usually knock it out of the park every time. It's also really taught me to write to someone's strengths — just knowing that one actor is really good at these frantic moments lets me know that I can really play them up in the writing. Or maybe another actor is great at delivering heart and emotions, so we can make sure to nail their speech. Being in the booth really taught me that voice acting is so difficult, so I want to make sure we're setting up everyone who enters that booth for success with the best script we can give them, the best lines we can give them, and really set them up to knock it out of the park. It's this weird sort of symbiosis where you each try to prop one another up. Going from each side, from one side of the glass to the other, has shown me that I think we both just want to make sure we're. giving the actors the best material we can, and actors just want to provide us with the best performances that they can.

via Cartoon Network

It's really interesting to hear how that all comes together, and how both of those perspectives are sort of similar in some ways. I'm curious, how did the conversation about you voice acting in Craig of the Creek start?

I was able to find my way into the booth by begging a lot! Haha, not really, but it's one of these things I had to speak up early about and just say, "Just so you guys know, this is something I'm passionate about. This is something I've really wanted to do." I couldn't be afraid to take those risks, even in a room where I'm pitching a character, putting myself out there with a goofy voice, hoping that I'm impressing them with the passion I'm giving these characters. Luckily, it worked out, and I think they appreciated my drive and how much respect I have for the craft of voice acting. I was also taking voice acting classes as well, so I was really not shy in letting them know that this was something I seriously wanted to pursue.

I know on Rocko's Modern Life, one of the writers just kept inserting his voice audition in the pile, and finally, someone was like, "This one is really good, who is this?" and he was like "It's me!" I'm always curious about those little moments for everybody.

I wish I had known about that story, I might have gone that route!

The sneaky route!

Plan B, you know.

Another question I wanted to ask is, how does it feel to know that people resonate with your work? Your writing and acting contributions to the show are excellent, and the series is a lot of fun for both kids and adults. There's something about it that just captures the charming innocence of being a kid with a big imagination. Everything is whimsical, but there is a lot of grounded humor and references to pop culture we all love. What does it feel like to have your work reach so many people?

First, thank you for all of those kind words about the show, I really appreciate that. It means so much. I think it's one thing when you're working on something and you get caught up in it and think of it as a day to day gig. But Craig has never felt like that. Early on, it felt very special. The crew felt special, and we were all proud of what we were making. We were all hoping that people would relate to it and really have fun watching it. So, seeing everybody watch all of these moments where we have Sparkle Cadet and people really resonate with a black magical girl in a Western animated show ... Seeing people resonate with our various Slide the Ferret gags which may or may not be related to Sonic — I cannot say legally. Seeing the very heartfelt stuff, the family stuff, the stuff you don't see a lot, and watching people see those things and feel good and feel validated ... it's been incredible. It means so much, more than I can really put into words. It's just a really good feeling, and I feel proud of the stuff we're doing and continuing to do.

via Cartoon Network

You and the team are doing awesome work. One of my friends recommended the show to me a while ago, and once I started watching I was like, "Yeah, I get it." There's just something really nice about it. Also, Jeff Rosenstock's music is just great.

Jeff's the best! Jeff's the absolute best. Every time he sends some music in, I'm like, "How do you do it?"

Do you guys work together at all? Is there a "meeting of the Jeffs"?

Oh, all the time. I'm very fortunate to call Jeff a friend. He's one of the coolest people I know. I think we're constantly in awe of each other, which makes for an interesting friendship. He's so talented and so funny, and he makes everything look so easy. It's kind of unfair how talented he is, but I couldn't be a bigger fan of Jeff, he's great.

Something I was curious about is if you had any influence on the music. The music really makes the scene sometimes, and then you have the opening and ending songs. Do you work with the music at all as a lead writer, like finding the right vibes for a scene or writing lyrics with Jeff? There's an episode where Craig sings in front of a live crowd, and I was curious what the creative process was like on an episode like that.

Jeff and I worked together on a musical episode called "In the Key of the Creek," where Jeff came to town. He was living in New York at the time and came to town for a week, and would sit in the writing room while we were breaking the story. He would just write these songs or he'd go home and like three hours later send us a demo saying, "Yo! I came up with this today." And it's like ... how?! This is incredible! Usually, Ben Levin, one of the co-creators, works directly with Jeff, but he's been very open to working with the rest of the crew. The episode you mentioned, "Vulture's Nest" ... I believe Tiffany Ford, one of our directors, wrote that song with Jeff. He's very open and accessible to working with the crew for songs and different episodes, which has been really cool.

via Cartoon Network

I have to circle back to this ... you mentioned Slide the Ferret — who may or may not be related to any other legal entity — but UNRELATED TO THAT ... As someone who is a huge fan of Sonic the Hedgehog (and also ferrets, coincidentally), Slide the Ferret really speaks to me. I was like, "This rocks. I love everything about this." I'm curious, was Sonic a big part of your childhood? Or the childhoods of the rest of the staff?

Yes, Sonic 2 was the first video game I ever beat, actually. I would always get to the plane level and then have to hand it off to my sister. I remember when I finally beat Metal Sonic and Robotnik, and I felt like I was the greatest gamer in the world. So much of our crew has similar feelings about Sonic. Slide the Ferret came into the show very early. I think Matt and Ben came up with the character very early into the show. And then, I think the second the crew was like "oh, this is our Sonic and we can create all the lore?" it just got out of hand. There's like this show within the show loosely based on Dragon Ball where there's these things called the Chaos Orbs that you collect. They're like the Chaos Emeralds but we treat them like Dragon Balls.

It's been great! It's been so cool to watch our design team really take that world and expand it even more. There's this character named Claus the Badger who is the coolest looking character I've ever seen. I keep pestering them to let me voice him, so we'll see how that goes.

That sounds like so much fun! I always love whenever there's a Slide moment. I'm just like, "Yup! I'm here for it." I'd like to know, what are some of your favorite anime?

Oh man, okay. One of my favorites is My Hero Academia — shout out to my buddy Zeno who plays Hawks as well as The Green Pancho on Craig of the Creek. I've been enjoying Fire Force, The Promised Neverland, I love Dragon Ball Z, of course. What else ... Samurai Champloo — I used to watch that one every week with my dad, so it's special for me. I could name stuff all day, and I know I'm forgetting some. After I'm done, I know I'll be like, "Aw crap! Why didn't I mention this ..." But these are the ones I'll go with.

Is there any message you want to share with fans of your work?

Yes! If you want to see more, please find me on Twitter @MrJeffTrammell. I post about my work too much there. I would also say that there is so much more fun stuff on the way. If you are a fan of Craig of the Creek and you love anime, there may or may not be an episode coming up in which the Elders do an anime convention. It may also feature Slide the Ferret and a cavalcade of characters from that video game. Definitely keep your eyes peeled for that.

This has been wonderful! It's been really cool to hear about your background with the show and how you broke into the industry. Thank you.

Thank you so much to Crunchyroll for having me!

via Cartoon Network

You can follow Jeff Trammell on Twitter @MrJeffTrammell. Craig of the Creek airs on Cartoon Network and is available on HBOMax and Hulu.

By: Guest Author

#Anime #News #Latest in Anime News by Crunchyroll!

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theyearoftheking · 3 years

Text

Book Fifty-Nine: Duma Key

Have you forgotten what we were like then

when we were still first rate

and the day came fast with an apple in its mouth

it’s no use worrying about Time

but we did have a few tricks up our sleeves

and turned some sharp corners

the whole pasture looked like our meal

we didn’t need speedometers

we could manage cocktails out of ice and water

I wouldn’t want to be faster

or greener than now if you were with me O you

were the best of all my days...

Duma Key was one of the best books I could have picked up right around spooooky season. I knew very little about it, and it was a well-written, suspenseful ghost story.

Edgar Freemantle survives a horrific accident that involves a crane crashing on his car. In the aftermath of the accident, he lost his right arm, his marriage, his successful business, and his house. It sounds like a bad country song.

Edgar decides to deuce out of Minnesota (wise choice, friend. The Vikings are an embarrassment this season); and rents a vacation home in Duma Key, Florida. Edgar stays in a house he dubs “Big Pink” and starts feverishly painting. Big Pink definetely has some creepy vibes, and the sound of the ocean rushing over the shells underneath the house certainly doesn’t help. Edgar finds things washed up on the beach during his morning walks, and incorporates them into his paintings. As his body continues to heal from the accident, his walks get longer, and eventually he meets Wireman, the caretaker of the eccentric Elizabeth Eastlake.

Kids. When someone is rich and crazy, they’re referred to as “eccentric”. When they’re poor and crazy, they’re just, well, crazy. #themoreyouknow

Edgar and Wireman take to each other right away, and Edgar learns more about Big Pink, and Elizabeth. Big Pink had been used in the past as an artist’s retreat; Elizabeth was a patron of the arts, and wanted to inspire local artists. Elizabeth herself is in a bit of decline: she’s dealing with Alzheimer's, and swings between blinding lucidity, and silent unknowing. It breaks Wireman’s heart. There’s a lot of mystery surrounding Elizabeth’s family, including the death of her sisters and father. But, when she’s lucid, she’s the sweetest lady ever.

In between hanging out at the Eastlake estate, Edgar continues painting. His daughter Ilse comes for a visit, and is impressed by her dad’s talent. They try to take a drive around the island, but Ilse becomes violently sick. Edgar later gets a strange message on his answering machine from Elizabeth, informing him the island is not a place for daughters. After Ilse’s departure, Edgar paints a foreboding picture, including a woman in a red cape. He’s not sure what it means, but he’s worried about Ilse.

Edgar then discovers his paintings have power... there’s a long stretch that includes a killer named Candy Brown, and Edgar giving Wireman his failing vision back again. Also, he has a vision of his ex-wife, Pam with a new rose tattoo (on her boob! So scandalous!), sleeping with one of his friends, Tom Riley, and Tom’s increasingly suicidal thoughts. He calls Pam to warn her, she of course behaves like an ex-wife, but then later finds out Tom does in fact need his meds adjusted. Edgar for the win!! Save? Win? Either way. Edgar remembers before his accident he liked sketching, but he never remembers being this good, or this powerful. Everyone is amazed by this talent, and they encourage him to show his paintings at a local gallery.

This my friend is the halcyon part of the book... Edgar shows his work at a gallery, all his friends come on a Gulfstream jet from Minnesota to see his work, they are proud of the physical recovery he’s made, and the talent he’s been hiding from everyone. The paintings all sell out, and even Elizabeth Eastlake is lucid enough to have Wireman bring her to the show. She looks at the paintings and tells Edgar what he already knows: he can’t sell those paintings. Bad things will happen to whomever owns them. There’s a curse at work. And then Elizabeth has a seizure and dies; which could perhaps be the most dramatic end to an art gallery exhibition ever.

But the curse, y’all. Thankfully not all the paintings had been framed and shipped out yet... but the ones that have? Not good. Tom Riley drives off the road on his way to kill Pam. Ilse is drowned in the bathtub by an art critic. Edgar needs to release the spirit that is killing his friends and family.

So, Edgar, Wireman, and Jack (the island errand boy) head over to the original Eastlake mansion (you know, where Ilse got so sick) to release a demon from a bottle, and capture her in a flashlight. Yep, you read that correctly.

Even though I’m skimming over the end of the book, I’m doing it on purpose. This is truly some of Steve’s strongest writing. He captures a strong gothic vibe and runs with it. In a rare show of restraint, I’m not going to describe the last quarter of the book, and I’m going to encourage readers to pick it up, and fall head-first into the story. It’s part Bag of Bones, part Rebecca, and part awesomely spooky. It’s so damn good. Duma Key is hands-down one of the best Steve books I’ve read in a long time, and my timing was perfect.

There were two Wisconsin references: a mention of Eau Claire, and the Packers. Woot!

Also, there was one Dark Tower mention... at one point Edgar thinks how, “life is a wheel.” It’s ka, bro... ka is a wheel.

