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#also starkid. she really does not like starkid
arielmagicesi · 2 years
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I’m so sorry for the person I’m about to become again, after all my followers had such a short reprieve. sorry for real
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rainedroptalks · 5 months
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Yeah sure “objectively” it makes more sense that Deb never cheated on Alice and that was just Blinky messing with her mind for his enjoyment but do you understand how funny that would be. Bill trying his best to comfort his daughter over this and having to bite back an “I told you so” every fucking second
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Help! I loved Nerdy Prudes Must Die and am curious about Nightmare Time but don't really have time to commit to watching it all... (a handy guide)
For those of you who don't know Nightmare Time was a series of Hatchetfield one shots that starkid wrote and recorded during lockdown, all of which are of course available for free on YouTube. They go a lot deeper into the lore than the 3 Hatchetfield musicals, including explaining and explore the characters we know and love in more detail, sometimes including shocking revelations.
They also introduce new characters to the Hatchetfield universe, including Stephanie Lauter, Grace Chasity and Pete Spankoffski, who we first met in a Nightmare Time episode.
As they were filmed in lockdown the recording quality is somewhat variable, but Season 2 has a much higher production value than Season 1, and in Season 1 Episode 1 in particular they were very clearly trying to find their feet with it. That being said the actual scripts and content of the episodes is solid throughout.
I've decided to put together this handy guide of which Nightmare Time episodes people might want to check out if they want to learn more about certain things we saw in NPMD.
1) Nibbly - Honey Queen (season 2 episode 1)
If you're curious to learn more about the Lords in Black each of them (bar Wiggly) have an episode of Nightmare Time devoted to them.
For Nibbly, Wiggly's hungriest and pinkest brother that episode is 'Honey Queen' in Season 2 Episode 1.
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It explores a very entertaining rivalry between Linda Monroe (from Black Friday) and Zoey (the annoying barista from Beanie's in TGWDLM) that naturally turns very very dark. We also get to meet Linda's husband Gerald who she spends most of Black Friday on the phone to.
As a heads up Nibbly doesn't appear until, shall we say, the end of the episode (with Hatchetfield there's always a twist) and he's not in the super sexy form from NPMD but it's a very strong episode and does give a bit of background to Nibbly's deal.
2) Tinky - Time Bastard (season 1 episode 2 part 2)
If you're curious to learn more about this yellow motherfucker played by Curt then you're in luck because he's in my personal favourite episode and one with a lot of interesting lore surrounding it.
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If you're curious about what he means when in NPMD he says 'I could add another Spankoffski to my set', Time Bastard is focused around Pete's brother Ted (from TGWDLM) and the dodgy dealings of CCRP.
It's an extremely clever episode, with lots of really fun twists. It's unfortunately season 1 so has slightly lower production quality, but in terms of raw scripting is just outstanding and has some really interesting reveals about people in the Hatchetfield universe who may not be who we think they are...
Also worth noting that this is in the same episode (Youtube video) as a different Nightmare Time episode 'Forever and Always'. Most episodes work like this where you have two different stories per episode, they absolutely can be watched independently but usually have some sort of thematic link (in this case it's the things we do for love and how they will inevitably be thwarted by CCRP being sketch).
3) Blinky - Watcher World (season 1 episode 1 part 2)
And if you're curious about the one who's always watching you, he's actually the first Lord in Black we meet through Nightmare Time, in the very first episode when Bill and Alice Woodward (TGWDLM) go on an ill fated trip to a spooky theme park.
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Again this is from the first episode so production quality is low but it's a really solid episode and a very interesting look into these characters.
While this is our first meeting of a lord in black in Nightmare Time, I don't believe he's actually referred to as such, and the concept of the Lords in Blacks being introduced as Wiggly's brothers comes in at point 5 on this list.
4) Pokey - Yellow Jacket (season 2 episode 4)
You've already met Pokey through TGWDLM (yep that was his blue shit that destroyed the world!), but you won't truly realise how fucking scary he is until you meet his incarnation 'Otho' in Yellow Jacket.
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A solid episode exploring Lex, Hannah and Ethan in a lot more detail, and in a world and lives where (at least at the start of the episode) things seem to be a lot more stable for them than in Black Friday.
And yeh as I've already mentioned Pokey is fucking s c a r y in it. Also you remember James Tolbert's character, Charles that gets a little cameo in Hatchetown? Well he's the main human antagonist of this episode!
We also learn a lot of lore about 'the gift', the thing that makes Hannah able to do magic.
5) The concept of the Lords in Black generally - The Witch in the Web (season 2 episode 3 part 2)
If you're curious about why everyone's been posting pictures of those evil teddy bears and now even more confused that you've met them all as fucked up high school students, the Witch in the Web is the episode where we're first introduced to the 'they don't care bears' as a set.
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This is a really cool episode, again about Lex and Hannah, but it also exploring Uncle Wiley (from Black Friday) in a lot more detail.
We also first meet two characters called Duke and Miss Holloway who together form the ship Holloduke that if you were following any of Starkid tumblr during lockdown you will definitely have heard of. They're really cool!
Here we also meet Webby, Hannah's imaginary friend in Black Friday, who turns out to be the lord in black's sister: a queen in white. And she's dope.
6) Pete Spankoffski, Stephanie Lauter and Grace Chasity - Abstinence Camp (season 2 episode 2 part 2)
We first meet the now beloved characters of Pete and Steph and the slightly less beloved character of Grace in an evangelical abstinence only camp. The episode centers entirely around these characters and plays excellently with tropes of the horror genre.
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It also has the best song in all of Nightmare Time and it's up to you to decide if I'm talking about 'oh my god it's the axe-man' or 'virginity rocks' (it's both, the answer is both).
That's pretty much it in terms of Nightmare Time episodes that cover things from NPMD, but in case you're curious here's a quick run down of what the rest are about:
The Hatchetfield Ape Man - season 1 episode 1 part 1. Hidgens makes Ted pretend to be a Tarzan style half monkey, half man thing to con Angela Giarratanna out of her inheretence.
