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#Union Terrace
jillraggett · 15 days
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Plant of the Day
Friday 10 May 2024
In Union Terrace, Aberdeen, the slide allows great views of the Helleborus argutifolius (holly-leaved hellebore) flowers and new foliage. This clump-forming, evergreen perennial can take the space of a small shrub once established.
Jill Raggett
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sunshine-tattoo · 1 year
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There is something you Disney gays need to understand.
The Walt Disney Corporation never has, and never will be, your friend or ally.
Disney is a multi billion dollar conglomerate.
Their one and only goal is to make more money than they did the previous year.
That is it.
They aren't trying to help you or your community.
Any politics they have either reflects the best way for them to make money or it was because someone put political pressure on them to do it. Or it is a publicity stunt.
"But what about creators like Dana Terrace? Or the history of queer people in animation?"
Listen to me. Artists like Dana and others do not work at The Rat because they want to.
They work there because Disney buys up every other little animation company there is and shuts it down, ensuring that any money being made from the medium is going to them.
DreamWorks and a tiny handful of others are the only ones left in western animation.
I am not kidding.
Blue Sky, who made Ice Age, was one of Disneys latest victims.
They shut down all production, even for things that were nearly complete, on all products that did not fit their brand.
Such as the movie adaption of Lumber Janes, a queer focused comic by ND Stevenson (creator of the She-Ra reboot).
As for the historical guys, such as Howard Ashman AKA the father of the Disney Renaissance, they may have worked there and done amazing things but it doesn't mean they were respected by the company.
Howard and his fellow gay artists were only allotted the creative freedom to work because at the time Disney was nearly penniless and this was a last ditch effort to save the company.
Gay artists may have risen Disney up, but it does not mean that the company cares for them or us.
In the eyes of these boardroom execs, the artists are tools needed to make a profit.
And gay consumers are the fools who will buy the rainbows-colored sweatshop produced products and call the company woke.
So. What can we do about this?
Rule #1: Avoid giving Disney money at all costs.
I know this is really hard because they own literally everything. But do your best.
This also includes any of their streaming services.
Buy used DVDs or just pirate.
And before anyone gets their panties in a wad about wanting support queer creators like Dana Terrace, let me remind you:
Creators and animators are paid a lump some regardless of if something does well or not.
All that revenue produced by things like Gravity Falls or Luca goes to the execs and stock holders, not the people responsible.
Rule #2- Support artists directly
If you like things like The Owl House and Dana Terrace's work, make a lot of noise about it on social media.
Buzz absolutely is a currency and the more that is generated, the more likely that these things will get renewed.
Rule #3- Support Unions
Unions are what keeps artists from being treated like slaves.
And any union (regardless of background or career) is a good union.
Rule #4- Do not fall for Disney's bullshit
No matter how progressive they may seem, there is always an ulterior motive and always a catch.
They are not our allies no matter what.
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my-anime-goods · 6 months
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Megami no Café Terrace (The Café Terrace and Its Goddesses) - Akane Hououji and Riho Tsukishima Figures by Union Creative. Release: July 2024
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thefigureresource · 4 months
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Akane Hououji : Familia Umi no Ie ver [The Café Terrace and Its Goddesses] non scale from Union Creative coming July 2024.
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lounesdarbois · 7 months
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^^
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Lost in Paradise || Buddha
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A/n: this is my first time writing for this character, so I hope he's not too OOC. I started watching ROR when the first season came out, so of course I was going to watch the second season. Then Buddha came on screen and immediately I was hooked. So, this OS is the product of that.
On another note, while I was writing this a story idea came to mind. I sort of want to toy more with the red cord aspect and have the reader come to the realm of the Gods and live with their significant other. It's a basic idea, but I like it.
Please pay attention to the warning tags and please enjoy it.
Warning(s): red cord/soulmate (via Yue-Lao), mentions/implications of death, fear of the unknown, make-outs, intense sex, fainting (via overstimulation), oral (m), female reader, 4,444 words.
No Minors Allowed!!
How did it come to this? Mankind's last stand against the Gods. The moment you heard about Ragnarok, a tournament pitting the Humans against the Gods, you knew mankind didn't stand a chance. For a soul, this also meant that you too would perish; it honestly is a shame.
Sitting in the stands in the area, you stare in dismay at a large screen that displays the matches. So far, no human can best the Gods. Two rounds in, things are looking grim for mankind. Things could honestly not get any worse in your opinion.
"Oh wow! You have a soulmate cord!" A voice beside you exclaims.
You raise a curious brow.
"Pardon me?"
What does he mean by cord? The man points down and upon looking, you notice a silken cord around your finger. When did this get there? Following it with your eyes, you see that it fades in and out through the crowd, heading up to the terrace at the top of the stadium.
"This is the first time I've ever seen it," you mention in confusion.
The man beside you hums.
"How strange. You aren't meant to see the cord. I was a scholar in my former life and I have to wonder if Yue-Lao put this on you."
Yue-Lao? Is this the name of a God?
"Who is Yue-Lao?" You ask.
"He's a God of marriage and love in Chinese mythology. He often appears as an old man under the moon and unites with a silken cord all predestined couples, after which nothing can prevent their union," the scholar answers.
There's no way.
"I don't understand. I never saw this until today and when my soul came here, I'm sure I didn't have it," you mention.
"Could it be that you are destined to be with a God," the man utters, almost as though he's speaking more to himself.
What sense did this make?
"The Gods want to end humanity. Why would I be a match for a God?" You ask.
The man beside you hums.
"It's probable but I have no idea why. Have you heard the story of Eros and Psyche?"
You have. But this is a different story. Something is strange about it. You shouldn't be able to see the cord. Perhaps it is a God you are tethered to. But now isn't the time to care.
There is no way you can focus on the round, however. Curiosity is eating you alive. You take a deep breath and stand, walking toward the stairs. It's a terrible idea but you want to know who you are connected to and why. You pass humans and gods alike on your way down the terrace. The cord leads you to a gorgeous garden room with glass panels; one with an enormous fountain. You stare at it in awe for a moment until the cord tightens with a snap. A moment later the soft sound of footsteps echoes around the room.
Unsure of what to do, you dart behind a marble column as the footsteps grow louder, soon coming to a stop. Your heart pounds in your chest as an air of nervousness surrounds you. Slowly you peek around the marble column and see a muscular man standing near the fountain. His back is to you but you can see that he is wearing a tank top with robes tied around his waist, wrapping back to his hands. Who is this man? The cord seems to connect to him as it does you, so you know he is bonded to you, but he doesn't look familiar at all. The clothes he is wearing are akin to the ones seen in South Asia, but that is all you can tell.
For a moment you stare at him, until to your horror, he peeks over his shoulder in your direction. You dart behind the column and stand there, hoping that he didn't see you. Once a minute passes, you peek back around to see that he is gone. A sigh of relief pours from your mouth, but strangely the cord is still tight; it seems to wrap around the column to the other side. You raise a curious brow, turning to notice that the god in question is leaning his arm against the column staring at you with curious blue eyes hidden behind rectangle-shaped glasses. His hair, which you had thought before was blond is light green; the sides are black.
