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#Tom just wants to murder people

teddyniffler · 2 months

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Every day I am reminded that Tom Riddle helped Ginny write that love poem to Harry.

Tom, bored of Ginny already and holding in his laughter: You could always compare his eyes to toads, they are green.

Ginny: His eyes are as green as ... a fresh pickled toad!

Tom, now crying with laughter: It's beautiful, Ginny.

Ginny: His Hair is as dark as a Blackboard. I wish he was mine...

(Tom: Kill me now)

Tom, oozing with hatred at Harry: How about 'He's really divine', as he must have god-like powers to stop You Know Who after all...

(Tom: I must know how he lived... how did he survive? I must meet this boy)

Tom, now seething in sarcasm: How about ending it with, something like, 'Hero who conquered the Dark Lord' that's a good ending.

(Tom: I wonder if anybody picks up on the Dark Lord part. I would love to get the girl's family framed for being my supporters...)

Tom, rolling his eyes: Okay Ginny, show me the finished poem please.

Ginny: His eyes are as green as a fresh pickled toad. His hair is as dark as a blackboard.I wish he was mine, he's really divine. The hero who conquered the Dark Lord. 🥰💝🥰

Tom, trying to rip out his own pages: Ginny, it's the best thing I've ever heard. He will just love it.

#harry potter #Tom Riddle #Ginny Weasley #I actually feel for Tom during Chamber of Secrets #Like he has to act so nice to her when all along he's probably got a headache and is having flashbacks to the orphanage.#Ginny talking to Tom about her hair. Her clothing. The boy she likes and how cute he is (aka Tom's enemy)#Tom just wants to murder people #and Ginny is telling him all about her favourite Quiddich team and which nail varnish is her best colour #The love poem was the final straw... Tom was about to pull out his own pages

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astronicht · 2 months

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Incomplete list of stuff that made me go apeshit reading Fellowship for the first time, medievalist edition (part II)

Part I here. Disclaimer: this is for fun!

Love that people keep stressing that they are going to the ELVES for COUNCIL. Old English names, especially among the rulers of Wessex, Northumbria, Mercia, etc, were often Elf Theme Names, one of the most famous and enduring of which is Alfred. Written the old way, Ælfræd or Ælfred (as in Alfred the Great), means Elf-Council, aka "counseled by elves". In their hearts... everyone wants to be Alfred... possibly this is only funny 2 me.

Tom Bombadil doing a training montage in the fucking magic system of Middle Earth?? He teaches Frodo to recite a poem that will summon him, Tom Bombadil, in times of need! Frodo gets kidnapped by undead wights in a barrow (like many a good young person in an Old Norse saga before him) and dutifully recites this magic poem. Frodo learned Recite Magic Poem! TOM BOMBADIL SMASHES THRU THE WALL OF THE BARROW LIKE THE KOOL-ADE MAN AND RECITES A BIGGER, STRONGER POEM??

At this point I gave up on trying to be normal about anything. As such, I'm pausing on Tom Bombadil again.

It helped (?? not psychologically) that Tom Bombadil recited something that felt a bit familiar, when he banished the wights. It's not anything like a direct translation, if indeed it bears any purposeful resemblance to the actual recorded medieval galdor called Against a Wen. Regardless, Against a Wen is an okay?? example of what a spoken word magic poem would look like, and why it's similar to what Tom Bombadil (and later Gandalf and others) do. Left screenshot is Bombadil against a barrow-wight. Right is Against a Wen, in English translation. (a wen was possibly a skin ailment, like a mole or a cancer). Banishing to/beyond the hills and shrivelling are the apparent themes. You don't have to follow me on this one, much less agree. Frankly this is the point I went off the deep end, probably.

Galdor can also protect! This just happens to be a banishment.

Gollum got exiled (the worst thing the early medieval and apparently proto-hobbit law could do to you) but not even for murder. No one found out about the murder. He just sucked.

ALSO Gollum lied and said that his matriarch (who exiled him) gave him the Ring. This implies it was plausible she'd give out rings, implying female ring-giver (standard role of a king). This is mentioned once and never again. ok!!

One last fun fact about galdor: it is the word at the end of "nightingale" isn't that lovely? Luthien's name in-universe means nightingale. This is fine!

I spent a lot of time researching Aragorn's favorite rock. I love these books. If I recall correctly it's a real rock! but possibly. just a cool rock.

#astro lotr #this one is less fun than part 1 but i like having a sort of cheat sheet for myself!!#frankly even i am not sure what some of my mid-read posts are talking about

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mattyriddlesbitch · 23 days

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I don’t see any rules for what you do and don’t write but I’m thinking ghostface/stalker Mattheo Riddle, Theodore Nott or Tom Riddle

Yesssss, I love Scream! Let me know if you guys want more of this with the other boys or more of Mattheo!

My Princess

Mattheo Riddle x F!Reader

Warnings: Stalking, killing, Ghostface, mention of assault

Don't read if this stuff bothers you!

There’s been reportings of a murderer in your area. One who donned a mask. ‘Ghostface’ is what they started calling him.

It was scary, trying to live with a serial killer nearby, who could be anyone since no one saw their face.

The killings seemed random at first. No pattern, no specific target demographic, no connections to each other.

Then, unfortunately or fortunately for you, he killed your cheating ex. And your old bully. And that one teacher who seemed like he had it out for you.

It got scarier for you. Seeing so many people who had connections to you being killed.

Only, it got worse when, the day after the murders, little boxes appeared at your door with an item from the victims and flowers. Each time, you called the cops, but they would make a report and leave, saying they can’t really do anything else.

It was frustrating and terrifying. You invested in a doorbell camera, hoping to catch whoever it was leaving these on your doorstep. But they didn’t show up again. Not at your door, at least.

Next was a box on your bed in your room, this one just filled with flowers and jewelry. As soon as you saw it, you got chills and a gut-wrenching feeling knowing they were in your room.

You called the cops again, but since there was no footage or DNA left behind, all they could do was make another report.

They started leaving notes now. Telling you how pretty you are, how sweet you are, how much he adores you and is obsessed with you. Again, cops won’t do anything, no DNA or footage.

You set a camera up in your room to catch them. You caught them when you were at work, but they were in a Ghostface mask and waved at your camera. They left a note on your bed and left. That was all they did that you caught on camera. You stopped sleeping at your place, waiting for the lease to end in a few months. Your friends let you crash at their place until the notes and gifts started showing up there. You had to go back to your place since no one wanted to let you in theirs with fear they’d show up.

They promised to never hurt you, they were protecting you, they were keeping you safe from everyone who ever hurt you or plans to hurt you.

You heard about a co-worker that was killed one day at work, and the next day, you see papers of screenshots printed out from the co-worker talking about what he wanted to do to you, how he was planning on asking you out to a bar and assaulting you. That made you feel sick. But now you were starting to see this stalker was telling the truth. Maybe they were protecting you.

You still kept the cameras up and bought some weapons for your place, even a handgun.

“You don’t need all this protection, princess. I’ll always protect you.” That was on a note left on your bed, but they left all your weapons alone.

You finally had enough of the cops not doing anything, of no one helping you, of not feeling safe anymore. Whoever this was wasn’t hurting you, just being creepy. You wrote notes back to them, asking who they were and why they kept stalking you.

“Stalking? No, I’m protecting you.” They would write back. “I wouldn’t do anything to harm you. You’re precious to me. I love you.”

It really didn’t help the creepiness, but at least you were finally talking to them. You were hoping to gain their trust and meet them, hopefully kill them.

“You wanna meet me, princess? It’s tempting. But I wouldn’t want you to do something irrational.” They wrote back. “Do you trust me?”

You wanted to say ‘no’ but you couldn’t. Not if you wanted to meet them.