Total Wisconsin Mentions: 40

Total Dark Tower References: 55

Book Grade: A-

Rebecca’s Definitive Ranking of Stephen King Books

The Talisman: A+

Wizard and Glass: A+

Needful Things: A+

On Writing: A+

The Green Mile: A+

Hearts in Atlantis: A+

Rose Madder: A+

Misery: A+

Different Seasons: A+

It: A+

Four Past Midnight: A+

The Shining: A-

The Stand: A-

Bag of Bones: A-

Duma Key: A-

Black House: A-

The Wastelands: A-

The Drawing of the Three: A-

The Dark Tower: A-

Dolores Claiborne: A-

Nightmares in the Sky: B+

The Dark Half: B+

Skeleton Crew: B+

The Dead Zone: B+

Nightmares & Dreamscapes: B+

Wolves of the Calla: B+

‘Salem’s Lot: B+

Song of Susannah: B+

Carrie: B+

Creepshow: B+

From a Buick 8: B

The Girl Who Loved Tom Gordon: B

The Colorado Kid: B-

Storm of the Century: B-

Everything’s Eventual: B-

Cycle of the Werewolf: B-

Danse Macabre: B-

The Running Man: C+

Cell: C+

Thinner: C+

Dark Visions: C+

The Eyes of the Dragon: C+

The Long Walk: C+

The Gunslinger: C+

Pet Sematary: C+

Firestarter: C+

Rage: C

Desperation: C-

Insomnia: C-

Cujo: C-

Nightshift: C-

Faithful: D

Gerald’s Game: D

Roadwork: D

Lisey’s Story: D

Christine: D

Dreamcatcher: D

The Regulators: D

The Tommyknockers: D

Next up is Stephen King Goes to the Movies; where he breaks down five of his favorite stories adapted into movies. I hope everyone has a safe, healthy Halloween weekend! Enjoy the last bit of spooooky season, y’all!

Until next time, Long Days & Pleasant Nights, Rebecca

#duma key #stephen king #constant reader #dark tower #minnesota #wisconsin #packers #vikings #art

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theindiegamereview · 4 years

Text

Meet the developer: "Space Pilgrim” series

We caught up with Noel Clay of Pilgrim Adventures - yes, the very same beloved creator of the famed Space Pilgrim series - to discuss some of his recent games. We also took the opportunity to ask about his upcoming game, The Deadly Facade, which is an exciting departure from his previous works. Read on for more!

TIGR: Hi Noel! We see you've been really busy, with a couple of new games released in the past year! Tell us more about them.

NC: Sure! A Sceptic's Guide To Magic is a '90s style point-and-click adventure game that follows Lester Chapman, a forensic investigator who discovers a secret underworld of magic and mayhem after becoming involved in a grisly case of ritual murder. A pair of witches named Fi and Val guide him on his journey, and you also get to play as those two characters at different points in the game.

Sceptic's Guide is chiefly inspired by the classic LucasArts games - there's humour, but it also gets quite dark at times. The story takes place in Birmingham, England, near to where I grew up. Most of the locations in the game are based on real-life places, and I had a whole lot of fun trying to recreate them.

The gameplay involves a mixture of traditional puzzle-solving and spell-casting. In order to cast spells, you'll need to gather all the appropriate ingredients as well as correct apparatus, a clue for which is normally given in the form of a riddle. It can be a bit silly and lighthearted, but the game does also delve a fair bit into magical history, mythology and folklore. People who are interested in those things will probably get a kick out of it.

Screenshots from A Sceptic’s Guide To Magic:

The Deed II is a follow-up to The Deed and The Deed: Dynasty, and explores the same basic concept: you need to commit a murder, and then get away with it - usually by planting false evidence to frame someone else, then convince the police of your innocence.

Deed II takes place at a 1930s French brothel, where an Englishman named Kenneth Miller recognises one of the orderlies who had cruelly abused him during his time at a mental asylum. He decides it's time for revenge... but which of the patrons or employees of this establishment should take the blame for his crime?

Although the basic formula of Deed II is the same as its predecessors, there are also a bunch of new features: a new game engine, improved graphics, and an in-game clock. Whereas in the previous games, time would advance as a result of your actions, now it moves forward naturally, and you have one hour of in-game time to commit the murder. The NPCs in the brothel will also move around according to their own individual schedules, which affects a lot of your choices. As always though, there are a whole bunch of different endings and ways that you can approach the game - more than ever before.

Screenshots from The Deed II:

TIGR: Wow, both games sure sound exciting, and I'm sure your fans will be thrilled to try them out if they haven't already done so! And you've got another game coming out very soon right?

NC: Yes! The Deadly Facade, which will hopefully be released later this year, is my first crack at a full-blooded visual novel. In a setting inspired by 1950s' Hollywood, you are an actor about to star in your first major motion picture. Things seem to be going well, until you get tied up in a shocking murder mystery. Can you solve the case while also delivering the performance of a lifetime?

Here are some exclusive images of The Deadly Facade for TIGR:

TIGR: Very interesting! Tell us more...

NC: Deadly should offer something a bit different from the typical visual novel. Among other things, I've been developing a fairly complex relationship system, as I wasn't really interested in the simple like/dislike variable which seems to be quite common among these types of games. Over time, through your actions and conversation choices, every character in the game will develop a sense of your personality and morality. That will ultimately determine how they feel about you.

As for the setting, I'm hoping it will allow people to live out the fantasy of being an up-and-coming Hollywood star in the olden days, while also delivering a sense of the fear and paranoia that was rife during this complicated era.

TIGR: Deadly sounds like it's going to be amazing! It's also made with a different game engine from what you usually use. What motivated this change?

NC: All my previous games have been made with RPG Maker. Although I really enjoy working with that engine, it can be tricky to market RPG Maker games even though they may not resemble the typical fare. So I figured it was time to try something different - in this case the Ren'Py visual novel engine - if only to convince more players to give my games a chance.

TIGR: Well, we at TIGR would happily play another thousand (and more) of your games even if they continue to be made in RPG Maker - it's all about the gameplay and content, right, not the platform?! :)

But moving on, tell us more about how you craft these fantastic stories of yours. Where does all this imagination and creativity come from, and what are some of your sources of inspiration?

NC: I've always had a lot of creative energy. When I was a kid, I was constantly writing stories and drawing comics. I wasn't making any video games back then yet, but my older brothers John and Edmund were - throughout the '90s they created numerous adventure games for the Amiga from their very bedrooms (The Lost Prince, Starbase 13, Lethal Formula, Epsilon 9, The Experiment).

As an interesting side note, Edmund also developed a program called GRAC (Graphic Adventure Creator) for the Amiga in 1994. It was designed to allow people to create their own adventure games with a minimal amount of programming knowledge. GRAC was probably the first program of its type in the western world. Meanwhile in Tokyo, unknown to my brother, Enterbrain were already creating the early versions of RPG Maker.

I tend to consume a fairly varied diet of media – movies, TV shows, comic books, novels, board games – from a wide range of different genres. Not much of my inspiration actually comes from video games, but rather from these other sources, which I suppose is one way of maintaining some originality!

The universe of Space Pilgrim owes a large debt to Joss Whedon's Firefly. Another of my games, Sentience: The Android's Tale, is a love letter to Philip K Dick, whose writing also inspired elements of the main Space Pilgrim Academy storyline. Ender's Game also played a role there.

TIGR: We are seriously impressed! It certainly sounds like you and your brothers were born to make video games! So do you do everything alone, or do you have a team to help you? Take us through your development process.

NC: I pretty much work alone, although I do often commission work from artists or use commercial art and music assets. This has been the case with all my games except for Sceptic's Guide - for that one, I had some help from a friendly witch when it came to writing the spellbook. I'm currently collaborating with an artist named Llyrel on developing some characters for an upcoming magical fantasy game, which should be my next project after Deadly.

I'd also like to mention my publisher, GrabTheGames, with whom I've been working for nearly five years. They handle a lot of the marketing and promotion so that I can focus on the game development side of things.

These days, I usually start with a tonne of research. The first month or two mostly just consists of reading books and taking notes. For Sentience, I read about AI; for Deed II it was 1930s Paris; for Deadly, it was 1950s Hollywood as well as the biographies of some major stars of the era. I also watched more than 50 movies from that time period, partly for inspiration and partly because I just love movies. After that, my time was split between scripting the game and creating the 3D renders. I tend to only have a loose plan for the story at the beginning, so that things can continue to evolve along the way.

TIGR: One last question for you before we end - what's something we should know about you?

NC: Tyrkisk peber. It’s awesome.

We thank Noel for his time and look forward to playing The Deadly Facade when it's released! In the meantime, check out all of Noel's published games on Steam here.

#developers

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flying-elliska · 5 years

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What are the important bisexual characters that you said helped you? I am having a hard time finding good bi representation in which they aren’t considered promiscuous or unstable

Hiya anon ! What a quality question, thank you ! Here’s another mini essay about bi rep lmao. If there are some that I forgot please tell me ! And to everyone, tell me about the bi characters who made an impact on your life, I’d love to know !!!!

Okay so.

- When I answered the anon and talked about the characters that helped me come to terms with my sexuality, I talked about two in particular. Jack Harkness from Torchwood is depicted as very promiscuous, and somewhat instable. He still meant a lot to me because a) him sleeping around was never that much of a problem, it was because he was from the future, where things were different, which I thought was refreshing and b) his instability was because of the weight of being an immortal hero. Also fanon!Dean Winchester from SPN, as an older, more macho, emotionally witholding, badass dude written as bi meant a lot to me, but he doesn’t really avoid that stereotype either. But at least they were heroes. However, I can understand wanting bi characters that actually don’t fit that stereotype, because bi people irl aren’t all like that, even if there is nothing wrong per se about sleeping with a lot of different people, or having mental issues to struggle with. And that was a while ago and now we have more and more cool characters ! Such as :

- Rosa Diaz from Brooklyn Nine-Nine. One of the best portrayals of bisexuality on TV imho. She didn’t start out as bi, she was this tough, cool, scary but with a heart of gold cop who had a lot of other plotlines before. But then, since they saw that a lot of wlw got this vibe from her, were really into her, and the actress came out as bi herself, they decided to use this. So it was super organic, and the way they introduced the subject was true to Rosa herself ; she’s a super private person, she doesn’t like anybody knowing about her life (it’s actually a running joke and Rosa Diaz has been implied to not even be her real name). But then she is dating a woman, and struggles with her parents not understanding and her coworkers find out, help her and support her. Her gay captain is there for her in his typical stoic but hilarious way. They organize game night with her when her parents won’t anymore. We see her crushing on women and dating, but it is treated exactly as the other character’s love life, they never make a big deal out of it. She isn’t the token queer character. She says outright she is bisexual and there is a specific point about her mom not understanding it’s not a phase and thinking she’ll end up with a man anyway, which #relatable. The focus is on the team as found family. Also right now she’s dating a butch woman, which is awesome since they are so underrepresented on TV and I hope we see more of her. That show really is my comfort show, it’s still bloodly hilarious and it really transcends the format to say some really deep woke stuff too, but never in a way that feels on the nose. Everyone should watch it tbh.

- Korrasami ! Oh my god, I was so blown away when they got together. They’re two characters from the animated series Legend of Korra, they start out as rivals in love who have feelings for the same guy, but as they have to fight baddies together, they become bestest of friends, and both fall out of love with the guy. Then in season 3 and 4, their relationship becomes central to the show, as Asami stands by Korra through some really tough shit. Also, they’re both ultra badass and fight really well together. A lot of fans started reading their chemistry as romantic, but we’d never thought they’d actually go there. But the show ends with them walking into the ‘sunset’ (well, the spirit lands) together, holding hands. Now, it was never completely explicit on the show BUT they were dealing with a lot of censure from the networks and you have to be willingly obtuse not to read it as romantic. And after that the creators drew them on dates, and there is a comic series in which they are shown kissing, talking about their feelings, introducing each other to their families, etc. It made me feel so validated when it happened, and I just adore the whole ‘love triangle ditches the middle one and fall in gay love with each other’ trope. (is it a trope yet ? it should be.) It’s still a kids show at its core, but it has amazing depth and deals with some very deep shit. Korra starts off as a bit annoying but she has a really cool development, she’s a girl character we need more of - brave, dynamic but also brash and reckless and action driven in ways that are almost always exclusively shown for boys. And Asami is a more typical girly girl but she’s also a brilliant engineer and has a spine of steel and she’s also very slyly funny. They’re amazing. And the comics are super cute.