"Hmm. I thought someone was staring at me," he utters as he removes a light blue lollipop from his mouth.
Your face heats up in embarrassment and you avert your eyes to the cute bunny with the eyepatch printed on his tank top.
"I'm sorry. I just... was looking for someone."
To emphasize your point, not sure what sort of god he is, you raise your hand showing him the red cord. It takes him a moment to understand but once he does he snorts and raises his hand.
"Look at that." He pauses to toy with the cord. "The old man has a sense of humor."
Who is he referring to? Yue-Lao? You've never met the Chinese Love God; you have no idea what he's like or why he'd tether you to someone let alone another God.
If this was his idea of a joke, it wasn't funny.
"Do you know how to remove these? Or where Yue-Lao is? Perhaps he can remove them."
"You want to have them removed?" The God asks.
You narrow your eyes suspiciously and nod in agreement to his question.
"Do you not?"
"Hmm. I mean... We don't know one another. And unless the old man did this as a joke, we're tethered for a reason," he replies.
He wants to know you. Is he serious?
"I'm a human," you state in an obvious tone.
"I hadn't noticed," the god retorts with a grin.
He has a sense of humor. At least he isn't like some gods you have read about. You hum in thought, staring at the cord.
"I reckon we should find Yue-Lao and see about these before Ragnarok is over."
The God tossed up his hands in defense.
"Yes, boss."
Fearing that you might have insulted him, you frown.
"I'm sorry. I just... Don't know what else to do. I never asked for your name and that's rude of me."
The man in question knits his brows.
"You don't know me? I'm Buddha."
Your eyes widen.
"T-there's no way."
"Pretty sure I am," Buddha utters with a hum.
You shake your head.
"That's not it."
This has to be a joke. You've always compared the gods to celebrities; there are A-listers and B-listers; the major gods and the minors.
"You're an A-lister," you utter.
Why are you tethered to an A-lister? Let alone a God. You're not even someone important. Or at least you don't feel like you are.
A hand on your shoulder brings you into reality, sending a pleasant warmth throughout your body. You've never felt such an intense sensation. Is it because of Buddha? Or the bond you have with me? Your tense shoulders relax and you turn your attention to him.
"You have a name, don't you?" The God asks.
You nod and utter it.
Buddha grins in response; his sharp canines make your heart thump faster for some reason.
"Now, while I agree we should look for the old man, the 3rd round of Ragnarok began a moment ago, so--" He pauses to slide his arm around your shoulders. "Why not take the time to get to know one another? I'll even share a lollipop with you."
"Um... Okay," you retort.
So long as this doesn't get awkward.
He leads you over to the fountain and motions for you to sit, resting on the basin beside you. For a moment neither of you speaks; you watch the silken cord around his finger bob as he messes with it. The brief touch he had allowed you lingers on your skin; you hate to admit it, but you miss it.
"Any idea how we came to be tethered, my Lord?" You ask.
Buddha snorts and then laughs.
"My Lord?"
"How should I address you then?" You ask, narrowing your eyes in annoyance. It's not like you've ever spoken to a God; you don't know how to address one. "Because honestly, calling you Buddha is a bit uncomfortable."
The said man raises a brow.
"Is it? I suppose for a human it might be. Hmm. I've been known for a lot of things. Gautama, Gotama, Buddha Shakyamuni. You can call me whatever you like."
Does he honestly not mind?
"Is Shaka OK?" You ask.
He glances at you and grins.
"So, you do know me."
"A little here and there," you admit. "Your name is widely known throughout mankind. But to be honest, you aren't what I expected."
As soon as this leaves your lips, you immediately regret it.
"I'm sorry. I­­––"
"What were you expecting?" Buddha asks. He doesn't seem annoyed or angry, just curious.
Your face heats up in embarrassment. There's no point in lying to him, you reckon.
"I've always heard that the Buddha looked like a typical shaved man and in your old age, you are described as having a stooped body."
"Are you upset?"
You shake your head no and avert your eyes.
"I think you're extremely handsome, hot even."
It's silent for a moment, then the lollipop he had been sucking on appears in your line of sight. You widen your eyes in shock, peering over at the blue-eyed god.
"Want a lick?"
Your face heats up.
"You... had that in your mouth."
Buddha grunts.
"I don't have anything, and besides... we're tethered, remember?"
"No offense, but that doesn't mean I want to swap spit with you. It was a generous offer though," you state.
He hums and slides the lollipop back into his mouth; the sound of it clicking against his canines makes you snort. It almost seems like he's pouting for some reason.
"I'll try one you haven't licked on," you mention.
"No way. Not after you insulted me," Buddha states.
The grin on his face indicates that he's not serious however; you are relieved. For a God, he isn't bad. You are thankful that if it had to be a God, it is him.
An echo of cheers erupts from the stadium and you hear Heimdall announce the victor of the 3rd round. Is it over already? Your eyes widen in shock.
"He did it... He won."
Kojiro Sasaki beat a God. Perhaps there is some hope for humanity.
The loud crunch of a lollipop draws your attention to Buddha. He spits the stick onto the ground and stands having a serious look on his face. You frown. Is there something wrong? Perhaps it is because a God had died.
"Zeus isn't gonna take this lightly," he utters.
You imagine not. Poseidon is his brother. And now he is dead. It's a double whammy of a situation.
"Well... It's about time we got you back to the stadium." Buddha pauses to fake a yawn. "I'll search for Yue-Lao."
This is a shame; you want to know what reason he had to tether you to Buddha. You agree with a nod despite the frown on your face. A hand appears in your line of sight and you raise a brow, turning your eyes to Buddha; an easy-going grin appears on his face.
"I'll walk you back."
"I appreciate it," you mention with a smile, taking his hand.
For some reason, this feels right.
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You hardly know what to think about the 4th match or who to root for. The representative for the Humans is a well-known murderer, Jack the Ripper, whilst the Gods have Hercules on their side. It strikes you as odd that a man known for killing humans is representing them, but if his win gives the Humans a chance then there isn't much you can argue about.
It's a strange match is all.
Feeling the cord around your finger jerk, you glance down at it, curious as to what Buddha is doing. Perhaps he's looking for Yue-Lao himself. He had parted ways with you at the top of the stadium, haven took you to your section unbeknownst to the Humans around you.
The 4th match started soon after.
You sigh and lean back in your chair, watching the screen in front of you. So much is happening at once but your thoughts are on the attractive God that you are tethered to. You never got to ask him what he plans to do with you should Yue-Lao choose to leave the silken cord around your finger. It's a lot to consider, honestly; a lot you're not sure you are ready for.
A motion from the corner of your eye draws your attention to the scholar beside you, his name you are still unsure of. He looks shocked almost, pointing his finger toward something or someone past you. Raising a brow, you peek over your shoulder and notice a familiar God standing at the end of the aisle watching the screen.
You stand and quickly saunter over to him.
"Shaka?" His eyes turn to you as you call his name. "What are you doing here?"
Buddha grins.
"I came to get you. Are you ready?"
Did he find Yue-Lao?
"Of course."
