I came across one of your posts criticising Delilah Green, and the radfem-esque rhetoric of Ashley Herring Blake's works. I agree, I completely despised her works. But every time one of my friends or I spoke about it, we were criticised on bookstagram and book twt. I was curious to know your thoughts on these books, if you are okay with it.
i am aaaaaaalways down to talk shit about bad books! i’ve felt completely isolated in the larger sapphic bookish spheres because i hated AHB’s work, i’m glad to have found another one of us 🫶
this’ll be under a cut because it’ll be incredibly long, as every instance of me criticizing these books has been
DGDC - delilah green doesn’t care
APDF - astrid parker doesn’t fail
AHB - ashley herring blake
SO!
these books suck. lmao. i don't think they're particularly interesting on the character-level, or the world-level, or the prose-level, or really anything at all. there are scenes here and there where i can see what AHB can do but she's too busy trying to seem like the funniest and the most progressive white cis woman out there--of course, without doing any of the actual work that comes with deconstructing the racist, transphobic, and homophobic ideology she grew up with as a person from the united states.
which leads me into my first complaint: everything to do with emery and their pronouns. every single thing in that scene felt like pandering, and the pronoun sharing aspect felt like word salad that needed to be edited down to a single sentence of "And then everyone else shared their pronouns". we're already deeply aware that every single person in this book sans emery is cis, i don't need that shoved into my face further with a cis woman expounding upon how she's terrified that she's going to fuck up somehow in sharing her own pronouns. unnecessary bullshit, since i'm guessing the point was to show that astrid is insecure, particularly around industry professionals, but with a slightly funny slant to it. this was not the place to show that, especially when there are so many other instances both before and after this part that show her anxieties better.
and frankly, in sharing this part with a friend, they thought it was astrid being insecure about getting emery's pronouns correct which....if your cute lil romcom protag can be see as an annoying and borderline transphobic cissie when they come face to face with a nonbinary person for the first time because your prose just sucks ass......maybe you shouldn't include that lol
and i think that leans in a lot to the "humor" of these books. at one point in ADPF, delilah makes a joke about fighting someone "like a lesbian", which in her eyes (and somewhat therefore AHB's eyes) means gazing disapprovingly at someone and making her mouth "look like a butthole" (paraphrasing, but not the butthole part. she really says butthole). i'm assuming this was supposed to be funny, but it fell so fucking flat with me. like, these books are supposed to be romcoms. romantic fucking comedies. but most of the humor is so deeply steeped in white millennialisms that it's actually unfunny unless you're like my gen x mother who spends 90% of her time on facebook.
which, i suppose that's my biggest gripe with the books, and with AHB herself. it's a lot of self-serving nonsense, with little to no introspection about why certain things are included versus not. i mean, i can say that about a lot of popular romance novels, but thats beside the point. there is no reckoning with institutions, despite all of the call backs to how rich people suck, or how white people suck, or how men suck. it's all so very wink-wink-nudge-nudge, "im in the know, can't you tell?", correct terminology wrong ideology kinda of stuff. ok yeah, white people as the institution suck. i think we all know that. but also, ashley, every single important character, every single side character (save a couple), and every single background character (save a couple), are all white. you are actively participating in the "white is default" ideology that you seemingly dislike and make fun of in your book. so which is it?
this disconnect between AHB's story choices (all white main cast, etc) and the prose-level choices is so fucking obvious throughout the entire body of both books:
the lesbian main characters cannot call themselves lesbians, but one will call themself dyke without a second thought.
the trans-positive lesbian main characters will talk about dating/being attracted to nonbinary people, but do not have any nonbinary friends, do not talk to any nonbinary people, and the one nonbinary character included thus far speaks one (maybe twice) just to give their pronouns.
the lesbian main characters call themselves butch (or are called so by other wlw (but not lesbian) characters) and yet are still conventionally feminine in their presentations.
men are the worst people in the world, and yet josh (an ex of claire from DGDC) is consistently trying to atone for his past harm, and within the story we're given, is like, an actually alright guy.
men are the worst people in the world, and yet the worst actions taken against iris was not by her ex-boyfriend, but by her butch girlfriend (which. i have a lot of thoughts on this).
the books say they believe one thing, but are never backed up with actually evidence that this is the case.
and so, when i say the books have some radfem-y bullshit in them, this is largely what im talking about. i have no clue if AHB herself is a radfem, or exactly what she believes in. im not combing through her twitter account because she as a person annoys me, and anyone promoting her work annoys me. but she is participating in some fucked up shit, and the fact that they are so beloved just makes my ass itch and i feel like i need to speak on it more than i already do now 💀
anyway. the radfem-y stuff.
the books use some pretty covert gender essentialism when it comes to the lesbian characters vs the bisexual woman characters. every single lesbian is said to be masculine (specifically butch) while every single bisexual woman (and every single ostensibly straight woman) is, while not called out as feminine, exclusively present femininely. which....is weird. i don't think i have to say why saving masculinity for lesbians (and men) is stereotypical, and kind of gross, especially coming from someone who isn't a lesbian.
