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#Violent City
popping-your-culture · 10 months
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Violent City, 1970
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grindhousecellar · 2 years
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techaddictsuk · 21 days
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Weapons of Death (1977)
Weapons of Death is a real oddity. It’s a spin off to a series of movies that were popular at the box office in the 1970s. There are a couple of tactics being used, to get bums on seats, pretty shrewd tactics. 
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visplay · 29 days
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Chris: Violent City aka The Family is an Italian crime film with Charles Bronson and his real wife Jill Ireland and with Telly Savalas, about an assassin getting revenge, it is not a good film, a bit boring but there are a few good scenes including the beginning, the end, and Telly Savalas making drinks, only for hardcore Bronson fans, Watch: When Free.
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Violent City (1970, dir. Sergio Sollima) [PART 1/2]
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splatteronmywalls · 7 months
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trunick · 1 year
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Blu-ray Review: Violent City [Kino Lorber]
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cultfaction · 1 year
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Preview- Violent Streets (Bluray)
Preview- Violent Streets (Bluray)
One of the finest directors of Japanese chambara (sword fighting) films, Hideo Gosha (Sword of the Beast, Three Outlaw Samurai) also directed a number of films in the yakuza genre. The most outstanding of these was Violent Streets; a baroque crime thriller about a retired yakuza who gets pulled into a violent gang war by his former associates. A former yakuza member, Egawa (Noboru Andô) is now a…
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mariocki · 2 years
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Città violenta (Violent City, 1970)
"My organisation is changing in many ways, it's getting stronger and even more legitimate. We've started operating at a serious, national level. We don't need two-bit killers in these new ventures. And if we eventually need to hire a hitman, we go straight for the best: to pros like you. You'll get a regular salary, a pension and all the freedom you want. Only catch is, you'll have to come running whenever I need you. Don't forget, we're not the kind of family that sees divorce as an answer."
"Don't worry, I know. The bottom of the harbour is full of divorcees, like a big underwater museum."
#Città violenta#violent city#the family#italian cinema#1970#sergio sollima#massimo de rita#dino maiuri#sauro scavolini#charles bronson#jill ireland#telly savalas#umberto orsini#michel constantin#ray saunders#benjamin lev#arnold williams#george savalas#iver gilborn#ennio morricone#sollima's first crime thriller (not strictly a poliziottesco‚ as it almost entirely lacks a police presence) saw some success abroad as The#Family‚ a US recut version that played up the Godfather associations over the neo noir plotting. real life couple Bronson and Ireland have#great chemistry (unsurprising) but it's Savalas‚ in little more than an extended cameo (despite high billing) who steals the film as a#middle aged crime boss who's out of step with the legit side of his business and seems more content to watch tv and eat popcorn than fight#gang wars. the leads were originally to be Jon Voight and Sharon Tate‚ then Tony Musante and Florinda Bolkan; the casting of the#significantly older Bronson does raise script issues (Savalas bemoans his younger generation‚ despite himself being younger than Bronson#irl). there's a strong opening to this hardboiled pulp‚ and the end is truky special (that sound design..) but it does limp a little in the#middle. lots of online reviews draw parallels with Point Blank but actually this most strongly reminded me of the 60s remake of The Killers#right down to the car racing side plot (also this must be the only italian crime film to feature Stirling Moss....)#the morricone score is a banger as always tho it does sound awfully familiar in places (he was known to crib from his own work)
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oneofusnet · 2 years
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Digital Noise Episode 304: Damn Dog Meets Charming Potato DIGITAL NOISE EPISODE 304: DAMN DOG MEETS CHARMING POTATO John and Chris go through this week’s home releases with a look at a 80s punk movie classic, Sandra Oh getting possessed by her dead overbearing mother, Charming Potato bonding with a off-balance dog, a video game adaptation that doesn’t quite make the cut, and more.… Read More »Digital Noise Episode 304: Damn Dog Meets Charming Potato read more on One of Us
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spacedace · 1 month
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Got inspired by the below tiktok and the idea of the Rogues killing the Joker in revenge for Jason instead of Bruce and had to write about it.
Here, have probably way too many words (with more to come most likely, this really won't leave me alone) of the Rogue's feelings about Jason's death at the Joker's hands and everything that followed.
(also I know the timeline is a bit screwy, shhh just go with it, we're going on vibes with this one lol)
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Childhood was not held universally sacred in the dark streets of Gotham.
The city was hard and cruel and she didn’t care about the ages of those that were ground up and spit out in her oily black heart.