Leading you away from the stadium, you silently walk beside him to a nearby hill outside the arena. The scenery is stunning, the most captivating thing you have ever seen. But where is Yue-Lao?
"Are we meeting him here?" You ask in confusion.
Buddha sits at the base of a large Bodhi tree and hums.
"Meeting who?"
Did he already forget?
"Yue-Lao," you answer with a sigh.
"I haven't looked for him," Buddha mentions with a yawn.
Is he serious? Your jaw tightens.
"Are you not even a little curious?"
"Hmm. No. Even as a joke we're bound for a reason. Besides... I'm not bothered by it," Buddha answers.
Your eyes widen in shock. How can he not be bothered? You are a human. He may have been at one time too, but the era of mankind is at an end. With an uneasy sigh, you sit beside him, looking out at the arena in the distance. The warm gentle breeze sways your hair and little by little you relax.
"I'm sorry about Poseidon. Hearing that a God was struck down by a human can't be easy," you utter.
Or lifting for that matter. It must have struck--
A boisterous laugh rings out from the God beside you as he tosses his head back.
"You're hilarious."
"I was being sincere," you argue.
Buddha hums and tilts his head toward you.
"There's no reason to apologize. He knew what he was signing up for... And honestly, he underestimated the Humans."
Reaching between the robes tied at his waist, he pulled out a lollipop.
"The same may happen to me when it's my turn," he continues, popping the sweet candy in his mouth. "Though I doubt it."
He's battling in the tournament too? Your jaw tightens in uncertainty. This isn't a good sign for the humans or you for that matter. Why is he telling you this? You narrow your eyes.
"If we lose... What do you plan to do with me?"
Buddha snorts and presses the lollipop between his cheek and teeth.
"You can come back to Nirvana with me if you chose to."
Your face heats up. Perhaps it's the cord, but his proposal sounds lovely. Forever with an easygoing and attractive God like him is tempting.
"May I have my lollipop now?"
With a grin, Buddha takes the one from his mouth and offers it to you. Maybe he didn't expect you to take it, because the moment you do, sliding the treat into your mouth, his blue eyes widen. The taste of blue raspberry coats your tongue as you eagerly lick it, feeling the small indentations from his canines.
"I thought you didn't want to swap spit with me," he reminds you.
"We're tethered, remember." You retort.
Shifting the lollipop between your teeth, you press down until the shell cracks. The wide-eyed expression on the God beside you makes you snort."
"Hold on! That's the last one," Buddha mentions with a whine, reaching for the stick.
You lean back out of his reach.
"You said you'd give me one."
"I said we'd share," he clarifies.
Perhaps he did, however, he ate the last one without sharing. You grin teasingly at him.
"I'll take my share then.
As your teeth crunch down on the candy, the God lunges at you, knocking you onto your back; you don't mean to, but the sudden movement causes your mouth to snap closed, crushing the lollipop to pieces. Buddha stares down at you, mouth slightly agape as he removes the barren stick from your lips. Oops. He shouldn't have lunged at you. The fact he is nestled between your thighs forces an embarrassed heat to your face. It also doesn't help that he looks stunning in this position; with wisps of light green hair dangling around his face.
You reach up and curl a lock around your finger, admiring the way it springs back into place.
"I'm sorry about––"
Pressure on your thighs makes you shiver as the God leans down, capturing your lips in a soft kiss. For a moment, your head begins to spin; a pleasant warmth erupts in your stomach and your eyes tear up. Is this a product of the tether? A simple kiss shouldn't be this intense. It's too tempting not to want more. You return the kiss, groaning softly as Buddha adds more pressure. Why is he kissing you? It's not like you are arguing, but there has to be a reason.
No way! Is he wanting the candy? You part from him, ignoring the light tug of your bottom lip between his, and narrow your eyes.
"That's a mean trick."
"I'm just taking my share," Buddha utters. A grin spreads across his face. "Or maybe I just want an excuse to taste you."
Goosebumps rise across your skin in response.
"It's unfair how insanely attractive you are," you mention. Sliding your legs around his waist, you shoot him a glare. "Take your share if you want it."
Pressing his thumb against your bottom lip as he leans down, Buddha gently ushers you to slightly open your mouth, giving you a brief kiss before his tongue meets yours. A low moan tickles your throat, relishing in the sensation of the God intimately sucking on your tongue. The sweet and fruity taste of blue raspberry nearly drives you mad; the aroma is everywhere.
Parting from you, a thin lead of blue-tented saliva connects his tongue to yours until he breaks it, chewing on the candy he swiped from your mouth. Honestly, you feel like a complete mess. You are aware that your face is heated, and that your pussy is humming in arousal. Staring pleadingly into your eyes, you notice the unusual lily pattern in his own. Were those always there?
"Your eyes are gorgeous."
With a grin, Buddha lifts you from the ground and into his lap; your legs remain securely around his waist. He quickly turns his attention to your ear, running his warm tongue along the shell before he drops to your neck, tasting your skin. This is unreal; the sensation is almost too much to bear. He's slowly driving you mad with want.
Guiding his hand down, you grin as Buddha catches on, sinking his fingers into the waistband of your pants, yanking them down a bit. You sit up on your knees to help him remove them. With them gone, he slides his hand between your thighs and sinks a finger into your warm pussy. As he spreads your walls, preparing you for what is to come, you lean in and kiss his candy-coated lips. It takes everything you can not to break the kiss and moan; another finger slides in, pumping into you. For someone rumored to be so peaceful, he is brutal on your pussy. But what will his cock feel like inside you?
Sucking on his tongue, you yank on his robes urging him to remove them or pull them up; the latter he soon does, pulling them over his knees. It doesn't surprise you to feel that he isn't wearing anything beneath them; his hard cock rests against your thigh. You groan as his fingers retreat, leaving you feeling empty. And no sooner a tight pressure feels you as he eases you down onto him to the base. You break the kiss with a sigh; you've honestly never felt so full in your life.
"Shaka," you utter almost anxiously.
Buddha grins and buries his short nails into your hips.
"Hold on to me."
You do as told, not able to contain the gleeful smile on your face as the God begins to rock you on his cock. It hurts a bit, but honestly, you don't care; the pain combined feels divine with the pleasure Buddha is giving you. A soft moan escapes his mouth, sending warm breath against your neck; it's the hottest thing you have ever heard. Your walls tighten in response.
There isn't much you can do but try to match his quick and rough pace, arching your back. You honestly feel like you are just along for the ride at this point. It feels so damn good. There's no way you can last like this; your entire body is already tensing up. It doesn't help that the God wrecking you is giving you the most sinful and possessive look; lily patterns decorate his gorgeous blue eyes.
A warm pressure in your stomach quickly consumes you, pushing you over the edge and into an intense orgasm. It's too much; you've never felt this satisfied before almost like you can't breathe. For a minute you forget to, clutching onto the God as you ride out your high. A cold sweat washes over you and strangely a low static-like noise permeates your ears. What is this? The world around you suddenly goes dark.
A moment later, you snap to, leaning up. The God beneath you is still but remains inside you.
"Welcome back. Are you OK?" Buddha asks.
"I... What just happened?"
Your head is light and your body feels completely worn out.