- Now there are a lot of characters who are bi/pan that I love, and are good characters in themselves, but their arcs do intersect in some ways with promiscuity and mental instability. I’m thinking about Even from Skam and all his remake variants, Magnus Bane from Shadowhunters, several characters from Black Sails, Sarah Lance and Constantine from Legends of Tomorrow, Eleanor Shellstrop from the Good Place, Bo from Lost Girl, Ilana from Broad City, Joe McMillan from Halt and Catch Fire, God/Chuck from Supernatural (lmaooooo), several characters on Penny Dreadful, or in a totally different category, Vilanelle from Killing Eve or Hannibal from the series (who are hella bad guys but it’s never linked to their sexuality, and are also incredibly compelling to watch.)

And even though these characters taken individually, I would argue, are good rep because they’re complex and layered and interesting and never one-dimensional (and watching them feels incredibly empowering at times)....it’s still a trend. I feel like when writing a character that is attracted to multiple genders, there is always this sort of...tangle of tropes that writers default to, unconsciously. Some negative and some positive. It used to be this trope of bis being villainous, instable, jealous, flaky, immature, perverted, manipulative, cheaters, amoral, greey, etc...and then it evolved into something of a reclaiming and subverting this trope. So now you feel like the Bi Character kind of has to be badass, glamorous, seductive, often superpowered or extraordinary in other ways.. And they also for multiple reasons (they’re immortal, they’re sensitive artist souls, they’re from the future, they’re psycho, they’re exccentric comic relief, they’re daring adventurers and pioneers) don’t care about social norms which allows them to sleep and fall in love with whomever. And so they tend to have those super busy romantic/sexual histories and very troubled backstories. In the past it was a bad thing, now it’s often presented as this positive, enlightened or at least fun and badass thing. They’re heroic, with big hearts, a tremendous lust for life and a cool rebellious attitude. They’re complex, dramatic, tortured. Which can be super cool, too.

But it would be nice to have more ‘normal’ bi characters. I mean, boring bisexuals need to see themselves represented too ! Our sexualities don’t give us super powers. At the same time, it is true that bisexual ppl have higher rates of mental illness, which deserves to be explored, but it would be nice if it was actually articulated and not just part of this trope. But still. We need rep, I think, that is more grounded and varied. So I think that’s also why I read a lot of fanfic. (I was really into the idea of bi Steve Rogers for a long time, partly also because he’s both very mentally resilient, kinda boring in a good way, and very unexperienced in terms of sex/romance, which is pretty much the opposite of the trope)

- I think books, and YA in general, are a good place to find these ‘normal bis’ characters. I’m thinking in particular of Leah from Leah on the Offbeat by Becky Albertalli (from the same book series that gave us the ‘Love, Simon’ movie) which is a super sweet coming of age/romance story about a super normal teenager who just happens to be also into girls (esp her best friend) and is loud and funny and very lovable and has zero doubts about being bi. You also have Adam Parrish from the Raven Cycle, another one of my forever faves ; he has an abusive family so PTSD from that but it never feels tropey, and it’s completely detached from his sexuality. He has magic powers, too. But his character feels completely opposite to the trope. He’s hardworking, somewhat withholding, prickly (and sometimes awkward), ambitious, determined, down to earth, and has a beautiful love story with another boy. And also Jane, from Jane Unlimited by Kristin Cashore, also really cool ; she’s a nerdy, smart girl who is actually inspired by Jane Eyre who has cool adventures in a weird house where we can follow her on different paths depending on the choices she makes, several of which are love stories. And finally the main character from The Seven Husbands from Evelyn Hugo, kinda fits the trope yeahhh since she’s a super glam actress who well, has seven husbands but it’s a pretty clever deconstruction since it turns out (slight spoilers) that Evelyn is actually through most of her life faithful in heart to the same person and the rest is mostly out of necessity, and her story feels very real and raw and down to earth.

- I don’t go there yet but I really want to check out Crazy Ex-Girlfriend and Schitt’s Creek which I have read have very good bi rep. And I want to catch up on Orphan Black (Cosima and Delphine both don’t have exact labels but they’re multi-gender attracted and they’re this cool couple of scientists in a relationship that gets a happy ending). I will never forgive what they did to Lexa so I stopped watching but I do think that Clarke Griffin from The 100 is very good bi rep. Alexia from Skam France, meanwhile, is a bit of a boundary case for me because, even though she’s presented as the ‘weird one’ from the group, very colorful and liberated and exccentric, she’s still a very normal teen who’s happy and comfortable in her own skin, which is awesome.

- Disclaimer, I included characters in here that are also pan/omnisexual or don’t have a label but are attracted to several genders, for the purpose of this discussion i don’t think the difference is all that relevant at least to me (i mostly identify as bi for the sake of simplicity but tbh i could also fit under pan so i feel represented by all those characters). But I understand the importance of characters that state their identities more clearly and with pride.

- So in conclusion : there is nothing wrong with having a sexually active life or struggling mentally (even tho that one is not fun). And I do love all my badass casanova time travelling super powered bis.

But we need more bi characters that don’t fit that trope. We need bi characters in children’s shows, or that don’t have more than one relationship, or that don’t have a relationship at all, to break the tendency to always show bisexual ppl as overly sexual. We need bi characters in committed relationships to break this idea that bi characters are bound to cheat or can’t be satisified with only one person. We need bi characters that are mentally stable and successful and happy, to show that it’s possible. We need bi characters that are boring, bookish, nerdy, ordinary, clumsy, not particularly seductive, socially awkward, rule-sticklers, etc...to show that bi people are not all party animals, or doing it for attention, or to be wild, rebellious and socially progressive. It’s just a sexuality, it doesn’t say anything about your personality. Even though there are some correlations with MI or being bi might bring you in contact with more progressive ideas and to see life a bit differently, there is nothing automatic about it.

- In conclusion, reading testimonies from real people also helped me a lot. It’s a very dated but I got the book “ Bi Any Other Name: Bisexual People Speak Out “ when I was struggling with my own sexuality and it helped a lot, to read that even back then (1991) you had all sorts of regular ppl claiming to be bi and that it was not a phase or a fad or whatever.

#bisexuality #bi rep #media representation #bi pride #lgbt #bi characters

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thedeaditeslayer · 5 years

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Go Behind the Scenes of the Official Evil Dead 2 Escape Room With Exclusive Images.

Click the link above to view some exclusive behind the scenes pics from the upcoming officially licensed escape room! The article is below.

The Evil Dead franchise debuted back in 1981 and, in the decades since, has grown to become one of the most beloved franchises in horror. Fans are constantly seeking ways to show their love for the series, whether that be through collecting memorabilia inspired by the films or traveling to conventions to meet those involved with bringing the narrative to life. Beginning this summer, fans will have an all-new way to celebrate their love for the series, as Hourglass Escapes - Seattle Escape Room Games will debut the first official Evil Dead 2 escape room, which will not only immerse yourself in the world of the film, but will also present challenges to solve that reflect the events of the film.

Hourglass Escapes Creative Director and Game Designer Seth Wolfson spearheaded the passion project, blending his love of the film with his skills designing escape rooms to bring fans an experience that was not only challenging, but also authentic to the world created by Evil Dead 2 director Sam Raimi. You can learn more about the escape room here.

ComicBook.com recently caught up with Wolfson to discuss the projects biggest challenges and what is sure to make Evil Dead 2 fans most happy. You can also check out behind-the-scenes images of the video vignettes that will taunt and torment the players, which will star Yuri Lowenthal as Professor Raymond Knowby, Gretchen Douma as the Rules Reader, Andrea Hays as Henrietta, and Donal Thoms-Capello delivering his own unique version of Ash Williams. The video sequences were directed by Ben Rock.

ComicBook.com: What makes this escape room an authentic Evil Dead 2 experience as opposed to just a generic escape room with a coat of Evil Dead 2 paint slapped on it?

Seth Wolfson: I think that part of it is that we're officially licensed by the studio. We're trying to embody Evil Dead films because we're allowed to, but a lot of other escape rooms are merely inspired by the movies. They're like, "Oh, this is kind of Evil Dead-ish." And then they want to mix in all these other genres. And it's fine. And some of them are really, really great. I don't want to sound like I'm putting them down. But ours is not just an homage to Evil Dead. We are trying to give an Evil Dead 2 experience and let the players actually be part of it. Like, the fans will get their taste of what they want and the non-fans or people who have never seen it will be like, "Oh, that was fun. Maybe I'm going to go check out this movie," and they're going to have a good time.

Obviously the experience will really appeal to Evil Dead 2 fans, but will those unfamiliar with it have just as much fun?

The story is the cabin has materialized within the walls of our building, and the players have joined a ghost hunting group that they found on Craigslist. And as players, when you buy your tickets or even online, on our website, you can download the player pack which gives the characters and costume ideas. So now, if you've never seen the movie or if you've seen the movie, you're coming in playing these other characters, so they're outside the world, that are now going to interact with the Evil Dead 2 world. And they're actually even given props in the lobby that those characters need to help save Ash and stop the Evil Dead spirits and ghosts and demons from destroying the world, doing their thing.

So it's both a unique and entertaining experience in its own right that also feels like an offshoot of the events of the film?

I like to think of it, it is something that's happening within Evil Dead 2 that nobody has ever seen as they watch the movie. It just kind of happened and came and went and Ash just happened to never mention an escape room in Seattle, which he really should have. Unofficially.

How long have you been developing this idea?

I started planning this on paper actually like three years ago just for fun, in my head and on paper, just for me. And then this past December we contacted the people who own the rights and manage them, and just within a few weeks the deal was done and they've just been awesome to deal with.

Now that the opening is just a few weeks away, what have been the unexpected challenges?

I think the biggest challenge is, I want to know that we did a good job and I won't know that until it's up and running. And I think the challenge is probably just getting everything done in time and done correctly, and with high quality. I mean, the film shoot that we're doing this weekend, we're cramming three days into two days with these amazing actors, and it's just getting it all together and getting the right people to be a part of it I think is the hardest part, but what is making this all happen.

Everybody involved is such a huge fan of Evil Dead 2. I would guess that they would all say that's their favorite in the franchise, like me, though we all love them, all the versions. Ben is like as obsessed with this movie as I ever could be. And then we have Donal as our Ash, and he's just a giant fan. I had to ask him to do something kind of silly, that I don't want to give away, but when I asked him something that most people would be like, "No way," he's like, "Absolutely." Because there's something in the game he's going to get to do that is just awesome. And then Yuri Lowenthal, who a lot of people know from a million cartoons and video games. He's maybe the biggest Evil Dead 2 fan. He was so cool as our Professor Knowby. So it's like everybody involved. The crew, the cast, the builders. They love the movie so much.

And conversely, what about the whole experience have you been most proud of?

I think it's my crew. I mean, honestly, everybody has put so much into it and I'm probably doing more delegation than anything with this escape room. I mean the prop builders, the make up artists. I feel like I'm doing the least in a lot of ways by just delegating to these other people who are doing an amazing job. That's the thing I'm most proud of, is the crew.

#Hourglass Escapes #Evil Dead II #Evil Dead 2

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wknc881 · 5 years

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Interview with Max Gowan

You may remember the prolific singer-songwriter, Max Gowan, from WKNC’s Double Barrel Benefit earlier this year. The Raleigh native turned Virginia-resident gives us a look into his most recent album release, Bygones, which is set to produce its first music video later this month. Gowan is promoting this release through WKNC by generously giving us a teaser trailer for the project. The music video for “7th Day” by Max Gowan can be promo’d above and further questions about Gowan and his artistry can be read below.

Music Video Questions: First and foremost….. please give credit to the creators! Who helped you create this video? This video was made by Lake Park Productions which is a group of my friends Cary, Nathan, and Coleman, and probably some other folks who I haven’t met yet. They are awesome and I couldn’t be happier with the work they do.

With what concept did you approach the videographers when starting this video? I wasn’t sure what I wanted for the video when I went to my friend Cary’s team to see if they were interested. We talked about it and I told them the song was generally about a sense of unease and dread that I sometimes get that can be pretty consuming. They thought it would be cool to build a miniature town out of household toys and stuff they found and build tension throughout the video until the town ultimately floods. I was like “yeah, that’s perfect.”

