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#aang is a child
comradekatara · 4 months
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time’s arrow
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forged-in-kaoss · 2 months
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muffinlance · 2 months
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Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue
THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.
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bellwethers · 4 months
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The boy
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bookstoresmp3 · 2 months
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it really pisses me off when people say “aang is a human trying to be the avatar and korra is the avatar trying to be human” because it ignores the fact that the “avatar” as a mantle is not something anyone naturally embodies. it’s a responsibility you’re randomly picked for, and every single avatar’s character arc is about learning how to “be the avatar.” that statement makes it seem like korra is just this unfeeling, piece of brawn that only knows how to punch things (which are things ppl already say about korra anyway) and that depiction of her versus aang feels….super off.
it just really dehumanizes korra, and ignores the fact that korra’s confidence and strong sense of self in season 1 especially is because she was surrounded by community and her parents were deeply involved in her life. korra grew up experiencing the best parts of humanity and one of her major character strengths is how much of a light she is. thats why the trauma she goes through in later seasons strikes her so intensely, because prior to that she was very sheltered and wasn’t expecting the extreme sacrifice and trauma that comes with having to bear the title of “Avatar.”
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bernard-the-rabbit · 1 year
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the height difference betweed aang and korra in their series is..so funny to me
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lilith-91 · 13 days
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Fandom: "Katara is Aang/Gaang mother"
Katara:
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Y'all should rewatch this episode. No actually, rewatch the whole series. Properly :)
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longing-for-rain · 10 days
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You want to prove Zuko is the better man so bad but he only got 1 kid and Aang got 3 so who’s the ‘alpha’ now?
😬😬😬 Maybe I spoke too soon when I said Kataang shippers weren’t as outwardly misogynistic as they used to be
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the-badger-mole · 3 months
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Aang was a kid who was the sole survivor of a genocide. Why doesn't that factor in your opinion of him?
I've talked about this before, but his age and tragic backstory are irrelevant. ALL of the main characters are children with tragic backstories, and they are more empathetic, have more growth, and their tragic backstories...actually matter.
Listen, for all people whine about how often Katara talks about her mom (which isn't really that often), it's clear how her mother's death shaped her as a character. It's clear how witnessing her mother's death formed her worldview, and Kya sacrificing herself for Katara made a mark (she never turns her back on people who need her? COME ON! That is obviously her trying to save people the way she couldn't save her mother). Even her wanting to learn how to fight and not heal (which is an insane battle advantage, btw) speaks to her trauma around not being able to defend her mom.
Even Sokka's trauma around the loss of his father and not being deemed old enough (big enough/ strong enough/ smart enough) to go with Hakoda and the other warriors come through in his recurring need to prove himself (coming up with the big battle plan for DoBS, breaking his father out of prison, learning swordplay, etc.). It's woven so neatly into the narrative. His trauma matters to his story.
Toph is the least developed of the Gaang, and her issues with her parents have more impact on character than the destruction of the Air Nomads have on Aang. Heck, Zuko's entire arc hinges on compound traumas.
Meanwhile, Aang's trauma....? What trauma? Yes, the loss of the Air Nomads is a tragedy, but we, the audience, only know it's a tragedy because we have real world knowledge telling us so. Personally, I was in 3rd or 4th grade when I began learning about the Trail of Tears, and in kindergarten when I began learning about slavery (I was born in Harlem. The kindergarten I went to taught us accordingly). When I saw ATLA, I had a frame of reference for the genocide of the Air Nomads. But it didn't really seem to bother Aang all that much. Oh, sure, it did come up when it was convenient to the plot, but it mostly seemed to be a way for Aang to expound on the superiority of Air Nomad philosophy and society to whoever he's talking to. Aside from that, and his first rush of feeling when he found out what happened to them, the loss of the Air Nomads doesn't seem to effect Aang all that much. If he doesn't care about his tragic loss, why should I?
