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calder · 6 months

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Released in 2010, Obsidian Entertainment's Fallout: New Vegas actively concerns itself with the realities of gay existence, and is widely recognized as a noteworthy work of queer science fiction. New Vegas extensively examines social attitudes towards homosexuality among the game's major factions, and primarily conveys this lore through gay and bisexual characters describing their own experiences. It also allowed the player to mechanically set the Courier's sexual orientation. By taking both available perks, the player character can be bisexual. By choosing neither, the player can opt out of seeing flirtatious dialogue options.

Uniquely, Fallout: New Vegas explores homosexuality in the context of wasteland societies, and touches upon related issues. The core theme of New Vegas is that the desire to recreate the past is driven by irrational nostalgia, and any endeavor to manifest past glory is dangerous and doomed. The social issue of homophobia is used as a demonstrative example. The resurrection of corporate and military power structures presents new avenues for Old World problems such as institutional homophobia to reemerge. One of the many issues that divide the New California Republic and Caesar's Legion is the latter's open persecution of gay people. The NCR is described as tolerant and even accepting of same-sex relationships, though acceptance tends to fall off the further one moves away from the developed, urbanized core of New California. In recent years, the Republic's rapid economic transformation has led to an unforeseen erosion of the humanitarian ideals which it was founded to serve. In practice, to recreate America was to take on its shortcomings and its sins. As subsistence scavenging has dried up, the people of the NCR increasingly turn to wage labor, entrepreneurial venture, or military enlistment to keep their families fed. Meanwhile, their government enacts morally corrosive imperialism (narrative verbiage), their dominion expanding indefinitely as their infrastructure crumbles from within. This has led to a profit-based imperial monoculture which must conquer, consume, and coerce to perpetuate. As personal politics and service labor grow in importance, people find themselves more inclined to present as "normal" in the interest of financial stability and political expedience. A loading screen visualizes this culture of artificial social normalcy: the portrait of President Aradesh on the NCR 5$ bill neglects to depict his unibrow, earring, and facial scarification, overall portraying the once-chieftain so cleanly-cut as to be unrecognizable at first glance. He also appears to be wearing a collared shirt or suit as opposed to the robe he wore in Fallout.

In the Legion, Caesar has mandated that every legionnaire take a wife and produce children, citing high infant mortality rates and the constant need for soldiers, and going as far as instituting child quotas. He treats human beings as a resource to be exploited for war. Ostensibly in this aim homosexuality has been declared a capital offense punishable by death. Historically, routine demonstrations of violence towards women and gay people are a deliberate feature of fascist societies, the only logical cultural conclusion of a government devoted entirely to war and control. In Forlorn Hope letter 9, an NCR soldier wrote wrote the following to his boyfriend:

Dearest Andrew, Writing this seems pretty morbid, but tomorrow we march into the no man's land between our camp and Nelson, which is crawling with Legion. The Major insisted I write this damn "if you get this, I'm dead" letter so here it is. What a crock. I have the luck of the devil and your love on my side, so I'll be home soon. Keep the porch light on for me. We'll party in New Vegas when I get back. I love you. —Devin

Devin believed he would prevail over the Legion because his love would keep him safe. He was found dying or dead on the battlefield, the letter was found on his body. In a post-release patch, the injured soldiers were removed from the battlefield for performance reasons, and never re-implemented. Driven largely in reaction to the Legion's hyper-masculine posturing and misogyny, rumors persist across the Mojave that gay male relationships are not only common within the Legion, but condoned. These rumors are repeated commonly in NCR society. A closeted NCR Major mentions that the Legion is "a little more... forgiving" about close male "friendships," speaking in a hushed tone to avoid suspicion. At the same outpost, the player can encounter Cass, a bisexual civilian woman. She may flirt with a male Courier, who may imply they are gay, prompting her to imply gay men are more common in the Legion. Even as gay men fight and die in the name of love under his command, NCR General Oliver may remark to Courier Six at the Second Battle of Hoover Dam: "If you think after all that's happened, I'm going to grab my ankles and take it like the Legion..."

This writing pertains to institutionalized homophobia which manifests in practice though power structures and social interactions without being written into law. Simply put, in his derogatory remark, the general expresses to his army that military surrender is gay, much like their gay enemy. From the brevity and bluntness of this remark, it's clear that this sentiment is already well understood among his ranks. Logically, to project strength in the eyes of such a leader, one might also project homophobia by scrutinizing and harassing one's peers and subordinates. In this atmosphere, the expression of homophobia is not only normalized, but materially incentivized. For the ambitious, it becomes a tool, and a way of casting shame upon rivals. For the closeted, homophobia becomes a survival tactic, hoping to throw scrutiny off oneself. This is why Major Knight is immediately frightened when a male Courier flirts with him. He is so profoundly alienated that he romanticizes life as a gay man under the Legion. The Legion punish homosexuality with death, and yet Knight characterizes them as more "forgiving" than the NCR. Through these apparently disparate events, the audience can trace how a distorted perception of gay people emerges among insecure men in a military environment, and subsequently becomes ingrained in the corresponding civilian culture. At the 188 Trading Post, a lesbian from the Brotherhood of Steel named Veronica also wryly remarks that she believes legionaries have gay sex about as often as straight sex. She also notes that this only applies to men, as women have no rights whatsoever in Legion society. In this aside, she conveys a pre-existing frustration with lesbophobic social norms. Veronica also mentions that the people of her bunker would rather she remain on the surface. The Mojave Brotherhood of Steel has no official policy prohibiting homosexuality, but an implicit attitude among its dominant members that their limited numbers require everyone to have children to avoid extinction. Numerically, this may seem logical on the surface, given their reluctance to recruit outsiders. However, given their tiny population, this is an ineffective countermeasure, as they do not have nearly enough members to maintain genetic diversity for more than a few generations. This approach is not universally supported by all family units within the Brotherhood, but every individual is ultimately at the mercy of the elder. Veronica was in a lesbian relationship, but they were quietly separated by Elder Elijah, due to the dominant culture of enforcing heterosexual pairing among their population.

Caesar's law has not ended homosexuality within his domain. Despite the obvious risks, some legionaries have continued to pursue relationships behind closed doors, especially given their access to slaves. So long as members complete their societal obligations and fulfill the child quotas, they are able to pursue romance with other men in secret. Homosexual relationships in the faction are noted as being relatively equal compared to the average Legion husband and wife, in a "Don't Ask, Don't Tell" sort of open secret policy. Gay legionaries must always make sure to keep their activities hidden. A centurion was once almost caught fraternizing with the teenage boy he had chosen to tend his tent. Despite previous "romantic" intentions, he quickly resolved to dispose of the slave to dispel suspicion. Had they been caught together, the centurion would have been charged with homosexuality and sentenced to death. This story is only known because the enslaved young man, Jimmy, managed to escape execution. Further illustrating the cruelty intrinsic to Legion governance, it's stated that homosexuality was the crime, and not the rape of a young slave; in fact, it seems Jimmy was forced to contribute to the child quota despite being a gay teenager, and the experience left him traumatized. He has resolved to never have sex with another woman, as the very notion triggers memories which fill him with disgust, and (in his own words) makes him feel like a slave all over again. The Strip is indifferent to gay people, viewing them as another opportunity to make caps. Both the Gomorrah and the Atomic Wrangler are interested in maximizing profits, and their prostitution services cater to clients regardless of their orientation. The openly gay Jimmy works at nearby Casa Madrid, but there is some tension among his peers due to his co-worker Maude's blatant homophobia. She supposes he's "okay, for one of those," and if propositioned by a female Courier, Maude will direct them to Sweetie for such "perverted" services. Pretty Sarah must regularly intervene to keep the peace among her staff.

The Followers of the Apocalypse, well-read punks who seek to embody healing through anarchistic values, are not concerned with gender. Most are openly and casually sexually active. Upon meeting Courier Six, Arcade Gannon offhandedly makes his gayness known, unprompted. The audience must face the fact that Arcade's apprehension of the Legion is far from abstract; under Legion law, he would be put to death. One possible ending gives further insight into Caesar's hypocrisy: should the player sell Arcade into slavery and leave Caesar alive, he will keep Arcade as a personal physician and philosophical advisor. They intellectually spar at length, and Caesar grows singularly fond of him. Accordingly, Arcade imitates the historic suicide of Cato the Younger by disemboweling himself. The Legion's remaining medics attempted to save his life, but none were Arcade's equal. Caesar understood his doctor's final gesture of contempt, and mourned him for months.

New Vegas ventures further into themes of healing from the trauma of sexual violence, from the perspective of a lesbian character. Corporal Betsy, an NCR sharpshooter, is a rape survivor, and suffers with PTSD from the incident. Her unprocessed trauma has manifested as a maladaptive tendency to aggressively and explicitly proposition the women she encounters, in an effort to reassert a sense of control. This defensive hypersexual impulse has negatively impacted her ability to connect with other women. A male superior officer notes that her behavior is inappropriate for anyone of her stature, but abstains from disciplining her out of sincere concern for her mental health. The Courier can help her begin to recognize these problems, and convince her to seek treatment from Doctor Usanagi at the New Vegas medical clinic, which proves helpful to her as she processes and heals from her trauma.