Watcher World - season 1 episode 1 part 2. See bullet 3 above. Alice and Bill Woodward go to a theme park and shit hits the fan.
Forever and Always - season 2 episode 2 part 1. Paul and Emma get married. Things are not as they seem (there are robots). One of my personal favourites.
Time Bastard - season 2 episode 2 part 2. See bullet 2 above. Ted fucks with time travel and things end very badly for him. Best episode imo.
Jane's a Car - season 2 episode 3 part 1. Turns out the soul of Tom Houston's ex-wife Jane, who died in a car crash, transferred into the car. This somewhat complicates his budding relationship with Becky Barnes.
The Witch in the Web - season 2 episode 3 part 2. See bullet 5 above. Hannah Foster's having nightmares and somehow a witch and Uncle Wiley are involved. Luckily a good witch (Miss Holloway) is there to try and help.
Honey Queen - season 2 episode 1. See bullet 1 above. Linda Monroe and Zoey Chambers compete to win the Hatchetfield honey queen beauty pageant and things spiral wildly out of control. My personal favourite episode from season 2.
Perky's Buds - season 2 episode 2 part 1. Emma's finally achieved her dream of owning her own pot farm. Just her, her non-binary farm hand Ziggs and some very evil birds.
Abstinence Camp - season 2 episode 2 part 2. See bullet 6 above. Pete, Steph and Grace go to a retreat in the very creepy woods to learn one way or another about the perils of pre-marital sex.
Daddy - season 2 episode 3 part 1. Remember Sherman Young (Jamie's weird creepy guy from Black Friday)? Turns out there's something very weird going on with his mum. We also learn a lot about Frank Pricely (owner of toyzone from Black Friday) in this episode, who turns out to be a very interesting character.
Killer Track - season 2 episode 3 part 2. Miss Holloway must take extreme action to save a young girl and then the whole world against an evil song that kills anyone who listens to it. We learn a lot more about Holloway as a character and she is soooo cool. Another favourite episode of mine.
Yellow Jacket - season 2 episode 4. See bullet point 4. Hannah seeing her sister struggling to provide for them financially decides to find a way of using her power to earn some spare cash.
Hey Melissa - episode aired only on a livestream, type it into youtube and it'll come up. If you've ever found yourself asking 'what if Mariah's secretary character from the start of TGWDLM was really into dom pup play and Paul Matthews was her little pup bitch and she was also a horrific out of control serial killer?' then a) are you Matt Lang because if not I'm concerned? and b) by god this is the episode for you!. I personally really enjoy it I think it's super funny, but obviously heavy trigger warnings for abuse and sexual content warnings (there's a reason they didn't put this in the real series). Fucking excellent tho.
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justarandombrit · 11 days
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Okay, so in case anyone couldn't make it to the livestream (and just because I wanted to), I wrote down some notes while watching it, so if anyone wants to read them, they're below the cut. (Also sorry ANI fans, my dad came in to borrow a pencil while the ANI segment was happening, so I missed a lot of it)
. There was a 4 minute long intro voice over before AVPM
. James watched AVPM
. 600,000 and Lauren plays the green screen piano
. 700,000 and Lauren does an architectural digest on the green screen house
. Jon really loves Ready To Go
. Darren keeps letting Joey know he sounds like shit on old recordings
. Pinball Pete’s burnt down 🙏🙏
. MAMD was the first student produced album to make the charts
. A Very Potter Sequel’s name came before A Very Potter Musical
. They accidentally wrote Harry Potter and the Cursed Child
. James gave Julia Albain leg splints
. During Starship the entire cast was breathing fibreglass
. Starship was called “knowingly amateurish”
. Darren was supposed to write 15 songs for Starship, but he got cast on GLEE
. Darren flew in to join a rehearsal as a surprise, ran in singing Beauty and everyone was so pissed
. Everyone still loves Kick It Up A Notch
. Nick: “Which was Holy Musical B@man-
Lauren: “Fuck yeah”
. They made up Sweet Tooth, and then found out he was an actual Batman villain
. Matt came up with “Calendar Man, your days are numbered” in his dream, and it was so good it forced him awake to instantly call Nick
. Everyone thought the flying machine joke was the best AVPM joke
. Goin' Back To Hogwarts Reprise made everyone cry
. AVPSY was five hours long
. Curt saw AVPSY
. Darren arrived 2 hours before the show and didn't get a chance to read through a lot of the script
. Darren came up with “I hope you find that swimming pool”
. Joey ate one banana on the day of AVPSY and during Sidekick went “I'm losing my vision”
. They had to pay the hotel union $11,000 to use THEIR OWN microphones, and Darren's STILL BROKE
. Jeff accidentally washed out his Aladdin hair dye
. A.J. Holmes had the same agent as Jafar's original VA, and they got him to do the intro and say “pee” and “poop” in Jafar's voice
. ANI was, as we know, expected to be a hit, and, as we know, it was not
. TTO was, as we know, expected to fail, and, as we know, did not
. TTO had a batshit cast party
. Pierce used to ask Matt insanely complicated questions before bed, e.g, “How did WWII happen?”
. Firebringer was a really old concept
. Literally no one questioned why the “I don't really wanna do the work today” clip had loads of people dressed as cavewomen + cavemen
. Firebringer was the first show Jon saw live
. They made up all the Hatchetfield shows at the same time
. Nick kept making sure Paul was having fun
. The song from the Pirate Show, “Born To Be Wretched goes so fucking hard. Like if a sea shanty was a musical theatre song essentially
. Mariah: “Rich gays, please give”
. Lauren choreographed Show Stoppin' Number
. People actually gave Lauren their phones when she asked in Inevitable, and they would take them backstage and take selfies before giving them back. One time it was locked and she shouted “WHAT'S THE PASSCODE?!?!?”