A kid could slit your throat as easy as a man grown in a place like their fine city, maybe easier even for those who still fell for the ideal of children being incapable of anything but innocence and sweetness. Children learned from the world around them though, they learned from the savagery that filled their world, the hard scrabble desperate attempts to survive. They learned what dark corners to avoid, which ones were safer to skitter down.
It didn’t mean there weren’t still some rules of decency to be honored though.
Most folks, even those in the circle of the Rogues, largely left kids out of the equation. Crossfire happened of course, hitting busy city centers always meant some kind of collateral. But there wasn’t much that they got out of purposefully hurting kids outside a black mark on their name in most levels of the grungy underbelly of the city and one hell of a big target on their back. Both from the Bat and those criminals in the dark with them that took offense to those kinds of things. They were crooks, but with few exceptions they weren’t complete monsters.
Robin had always held an interesting place in their grungy little ecosystem. Anything to do with the Bat was generally ruled as gloves-off, do what you do without hesitation. And Robin - both of ‘em - had no problem hitting hard and being ruthless. The first one in particular had a feral sort of rage to him that was a terrifying thing to be on the business end of.
But they were still kids.
Defending yourself from any kid swinging on you was fair game, a person had the right to defend themselves. Grabbing up Robin to hold hostage or bait Gotham’s local cryptid, that was all fine and dandy. You could even get away with roughing the kid up a little here and there, so long as you made sure not to go too far and always kept hits to where the kid’s armor was the thickest. No hard and fast written rules, mind, but general rules of thumbs. Lines indistinct due to the shaky ground a child dancing through the night as a vigilante left all of them on, but ones clear enough that you knew when you were at risk of going too far.
Besides, the Robins were good kids. Fucking feral little shits, of course, able to leave you bleeding just as easy from a kick as they were a sharp word. But good kids. Even most the Rogues in the Gallery liked em. It was hard not to be at least a little fond of a gutsy little punk like that.
Though they were all maybe a tad less nervous around Robin II than they were the original.
Robin I had a lot of anger burning in him, a lot of anger in him, but he was still a cheerful boy with a bright attitude that was refreshing in a world so bleak and dark as the one they all lived in. It was up in the air which was scarier about the kid: The smiled he gave when he was about to give a hands on demonstration about how much force a tiny ten year old could put into a kick when they had half a dozen spins shoved into a flip to wind up to 80 miles an hour, or the flash of his teeth when he was demonstrating the knife sharp brilliance of his belief that Batman was only as frightening as Robin was hopeful.
They weren’t sure if he realized that sometimes they felt a helluva lot more hope at the sight of the Bat when the little bird was putting the hurt on them, or if he’d simply folded that fact neatly into his core philosophy without issue.
Robin II on the other hand had this kind of quiet shyness to him - even as he was shouting the most inventive swears ever heard by human ear at someone while he kicked them in the balls hard enough to make ‘em see not just the face of their own god but a few dozen besides. He was just as unhinged as the Robin before him - seemed to be a requirement for the job really - but there was a distinct different in how the two birds flitted about the darkened skyline of the city. Where the first Robin’s smile was as much danger as it was dazzle, a fanged declaration of victory against the dark, Robin II’s was a sunny, stubborn declaration of perseverance. Kid was sassy and smart, and never - ever - flinched away from extending a hand to those he thought in need of it.
Even if the folks he offered that hand to were in the middle of an attack on some fancy Gala or Wayne Enterprises or whatever target of the week it was. Even knowing the offered hand was likely to be slapped away and followed by a right hook. Kid still always tried.
They all knew why.
The Bat was big on offering chances, on rehabilitation rather than damnation. Some of Robin II being the way he was came from the broody cryptid he followed around. But Batman couldn’t claim to be the sole reason for Robin II being the way he was, couldn’t even pretend to be the cause of most of it. Nah, they knew why the little bird was the way he was.
That unmistakable thick accent. That frame that was always a little too thin even as he got older and stronger. That unshakable, headstrong spirit.
Robin II was an Alley Kid.
A true child of Gotham.
Her polluted waters in his veins. Her smoggy air in his lungs. Her shadows clinging to his edges less like a beast looking to swallow a small bird up and more like a protective mother hiding her hatchling. He understood the world most of them came from. The one they all lived in. Knew it in a way anyone who hadn’t been swallowed up by the dark never really could.
Everyone had their favorite, but even those that claimed the first Robin as theirs couldn’t deny that Robin II was someone to be respected. Nor could they deny a fondness for the chain smoking, classic lit referencing, perpetually baby-faced little shit. They’d all had knock out drag out fights with the kid and knew how fucking unhinged the puny motherfucker could be in a fight, but he always tempered it with offers of resources, of a listening ear, of understanding.