In Old World Blues, the Think Tank are five floating brains in jars who express themselves by waving robotic arms bearing screens depicting facial features. Before the War, they were federal scientists who committed crimes against humanity in the name of weapons development. Each is stuck in some sort of neuro-bionic feedback loop which prevents them from moving forward with their projects, mentally binding them to their central laboratory. Walking through their homes at Higgs Village, it's clear each was deeply neurotic before they were transformed into floating brains. Now without bodies, they attempt to maintain the illusion that they are exempt from sexuality as purely mental beings, but each displays obvious interest in the human form. They have codified this shaming with the term "formography." Most of the men are obsessively defensive over their complete disinterest in penises, which they talk about constantly. However, the shameless Dr. Dala shows overwhelming interest in observing and recording any and all human functions. Already androgynous in her pre-War life, Dala has taken to self-identifying as a "gender neutral entity" (though she is not known to use they/them pronouns). Regardless of the Courier's gender, they may coquettishly scratch themselves, clear their throat, and stretch in front of Dala until her biomed gel decoagulates. Dr. 8 also responds positively to graphic masturbation advice from Couriers of either gender. The X-8 research facility is ostensibly a massive immersive shrine to Doctor Borous's hatred of Richie "Ball-Lover" Marcus, a long-dead child who bullied Borous centuries ago. He also clings to his resentment of one Betsy Bright, who refused to attend a dance with him, supposedly so she could "go smoke with RICHIE MARCUS." Clearly arrested in development, Borous has literally built a temple to the fantasy of torturing his adolescent romantic rival and feeding him to dogs. His frozen, static characterization of the jock Richie Marcus as a "pinko-commie" who "likes balls" reflects the shallowness, pettiness, and overall misanthropy underlying his patriotic identity. It remains apparent throughout Old World Blues that the Think Tank are all chronically sexually repressed, which is inseparable from the values of the violent and judgmental pre-War culture which created them. With time and isolation, this ingrained repression has manifested as various intense and deranged psychosexual behaviors, including rage-fueled homophobia, voyeurism, and the obsessive performance of puritanical pretense.

____

“Although I’ve been out for a very long time, I made a conscious effort to be out with relation to this project, as I wanted to be visible as a lesbian in the game industry. New Vegas itself is, I think, one of (if not the) best games out there in how we treat homosexuality – and all of that is very intentional.”

“If my work on FNV, if my being out has helped even one gay person, then I have succeeded.” — Tess “Obsidian’s Gay Cowgirl” Treadwell

____

written (with help from other editors) for fallout.fandom.com/wiki/LGBT_representation_in_the_Fallout_series criticism welcome

#fnv

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marlynnofmany · 2 years

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Have you heard about mole genders?

I’ve heard of this concept in sci-fi, but thought it was absolutely made up. I know some fish and frogs can change genders, but not in cycles like this. Wild. If I slapped this down in some alien world without explanation, I’d laugh in my own face. But no, real biology IS that bizarre.

Image descriptions:

A series of tweets from @NaturalCalendar that say:

Hello lovely Nature Noticers. It is time for today's thread! Follow me, and we'll delve deep into the subterranean and subversive world of Talpa europaea, the common European mole. We'll begin with a bombshell - there are no female moles.

Genetic researchers have recently discovered that female moles have reproductive organs unlike any other mammal. If measured by the standards of other species, there are no fully female moles. Instead, there are males and individuals that would be considered intersex.

So, lets look at how this works. Female Moles are called Sows. Sows have both ovarian AND testicular tissue They also have vaginas that disappear between breeding seasons!

Most of the year, female moles look and behave like males. They have masculinised genitals, with no external vagina + an enlarged clitoris. When this point in the year arrives, mating season begins. At this point the Sow's testosterone levels drop + they develop a vagina.

As is typical for mammals, Sows are equipped with two X chromosomes and Boars with an X and a Y chromosome. Unlike any other mammals Sows simultaneously develop functional ovarian and testicular tissues united in one organ, the 'ovotestis'. This is unique to Moles.

This testicular tissue does not produce sperm. It does however, produce large amounts of the sex hormone testosterone, meaning that Sows have similar testosterone levels to the Boars -except during mating season.

Scientists have hypothesized that these high levels of testosterone provide an adaptive advantage for the mole's underground life - providing added muscle mass for Sows who need to dig burrows and fight for resources for their offspring.

This is a dynamic process - the ovarian tissue that makes eggs and gets larger during breeding, then regresses. Outside of breeding season the testicular tissue, expands until it’s larger than the ovarian end - flooding the Sow's system with testosterone.

This explains why female moles have male-like genitalia... But it doesn't explain how patch of testicular tissue forms in female moles even though they do not have a Y chromosome. Up until recently the Y chromosome was thought to be fundamental to male sex determination.

In 2020 a team of molecular geneticists studied the female mole's ability to produce testicular tissue without a Y chromosome. They found that changes in the structure of the Mole's genome that lead to altered control of genetic activity.

But what does this mean? In short the female mole shows us that evolution doesn't work in the way that we have assumed since Darwin - their DNA changes within the living organism.

Since Darwin, it has been generally accepted that the different appearances of living organisms are the result of gradual changes in genetic makeup that have been passed onto subsequent generations - but Moles experience changes in the regulatory regions belonging to sex genes.

The researchers found that female moles do not have a Y chromosone but they do have a triple CYP17A1 gene. CYP17A1 is involved in the formation of steroid hormones + the triplication of this gene in the mole creates a dynamic sex regulatory system.

This dynamic process appends additional regulatory sequences to the gene and leads to an increased production of male sex hormones in the ovotestes of female moles, especially more testosterone.

What the intersexual mole shows us is how important the three-dimensional organization of the genome is for evolution. Nature makes use of existing developmental genes and rearranges them to create a characteristic such as intersexuality.

We see in the mole that evolution is not a linear process, arranged around the principle of Euclidian geometry. It is rather a topological process - a structure cast in rubber that is responsive and adaptive to the environment.

The mole also reminds us of the complexity of sexual development. The shifting sexual characteristics of the mole shows how the process of sexual development can, and does result in a wide range of natural variations.

#biology #gender #moles #fun animal facts #intersex #truth is stranger than fiction #yes I’ve read The Left Hand of Darkness #I’ve seen this idea elsewhere too #I had no idea it was based on something so exact #bonkers man #trans #mole genders

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crimeronan · 10 months

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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

#thebibliosphere i apologize for tagging u when we don't know each other at all i just want u to get credit for the initial discussion #given that it is so much more thoughtful and clear than anything i'd think to write.#i did NOT mean to spend multiple hours on this but once i started writing i was like #oh god i actually do have like a lot i can tell monogamous people about writing poly people & the poly perspective #anyway. i mention it in the post but people can send me (respectful. obviously) asks if they have questions #i cant promise to answer all of them bc i am bad at this. but if i'm well enough then i'll try #polyamory #non-monogamy #ethical non-monogamy #writing #my writing #writing advice #relationships

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probablyasocialecologist · 2 months

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Europe’s oldest and last remaining Indigenous people are under grave threat as a result of borders, land seizures, construction projects dedicated to the extraction of natural resources and systematic discrimination. Yet, that creeping sense of suffocation has made the Sami reach out to another set of Indigenous people nearly 4,000km (2,500 miles) away, whose fight for survival they identify with: the Palestinians in the Gaza Strip and the occupied West Bank. Their own struggle for Indigenous rights and self-determination has turned the Sami into vocal advocates for the Palestinian cause.

[...]

In front of the Norwegian Parliament on a cold October day, surrounded by hundreds of Palestinian and Sami flags, Isaksen held a mic and performed the “joik”, a traditional Sami song performed without instruments. Her lilting sounds brought the noisy demonstrators to a standstill, carrying a prayer that she hoped would somehow reach the besieged children of Gaza. “I’m physically so far away from them, but I just want to grab them, hold them and take them out of this nightmare,” Isaksen says. “Without trying to compare situations, Indigenous peoples all over the world have stood up for the Palestinian people because our bodies know the pain of being displaced from our homes and forced out of our own lands,” Isaksen says.

[...]

“We live in a settler colonial society,” Holmberg says. “The Sami know how it is to be marginalised and lose our lands. The levels of violence are different in Palestine, but a lot of the underlying mindset is similar. The US and Europe have shown they are not able to fully acknowledge their own colonial history.” Holmberg delivers a stark warning that sounds eerily similar to the voices heard in Palestine. “We are at the edge now. Any more push, and we collapse.”

#Sami #palestine #israel #indigenous #Norway

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katrafiy · 1 year

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I think about this image a lot. This is an image from the Aurat March (Women's March) in Karachi, Pakistan, on International Women's Day 2018. The women in the picture are Pakistani trans women, aka khwaja siras or hijras; one is a friend of a close friend of mine.

In the eyes of the Pakistani government and anthropologists, they're a "third gender." They're denied access to many resources that are available to cis women. Trans women in Pakistan didn't decide to be third-gendered; cis people force it on them whether they like it or not.

Western anthropologists are keen on seeing non-Western trans women as culturally constructed third genders, "neither male nor female," and often contrast them (a "legitimate" third gender accepted in its culture) with Western trans women (horrific parodies of female stereotypes).