. Joey: “I'm in the middle of Wiggle”
. Everyone was ill during Black Friday
. Bryce saw Black Friday
. BRYCE GOT THE APPLE
. Nick told her “Interesting things happen here” when showing her to the seat
. Ahhh when Jeff played Tom…
. Angela was in Jaime’s improv class
. Angela is no longer on vocal rest
. Angela had to kill Sherman with a finger gun one night
. Will was 100% ready for NPMD
. Will was at a party they went to during A Very Starkid Reunion
. HAPPY BIRTHDAY DEAR STARKID
. Rip Kim
. The Docks of Troutspear is sung by Matt’s favourite character (it also slaps)
. The Pit Stop in Hatchetfield livestream is going to be a tag team deathmatch
. I love Starkid so much
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fairytale-poll · 2 months
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ROUND 1C, MATCH 8 OUT OF 8!
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Propaganda Under the Cut:
Mira:
She’s a badass and I love her
She embodies one of the truest parts of the Little Mermaid dating back to the original story: She loves the prince, even if he does not love her in return. It isn’t out of desperation or a desire to be sought and wanted, it is simple and pure love for another soul. A love so true that she lets him go without so much as a word of protest because when you truly love someone your greatest wish is for their happiness.
Will beat the shit out of the sea witch (good for her).
Bug:
Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.
Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.
He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid
Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!
“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)
They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.
Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!
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VHSCC OH MY GOD
(no spoilers)
Starkid nation, you aren't ready.
So let's start with the obvious. Look, I spent thirteen years growing up with Starkid. That initial Michigan gang are deeply special to me and I will always miss Dylan, Brian R., and Corey in any show they aren't in. And this one's no different. But just as Janaya came in and took over Belle from Britney so flawlessly, Curt, Brian, and AJ were all WONDERFUL in their new roles. The gentle-but-high-energy, truly decent, romantic himbo charm Curt brought to our Springsteen boy Jim (you all are going to LOVE Jim, I promise) perfectly offset the defiant, sneering anger of Young Scrooge in "That Scrooge." Brian's reactions (particularly to the "rather take my own life" line) were so funny and some of my favorite parts of the show. And AJ... this is now my favorite thing AJ has ever done. And that's saying something. The smaller casting shake-up moments (Joey as Fezziwig, other little line re-distributions) were so fun as well!
The new act 1 is PERFECTION. I was actually surprised by how absolutely hysterical it was? Like, I won't tell you what was up with that clip on Instagram of Brian, Lauren, and Joey doing a freak-out dance, but I can tell you that their whole Act 1 deal threatened to steal the show every. Single. Time. I already mentioned Curt as Jim, but you will also love Della, who is so funny and real and truly carries us through the start of the show (Janaya is a STAR and she Curt have brilliant chemistry). Ali did a terrific job of balancing the sadness and hope that are both at the center of the devastating little Match Girl. And Jamie's Grandma... well, honestly I have no idea how to talk about Jamie's song without giving stuff away.
But the real star of the show in Act 1, as he should be, was our man Clark. I can't emphasize enough how much he nailed the writing of this whole new act. I mentioned that the new stuff is hilarious, but it's also deeply heartfelt, and also sad exactly when it needs to be. Like, the transition after Jamie's song? I can't really talk about it yet, but what that moment does with emotion is unreal. And, as expected, every song is a banger! My one complaint about this show, and it IS a big one, is that there is no cast recording of the Act 1 songs. I want to listen to them all the time.
But the good news is, I CAN listen to Christmas Carol as much as I want! The classic that started it all is back, with so many people reprising the hell out of their truly iconic roles (God I love the VHS Cratchits), and better than ever. I traditionally hate change, and I love the version of VHSCC Live! we already have so much, but I think I somehow loved this version even more? The staging is alive and clever and there are some additions and changes, particularly in "Final Ghost"/"Christmas Day," that frankly blew my mind and somehow managed to elevate the material even further. I can't wait for the digital ticket to come out so that I can talk about them. To put it simply, James Tolbert mastered his Starkid directorial debut like you won't believe. I'm so proud of him and grateful for the larger role he's taken in Starkid since they moved base to LA.
Also, the Ghost of Christmas Past is extra unhinged this year? Jaime pulled out all of the impish stops and it was the BEST.
Basically, everyone more than delivered. I haven't talked about Meredith yet but she rocked it in the band and continued to validate the hell out of my opinion that "3 Spirits" is the dark horse best song in the show.
And a special shout-out to June Saito for continuing to be a costuming GENIUS. I always love her work and this production is no exception. I honestly wanted to give the return of the Bob Cratchit costume its own round of applause.
You know, the world is a mess and everything is pretty much terrible. It's been a hard year in an impossible decade. But every once in a while you come across some art that takes all of that, acknowledges the truth of it, and somehow pulls back the curtains to harness the joy and hope that's still there under the rubble. To me, Starkid in particular has always been about finding and holding onto the hope and the beauty and humanity that allows us to endure an existence that can so often feel bleak. And VHSCC is maybe the most perfect encapsulation of that idea.
So thank you Clark, James, Meredith, Brian, and everyone who worked so hard on this little bit of magic. Thank you, thank you, thank you.
Let's make a little light.
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Dropout Does The Guy Who Didn't Like Musicals
So my theory about overlap of Dropout and Team Starkid seems to be accurate, and people seemed to like my Dropout does Nerdy Prudes Must Die post, so I'm back for another. Same method and criteria as my previous post, you can go see that if you want to know what they are. Also, I have previously done a similar list with Internet Personalities that included a handful of Dropout people, but I'm gonna try to make this one different.
Also spoilers for potentially anything in the Hatchetfield verse
Paul: Ross Bryant
Ross is a great straight man (in the comedy sense, I don't know his sexuality) while being very funny in his own right, and I think, while Paul has a lot of his own funny moments, it's very important that his character is also the more normal guy reacting to the madness around him. Also, he would slay the Jekyll and Hyde homage that is Let it Out.
Emma : Siobhan Thompson
I think one of the essential parts of Emma's character is an underlying exhaustion with the world, and that is very Adaine Abernant and Ruby Rocks, so I think Siobhan would embody that very well.
Charlotte: Vic Michaelis
I don't think I've ever heard them do a transatlantic accent before, but I just have this gut feeling they'd be so good at it.