So you said ‘yes’ and the notes stopped. You thought you scared them away maybe. Maybe they thought it was too much to meet you.

Until a few days later, you had just gotten back from work. It was a Friday night and you sat at your counter in the kitchen, drinking wine, trying to calm your nerves from everything. You were always on edge nowadays and needed something to help with it. You were tipsy at this point, just eating and drinking as you let yourself relax.

Then you saw a figure emerge from the hallway to stand on the other side of the counter from you, wearing all black and the Ghostface mask.

You panicked and tried running, but your stalker was faster. They grabbed your wrist and pulled you back to them, grabbing your other wrist as well to keep you from running.

“I’m not gonna hurt you, princess.” A male voice said behind the mask. “You wanted to meet. I’m here.”

You were still panicking, but stopped fighting him. You stared at the mask. Fear took over your body again when you remembered he didn’t just stalk you, but also killed people and you kicked him and took off running again when he let go, running towards your room since that was closest. He ran after you, blocking the door before you could close it.

“Please, I don’t want any of this. I-” You broke into sobs as you backed away.

“No, no , no, princess. I won’t hurt you. I promise. You’re the most important thing in my life.” He said, closing the door behind him as he spoke softly.

“Why do you do this?” You asked with a shaky voice.

“To protect you. No one will ever hurt you, baby.” He was walking closer and you backed up until you hit the wall.

“Who are you?” You asked, still crying from fear.

He took off his mask to reveal someone you worked with. The co-worker your dead co-worker was messaging about you with.

“Mattheo?” You said with a confused look.

“I just wanted to protect you. To keep you safe from all the evil in the world. You don’t deserve any of that.” He was still speaking softly as he stepped in front of you.

“You killed people.” You whispered.

“People who hurt you. I couldn’t let them live after hurting you.” He said, touching your arm softly and you flinched.

“They didn’t deserve that.”

“They did. You’re perfect. No one should ever hurt you or make you feel bad again.” He moved his other hand to your hair. “I’ve been dreaming about touching you for so long.” His voice was quiet. As much as you feared him, his touch was reverent, like he was savoring every touch of your skin.

“Why did you break into my house?” You asked quietly, meeting his eyes.

“You put the camera up. I wasn’t ready to be caught just yet.” He said with a small smile, trailing his hand up and down your arm, his other hand running through your hair gently.

“We work together. Why didn’t you just talk to me if you felt this way?”

“I was too nervous. You’re perfect. You’re so pretty and funny and sweet and I couldn’t stand the thought of you rejecting me.” His hand on your arm moved up to cup your cheek. “Would you reject me now?”

You shook your head. “No. I wouldn’t.” You said, but you were still terrified.

He smiled. “Can I kiss you?”

You nodded, hoping if you played along, you could get away at some point.

He leaned in and kissed you gently, timidly. He was nervous. You kissed back, trying to think of a way out of this. It was hard to think when he was kissing you so sweetly.

He broke the kiss and looked at your face. “Your lips are softer than I ever imagined.” He smiled again, brushing his thumb along your cheek. “You’re mine now, yeah?”

“Yes.” You nodded.

“My princess. All mine now.” He said before kissing you again.

Now that you were in his hands, he wasn’t letting you go.

Taglist:

@jeannie-beannie @yourenogoodforme @mixvchelle @helendeath @ireallyneed-somesleep @soaked4abby @hpnsfwaddict

Let me know if you wanna be added!

#slytherin boys #slytherin boys x reader #mattheo riddle #mattheo riddle x reader

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fatesundress · 1 year

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⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile?

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up.

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?

You suppose, for them, it’s a question with few answers.

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary.

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any.

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless.

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that.

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately.

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end.

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is.

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —”

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant.

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together.

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be.

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.”

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes.

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

#tom riddle #tom riddle x reader #tom riddle x you #tom riddle x y/n #tom riddle fluff #tom riddle smut #tom riddle angst #(the trifecta)#tom marvolo riddle #voldemort #voldemort x reader #tom riddle imagine #tom riddle oneshot #harry potter fanfiction #wizarding world #ftltutbh

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canonmisogynyvictimstournament · 7 months

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PROPAGANDA

BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)

1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.

2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks

3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.

Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control

I.E.

Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there

When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)

Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.

They are littl e to no hard feelings at her death beyond ‘good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a ‘good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying

ALEX DEWITT (DC COMICS)

1.) The term “fridging” is literally based on Alex and what happened to her. She was killed off violently by a bad guy trying to get at her boyfriend only a couple issues after she was introduced (making it obvious they only brought her in to kill her off for shock value). Her death did very little to the narrative other than hurt her boyfriend Kyle and was done in an exceedingly horrifying and violent way. (Bad guy came to the door with flowers and threatening note, broke in and attacked her, choking her to death, before [off panel] chopping her body up and sticking it in the refrigerator as a “surprise” for her boyfriend. This obviously is really fucked up and she deserves better and should win this actually (a vote for Alex is a vote for all fridging victims [in spirit])

2.) It doesn’t get much worse than being the character whose death originated the “fridging” trope. In Green Lantern Vol. 3 #54, Kyle Rayner comes home to find that Alexandra, his girlfriend, has been killed by the villain Major Force and stuffed into the refrigerator.

Alexandra DeWitt is the character whose misogynistic treatment coined the term where a character, usually female, is killed off purely to make the main character, usually male, feel bad. Even if there are other characters who have been subjected to similar levels of misogyny, Alexandra DeWitt’s treatment has been essentially immortalized.

3.) I know she’s not going to win but shout out to my home girl, literally the trope namer for women shoved in fridges. All anyone ever knows about her is that she was Kyle’s girlfriend and got murdered for his character development, even though she had plenty of potential to be her own character.

#polls #round 5 #week 9 #new #cw domestic abuse #this was supposed to post at 12 EST but tumblr ate it from my queue for some insane reason #warcat poll

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ebsmind · 5 months

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𝐲𝐨𝐮𝐫 𝐟𝐚𝐯 𝐝𝐞𝐚𝐝 𝐠𝐢𝐫𝐥 ❀ tom blyth x fem!actress reader

summary : reader is tom’s gf and stars in the new A Good Girls Guide to Murder (book to tv adaptation) as Andie Bell

warnings : none besides reader playing a dead girl in a tv series

a/n : i can’t believe i caved…. BUT IDC THIS WAS SO FUN TO MAKE 😼

also everyone in the orginal casting for aggtm is the same (except andie ofc)

and ofc i just wanted to tag and say thank you to my fav people on here 🫶🏻 yall are one of the main reasons why i did this 💗 @ghostfacd @marvelsswansong @goosita @maysileeewrites i love yall!!!

ynuser a + s ❤️

tagged : @/hojay92 & @/rahulpattni27

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tomblyth so proud of you my darling ❤️

↳ ynuser i love you

↳ user1 STOP I CANNOT

ememyers my fav dead girl 🫶🏻

↳ ynuser PLS PEOPLE ARE GONNA THINK IM ACTUALLY DEAD

user1 ur literally the only one who could play andie

user2 slayed the house down houston i’m deceased

user3 please tell me you read the series before auditioning

↳ ynuser yup i did 😼

↳ tomblyth you’re such a bookworm 🙃

user4 PLS TOM CALLING HER A BOOKWORM THEY’RE SO CUTEEEE

rahulpattni27 the andie to my sal 🖤

↳ ynuser always 🤍

hojay92 MY BABIES

❤️ by creator

user5 pls if i was tom i would be weary of y/n and rahul bc they’re a little too friendly

↳ user6 u need to chill they are literally costars who play each others love interests

rachelzegler gonna read the books just so i can watch this show

↳ ynuser rachel in her bookworm era??

user7 slay

user8 MOTHERRRRR

tomblyth quick trip to paris with lovie

tagged : @/ynuser

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ynuser you make me so happy

↳ tomblyth and you make me the happiest man alive

↳ user1 pls i want what they have

ynuser also can we pls talk about how happy i was to see the eiffel tower 😭😭

↳ user2 the video he posted of you squealing when the tower shimmered 🥺

user3 can y/n fight? bc the all black fit is doing something to me

↳ ynuser my mom made me take karate when i was 7

↳ user3 OHHHH?????

user4 god i love my parents

rachelzegler where was my invite???