There's a lot of smoke and mirrors and jargon used to obscure the fact that while each culture's trans women are treated as a single culturally constructed identity separate from all other trans women, cis women are treated as a universal category that can just be called "women."

Even though Pakistani aurat and German Frauen and Guatemalan mujer will generally lead extraordinarily different lives due to the differences in culture, they are universally recognized as women.

The transmisogynist will say, "Yes, but we can't ignore the way gender is culturally constructed, and hijras aren't trans women, they're a third gender. Now let's worry less about trans people and more about the rights of women in Burkina Faso."

In other words, to the transmisogynist, all cis women are women, and all trans women are something else.

"But Kat, you're not Indian or Pakistani. You're not a hijra or khwaja sira, why is this so important to you?"

Have you ever heard of the Neapolitan third gender "femminiello"? It's the term my moniker "The Femme in Yellow" is derived from, and yes, I'm Neapolitan. Shut up.

I'm going to tell you a little bit about the femminielli, and I want you to see if any of this sounds familiar. Femminielli are a third gender in Neapolitan culture of people assigned male at birth who have a feminine gender expression.

They are lauded and respected in the local culture, considered to be good omens and bringers of good luck. At festivals you'd bring a femminiello with you to go gambling, and often they would be brought in to give blessings to newborns. Noticing anything familiar yet?

Oh and also they were largely relegated to begging and sex work and were not allowed to be educated and many were homeless and lived in the back alleys of Naples, but you know we don't really like to mention that part because it sounds a lot less romantic and mystical.

And if you're sitting there, asking yourself why a an accurate description of femminiello sounds almost note for note like the same way hijras get described and talked about, then you can start to understand why that picture at the start of this post has so much meaning for me.

And you can also start to understand why I get so frustrated when I see other queer people buy into this fool notion that for some reason the transes from different cultures must never mix.

That friend I mentioned earlier is a white American trans woman. She spent years living in India, and as I recal the story the family she was staying with saw her as a white, foreign hijra and she was asked to use her magic hijra powers to bless the house she was staying in.

So when it comes to various cultural trans identities there are two ways we can look at this. We can look at things from a standpoint of expressed identity, in which case we have to preferentially choose to translate one word for the local word, or to leave it untranslated.

If we translate it, people will say we're artificially imposing an outside category (so long as it's not cis people, that's fine). If we don't, what we're implying, is that this concept doesn't exist in the target language, which suggests that it's fundamentally a different thing

A concrete example is that Serena Nanda in her 1990 and 2000 books, bent over backwards to say that Hijras are categorically NOT trans women. Lots of them are!

And Don Kulick bent over backwards in his 1998 book to say that travesti are categorically NOT trans women, even though some of the ones he cited were then and are now trans women.

The other option, is to look at practice, and talk about a community of practice of people who are AMAB, who wear women's clothing, take women's names, fulfill women's social roles, use women's language and mannerisms, etc WITHIN THEIR OWN CULTURAL CONTEXT.

This community of practice, whatever we want to call it - trans woman, hijra, transfeminine, femminiello, fairy, queen, to name just a few - can then be seen to CLEARLY be trans-national and trans-cultural in a way that is not clearly evident in the other way of looking at things.

And this is important, in my mind, because it is this axis of similarity that is serving as the basis for a growing transnational transgender rights movement, particularly in South Asia. It's why you see pictures like this one taken at the 2018 Aurat March in Karachi, Pakistan.

And it also groups rather than splits, pointing out not only points of continuity in the practices of western trans women and fa'afafines, but also between trans women in South Asia outside the hijra community, and members of the hijra community both trans women and not.

To be blunt, I'm not all that interested in the word trans woman, or the word hijra. I'm not interested in the word femminiello or the word fa'afafine.

I'm interested in the fact that when I visit India, and I meet hijras (or trans women, self-expressed) and I say I'm a trans woman, we suddenly sit together, talk about life, they ask to see American hormones and compare them to Indian hormones.

There is a shared community of practice that creates a bond between us that cis people don't have. That's not to say that we all have the exact same internal sense of self, but for the most part, we belong to the same community of practice based on life histories and behavior.

I think that's something cis people have absolutely missed - largely in an effort to artificially isolate trans women. This practice of arguing about whether a particular "third gender" label = trans women or not, also tends to artificially homogenize trans women as a group.

You see this in Kulick and Nanda, where if you read them, you could be forgiven for thinking all American trans women are white, middle class, middle-aged, and college-educated, who all follow rigid codes of behavior and surgical schedules prescribed by male physicians.

There are trans women who think of themselves as separate from cis women, as literally another kind of thing, there are trans women who think of themselves as coterminous with cis women, there are trans women who think of themselves as anything under the sun you want to imagine.

The problem is that historically, cis people have gone to tremendous lengths to destroy points of continuity in the transgender community (see everything I've cited and more), and particularly this has been an exercise in transmisogyny of grotesque levels.

The question is do you want to talk about culturally different ways of being trans, or do you want to try to create as many neatly-boxed third genders as you can to prop up transphobic theoretical frameworks? To date, people have done the latter. I'm interested in the former.

I guess what I'm really trying to say with all of this is that we're all family y'all.

#transgender #third gender #hijras #femminielli #trans women are women #trans solidarity #trans rights #transmisogyny #transunity #transunitism #this is what trans unity looks like

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coralinnii · 7 months

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❋ You said what now? ❋

↳ He accidentally found out your feelings

feat: Ruggie ⭑ Chenya ⭑ Lilia ⭑ Epel

genre: fluff (uhh for the most part), humour,

note: no pronouns used with the reader, no explicit spoilers for book 7 in Lilia’s section, reader is referred as human in Lilia’s section, reader is implied to be a first year in Epel’s section, bad cat-related wording in Chenya’s section

Fun fact: while not obvious in the English translation, if you listen to Chenya’s Japanese voice lines, he likes to say “nya” at the end of his sentences.

Will I keep that fact in mind anytime Chenya pops up? Absolutely.

Also, I just started my college classes again last week (which is why I didn’t post last week). All of my classes are dense with text and quizzes so…I need to study real hard which will most likely eat up my time for writing. Good ol’ inconsistent me~

Although, I’m taking History and we focus a bit on the age of nobility and old kingdoms…so maybe some inspiration for my villain/ess!au series (or maybe not cuz history is weirder than one thinks…)

How it happened

Perhaps a little sneaky, Ruggie is someone reliable, resourceful, and fun to be around. You started to fall for him and even that sneaky side of his became endearing to you.

But bigger, financial priorities occupy the hyena beastman’s mind more than anything else. Unless he can make a madol from it or get a freebie, his interest in anything else is seemingly non-existent. It was rather easy to keep your feelings to yourself when the topic of love rarely, if ever, comes up.

So it came to a surprise to you when the shaggy-haired sophomore mentioned his coworkers at a part-time job he picked up in town.

He started ranting about how a duo at his workplace started an unlikely relationship a few days ago. According to him, the two were from two different worlds and didn’t appear to be either of their types.

“Doesn’t make any sense if you ask me” he mumbled, scratching his fluffy head by the sudden revelation at his job.

You nodded and hummed as he recounted his workday with you, but in all honesty, you didn’t share his confusion over the so-called sudden pairing. By the way Ruggie described the couple, it does sound like their personalities wouldn’t mesh well and would theoretically clash too much for anything to bloom between them.

But attraction follows no simple formula. No one can stop themselves from falling for someone. You yourself were an example.

“Love is never predictable, Ruggie.” you commented without thinking, perhaps too distracted by the cute love story of Ruggie’s coworkers or it could be that you’re drowning in the warm feelings from being so close to your crush that your mouth is running too comfortably on its own. “I mean, I never thought you were my type but I still ended up-“

You shut your mouth before you could finish but looking at the wide-eyed expression on Ruggie’s face, the effort was moot.

“You still ended up?”

…Shoot.

What happens now?

Colour him shocked. Ruggie never entertained the idea that you would like him, out of all people.

He could’ve pretended not to figure it out, or convince himself that it was a misunderstanding. But he knew when he saw your flustered embarrassment and your cute stuttering trying to come up with an excuse, there was no misunderstanding. You like him.

Ruggie has a good amount of ego and he wouldn’t downplay his boyish good looks (odds are it got him out of a few close calls), but in a school of celebrities, royalty, and guys with money coming out the wazoo? He knows when he’s outmatched.

To be honest, his brain froze for a moment at your slip up. He clutched his heart which stuttered out of beat, his ears and tail stood in attention like a meerkat. Jack was worried watching his upperclassman in such a daze while folding laundry, heck it even got Leona raising a brow over the uncharacteristic clocked out look on his shorter dormmate.

But, Ruggie is a workaholic hyena. Always planning his way to work up the ladder to earn some good madol. Even if he likes the idea of making a family of his own, romance wasn’t in his peripheral vision at the moment. Not while he’s working multiple jobs at once. He would honestly feel a little bad because he knows he’ll end up ignoring any poor soul stuck with him.

As bad as it is, he might at first think to pretend he heard nothing about your feelings. He couldn’t bring himself to make you go through that, to be in a relationship where work takes precedence over you.