Ted: Ify Nwadiwe
While I do genuinely think Ify would be great in the part, if I'm being fully honest, this casting is because I (despite my better judgment) find Ted Spankoffski hot, so casting arguably the hottest man in Dropout in this part makes me seem less damaged for being attracted to the self-proclaimed sleazeball. Also him and Vic seem like they would be great playing off each other.
Bill: Brian "Murph" Murphy
He just has "refuses to drink during the apocalypse so he can be the DD" energy.
Mr Davidson: Brian David Gilbert
Since I'm splitting up all the parts, this basically turns Mr Davidson into a Princess Track where the actor just shows up, sings about desire and being choked while he jerks off, but laments how he can never achieve his dreams, and then pretty much leaves, and I don't know why, but that seems right up BDG's alley.
Melissa: Lisa Gilroy
Lisa Gilroy seems nice, but also kinda scares me, and those are the correct vibes for Melissa (#heymelissacore)
Sam: Jacob Wysoki
My only concern about this casting is that he'd go SO HARD in You Tied Up My Heart that he would keep breaking the handcuffs and/or chair, but that's fine, it would be worth it.
Nora: Katie Marovitch
The "Decaf?" parts of Cup of Roasted Coffee already sounds a bit like her TBH.
Zoey: Rehka Shankar
I feel like Zoey is such an underrated, funny side character in the show (I know she's a very small part, but like every line she has is a banger) and I feel like Rehka is a very underrated performer, so this is a good match.
Greenpeace Girl: Persephone Valentine
Making up the Save the Sea Turtles campaign is such a Sam Nightengale move, and also she would eat up Lah Dee Dah Dah Day.
Alice: Surena Marie
She's got a bit of a baby face (I thought she was like 25) and I think she would handle the change from Alice to Hivemind Alice really well.
Deb: Emily Axford
I'm definitely not just casting this because I want Emily to be my protective and caring girlfriend...
Professor Hidgens: Josh Ruben
I don't have an explanation for this one, this is vibes alone.
General MacNamara: Brennan Lee Mulligan
"Wear a Watch" and a song highlighting how the hivemind is essentially fascist and using the military to destroy any resistance to their regime is so Brennan core.
Homeless Man: Ally Beardlsey
I just feel like this is the part they'd want.
Dan Reynolds: Lou Wilson
Icons play Icons.
Donna: Aabria Iyengar
Icons play Icons
Hard Cuts:
Jacob Wysoki as Ted
Mike Trapp as Paul
Emily Axford as Emma
Jess Ross as Charlotte
Lily Du as Zoey
Grant O'Brien as Professor Hidgens
Grant O'Brien as Ted
Ally Beardlsey as Ted
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basilpaste · 6 months
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people have been talking about the use of vocal technique to inform characters emotions recently because of glinda in wicked and it is making me think things.
now. okay. ive heard a lot of people say that they dont really like graces voice in nerdy prudes must die. which is totally fair, if its not your thing its not your thing. but. ive also heard people say that its just because angela 'doesnt have a very strong singing voice'.
which. i mean. compared to some of the crazy female vocalists in starkid, maybe her voice isnt the strongest! however: this isnt the first starkid show angela has had a major role in.
lex has a significantly fuller tone in black friday than grace does in npmd. its got more weight to it and its inspired at least vaguely by pop punk.
so. uh. anyhow. comparatively, graces voice is a little more scattered. shes a very high strung character and i am absolutely 100% sure that angela does her voice the way she does on purpose.
i think graces voice aligns pretty directly with if shes doing what she wants or not. because her voice drops to a much fuller tone in her songs twice throughout the show: in dirty girl and dirty dudes must die.
in dirty girl shes letting herself fantasize. because she does, actually, have a thing for max. so her tone in their imaginary duet reflects that. she lets herself get caught in the idea of it.
in dirty dudes must die, shes fully embraced her role as a vessel for the lords in black. she likes the power the black book has given her. she wants to shape the world, or at least hatchetfield, to her liking.
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sarcasticsra · 1 year
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I cannot stress enough how much everyone should watch Starkid’s A VHS Christmas Carol if you haven’t seen it yet. It’s pretty short, only about 45 minutes, and it’s truly one of the best adaptations of A Christmas Carol that I’ve ever seen.
No, seriously. I think it has even surpassed The Muppets Christmas Carol for me. That has been my favorite Christmas movie since I was a child. My mom and sister and I used to watch it every Christmas Eve. I still love it dearly and it is an amazing adaptation that I’ll defend to my death, but you guys. You guys. A VHS Christmas Carol is just THAT GOOD.
It’s done in the style of 80s music/videos, which is delightful. It’s an opera, so it’s all sung through, which I love. And it’s so good!
Let me enumerate the ways. Spoilers to follow. (Can you spoil A Christmas Carol? Once a story becomes public domain does that exempt it from spoiling? Idk, lol. Spoilers for the show, anyway. Also for Avatar: The Last Airbender. …I promise there’s a path.)
1) Bah Humbug! - Song number one and it goes hard right from the start. It is everything an opening number should be. Dynamic, sets the tone, and an incredible fucking bop. The interactions between Scrooge and Fred and Scrooge and Bob are done so well, too. You so quickly get a sense of their characters. Obviously we know their characters because this is a story that has been told many a time before, but it does it so well that you would immediately get them even if you were an alien who had never in your existence been exposed to A Christmas Carol in any capacity. That’s impressive to me. It’s not relying on the familiarity of the story to do its character work.
2) 3 Spirits - I love the tone of this song. This is a Marley with true regret and pain who is absolutely pleading with Scrooge to take the chance he’s being given. It’s less “scared straight” and more, “I need you to understand this like you’ve never understood anything before.” Marley becomes a character in his own right as opposed to merely a backdrop for Scrooge to react to. That’s a theme with this adaptation. Characters who are pretty flat in a lot of adaptations seem so much more like real people in this one. Also, whoever decided to cast Meredith as Marley here is a fucking genius. She’s so goddamn talented and she really shines here. The emotion, the weight. Gah. Beautiful. The interplay between Marley and Scrooge is incredible as well; these are two insanely talented performers breathing a new life into tried and true characters, and you really feel the relationship between them.