Aang is a fictional character. I don't have to extend the same pathos to him that I would to a real life person. It is the writers' duty to make me feel for him, and they did not. The way he's framed is the issue. And here is where I really start retreading things I've said before, but I think it needs to be repeated (again and again and again). Aang is not framed as someone who has a lot of growing up and learning to do. I could give him a pass on his worst traits because he's a child and still growing, but the show doesn't frame him that way. The show wants me to see him as a precocious imp who's wise-beyond-his-years but still has a cheeky lil' mischievous streak. It's not trying to frame his lying to the quarreling tribes in The Great Divide as a bump in his journey to becoming an effective leader bridging different people together. It wants the audience to laugh at him getting one over on the foolish tribes who absolutely went back to fighting as soon as Appa was out of sight. The show isn't framing his desperation to get the village in Avatar Day to like him as a foolish pursuit he needs to get over if he wants to be strong in the face of adversity. It wants us, the audience, to feel bad for him because his charm isn't immediately bringing the people over to his side. It wants us to be indignant that the villagers don't see how important Aang is and wont' support him. The show isn't framing Aang's non-con kisses with Katara as bad because it hurt her. It isn't making a point to that Aang needs to care about her feelings. It wants the audience to feel bad for Aang and hope for Katara to come around because he's A Nice Guy™️©️®️. Aang is never shown to be a particularly good friend to any of the Gaang, let alone him being kind to strangers just because that's his heart. All of that I would allow to be just him being a dumb kid with growing to do if the show hadn't made it clear that Aang was perfect and didn't have to change, and in fact the world should change for him.
Aang's age and tragic backstory are irrelevant because the show made them irrelevant. All they left us with was a Gary Stu character who hides his selfishness under a thin veneer of cheerfulness. It's not good enough.
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lauralying · 2 months
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Im sorry but the lady in Omashu hitting Zuko took me out
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hanadoesstuffwrong · 2 months
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Thinking abt the air nomads:
What if, after the war, once the dust has settled a little, Aang goes back to travelling, hoping that maybe he can find at least some trace of surviving airbenders. As an added bonus, he gets to do more of the exploring and wandering that he had to put on hold.
Toph goes with him ofc. She only just got a taste of real freedom and it was overshadowed by ever-present impending doom. While she's on speaking terms with her parents, she isnt quite ready to be back under their roof on a permanent basis. The rest of the gaang have their individual homes and responsibilities that they get back to, though they join for the odd field trip or adventure when they can.
So anyway, they're touring all over the world and over the years they notice just how displaced so many people have become. EK citizens who barely escaped the blaze but lost everything; FN military now decommissioned with no idea how to carry on; people looking for a new start in the hard-won peace. Maybe it starts with Toph heading back to Earth Rumble, where a group of young runaways scrounge for cheap fights to make a little money.
At each turn they find more and more people with no homes to return to and no family to protect them; runaways escaping the roles the war forced them into. Gradually, Aang and Toph start to see that they aren't so different from themselves. They just want a new start.
So they decide to give them one. They clean up the temples and set up villages in the surrounding areas (helps to be master earthbenders), where people can arrive and stay as long as they need. Travellers and refugees pass through in droves, sometimes choosing to stay and rebuild their lives there, sometimes continuing in their wandering with a guarantee that they'll always have a place to return to should they have the need.
Over time, the lemurs grow in number and even some flying bison calfs (hybrids with a relative species maybe?), can be seen in the skies. Whenever the founders visit, it isn't the same but Aang feels a little more at home.
The first time someone asks Aang to teach him his philosophies, and expresses his desire to become a monk, how can he refuse? Maybe it's a former soldier, somebody who's done terrible things, looking for a path to redemption. So Aang teaches him, and then he teaches others. And though they may not be airbenders, they are as earnest and faithful as any nun or monk Aang knew before. The temples become filled with new faces: Firebenders, Earthbenders, Waterbenders and non-benders all wearing Air nomad orange and yellow.
Aang always feared that it would be his responsibility to have airbender children, and the idea of forcing that on someone he loved terrified him. Maybe that's why he waited so long before acting on his feelings for his best friend, his travelling companion, his fellow-village builder and temple-restorer. How could they have a truly happy relationship with this pressure hanging over them? He wishes he could be content with the new way of things that he and his friends have created. But he knows that he can't be the last airbender forever...
Nobody knows why some children can bend the elements and others can't. Is it blood? Is it blessing? Is it the land in which you're born? Or is it the simple allocation of fates decided by the values and norms you're raised believing in? Is it enough to be surrounded by the culture and beliefs of the Air Nomads? Nobody knows...
All they know is that nobody sees it coming when the six-year-old daughter of two non-bender villagers from the Earth Kingdom and Northern Water Tribe sends herself flying twelve feet into the air with a sneeze.