To what degree does psychedelia inspire this music video? I guess a lot of people would consider the song itself to be fairly psychedelic, because it’s focused on building textures in kind of an abstract way, so I think they tried to make the video reflect that. I like things that evoke emotion without being overly direct.

To whom does this video pay homage? Who are your inspirations, if you have any? I know very little about film and movies but I’m sure the team that made this video had inspiration from lots of places. They were shooting in a style called “Macro” I believe, and I’m sure there are lots of filmmakers and directors covering new ground with that technique. I know it’s not similar at all, but for some reason, the video sometimes makes me think of Wallace and Gromit which I grew up on, I loved that claymation stuff.

I like the contrast between glowing and iridescent imagery inside the structures and for your profile's color scheme. The contrast between their vibrancy and the mundanity of the tiny town must have been intentional. Can you elaborate on that a little bit more for me? I didn’t know that was going to be done until I saw the finished video for the first time. I love it! I’m sure the filmmakers could speak better about it than me, but my reading is that everything in the video is an inanimate object, except for the shots of me playing guitar. So it’s almost like they’re making the play-pretend world seem very grounded in reality, but the actual footage of the real world seem more like a daydream. It’s a cool subversion.

Why did you select this song to be the featured single/music video off of Bygones? It was the first song I ever made for the album and I think I chose it for the single because I thought it had the most immediate appeal. I’m happy with how the guitar interludes turned out. Those sections have two guitar parts layered together that probably shouldn’t work but for some reason they did!

Common themes between your two music videos, "7th Day" and the video for "Couch" are time-passing (the flood in 7th Day and the train in Couch), light leaks, close-ups of your guitar, and photo-negative images of your scenery. What's the carryover between the two videos? How are they related if at all? Why do you like those motifs? Cary and his team also made the video for Couch, so I think those might be markings of their style. But I advocated for a lot of those choices too because I think I’m usually very conscious of the passage of time and of how things can seem surreal. I’m probably a little too focused on it, I guess that’s why I make music about it.

Ultimately, that small town is destroyed by water and the lights go out, why? That part to me is like...the extreme logical conclusion of any irrational fear or delusion. The idea that it could consume you. It doesn’t usually happen but I feel like it’s a fear that most people probably share.

Ever heard of the book, the Giver? You being the only thing in color reminds me a lot of that. I loved The Giver! That was probably my favorite book I read the whole year of 6th grade. I hadn’t at all thought about the connection there but you’re very right and I’m sure that subconsciously made me like this video even more.

Do you plan on releasing more music videos for this album? I would like to release more. I think I’d either want to do one for the song “Overpass” or the song “Knocking” but it will probably be a while before we can get anything going.

When can we expect this music video to come out and where can it be found once it is? I think our goal right now is late August or early September. It will be posted on my music YouTube channel and it will probably be premiering on some blogs as well. But YouTube is a safe bet.

The interview continued on to cover a variety of subjects. For further insight into Max Gowan as an artist and person, continue reading. The following Q-and-A does not directly pertain to the music video for “7th Day.”

Why is "Blue Kite" such a good song? It is my personal favorite! Haha, I’m glad you like that one. I’m really happy with how it turned out but for some reason it’s not one of my more popular tracks...I guess it’s a little slow and dark. I’ve never made something before that centered so heavily on piano and drums - that was a lot of fun to explore.

Do you have a favorite released track? I think my favorite released song of mine is probably this one called “Bad Breeze.” It came together really fast and just felt like the kind of song I’ve always wanted to make. I thought people would hate it at first because I could see how someone would think it’s goofy or weird, but I think it’s my most played song on Spotify which is a cool feeling!

Favorite and least favorite song that isn't by you? I hate to throw people under the bus but I heard this song “Lover Is A Day” by Cuco and it drove me INSANE. It’s kind of like a standard Ultra Chill Dream Pop song but I just really didn’t like the rambling vocals and instrumentation. Then I looked and saw the song is 7 minutes long. It just kept doing the same thing the whole time...the audacity. I’m probably just an asshole though. I’m sure the dude is talented it’s just not my thing. My favorite song is probably “Helicopter” by Deerhunter. Probably a very uncool opinion among Deerhunter fans but it’s everything I love in music.

Who are your musical icons that you admire? I listened to a bunch of death metal in middle school and then got really into Elliott Smith and Deerhunter in high school. I think those two artists plus Spirit of the Beehive, Broken Social Scene, and Alex G are probably the most influential for my music. I’ve also been listening to a ton of Tierra Whack lately, she’s amazing.

What have you done since Double Barrel Benefit? Double Barrel Benefit was awesome, we were really glad we got to play! Since then I finished my last semester and graduated college. I worked a couple of different jobs this summer and am moving back to Raleigh and job searching there.

What goals do you have for yourself going forward? I think my goal is to find a job that I am satisfied with that also allows me some time for working on music. As far as music goes, I think it’s easy to get caught up in thinking “in five years I should have this many listeners and be playing in X size room” but the world doesn’t work like that. I’ll be happy if I can keep making albums that I enjoy more than my previous stuff.

Where can people listen to your music online? You can find it under my name on Spotify and Apple Music or you can go to maxgowan.bandcamp.com

Soup or salad with your sandwich? Salad! I could use the fiber.

youtube

#wknc #interview #max gowan

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theseventhhex · 5 years

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The Hunna Interview

The Hunna

Since the success of their second album ‘Dare’, The Hunna have graced their fans with lead singles such as the title track, 'Dare', 'Summer' and the anthemic 'Flickin' Your Hair'. Following the release of their hugely successful debut album The Hunna have established themselves as one of the UK’s most in-demand bands. The four piece continues to excel with further new material, which is undoubtedly equable with The Hunna's beloved sound. Since releasing their debut record which peaked very high on official album charts, The Hunna has gone to accumulate well over 100 million streams. With sold-out shows constantly being the order of the day around the world, the band’s cult following is always gathering momentum, as things are surely looking up for The Hunna. Their reputation as one the best live bands on the scene is testament to their alarming and infectious energy… We talk to drummer Jack Metcalfe about being a band of close friends, loyal fans and football…

TSH: Is the idea of consistently challenging yourselves as a band at the heart of what you do?

Jack: Absolutely. As musicians we constantly want to try and prove our graft. The more we practise and tour as a band, the better we get. The style of music that we want to share is important to us, therefore when we start with a blank canvas and share ideas its key for us to be on the same page. We sort of push the sounds and styles of the type of music of certain artists that have influenced us, which in turn helps us to achieve our intended results. It’s all about coming up with some original ideas whilst staying true to our rock band roots. We’re all about honing in on what we’re good at but still exploring other avenues that we can blend into our own sound.

TSH: How would you assess the subject matter that The Hunna is drawn towards expressing?

Jack: There are lots of ways of observing and looking at our subject matter, but in general we find it super-important to express our stories and what we go through as individuals. Every artist has a different story to tell. For us, we’re just four best friends that have taken this route as a hobby and found the fun factor drives us forward. We always want to get different messages across to our fans. There’s a lot of love mentioned in our songs, and I guess the universal topics of love will always be relatable.

TSH: What’s the level of focus like when you guys enter the studio?

Jack: When we get together to make new music everyone is in there to do their jobs. We never compete with each other, even though it can be intense given the amount of hours you are in the studio at times. Whether we are recording or playing live, you are in competition with yourself - you’re constantly pushing yourself to do better. Also, as a team we all bring to the table what we know is best for the band and are supportive of one another.

TSH: Do your surroundings on your travels also inform your musical perspectives?

Jack: Definitely. Our surroundings during our touring always allow us to feel inspired. You know, some artists allow their success to get to their head when they become more well known, but for us it’s just a case of taking in and soaking up our surroundings and letting them influence us in positive ways. We’re all the same as we were since the band started. We love experiencing different cultures, different sights, eating new foods and meeting different fans from different countries.

TSH: What do you recall about the treatment that you wanted to give to the song entitled ‘Dare’?

Jack: Well, we are essentially heavy rock fans so this song was a nice chance for us to explore an even heavier side. Style-wise we love bands like Biffy Clyro and Foo Fighters and we did our own thing with those types of bands in mind. We aimed for something a bit more daring lyrically. Also, it’s an awesome track to play live too.

TSH: What does ‘Flickin’ Your Hair’ convey to you personally?

Jack: Well, Ryan took care of the lyrics for this one but in general it’s related to girl issues, just like a lot of our other songs. It’s more about embracing a visual of how at times someone just kind of blows you away - we’ve all been there.

TSH: The Hunna has a legion of loyal and dedicated fans, how rewarding is the support for the band?

Jack: Having such great fans is definitely one of the most rewarding things about being in this band. It’s surreal for us to have such amazing support. I mean we’re just four guys from Watford. As time goes on we just find it amazing to connect with our fans. We always see the fans after every show and it goes a long way. It truly is really overwhelming the love and loyalty we get from our supporters, and it drives us to be better whilst also keeping us grounded. Another inspiring factor is when fans sing along to our songs and it’s not even their native language - it’s very humbling.

TSH: Have you guys been keeping up with Watford FC’s great season?

Jack: Oh, we definitely keep an eye on their scores; however, Junate’s an Arsenal fan and the rest of the band are Man Utd supporters. We have a bit of a rivalry when they play each other. So yeah, we follow Watford but support other teams, ha!

TSH: Talk us through the mask aesthetic that you guys are fond of...

Jack: Back in the day I used to listen to a lot of underground rap which spanned America and bits and bobs of Japan too; I caught wind of it five years ago - there were these small rappers rocking the kind of masks we wear and I thought it was cool. It’s funny because Ryan got ill on tour a while back and started wearing a cool mask but it wasn’t for aesthetic reasons, instead he was trying to get better and not spread germs but it kind of stuck. Also, we named Dan ‘Bandana Dan’ because he loves rocking bandanas. Overall, there are different ways of rocking masks and bandanas, but for us it’s more of a fashion accessory.

TSH: What’s downtime and chill time like for yourself when you get a moment to yourself?

Jack: I like to go out in nature and do everyday sort of stuff like playing sports, hitting the gym, watching movies or going out for dinner on the weekend. As a band we love playing table football, it loosens us up and keeps us in touch with reality, ha!

TSH: Are there future preferences that you’re bearing in mind for the band as you look ahead?

Jack: Well, without sounding too corny, we just want to stay true to ourselves. We want to write what we want to in terms of stories that we want to tell to the world. Also, I think it’s important for us to simply rock out and offer a great performance when we play live. I feel like we are known for our live shows and that’s something that we want to constantly get better at as we look ahead. All the while we intend to better ourselves as people, as musicians and as writers too. We know where we want to go and what we want to give but it’s easier said than done and things take time. We’ll remain patient as we look ahead and simply always feel grateful for all the support we receive.

The Hunna - “Never Enough”

Dare

#Interview #The Hunna #Hunna #Dare

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warehouse13pod · 5 years

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Show Notes 104 "Claudia"

Knock, Knock, Agents.

At long last, Claudia has joined the Warehouse!

To listen to this weeks episode, click here or click play on the embedded player below.

Let’s kick things off! We started out this week with shout outs to our Patreon supporters. You could get a shout out too, if you support us on Patreon. Check out our Patreon here. (How many times can I type out Patreon before you click on our Patreon link? …Patreon)

P.S. We’re considering adding sending you actual fudge as a reward tier! Let us know in the comments if you’d be interested in that!

We also talk about seeing young Artie. Miranda questioned the darkness and bushiness of Saul’s eyebrows in the flashback scenes and thought they were, perhaps, a bit overdone. Turns out nothing could be further from the truth!

Check out those brows on young Saul Rubinek!!!!

I haven’t read any fanfic about the moment of glorious off-screen storytelling that was The Monkey Mission, so I can’t recommend any. But if anybody knows any good fanfic on the subject matter, I’m happy to update this post so I can link to it. Because, honestly, it’s one of the funniest moments of the show so far.

Anyway, on to the truly important stuff:

CLAUDIA IS HERE!