"You fainted, he answers.
What? There's no way. Your face heats up in embarrassment as you avert your attention from him. Is this even possible? Did your orgasm make you faint? You've never fainted from overstimulation before, but you've also never fucked a God before either.
"I'm sorry I––"
Buddha snorts, interrupting you.
"You fainted because you stopped breathing... though I'm flattered you thought it was because of me."
Is this what caused it? You are unsure of whether you should feel relieved or not. Regardless, it's a bit embarrassing. The feeling of his cock stretching your walls reminds you that he didn't finish. You'd feel terrible if you left him like this.
"Let me take care of you."
Buddha raises a brow.
You ease off him, humming as this action leaves your walls empty and sore. Resting your knees on the ground, you reach down, wrapping your hand around him. His shaft is slick with your arousal so at least you won't have a hard time going down on him. Licking your eager lips, you lean down and press a kiss against him. This almost feels wrong, sucking off a God, but at the moment, you don't care. Sliding open your mouth, you sink onto him, taking as much in as you can; oddly enough, you don't taste half bad.
Slowly at first, you bob your head. Your tongue presses tight against the underside of his shaft, not able to move much due to limited space, but you do your best to make this good for him. It's a shame you can't see his expression; a soft grunt is the only indication you have to go on. The idea that you can make a God come surrounds you with pride and you tilt your head a bit, taking him from another angle.
A hand in your hair urges you to take a quick look at Buddha. He is staring in the distance, mouth slightly open. As expected of a God, he's gorgeous like this. You hum, bobbing your head a bit fast; the grip on your hair tightens in response. At this pace, it isn't long before you hear him groan softly. His cock twitches as warm ropes of cum coats your tongue. You continue to slowly bob your head until he is done, then you lean up, resting on your legs with a pleased yet worn-out expression on your heated face.
Swallowing the mess in your mouth, you hum.
"Even as a soul, I feel exhausted."
Buddha grins.
"We'll rest after we find Yue-Lao." He pauses to raise his finger; the one with the cord attached to it. "You wanted to ask how to remove this, didn't you?"
You do. But maybe this arrangement isn't so bad. Buddha straightens himself out and makes a move to stand, but you quickly stop him, gripping his robes.
"Can we maybe wait? I just... want to see how this pans out."
"Having second thoughts?" Buddha asks.
Is it that obvious? You nod to clarify.
"You're not that bad, I suppose, for a God."
Buddha laughs and sits back down, leaning onto his side with his hand propping him up; the other pats the ground beside him. You accept his offer, laying on your side facing him; you honestly don't care that you're bare from the waist down. The light breeze and warm sun dancing across your skin are delightful.
"Shaka," you call, resting your eyes. "If the Humans win, may I still go with you to Nirvana?"
"It's your decision... with me changing sides, the chance of the Humans losing is slim," Buddha answers.
Is he serious? You open your eyes briefly to glance at him. He's not doing this for you, is he?
"Are you––"
Interrupting you with a yawn, he shuts his eyes.
"Rest. It won't be long before I go on."
There isn't a way to convince him otherwise once his mind is made up, it seems. No matter. A God on the side of the Humans is a big leap. Either way, whichever wins, you can't wait to see what this soulmate business is all about.
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visit-new-york · 1 year
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Chrysler Building. Here are 100 fascinating details about this iconic skyscraper:
The Chrysler Building's construction began in 1928 and was completed in 1930, marking a rapid two-year build time.
Architect William Van Alen designed the Chrysler Building, showcasing his innovative Art Deco style.
The building was commissioned as the headquarters for the Chrysler Corporation, led by Walter P. Chrysler.
Rising to a height of 1,046 feet (319 meters), it held the title of the world's tallest building upon completion.
The building's gleaming spire, reaching 77 stories, is a hallmark of its vertical elegance.
Despite its reign as the world's tallest, the Chrysler Building is no longer the tallest in New York City.
Art Deco, characterized by geometric patterns and ornate embellishments, defines the building's architectural style.
The exterior is adorned with stainless steel cladding, decorative brickwork, and limestone accents.
The iconic terraced crown, inspired by automotive design, houses the distinctive eagle gargoyles.
The eagle gargoyles symbolize ambition and freedom, and they're perched on the 61st floor corners.
The building's lobby features stunning marble walls, intricate patterns, and Art Deco detailing.
The Chrysler Building's construction cost around $20 million during the late 1920s.
Upon its completion, the building faced economic challenges due to the onset of the Great Depression.
The building's name honors Walter P. Chrysler and his contributions to the automotive industry.
The Chrysler Building's race to be the tallest spurred a friendly competition with the Empire State Building.
Visitors can't typically access the upper floors due to security, but the lobby is open to the public.
The building's distinctive appearance has made it a popular backdrop in movies and TV shows.
The Chrysler Building's ornamentation draws inspiration from automobile radiator grilles and hubcaps.
The decorative elements were crafted with precision and attention to detail, elevating its visual appeal.
The building's steel frame, a modern marvel, enabled its towering height and iconic silhouette.
The Chrysler Building's crown has been illuminated in various colors for special occasions.
The Great Depression impacted the building's initial occupancy and financial viability.
The Chrysler Building's Art Deco design was influenced by the optimism of the Roaring Twenties.
The land on which the building stands was leased from the Cooper Union for the Advancement of Science and Art.
Its completion marked the pinnacle of William Van Alen's architectural career.
The Chrysler Building's interior spaces have housed various offices and businesses over the years.
The building's influence extended to other structures worldwide, particularly during the Art Deco era.
The Chrysler Building's legacy persists as an architectural and cultural icon in New York City.
The lobby's geometric patterns and luxurious detailing echo the building's Art Deco exterior.
The Chrysler Building has inspired artists, writers, and photographers for decades.
Preservation efforts have aimed to maintain the building's historic features and design integrity.
The building's unique design elements have influenced subsequent skyscrapers and architectural trends.
Its enduring popularity ensures it remains a sought-after subject for photographers and creatives.
The Chrysler Building's lobby has been open for guided tours, allowing visitors to appreciate its beauty.
The building's construction provided vital employment during a time of economic uncertainty.
The Chrysler Building's spire was initially intended for mooring airships, although this idea was not realized.
The building's rapid construction showcased the advancements in engineering and construction techniques.
The Chrysler Building's exterior underwent a restoration project in the early 2000s.
The distinctive terraced design of the crown adds depth and elegance to the building's profile.
The building's presence has transformed its Midtown Manhattan neighborhood, attracting commerce and development.
It's visible from various parts of Brooklyn, offering a distant view of Manhattan's skyline.
The Chrysler Building's design embodies the spirit of progress and innovation of the 1920s.
The stainless steel cladding was specifically treated to maintain its shine and resist weathering.
The Chrysler Building's lobby boasts a remarkable ceiling mural depicting transportation and industry.
It remains an enduring symbol of New York's ambition, resilience, and architectural excellence.
The Chrysler Building was designated a National Historic Landmark in 1976.
While its interiors have changed over the years, the exterior remains a testament to its original design.
The building's Art Deco design elements are echoed in its elevators, doors, and decorative elements.