3) I’m The Ghost - Christmas Past is so pointed and snarky and incredible, making Scrooge come to certain realizations. “Huh, little boy left all alone. Oh, your sister died so young. Didn’t she have a son though? Why are the employees so happy, this party didn’t cost much? Thinking of something? Okay, last stop, buckle up, it’s all your own doing.” I love it so much.
4) That Scrooge - You guys. You guys. They’ve done what I assumed was impossible. They’ve done what even the Muppets couldn’t. It’s a Scrooge-Belle breakup song that isn’t the most unbelievably boring and bland thing you’ve ever heard in your life. Belle is a fucking person! She has a personality! She’s very clearly stating her case, that he’s changed and she doesn’t like it and does he have anything to say? No? Okay, bye! THE EMOTION IN THIS SONG. Scrooge starts singing not just with her but to her! All the things he didn’t say before! And then he starts singing angrily about/at his past!self for being an idiot! You actually FEEL THINGS about this relationship. It was a deep love and losing it super fucked him up! I have never before seen Belle/Scrooge done as well as this one (1) song handles it.
5) Christmas Electricity - Get ready to have this song stuck in your head for ten thousand years. This song is, I believe, the standard classical definition of “a fuckin’ bop.” It’s so high energy and exciting, you really can understand how Scrooge gets so caught up in it himself. You also see more of Fred in this song and, again, he’s a person! He has specific motivations for why he keeps reaching out to Scrooge. Corey’s Fred is hands down one of the best performances of this character full stop. He took what is usually a bit, side character and made him a full human with understandable thoughts and feelings. They gave the Fred-Scrooge relationship such incredible emotional weight because of it. I think that’s one of my favorite aspects of this adaptation.
6) Priceless - Here we see the Cratchits enjoying their Christmas with an incredibly sweet song about having little but feeling like they have a lot. I really like the way this song feels a bit cheesy (goes with the whole 80s vibe) but they also feel like a real family with some silliness and some sweetness and Bob’s wife having very strong opinions about Scrooge that he’s too polite for. Also “listen to this key change out of the bridge” goddamn just show off constantly how freaking talented this entire cast is, why don’t you.
7) The Final Ghost - I probably have too much to say about this song. It’s my favorite, which considering this entire show is pitch fucking perfect, is really saying a lot. Dylan Saunders is truly one of the most talented performers I’ve ever seen, and his Scrooge is so, so good. It really shines through here. His interactions with Christmas Future show him mirroring Bob from earlier (he has a line that’s almost an exact quote of a line from Bob in Bah Humbug!), correcting himself, and trying to be respectful/humble. Subtle displays of emotional growth even before he gets to the truly scary parts. The song is of course a darker tone, as is correct for this part of the narrative, perfectly setting up the finale song. We get Scrooge overhearing about a funeral no one cares about, the same man being robbed after death, and this death bringing actual happiness to people. Throughout it all so far Christmas Future only speaks in a wordless melody, as is apt. Scrooge asks for tenderness connected to death and is shown the Cratchits mourning Tiny Tim, which breaks him, and he asks who the dead man was from earlier. Still wordless, Christmas Future leads him to a cemetery, and that wordless melody perfectly transforms into an eerie, ethereal, “Ebenezer Scrooge.” The fucking amount of sheer EMOTION Dylan packs into Scrooge pleading for his soul, that he is changed, and the final bit of narration… fuck, you guys, it’s so good. I love all of the “scene” parts of this song so much. It all builds so perfectly.
7a) The narrator. - This isn’t a specific song, I just want to call out how excellent the narrator is through the whole show and how perfectly the narration ties the whole show together. It’s one of those things where it goes unnoticed because it’s so perfect, but if it were bad you would definitely notice. You need it to be there and understated or a lot a falls apart, but it can be such hard balance to strike. This show nails it.
8) Christmas Day - The finale! And what a finale it is! The energy is a perfect contrast to the song before it as Scrooge delights in being alive and having time to make things right. His joy is palpable as he goes about his day, buying Bob a huge turkey, making an incredible donation to the charity he blew off the day before, and showing up at Fred’s. Guys. This scene. Especially when I watch the live, but even sometimes just via the soundtrack, this scene just fucking perfectly, beautifully guts me. You know how in Avatar: The Last Airbender, Zuko has to go on his whole narrative arc to eventually join the right side, and along the way sort of betrays his Uncle Iroh, aka the only good father figure he’s ever had, because he’s a traumatized teenager, and eventually he meets back up with him and starts stumbling out an apology and Iroh just sweeps him up in a hug without a word, and you sob because it’s perfect? That is the energy present in this, what, 15-second scene, just this incredible emotional buildup and payoff accomplished in a scant 45-minute runtime. It’s truly wondrous. The finale, as all true finales should, calls back musically to previous character beats, and ends on the perfect bookend to the opening number. It’s just so, so immensely satisfying.
Tl;dr - this musical has made me feel more Christmas-y than I have in a long, long time, and I have listened to little else in terms of music since I watched it two weeks ago. (It was literally the only music I had listened to since then until right now, and that’s only because I’m in a van on a road trip to my sister-in-law’s for Christmas. While I would have been perfectly content to listen to this soundtrack on repeat for the entire 8-hour drive, I also recognize that the four other people in this van do not have my particular flavor of hyperfixated ADHD brain and probably would not appreciate that, heh. Thus I played it once and then other music. Compromise!)
But yes. Seriously. It’s so good. Gah. Go watch it!
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showtoonzfan · 5 months
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Anyways I want to talk about Nerdy Prudes Must Die real quick, Starkid’s recent Hatchetfeild musical. I love the show, it’s amazing in so many ways, I can’t say much about it that others haven’t already said so I won’t be really vocal about how good it is, at least yet. That’s why I really want to share just a few criticisms or nitpicks I have, cause I don’t see a lot of people talk about that and I’ve personally been itching to get these out lol. Keep in mind I love the musical to death and I just want to see if other fans have the same opinions I do or not, if you disagree that’s fine! Spoilers for the musical!