He visited them after they’d been arrested sometimes. In Arkham, or Blackgate or wherever else they’d been locked up in after being stopped by the Dynamic Duo. The little bird would make the rounds whenever he had a broken wing or was stuck waiting as the Bat interrogated someone else or for any other reason he wasn’t out flitting about the city skyline at night. He’d bring cookies or snacks and even cigarettes from his own secret stash on the rare occasion, mask unable to hide the furtive glances around to check for the living shadow that was the disapproving Bat.
The Rogues and their Goons always had a soft spot for the Robins. And Robin II made it especially easy to let fondness bleed out of them from time to time. He was a good kid.
But childhood was not held universally sacred in the dark streets of Gotham.
Bad things happened to good kids all the time.
And some of the monsters that lurked in the city’s darkest shadows took the black mark of a kid killer as a point of pride.
Robin II disappeared one day. Just after that piece of shit Garzonas took the fast way down from the top of a tall building. There were a lot of Rogues with doctoral degrees to their names but even those Goons that dropped out of school before they learned to spell their own names could do that math.
The big bad Bat had benched the boy after the fierce little bird had done what any decent member of the criminal underbelly would have. There were those that thought maybe it’d been an accident, that the kid was pulled off duty because of being too upset at unintentionally crossing the heavy line the Bat drew in the sand. Those voices were drowned out pretty quick though.
Sure, Robin II was all about second chances, of doing better, of redemption. But Garzonas had chances to spare and only ever spat in the face of those offering them. Doubled down on being a monster in a way very, very few of the Rogues Gallery would. The kid was a sweetheart, but he wasn’t no push over and there were some things so heinous that there was only one way of handling them. Crime Alley had its own kind of justice system, and when faced with a monster that was beyond even Batman’s jurisdiction, Robin II did what he always did: fell back on his roots.
Or so the rumors said, at least.
That was the thing about Gotham’s seedy underbelly. It was a grimy, wretched nest of vipers and cut-throats, but it was also worse than any beauty parlor when it came to gossip. No one actually knew anything other than that piece of shit motherfucker took a dive while Robin was chasing him and that he’d not been seen on the streets since. But most had a fondness for the kid, and a distaste for the kind of cruelty Garzonas reveled in and there was no proof that Robin hadn’t gone and done the world a favor by drop kicking that barbaric sack of shit off a roof. So as far as most in the Gallery were concerned, the little bird had stepped up and been a hero.
Time passed. Not a lot. But enough. The Bat disappeared too, popping up on an entire other continent in a way that was awfully tempting. Even with other Masks playing baby sitter while the local cryptid was away. Rogues were scrambling to set plans in motion, Goons getting hired en masse, weapons and weird chemicals getting delivered to shady places across Gotham by the truck-full. The criminal underbelly was abuzz with the same excited energy of children the day before a big birthday party.
And then the news came in.
There were people in the dark who made their living finding things out. Knowing things that no one else did or could. Some even specialized, keeping tabs on Batman and Robin better than anyone else in the business were able. And when the information they found wasn’t anything handy to have tucked into a back pocket or a secret they were paid extremely well to keep? They held on to with the same tenacity a sieve clung to water.
Robin II had run off across the globe and ended up in Ethiopia. Something to do with a doctor doing aid work, the same something that had the Bat end up there was the assumption. Kid ran off to handle things himself or was sent on a separate path on purpose for some plan or other the Bat had cooked up on his hunt.
Whatever the reason, the kid crossed paths with the Clown.
Alone.
Childhood was not held universally sacred in the dark streets of Gotham. The city was hard and cruel and she didn’t care about the ages of those that were ground up and spit out in her oily black heart. But Robin II was hers, the child of her heart, an exception to the rule. And besides, most folks - even those in the Rogues Gallery - largely left the purposeful harm of kids out of the equation.
The Joker wasn’t most folks.
And the little bird was a long way away from the protective shadows of his mother city.
The Rogues and their Goons always had a soft spot for the Robins. And Robin II made it especially easy to let fondness bleed out of them from time to time. He was a good kid.
When the news broke, it broke most of them right along with it.
Plans stalled. Schemes ended. Gotham, for an unnervingly quiet stretch of time that neither its civilians or the world at large understood, went still. Crime continued, of course, but the big names weren’t seen. It was only right, by the standards of those that lived their lives in the dark, that they hold off and give the man that fought them all so relentlessly over the past years the time he needed to focus on hunting down the monster that killed his son. He didn’t need the distraction, and they all owed it to Robin II not to interfere while the Bat at last put a final end to the Clown.