Preservation efforts ensure that the Chrysler Building remains a beloved part of New York's skyline.
The building's construction coincided with a surge in demand for steel, reflecting industrial progress.
The Chrysler Building's lobby was meticulously designed to impress and reflect the company's prominence.
The building's architectural details have made it a subject of fascination for architectural historians.
The Chrysler Building's influence on architecture extends beyond the United States to a global scale.
The building has made appearances in literature, poetry, and as a backdrop for important events.
The competition with the Empire State Building was marked by a race to complete the tallest structure.
The Chrysler Building's design showcases a balance between form and function, elegance and engineering.
Its terraced crown and ornamentation draw inspiration from ancient architectural styles.
The Chrysler Building's design emphasizes verticality, a departure from earlier Beaux-Arts influences.
The building's lobby features elevators with ornate doors and intricate detailing.
The Chrysler Building's lobby ceiling boasts an intricate mural illustrating transportation modes of the era.
It's recognized for its role in shaping the skyline and character of New York City.
The Chrysler Building's design incorporates elements from Greek and Roman architectural styles.
The building has withstood the test of time, remaining relevant in modern architectural discussions.
The Chrysler Building's presence reflects the ambition and dynamism of New York City itself.
It's often regarded as one of the finest examples of Art Deco architecture in the world.
The Chrysler Building's design exemplifies the era's fascination with technology and innovation.
The building's ornate decorations incorporate influences from various cultures and artistic movements.
The Chrysler Building's facade features setbacks that provide visual interest and break up the verticality.
The building's crown is composed of seven terraced arches, each adorned with intricate detailing.
The Chrysler Building's lobby showcases a mix of luxurious materials, including marble and metals.
Its distinct lighting schemes have transformed it into a nighttime spectacle on special occasions.
The building's construction was a testament to collaboration between architects, engineers, and craftsmen.
Its innovative design allowed for natural ventilation and an abundance of natural light in its interiors.
The Chrysler Building's design embraced the machine age while incorporating elements of elegance.
Its iconic spire is topped by a glass radiating crown, enhancing its visual impact.
The Chrysler Building's influence on architecture extended to the design of other skyscrapers worldwide.
The building's ornamentation was crafted with attention to detail, featuring intricate patterns.
Its lobby served as a grand entrance, reflecting the prestige and status of the Chrysler Corporation.
The Chrysler Building's name serves as a tribute to the automotive industry and its innovation.
It's an integral part of New York City's skyline, recognizable from various viewpoints.
The building's crown was originally intended as an indoor observation deck, but this plan changed.
The Chrysler Building's lobby murals reflect the era's enthusiasm for technological progress.
Its construction contributed to New York City's economy during a challenging period.
The building's height race with the Empire State Building added excitement to its completion.
Its innovative design incorporated the latest technologies of the time, including stainless steel.
The Chrysler Building has inspired generations of architects, designers, and creatives.
Its design echoes the optimism and exuberance of the Jazz Age and the Roaring Twenties.
The building's presence symbolizes New York's role as a global center of commerce and culture.
Its iconic silhouette is often used as a shorthand representation of New York City.
The Chrysler Building's lobby serves as a time capsule of Art Deco aesthetics and values.
The building's architectural legacy is celebrated for its contribution to the Art Deco movement.
Its exterior materials were chosen for their durability and aesthetic appeal.
The Chrysler Building's construction required an astounding 391,881 rivets and 3,826,000 bricks.
The building's lobby ceiling mural portrays modern transportation modes of the time.
Its spire was constructed using a technique called "top-down" assembly, a novel approach at the time.
The Chrysler Building's aesthetics reflect a transition from earlier Beaux-Arts architecture.
The building's setbacks and intricate crown contribute to its visually striking design.
Its unique terraced design provides architectural depth and adds to its majestic presence.
The Chrysler Building's construction showcased the collaborative efforts of skilled craftsmen.
Its completion coincided with a period of technological advancement, optimism, and modernization.
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scotianostra · 6 months
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December 3rd 1906 saw his Majesty’s Theatre in Aberdeen open soon becoming the city’s leading theatre.
His Majesty's Theatre, in Rosemount Viaduct, Aberdeen, was designed by the renowned Theatre Architect Frank Matcham at a cost of £35,000 and opened on the 3rd of December 1906 with a production of the pantomime 'Little Red Riding Hood.'.
The Theatre is situated above the Union Terrace Gardens and was built from Kemnay White Granite and has an imposing copper covered dome.The auditorium with its Roman Classical style plasterwork was built on four levels with three curved balconies, and proscenium boxes, it could accommodate an impressive 2,300 people when the Theatre opened, but in 2008 this is a more modest 1,400, still making the biggest theatre in the north east of Scotland.
In 1982 the Theatre had a £3 million refurbishment and was reopened on the 17th of September by Prince Charles, having been closed for the previous 23 months.
The Theatre was again closed on the 13th March 2004, this time for a redevelopment project costing nearly £8 million and funded by the Aberdeen City Council, The Scottish Arts Council Lottery Fund, and Scottish Enterprise Grampian.
The redevelopment included the refurbishment and modernisation of the front of house areas, the building of a new restaurant, coffee shop, and a corporate hospitality suite, a new Green Room and rehearsal room backstage, with improved dressing rooms. The auditorium was also refurbished and the seating re-upholstered.
I must admit I have never been in the theatre, while it might be impressive, to me the statue of William Wallace outside is an added bonus.
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Hello! Your writing is so so beautiful! Do you ever write AU’s? Like maybe, regency or historical fiction where Jonah is a prince and the reader is a princess of a foreign kingdom?
Hello! Thank you so much! I really appreciate that! :) I gave it a go and I hope this is what you are looking for and enjoy reading it!
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In the bustling city of Veridian, where modern skyscrapers pierced the sky and technology intertwined with regal traditions, lived Prince Jonah of Eldoria. With his striking features and a magnetic presence, he was the epitome of charm and elegance. The kingdom admired him, and he carried his royal duties with grace.
Across the ocean, in the vibrant kingdom of Astoria, resided Y/N, a captivating princess known for her intelligence and kind heart. Her modern ideas and progressive outlook made her a beloved figure in her kingdom.
Amidst an era of diplomatic alliances and strategic unions, Veridian and Astoria sought to solidify their ties through the marriage of Prince Jonah and Y/N. Though they had never met, their worlds were about to collide.
As fate would have it, a lavish gala was organized at the grand Eldoria Palace to mark their first encounter. The palace was transformed into a wonderland of lights, where the sound of laughter and music filled the air. Prince Jonah and Y/N caught glimpses of each other from across the crowded room, their hearts beating faster with every stolen glance.
Finally, under the starlit sky, Prince Jonah and Y/N found themselves on the palace terrace, away from the prying eyes. The moon illuminated their faces as they engaged in heartfelt conversation, feeling an instant connection that surpassed their expectations.
From that magical night, Prince Jonah and Y/N embarked on a journey of love and self-discovery. They navigated the complexities of their royal responsibilities while forging a bond that transcended borders. Their story unfolded against the backdrop of modern challenges, where the public eye scrutinized their every move, and social media played a significant role in shaping public opinion.