but wait! its worse! masculinity (regardless of how prescriptive vs. descriptive it is) in these books are very much associated with emotionally unavailability and callousness toward the feminine (emotional) counterpart. and really, its even worse when you compare difference within the lesbian characters (delilah, jordan, and iris' girlfriend).
delilah and jordan, when you actually examine them, are feminine presenting. they both wear red lipstick, eyeliner "sharp enough to kill a man", and in delilah's case, heels. the most masculine aspects about them is that they don't wear skirts or dresses. literally. whereas, iris's girlfriend in APDF, who only wears suits, has short cropped hair, never wears makeup, and has a stereotypically masculine job. jordan and delilah are love interests. they're allowed to grow into emotionally available people by their love for their feminine partners. the butch girlfriend, however, is a cheating piece of shit who's entire point is to set up iris' storyline for the third book in the series (a role that could've been done just as well by her ex boyfriend, who she dated in DGDC, instead of what feels like a very pointed and spiteful subplot).
so, it becomes very clear to me that masculinity is the worst thing you can have in these books. none of the men are given grace either, and i touched on it a bit earlier talking about josh. he was flaky as hell with claire and their daughter before the events of DGDC, and so claire (and by extension, her friends iris and astrid) are wary of him when he comes back into her and her daughter's lives. but, for all of that, josh isn't flaky in the book. like he very much steps up to be a good dad to his daughter. is the best? no, obviously. i dont think AHB is capable of writing a "good" character. but he literally doesn't abandon anyone, despite us being constantly told that thats what he does, to the point that when he ends up being unreachable for a couple of days, every single character freaks out and treats him like a monster. iris fucking punches him for this, even though he actually had a good reason. and im not one to defend men like 💀 i am very much a manhater, but like. cmon. it feels entirely unearned. and its that disconnect again. AHB wants you to believe that josh deserves this because he's a man, so of course he's going to be terrible, its what men do, despite him, like, not being terrible.
(and its even worse in APDF, where astrid is literally disgusted to be in his presence point blank, period, even though hes been like. consistently a decent guy.)
and my last piece in this, is natasha rojas. the otherworldly sexy and gorgeous latina host of the reality show in APDF, who literally wears a clitoris necklace. like not only is it leaning on racist stereotyping, but she's the ultimate feminine who wears a literal piece of the vagina. yonic imagery is cool and everything (genuinely, there should be more!) but this is not only extremely heavy handed in a brick-to-the-face kind of way, but also as the Ultimate Feminine, she's this deeply warm and caring and nurturing person, who is never posited as a antagonist or anything despite her positioning as a literal corporate player for HGTV (the hallmark of home renovation. every fucking person on that network is some flavor of conservative). she very much could've been a stand in for the capitalist homogenization of the housing market that HGTV absolutely caters toward, especially when you take into consideration astrid original plan for the house that she's renovating (taking it from very classically victorian to white and grey contemporary), but instead she's positioned as a mouthpiece for the glory of the clit and female sexuality only. which is fucking frustrating. and so fucking weird.
but yeah. AHB has a very white millennial liberal queer view of gender and presentation and sexuality, which in and of itself is very essentialist. but she tries to play out of her biases as a white and cis woman by making in-narrative jokes about it, but they fall completely flat because she has no idea what she's doing, and thus perpetuates the exact same shit she's trying to make fun of. she's got a lot of unchecked bigotry rattling around in that empty brain of hers, which when you're trying to write a feminist book, leans itself to radfem & white feminist ideology (which. lbr. are the fucking same but whatever).
ik this was long as hell but ty everyone who made it to the end for reading 😤🙏💓
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WIP... Oh shit, its actually Wednesday??
Tagged by @wrathfulrook @clicheantagonist @marivenah @cassietrn @the-silver-chronicles @socially-awkward-skeleton @direwombat and I thiiiiink that's it... sorry if you've tagged me & you're not on here, its been a hot minute since I've posted a wip wednesday & my memory is basically Swiss cheese
Tagging anyone who wants to self indulgently share a WIP! Feel free to tag me, I love to read new stuff :)
**Also terribly sorry in advance cause this turned out to be a bit longer than I thought it would be**
WIP 1: OG Verse - fun times with Celeste & Gabriel
He has to resist the urge to throttle her, lest he ruin the inside of his house filled with years of carefully handpicked items, ones he held a certain fondness for. "You ruined my life, Celeste. Or do you not recall?”
"Your life?" She tilts her head in mock curiosity. "What life? The one where you were sent anywhere they told you to go, like some mongrel with a barely slackened leash?"
“Excuse me?"
“We can pretend otherwise. Keep up the illusion that your life was marvelous, picture perfect even. But we both know the truth, don't we?" She takes a step closer. “You were nothing but the High Council’s defanged pup. Cluelessly doing their bidding before I freed you. If anything, you should be thanking me."