↳ joshandresrivera leave the love birds alone babe

❤️ by creator

user5 rachel just like me fr

user6 tom NEEDS to put a ring on it before i do

rachelzegler just posted on their story!

ynuser trailer for aggtm is out now!! go watch it 🤍🕵🏻‍♀️

tagged : @/ememyers & @/hojay92

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ememyers 🫶🏻🫶🏻🫶🏻

❤️ by creator

user1 BRO THE TRAILER IS SOOOO GOOD I CANT WAIT!!!

user2 y/n was born to play andie

tomblyth so incredibly proud of you!! you killed it ❤️

↳ rahulpattni27 she truly did!!!

↳ ynuser awwww thank you guys!!! i love you both 🤍

user3 tom and rahul interacting??? oh my

user4 SLAY

rahulpattni27 ❤️❤️❤️

❤️ by creator

holjay92 my baby!!! the perfect andie 🥺

↳ ynuser momma!!! ily

user5 holly 🤝🏼 supporting all of her kids

user6 just by the looks of the trailer this show is gonna be SO GOOD

oliviarodrigo can’t wait to watch!!! i miss you

↳ ynuser i miss you more!!

user7 tom being so supportive >>>

rachelzegler you played the best dead girl there could ever be

↳ ynuser bae ily 💗💗

↳ tomblyth ummm what about me???

#this was so fun to make!!!#tom blyth #tom blyth x reader #tom blyth x you #social media #social media au #coriolanus snow #billy the kid #the ballad of songbirds and snakes #tbosas #ebs writes thing!#userebs

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celaenaeiln · 7 months

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I literally can't take it anymore. I need to get this out of my system. This is a hate-rant about why almost every single thing Tom Taylor has written is wrong.

First and foremost is the bimbofication of Dick Grayson. Tom Taylor loves to write him like this idiot who doesn't think at all. Being cheerful does not mean being dumb.

Nightwing (2016) Issue #79

"You seem unusually contemplative"? All Dick does is contemplate!

Nightwing (1996) Issue #3

His mind is always running!

Nightwing (2011) Issue #13

Nightwing (2016) Issue #38

I just picked a random issue from all of these comics and in every single one of these, Dick's planning, thinking, and strategising constantly.

Tom Taylor literally treats him like he's stupid or something.

Also the degradation of his abilities

Nightwing (2016) Issue #79

A vigilante for 20 years. Who has faced assassins, hitmen, psychos, surprise attacks, metas, and you're telling me he didn't know that a untrained kid snuck up and stole from him?

He forgot who he was, he didn't forget where he lived! Even when he was Ric Grayson, Dick had procedural memory. His battle instincts stayed with him.

Nightwing (2016) Issue #52

"Then...I didn't even know what I was doing. I took him down--took him apart in seconds."

This man is a vigilante machine when he was amnesic. Why the heck would Dick ever let his guard down?

His robin reference

Nightwing (2016) Issue #92

Even Bruce in Batman: Hush has said it-Dick was the best. His skills were the best of anyone he's witnessed which is one of the reasons why Bruce let him be Robin in the first place.

This scene is so wrong that there's a robin scene that came out before this in direct opposition of this Tom Taylor Shitshow.

Robin & Batman Issue #1

This was actually pre-robin. Bruce had him do a solo-trial run to see his skill before he made him Robin and this was the result. Compare that to Tom Taylor's scene and the result is humiliating. For Taylor.

Tom Taylor's version of trying to show that Dick loves the people comes off as him hating crime-fighting. RIP the whole Robin firing drama and Nightwing birth i guess.

Nightwing (2016) Issue #79

"We could have avoided all of this if we'd just stayed in and eaten kibble."

Nightwing (1996) Issue #3

Dick would rather die than stop crime-fighting. After Blockbuster's first attempt, his life was hanging on by a thread and he still continued crime fighting.

Nightwing (1996) Issue #91

After Blockbuster blew up his apartment, this is the single-minded determination Dick had to continue crime-fighting. This is him at one of the worst lows of his life but he refused to give up but now? He has everything and Dick wants to ignore the murder of a child to stay inside and eat kibble which - what the heck? I know he's seen as a happy character but him finding dog-food desirable is too far!

Also the idiocy of which Tom Taylor had Barbara calling the cops in Bludhaven for a stolen wallet. Newsflash! This isn't her first rodeo here.

Nightwing (2016) Issue #81

Nightwing (2016) Issue #24

Nightwing (2011) Issue #23

Given how Dick's easily defeated enhanced metas and "very good" fighters, him falling down the stairs is a little to absolutely impossible to believe.

Another thing I love about Dick that Tom Taylor deciminates is his grace. Dick is the most graceful person in DC. His balance easily matches Selina's enhanced cat powers.

But yet. You have.

Nightwing (2016) Issue #83

Nightwing (2011) Issue #23

yeah. okay.

Taylor's motorbike scenes of Dick make me so mad. The boy is a pro at crazy. It's one of his best traits because he does the wildest stunts and he pulls it off.

Nightwing (2016) Issue #93

Nightwing (1996) Issue #86

He lands on his feet. He grabbed a villain mid-air, crashed into a window, and was perfectly fine. Actually no, he's not fine because he's worried about his bike's paint job.

Nightwing (2011) Issue #24

He just sailed over a whole crowd of people and started kicking butt like what he just did wasn't extraordinary - which for him is just another tuesday.

Nightwing (2016) Issue #95

yeah, tell 'er Dick.

He doesn't need someone to hold his bike.

One of the worst things in Taylor's run is how Blockbuster went down. It suddenly reminded me of Selina's stupid ideology which is why I think I got so ticked off.

Nightwing (2016) Issue #96

Blockbusters' thugs loyalty to him isn't a make it or break it deal. He's one of strongest criminal organisations and the knowledge that he owns one of the worst prisons that he could easily put his underlings into would've instilled fear into his thugs, not freedom. Furthermore Blockbuster takes good care of his people that don't piss him off. He teamed up with Nightwing in the scarecrow era in Nightwing (2016) because someone was messing with his people. He's extremely intelligent and superstrong, and he's not just going to be brought down by the knowledge that he owns a prison. It's Bludhaven. If he didn't, then there would be something suspicious given that he runs the city. It's the way Taylor dumbs down Bludhaven's villains that gets to me. Imagine him writing Batman (2016). It's like saying, "yeah the Joker was just a little misguided but he found the right way again after a stern talking to by Batman."

Nightwing is a big name.

When Dick first came to Bludhaven, one of the police officers was like we don't want your crazy here or something. Also Bludhaven loves Nightwing. They want him.

So why is everyone pretending like they don't know who he is?

Nightwing (2016) Issue #90

The police, the citizens, the villains-all of them. Dick fought Brutale and beat the crap out of him way back in 1996 comic. He's a Bludhaven regular. Just because Dick forgot who he was doesn't mean anyone else forgot him. Amnesia doesn't work that way.

Nightwing (2016) Issue #54

A whole team of Nightwings were formed during Dick's amnesic period because of how badly he was needed and missed. It's almost like the Tom Taylor run is set in an alternate universe.

I ran out of image space but what the absolute fiddlesticks is up with Dick being scared to jump. It better be a manipulation tactic but at this point I think Tom Taylor doesn't even know that Dick is manipulative.

