"...At least Jesse was clearly enjoying the manor life."
Based on a scene from the Deadlock Rebels book (snippet under cut)⚔️
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Prompt 198
Now Bruce was not expecting to reincarnate upon his death. At least he thinks he died, he’s pretty sure he did. There wasn’t any other reason for him to be a well, literal baby. Around two he thinks, which fits well with the fact that it’s around that time that babies start forming memory recall, if he, well, remembered correctly.
But while he knew about reincarnation thanks to Shayera and Carter, he’d never exactly given it much thought towards himself. Because seriously, what were the chances of such a thing as him being given another chance?
So he was quite surprised at his situation, experimentally opening and closing pudgy hands that looked well, just a tiny bit off. He’d never been that pale before, he thinks, even back when he never went outside like, ever.
He turned his gaze towards the mobile above him with a sort of idle curiosity- a mixture of bats (ha) and other trinkets he wasn’t familiar with. It also caused him to get his first good look at his parent, asleep on a rocking chair right next to the crib.
Huh. They had the same pale skin he did, albeit in the light it looked like it was slightly tinted blue, and while their hair was white they didn’t exactly look old. They looked surprisingly well rested for raising a toddler too, unless they had a nanny or something similar… He rolled over, managing to very shakily push himself to his feet with the help of the crib.
Why was standing so hard as a toddler? And why did he have his memories of everything except how he had died anyway?
His head whipped up from where they were staring at his feet when he heard a snort, finding his parent awake and standing. Somehow silently enough that he hadn’t noticed- or he was that easily distracted by the unfamiliar giddiness bursting in his chest.
“Morning little bat,” his parent easily picked him up and held him while he inwardly sighed at the nickname. Of course his bat motif would follow him into this life. A low rumbling almost caused him to jump, his body relaxing before he could fully register the sound. The… purring?
Oh.
He wasn’t human this time around.
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i. about 2 weeks ago, i was told there's a good chance that in 5 or so years, i'll need a wheelchair.
ii. okay. i loved harry potter as a kid. i have a hypothesis about this to be honest - why people still kind of like it. it's that she got very lucky. she managed to make a cross-generational hit. it was something shared for both parents and kids. it was right at the start of a huge cultural shift from pre to post-internet. i genuinely think many people were just seeking community; not her writing. it was a nice shorthand to create connection. which is a long way of saying - she didn't build this legacy, we built it for her. she got lucky, just once. that's all.
iii. to be real with you, i still struggle with identifying as someone with a disability, which is wild, especially given the ways my life has changed. i always come up against internalized ableism and shame - convinced even right now that i'm faking it for attention. i passed out in a grocery store recently. i hit my head on the shelves while i went down.
iv. he raises his eyebrows while he sends me a look. her most recent new book has POTS featured in it. okay, i say. i already don't like where this is going. we both take another bite of ramen. it is a trait of the villain, he says. we both roll our eyes about it.
v. so one of the things about being nonbinary but previously super into harry potter is that i super hate jk rowling. but it is also not good for my mental health to regret any form of joy i engaged with as a kid. i can't punish my young self for being so into the books - it was a passion, and it was how i made most of my friends. everyone knew about it. i felt like everyone had my same joy, my same fixation. as a "weird kid", this sense of belonging resonated with me so loudly that i would have done anything to protect it.
vi. as a present, my parents once took me out of school to go see the second movie. it is an incredibly precious memory: my mom straight-up lying about a dentist appointment. us snickering and sneaking into the weekday matinee. within seven years of this experience, the internet would be a necessity to get my homework finished. the world had permanently changed. harry potter was a relic, a way any of us could hold onto something of the analog.
vii. by sheer luck, the year that i started figuring out the whole gender fluid thing was also the first year people started to point out that she might have some internalized biases. i remember tumblr before that; how often her name was treated as godhood. how harry potter was kind of a word synonymous for "nerdy but cool." i would walk out of that year tasting he/him and they/them; she would walk out snarling and snapping about it.