"Thanking you?" He clenches and unclenches his fist in an attempt to suppress his anger.
"Hate me if you must, fight me even, but do it later. Right now we must get out of here. If they do not know where I am yet, they soon will. What do you think will happen once they realize one of their precious dhamphirs has been under their nose this whole time?"
Celeste truly is the nicest individual you'll ever meet :))
Including this little snippet from Gabriel's pov as well cause idk, I just really like it
Unbidden worry strikes him.
He listens, waits, and when his ears pick up the sound of soft, even breathing he lets out a breath of his own.
Celeste and the baby were still there, unharmed, perhaps even sleeping. It brings an odd sense of comfort, reminiscent of times long forgotten, times he didn’t want to remember. If he did, he’d have to remember what brought them to a halt in the first place and he had a job to do. Grief and old wounds had no place here, at least not at the moment.
Kicking his boots off, he treks into the bathroom and gently closes the door behind him. It’s a simple design: Shower to his left, toilet to his right, and a sink with a mirror above it directly across from the door. Leaning against the sink, he ruffles his short, black hair that's shaved on the sides and traces his fingers over an old, faded scar. It runs down almost the whole length of his face, going over his left eye and stopping just shy of the corner of his mouth. Overlapping it is another, only this one goes across his face horizontally, over the bridge of his nose and from cheek to cheek. The only thing that remains of the old Gabriel are his blue eyes, once full of life and mischief, now faded and dull.
Turning away from his visage, he heads toward the shower and turns it on, stripping down while he waits for the water to heat up. He doesn’t need a mirror to see the multitude of scars and tattoos that adorn his body. Aching for another drink—if only to dull his senses and lingering memories once more—he curbs the yearning and steps beneath the water.
WIP 2: They Watch From The Pews
Willa squirms, trying to dodge cold fingers that reach out to trace over the letters, caressing them with a sadistic fascination that makes her stomach curdle in disgust. Disgust quickly transforms into a desperation to get away once he finally reveals the knife kept hidden behind his back.
“Usually I’d peel the sin off but… I think this will suit you much better, don't you?" Pressing the tip of his blade into her skin, he teasingly drags it across her skin. "Tell me, Deputy, how did you feel when you got the news of Samuel's death?"
"Chipper." She spitefully answers with a sneer.
John heaves a dramatic sigh and presses the blade down harder, prompting tiny beads of blood to bubble up as he traces over the letters of her tattoo.
"You can make this easier for yourself, you know."
"I've heard that before. Got me a bullet to the leg."
"Because you ran. My men only acted accordingly."
"Fuck you and your men, pussy."
"My, what a mouth on you." He tuts and makes a deeper cut.
Her teeth sink into the leather in her mouth, denying him the satisfaction of hearing her make a noise. Without pause, he moves onto the second letter, brows scrunched up in concentration as he goes over the lines again and again. It isn’t until he’s on the last letter that she finally breaks with a muffled groan.
He stops, lifting his eyes from his work. “Comfortable?”
John & Willa are bonding so well. Truly, I think they're starting to get along!
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This chapter was supposed to feature the start of all the Jacksonville angst, but Peter and Olivia decided that nope, not yet, so you get "upcoming first date nerves" instead, with dorky banter, more softness, and possibly some smooching 😏
I made a reservation for tomorrow night, casual dress code. Pick you up at 7:30?
This text, received almost an hour ago, is responsible for Olivia tying up her hair and scrubbing the entirety of her kitchen within the next thirty minutes—stove and oven included.
Her sudden bout of cleanliness having passed as quickly as it’d flared up, she’s now standing in front of her wardrobe, glass of whiskey in hand, staring at her clothes with a glower. Everywhere she looks, all she sees are work shirts, dark trousers, and suit jackets.
Barely a hint of color in sight.
You stay fit. Stay focused and stay ready. I wore the blacks and grays. I blended in. But the call never came.
It never came.
She chases Nick Lane’s voice away the way she always does, whenever she’s reminded of any similarity between her and the other Cortexiphan subjects she’s met or heard about in the last eighteen months, unwilling to think too much about the impact this particular childhood trauma had on her.
Currently unable to pick something to wear for her date with Peter, she finds it hard not to overthink everything, unfortunately. Her emotions where he’s concerned have been a bit chaotic for a while, but it’s gotten nothing short of absurd in the last few days, especially since that evening she spent at his place—more specifically since those timeless moments under his porch, barely sheltered from the pouring rain.
The thing about Peter, she’s come to realize, is that he makes her forget for a while. What a freak show her life has become.
For brief moments in time, Olivia stops thinking about Fringe events, about shapeshifters and alternate universes. She doesn’t think about any of that, focused instead on the intoxicating immediacy of whatever it is she feels when she’s with him.
READ MORE ON AO3
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