- My biggest complaint is that I feel like Stephanie doesn’t get enough screen time. Not that she’s not developed or fleshed out, but after rewatching NPMD a million times you’ll know that the two main characters that get the most screen time are Grace and Pete. (Especially Grace cause she steals the show, not in a bad way tho). However, Steph is supposed to be a main character but to me she kinda feels like a side character pushed to the back. I’d say this starts when the kids plan to prank Max, and moving forward she eventually goes from someone being at the front to a follower until the near end where they have to summon the lords in black. I will say of course it does make sense, for a cast like this you have to move main characters to the back to leave room to develop others, that’s fine, but I still can’t help but feel that Steph lacked more.
I think of all characters she should have gotten her own song too, I was disappointed to hear that she actually DID have one and even a reprise until it was cut. Jeff had said it was about her being a popular kid and how she struggles with that, and I think it would have been really interesting to see, it would have added more. Though of course cut songs are cut for a reason, Jeff had said it didn’t fit or add anything but it’s still something I wish we had.
- Some fans have already said this, but it is distracting how glossed over the deaths of the characters are, mainly Ruth and Richie. Max’s death makes sense here, because he was a jerk and the theme of how the town and the kids didn’t care for him when he died and glossed over his death was done on purpose, but for Ruth and Richie…the characters they were actually friends with didn’t seem to care. For starters after Richie dies no one notices he’s gone, and when the gang do find out he dies, nothing really comes of it other than a “wait Richies dead?” Then the characters just move on, Ruth dies and the same thing happens to her, only a “wait she’s dead?” line and that’s it. Pete was the closest to these two and we don’t even get to see him mourn, or a simple line indicating that. I don’t blame the characters themselves but if you asked me if I thought the writing for the musical was just a teensy weensy rushed, I’d say yeah.
- That also leads to my other problem, “If I loved you” feels misplaced. The song itself is good but it takes place legit right after Ruth dies, a character who got an amazing send off. There isn’t time to process it at all because now Pete and Steph are arguing over their relationship, and after that Grace bursts in to kick off them leaving. I feel like “If I loved you” should have been placed before “Just For Once”, that would have been slightly better.
- Okay so this is just a nitpick but I didn’t like “Best of You”. For a horror musical (especially for Hatchetfeild) it feels VERY forced and preppy and it just threw me off I’m so sorry. That’s why I was thankful “Dirty Dudes Must Die” was the true ending because that fits more with the universe and the tone of the show. I guess it makes sense though because Jeff had revealed “Best of You” was an in universe pop song that the students were just singing, so after I heard that it made perfect sense on why I thought it was so cheesy lol because it wasn’t supposed to be a song for the show itself.
Still like some others have said, the way everyone is so happy in the ending throws me off. I get that they establish a few weeks had passed but after ALL of the hell the characters went through only to cut to them carefree at prom it’s….off putting. Like Steph is literally an orphan now and Pete’s friends are dead. And it doesn’t get addressed or acknowledged AKSKKSSM 😭
And that’s pretty much it regarding issues I had with the musical. It’s damn near perfect, I just think the script is a little rushed and the pacing is kinda all over the place. Other than that? It’s amazing and I’ll definitely talk about it more soon. Feel free to disagree with me!
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tame-a-messenger · 4 months
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Ok so as someone who started watching smosh bc of Angela and starkid I gotta know… what are your top three favorite starkid shows?? 👀
Lord! That’s like having to choose between my babies!
Obviously I have a few favorite kids, So here’s the run down,
I remember I had just watched the Snape Snape Severus Snape muppet vid and got AVPM recommended to me and decided, “heck it, sure” (I was just starting my redescent into the Harry Potter fandom) and clicked. Ended up loving it and watching AVPSY and so forth. When I finished I got curious to see what else they had (I had read some comments suggesting they had other musicals) so I checked out the channel and saw they were planning on releasing a new musical soon, “The Guy Who Didn’t Like Musicals” (i believe I watched the teaser for it about when it came out). Since that wasn’t out yet I watched “The Trail To Oregon!” And that was pretty much history, loved them ever since. It also means I have a special place in my heart for trail to Oregon (me and Jeff Blim fell in love at first sight)
Anyway to the list!
Black Friday
Trail to Oregon
A Very Potter Musical
I feel like Black Friday is a bit underrated, it’s my personal favorite of the Hatchetfield saga, I think it deserves more. (I could be biased for Angela, my angel) Something about that one is just very me. could be the fact that the sibling relationship between Lex and Hannah really resonated with me, or the fact that Hannah is a neurodivergent girl that’s also a main character, how often does that happen? A+ from me. The music is really good (you could say that about any Starkid production) but “freast & famine” “Black Friday” (Lex’s solo made me remember she’s my favorite) and “What If Tomorrow Comes” have me in a chokehold.
I really could go on forever, I really do love the Hatchetfield series, I even stared watching some of Nightmare time! Haven’t gotten too far in (I’ve also been skipping around a bit) but my favorite of those is Yellow Jacket! Seeing Joey play Ethan did something to my brain chemistry, which is pretty usual with my brain and anything to do with Joey Richter (stupidly enough I remember him on Jessie when he guest starred as Petey, I remember having a crush on him then when I didn’t even know him in Starkid. Small world)(this was also 11 yrs ago so I guess I’ve always had good taste)
So yeah I think I gave all my reasonings for why those are my top 3, I obviously love a lot of the other stuff they’ve done, but haven’t finished certain musicals (I’m working my way through ‘Starship’ I’m like halfway and I’m liking it so far) so I still have a lot I’ve just never seen.
How about YOU let ME know what you’re top 5 Starkid musicals are?
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theoldaeroplane · 28 days
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I inbox you the following: I must know what compels you about Link. I trust that he is Good and Excellent, but I simply yearn for an essay on what little niche trait makes you wanna fandom the fuck out of this little guy. 5-10 paragraphs of hyper fixated ramblings preferred, but not required.
ohhh starkid you've given me A GIFT. a GIFT.