But then he thought it wouldn’t be so bad…snuggling up to you during one of his rare free time. Maybe you’re the type to surprise him with lunch and he could rest on your lap while you brush his hair. Would you maybe rub his sore muscles after an arduous club training session? Having boyfriend privileges means no one can complain when he slides up to your side, keeping your attention to himself without having to share…

Screw it, he’ll figure something out. He’s a greedy hyena through and through

Shyeheehee! Better be ready for what you’re asking for. Once I’ve set my eyes on something, I’m not lettin’ it get away!

How it happened

This man is a literal magic trick, appearing and disappearing to revel in the shock of his unsuspecting audience. As elusive as he is, the times he does show up brings a shock of joy and excitement to you.

It seems that the purple-haired student has made it a habit to join the Heartslabyul’s unbirthday parties from time to time, enjoying the occasional chaos and keeping you company to your conflicted delight.

You didn’t know why but Chenya made it his mission to fluster you every chance he gets, with cheeky comments and sly touches as he leads you away from incoming mishaps such as a stray splash of paint or a flying slice of cake. You don’t know why but the cat-like menace has taken a shine to teasing you out of the blue. Sometimes he would suddenly whisper nonsensical riddles into your ear, or tap your shoulder to then poke your cheek as you turn. Small silly pranks that should annoy you but your body becomes filled with butterflies when he smiles that charming grin at you.

How maddening, you thought as you fell for another sneaky surprise from the impish beastman. Once again, Chenya appeared right behind you, smiling just over your shoulder which gave you and your friends a fright (for different reasons) to which he took pleasure in, judging from the mischievous grin on his lips.

Your shouting caught the attention of the other Heartslabyul students and recognizing the white jacket and castle emblem, their eyes boiled with competitive rage. An RSA student? On Night Raven territory?!

“Ah, looks like fun time is over. I’ll just show meowself out~” and like a mirage, Chenya’s figure disappeared as the NRC students failed to catch even a strand of his fur. Not even when he took a second longer to fade out just so he could teasingly tickle the tip of your nose with his fluffy striped tail.

The students kept on making a fuss, eager to teach the mischief maker a lesson for trespassing on rival territory. You sighed at the wasteful effort, assuming that Chenya would be smart enough to have left long ago.

“Why must my crush be such a frustrating person?” Angry hollers and Riddle’s commanding cease-and-desist orders overwhelmed your tired voice, and your soft words ended up softly carried off into the wind.

But your words caught the interest of a curious ear before it disappeared.

What happens now?

Curiouser and curiouser. He was not expecting such a confession. Though to be fair, he supposed you didn’t mean for anyone to hear it.

Chenya found joy being in your company. The shock in your bright eyes followed by your cute laugh sends a warm, giddy feeling in his heart that he just could not stop. He had a feeling he knew what these feelings could be but he was content with what he could get in the rare moments he can see you.

But now, when he realized what your cute reactions meant? That sends whole new exciting feelings within him. It’s fuzzy and warm as usual, but now also shocking and thrilling. The sneaky beastman is grinning for more than one reason now.

He won’t immediately confess back. Considering this wonderful predicament where you don’t know he knows of your affections, his playful nature compels him to milk the fun of this situation for all its worth.

If you thought his cheeky antics were bad enough, you haven’t seen his flirty side till now. Playful taps on the shoulders become sneaky grabs by the waist, and just when you think he’s gone, his signature grin would grace your vision as he fades into view, a little too close to your own face. Sometimes when he feels emboldened, Chenya would sweep you off your feet for a spontaneous walk along the sweet breeze.

When you’re finally at your wit’s end, when all his teasing and heart-fluttering gestures fills you to the point of combusting in flustered frustration, that’s when he’ll finally tell you his reciprocated feelings, perhaps while stealing a quick kiss when you least suspect it. All to see that terribly adorable look on your pretty face.

Every adventure requires a first step. I’m excited to see where we’ll go together from meow on~

How it happened

See, you thought he already knew. You swore he did. Why else would he tease you so much with his sweet compliments and flirty jokes? The mysterious senior spoke to you as though you were a naive child crushing on their older peer, which you supposed wasn’t entirely wrong.

The way he treated you with so much care and love that you wondered if he already suspected of your feelings and was being considerate to you. He listens to your rambles as though he has all the time in the world for you, compliments you on your achievements as though he’s genuinely proud of your hard work, and he jokes with you with that boyish charm of his. But the scarlet-eyed fae never pursued further with advances with you, which made you think that perhaps this was just who Lilia was, a strange but friendly man, unwilling to hurt your feelings. Were you grasping at straws and misconstruing his intentions?

With a heavy heart, you tried your best to give up your hopes but maintained a cordial bond with Lilia, not wanting to avoid the jovial fae so suddenly (well, without having to explain why anyways)

But one day, when you were walking with the smiling senior, he started talking about a souvenir shirt that Kalim had given him during their club meeting. It was a shirt patterned erratically with various colours and pictures of tiny bats littered about. It was an eccentric visual of fabric but it strangely fits the equally eccentric man.

“What are your thoughts? Would I not look absolutely adorable in this?” Lilia asked, holding the shirt in front in his uniform with a boyish smile, his fangs peeking out slightly. But you rolled your eyes as you sighed exasperated by this man’s antics.

“Don’t you think that’s unfair for you to ask me?” You looked at him with a pout, somewhat irritated at the mature fae you’re trying to get over. “Of course I’d said you would, considering how much I like you”

For a rare moment, Lilia turned wide-eyed at your words. “Pardon? Do you by chance… harbour feelings for me?”

Turns out, he didn’t know at all

What happens now?

Guess you can still surprise this old man. He had his suspicions but for all he knew that was how the youth were these days. He was fond of your shy expressions whenever he was around and he could hear the quickening of your heartbeat, but he didn’t want to assume. Perhaps you were just more on the skittish side.

In the centuries he lived, he saw love in many forms. In the recent centuries he lived, he got to experience some of those forms of love he’s seen, with the pain and joy that comes with it. To him, it couldn’t ask for more as he lives out the last few centuries he has left.

You however, were still vibrant like a freshly bloomed flower in its prime. Was that why he just couldn’t take his eyes off you? He couldn’t help but watch in admiration as you lived with almost enviable vigour. He felt pulled, entranced to be by your side for even just a moment, just to see that beautiful gleam of life (and love, he realized) in your eyes.

But Lilia felt a beat of guilt in his heart. Your life is so short in comparison to his own. You should be sharing your youth with someone as brilliant as yourself, not pining over an old soul like himself. Humans are fickle creatures but he supposed with such short lives, it’s best to be curious and experience all one can without regrets.

He would be honest with you, sharing his thoughts with you as though warning that your affections were better spent with someone that suited you better. It would be up to you to convince the stubborn fae that he was your choice, that you already decided he suited you just fine. All you’re asking from him is if he shared the same feelings as you did.

“I may have tried to get rid of my feelings before, but I’m choosing not to run away this time,” in your eyes, Lilia sees that same vibrant gleam that mesmerized him, almost breathing a new sense of life into him. “All I ask is if you feel the same way”

And he does. He’s lying to himself if he hasn't thought of a life with you where he could steal surprise kisses throughout the day, where he could bring you to soar through the night skies as he takes you to explore the world with him. He imagines a life of silliness but also a life of blissful content as he gazes at you like a beacon of light in his life, a new reason to live a bit longer.

Lilia feels ensnared by love once more, but the burning warmth in his soul is just too invigorating. He’s looking forward to this new chapter in his life, with you.

I do hope you’ve prepared yourself, my dear. Eternal love with a fae should not be taken lightly. But rest assured, I look forward to our new adventure

How it happened

You were Epel’s close friend and confidant, someone who he can share his achievements and woes with. Being so new to the college, the two of you depend on each other through thick or thin and along the way, you grew to see the lavender-haired freshman as more than just a companion.

He has a bit of a temper and is quick to the jump at times, but he was always there for you and even though he doesn’t always see eye-to-eye with them at times, he respects his seniors and takes their lessons to heart.

When he talks about how much he dislikes his height or his feminine features, you nodded along for his sake but you couldn’t tell him that you were actually in disagreement. You adore his fluffy locks that you occasionally got to touch with his permission and his light blue eyes felt like calming waves of the purest lake. Epel constantly swore to you that he’ll have his growth spurt and will even tower Leona in height, but you like how you could hold him close to you without issue.

You love all that he is, even if he’s not too keen on some parts himself

But you kept this all to yourself. You thought Epel had other priorities on his mind and you were scared that confessing would ruin the friendship you’d built with him. For now, you were content to be by his side for however long you can.

You were dead tired during a particularly harsh Flying class with Coach Vargas and you were barely conscious enough to keep your eyes open. It took everything you had to just nod along to whatever Epel was saying, something about some Savanaclaw students?

“Who they think they are, callin’ me cute like that? I outta rip off their yapper for underestimatin’ me.” You weren’t helping his point when you thought how cute his accent was as he grumbled about his day. You were falling in and out of consciousness but thought you should at least reply back to your friend…anything at all…

“I’m sorry…that happened…even though…I think…you’re really cute…”

You were already out cold to notice your friend frozen in place as you finished your drowsy comment, your head landing on his stiff shoulders.

What happens now?

ALDFIUAHLBWAIGLH

Congratulations, you broke your friend and you don’t even remember it. When you woke up, you couldn’t figure out why Epel was as bright red as his hometown’s apples. Epel couldn’t even bring it up without getting too tongue-tied, his accent sputtering out incomprehensible words.