For those tracking our color theory of orange vs. purple, we did mention that there was a subversion in that, for the first time, something that seemed dangerous (Claudia’s handcuffs) glowed purple instead of orange, and it made us question whether or not Claudia was a “bad guy.” Spoiler: She’s not a bad guy.

Here’s a screengrab of that moment.

Miranda (and Eddie McClintock) gave us an amazing Actor’s Spotlight on Allison Scagliotti. She mentioned that she first saw Scagliotti as the character of Mindy Crenshaw on the Nickelodeon series, Drake & Josh. (For listeners and readers in countries outside of the United States, we discussed the enduring influence of Nickelodeon on mine and Miranda’s childhoods in the show notes for 103 “Magnetism”).

Here’s a younger Scagliotti as Mindy:

Miranda mentioned getting the proper pronunciation of Scagliotti’s name from Episode 21 of the podcast Let’s Talk About Me, Baby. That’s also where she learned that one of Scagliotti’s many artistic endeavors was time in the band Nice Enough People. She noted that Scagliotti had a starring role in the show, Stitchers and also that her work as guest starring roles in various TV shows goes under appreciated. We talked about the show Person of Interest in the show notes for our Surprise Interview with Eddie McClintock. Remember? That guy who is such a deep, intensely dark character that he even makes the lighting dark? You know, this guy:

Scagliotti guest stars on the 20th Episode of Season 2 of the show, titled “In Extremis” and does a really remarkable job. Here’s a screengrab of her in that role.

In the episode, Miranda and I also talk about how we were the exact same age as Allison Scagliotti when the episode aired. Here’s a pick of Miranda and I at that age making goofy faces for reasons neither of us remembers.

Moving on a bit, we talked about how cool the durational spectrometer was!!!!! For more information on real life spectrometers and what they’re used for, click here.

In that same scene, we learn that Pete’s sister is deaf, and that’s why Pete knows how to read lips. If you’re looking to learn how to lip read, here’s a website devoted to it.

We also talked a lot about the discussion of mental health in this episode. Miranda mentioned that young women in the Victorian era were often institutionalized for things that were incredibly absurd. She shared this list of actual reasons that women were institutionalized in the 19th century on Twitter.

Miranda got this list from here.

We’ve also mentioned in these show notes, several times, the Audible original podcast Stephen Fry’s Victorian Secrets. The podcast continues to be relevant to our own, as Episode 9 of the podcast focuses on the history of Victorian asylums.

We also wanted to be sure to mention that while we don’t know the statistics of how many people are voluntarily vs. involuntarily committed to mental hospitals, we do know that voluntarily committing yourself is a massive sign of personal strength and nothing to be ashamed of. Content warning for suicidal ideation, but here is a powerful first person account of a person who chose to check themselves into a psychiatric hospital that is well worth the read. Around the same time, we also discussed the well-documented fact that people who live with mental illness are much more likely to be the victims of crime than they are to commit crimes.

Miranda also talked about how Claudia’s bloody nose is similar to the one Willow from Buffy the Vampire Slayer used to get from using too much magic.

She also theorized that this occurs in science fiction when a character becomes physically involved with a force beyond their control.

Our awesome guest, Dr. Kathleen Crowther—who is also a fan of Warehouse 13, gave us some amazing information on Rheticus. She mentioned that he wrote poetry and had read one of his about the Beer of Breslau. You can find that poem and its translation here. She also said that his poetry could get quite racy and was based on or inspired by Ovid’s Art of Love. She also mentioned that Rheticus was a student of Nicolaus Copernicus and that they both believed in a heliocentric rather than geocentric model of the solar system. Revolutionary stuff! Get it? REVOLUTION-ary!?!?!?

Anyway, here’s some more information about Rheticus.

Miranda also gave a shout out to the person in charge of hair and makeup for this episode. That person is actually two people. Susan Exton-Stranks was in charge of hair and Marie Nardella was in charge of makeup. They both did an excellent job!

We also talked about how powerful it was that Drew Z. Greenberg—the focus of our Writer’s Appreciation Corner for the week—worked a beautiful story of same-sex love into the story which featured a real queer man from history (Rheticus) at a time when gay marriage wasn’t even legal in the United States yet! He talked a bit about his commitment to queer representation here.

Dr. Crowther also mentioned that the picture used to signify Rheticus in the episode was actually a picture of his contemporary Philip Melanchthon., who was one of Rheticus’ mentors and teachers at the University of Wittenberg. Also, related to his representation of a queer man of history, Crowther told us that one of his friends and, likely, lovers was Heinrich Zell, a German (Prussian?) painter and cartographer.

Then we talked about the heartbreaking scene where Claudia talks about her brother staying up to read her Maria Looney on the Red Planet. This is especially sweet, not just for the reasons we talked about in the podcast, but also because further research on the subject revealed that the Maria Looney book series was a spinoff of the Matthew Looney series which focused on Maria’s brother. So the strong brother-sister connection was present down to the subtext and research. It’s just so sweet.

We also talked about how we finally got to see Artie’s nice car, which friend of the show, @ElZilcho on Twitter pointed out was “Jaguar XK150” and adds that “The XK150 ran for four years, 1957-61” and was an interesting and offbeat choice. El Zilcho also was kind enough to include that they got this information (and the picture we shared below of Artie’s car) from the Internet Movie Cars Database, which is a wonderful database that I would never have even known exists otherwise! Thanks, El Zilcho!

We also mentioned that giving Artie a nice red car was an excellent nod to Giles doing the same thing for himself in Buffy the Vampire Slayer.

Artie’s Car:

Giles’ car was a similar red car. It is a Red 1987 BMW 325i Convertible that Buffy affectionately calls a “little two-door tramp.”

Picture of Giles’ car for comparison:

We talked about seeing Mrs. Frederic WALK THROUGH AN ACTUAL DOOR THIS EPISODE!

Alas, alack! I was unable to find a gif of this historic moment. She probably ordered Claudia to delete all evidence of this from the internet.

We talked a bit about the show framing Ben Franklin’s lightning rod as an artifact. Learn more about Franklin’s lighting rod here.

We also talked about how Mrs. Frederic uses the word “glean,” which Pete finds weird. I, personally, didn’t find the word that strange. But what do you think? Try incorporating it into your vocabulary. Here’s the definition of “glean” from Merriam-Webster.

We also talked a little bit about how sweet and vulnerable Artie was with Claudia. He immediately goes into Dad-mode and lets his guard down with her. It’s the first time we truly see Artie showing how much he cares about other people.

Later in the episode, Miranda changed my life by helping me realize that Rheticus’ compass is A PORTKEY!

That’s all I have for this week.

Hope you gleaned what needed to be gleaned from these show notes, Agents!

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natsthinkitythinkthinkthonk · 6 years

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Happy 32nd Birthday Nobuhiko Okamoto!

Personal Note:

I’ve been preparing for a while because I wanted to make this with a lot more thought. Sorry for the length of this post. I spent quite a bit of time on it, but I didn’t realize it would get so long! He is one of my top favourite voice actors (both English and Japanese) ever. To me, he’s a relatable, awesome, and passionate inspiration. He puts his all into every role he does, and he never gives up no matter who tells him to.

I could probably go on about how much I like many of the roles he’s done, but that would be a whole other essay in itself. I even considered watching Corpse Party (the scaredy cat I am) because I heard he was in it. Yeah, I’m one of those people who gets drawn to anime when I figure out certain studios and voice actors are attached to it. I have watched a few episodes of some really bad anime because I heard he was in it. No regrets! Okay, maybe I have a few... I still haven’t watched them all though! I plan on watching a ton more, and that includes a few bad apples here and there.

Despite all the hurdles and adversity he faces, he overcomes it! He has had so many amazing roles, he sings, he’s good at shogi, and he’s just a good person. I respect him a lot. Honestly, I can’t word stuff too well, but I sincerely hope he continues working, maybe gets married and has kids (since he said he wanted to), and experiences all the happiness he deserves.

Table of Contents:

Top Roles (+ clips)

Trailblazer arrangement

Facts + Q&As

Music Recommendations

Additional Sources + other cool posts

Top Roles:

I watched to include even the ones that I didn’t watch entirely, so I put together a whole list. It’s generally not too strict in order, but I went from his good to his best. If I wanted to put a few words, I just included them in square brackets. In those, there will also be recommended clips if I feel the need to add any in.

* = ones that I haven’t watched completely (or up to its current point)

Rui Tatsumi* - Starmyu

Ivan Karelin* - Tiger and Bunny

Shin-ah - Akatsuki no Yona

[This character didn’t talk much, so he actually got to play a MOB character as well. I found this character kind of charming though.]

Mitsuo - Danshi Koukousei no Nichijou

[He’s the one who dropped the hot dog. Rest in Pieces. This anime made me laugh, and even though this character barely appeared, he made me laugh every time he did. Recommended clip: “Glasses”]

Gladion* - Pokemon Sun & Moon

[He’s actually the perfect choice to play this edgy boi.]

Yumeji Fujiwara* - Yumekui Merry

[RIP the can]

Makoto Kashino* - Yume-iro Pâtissière

[I just started this one]

Mizuki* - Kamisama Hajimemashite

[I watched six episodes of this one.]

Rei Ogami - Code:Breaker

[This wasn’t a very good anime, it’s a mediocre manga, but I still enjoyed it.]

Nikaidou Harunobu* - 3-Gatsu no Lion

[I watched around 6-8 episodes of this one. This character is a pure round boi, and I like the way Nobu portrayed this character. Recommended Clip.]

Io Otonashi* - Acchi Kocchi

[I watched around 5 episodes of this one. His bishounen game is very strong.]

Takeru Fujiwara* - Prince of Stride

[These anime characters run like how I run from my life responsibilities and problems. His bishounen game is also very strong. The strong and silent type is always popular. Sadly, I’m the quiet and extremely frail and weak type.]

Shouta Kisa* - Sekaiichi Hatsukoi

[According to Tumblr, he has never done an R-rated (18+) BLCD, but he has been in some shounen-ai anime.]

Issac Foster - Satsuriku no Tenshi

[My reaction to this anime. Don’t worry, I’m following this to the end.]

Ryousuke Kominato - Diamond no Ace

Ryou Kurokiba* - Shokugeki no Souma

Age - Sakasama no Patema

[Yeah, that’s his actual name. If you name your child something that stupid, I would personally like to have a word with you. This movie was really nice though.]

Accelerator* - Toaru Majutsu no Index

[I had to include his laugh to this]

Jurai Andou - Inobato (Inou-Battle wa Nichijou-kei no Naka de)

[And jail is just a building you live in! I can’t remember the context of this line.]

Kiyoharu Hyoudou - Welcome to the Ballroom

Yoichi Saotome* - Owari no Seraph

Eiji Niizuma* - Bakuman

[Recommended Clip]

Obi - Akagami no Shirayuki-hime

[When he looks into the mirror and realizes he’s missing his eyebrows.]

Takumi Usui* - Kaichou wa Maid-sama

Yuu Nishinoya* - Haikyuu

[Recommended Clip: ROLLING THUNDER!]

Rin Okumura - Ao no Exorcist

[He’s such a likeable protagonist. Recommended clip: Rin x Shiemi because they’re adorable]

Mikoto Mikoshiba - Gekkan Shoujo Nozaki-kun

[This character made me laugh so much. He and Seo are my favourites. I haven’t seen another amazing anime with both Miyuki Sawashiro and Nobu. They’re my two favourites. I hope to see them acting together eventually (even if Mikorin and Seo never really communicated). Thanks to Nobu, we have a voice to this madly embarassed bishounen. Recommended Clips: Mikorin Clips, Mixer Clip]

Katsuki “Kacchan” Bakugou - Boku no Hero Academia

[Bakugou might not always be my cup of tea as a character, but his voice made me like him somewhat anyway whether he’s an asshole or not. There are a few scenes in season three that hit me with mad feels,, but even during season one and two, Nobu aced this role. This role is what shot him up to one of my favourite voice actors. Recommended Clips: Rage moments, Kacchan vs Deku audio segment (scroll down a little for this Tumblr post), Salty Bakugou S1]

Karma Akabane - Assassination Classroom

[While Bakugou is one type of crazy, Karma is another. Honestly, he’s such a sly, cunning, and mischievous character, but that’s what we all like about him, right?]