#dick grayson #nightwing #barbara gordon #batgirl #blockbuster #ric grayson #bludhaven #tom taylor #when's the next writer coming in

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phfenomena · 5 months

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❝state of grace.❞ || tom blyth x f!reader

| request- state of grace by taylor!!!!

| A/N- i’m using every goddamn line of this song in it. it’s too good to be ignored. justice for state of grace it’s my fav on red 😞😞

| WARNINGS- strange men in cafes, wine, monopoly, mentions of murdering josh, mentions of robbery, two goofballs in love, and big ol’ smooches

(divider by @v6que)

i’m walking fast through the traffic lights, busy streets and busy lives.

you’ve scrambled out of your apartment and are speed walking throughout the brooklyn streets in hopes of getting to your audition on time. being an aspiring actress in new york isn’t easy, but it’s all you wanted to do. nothing else called to you like acting, but the constant state of franticness and stress was taking a toll.

your mind begins to wander around the fact that the thousands of people you see tonight have their own lives, they’re trying to get home to their families, or their significant other, they have something to go home to.

all we know is touch and go.

after the disaster that one could call your audition, you figured you deserved a coffee. the cozy and serene café was one you frequented, on the days you had time. the chipper and almost too happy barista starts your drink the second she sees you cross the threshold of the doors. you go to take your usual seat by the window but stop upon seeing a man sitting there.

you stop and stare before ultimately deciding to just take the seat next to his, no, your usual seat. being too tired to even try to muster up the emotional strength to be upset, you plop down and place your head on the table. “you look like you really need this today.” jessie, the barista, says and places the mug of coffee next your head. you offer a small thanks and stare into the dark liquid.

we are alone with our changing minds, we fall in love till’ it hurts or bleeds.

the man occupying your space turned to look at you and he looked completely contrary to you, bright blue eyes, a smile, and he just looked content. he’s definitely attractive, but your brain couldn’t find any room for this man to move into.

“rough day, eh?” his accent makes you tilt your head towards him, he is really cute, you can’t lie. you nod your head tiredly and sip on your coffee. he stand up and takes the seat across from you and stick his hand out. “i’m tom, and you look like you could use a friend right now.” you shake his hand with a small smile and place the mug back down. “well, tom, how are you so good at reading people?” you pipe up after telling him your own name.

“it’s a talent i posses, love. can’t help it. i’m an empath.” his answer makes you laugh harder than you have in months. maybe this day wasn’t so bad after all. “there we go! you laughed, that was my whole goal. reckoned it would’ve taken longer, but i did it.” tom patted himself on the back as you shook your head with a small smile. “a woman of very few words, i see?”

you hum “i don’t know what to say to you, tom. a strange man approaches me in a cafe after i’ve had a bad day, what do i say to that?” he puts a finger on his chin to over exaggerate his thinking. “you could tell me about yourself, or i could tell you about myself. you just look lonely.” his eyes widen as he realizes he just called you lonely. he wasn’t wrong, but still hurt your feelings nonetheless.

“okay, i’m from california. everyone i know still lives there so it’s a little difficult to not be lonely here, but you don’t seem to be very not lonely. you’re sitting in a cafe by yourself and talking to strangers.” he throws his head back laughing. yeah, he’s really cute.

you come around and the armor folds, pierce the room like a cannonball.

after consistently hanging out with tom for a few months you’ve gotten into a routine. text tom good morning, tell him what you’re doing that day, and that you hope he has a good day. through him you’ve met some great friends, but you and rachel stuck together like glue instantly.

“so you’ve known tom for like seven months, and he still hasn’t come over to your apartment?” rachel asks in between sips of wine. you both sit on toms couch as the others are in the kitchen mixing drinks. “yes! i don’t know why i’m so nervous about it, it just feels too intimate for him to see it.” you and rachel giggle into eachother. it might be the wine, but you’ve never felt happier.

tom comes running into the living room, obviously drunk. “try this, i’ve perfected my concoction.” he shoves a foul smelling drink into your face. you look up at him and smile, “tom, this smells terrible. what the hell is in this?” he smells it himself and shrugs. “about a pour of everything.” you turn to rachel as if pleading for her to help. “i think i heard josh say he needs your help in the kitchen.” tom pipes up and struts back to the kitchen.

“someone needs to cut him off, he’s gonna be so sick tomorrow.” you manage to squeeze out in between your laughs. rachel wiggles her eyebrows at you “and you’ll be the one taking care of him.” you turn your head away from her with a pained expression. “i’m going to the kitchen to see what the hell they’re doing.”

so you were never a saint, and i loved in shades of wrong.

you lay flat on toms floor while he sits next to you, you’re talking about how you were as teenagers and before you met eachother. “no i was literally evil, i would ghost any girl that liked me.” toms cheeks are blushed from all the laughing. “i was the same way! i just never loved anyone right, and i was just really mean.” tom brushes a stray piece of hair out of your face that was stuck on your eyelashes. you stare up and him and swallow, you jet up to your feet. “i’m hungry, let’s go grab something.”

this is a state of grace, this is the worthwhile fight. love is a ruthless game.

josh, rachel, tom and you sit circled around your coffee table. monopoly laying on the table and wine in all of your hands. “that’s not fair! i’m in jail and josh gets to buy my properties?” you yell out as josh wheezes next to you. your eyes meet toms and you glance down at his wine stained lips. “you’re the bank, tom! tell him no and that i’m still a citizen!” “afraid you’ve dug your own grave, love. robbery does land you in jail.” he knowingly points his finger at you. “who said i committed robbery?! this is a corrupt world.”

rachel decided it might be best to put the game away before you actually do end up in jail for killing josh. the four of you sit on the couch watching some marvel movie. you turn your head to tom and whisper “so how did i commit robbery? what did i steal?” obviously still stuck on how you never won the game. he smirked down at you with a mischievous glint in his eyes. “my heart, love.” you pull away from him and pretend to gag onto rachel, who is sound asleep.

this is the golden age of something good and right and real. and i never saw you coming.

you wake up blearily and sit up. then a wall of pain shoots into your head as you look to your surroundings. tom is in your bed next to you. oh my god. tom is in your bed. he groans and grabs his head “what time is it? and how much wine did we drink?” he asks, acting like this is just a normal situation. “i have no idea where my phone is and apparently a lot because i feel like i got hit by a train.” you croak out laying back down.

toms arm finds its home around your waist and he cuddles into your back. “let’s just go back to sleep.” you nod and try to push down the sheer panic rising throughout your form. when you awake a few hours later, tom is gone. almost disappointed you walk out into your living room and find rachel and josh sitting there looking quite grumpy. “are you guys oka-” josh shushes you and goes back to rubbing his temples. you mutter a small sorry and walk into your kitchen, seeing tom making coffee. his bed head and sleep ridden eyes make your stomach feel warm and fuzzy.

“good morning.” you grumble and he laughs. “it’s three o’clock in the afternoon.” you laugh with him and rest your head on the counter waiting for the coffee. “i didn’t think we drank that much last night, i don’t even remember most of it.” you confess with furrowed eyebrows trying to rake back through your memories.

tom looks almost solemn at your confession and nods. “yeah, me too. it’s all blurry.” he remembered everything. last nights escapades slowly come back as you think and you excuse yourself to the bathroom. thinking of what happened last night.

you and tom sat on your bedroom floor as you showed him all the books you’ve collected and his smile was so wide it made your heart jump at the sight. you rambled on and on about how you read the ballad of songbirds when it came out and how he channeled coriolanus so well but he was just staring at you, the wine coursing through both of your bloods. he lunged forward and captured your lips with his causing you to drop your book and wrap your arms around him.

you quickly brush your teeth and comb through your hair, trying to look somewhat decent. you slowly tread back into the kitchen and stare at tom. “i remember last night.” you quickly confessed. biting the inside of your cheek as tom turns to look at you. “do you regret it?” he quietly asks before you shake your head and step closer to him. “no, i don’t. i’ve liked you since i met you.” he smiles and wraps his arm around you while pouring your coffee into your favorite mug.

these are the hands of fate, you’re my achilles heel.