The blue-eyed freshman was raking his brain for an explanation. You thought he was cute…really cute to be precise, but what does that mean? Did you like him? As in like-like him? Is it normal for non-countryside folk to just say something like that? But most students around here tend to mean it like an insult but you weren’t like them, you would never do that to him. So what did you mean by it??

Left without a choice, Epel thought about who he could ask about this, maybe one of his seniors. But he immediately reconsidered when he realized who his seniors were (Vil and Rook will never let this go and there’s no way Leona would entertain this conversation) and turned to the only adult he can trust, his meemaw.

In his letter, he asked his grandma what it means when someone you cherish calls you cute (not mentioning who) and after a few days of fidgeting and awkward encounters with very confused you, he finally got an answer from her.

“STOP SITTIN’ ON YOUR KEISTER TWIDDLIN’ ‘ER THUMBS! GO AND ASK, DAGNABBIT!”

And that’s how you were confronted by a flustered Epel about your cute comment one random school day. To be fair, you probably didn’t fare any better when you realized you let your thoughts slip out.

You may have confessed your attraction to him but Epel can still be the first to make the first move. Relationships and dating are all new to the petite freshman and honestly he felt a little weak in the knees, all the nerves wracking his body like his first broom ride. But the past few days, he couldn’t stop thinking about being with you, sweeping you off your feet, impressing you the only way he can, to have your eyes solely on him like he does when you’re around. Heck, he thought what it’d be like to grow old with you, holding you like no one else can as you spend day and night by each other’s side. All these thoughts and more is what spur him to take the next step.

I ain’t too great on love and romance, but I’ll work hard to show ya how much ya mean to me. I promise that!

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arabian-batboy · 7 months

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Its disturbing how Zionists are trying to so damn hard to convince the world that Palestinians are currently on a huge raping campaign on innocent women and girls everywhere, even though there are literally ZERO evidences so far of ONE case of a Palestinian raping or stripping any civilians (and I mean real evidence, not bigots saying its true on twitter), they simply willed it into existence by merely saying it over and over again and thinking that's enough to make it into a real concerning fact

But do you know what has been proven as a legitimate fact for decades on the other hand? Thousands of Palestinians men, women and children being systematically violated and raped on a regular basis by Israeli settlers with no consequences or sympathy from the international community.

Like we literally have videos of Israeli soldiers on camera laughing about how many Palestinian women they have raped and multiple photos and videos of Palestinians being stripped naked and beaten by soldiers. Right now there's even a video of Israeli soldiers pissing on a dead naked Palestinian man on twitter which isn't being shared around or talked about half as much as much that one video of one Israeli woman allegedly being "stripped" to a bra and shorts, even though it has already been debunked by now that she was already wearing just a bra and shorts when she was captured and that neither she nor any other Israeli hostages have suffered any kind of sexual abuse by Palestinians (as you can see by how good they're being treated in this video)

It's really remind me how White supremacists in Europe have started this propaganda that Muslim refugees shouldn't be allowed Asylum because they're here to rape European women and that rape rates in Europe will sky-rocket by their mere existence, even though again, there are zero evidence of refugees committing sexual crimes (or any crimes) on a higher rates than local citizens. In fact, in some European countries and the US, it has proven that Muslim-majority neighborhood actually have the lower crimes rate compared to their counterparts.

One thing is clear here, it seems that it doesn't matter where they live, all White supremacists (especially Zionists) have the same exact trick when shit hits the fan and its: claim that "savage brown men are coming to rape your delicate white women! So you need to kill them before that happens!" each time the people they're oppressing are standing up for their human rights.

Palestinians made a document that contains templates for letters to US, UK, & Canadian politicians, media outlets, and companies in relation to current events in Palestine as well as petitions & other resources. If you live in any of these countries then please select a template, edit it to your preference and send according to the instructions on the relevant page.

Here is a link to it (please share it): https://docs.google.com/document/d/1-RUOHHiEtr7uoclQgWN-tCWOihnHIp5hym89aNePi_E/mobilebasic

Aside from that, please protest, support the BDS boycott and spread awareness as much as possible.

#tw: rape #tw: death #palestine #palestinian #palestinians #gaza #anti israel #anti israeli #anti israelis #anti zionist #anti zionists #anti zionisim

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7amaspayrollmanager · 26 days

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I think the funniest thing is when an Israeli gets an anon telling them they don't know how bad life is under occupation and then they're so insecure they write the most dramatic response about "well you don't know what it's like to have missiles over your head" forgetting that there are much more powerful missiles killing thousands of palestinians in Gaza now and that's the reason missiles are flying over their head. But where is this audacity coming from like your life is not perpetually disrupted. The trauma of going to a bomb shelter is not the trauma of being in a refugee tent and the threat of dying in that tent equally possible from a missile from tank shelling from disease from starvation. In the WB, the occupation is so bad that israeli surveillance is able to extrajudicially drone palestinians in jenin. That sure is not something that could happen to you and completely missing the point that they are a citizen of a state that is holding an occupation over other people and as a result you live a life that is only possible because of palestinian repression. So this occupation means you. Are. The. Ones holding the strings. You hold the power you can't blame palestinian "terror attacks," preventing the end of occupation when your governance can end the occupation At Any Moment and intentionally keeps the occupation to facilitate land grabs and keep palestinians repressed on purpose which disrupts the "peace process." Your infinite access to water? That's because post Oslo the so called water distribution fell completely under the authority of israelis and we get less than 20%. Again you can touch any topic and you can find out the power dynamics very quickly like why act stupid

In 1995, under the Oslo II Accord, division of water sources was designated as an issue for “final status negotiations” – a device used by Israel to continue illegal appropriation of Palestinian water resources from 1995 until the present (the “final status negotiations” of Oslo have never been reached). A Palestinian Water Authority (PWA) was set up, but Israel maintained control of the total flow and volume of water to the OPT (Occupied Palestinian Territories While the PWA has no ability to manage water resources and just allocates the limited supply made available by Israel, the PWA, rather than the Occupation, is blamed for water scarcity. Moreover, the Oslo II agreement does not call for redistribution of existing water sources nor require any reduction in water extraction or consumption by Israelis or settlers.”

- Palestine Water Fact Sheet #1 - Center for Economic and Social Rights

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dailyadventureprompts · 8 months

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Monsters Reimagined: Bandits

As a game of heroic fantasy that centers so primarily on combat, D&D is more often than not a game about righteous violence, which is why I spend so much time thinking about the targets of that violence. Every piece of media made by humans is a thing created from conscious or unconscious design, it’s saying something whether or not its creators intended it to do so.

Tolkien made his characters peaceloving and pastoral, and coded his embodiment of evil as powerhungry, warlike, and industrial. When d&d directly cribbed from Tolkien's work it purposely changed those enemies to be primitive tribespeople who were resentful of the riches the “civilized” races possessed. Was this intentional? None can say, but as a text d&d says something decidedly different than Tolkien.

That's why today I want to talk about bandits, the historical concept of being an “outlaw”, and how media uses crime to “un-person” certain classes of people in order to give heroes a target to beat up.

Tldr: despite presenting bandits as a generic threat, most d&d scenarios never go into detail about what causes bandits to exist, merely presuming the existence of outlaws up to no good that the heroes should feel no qualms about slaughtering. If your story is going to stand up to the scrutiny of your players however, you need to be aware of WHY these individuals have been driven to banditry, rather than defaulting to “they broke the law so they deserve what’s coming to them.”

I got to thinking about writing this post when playing a modded version of fallout 4, an npc offhndedly mentioned to me that raiders (the postapoc bandit rebrand) were too lazy to do any farming and it was good that I’d offed them by the dozens so that they wouldn’t make trouble for those that did.

That gave me pause, fallout takes place in an irradiated wasteland where folks struggle to survive but this mod was specifically about rebuilding infrastructure like farms and ensuring people had enough to get by. Lack of resources to go around was a specific justification for why raiders existed in the first place, but as the setting became more arable the mod-author had to create an excuse why the bandit’s didn’t give up their violent ways and start a nice little coop, settling on them being inherently lazy , dumb, and psychopathic.

This is exactly how d&d has historically painted most of its “monstrous humanoid” enemies. Because the game is ostensibly about combat the authors need to give you reasons why a peaceful solution is impossible, why the orcs, goblins, gnolls (and yes, bandits), can’t just integrate with the local town or find a nice stretch of wilderness to build their own settlement on and manage in accordance with their needs. They go so far in this justification that they end up (accidently or not) recreating a lot of IRL arguments for persecution and genocide.

Bandits are interesting because much like cultists, it’s a descriptor that’s used to unperson groups of characters who would traditionally be inside the “not ontologically evil” bubble that’s applied to d&d’s protagonists. Break the law or worship the wrong god says d&d and you’re just as worth killing as the mindless minions of darkness, your only purpose to serve as a target of the protagonist’s righteous violence.

The way we get around this self-justification pitfall and get back to our cool fantasy action game is to relentlessly question authority, not only inside the game but the authors too. We have to interrogate anyone who'd show us evil and direct our outrage a certain way because if we don't we end up with crusades, pogroms, and Qanon.