Trailblazer Arrangement:

youtube

This is my first time transcribing a song and arranging it! I improvised and made up some stuff (mostly guitar solos that just didn’t fit as well logically on piano). I usually don’t like (actually, I kinda hate) transcribing because it’s basically like trying to copy down a book that someone reads aloud (and you can’t look at the text). But it was worth doing this! He’s definitely not my favourite singer, but I’d still listen to him.

I didn't want to go with an original score for this one because I felt like I wanted to improve a lot more as a composer and artist (as if I'm qualified enough to be called those terms). When I make one for him, I want to go all out.

Facts:

I found some other interesting facts online. There are quite a few different sources. I’ll try to list them below all the facts (but I might link them to the actual facts as well. There are a lot, so there’s that.

All [Nat Notes] will be put between square brackets “[these]”.

These are all from THIS POST:

After graduating from secondary school, he entered some voice acting training courses associated with his agency (Pro-Fit) to pursue his dream as a seiyuu.

To be able to pay for his training, he worked at a 7-Eleven and a post office.

His family is very strict and conservative.

He was into video games when he was younger, but his parents were against letting him play video games and ended up limiting him to a one-hour per day time limit [THIS POOR BOI]

[Regarding his gaming] his parents told him, “If you want to play games, you can play shogi.” This ended up being the reason he started playing shogi.

He is a practicing Catholic [ironic since one of his most iconic roles is playing the son of Satan]

He’s a 3rd dan ranked shogi player, and he once aimed to be a professional shogi player.

He has a huge love for sweets. I follow his blog, and a lot of his posts involve sweets.

“His favourite [candy bar] would be Black Thunder chocolate bars (same as Kamiya Hiroshi and Ono Daisuke), and at one point, he always ends up buying Black Thunder by the box, stocking up on it, and eating up to 10 bars in one day, that his agency decided to restrict him into eating just one bar a day.” [let the poor guy eat his chocolate]

He is easily bullied by other seiyuu [check out the original post which has gifs of his mishaps]

“[While recording] …he ran away from the mic, forgetting that he was wearing headphones connected to the mic and ended up messing up the recording room, and the staff had to rearrange everything.”

He’s a big fan of Pokemon [He now plays Gladion in Pokemon Sun & Moon]

These are from “More Nobu Facts”

“As a student, he used to fall asleep on the train and miss his destinations sometimes. He thinks that it’s really comfortable to take a nap there.” [Yeah, you say that until you somehow end up in the middle of nowhere and wonder where you are and why you even exist.]

“He suffers from hay fever in the spring. Said that the symptoms kill him.” [You and me both except mine are year-round and gradually getting worse.]

“He played with Lego bricks when he was a kid.” [If he’s the type of person who left out the bricks and made people experience pain because of it, I will personally leave Lego bricks outside his door. Those things hurt when they’re unexpected.]

“He loves the indoor life.” [don’t we all…]

“He read the Harry Potter series.” [I did too! Not that I remember any of it.]

“His cute, foreign Furby only speaks English. Noburin stated, “English is very hard.”” [HOW DO PEOPLE SLEEP KNOWING THEY OWN ONE OF THOSE? I WOULD BURN IT IF I GOT ONE.]

“In elementary school, the girl he liked gave him chocolate on Valentine’s Day. He said he felt like crying from the shock.” [I haven’t experienced that. Was he happy because it was that girl who gave him chocolate or because he got free chocolate?]

“He was hospitalized before when he was a child due to a bad cold (or maybe the flu).” [Well, that diet sure doesn’t help, and I doubt screaming all the time is good for you. Weirdly, I can’t say anything more than that because I do both too except I scream internally while he does it as his profession.]

He tends to get sick within the first two weeks of October, right before his birthday. [I wish you luck!]

He likes to watch lightning and thinks that it’s cool. [I’M SO SCARED OF THUNDER]

During the summer as a kid, he liked to catch cicadas and dragonflies, and play with water guns. [SAME DUDE]

He was in the badminton club during secondary school.

These are all from his Q&A! [Part 1], [Part 2], [Part 3], [Part 4]:

I’m not going to include quotation marks for this one for the most part. I changed some awkward phrasing. I left out some questions from the original posts as well. Check the sources out!

Nickname: Pikorin

Favourite animal: Dog [Same. I love my dog, Penny. She’s my little sister. I have no shame.]

What are you fond of?: Squirrels [why?]

Description of your personality: Moody [Same.]

Favourite Colour: Black

Health and Beauty Routine: I drink two cups of milk in the morning and do squats two times a day.

First thing you do in the morning?: Rinse your mouth

First thing you wash in the bath: Face

Amount of sleep you get: 4 hours on the weekdays, 10 hours on the weekend [I wouldn’t live with that kind of schedule.]

Rain or sunshine: Rain!

What did you play as a child?: I slid down the slide and got many scratches. [I ran up slides a lot in elementary school]

Something you’re proud of: “I have a shiny legendary Pokemon.” [I ALMOST NEVER GET SHINIES. LET ALONE LEGENDARY ONES. THAT’S AN ACCOMPLISHMENT RIGHT THERE. The chances of getting one kinda vary, but it’s less than 0.1% I think.]

Favourite school subject: Math [Can’t relate. I’m dumb.]

Least favourite school subject: Civics

Best school memory?: I won a badminton tournament. [Can’t relate. I’m a blob.]

Previous part-time jobs: [...]post office, fast food, convenience store and then accounting, I’ve done different jobs.

If you could be reborn, would you be a man or woman? A woman!

Who was your first love?: We were in elementary school, in the same class. [Related post]

Any gesture of women unnerving to you?: My heart skips a beat when ousted or “shooed” by hand. [He gets shooed like a bug XD]

Where would you go for a date?: Tokyo Disney Sea. [You know you’re at the height of luxury when you can afford to take someone there. I want someone to take me to Disneyland or Disney World, or a Disney Cruise.]

Morning person or night person?: Morning person. [Can’t relate.]

If you could drive to any time period, what would it be?: Jurassic Period! [If it just so happens you do, *pats* it was nice knowing you (even though he doesn’t know me). He’ll get eaten by a dinosaur.]

If you were stranded on a deserted island, what would you want there with you?: My Nintendo DS or PSP. [Good luck without a charger or electricity. What games would he bring though?]

Favourite music genre: Anime songs [Me too fam.]

Do you play any instruments? No, playing the F chord on the guitar is my limit. [I like playing and creating music. I’m just not any good at it. XD He should try learning though!]

Favourite sports: swimming and badminton [I’m not good at swimming. I’m not good at badminton. I’m not good at sports.]

Sweets you usually eat: Macarons and chocolate-related sweets [AYE, that’s pretty much my taste too, so we pretty much have similar taste.]

Something you’re self-conscious about: The thickness of my eyebrows. [If his eyebrows were ugly, I would’ve commented on that already. XD (I usually say something along the lines of, “Is that a caterpillar on your face? It’s so thick and bushy! It looks like you took hair from your head and put it on your eyebrow! Maybe you can’t grow facial hair because all of it goes to those eyebrows.”)]

What will you do when and if only you became an invisible man one day?: Secretly observe Sugita Tomokazu-san. [Well, alright then. Fangirls have some competition? More importantly, Nakamura has competition!]

What’s the scariest thing to you?: In a sense, the most intimidating people. [All people are intimidating for me O^O’]

What is the title of the first game you’ve ever played in your life?: “Super Mario World”. [For me, it was Pokemon Pearl]

What would you be if you went into the fantasy world?: A witch. [Nobu, defying gender barriers. He’ll be a fabulous witch. I would similarly want to be a mage.]

What if I want to use a weapon to fight monsters?: Bow, crossbow. [I would want to use magic or a sword!]

Favourite season?: Spring. [I like winter because plants are dead (I have extremely bad allergies), snow, Christmas, my birthday, and New Year’s!]

At what spot do you like to linger around?: Starbucks. [Again, the height of luxury is when you’re able to afford Starbucks regularly.]

How’s your tolerance to alcohol?: I can’t drink much. [I don’t drink]

What good books do you usually read?: Original works that are adapted into anime. [I don’t read a lot. I’m an illiterate fool.]

What do you buy at convenience stores?: Fresh premium caramel roll cake. [I wish they had those in Canada…]

Favourite place in the country?: Okinawa. [I gotta go there someday!]

What countries do you want to go abroad?: Italy. [He recently said he wants to go to Italy for gelato and to be honest, I relate. Europe has good chocolate and cheese from what I hear.]

What are the challenges to your trip destinations like?: Pickpockets like to snatch! [He better watch out for those vans that say “Free Candy!” They might be meant for kids, but he might just stumble in.]

Are you nervous in public?: Recently it’s been okay; still nervous during events. [I’m always nervous in public. I would like to attend an event by the end of my life though.]

What would you tell your past-self (10 years ago)?: “Don’t give up and eat your dinner properly!” [I tell that to myself now XD If I were to send a message to myself, it would be something along the lines of, “What you feel, what you think, and what you believe is important. Listen to yourself. At the end of the day, you will figure out what to do. Don’t be afraid of being alone, and don’t be afraid to wander. Loosen up.”]

What would you message to your future-self (10 years from now)?: “The you in his twenties is having lots of fun. Are you having fun?” [Message for me ten years from now: PLEASE TELL ME YOU AREN’T AS DEEP INTO VOICE ACTORS AND ANIMATION. I BEG YOU, GET A LIFE.]

If the world was going to perish in 24 hours, what would you do? Gather all my friends and family, and have a BBQ party. [I would just write something in case it resurfaces. I would want to write my thoughts, opinions, and experiences along with the people around me.]

Where do you want to work?: A place where I could grow. [Same!]

What are your thoughts when you look back at 2010? I issued a sex appeal to play [Usui], and worked hard to reach the targets! [From the amount of screaming fangirls, I think you did just fine.]

What is your current aim?: To be more playful and get more out of acting.

Finally, a message to the world: I’ll work hard from now on to make a voice that everyone will not have a hard time to listen to. Thank you for your support! [Thank you Nobu! You inspire a lot of people (including me) everyday!]

Additional Facts! [SOURCES WILL BE LISTED BELOW!]

He likes watching horror movies (especially with his friends Ryouhei Kimura, Kouki Uchiyama, and Yoshimasa Hosoya. Kouki is a scaredy-cat.) When watching a horror movie, he experienced scary unknown noises and used salt to ward away ghosts.

His birthdate is October 24, 1986

He is 168cm tall

He is affiliated with the agency Pro-Fit

He won: - Best New Actor Award at the Third Seiyu Awards for his roles as Shin Kanzato in Persona: Trinity Soul, Ryuji Kuhoin in Kurenai, and Accelerator in Toaru Majutsu no Index (along with Yuuki Kaji!) - Best Supporting Actor Award at the Fifth Seiyu Awards for his roles as Takumi Usui in Kaichou wa Maid-Sama, Eiji Niizuma in Bakuman, and Accelerator in Toaru Majutsu no Index II

He loves sweets... a lot: - He’s a qualified patisserie - Where his love of sweets came from [I can also say that is a good portion of his blog]

He tried to be rebellious as a kid but got “clobbered” by his mom.

He would purposefully wear long-sleeves while in the hot recording room for “My Hero Academia” so that he would be agitated enough to play Kacchan!

He adds chocolate to his curry sometimes

He gave Ayane Sakura the nickname “Ayaneru”

He often celebrates fictional characters’ birthdays on his blog for series that he’s involved with!

He was once told to give up on being a voice actor!

youtube

Thank you for not giving up Nobu!