Together, they defied convention and stood up for their beliefs, inspiring a generation with their actions. Prince Jonah and Y/N became beacons of hope, championing causes close to their hearts and breaking the barriers of tradition.
Their love story was one for the ages—a tale of two royals who found solace in each other's arms amidst the chaos of their privileged lives. As they fought for a future where love and individuality thrived, Veridian and Astoria were forever changed.
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the-garbanzo-annex-jr · 10 months
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Nonetheless, Palestinians have illegally built on more than 2,000 acres of Area C, spread across 250 different locations. This does not include 600 km of illegally-built roadways and more than 112,000 meters of retaining walls and terracing.
Investigative author Edwin Black, in a report entitled “EU Funding of Illegal Palestinian Settlement in Area C,” noted that Palestinian settlements “are often strategically scattered to effectively carve up Area C, sometimes surround Jewish villages, and sometimes push onto Israeli nature or military reserves.”
Black also described some of the various structures in these new, illegal settlements: Makeshift structures adorned with the EU logo on them, multi-floor office centers and palatial homes. “A broad gamut of construction styles can be seen,” he wrote.
All of this is being done in accordance with a joint Palestinian-EU plan to take control of land—without negotiations—for the creation of a de-facto Palestinian state based on the 1948 armistice lines that resulted from Israel’s war of independence.
An article in the Palestine-Israel Journal of Politics, Economics and Culture described the implementation of this plan: “Since August 2009, [Palestinian Prime Minister Salam] Fayyad, with the help of the Barack Obama administration and the European Union, has been quietly building national institutions and physical infrastructure . . . in the West Bank.”
Last year, it was revealed that the EU, too, has a secret plan to fund illegal Palestinian construction, known as the “European Joint Development Programme for Area C.” It has an annual budget of 300 million Euros.
One illegal Palestinian structure financed by the EU was a school located inside an Israeli nature reserve. Last May, Israel demolished it. In a statement, the IDF said the school was built illegally and “was found to be dangerous to the safety of anyone studying or otherwise visiting there,” therefore an Israeli court, “ordered it demolished.”
Instead of praising Israel for ensuring the safety of Palestinian children, the EU condemned the Jewish state. A spokesperson for the bloc said, “(Such) demolitions are illegal under international law and children’s rights to education must be respected.” Apparently, Palestinian children have the right to education, but not to safety.
As Edwin Black wrote in his report, “The European governments and the PA have thus joined forces to complete the final shredding of the already weakened Oslo agreements.”
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jillraggett · 10 months
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Plant of the Day
Sunday 30 July 2023
Union Terrace Gardens is a green space in Aberdeen’s city centre. It was originally opened in 1879, but the gardens were redesigned and reopened in December 2022. On a sunny terrace a pink flowered cultivar of Monarda (bee balm, bergamot, Oswego tea) was adding to the new display and was popular with pollinators.
Jill Raggett
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Field Notes: touring Fredericksburg and Chancellorsville battlefields, driving to my internship.
30.05.2023.
Battlefields are always strange. The land has been preserved; set aside; designated as hallowed ground. Often, they are beautiful, maintained with landscaping and paths while strip malls and highways encroach at the edges.
The air is sweet with the smell of freshly cut grass. Birds are singing. I am walking on a tidy gravel path that is bordered by a low stone wall. The scene couldn’t be more picturesque if it tried. It’s hard to believe that 160 years ago, thousands of Union soldiers flung themselves at this wall only to be slaughtered by the Confederates lined up behind it.
This is Marye’s Heights, and it’s where much of the memorialization efforts of Fredericksburg have been focused. Terraced rows of the dead line the hill overlooking the town (this is the Federal cemetery, the Confederate dead are buried elsewhere). Reading plaques about Lee and Jackson’s victory is a little disconcerting when there are Union ghosts looking over your shoulder. Maybe that’s the point.
In the town of Fredericksburg itself, I see my first Confederate flag bumper sticker. It’s small—not much larger than a deck of playing cards, but it’s there. At least it makes more sense here than the ones I’ve seen in Michigan.
For lunch, I go to Benny’s on a friend’s recommendation and get a slice of pizza larger than my head for around $6. Since the money from my stipend hasn’t been processed yet, it will do some double duty as part of my dinner (since my car is so full, it does the remainder of the journey riding in the passenger footwell, but don’t worry—it was in its own bag).
Visiting just Fredericksburg seems silly when there are so many other battlefields nearby. Only Chancellorsville has its own visitor center, which holds the interpretation for its eponymous battle as well as the Wilderness and Spotsylvania Courthouse. That’s a lot of death to pack into one building, but they do a decent job. When I ask the ranger working there, he tells me that they updated the visitor centers for the two battlefields back in 2014. (This was their first update since their opening in the 1960s. Yikes.)
This visitor center also has to compete with the little walking trail memorializing the fatal wounding of Stonewall Jackson. Various stone markers are scattered across the grounds like so many poisonous mushrooms.
Much like Fredericksburg, the Chancellorsville battlefield is beautiful. At the ranger’s advice, I spend most of my time at stops 3, 9, and 10 on the self-guided walking tour. Stops 9 and 10 are opposite placements of an artillery duel between the two armies. The earthworks (called lunettes, the sign informs me) from the Union position are still visible under neatly trimmed grass.
At stop 10, there is a meadow covering what used to be a field hospital (emphasis on field, not so much on hospital) where wounded Union prisoners were left to the elements for several days until doctors could arrive from Washington. Signs talk of the screams and the smell, but it’s almost impossible for me to conjure up a mental image of such suffering in such a lovely place. If I died a horrible death, would I want the area to smooth over the suffering with time? Yes. Yes, I think I would.
The interpretation at these two battlefields definitely skews Southern. The monuments are, by and large, Confederate. The plaques are about Confederate army movements. When the Union army is mentioned, it’s usually because Lee or Jackson are doing something to hapless Burnside and Hooker. One gets the impression that the blue exists as a foil for the grey.
These are Southern victories on Southern land, and credit where credit’s due, they’ve turned down the Lost Cause dial quite a bit. The fact that Lee came away from both confrontations victorious leads itself towards a narrative that matches his brilliance against the blunders of his Union counterparts, and I don’t feel like the parks have done enough to counter that. Slavery is talked about, but nowhere is it explicitly condemned. Ultimately, National Parks have to lean towards the middle ground while also making do with whatever funds they’re given. The ranger said that they were allotted something like one third of the budget they asked for in 2013, and that’s certainly a limiting factor. I’ll be paying close attention to how the signage compares to that at Gettysburg when I return there later this summer.
When 3 o’clock hits, I climb back in my car and hit the road. This part of the drive is where we get into the Blue Ridge mountains, which are beautiful but also come with reduced speed limits. There are still some cars that think we should be going 90, but as a Midwesterner used to the flatlands, I stick to the right hand lane and let them do their own thing.
It starts to mist as I near my final destination. Even though it’s not that hot outside, it’s so humid that I have to have the AC on. The mountains are steaming as I pull into town. And wow, the mountains really are blue, verging on purple. Country Roads isn’t playing on the radio, but it should be.