With that ethical pill out of the way, I thought I’d dive into a listing of different historical groups that we might call “Bandits” at one time or another and what worldbuilding conceits their existence necessitates.

Brigands: By and large the most common sort of “bandit” you’re going to see are former soldiers left over from wars, often with a social gap between them and the people they’re raiding that prevents reintegration ( IE: They’re from a foreign land and can’t speak the local tongue, their side lost and now they’re considered outlaws, they’re mercenaries who have been stiffed on their contract). Justifying why brigands are out brigading is as easy as asking yourself “What were the most recent conflicts in this region and who was fighting them?”. There’s also something to say about how a life of trauma and violence can be hard to leave even after the battle is over, which is why you historically tend to see lots of gangs and paramilitary groups pop up in the wake of conflict.

Raiders: fundamentally the thing that has caused cultures to raid eachother since the dawn of time is sacristy. When the threat of starvation looms it’s far easier to justify potentially throwing your life away if it means securing enough food to last you and those close to you through the next year/season/day. Raider cultures develop in biomes that don’t support steady agriculture, or in times where famine, war, climate change, or disease make the harvests unreliable. They tend to target neighboring cultures that DO have reliable harvests which is why you frequently see raiders emerging from “the barbaric frontier” to raid “civilization” that just so happens to occupy the space of a reliably fertile river valley. When thinking about including raiders in your story, consider what environmental forces have caused this most recent and previous raids, as well as consider how frequent raiding has shaped the targeted society. Frequent attacks by raiders is how we get walled palaces and warrior classes after all, so this shit is important.

Slavers: Just like raiding, most cultures have engaged in slavery at one point or another, which is a matter I get into here. While raiders taking captives is not uncommon, actively attacking people for slaves is something that starts occurring once you have a built up slave market, necessitating the existence of at least one or more hierarchical societies that need more disposable workers than then their lower class is capable of providing. The roman legion and its constant campaigns was the apparatus by which the imperium fed its insatiable need for cheap slave labor. Subsistence raiders generally don’t take slaves en masse unless they know somewhere to sell them, because if you’re having trouble feeding your own people you’re not going to capture more ( this is what d&d gets wrong about monstrous humanoids most of the time).

Tax Farmers: special mention to this underused classic, where gangs of toughs would bid to see who could collect money for government officials, and then proceed to ransack the realm looking to squeeze as much money out of the people as possible. This tends to happen in areas where the state apparatus is stretched too thin or is too lighthanded to have established enduring means of funding. Tax farmers are a great one-two punch for campaigns where you want your party to be set up against a corrupt authority: our heroes defeat the marauding bandits and then oh-no, turns out they were not only sanctioned by the government but backed by an influential political figure who you’ve just punched in the coinpurse. If tax farming exists it means the government is strong enough to need a yearly budget but not so established (at least in the local region) that it’s developed a reliably peaceful method of maintaining it.

Robber Baron: Though the term is now synonymous with ruthless industrialists, it originated from the practice of shortmidned petty gentry (barons and knights and counts and the like) going out to extort and even rob THEIR OWN LANDS out of a desire for personal enrichment/boredom. Schemes can range from using their troops to shake down those who pass through their domain to outright murdering their own peasants for sport because you haven’t gotten to fight in a war for a while. Just as any greed or violence minded noble can be a robber baron so it doesn’t take that much of a storytelling leap but I encourage you to channel all your landlord hate into this one.

Rebels: More than just simple outlaws, rebels have a particular cause they’re a part of (just or otherwise) that puts them at odds with the reigning authority. They could violently support a disfavoured political faction, be acting out against a law they think is unjust, or hoping to break away from the authority entirely. Though attacks against those figures of authority are to be expected, it’s all too common for rebels to go onto praying on common folk for the sake of the cause. To make a group of rebels worth having in your campaign pinpoint an issue that two groups of people with their own distinct interests could disagree on, and then ratchet up the tension. Rebels have to be able to beleive in a cause, so they have to have an argument that supports them.

Remnants: Like a hybrid of brigands, rebels, and taxfarmers, Remnants represent a previously legitimate system of authority that has since been replaced but not yet fully disappeared. This can happen either because the local authority has been replaced by something new (feudal nobles left out after a monarchy toppling revolution) or because it has faded entirely ( Colonial forces of an empire left to their own devices after the empire collapses). Remnants often sat at the top of social structures that had endured for generations and so still hold onto the ghost of power ( and the violence it can command) and the traditions that support it. Think about big changes that have happened in your world of late, are the remnants looking to overturn it? Win new privilege for themselves? Go overlooked by their new overlords?

Art

#monsters reimagined #bandits #dnd #dungeons and dragons #d&d #ttprg #pathfinder #heavy topics #monsters reimagined

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itmakesssenseincontext · 8 months

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Honestly I loved episode three. I loved the gaping hole Kanan left in the narrative. He's a ghost, he's right there, he never existed, he never left.

When Hera talks to Mon Mothma and the senators and Mothma asks about Jacen, and Ezra is mentioned by name, but not Kanan. Just 'I lost people who were like family' and the only person she can be taking about is Kanan but he is unnamed. We know. She knows. But the others in the scene cant. And the republic wouldn't really want to acknowledge that loss. A Jedi died fighting for them, and his wife is begging for help to find their Jedi adoptive son and there 'isn't resources' because there is never fucking resources for anything that doesn't line the elites pockets because under the veneer of space opera, capitalism is rotting and always will be.

And when Hera is talking to Jacen, and he's been playing with Chopper when he should be with his Dad or Ezra learning Jedi stuff, and when he ways he wants to be a Jedi and it just hangs there and Hera tells him she knows. How many excuses has she come up with to keep him away from the Jedi stuff because its safer for him to let his talent burn out and she just can't loose another person to that. She can't go through it again. How long can she keep him safe from it? She can't. He is Kanan's son as much as hers. Ezra will come back, but at least Ezra will Know. Will have known Kanan. Know what Hera fears.

And when Ahsoka talks about the force with Sabine and she says the same things Kanan did, and Sabine doesn't stop her because how would Ahsoka know? She barely knew Kanan. When she trains Sabine with wooden weapons and its the same way Kanan did. And when they do the blind drills, and she should have been learning to fight blind from Kanan. Even the mask Sabine wears looks more like Kanan's mask from 'Twilight of the Apprentice' than any of the other helmets we see used for the same drill.

Kanan left this huge absence in the show, that only exists for those who knew him, both in universe and those who watched Rebels. And I just think its fucking beautiful.

#i just i fucking love it #hes there and not there and its for us to know or not #star wars #ahsoka spoilers #ahsoka show #ahsoka series #kanan jarrus #ahsoka tano #sabine wren #hera syndulla #jacen syndulla #seriously i am fucking feral for his absence

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creatingblackcharacters · 1 month

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"It takes HOW LONG?" Black Hair is an Art (pt.2)

(This is part two of the hair lessons, focusing on writing/narratives. If you want to know how the styles LOOK, refer to part 1 and its addendum)

Now that you know what our hair actually looks like, we’re going to discuss incorporating that into your writing (original fic, fanfic, webcomics, anything with a narrative). You don’t HAVE to give us a dissertation on "how you studied 'The Black People’s Hair'" in your story. That’s not what I’m asking you to do. I’m just asking you to CONSIDER the effort and existence of it. The same way you put effort into discussing nonblack hair textures? Should be the sort of tenderness and care you put into discussing ours. It does not stand to reason that I have read thousands of stories describing "the silky, black/blonde tresses/waves that fell down their pale back as their lover ran their fingers through them", but Black readers have nothing of the sort to compare to without seeking our own authors out. Our hair deserves some loving and adoration too!

This is a very long post describing hairstyles and how they can correspond to your character's design and decisions, so I'll put a read more here. The sections are organized into 'Twist Out', 'Afros', 'Locs', 'Braids', 'Black Men', and 'Straight Hair' if you Ctrl F. PLEASE PLEASE PLEASE take your time to read all of this at some point though, as I put a lot of resources and explanation into this. I'm trusting you!

The History

As I discussed in the last lesson, our hair is incredibly important to us, and part of that includes the vulnerability and trust that comes along with access to it. This is due to a long history of oppression. There’s a racist history of making Black women hide our hair, as if it would ‘tempt white men’ away, regardless of it were due to actual attraction or the (more likely) rape of Black women. There’s a racist history of touching our hair, as though we are animals or zoo exhibits. We aren’t just going to let anyone touch our heads, so DON'T write that, unless you are doing so to show that it is a microaggression towards your character. Even now, cultural appropriation is rampant. If I were to wear cornrows with hoops, it'd be seen as 'ghetto' or 'gang-like'. Meanwhile, it is a fashion statement for white women. When Miles G Morales showed up in Across the Spiderverse, animators specifically chose cornrows for him, but many people mistakenly took it to me that he was 'rougher and tougher' than the original Miles. This was a racist perception! Hearing the Fade get hyped up in the news as the 'Travis Kelce', when Black men and especially NFL players have been wearing it for DECADES to crickets... it hurts lmao. Point is, you can describe and respect Black hair without being racist about it. Okay? Okay.

Vulnerability

YOUR CHARACTERS NEED TO BE CLOSE BEFORE ALLOWING THEM TO TOUCH THEIR HAIR!!!