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comradekatara · 1 year
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katara will see an elder, any elder, and be like “is anyone gonna respect them” and not wait for an answer. sokka could be like “katara they are literally stealing candy from babies right now,” but if they are above a certain age she does not care, in fact she is like “sokka how could you even say that!! the audacity!! that is a respected member of the community!!!!” like the closest she comes to realizing someone old sucks actually is with pakku, and even then she is inexplicably happy to find out that he’s gonna be her step-grandpa. meanwhile zuko sees literally any old person and is immediately like “ew i didn’t know raisins could talk”
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My Interpretation of The Last Agni Kai
(Disclaimer: This isn't critisism of Zuko as much as it a small breakdown of the tragedy of the royal family. This post was also editted and it may not appear in reblogs).
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Do you hear this language? "The showdown that was always meant to be". It's somewhat true, but I'd argue that it's not because of who they are as people. It's because of Ozai.
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It's because they're the golden child and the scapegoat. It's because they've been put against each other by their abuser.
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I would argue that she is sorry. She does love her brother, and she didn't want it to end this way. Zuko cannot see that, and he isn't sorry.
In The Beach, Zuko burns a picture of them, as a family.
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To him, the picture resresents the perfect past. Before everything went to shit. But he no longer fits there. Even though he's back. He's frustrated, he hates the world, and wants to burn it all.
Especially after he has redeemed himself, he is sure there is nothing for him. His mother is gone, his father is abusive, and Azula: the prodigy, the favored one, who belittled him from the day Ozai began to favor her. She left him in the dust while making it extra dirty. She's barely his sister anymore, she's the untouchable force making his life worse.
In Zuko Alone, Azula practically taunts him over his planned murder.
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This is what Zuko sees. Not a human, not a sister, but a boogeyman. After all, Azula always lies. What he doesn't see is Azula's reaction when she realizes the situation is serious. She'll never let him see that.
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Azula could have burned the bridge all those years ago, when he was banished. But she didn't. She is the reason he's back home, on that beach. Ozai was her God, she was disciplined to him and only him, even more than herself. And she lied to his face so Zuko could come back home. She's cunning, manipulative and dangerous, but she loved her brother.
Zuko can't see that. Even when "she's slipping", he can't see that. Of course he wouldn't, her love for him is overshadowed by the damage she caused him, and his envy of her. She's above him, the demon haunting him. As Ozai and their history led him to believe. And he sticks to this belief, until it's disproven.
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(Author's note: Azula's face here makes me want to cry, props to the animator)
She's human, his sister. And she's trurly sorry it had to come to this.
The Last Agni Kai is a tragedy. It's the story of two siblings who grew up in an abusive household, with a dad who played favorites. One made all the wrong choices, while the other could not fathom the other's humanity. They don't reconcile, they put themselves against each other. Because it's the showdown that was always meant to be. And he only recognizes it wasn't, after it's over. Now, he too, is sorry.
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evilkitten3 · 9 months
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atla crack au where zuko and azula burn the palace down as kids (like 12 and 10, respectively, pre-banishment but post-grandpacide), run away to avoid consequences, and somehow end up "discreetly" living in the abandoned fire nation ship in the south pole ("discreetly" is a word which here means "all the adults know they're there bc they have massive arguments every other day, and when hakoda's nearby he "drops" things that might be useful")
ozai ends up blaming the palace fire on iroh and banishes him. he must capture the children to regain his honor (translator's note: this is adult speak for "get their asses back here so i can ground them for the rest of their lives")
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softestepiloguemisc · 8 months
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people who are hyper critical of aang are super fucking weird and we should say so.
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eemolu · 1 month
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the winter solstice episode of atla is crazy. aang rocks up to the fire temple and he's like heyyy roku i'm twelve and need help! i don't know how to learn all the elements and the spirit world is a mystery to me etc. and roku goes yeah fine shut up. if you don't figure all that out by the summer the world will LITERALLY EXPLODE. obviously aang is like dude no way what if i can't do this and roku's response is yeah you can :) ok the glowy light is going away i have to jet bye <3 dude WHAT that was the least helpful you possibly could have been to that child. nice job elevating the stakes of the show and providing narrative tension but god you could have tried to be nicer to the baby standing in front of you asking for help
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