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fragileheartbeats · 2 months

Note

Your a pussy you say you don't have a side but you LOVE AEGON.You think we are stupid like you??? Have balls and say your a Rape Apologist who wants to fuck a pretty bitch named Tom who's a rapist.Aegon is a half-blood murder rapist you fucking disgusting.Rhaenyra was rightful queen but he take her right away from her.aren't you a woman???you supposed to take Rhaenyra side but you just want to be raped by a pretty boy.you just like aegon because of tom.

I'm really tired of people like you.

You're stupid, your argument is stupid, you sound stupid and you make stupid points.

You think because you're team black you did a great thing or something? You can't be that stupid that you don't understand that the writers want you to be on black side. It's pretty obvious. Writers are pro black and unprofessional, I bet they didn't even read the book.

I don't like Aegon because Tom playing him and I want to fuck a pretty bitch, I like Tom because he play Aegon. If he didn't played Aegon, I would never have known this lovely man, and you guys really should stop insulting him, he's just doing his job and he try he's best to do a good job so we can enjoy the show. If you hate him, keep it to yourself because words have more affect that you might think. I understand that you don't like him, there are people that I myself dislike but I would never say something like this about them, not only your words can hurt them mentally but also can ruin their life.

Aegon was a rapist, yes almost like every other men in GOT and HOTD. And if you actually think with a brain you can understand that on his time it was normal for men in power to rape women. It was normal for sons to take the throne after their father and it was normal for siblings to kill each other for power. You really think if he lived in 2024 he would be a rapist and a murder? Or would he tried to take Rhaenyra's right?

"Half-blood" is such a funny word to use. Rhaenyra herself wasn't a pure Targaryen, her bastards are less that half Targaryen and her true borns aren't pure Targaryen either. Idk why you guys use this word as if it's an insult and it's give her more right (if she was a pure Targaryen, which she's not) to be queen.

"Rightful"? What do you exactly mean by that? There is no rightful when it's come to power, and if it is, the day that Aegon was born and the day that Rhaenyra born her first bastard it was over. Believe it or not, people didn't want a woman in power, especially a woman like Rhaenyra. And they didn't want bastards to sit on iron throne. Idk why it's so hard to understand that this war would happened not matter if it was Aegon or someone else, but I promise people wouldn't let a woman and especially a woman who have obvious bastards sit on iron throne.

Tell me something that Rhaenyra did and it's make her a rightful and good queen, just one thing and I promise I would choose black.

Actually when she sat on iron throne, it's cut her and she bleed and it was a sign that the throne rejected her.

She would never make a good queen, she was spiteful, jealous and a lustful woman, the only thing that make her a "queen" is her father claiming her as heir. She lack strong sense of duty and her desires make her to do a lot of stupid things. She was someone who ignored the rules and did not accept her responsibilities and shirked from them. Being a king or queen need a great potential that she lacked.

"With great power come great responsibility". She wanted the power, yes but she didn't do anything to deserve it. Instead of changing herself, she expects others to obey her without any words or expectations. She didn't read anything about history and didn't try to fit herself into her position as a female heir.

One of the worst things she did that jeopardized her position as future queen was that she gave birth to bastards, but what made it worse was that she pretended that they were true born and should sit on the iron throne after her. And she punished everyone who said otherwise. As I said before, she's Targaryen version of Cersei. Both Rhaenyra and Cersei gave birth to three ridiculously obvious looking bastards and tried everything in their power to shut the people who said the true. But at least Cersei could tell that her bastards look like her unlike Rhaenyra.

Of course, Viserys is also to blame. He never prepared Rhaenyra to be queen because he never intended to choose her as his heir in the first place, he always tried for a son and when Aemma failed to give him a son he chose Rhaenyra as his heir (he didn't want Daemon to be king). He also increased the chances of starting a war by having three true born sons and choosing none as his heir.

Rhaenyra always relied on others and never took responsibility for her mistakes and never tried to change.

And if this is about feminism, isn't feminism supposed to be about equality between men and women? If so then tell me why Rhaenyra stayed behind, eat her sweets and watched her family die for her while Aegon fought in the war, being burned and crippled?

Ever wondered why Rhaenyra couldn't win this war even though she had more dragons and more people supporting her? Maybe it was because she didn't know how to be a ruler? Maybe it was because she wasn't fit to be a queen? Maybe it was because she did almost everything wrong?

I don't want to be raped, I like Tom, yes because he's a sweet man. He's lovely and beautiful, ofc I like him. But Aegon is a different story, I always liked Aegon, he was the most interesting character in the book and I understood him most that's why I like him.

Now please stop your bullshit, you're just embarrassing yourself, it's pathetic.

The next time you decide to send a message like this think with your brain because I'm done being polite.

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phas3d · 4 months

Text

You Kill Someone || Slytherin Boys

type :: angst, comfort?

tw/cw :: murder

contains :: draco malfoy, tom riddle, mattheo riddle, theodore note, lorenzo berkshire

summary :: they find out that you've killed someone on accident in the past and you deeply regret it - heavy inspo from "Deadly Class" aka the show Mattheo is in and omg Marcus and Mattheo are SOOO different but whatever

DRACO MALFOY

You would have told him on your own accord, but he could tell you were hiding something

Went through your stuff and pieced together all of the evidence

He even found out the time, date, and weapon from the murder

When he confronts you about, he's shouting at you about how you broke his trust by not telling him

You tell him how you wanted to tell him, but wasn't able to due to fear

After all, you're the only student in your entire school who has a kill count

He'll be scared of you, which was weird to you at first since he's seen death before from his father and mother coming home bloody at times

But it was awful to him, because you were his safe space but even YOU killed someone

Takes him a while to come around to you, he's really distressed over it

You make an effort to show you still care for him and that you never once lied to him, you simply just hid a secret

The best way to win him back is to be completely honest about your kill and reassure him that you're not that kind of person anymore

TOM RIDDLE

He already knew before you started dating

Because there's no way that Tom DOESN'T research the shit out of his crush and future lover

When you open up to him about your murder, he doesn't seem phased at all

If anything, he's proud and your murder is what drove him further into liking you

Because you hid your kill so well and blended perfectly into the crowd

Although you deeply regret your kill, Tom sees this as a temporary fear

He plans to make you a weapon for him, someone who can kill alongside him and not be a damsel in distress

He'll assure you that your kill was justified, and try to get you used to killing

He reminds you constantly that your past doesn't make him love you any less, it makes him love you more

Definitely does some manipulating to get you to kill something else, like animals, so you can start to go down the same path as him

Pretends to comfort you and coddle you when you're distraught about your kill

But he's going to manipulate your wand and make you kill another animal to get you used to it

MATTHEO RIDDLE

Growing up as the son of Voldemort has obviously led him to see a lot of shit as a child

He's used to death, he's met thousands of killers, and he's even killed a few people

Of course he regretted it, but his father trained him better and he learned to move on from those deaths and become a normal kid

He does his best to get away from death eaters and escape that old lifestyle

He wants to shield you and your future from it at all costs, not wanting his children to go through the same trauma and pain

But when you confess that you killed someone before, he's in pain

He feels deep regret since he couldn't protect you from killing and even more pain from that fact that you hid it for so long

He forgives you much sooner than anyone else on the list, but he just needs help from the trauma you just unpacked for him

Your relationship goes back to normal within a month or two, and he's able to feel even closer to you since this all led to him opening up a lot more about his past and how he was raised

He comforts you a lot about your murder since he knows how hard it can be to carry all of that on your shoulders