So some background first, I think. I've always liked the Zelda games, in the way you play a mainstream game and are like "yeah that was good!" I played Ocarina of Time and Windwaker as a kid. I played Breath of the Wild when it first came out and had a fun time with it. Yeah. Good games! Fun mechanics. Characters seem a little flat, but they aren't why I'm here. What was the story again? Oh, right---yeah, they gave Zelda an actual personality that doesn't start and end with "princess" in the new one! She's a scientist! How neat.
Then Tears of the Kingdom comes out. I've just gotten a Steam Deck for my birthday and wow, turns out you can emulate TOTK already?? I try it out immediately. It's janky, but I love messing with emulators, so I keep going. I certainly don't have the cash to buy TOTK properly.
And in TOTK, for me, it starts with Zelda. It starts with this young woman barely out of her teens being flung into a horrible, frightening situation, and being forced to make an absolutely terrifying choice. And it turns out if you start looking at her more closely, that choice only becomes more and more viscerally upsetting as you incorporate things about her from the previous game.
It got me invested, and I still adore Zelda. I could probably write just as long a deliberation about her. But we're talking about Link.
I read a little bit of BOTW fanfic back when it first came out. It was almost all Sidon/Link stuff, because I liked the ship for a number of reasons, and one evening after another night of mainlining TOTK I decide to go look and see if I can find some that I remembered being good. I did, and they were still mostly good! But there was one in particular, with one line in particular. "You're Always Almost There," by Polyhexian. (On mobile so no link, sorry!)
'One hundred years ago,’ Link signed, 'A Guardian shot me through the chest,’ he grimaced as if in pain from even mentioning it, 'I died with everyone else, and then someone else decided to bring me, and only me, back to life to fix everything, to save everyone. I have to stop the Calamity. I have to save Hyrule. I have to fix the world. I am not a real person. I am everyone’s unfinished business.’
I had read it before. When I read it this time I closed my browser, opened Typora, and started writing. It wasn't more than a random narrative sifting through half collected ideas, and I neither finished nor posted it, but it got me started. A few weeks later I started writing To Be Well, which among other things directly addresses the idea that Link does not think of himself as a "real person"---and that he isn't sure if he wants to.
As I've written him, I've found more and more about him and his setting that fascinates me. Part of this is certainly that Link is intentionally designed as a "placeholder" character (word of God is he was deliberately designed to be androgynous to make it easier for more people to project on him). At first I was really fascinated by his relationship with Zelda, and wanted to look at that through a queerplatonic lens. In doing that I found myself trying to work through some problems of my own, which it turns out is just how I write fanfiction I guess: projecting! Huzzah! I decided to lean into it, and wrote "You do not have to be good," which is a story that takes some liberties with the canon to explore the subject of toxic purity and the toll it takes. Also, the logistics of kissing someone with a beak.
What makes Link compelling to me is ... what do you do, when you aren't allowed to be a person? What do you do when you've been told all your life things are like this and this and this, and that you must behave thusly?  What if you learn it was never true? How do you go from "perfect" to "real"? What does it even mean, being a person? How do you start? Is it even worth it?
I feel like I'm only scratching the surface, haha. I also love Link for whatever the hell he's doing with gender, and I've been having an absolute blast writing him as predominantly communicating via sign language. I'm playing fast and loose with a lot of things that only get half-mentioned in canon, and having a good old time playing in the sandbox of Hyrule. They're huge games and there's a lot of space for me to set up shop!
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thewhizzyhead · 7 months
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before I sleep, here is my definitive ranking on all the NPMD songs and some rambles on why I placed them there - also the ranking is based on how much I vibe with them (music production and lyricism have different rankings)
1. Hatchet Town (aka the hatchetfield trilogy theme song like this tune perfectly encapsulates the chaos Hatchetfield has to go through with every Starkid project pos-2018 and I love it - kinda wish it was a number that is more integrated with the plot with the kids tho BUT I REALLY DID LIKE that this melody was quite prominent in the other songs too)
2. High School is Killing Me (I've watched many teen centered musicals and believe me when I say that this song is one of, if not, the best introduction numbers out there for this genre - also it's a really great opening hook for a show)
3. Nerdy Prudes Must Die (FUCKING AMAZING HONESTLY - amazing way to REALLY re-establish a villain back from the dead and to establish the main theme for the nerds here: "I'm Not A Loser" (tho i fucking wish that motif was used a bit more))
4. Just For Once (everyone cheer for Lauren Lopez flexing not just her high tier soprano skills, but also how amazing of a fucking actor she can be like the concept of this song is quite layered and to pull it off both comedically and emphatically takes great lyrical and acting prowess)
5. The Summoning (a well-anticipated onstage introduction to all 5 of the LiB that balances out befuddling neon-entertainment with genuine fucking menace)
7. Cool As I Think I Am Reprise (A FUCKING GENIUS REPRISE I CAN'T STRESS ENOUGH HOW COOL I FIND THEM RECONTEXTUALIZING THE OG SONG AND IF I LOVED YOU TO FIT THE SITUATION AND BOTH OF THE CHARACTERS GROWTH. LIKE IN TERMS OF THEMATIC IMPLICATIONS WITH CHARQCTER DEVELOPMENT, THIS SONG AND ITS SCENE WOULD BE THE TOP)
6. If I Loved You (I think this song could be a bit more honestly like I know how much Starkid has explored Steph and Pete's relationship in their other projects and I was really hoping that they would have it more portrayed here - however the song is a bop nonetheless and it matches neatly with their themes and the harmonies are top tier. I placed this higher than the next just due to my personal bias like I really do like the song)
8. Dirty Dudes Must Die (A GREAT TWIST THAT MAKES ME WANT ANOTHER MUSICAL ABOUT GRACE CHASITY'S DERANGED SELF - also the new context of the song Grace is reprising here makes her a villain even scarier than MAX of all people but that's just me)
9. Literal Monster (A very catchy beat and well structured song that provides a good introduction to a jock-bully with the god complex. also kinda foreshadowing to nerdy prudes must die)
10. Cool As I Think I Am (the instrumentation reminded me of Dear Evan Hansen ngl fjsjd but it really does sound like an I-Want song from a teen-musical which is of course what they are going for - it sounds very nice and earnest though and I loved how it was utilised in the reprise. However I still fucking wish that the I'm Not A Loser motif was used more)
11. Dirty Girl (look I'm sorry for ranking this quite low on the list but like there is no fucking way I'm using this as bait to lure other people in like they'd be scared away I'm sorry fjdjs BUT I love how Will and Angela perform this though like top tier starkid performances ever - its not just what I would listen to on repeat personally jgjdjs)
12. Go Go Nighthawks! (This one gets plus points because of FUCK YOU CLIVESDALE GO GET FUCKED. otherwise its nice and cheery and perfectly shows how happy everyone is without Max but um I kinda wish it could be a bit more especially in terms of showing how happy the other nerds are now that Max is gone but that's just me)
13. Bully The Bully + Bury The Bully (Look I couldn't decide which was better like they both are the same melodies so like gjxjs these two are cute though and I liked seeing the 5 kids bonding in Bully The Bully since we don't get that many scenes with them)
14. The Best Of You (the pop-punk happy number is a staple of teen-centered musicals and it does really sound nice - just isn't that much of a standout compared to the others.)