And the hellish cryptid would need his full focus on this one. The Joker wasn’t one to take lightly at the best of times, but he’d set himself up neatly in the middle of a nasty bear trap. Ugly and complicated in the way everything with the Clown was. Interference from the CIA, from the UN, from Superman.
Shit went down. People heard about the Bat and the Clown throwing down in a helicopter plummeting from the sky in one hell of a water landing. Big Blue fished Batman out of the drink before he could drown but there’d been no sign of the Joker.
But the Bat would find him.
They all knew the relentless bastard would find him. It was just a matter of time. With the hellish drive of a demon straight from Gotham’s darkest shadows, the Bat would track the grinning, child killing ghoul down and make right the terrible wrong the evil motherfucker had done. Batman would hunt him to the ends of the earth and enact the justice he held up so fiercely. Robin II would have the vengeance the kid so rightly deserved.
It was just a matter of time. So they waited. And waited.
Days.
Weeks.
Months.
The Clown still lived.
The world, impossibly, began to move on. The Bat returned to his lurking in the night, picking off gangs and petty crooks and no-name gangsters as if nothing had happened at all. More vicious, more savage, but failing to turn that rise in brutality into the killing blow against the one figure that so rightly deserved it.
No one knew what was happening. There were rumors and theories, as there always were in the underground. Some thought that it wasn’t the Bat at all back in Gotham but someone else pretending for awhile, looking after his neglected city while he continued his pursuit of the Joker. Other held that it was the Bat but the whole thing was a ploy to draw the Clown out into the open. A pretense at not caring meant to get under the Clown’s skin, make the asshole mad enough to get stupid and sloppy and reveal himself.
That the man simply had given up was beyond comprehension. Beyond what any upstanding Rogue could accept. So it simply couldn’t be true. There was a trick being played. Some brilliant game of 4D chess that none of them had been able to parse out. It’d be revealed in time, and they see the brilliant trap that had been set. The Clown would be lured out, the Bat would put him down for good, and then they’d all at last raise a glass to the little bird that had been shot down far too soon and smoke shitty cigarettes and quote literary masters and mourn the loss one of Gotham’s own true children.
They just had to play along. Stumbling forward back into their usual habits, pretending that it was a choice and not the world just forcibly dragging them along. It’d make sense, eventually. The Bat had a plan. Robin II wasn’t forgotten, his killer not left free to roam and ravage unpunished for what he’d done.
And then one day there was a new bird flitting across the rooftops.
Chasing the Bat’s looming frame like a reverse shadow. Bright flashes of color in contrast to the bleak darkness of Gotham’s grimy nights. Small and thin and young.
Not the first Robin. With his showman bright grin and bloody rage and unwavering belief in the terrifying power of hope. Not the brilliant, vicious little boy that they’d seen grow over the years into the fierce and fearless Nightwing.
Not Robin II either.
Not Gotham’s soft hearted little bruiser with his unshakable belief that people could be better if given the chance, shinning so bright in the dark as he held out a hand that even the Rogues had no choice but to believe right along with him sometimes. Not the tough little songbird they’d never get to see grow up. Unavenged and unhonored. Put in a box and buried in the ground with a name none of them would ever know carved into a stone they’d never be able to visit.
No.
It was a new Robin.
A new child with the R emblazoned upon his chest.
Sharp and quick and young in the way the birds always were when they started flying at the Bat’s side. Every inch of the boy’s tiny frame a tragedy and an insult. One very, very few of Gotham’s vicious underbelly were willing to tolerate.
Childhood was not held universally sacred in the dark streets of Gotham, but there was a damn big difference between holding something sacred and not giving a damn about it at all. There were rules unspoken but understood, a way things were done. Nothing so solid or concrete as a code of conduct, more a collection of time honored traditions. Blood for blood was among the oldest and truest, and the more precious the person taken the more vital and vicious payment was to be made in kind.
The Clown had killed Robin II.
Beaten the kid half to death and then finished the job with a bomb.
Everyone knew he’d done it laughing all the way.
The Bat should have done the same in kind. Done worse. It was justice, it was what was right. You kill a kid you’re marked forever. You kill one so well liked and kill ‘em like that and you’re destined for a cruel and cold death. The Bat had first dibs. It was his kid. It was his right to put an end to that awful laughter and let his son have peace at last.
But he never did.
Nightwing had. For a bit. For a moment.
Robin I, who half the time had scared them all more than the Bat ever could. Dazzling and dizzying and dangerous. Gave back the pain and hurt the Clown had forced upon him with clenched fists and bone shattering hits. They were glad for him, that he was able to beat the monster who had taken his little brother from him to death, that he was able to have such justice.
And then the Bat stepped in.