viii. when i teach older kids creative writing, i usually tell them - so, she did change the face of young adult fiction, there's no denying that. she had a lot more opportunities than many of us will - there were more publishing houses, less push for "virally" popular content creators. but beyond reading another book, we need to write more books. we need to uplift the voices of those who remain unrepresented. we need to push for an exposure to the bigotry baked into the publishing system. and i promise you: you can write better than she ever did. nothing she did was what was magical - it was the way that the community responded to it.
ix. i get home from ramen. three other people have screenshotted the POTS thing and sent it to me. can you fucking believe we're still hearing this shit from her when it's almost twenty-fucking-twenty-three. the villain is notably also popular on tumblr. i just think that's funny. this woman is a billionaire and she's mad that she can't control the opinions of some people on a dying blue site that makes no money. lady, and i mean this - get a fucking life.
x. i am sorry to the kid i was. maybe the kid you were too. none of us deserved to see something like this ruined. that thing used to be precious to me. and now - all those good times; measured into dust.
/// 9.6.2022 // FUCKING AGAIN, JK? Are you fucking kidding me?
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To me, Machete kind of has the energy of a secondary villain/coldhearted side character in someone else's story that a lot of fans latch onto, moreso than the protagonist. Question is, would he be the villain in anyone's story?
Why, thank you! I'm actually glad to hear he gives off that vibe. I don't think he set out to become a villain but a lot of people certainly view him as one.
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Sylvanas Windrunner, Ranger-General of the Blood Elves of Quel'thalas
vereesa -- sylvanas roleswap au??? i kept seeing banshee queen vereesa in that one time rift timeline and had sudden brainrot over it, so now this exists!
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experimentin w shit heehee
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for something as trivial and simple those feelings sure are hard to get rid of
also made a gif a version for fun + alt version with no tears under the cut
the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)
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Hey so I’ve mentioned this a lot of times on my main blog, but I wanted to put this out over here since it is Hallow’s Eve. I always give out little tchotchkes on Halloween along with candy. This year, I’ve completely switched over to 100% doohickeys and doodads— think mechanical pencils, shaped erasers, little notebooks, squishes, vampire teeth and spiders rings and all. It started years ago in college when I signed up for a dorm Halloween event where kids from an area that was too dangerous to really trick or treat through got bussed in to trick or treat at our dorm. I bought some candy and dollar store Halloween themed stuff with what i had. And you know what the kids went ape shit over?
Motherfucking. Mechanical. PENCILS!!
These kids could not get enough of them. They literally went “PENCILS??!” I had never seen kids get so hyped up for pencils lmao. They were the first things to go. Candy is fleeting; the little pencils you can bring to school to flex are eternal, until you inevitably lose one of the refill parts and then they aren’t but listen, in that one moment they are infinite. And its nice thinking that maybe some kids who don’t always have access to school supplies not only get them, but get them in fun shapes and designs.
Anyway. I recommend people to give out fun stuff like this not just because kids seem to genuinely enjoy them, but also because there’s this thing called the Teal Pumpkin Project here in America. You can put out a teal pumpkin to show that you are giving away non-candy items and sign your address up so parents of children with allergies know that there are houses their kids can safely and happily trick or treat at! It’s a win-win! Plus, if you accidentally bought too much, it’s not like candy— just pack it away, pencils and fidget spinners will be good next year, too! :)
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Part of my experience with abuse is hoping I get a kid like me so I can know how easy it can be to love them, how easy it is to not treat them how I was treated, and breaking that cycle. It was only hard for them to love me as a child because they didn't love me in the first place. They wished for me to know the hate they had, and I refuse to carry their water for them like that. It was never hard to love me.