So my first year of grad school was bracketed by rain and Civil War battlefields (if my life were a movie, they would call that a cinematic parallel). What this internship has in store for me, I don’t really know. That—along with some grocery shopping—is a problem for Tomorrow Reid.
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my-anime-goods · 10 months
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Megami no Café Terrace (The Café Terrace and Its Goddesses) - Riho Tsukishima and Akane Hououji Figures by Union Creative revealed. Release: August 2024
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thefigureresource · 4 months
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Riho Tsukishima : Familia Umi no Ie ver [The Café Terrace and Its Goddesses] non scale from Union Creative coming July 2024.
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astroccultr · 2 years
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Synastry of the Last Movie Stars- Paul Newman and Joanne Woodward
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The glue that held Joanne and me together was that anything seemed possible. With all other people, some things were possible. But not everything. The promise of everything was there From the very beginning.
-Paul Newman
Paul Newman and Joanne Woodward always fascinate me. Married 50 years, known as the longest marriage in Hollywood. They kept their love story pretty private throughout the years and they settled in Connecticut and raised their family and built a theater community.
HBO premiered “The Last Movie Stars”, docuseries directed by Ethan Hawke that traces the legacy and complicated story of Joanne and Paul.
Let’s get into some astrology (Mostly from Paul's perspective). What made this such an enduring marriage and the love affair of the Golden Age of Hollywood.
Paul Newman
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Paul had an Aquarius Sun, Pisces Moon, and Capricorn Ascendant. A man of ideals, emotion, and burdens.
North Node in Leo-A soul mission for the spotlight, but such a desire and drive brought about burdens and guilt. Responsibility often weighed the desire with Saturn square North Node and Ascendant quincunx North Node gave paul the burden of responsibility. Though he wanted the spotlight, weighed down by those around him. I could imagine Paul was often hard on himself in his art.
Sun square Saturn- His father played a big influence on Paul, burdened by his dad's death. His own role as a father is a hard lesson.
Saturn conjunct Midheaven- Success as he gets older.
Ascendant conjunct Venus and Jupiter gave that star quality.
Joanne Woodward
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A Pisces Sun, Aquarius Moon, and Capricorn Ascendant, Joanne had the same theme as Paul, a theme of dreams, emotion, creation, and hard work.
Moon quincunx Pluto-The ability to display her emotions on the screen. She was a rising star before Paul. Known as the instinctive, experimental actor. The Pluto-moon aspect could explain her issues with her mother,
Her Sun conjunct Venus, faith in the career. They said she often told others she was going to be a movie star and marry a handsome man. This aspect gave an unwavering faith in her dream.
The Composite
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It was just nice to be able to go out and do with Joanne in public what we longed to do in public for years. To put on the screen what had already been discovered privately between us.
-Paul Newman
The composite could explain this. Their Ascendant square Midheaven shows they would work together at this time, and their career was important in this union. The 2nd house composite in Sun and Moon, what an earthy, sensual, love. Apparently, they got physical pretty early on (a five-year affair btw!). Besides the love-making their composite aquarius sun and moon gave them the permission to dream and wish. Drove them to community, often speaking out for the collective, humantarians and using their stardom for the good.
. Paul's Sun conjunct Joanne's P. of Fortune blessed Paul to speed up in his acting dream. She inspired him every day. His Saturn trines her Venus, and Paul learned to love with Joanne, love art and life, and romance. The beauty in life seemed possible with Joanne.
"My meeting with Joanne gave birth to a sexual being. She taught me, encouraged me, she delighted in experiment. And I am simply a creature of her invention.”
Paul Newman
(Paul) North Node opposite Mars (Joanne)- These two had a love affair before, and often a woman's mars can ignite a part of a man's sexuality. Looking at the houses of their mars and north node- it's the theme of 2nd and 8th house. Paul was reborn and his soul not only longed for the spotlight, 8th house means he longed for intimacy. His daughter said Paul needed Joanne and Joanne didn't feel the same way, makes sense with her mars in the 2nd house. She found her worth on her own, and Paul found his worth through making love and bonding with Joanne in every way.
Another past life aspect between the two is (Joanne) Mercury conjunct South Node (Paul). The two shared commonalities and love of art and stories before and continued such love between each other.
What I love most about their synastry is Joanne's Saturn conjunct Paul's Mercury, Jupiter, and Venus. Joanne grounded Paul, and helped him become more of a man, and grow into his responsibilities.(sometimes). She had her life together while Paul was inspired by her art, love, and how she took on her own responsibilities.
What an honest, sensual, wishful couple. Their synastry tells the story of hard work, love, faith, and destiny. You can tell Paul loved destiny with all his being.
Feel free to reblog!
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yakumtsaki · 2 years
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We’re backoix but without Wyatt for the first time since 2017💔 Jojo is fucking devastated and goes on an autonomous home maintenance spree but keeps stopping to cry:
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-OH WYATT, HE LOVED TO SLEEP IN THIS BED
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-OH WYATT, HE LOVED TO SNOOZE ON THE LAWN
Ugh my poor Jojo, I know what will cheer you up, why don’t we go wait for the wolf? 
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-OH WYATT, HE LOVED TO NAP IN THIS TENT
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-Hey Shaj. -Hi grandma, how are you? -I’m sharing the mausoleum with Wyatt now, so not great. What’s going on here? -Literally nothing, even Cyneswith hasn’t had a new lover for like a week.
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-Who needs lovers when I have my Dobrie?💗 
I can’t stress enough how ridic this relationship is, Dobronega hates absolutely everyone including her own kittens. The fuck, Cyn, are you using the voodoo doll on the pets now?
-Of course not, I’d never override an animals free will!🌸
Right, what are they, men who refuse to immediately fall in love with you? 
-Exactly!💗
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Time for our mandatory ‘a new day starts’ ritual.
-Ok everyone, let’s knock this one out cause I have to get ready for work. Cyn how could you?? -Oh Donnie I’m so sorry!🌸 -𝙶𝙾𝙾𝙳 𝙾𝙽𝙴, 𝙶𝚄𝚈𝚂, 𝚂𝙴𝙴 𝚈𝙾𝚄 𝚃𝙾𝙼𝙼𝙾𝚁𝙾𝚆.
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The kitts grew up! This is Scorpion, under him is Ermac, on the right is Mileena, and under her Kitana, who is the chonkiest one and thus the automatic heir! I’m gonna send the other 3 to live with Angel and Wulf while Sophie is at work because she throws Komei-tier tantrums whenever a pet leaves.
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So Sandy is a romance sim, which I keep forgetting, and is like 1 second away from aspiration failure, so it’s time for a blind date. I spend the max amount and we get GILBERT JACQUET?? LMAO. Do you guys feel like he’s open-minded enough to date a zomb? They have 3 bolts tho, his turn-ons are black hair/green eyes so I guess that was enough to overcome the rotting part?? 
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This is going great?? Honestly wtf. Gilbert tell me the truth, does she remind you of your mother?
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What’s up Sophito, how was school?
-What the hell is this?! 
I’m sure you already know what it is since you went out of your way to cockblock, but this is Sandy on a date. 