It needs to be someone they TRUST wholeheartedly. Again, do NOT let a stranger touch their hair unless it’s meant to be an uncomfortable situation!

Consider CONSENT! Consent is ALWAYS beautiful! Have your other characters (Black or not) ASK to touch your Black characters’ hair! And not in the ‘Oh can I touch it?’ way. But if they’re really close friends or dating, have them ask to help do their braids, or wash their hair, or even just to stroke their hair and face! Or if your Black character is injured with a head wound, and they have to tend to them, have them ask! The asking shows a level of care and respect for your Black character and their body! At any point the consent may be revoked, and that needs to be respected! If they let them tend their head wound, but then smack their hand away after, that’s not ‘rude’- they’re allowed to do that, especially to signify that they aren’t at that level of trust yet. That's still angsty!

One great example of love from a Black character is doing their partner’s hair, or allowing their partner to do their hair. The ‘Hair-washing’ fic is a common thing in fanfiction; we all understand how that shows the depth of the trust in the relationship between the characters. How would you write about that trust with a Black character, if you don’t know what goes into taking care of their hair? If you don’t even know what their hair looks or feels like? The lack of awareness will show, and what should be a beautiful, deep moment will fall flat for Black readers. I wrote one once for my character with locs, and it honestly made me tear up because I realized that I’d never seen one, at least not in the majority white spaces that the fandoms I was in were.

Think about it- how often have you read a hair-washing fic with a Black character? Was it accurate? Would you know if it was accurate? Have you spoken to or heard anyone Black in your fandom space talk about it? Do you know anyone Black in your fandom space to ask? It’s things like this that we have to consider!

If you have a character that is nonblack in a relationship with your Black character, that honestly reveals even more trust because there’s a long history (again) behind that NOT happening! In life, we can’t go to the same places. I can’t go to a white hair salon or barbershop. They won’t know what to do! People are allowed to go through hair school without learning how to work with different, thicker textures. It’s not right nor fair, but it’s a part of the casual, systemic racism in our lives.

My feelings on what Lestat symbolizes aside, the scene where he plays with Louis’ curls in AMC's IWTV was an intelligent way to show that closeness, and how a nonblack character would affectionately play with a Black character’s hair! How he works with the curl in his fingers, rather than trying to pet Louis or run his fingers through- it was an intelligent move on Sam and Jacob’s part as actors to understand that THAT’S how that would go down!

If you have a character that wants to show a violation of your Black characters’ space, touching/harming our hair is cruelty on a very personal level that will generate an extreme reaction.

Think About Your Character!

When thinking about your Black character’s hairstyle, you need to think about your character themselves! What do they do every day? What are their hobbies? Are they Type A, Type B personality? Do they have a lot of time? Are they always in a rush? Are they noncommittal? Are they self-conscious? Artsy? Serious? Are they in a time period where the means to care for their hair are limited?

People make jokes and comments about how Black women don’t like getting our hair wet and dismiss our concerns. But it’s not out of ‘silliness’ or vanity. What you consider ‘just hair’ may have taken days of planning in advance and HOURS of our time! We put a lot of thought and effort into our hair, and it will easily shatter the illusion for your Black readers if you describe our hair poorly or create an unlikely scenario with it. It’s not a joke!

Some Terms:

Protective styles- a style that allows our hair to ‘rest’ with minimal manipulation

‘Tender-headed’- some people’s scalps are more sensitive to the tightness of styles, so it’ll hurt a little bit more and require some more gentleness (Regardless it’s still going to hurt for a bit after a fresh style)

Bonnets- a silk/satin cap of varying lengths that we wear at night to protect our hair and keep the moisture in

Loc Sock- same idea, but for locs

Durag- keeps short haircuts protected; can even help create the wave pattern that many Black men enjoy

Scarf- same idea as the bonnets, except scarfs can be used specifically for straight hairstyles to wrap them up to keep it straight and neat

(It'll seem real legit if you include your Black characters wearing their headcoverings at night! I remember laughing while reading Twilight because I knew that if Edward snuck into my room at night, he'd see me in my scarf or bonnet lmao.)

General Hair Care:

While I don’t completely agree with some of the advertising in this first one (it’s the internet. Can’t go nowhere without someone trying to hawk something) it’s cool in general to explain how our hair looks the way it does.

If you have Black children OCs, it’s important to consider that their parents have to do their hair, and how that will be its own experience! (It can be very stressful for Black children to get their hair done, as it takes a long time and can be physically uncomfortable. There are plenty of stories of burnt ears and tugged tangles and not very nice old women. Children are children! Keep in mind how they may behave while getting the style of your choice.

Moisturizing to keep healthy

Twist Outs

Cute twist out styles

Twist outs are a style that takes overnight to hold, or maybe even a few days! The cool thing is that the twists themselves can be the style! So the tighter you want their curls to be, the longer they’ll wear the twists in. If you want to describe your character with tighter curls, there needs to be a section of time where their hair remains in the twists! If your character has an event, and they want twists… this needs to be done in advance. Your character will NOT untwist them the day of, unless they want weak, limp curls (or you want the scene to compose of them having weak curls).

How long they'll last depends on the activity of your character! If all they do is work a desk job, or they don’t sweat very much, the twists can last some time! But if they sweat, or wear hats or caps, it’s not going to last long. Maybe a week.

Pros: Very versatile! If you have a character that loves trying new looks and enjoy being spontaneous, twist outs are for them! Easy! If your Black character is younger, or haven’t done their hair before, this is a great way for them to start working with their hair! Doesn’t take long (to do)! If your character is in a rush, and they do their twists, they can go just about anywhere. If they’re not self-conscious, this will be just fine.

Cons: It cannot get wet again, or the style will puff up back into your natural texture. It does not last long enough to say “oh my character went on a two year long fantasy adventure with this style.” If you want your character to have a twist out the whole time, they’re going to have to take time to do it. It would be cool if you incorporate a scene where they’re working on their hair, maybe in the background while everyone’s discussing plans or something. Just a reminder that their hair isn’t just staying magically twisted (unless they have the magic to do that).

Afros

Afro Style Guide, Style Guide for Men (works for any gender though)

Wash & Gos are just that- wash it (or really, condition it, you don’t have to shampoo it every time) dry with a t-shirt (to prevent breakage), put some oil and a light crème on it, fluff it up and you’re good to go! Maybe an hour at max and can be done while getting dressed in the morning!

Pros: Easy! If they’re doing a full, combed out afro, it’s not as simple, it will take more time. And at night it has to be plaited so that it maintains its length, otherwise it will tangle. But other than that, that’s still not all that hard. They can show off their curls! Black characters can and should have pride in their hair. It’s beautiful. This is the opportunity that you as an author can describe the pure texture of their hair, how it shines in the light, how the coils look, how soft it is! Romanticize Black hair the same way you do anyone else’s!

Cons: None really! Afros are wonderful! Just make sure that your character has a way to keep their hair from getting tangled. Just because it’s easy doesn’t mean there’s no maintenance! A pick, a bonnet, oil and water go a long way!

Locs

Five stages of locs

A person who does locs is a loctician.

Can be palm-rolled or interlocked/crocheted

I cannot emphasize enough that you do not want just anyone doing their locs! They can really mess up someone’s hair if they don’t know what they’re doing. I say that to say, for your character, if they don’t trust the person doing their hair… they should. They should not be walking into anyone’s place to get their hair locked; they’d do research first.

The time it takes locs to ‘bud’ (that is, to actually form the loc) depends on the texture of their hair. But it can take up to 3 months to even a year for them to actually ‘loc up’. So if your character just got locs, they’re not going to look neat. They’re going to be frizzy.

As long as they’re washing their hair, keeping it moisturized, and not using wax products (DO NOT HAVE ANY BLACK CHARACTER USE WAX PRODUCTS IT IS BAD FOR BLACK HAIR) it’ll last forever! Locs are incredibly strong, especially the thicker they get! It is recommended that locs are retwisted every six weeks, but if your character has freeform locs, doesn’t have the money or time right now, or they just aren’t that pressed, they can grow indefinitely.

Something cute to write in your stories: sometimes locs do just… fall out. Not the whole thing! But the same way thin hair gets everywhere… sometimes the ends of thin locs just… fall off! You’ll find little buds on the ground. This happens especially in the budding stage.

Pros: Very low daily maintenance! At most they’ll need a bonnet or loc sock, and oil/water mix to spritz and massage in. Strong style that can hold any look- buns, curls, etc. They can be dyed, though it will take a long time to do so. I say that to say, if you want your character to have bright green locs, go for it!!

Cons: Low daily, but HIGH wash day maintenance! So if your character has a fancy date or something to go on, they should not be getting their hair retwisted the same day, or at least not so close to. It’s going to be shiny, oily, and tight, which can cause discomfort. Give them the day to let the hair settle!

Locs are PERMANENT!! This isn’t a bad thing, as much as it is a ‘KNOW WHAT YOU’RE DOING BEFORE YOU DO IT’ thing. Technically they can be combed out, but that would take a very long time and very precise effort, and most people aren’t going through all that. They’re just going to cut them off and start fresh. If you have a character that would balk at such a choice, locs aren’t for them. If you have a character that’s picky and choosy, that likes versatility, that can’t make up their mind, do NOT give them locs unless they’re making the conscious choice to commit. (Again, this is subjective! Maybe they have locs because their mother died and it reminds them of her! Okay! That works!) If you have a character that’s vain, or at least doesn’t like looking awkward… unless they’re going to style up the awkward stage, they’re not going to want locs. (Awkward stage: the first two stages get considered awkward because the locs look messy. This is because they’re turning from curls to locs!)