Music:

月刊少女野崎君-俺の手でSPARKING!! 御子柴實琴(CV:岡本信彦) - Gekkan Shoujo Nozaki-kun: Mikorin Character Song

Kamisama Hajimemashita: Mizuki Character Song

Welcome to the Ballroom: Kiyoharu Hyoudou Character Song

『サクラメント』By Okamoto Nobuhiko Ending for Vatican Miracle Examiner

Promise - Kaichou wa Maid-sama: Takumi Usui Character Song

Restoration to 0 - Code:Breaker: Rei Ogami Character Song

Tiger and Bunny: Character Song

スタミュ Starmyu S2 Shadow & Lights 「沈黙のディアローグ」Ver. Tatsumi Rui

Blue Flame - Prince of Stride: Takeru Fujiwara Character Song

99.9% Noisy - To Aru Majutsu no Index: Accelerator character song

Oikaze ni Tsugu - Diamond no Ace: Kominato Ryosuke

Trailblazer - Ao no Exorcist

Kimi wa Hitori Janai

List of Links (Sources and other cool stuff!):

Some of the links were included in the actual facts themselves! If a source and other stuff is missing, they’re included above!

Voice Compilations:

25 Anime Characters That Share The Same Voice Actor as Boku no Hero Academia's Bakugou Katsuki

Voice Compilation [ 1 ], [ 2 ]

Wikipedia:

Nobuhiko Okamoto

3rd Seiyuu Awards

5th Seiyuu Awards

Haikyuu Stuff:

Haikyuu Awards Basically, they got the fans to nominate for awards like “Who’s the best dressed?” Then the cast got to comment (and maybe get praised by the two female cast members)

“Imagination Game” - Seiyuu Event Long story short: to win a pair of Karasuno boxers, the voice actors must answer all the same character when asked something like, “Out of the Karasuno team, who’s the most likely to [blank]”

Cast Pictures

Drama CD: Why Noya isn’t popular with women (This one is because I fricking relate because I’m too short for this tall world)

“Who’s Best Girl?” - Cast Comments + Nobuhiko’s comments [video with cc]

Nobuhiko Okamoto & Yuuki Kaji being bros [ 1 ], [ 2 ], [ 3 ], [ 4 ], [That time they challenged a Guinness World record], [Nobuhiko’s message for Yuuki Kaji’s 30th birthday]

Nobuhiko’s athletic ability

Kouki Uchiyama, Daiki Yamashita, Nobuhiko Okamoto: [Comic] BNHA Cast Comments

Daiki lending Nobuhiko his jacket (this can potentially fuel Bakudeku fanfics. I can feel it.)

Nishinoya and Bakugou at Jump Festa

#Nobuhiko Okamoto #HAPPY BIRTHDAY #seiyuu #don't ask how long I spent on this #seiyuu facts #seiyuu songs #seiyuu roles #too many tags too little time

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jamiekturner · 5 years

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The animation movies you shouldn’t miss in your lifetime

Animation movies are not simply more sophisticated cartoons. Over the years, they’ve introduced us to some of the best cinema characters, involved us in memorable stories, and gathered millions of fans worldwide.

But which are the best animation movies to see? In fact, what makes an animation movie good? Which was the best animation movie ever?

Of course, everyone can answer these questions differently depending on what they like, but there are a few movies we can all agree were blockbusters. What makes an animation movie stand out are most of the time the characters, story, and animation style.

Here’s our collection of the 30 best animation movies of all times. Give this list a look, and you will certainly find a few of your personal favorites in there.

If not, it is time to explore the animation world and to find new horizons!

Snow White and the Seven Dwarfs (1937)

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Disney’s production has more amazing cartoon movies than we can possibly gather here, but this is the story they’ll always be recognized for – the tale of the beautiful, wandering princess, the mean queen, the handsome savior, and the sidekick band of helpful and funny dwarfs.

The awesome fairytale written by the Grimm brothers was not only the kicker hand-drawn animation of Walt Disney, but also the first animation movie in the history of the moving pictures industry.

Time can do nothing against it – after almost a century, you shed some light over the old painting, and it springs to life!

Fantasia (1940)

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This great animation film brings together the best of the Disney world, Tchaikovsky’s music, and magic. You will be delighted by the unique mixture of Western classical sounds and the visual game of Disney’s characters while Leopold Stokowski leads the Philadelphia Orchestra.

Dumbo (1941)

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A filmmaker from Pixar shared an interesting story with us – his mother who could barely understand English, watched Dumbo and understood what his mom wanted as she interlocked trunks with him inside a circus cage. This is what makes this movie a proper animation hero – you understand it without words!

Bambi (1942)

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Bambi marked some of the best moments in Disney’s history and top animated movies, such as its mother being shot by a hunter and leaving the tiny sweet fawn to fend. More than a cartoon, Bambi is a lyrical and beautiful affirmation of the miracle of life, and stands for values such as family, friends, and our glorious nature. The titular doe of this movie loses its innocence as it’s mother dies, but also grows up virtuously, gains knowledge, and becomes capable of depending itself.

Robin Hood (1973)

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Robin Hood was the first animation movie to be released after Walt Disney died. At the time, it was considered to be an embarrassing, on-budget piece, but time reversed that to one of the best animation movies of all times.

We all know the story of Robin Hood – the hero of the little people who steals from the rich. He was animated several times, but none of his adaptations was as charming and memorable as the one made by Disney’s animators.

The concept was the same as in fairytales – whistling rooster narrators, a maid for Robin to fall in love with (Marian), and a furry squad of brave friends helping Robin recover what Prince John has stolen.

Belladonna of Sadness (1973)

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What inspired Japanese director Eiichi Yamamoto to create this unbelievable psychosexual animation was Jules Michelet’s book on witchcraft and feminism called La Sorciere.

The beautiful yet disturbing piece was released in 1973, and the ones who saw it certainly remember how shocking it was for the standards of that time.

In 2016, there was a new Belladonna release in the U.S., and it had pretty much the same effect on people. Even modern society finds such animated fantasy traumatizing, and is not prepared to embrace how scandalous it is.

For instance, the heroine gets visually assaulted, and some viewers may find that disturbing.

In short, you may like or dislike the story behind it, but this animation is certainly a masterpiece. It was created in a unique and delicate manner, using a pleasing pastel palette of watercolors the human eye enjoys.

Street of Crocodiles (1986)

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Movie production in the 80s was almost entirely digital, but that didn’t prevent visionaries Timothy and Stephen Quay from drawing one of world’s best stop-motion pieces. Their short animation features a hatched-faced puppet with a decaying body that navigates a bunch of dancing screws, and creates a feeling of being stuck in a vivid dream that won’t let you wake up.

The piece attracts interest even today, especially among surrealist and stop-motion artist. The Quays were actually inspired by Jan Svankmajer and the writer Bruno Schultz, two of Poland’s best known names in the surrealism world.

My Neighbor Totoro (1988)

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Two years after Street of Crocodiles, the world was introduced to an even better animated film -My Neighbor Totoro. It has been 30 years since, and this movie still lifts up the spirit of those watching it, as it features one of the most heart-warming stories.

The main characters are two adorable Japanese children leaving their home to find magic. Along the way, they discover a wondrous cat bus and a gentle giant named Totoro who helps them accomplish their mission.

This makes Totoro one of the best cartoon movies suitable for all ages: everyone could enjoy a supernatural, slightly uninhibited delight.

Who Framed Roger Rabbit? (1988)

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Robert Zemeckis is the name behind this groundbreaking, hybrid crime/comedy movie. First of its kind, this movie treats the murder of a bunny, and features an iconic toon-loathing detective working on the case.

‘Who Framed Roger Rabbit’ broke all records of production expense. It cost more than any film produced during the 80s, and became the 2nd highest-grossing movie in 1988.

Akira (1988)

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Kanye West appointed Akira as the leader among its favorite films, and many of us can agree with him. The incredibly detailed sci-fi movie doesn’t stay behind names such as Matrix or the Blade Runner, while its imaginative urban setting display makes it the finest Japanese animation ever created. In fact, Akira has become a cult with millions of followers worldwide.

The main protagonist is a Neo-Tokyo teen biker called Tetsuo. Tetsuo’s mission is to release the unlawfully imprisoned psychic Akira, and his way there features the best action scenes ever to be seen in the animation world.

The Little Mermaid (1989)

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There’s almost no girl out there who didn’t dream of becoming a mermaid, and they own this to one of Disney’s most compelling stories. This romantic movie follows the life of beautiful mermaid Ariel whose dream was to have legs and to live on land.

It is with Ariel that Disney’s renaissance took off. We all associated the Faustian tale with making important choices in our life, such as the one Ariel made when giving up her voice to pursue being human.

Her love story with charming prince Eric provided us one of the most memorable movie soundtracks, and we learnt to love her despite of her stubbornness. This is why The Little Mermaid still counts as a favorite Disney movie.

Beauty and the Beast’ (1991)

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Do you remember the love story of Bella and the Beast? Next to the inspiring story of Bella’s pure soul discovering the prince inside a buffalo, this movie caused a drastic change in the world of best animation, causing many people to take it seriously.

Looking at the magnificent ballroom sequence and the couple’s first dance, we found it hard to believe that the film was computer-generated. Actually, Beauty and the Beast was so good that it became the first animated movie to earn a Best Picture Nomination.

Aladdin (1992)

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Yup, these were the golden years of the Disney production of animated films! Following the success of Ariel, Bella, and their prices, animators recreated another iconci character, and that was Aladdin.

Prior to this movie hitting screens, many people were unaware of the inspiring and romantic rags-to-riches story, despite of it being a classic 1001 Nights tale.

It follows the dreams of an open-vested, homeless, and hopelessly in love boy who’d set an eye on a rich and beautiful princess. As hard as his evil enemy Jafar tries to get her, she still falls for Aladdin, the boy with the magic carpet, Robin Williams-voiced genie, and enormous heart.

FernGully (1992)

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FernGully is another classic in the animation world that treats the destruction of Earth and all creatures that live on it. It was created for children, and they loved how protagonist fairy Christa fought against the destruction of her Australian rainforest.

Her assistant was a boy named Zak, and her enemy was a logging company attempting to wreck her world. You may find it interesting to know that this movie inspired Avatar and the creation of princess Mononoke.

Porco Rosso (1992)

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Ain’t this a weird film! And yet, a lovely one! Hayao Miyazaki presented us the story of an ex WWI fighter pilot from Italy, and that pilot happened to be a funny red pig. For protagonist Porco Rosso, being a pig is nothing bad – he still canoodles with beautiful ladies assisted by Fio, his mechanic protégée. This film is both engaging and historically rich, and is definitely worth watching!

The Nightmare Before Christmas (1993)

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As his projections show, Tim Burton comes up with the weirdest pairings ever – beetles and juice, hands and scissors, and this time even Hallowing and Christmas. In this movie, we get to meet the pumpkin king and his sudden Christmas joy. And right when you think it can’t get better, you hear Danny Elfman’s live performance of ‘What’s This’.

The Lion King (1994)

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Here’s another of Disney’s major works with a Shakespearean background. Instead of Hamlet, we’re acquainted with a lion family and their friends from the jungle, and we get to see some of life’s most important values on screen.

The film also has iconic musical sequences – the renowned soundtrack, for instance, is many people’s association of a beautiful childhood.

The music was written by Hans Zimmer, a legend among composers who actually manages to turn emotions into sounds. As Simba and Nala tussle in the grass, their love warms our hearts, the same as Scar’s betrayal makes us angry and eager to help Simba discover that he has no fault for his father’s death.

As we watch on, we get to adore Simba’s little Hakuna Matata friend, or the buds Timon and Pumbaa as they help him become king of the jungle.

Toy Story (1995)

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Toy Story is Pixar’s first and arguably ultimate achievement. It was such a success that it turned the company into a film franchise, and it set the standards of how a perfect movie should look.

We will remember it by the iconic ‘personalities’ of Woody, Hamm, Rex, and Buzz; and for its immense contribution to what toys meant in our lives. According to many viewers, Toy Story is the best animated movie ever!

Perfect Blue (1997)

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Japanese director Satoshi Kon made a pretty successful animated prototype of legendary Black Swan. This movie is far from a pass-time show, and we wouldn’t recommend it for kids in any case. Its protagonist is pop star Mima who decides to try out acting.

Her fans are furious about it, in particular a creepy stalker that tries to invade her life in many different ways. That, however, is not the worst thing to happen to Mima – she starts tormenting herself with her alter ego – an imaginative ‘her’ that questions her decisions, and brings her in all sorts of compromising positions.

This movie is sexually explicit, compromising, and even haunting, and gives us a pretty good overview of celebrities’ troubles with media violence, exploitation, and lack of personal space.