-Well stop it, I don’t like it! 
Ya despite what Sophie has told you, the world doesn’t revolve around Sophito Union’s wishes.
-My world does!
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Guess who got fired on his second day!
-𝙶𝙾𝙾𝙳 𝙴𝚅𝙴𝙽𝙸𝙽𝙶 𝚂𝚄𝙶𝙰𝚁; 𝚆𝙴𝙻𝙲𝙾𝙼𝙴 𝙷𝙾𝙼𝙴. -WAAAAAH 
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-OH, WYATT, OH CRUEL FATE
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-FUCK YOU AND YOUR ONE CHANCE AT HAPPINESS, SANDY
Ya ok I’ve had enough of this house-
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-let’s gtfo, Cyn! It’s hoeing time. 
-When isn’t it!💗
Huhu!🌸
-Huhu!💗
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Man this place is DEAD. Where tf is everyone?
-They’re on the terrace, dumbass.
Ok that’s a lot of lip from you, bandana-bowtie. To the terrace! 
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OMG IT’S CORNROW DOWNTOWNIE. The top townies I wanna marry in genetics-wise is this guy and Hot Downtownie that Shaj brought from work the other day. I zoom out all happy to have Cyn go talk to him and what do I see??
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ARE YOU FUCKING KIDDING ME. WHAT ARE YOU DOING HERE, JACK DO
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-OVER MY DEAD BODY IS CYNESWITH CHEATING ON ME IN THIS RESTAURANT WHERE MY OPPRESSIVE MOTHER IS THE MAITRE D’!!!
OH FFS
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We relocate to this weird hot tub club where thankfully none of our existing lovers are. 
-Oooh, Neon Vest Downtownie is hot!💗   -Fuck me, here comes the voodoo doll. 
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-SAY HELLO TO MY LITTLE FRIEND, VESTIE!!!🌸
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Hehehe, ok Cyn let’s knock this one out on location because we’ve really fallen behind!
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-Ya so I’ve been increasingly concerned about nuclear weapons- 
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-WILL YOU TWO GET A ROOM FOR YOUR POLITICAL DISCUSSION? WE’RE TRYING TO HAVE PUBLIC SEX HERE
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Kaching!!! Man that was quick, thank you, Neon Vest Downtownie!
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You don’t walk from the table when you’re on a roll, so we move on to this guy, who I thought was Komei’s old enemy Shea Johnston, but is actually a ginger version of him.  
-Didn’t you use to steal my grandpa’s garden gnome?💗 -Oh no, that was my evil twin brother! I’m the nice one!   -Aww, we have so much in common, I’m the nice one with an meanie sister too!🌸
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-Now let me just channel the ancient evil of voodoo to manipulate your consciousness!💗
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-Oh, Ginger Shea Johnston, let’s take this upstairs to the hot tub, it’s more public!🌸
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Bro I love Cyn so fucking much, on her way upstairs to the hot tubs with GSJ she stops to flirt with the Count, LOL
-Hiiii, didn’t you use to sleep with my grandma?💗 -I sure did! -Seems like a good family tradition, huhu!🌸
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-Oh Cyneswith, today is the best day of my life! -It better be, my daddy worked really hard for that voodoo doll!💗
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Never stood a chance, against us, GSJ!
-Hey girl, if you ever get tired of these warm meatbags you know where to find me!🧛
Ya Count, we actually DON’T know where to find you, that was also our big problem when Victoria wanted to bang you.  
-Oh, I live in the animal sanctuary! Bat section.🧛 
You don’t have an ancestral castle on top of a misty hill? What kind of flop vampire even are you??
-You know what the rent for ancestral castles is these days??🧛
Good Lord, get out of here Count Bumula, you’re ruining our night. Time to return home, Cyn, great job! 
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I was hoping Sophito would outgrow this Sandy bullshit on his own but clearly I have my work cut out for me.
-Look Sandy, another A+++! Much better than some stupid momma’s boy baker, right??
You of all people wanna talk about mommy issues, really? Go do your goddamn homework.
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Valentina becomes an elder during her favorite activity: shitting on our flowers.
-You better put those dream date ones away, too tempting!
Val, let me just say, and I truly mean this, you are a literal monstrosity.  
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Cyn rolls that ‘woohoo with a service sim’ want, so goodbye Kaylynn, it’s Remington time.
-So let me get this straight, you’re firing me because, and I quote, ‘You’re really sorry but you want a guy maid to raw you, huhu🌸’? -Exactly, huhu!💗 -You’ll be hearing from the labor department. 
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-Oh hiii Lucy, welcome, now get out!🌸    
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-OMG OMG HI I’M CYNESWITH💗 -Well hello, I’m Remington Harris and I’m a true professional as you can surely tell by my aggressive decolletage.  -Oh Remi, you’re a godsent, I’ve been so lonely in this house with only one available choice to cheat on my husband with!🌸 -Uh, what’s that now?
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-Don’t worry about it!💗
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Ah, the glory of love! Cyn do you think that having both iVan and Remington in the house everyday might not be like, a super good idea?
-Of course not, what could possibly happen, huhu?🌸
Well iVan already tried killing you once?
-Oh, he didn’t mean that, it was on oopsie!💗
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Credit where it’s due, this is one aesthetic af affair-
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-I MEAN!
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-GODDAMMIT, MOTHER, DOES YOUR DEGENERACY KNOW NO END??
Sugar you little oedipal freak, did you seriously run out in the rain in your pjs just so you could do this? Even your father doesn’t give a fuck anymore! 
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Finally, God decided to put an end to this house of sin.
-WHAT THE FUCK KID, STOP PUSHING ME INTO THE FIRE -SORRY, HOT DOWNTOWNIE, I WAS TRYING TO PUSH MY MOTHER
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Finally the rain stops and it’s time for Cymi (Cyn + Remi, cute, right?) to defile Jojo’s wolfwatching tent. The very place where Wyatt napped??? Cyn, come on!
-It’s what daddy would have wanted, he was always supportive of my romantic endeavors!🌸
Ya I guess that’s true, ugh I miss Wyatt :(
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Real talk, Jojo has been the saddest I’ve ever seen a sim be over a spouse’s death, like non-stop crying for days. I did get very emo just by seeing him sleep alone, but then he gets up and does something that freaked me out so much I straight up shut the game down..
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..HE AUTONOMOUSLY GOES TO LOOK @ WYATT’S PORTRAIT. I swear I’m not making this shit up, at first I thought he was interacting with the urn, but then I check his action panel and it’s the ‘view’ thing @ the portrait!!! 
These aren’t ‘real’ portraits taken with the portrait mechanic (which I don’t know if even with those ones sims know whose portrait is whose), they’re screenshots I put into the custom painting folder which I then have the sims paint, so there’s no way game-wise that Jojo would know this is depicting Wyatt. I’m also 100% certain I’ve never had another sim in the family autonomously go view a death portrait, because I would have definitely taken a pic and included it in a post. Point is, bro I was already convinced Jojo was sentient and was equal parts freaked and moved..  
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..and then he goes to Shajar’s portrait..
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..AND DOES THIS. H E L P
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