Makes sure to distracts you often and defend you against your inner thoughts

THEODORE NOTT

His father was a death-eater, a good one too, so he was used to his father coming home bragging about this kills

But he saw how much this upset his mother, and being a mommy's boy, he sided with his mother and asked his father to stop killing people

When you confess that you've killed someone, he's in denial and thinks you're just making some fucked up joke

But you keep saying you have, and he knows you're not joking anymore

He needs to sit down and take a deep breathe, because no way you did that

He was scared at first that you would be proud of this kill, but when you start venting about how guilty you feel, he's happy that you still have a soul

He'll comfort you and reassure you, hugging you tight and combing your hair with his fingers

Surprisingly, he's the only one that's not super scared of you as he understands you and has extreme trust in you

The only thing he's scared of is you possibly being caught and getting sent to jail

He remind you constantly that he's forever on your side and that no matter what, he'll take the blame

If the police ever come back and question you, he's defending you with his life

LORENZO BERKSHIRE

Fucking mortified, scared, shitting his pants, a major pussy when you confess this to him

He grew up with Draco's family, but even back then he was terrified when they would admit to their killings and awful deeds

He's rapid firing questions to you, like who did you kill? why did you kill? do you regret it? did you say sorry to the family?

When you answer all of those, he feels awful and an extreme amount of guilt

Although he's a Slytherin and used people, even murder is far beyond his imagination

You say that you feel awfully guilty but you've never been able to face the family of the guy you killed due to fear of how they would react

Lorenzo helps you to get inner peace, he brings you to the guy's grave at night and the two of you decorate him in flowers, leaving a small card for the family to find when they visit him again

Whenever you get flashbacks or guilt, he's always there to comfort you

Very accepting of you and continues your relationship like normal

If he ever got questioned about your murder, he would play innocent and act dumb to protect you

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firstfirerebel · 9 months

Text

𝕳𝖎𝖘

Sumary: Tom Riddle is obsessed with reader and won't tolerate her being somewhere else than his side (Reader is against the hate on Muggles or Muggle-Born wizards)

Pairing: yandere Adult!Tom Riddle/Voldemort x fem! reader

Warnings: Dark content, obsession, mention of the three Unforgivable Curses, implied kidnapping, death, yandere, toxic behavior

Time: First Wizarding War (meaning Voldemort/Tom is still a normal man)

English is not my native language!

I DO NOT SUPPORT OR ROMANTICIZE YANDERE BEHAVIOR!!!

"Why won't you just understand that all I want to do is create a new world, a better one. One were you, and I will rule together!"

"But I don't want that! In fact, I don't even want to be near you! I'll never join you nor support you. Just give up already and let me free!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It was another day in the Malfoy Manor where you were captured by none other than the dark lord himself. And another day, where you just hoped to escape or die. Sounds harsh? Listen to your story first...

You have known Tom since your Hogwarts time. You weren't in the same house but in the same year, and even though you weren't close, you did happen to have some lessons together. Never you would've considered him a friend. He was just a classmate who sometimes helped you with potions, and in your free time, you sometimes met him in the libary by coincidence, but that was it.

Yeah, you did find him attractive, but you would have never thought to date him or something like that. After all, he always wanted to be alone and didn't like company. You also preferred being alone, to be honest. Still, he somehow scared you from the beginning. His eyes hold no emotions, but in his actions and his aura, all you felt or saw was pure hate. Tom didn't talk about his past, but he didn't have to for you to figure out that it must have been no good one.

Once you were in sixth grade, attacks on muggle-born students happened, and in the end, Myrtle, who was a friend of yours, was killed.

Yeah, she was very difficult , but she didn't mean any harm towards anyone. Besides that, she was bullied by so many students that you just felt pity for her. You were also bullied in your first years at hogwarts until the students stopped out of nowhere. Since then, you have had problems with being social. Most people who were close with you ended up using you for their own benefits or saw you as their therapist or something like that.

Okay, Myrtle was known for being over sensitive, but still, if people knew she would cry because of mean comments, then why make them? She was in her third year when she died, and she only flew to the girls' toilet because Olive Hornby made fun of her again, which made you more sad about her death. It's not like she chose to have glasses. What was wrong with some people?

In the end, Riddle accused Hagird of being responsible for her death. Only you and Proffesor Dumbledore were convinced that it couldn't have been Hagrid. He was way too nice and kind-hearted for such a terrible crime as murder. Though you didn't think it was Tom either.

But it didn't matter. Hagrid was suspended, and that was the end of it.

Since that time, you didn't trust Tom Riddle anymore. He was the one who made everyone believe that Hagird was guilty. And somehow, since the incident, Tom's aura has become even more intimidating and dark. At least that's how it felt to you...

Once you graduated, you didn't hear of him again, which didn't bother you at all. You lived a peaceful life for a long time. You loved your job. You had true friends. You could do your hobbies. And sometimes you even went on a few dates.

But, if it would have stayed that way, you wouldn't be at Voldemorts' side against your will, would you?

The day that ruined your life was a rainy day. It wasn't too cold nor too warm, so you decided to take a walk in the nearby woods. You loved to spend your time there. All the creatures and plants fascinated you every time without fail. Sometimes, you even saw unicorns, which felt like a miracle everytime Besides, it was one of the last peaceful places left.

War would soon come. It was only a matter of time. Everybody knew that. Maybe you only had two months left, or you still got two years. No one knew except the ones on Voldemorts side.

At that time, you only knew that 'The Dark Lord' was a user of the dark arts. And he hated Muggles and Muggle-Borns. Which was enough for you to despite him. Dark magic was never something you approved, and you didn't care about the blood status of anyone. What mattered to you was always the person.

Usually, the woods were filled with life and joy, but that day was different. The forest looked intimidating from the outside, and you even thought about going back home.

Sadly, you didn't listen to your inner voice. But, it wouldn't have changed your fate...

Once you entered it, you didn't hear the happy cheers of the birds like always. And you didn't see any nifflers running by or other creatures in general. Something was definitely wrong.

But you continued to walk, which would soon turn out to be a fatal mistake. As soon as you reached the river, that was in the forest, you realized why everything was so different than usual.

Death Eaters had chased and killed a Muggle-Born witch with her family. They were on a camping trip, as you could tell from the scenery. But there was still a girl, most likely two or three years old, still alive.

Without a second thought, you hid behind a big tree and some bushes around it.

It seemed like the Death Eaters didn't know what to do with her. Maybe she wasn't part of the plan? At first, you thought that this was not an important mission for them, but then you saw Bellatrix. She was very well known as Voldemorts' right hand. She personally learned dark magic from him and was definitely the most loyal Death Eater there ever was. So this must be a really important matter.

You couldn't stand her guts and wanted nothing more than to just slap her even if you didn't know her in person. Dark magic wasn't something you supported. But still, you couldn't deny that she was dangerous and powerful. Her madness didn't lower that fact.

Since dying wasn't on your to-do lost today, you ran away as fast as you could. Since they were arguing so loud, they didn't hear you. Of course, you wanted to help the little girl, but it was simply impossible to get her without getting caught. And against a whole troup of Death Eaters with one being BELLATRIX, you didn't stand a chance.

But luck wasn't on your side...

As you ran away from the horrible scene, you ran into a Death Eater. They wore their typical black clothes and their mask was on, so you didn't see who it was.

Before you could grab your wand, you heard an angry mumbled 'stupor'. You fell onto the ground and blacked out.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

When you awoke, you didn't dare to open your eyes. After all, you got caught by a death eater, so you being alive was a miracle. You didn't hear any voices around you. It also wasn't cold and wet around you, so being locked up in a cellar wasn't the case as well...

Beneath you was a comfortable mattress. It was soft and made you want to fall asleep on it. But what the hell was this all about?!