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amazingmsme · 4 months
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Hcs that have come to my mind after recent asks youve gotten:
1) Tinky kicks his left leg like a dog whenever someone (Ted!!) scratches his belly. He also sticks his tongue out too, he basically becomes a docile housepet to his ler (which Wiggly thinks is a weakness Tinky needs to work on !!!)
2) Wilbur absolutely accidentally taught the lib about tickles. He never minded nor cared for it, but he kinda enjoys when it happens. I can see Wiggly being like "So... if I do this- you humans will laugh? Just like that?" And Wilburs like "Uhuh, usually yeah. Now it does differ from man to man, but you're on the right track pal." And not bat an eye abt whats abt to go down. (idk something about characters w accents that makes brain go agdkzljc-)
3) First time (or one of the times) Curt brought Tati home to his ma's place is when she found out he was ticklish. His ma, bein an absolutely sweet mother, either A) gives the two a room alone but warns Tati that Curt's got a sensitive neck & ears OR 2) is so excited to see her son, who in return is happy to see her, that she gets all gushy and starts grabbing his cheeks like a little boy. For a sec Curt forgets Tati's there, but when Mama Mega starts lightly tickling him he recoils in embarassed giggles.
(I love the uprise of the starkid/tcb tk community)
THESE ARE LITERAL PERFECTION OMG I’M SMILING LIKE A DORK KICKING MY FEET IN THE AIR & GIGGLING
Tinky ABSOLUTELY acts like a cute lil puppy when he’s tickled & it honestly endears Ted to him & that bastard is such a mean tease & is still pretty damn salty about his situation, so he really doesn’t hold back! Wiggly walks in on them & is like “EUGH! Have some respect for yourself!”
Bro you’re making me simp for the man decked out in denim head to toe😭 (I was when Black Friday first came out, it was just overshadowed by MacNamera & by now I lowkey forgot about him) but he’s so smooth about it & brushes it off to keep talking but Wiggly is hung up on that & his smile just keeps growing & is he closer? Wilbur’s definitely sure he’s closer. & now he’s starting to catch on & tries to back track & say how he isn’t ticklish but most people are, but it’s little kid shit, really, far beneath someone like you but Wiggly insists that he be taught about this “fun, silly little weakness you all share” & calls his brothers to help
Dude Curt’s mom is so embarrassing, idk how he can stand it! She loves him so much & just wants him to be happy but damn she doesn’t have to be so cringe about it! Tati is sooo amused & thinks it’s really sweet that he has such a great relationship with his mom (she’s totally not jealous or anything) & teased him about being a mama’s boy. But I feel like his mom would accidentally tickle him & then tell her how she’s “gotta be careful” with him because he’s “always been a sensitive one” & he’s like “OKAY MOM BYE” & once they’re alone & they get some things off their chest, Tatiana decides he could really use some cheering up & puts that information to good use
& bro I had no idea there were so many of us! It’s not like 5 years ago when it felt like I was out here all by my lonesome (god I can’t believe it’s been that long since tgwdlm)
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nabwastaken · 1 month
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Emma Perkins
alr! first one! let's see how it goes!
First off, I really really really wanna learn more about her dynamic with Jane. Jane always tried to reach out to her and be nice to her but Emma just. Shut herself off. She (understandably) ran away from Hatchetfield, not because it's, you know, Hatchetfield, but because she felt like the world revolved around Jane there. She was the successful one, Emma was just the other Perkins sister.
Also, I really like the idea of her being ND (ADHD specifically, though I could see AuDHD also working) because it kind of hammers in the idea of her being 'inferior' to Jane even though it's not her fault that she struggles to understand the school system. She got in trouble a lot growing up and was always known for acting out.
Her and Tom's dynamic seems interesting to me. They probably didn't get along in high school all that well (Tom was the popular jock, Emma was a stoner) but they were kind of joined together by Jane's death. They need each other. Tom needs Emma because she's the only person alive on Jane's side of the family to take care of Tim and Emma needs Tom because he's Tim's dad and Emma wants to do whatever she can to be in his childhood.
And the Becky shit? Please give me some more context about that why does she hate her so much??
Send me a random Hatchetfield/SAF/Starkid character (or two) and I'll tell you my headcanons and general thoughts about them!
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fairytale-poll · 11 days
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SEMIFINAL ROUND, MATCH 2 OUT OF 2!
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Propaganda Under the Cut:
Bug:
Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.
Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.
He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid
Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!
“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)
They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.
Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!
Original Fairytale:
The OG, she suffered so much more than Ariel in the Disney version, and gave up her love for Christianity. When she's turned into a human her feet are in agony with every step, but she dances anyway to enchant the Prince. The Prince marries a princess who found him after the Little Mermaid rescued him. The Little Mermaid is distraught at the prince marrying another, so her sisters give her a dagger from the Sea Witch that will turn her back into a mermaid if she kills him. She refuses to kill him, and then she turns into sea foam and dies, but because she was a good person she becomes a spirit of the air and does good deeds for 300 years until she dies again, gains a soul, and goes to Heaven.
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