Hercules (1997)

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What better than an animation to make Greek mythology fun? The epic tale of demigod Hercules and his parents Zeus and Hera inspired many professionals in the movie business to bring these characters to life, including beautiful Megara Hercules saves from evil ex-boyfriend Hades.

Even after 20 years, this is a movie every kid should watch – the movie that teaches us that strength is only good when used for a good cause.

Mulan (1998)

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Remember the cute Chinese heroine who joined the army to ensure her dad doesn’t have to go? Hardly did any of us forget her epic appearance on gender’s funeral to ask if there were Huns to fight!

Mulan was also the long-awaited Asian reappearance on screen, and a role model for young women who didn’t abide to sexist norms. She was noble, brave, and extremely fun to watch – just the way we’d all like to be! Along the way, she even fell in love with Captain Li Shang, and gave this amazing story the love crown it deserves.

What made the Mulan movie even more memorable were the voices of the protagonists – the mini dragon Mu Shu was voiced by amazing Eddie Murphy, while the voice behind Mulan’s beautiful interpretation of ‘Reflection’ was none other than Christina Aguilera. Could it get any better?

Princess Mononoke (1998)

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Princess Mononoke is not a typical and soothing animation movie. The visceral and dark story is often considered as Miyazak’s best movie, and there are many reasons for that.

Following Ashitaka’s efforts to reintroduce peace between the generous gods and destructive humans, you are provided with a truly imaginative and epic visual experience. This is why Princess Mononoke became the 7th highest-grossing animation of all times.

The Iron Giant (1999)

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The Iron Giant is a much underestimated animation movie, and we believe this is so because of it being misunderstood. Rather than attaching an ‘antiwar’ label on it, we should look deeper under the surface and understand that Brad Bird’s guns are not simply killing machines – he questions how it’d be if they had a soul. Interesting, isn’t it? Put it on your list!

Chicken Run (2000)

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Chicken run is not just the funny story of a loud rooster and his fellow chickens escaping certain death – it is the stop-motion parable and homage of The Great Escape that shows us how the wreckage of capitalism looks like.

It is also a very well produced piece whose scrappy heroines are to be quoted and remembered, and it definitely deserves a look.

Monsters, Inc. (2001)

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If you’re into animation, there’s no way you missed Monsters, Inc. Its memorable snappy interplay and dizzying action sequences guarantee some serious fun to the viewer, as protagonists Sulley and his single-eyed associate Mike scare children to help Monstropolis.

Ain’t it just great to see these beasts’ freaking out as fearless moppet Boo takes over their turf?

Shrek (2001)

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What made Shrek so popular is without doubt his suitability for audiences of all ages. Children thought of it as a fantastic fairy tale of distressed damsels, dragons, castles, and a princess to be saved. Adults, on the other side, enjoyed the amazing pop culture references this animation had to offer, in particular the great soundtrack that pandered exactly to them.

This movie also has one of the best acting crews behind it – DreamWorks animation chose Cameron Diaz to voice Princess Fiona, Mike Myers to voice the titular ogre, and incredible Eddie Murphy to voice the faithful donkey steed. Could it possibly get better?

Spirited Away (2002)

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Spirited Away was based on Alice in Wonderland, and it was so well execute that it won an Oscar. The legendary tale of a wondering little girl and her magical ride into the land of the Unknown never stopped fascinating people, an effect Joe Hisaishi ensured with his new ideas and great moving instrumentals.

The Triplets of Belleville (2003)

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‘The Triplets of Belleville’ is signed by ‘Illusionist’ producer Sylvain Chomet. It is a family movie of a concerned grandma looking for her grandson, and a piece aiming to warm everybody’s heart. It will impress you from the very first opening sequence, and you will definitely want to watch it again.

Finding Nemo (2003)

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Inspired by the great success of under-the-sea animations, Pixar created what’s perhaps the most fascinating story of its kind – Finding Nemo. Protagonist Nemo is in fact a small clown fish that ventures through the scary sea to find its father, and whose journey is paired with the most exciting adventures.

Nemo meets surprisingly friendly sharks, cute turtles, and other sea creatures that need his help – the most memorable encounter, however, is the one with space cadet Dory, a character viewers loved so much that Pixar made a separate movie about it!

The Incredibles (2004)

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Any animation expert out there can confirm that animation movies are not all about visual. A large portion of their success depends on the story they tell, and Incredibles is a movie that can prove that.

The great comic book inspired an even better movie, as it brought former superheroes Bob and Helen Paar and their family on our screens. We were simply thrilled by villain Syndrome’s crime-fighting revenge, and we can easily compare the action in this anime to any well-rated fighter movie.

RATATOUILLE (2007)

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Here’s one more of Pixar’s masterpieces that combines great visuals, intriguing stories, and memorable characters. It treats the unusual alliance of rodent Remy and kitchen assistant Linguini, both working on Remy’s dream to become the chef of a great French Restaurant.

The best part of the story – their dishes manage to fascinate critic Anton Ego, just the way their personality fascinates the audiences!

WALL-E (2008)

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The Academy Award for Best Animated Feature is not the only great achievement of WALL-E. This movie was also recognized for acknowledging the dangers of pollution and human waste.

WALL-E is the main character in this animation – the Earth’s last robot that’s been alone for 700 years, and has thus developed a very curious ‘personality’. The loner is challenged by a newer robot model coming down to Earth, and the two of them create what’s today one of Disney’s most charming works.

Up (2009)

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‘Up’ has just the right features to delight all audiences – funny characters and exciting chases to make kids laugh; and a precious adventurous experience for the parenting squad. Widower Carl and wilderness explorer and adventurist Carl take us on an unpredictable journey to South America, and lift our spirit up with every achievement. This is a movie you shouldn’t miss!

Coraline (2009)

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Stop-motion animations company Laika picked an interesting book to adapt: Coraline by Neil Gaiman. As a result, they created a scary, yet very exciting movie, showing us how frustrated kid Coraline escapes from her parents and falls into trouble.

Coraline reaches a sinister and creepy world of Stepford-like replacements, including a terrorizing spider lady that follows her around. All she wants is to come back home, and viewers are there to join the journey. Certainly a piece of art!

The Princess and the Frog (2009)

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The Princess and the Frog was created by John Musker and Ron Clements, a popular cinema duo we’d have to thank for masterpieces like Moana or The Little Mermaid.

Their latest hand-drawn fairytale takes place in the jazz age, and follows the story of a waitress who’s in love with an enchanted prince (frog), and becomes a frog herself. Give it a try!

Fantastic Mr. Fox (2009)

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Fantastic Mr. Fox is based on Roald Dahl’s amazing fox story. Screenwriter Noah Baumbah teamed with popular filmmaker Wes Anderson to adapt this tale for our screens, and introduced us to the most popular movie fox ever.

This urban fox struggles to return to its natural wild habitat and save its community – a mission that may cause retaliation against other animal species, or facing one’s own mortality. Now there’s a movie packed with integrity and values that is suitable for all generations!

How To Train Your Dragon (2010)

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‘How To Train Your Dragon’ is one more of Roger Deakins’ cinematography legends – a thrilling and adventurous tale with beautiful painterly visuals, fully 3D enabled flying sequences, and a story to remember.

Instead of picking a celebrity crew to maintain the pop-culture gag, DreamWorks focused on the sequel and let the story lead the way, and that’s where the magic began. The central moment in this animation is the unique friendship of a Viking boy and a dragon, something that’ll remind us all of our beloved childhood pets.

Batman: Under the Red Hood (2010)

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Watching the Under the Red Hood movie, you get a rare chance to experience the real Batman flick without the Joker taking over. In this occasion, Batman tries to defeat an evil vigilante who stops him from restoring order in Gotham City.

We warn you – the movie comes with some serious action and bloodshed, but it is a genuine delight for supporters of this genre.

MONSTERS UNIVERSITY (2013)

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This is the tale of Mike Wazowski, a wannabe Scarer who enrolls at a University of Monsters. The movie follows his rivalry with natural-born Scarer Sulley, as a result of which they’re both kicked out of the program.

What they have to do to get reaccepted is to win the program’s Scare Games. The challenge is – they have to join the least respected fraternity on campus (Oozma Kappa), and they have to work at the same time.

Frozen (2013)

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Frozen won multiple awards for being the best animation film, and owes it to a variety of factor. This tremendous piece warmed our hearts with wonderful characters, as well as a perfected storyline presented to us with amazing graphics.

For those who haven’t watched it, Frozen follows the epic journey of the fearless and positive Anna, as her faithful reindeer Sven and mountain man Kristoff help her find her sister Elsa.

They’re headed to the kingdom of eternal winter Arendelle where Elsa’s icy powers are trapped and endangered. To get there, Anna and Kristoff face a number of terrible obstacles, including snowmen and mystical trolls. Of course, they win in the end.

Ernest & Celestine (2014)

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Ernest & Celestine is an engaging animation film that treats the topic of stereotypes and prejudice. It introduces us to the unusual friendship between street musician Ernest (a bear) and dentist Celestine (mouse) that doesn’t resemble any previous U.S. movie production.

World of Tomorrow (2015)

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World of Tomorrow is one of the best short sci fi movies you’ll ever watch. You will need exactly 16 minutes to explore Don Hertzfeldt’s work of art where he showcases his deep admiration for the sci-fi genre.

The Netflix blockbuster explores a variety of popular topics. As sweet little Emily looks into the future, she meets her own grown-up clone, and joins a memorable, sentimental journey to learn more about her.

Basically, World of Tomorrow has two roles – entertaining toddlers who identify themselves with Emily, and taking adults on a futuristic trip where they question the ideas of cloning, virtual reality, and time travel.

Anomalisa (2015)

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Anomalisa is a very romantic drama/comedy brought to us by director Duke Johnson and screenwriter Charlie Kaufman. At first sight, it is an ordinary love story between a motivational speaker and an ordinary girl named Lisa. What makes it so popular then?

The team did an excellent job putting longing and anxiety on screen, and promoting this film as an accurate study of human character, an analysis of modern malaise, and, well…a parody. The takeaway message to remember this movie by is – Keep going, no matter what!

Ups, we almost forgot. This movie is hilarious!

Inside Out (2015)

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You all remember Inside Out, the masterpiece of animation that won the ‘Best Animated Feature Film’ Academy Award. The leading character is Riley, a girl with personified emotions ready to convey a simple, but meaningful message: We are all human beings, and life doesn’t always treat us nice. This is why critics in Cannes went all crazy about it.

The Little Prince (2016)

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Mark Osborne used Antoine de Saint-Exupery’s classic The Little Prince to create an exciting story about a girl looking for her childhood. The movie is respected for its excellent blend of computer-generated animations and paper cutouts.

Tower (2016)

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Many Hollywood movies treat attacks and incidents in the U.S, but what is really special about Tower is that it does so using animation. The storyline goes back to the 1966 shootings at Texas University, and it blends in a unique way animated characters, genuine broadcasts, and personal testimonies.

The Red Turtle (2017)

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Michaël Dudok de Wit, the Dutch animator to sign this piece, likes to refer to it as an original ode to nature. This hand-drawn miracle is nothing like the previous works of Studio Ghibli – it displays the love story between a mute castaway and a shape-shifting turtle, and it features no words at all.

COCO (2017)

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COCO will be remembered for many things, but most of all for its heart-melting soundtrack ‘Remember me’. This was Pixar’s pioneer musical film, and a piece that won viewers’ hearts as soon as it appeared.

The layered and colorful story takes place in Mexico, where young Miguel Rivera fights to become a renowned musician. His family bans music for him, but he persists pursuing a career like the one of his idol Ernesto de la Cruz.

Doing so, Miguel discovers the secrets in his family’s history, and his charming friend Hector from the Land of the Dead helps him all along.

If you enjoyed reading this article about animation movies, you should read these as well:

The most popular DC animated movies to watch in a lifetime

48 Of The Best Short Animated Films (Oscar winners included)

34 Of The Best Motion Graphics Studios And Their Work

Amazing Adobe After Effects Tutorials You Need To Watch

The Best Animated Movies For Adults: The ones to put on your list

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