If you're caught by the bad guys, you normally don't wake up in a soft bed. Did they bring you back home? No, that would be too risky. Maybe they wanted some information, but you weren't really someone well known in the wizarding world.

Patiently, you waited a few more minutes, but still not even the slightest noise. So you opened your eyes.

You were in a dark room. The main colors were black and dark green. Black wardrobes and black walls. The bed was made of black wood, but the sheets were dark green, the big carpet on the floor as well. No one was with you in this room. Desperately, you wanted to know where you were. From the colors, you would have guessed that it was a Slytherin Dormitory in Hogwarts. But kidnappers don't bring you to your old school!

Scared you inspected the room once again. Nothing was familiar...

You took a deep breath and stood up. If you would die, fine, but as long as you had the slightest chance of escape you would take it.

The carpet felt also really expensive beneath your feet. By the way, your kidnappers were so nice to pull off your shoes before laying you into bed...

Everything in this room seemed to be just made for this specific room. Which frightened you even more.

Suddenly, the door was opened, and you saw a pretty woman (walking down the street 🤣) in the doorframe. She was slim and tall, had long blonde hair that was tied up in a bun. Her tight dress was rose gold with a black cloak over it. All in all, she looked like a wealthy woman. Her face was pretty as well, but she looked like she got a dung under her nose. Weird.

"Get up and follow me, My Lady," her cold and clear voice told you.

"Uhm, I'm not your Lad -" but she was already on her way to your goal. You had no clue where it was, but following her was better than sitting around, right?

"I know this must be really confusing, but our Lord will explain it to all of us soon. I was just told to get you and call you that. Now, please, don't make this harder for us than it already is,"

You managed to catch up to her. Now you also saw that her eyes were ice blue. Matching her cold voice.

"Who are you?" you asked softly. Kowing her name could be a good hint to where you were.

"Narcissa Black, soon to be Narcissa Malfoy," the woman didn't look at you for one second, her eyes were focused on the walls. So you were still in the claws of the death eaters. Family Black was well known for their puryity, not a family you would have gotten along with.

The corridor was huge by the way. Dark colors still dominating. Only the chandelier was white. Did this belong to one person or was it the headquarters of Voldemort and his minions or what? Instead of getting awnsers you only got more questions as you walked after Narcissa.

Downstairs. A few steps upstairs again. Left. Left again. Right. Straight forward. The second right.

Was this a house or a Labyrinth?! How were you supposed to find your way in here? You even got lost in Digeon Ally!

But after what felt like an internity, you both reached a large black table, people gathered around it. A tall man stood up from his chair as he heard you two enter. As he turned around, you saw your old classmate Tom Riddle, but if he was here, he wouldn't help you. If he became a death eater, he was behind after everything you swore to fight. He wasn't an ally or a friend anymore. He was a danger and a threat to you and many innocent people who weren't here.

You tried to hide behind Narcissa. After all, she was the only person who seemed at least a little trustworthy, and she was another woman. Maybe she knew how unsafe you felt because mostly men were in this room. The only other woman was a mad Bellatrix, never ever you would trust her.

"Ah, there they are. Come in, " Tom spoke. His voice had changed, and it was more intimidating than it was before.

You didn't move an inch, but Narcissa started to move forward. Being all alone without someone to hide behind was more scarry, so you followed her, but you were still behind her.

"Oh no, don't be afraid. No one here will even dare to glare at you, my dear. They knew the punishment would be worse than death," You couldn't recognize Tom anymore. The hate in his presence, his voice, his appearance, everything scared you. Back in school, you didn't fear him, at least not for his house or his roots. Just because he was a Slytherin, it didn't mean that he was evil, but now? His opinions were completely different than yours, and this was not a stupid novel of the stereotype enemies to lovers cause he was just plain and simple wrong with his thoughts on muggleborn or muggles in general.

[Funfact: I don't get the hype on this topic, see, for being autistic I got bullied for many years and than reading a story about two people hating each other's guts and than falling for each other just feels wrong for me, you can read whatever you want ofc, this was just my unpopular opinion]

Still, you hid behind Narcissa, but as she tried to go towards a man with long blonde hair and her crazy sister, you felt completely defenseless. The only person you used to know seemed to be the head of everything here, and Narcissa wasn't at your side anymore. Sadly, Tom saw your fear. He went towards you and pulled you in an unwanted hug. Softly, he petted your hair and whispered sweet nothings. As soon as this horror hug ended, he smiled at you and turned towards the others.

"If anything should happen to her, everyone will be held responsible! You know the punishment, now go! We are done here!" As the last word fell, everyone disapparated, and only you and him were left.

And then you realized it. If he could order the death eaters around, he must be the dark lord himself. Tom Riddle, your old classmate, was Voldemort.

You backed away from him but regretted it soon. Tom didn't take rejection good...

"Why are you scared? I won't harm you. In fact, I am the one who has kept you safe since I saw you!"

"Are you mad?!" You yelled back into his already mad face. Wrong choice again. In full rage he stormed through the room and kicked everything in his way. Chairs and even the whole table practically flew through the room.

"Who protected you from those bullies back in Hogwarts?! Who kept you safe from all filthy boys who just wanted to break your heart?! Who killed the mudblood Myrtle so you were safe from her?!"

So Dumbledore was right... Tom opened the chamber of secrets all those years ago. And killed your friend.

"Myrtle was my friend! I never asked for your personal protection, Tom!"

Somehow that calmed him down! Yep, that man was a complete psychopath...

"But you didn't have to, my dear", he ran towards you and cupped your cheek while looking into your eyes.

"Keeping you safe will always be my priority. I loved you the moment I laid eyes on you and I knew that I would always protect you. Look around, here in our mansion you will always be safe. No one will ever harm you again. We'll be safe here! After I've won this war you and I can live here in peace. Just imagine it, I'll make us so many horcruxes that we won't ever die. Here we will raise our kids and they'll never go through the pain of being an orphan like I was", pain and hate was in his voice at the simple thought of 'death' and 'orphan'. But having a family with this insane man? Hell nah, you'd flee the moment you got the chance!

"I know now this is scary for you, and you might think of escaping, but this whole mansion is surrounded by death eaters, the moment you even think of fleeing you'll be brought to your room and trust me, I know how to punish or torture someone so that no mistace will ever happen again",

And that's how you ended up here. Behind you was the man that claimed to love you fast asleep. Yet he was the one who made you go through all of this. Most traumas you had were because of his action. If this was love, than you could already drown in it.

You had no idea if you could ever escape or if even the try of escaping was a good idea. This man wasn't well known for his kindness or his patience.

Maybe playing along would make it easier, but would your mental health take that well? Or would that make him do worse things 'out of love'?

Still, you rethought your first actions towards Tom, trying to figure out what made his obsession start. Was it your look? Your hairstyle? Your body language?

Or was it just being unlucky?

#Tomxreader #reader insert #tom riddle #tom riddle x reader #voldemort #voldemort x reader #yandere #dark themes #yandere x reader #harry potter #harry potter universe #first wizarding war

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ilikethisacompletelynormalamount · 2 months

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Andrew Scott, Vogue: April 2024.

by Zing Tsjeng, Photos by Annie Leibovitz

Ripley, in other words, is the hero of the tale. “That’s why he fascinates so many,” says Scott. “There’s been so many iterations of him. I think it’s because people root for him.” Actors like Alain Delon and Dennis Hopper have tried the role; Matt Damon played him as an obsequious, lower-class naïf; John Malkovich, as a slimy, camp killer. Scott’s Ripley is different; a watchful loner escaping rodent-infested poverty, more at home among art than he is around people. Musician and actor Johnny Flynn plays his first victim—the monied Dickie Greenleaf—and Dakota Fanning is Dickie’s suspicious ex-girlfriend. “I find Tom quite vulnerable,” Scott tells me. “I don’t think he’s necessarily lonely, but I certainly think he’s solitary…. He seems to me by his nature that he just can’t fit in. He’s trying to survive.”