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i feel like ,,, like we talk a lot about how fear-motivated c!dream's actions are, yeah, because you know c!dream is consistently paranoid as fuck and So Much of why he's like that is because he's too scared to think straight and doing batshit insane shit as a result, but at the same time i think that his ... awareness? of this? can be vastly overestimated. c!dream doesn't like being afraid. c!dream is historically Really Fucking Bad at admitting or acknowledging when he's actually terrified of a situation, because that means he's lost control of it. if he's Worried about a situation he's still ahead of it, if he's Cautious or making preparations or getting things in line to make sure that those closest to him don't get in the line of fire he's still retained a degree of control, but all of that isn't quite the same as admitting he's doing anything because he's scared out of his mind, because scared out of his mind isn't exactly a state that c!dream likes to be in.
and this is why c!dream is so adamant on transactional relationships with anyone that he perceives as having a modicum of real power, because being useful to powerful people makes him less of a target because they need something from him. this is why he is so desperate to convince himself that he's on top when it comes to sam, when it comes to quackity, when it comes to wilbur, and he's saying all of this hidden inside his own hell after hiding there for months having barely confronted c!quackity before getting the hell out of dodge. this is why he scrambles to make sure to show that he's not indebted to technoblade and why he puts himself in foolish's service within minutes of meeting him and why a fucking feeling of power against an unarmed man he could've locked in a box with him with a press of a button was enough to get him to shut up and obey no matter how damn unsubstantiated that feeling ended up being because he couldn't bear to lose it, even just within his own head
and so you know, when c!dream calls c!tommy the one thing out of his control as a motivation for exile during the same time he had to fight off multiple coups explicitly with the desire to do away with him so that theyd be able to "rule the server," like. look. c!dream is just so fucking far from a reliable narrator. i'm sure he could give me an itemized list of how c!tommy has ruined his life, i'm sure he can say all these things about how c!tommy causes chaos and causes problems and doesn't listen to anyone, i'm sure he can go on and on and on about how it'd be a different story if c!tommy just listened to him for once. but let's be real, here--as much as he's convinced himself that he's trying to get control of the one thing out of his control, what's closer to reality is that c!tommy was the one thing he did feel like he could control (hello, the discs) when literally everything else wasn't
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OOH YEAH BABY! PARTY TIME BABY! MUSIC! DRINKS! SOCIAL PRESSURE & A PSYCHEDELIC BREAK DOWN! WELCOME TO VAMPIRE SOCIETY MOTHERFUCKER! ARE YOU SCARED? DO YOU UNDERSTAND YET? ITS OKAY IF NOT. FIRE DISSOLVED IT! ITS ALL GONE NOW. HAVE FUN!
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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You know something I don't think I've ever seen people talk about is how Freddie changed the lyrics for Big Spender.
Because in case you don't know, all original versions of the song are sung by women - and it is made very clear that they are singing to men:
The minute you walked in the joint
I could see you were a man of distinction
A real big spender
[....]
So let me get right to the point:
I don't pop my cork for every man I see
Hey, big spender
Spend a little time with me
Probably not too surprising, then, that when Queen performed this song in 1974 Freddie had to do a bit of a gender-switch on it:
Though, it would probably be more accurate to say that Freddie made this song gender-neutral because he didn't change it to be about a woman. He eliminated the first use of "man" entirely and then sang "I don't pop my cork for everyone I see" (instead of "every man").
And honestly there's probably a whole dissertation you could write just about those changes alone, but what I really love is when Queen brought the song back in 1986 and Freddie changed the lyrics again:
Because yes he still dropped the first "man" but the "everyone" is changed and Freddie instead sang "every guy" with just the barest hint of a "-rl" sound at the end to give him plausible deniability if anyone asked about it.
So much of Freddie's music speaks to his experiences as a queer man but, because of the nature of the times in which he lived, he couldn't always be directly open about that fact. Most of his love songs are intentionally vague, and he sang about "somebody" or "you" to avoid having to use gendered terms as much as possible.
Freddie singing "I don't pop my cork for every GUYrl I see" wasn't just an adjustment to the original lyrics, it was a specific change from how Freddie had sang it before in order to make it more gay in a way that he could rarely be with his own music, and that is what I adore about this. It's such a little thing, but it gives such a unique insight into how Freddie balanced his sexuality and his stardom, and how the relationship between those two changed over the nearly 12 years between these performances.
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