Revived the fucking Clown.
A slap in the face. The snapping crack of a spine beneath one straw too many. The final, unforgivable insult the man had dared visit upon not just the child taken from him but the entirety of Gotham.
The Rogues and their Goons always had a soft spot for the Robins. Respected their ferocity, admired their moxie, marveled at their ability to keep shining in the dark like they did. Robin II made it especially easy to let fondness bleed out of the city’s dirty criminal underbelly from time to time.
He was a good kid.
He deserved better.
Better than the silence and peace he should be granted in death to be marred by the mad cackles of his killer still running around alive and unpunished. Better than his father giving up, returning to the same old routine as if nothing had happened at all. Better than the Bat snatching up a new bird less than a year later.
Gotham and her Rogues had given the Bat time enough to do what needed to be done.
It was their turn.
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mumblesplash · 1 year
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don’t you hate it when your civilization flees deep underground to escape the wither only to find yourselves trapped down there with something even worse. anyway surprise! i can still draw
#my art#minecraft#minecraft fanart#minecraft ancient cities#they named it the warden because they were its prisoners i will die on this hill#see fellas when i said i was brainrotting about ancient cities i meant like advanced stages of decay#Bad Syndrome: instead of a brain there is sculk#i'm still pondering additional designs for like guards/soldiers and redstone specialists etc#also yeah i was like ok time to design generic ancient city residents for outfit concepts#and bc i'm me they immediately became Characters and now it's a whole thing#their names are echo and felix and they hate each other <3#echo was actually a temple kid like felix growing up but he fled to the outer city due to irreconcilable differences w the sculk worshippers#felix keeps trying to convince him to come back bc he was one of their most talented alchemists#they don't quite have echo's talent for magic but they make up for it in charisma and violent tendencies#neither of which have yet proved effective in convincing echo to come work for them#these days he mostly dedicates his potion skills to making life a bit more bearable for outer city residents#he got the nickname 'echo' due to his knack for inducing realistic auditory hallucinations of dead loved ones#...i TOLD you it turned into a whole thing#i also have a pet theory that ancient cities invented skeleton horses bc they needed horses but also leather and meat#but that's mostly bc i think the phrase 'have your horse and eat it too' is rly funny
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lazycranberrydoodles · 8 months
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COME ON GUYS DON'T LET DIANXIA DOWN
#images i drew on my phone approximately 90 seconds before class started#tma vs tgcf is pitting two bad bitches against each other but#from the other guys propaganda he is apparently a beloved side character#which i totally understand.#BUT HUA CHENG IS THE DEUTERANTAGONIST WHO LOVED XIE LIAN SO MUCH IT UNDOOMED HIM FROM THE NARRATIVE#HE DIDNT CLAW HIS WAY OUT OF TONGLU TO BE BEATEN LIKE THIS#also tma has gay people that dont undoom each other from the narrative. L + ratio (/j/j/j/j we all love tragedies here)#hua cheng will never rest in peace and he doesn't want to because he has a smokin boyfriend#they are both angry goths but has gerry died THREE TIMES????? no. just once. lame.#gerry got his skin bound into a necromancy book that was eventually burned but hua cheng ripped out his eye to craft a sickass scimitar !!!#hua cheng haunts the narrative before he dies in a hundred tiny ways and then HEAVILY after he dies a second time#he's an awesome city owner and has violent beef with HEAVEN. and he carves statues and paints and builds temples#and is also a self conscious loser <3#his gay awakening was intensely traumatic and religious for everybody involved. and he's had the same life mission since he was 10#he is actively fighting ghost discrimination and getting dangerous magical items off of the normal human market#also he is always bedecked in elaborate silver and chains and eyeliner and ALWAYS in blood red clothes#HE CAN MAKE IT RAIN BLOOD!!???!?!? ALSO#he stick and poked his god's name on himself but his handwriting is so bad it's unrecognizable and the signs he puts up have evil auras#this has ceased to be propaganda. now im just gushing. only tgcf fans will see this anyway. whatever youre getting blorbo rant#tgcf#art#poll#hua cheng#lmao#my art#tian guan ci fu#hualian#xie lian#hob#heaven official's blessing
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techaddictsuk · 1 month
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Violent Rome (1975)
"Violent Rome" catapulted Maurizio Merli to stardom as Commissioner Betti, a cop-cum-vigilante. Directed by Marino Girolami, this action-packed film blends thrilling police drama with vengeance, marked by a standout car chase and brutal realism.
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vivstenius · 2 months
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Aaron Ramsey back at The Emirates!
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Violent City (1970, dir. Sergio Sollima) [PART 2/2]
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