Braids

Styles

How long braids can take depend on the style. Box braids can take 10-12 hours to do! Microbraids? You HAVE to have multiple people or you'll be there for damn near a day (and that's assuming you have a masterful braider!)

How long they last depend on your character! If they're like me as a kid, I didn't care how I looked, so my mom got me cheap braids and let me run free for two summer months. So if your Black character is a carefree child! Go for it. But if they're a teen or adult (or are very concerned about how they look) a month to six weeks is about how long braids can stay in before your new growth shows. A character that is usually trimmed and proper having loads of new growth over their braids may symbolize that they don’t have it all together anymore.

Pros: Protective style! Great way to let your character have minimal daily maintenance; oil and water and something to cover it. SOME braided styles allow for high activity and even rain without changing. It depends on the hair that’s been braided in, as well as the style. Incredibly versatile! They can have multi-colored braids, long braids, short braids, beads, trinkets… if your character is creative and bubbly and likes to experiment, the sky is the limit! That can symbolize their artistic expression, just by describing what they look like! So long as they have the time, they can have any look and style they want. No need to commit too long.

If your character is capable of doing their own braids (and locs, btw), they’re amazing. Like… that’s mad respect for them. If you describe your character being able to do their own braids, they’ve got amazing arm strength, patience, and skill. That skilled dexterity can be revealed as a trait of theirs through that alone.

Cons: They take a LONG TIME. Your character is not going anywhere. If they’re getting braids… they’re not going anywhere. If you write your character doing anything fancy the day of, depending on the type of braids, Black readers are not going to believe you. Even if it did get finished, it would be very tight. I currently have a poll going on, and so far, a good majority of the 10+ answers are braids! It cost MONEY. It is NOT CHEAP to get braids done! If your character is poor as a church mouse, they will be doing those braids with their friend in front of youtube. Because it can be in the hundreds of dollars. (Don’t get me started on hair culture right now; BACK IN MY DAY IT COST-)

Hairstyles on Black Men

I want to specifically give space and applause to these hairstyles on Black men, because we REALLY don’t give Black men enough credit for all the creativity they show with their hair! And again, with The Killmonger being the choice style in all these damn vidya games despite almost no Black man I know choosing it as a look… PLEASE LOOK! WE HAVE OPTIONS! Try describing how gorgeous these looks can be on your Black men characters! It would be very nice.

Straight Hair

Well, I was going to explain, but ol ‘Guest Writer’ here pretty much lays it all out! So just go ahead and read this article lol.

Just to re-emphasize, straight hair is NOT something that just grows out of our head that way! It takes effort! So if you have a character that doesn’t feel like maintaining straight hair, they shouldn’t have it! If your character has natural hair and lives in a rainy or humid city, they’re going to be fighting that weather to keep it straight- make sure that’s consistent with their personality!

My best friend used to wash and flatiron her hair every day. Like, laser focused on looking that good, Type A shit (she’s a top money banker now, so I guess it worked out). If you have a character like that, it’s fine! If they’re lazy any other time of the day, they’re not suddenly going to be waking up at 5am to flat iron their hair. It’s not consistent.

Conclusion

That’s pretty much what I have! I’m not the guru on all things Black hair, and I obviously cannot encompass every potential scenario you may have for your characters. Really, my intention here is to get you to think about how our hair reflects our character and personalities, and how when you write and/or draw a Black character, you have that ability! And when you’re able to incorporate that naturally, it makes your Black readers feel seen, like you actually cared about that character enough to give them just as much description as your nonblack characters. You don’t have to be a master at it! Just… occasionally the little things that we can go ‘oh, yeah!’ at would be nice. An equivalent effort would be nice.

Remember, it’s the thought that counts, but the action that delivers!

#creatingblackcharacters #black hair #black art #black characters #character design #black writers

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thethief1996 · 6 months

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Gaza has been completely cut off from the world and from each other. Gazans with Turkish SIM cards have been able to make contact with the outer world and said rescue teams don't know where to go because they don't know where bombings have happened. There's no way to call ambulances. At night, due to the electricity cut, Gazans are left in complete dark only lit up by the airstrikes. They have no way to know what's happening on the next street over. Meanwhile, Israel is publishing AI rendered videos of tunnels under Al-Shifa hospital to manufacture consent for its bombing. Al-Shifa, the largest hospital in Gaza, is housing hundreds of refugees.

This was meant to cut off Palestinians from the world, because we are sympathizing with their first person accounts and it makes Genocide Joe look like a genocide denier when he casts doubt on the death toll (a note on this, Israel has called the Gaza Municipality to threaten them with bombings. They want to erase every record that Palestinians exist in Gaza).

It's not up to us to feel defeated. Israel denies the very existence of Palestinians, and when we turn around and give up hope, we are washing our hands of any work towards liberation and becoming complicit in the zionist narrative. The people of Gaza are alive, the people in the West Bank are alive and the 5.6 million refugees denied the right of return are alive. Mosques are using their minarets to send out help signals. We're being asked to be their voices, so let's be their voices.

Educate yourself. Read into Palestinian history and the occupation. You can't common sense people out of decades of propaganda. If your arguments crumble when a zionist brings up the "disengagement of Gaza", you have to learn more.

Read Decolonize Palestine. They have 15 minute reads that concisely explain the occupation (and its colonial roots) and debunk popular myths, including pinkwashing.

Read on Palestine. Here's an amazing masterpost.

Verso Book Club is giving out free books on Palestine (I personally downloaded Ten Myths about Israel by Ilan Pappe).

Keep yourself updated and share Palestinian voices, looking to inform yourself from the sources. Palestinians have asked of us only that we share, tweet and post, over and over. Muna El-Kurd said every tweet is like a treasure to them, because their voices are repressed on social media and even on this very app. Make it your action item to share something about the Palestinian plight everyday. Here are some resources:

Al Jazeera

Anadolu Agency

Mondoweiss

Boycott Divest Sanction Movement

Palestinian Youth Movement

Mohammed El-Kurd (twitter / instagram)

Al-Shabaka (twitter / instagram)

Mariam Barghouti (twitter / instagram)

Muhammad Shehada (twitter)

Motaz Azaiza (instagram) - reporting directly from Gaza. He's been offline since yesterday. Keep him in your prayers.

Take action. You can participate in boycotts wherever you are in the world, through BDS guidelines. Don't be overwhelmed by gigantic boycott lists. BDS explicitly targets only a few brands which have bigger impact. You can stop consuming from as many brands as you want, though, and by all means feel free to give a 1 star review to McDonalds, Papa John, Pizza Hut, Burger King and Starbucks. Right now, they are focusing on boycotting the following:

Carrefour

Puma

Sabra

Sodastream

Ahava cosmetics

Israeli fruits and vegetables

Push for a cultural boycott - pressure your favorite artist to speak out on Palestine and cancel any upcoming performances on occupied territory (Lorde cancelled her gig in Israel because of this. It works.)

If you can, participate in direct action or donate. Palestine Action works to shut down Israeli weapons factories in the UK and USA, and have successfully shut down one of their firms in London.Some of the activists are going on trial and are calling for mobilizing on court.

Call your representatives. The Labour Party in the UK had an emergency meeting after several councilors threatened to resign if they didn't condemn Israeli war crimes. Calling to show your complaints works, even more if you live in a country that funds genocide.

FOR PEOPLE IN THE USA: USCPR has developed this toolkit for calls, here's a document that autosends emails to your representatives and here's a toolkit by Ceasefire in Gaza NOW!

FOR PEOPLE IN EUROPE: Here's a toolkit by Voices in Europe for Peace targeting the European Parliament

FOR PEOPLE IN THE UK: Friends of Al-Aqsa UK and Palestine Solidarity UK have made toolkits for calls and emails

FOR PEOPLE IN GERMANY: Here's a toolkit to contact your representatives by Voices in Europe for Peace

FOR PEOPLE IN IRELAND: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN POLAND: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN DENMARK: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN SWEDEN: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN FRANCE: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN THE NETHERLANDS: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN GREECE: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN NORWAY: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN ITALY: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN PORTUGAL: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN SPAIN: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN FINLAND: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN AUSTRIA: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN BELGIUM: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN ROMANIA: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN UKRAINE: Here's a toolkit by Voices in Europe for Peace

FOR PEOPLE IN AUSTRALIA: Here's a toolkit by Stand With Palestine

FOR PEOPLE IN CANADA: Here's a toolkit by Indepent Jewish Voices for Canada

Join a protest. Here's a constantly updating list of protests:

Here's a list on tumblr

Global calendar

Another global calendar (go to the instragram of the organizers to confirm your protest)

USA calendar

Australia calendar

There will a National March on Nov 4th in Washington, with the participation of 200+ organizations. If you can, get a group of friends and attend.

Feel free to add more resources. Check the links, there are too many protests and tumblr has a word limit for text posts.

#save gaza #save sheikh jarrah #free palestine #gaza under attack

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