In Ripley, Zaillian extracts maximum Hitchcockian dread from every creaky footstep. But most sinister of all is Scott’s face, which exhibits a sharklike steeliness throughout. It’s a performance that exudes queasy force. Is Ripley a scammer, a psychopath, or both? “There’s so many things lurking beneath him that I’ve been very reluctant to diagnose him with anything. I never thought of him as a sociopath or murderous,” Scott declares. “It’s up to everybody else to characterize him or call him whatever they want.”

As we weave through tourists near the Tower of London, barely anybody notices Scott, save for a faint glimmer of recognition among mainly young women. He seems to draw reassurance from it. “I don’t like to think about it too much, if I’m honest,” he muses of fame. “I find it a little bit, er, frightening.” He is known but not blockbuster-recognizable, although he is in the upcoming Back in Action with Cameron Diaz and Jamie Foxx. What stunts did he do? “I can’t give that away, I’m afraid, or somebody from Netflix will come and shoot me in the head.”

What’s been on Scott’s mind the most hasn’t been acting at all, in fact, but art. As a 17-year-old, he was offered his first movie role on the same day he was given a scholarship to study painting. He chose acting, but has recently been thinking about Oliver Burkeman’s philosophical self-help tract from 2021, Four Thousand Weeks, which makes the case for focusing on the five things you truly want to accomplish. “For me at the moment, it’s like, What do you want to do? What do you want to say?”

He scrolls through his phone to show me his work. There’s a watercolor of a couple arguing in a restaurant in rich reds and greens, line drawings of friends and people on the beach, and two self-portraits. “It’s a bit weird,” he acknowledges of his depiction of himself, all bulbous forehead and Pan-like tufts of hair. His brisk, nervy lines are reminiscent of Egon Schiele or Francis Bacon, who turns out to be one of his favorite painters. “Well, God, I’ll take that,” he mutters at the comparison. He would like someday to go to art school. “I don’t ever regret it,” he says of acting. “But I suppose you just get to a stage where you think, What else? That’s one of the big painful things in life for me, where you can’t quite live all the lives.” As he gets older, he feels the tug toward revisiting old working relationships, including with Waller-Bridge: “We’ve definitely got things cooking,” he smiles. “I’d love to work with her again. She’s just a singular, wonderful person.” For her part, Waller-Bridge says: “I’d love to see him do a fully unhinged slapstick comedy character. Someone who is outraged at everything, all of the time.”

As we round the pavement and the Tate Modern looms back into sight, he recalls a poster he received in 2017—a monstrously large graphic that detailed every week in a human life span. “It’s your entire life if you live to 80—you have to fill in all the bits that you’ve already lived,” he remembers in awe, “a visually terrifying gift.” What did he do with it? “I didn’t hold on to it for too long.” Easy come, easy go: We finally finish our loop around the Thames and, as Scott disappears back into the throng, anonymous just the way he likes it, it occurs to me that the actor has many lives to live yet. ■

#andrew scott #ripley #vanya #all of us strangers #julianne moore #phoebe waller bridge #annie leibovitz #vogue

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thebiggerbear · 5 months

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Soldier Boy x Reader - Prompt Response - "Sleep. I'll keep you safe."

Summary: You're tired of running and you go to Soldier Boy for protection. He agrees to do it but not without a price.

Pairing: Soldier Boy x Female!Reader

A/N: Prompt from @thelonelyempath. The original character I wanted to respond to this prompt with before deciding to make it multi-character. This scenario immediately popped into my head reading the line and I just had to write it. Hope it's okay.

Thank you to my beta Em for her services. You rock, girl!

Sequel

Warnings: violence/murder; implied assassination attempts; sexual propositioning; Soldier Boy being himself; starts out as a blackmail type dynamic that appears as if a little dubcon at first; language?

Word Count: 2528

Please do not do any of the above. Thank you for your understanding.

Dividers by @firefly-graphics

SB Taglist: @heartlessdelusions; @nancymcl; @brightlilith

Jensen Taglist: @samanddeaninatrenchcoat

"Sleep. I'll keep you safe."

You never thought in a million years that you would be seeking out one of the most dangerous Supes in the world for protection. Then again, you never would have thought that a multi-billion dollar corporation would be after you, intent on seeing you torn apart and scattered to the four winds. You didn’t exactly blow the whistle on them, but you didn’t exactly tow the company line either—something Stan Edgar was less than thrilled with and now the evil son of a bitch wanted you dead.

It was no secret that Edgar and Soldier Boy had a falling out of sorts after the truth about his being handed to the Russians had come to light. His old team may have made it happen, but it was Edgar pulling the strings all along. Surprisingly, the Supe who had been so focused on revenge hadn’t hunted Edgar down after this revelation, which made you wary about going this route. However, after narrowly escaping the latest death squad sent after you, you decided you had no choice but to take the gamble. There was nowhere you could run that Vought wouldn’t find you and you just hoped this would be more of an ‘enemy of my enemy’ situation rather than a ‘handing you right over to your enemy’ situation.

Once you had managed to track him down in Hong Kong while you were busy running yourself, he had shockingly agreed to a meet, and even more shockingly agreed to help you. Not without certain stipulations, of course.

“Let me in that sweet pussy of yours and you’ve got yourself a deal.”

You should have known, especially from the way he had been eyeing you up ever since he caught sight of you. Screwing your face up in disgust, you flat out refused. “Not happening.”

He shrugged and began to walk away. “Then you must not need my protection that badly.”

You scoffed in disbelief. “You’re seriously turning me down because I won’t fuck you? Whatever happened to the ‘Soldier Boy is America’s son’ bullshit? The OG superhero who fought Nazis and protected people?”

Soldier Boy stopped and slowly turned back towards you. “I’d be putting myself on the line to protect you. For that, I deserve one hell of a payment.”

You rolled your eyes and crossed your arms. “So now you’re blackmailing me into sleeping with you? Unbelievable.” You had heard he was more like America’s Asshole than its Son, but you still couldn’t believe your ears. You had even offered to help him take Vought down with what you knew, so long as he kept you safe. You knew he’d want that kind of information. Why else was he hopping from continent to continent in the last few months, trying to shake Vought just like you were? Instead, his dick was taking top priority. Typical.

“It’s the least you can do, doll.” He faced you fully again, shield hanging off of his arm as if it weighed nothing. “Like you said, I fought for this country, fought the Nazis, and now you’re asking me to play bodyguard while taking on Vought for you. I deserve something worth all that trouble.”

You ran through all other options in your mind. You still had a contact that could possibly put you in touch with someone that wouldn’t mind tapping into Vought’s offshore accounts that weren’t supposed to exist. You were already on Vought’s kill list; what would a few hundred thousand dollars of theirs matter? “I could pay you,” you offered.

“I’m not interested in money.” His eyes roved over you as he approached. “Besides,” he murmured as he came to a stop in front of you. You tensed as he reached up to tuck a strand of your hair that had gotten loose from under your ball cap behind your ear. ”I haven’t had a looker as pretty as you in a long time. Been locked away.” He gently gripped your chin in between his thumb and index finger, his eyes intent on your mouth before lifting to meet yours. A hint of a smirk started to appear on his handsome face when he most likely heard your heart beat starting to increase.

He released you and even took a step back from you, allowing you physical and metaphorical space. “Your call.”

You bit your lip as thoughts chaotically swirled inside your head. On one hand, you refused to be manipulated or pushed into sex with this asshole. No matter how physically attractive he might be, you weren’t willing to get on your back just so he would help you. But on the other hand, the cold hard truth was that you were tired — tired of running, tired of little-to-no sleep, tired of the paranoia that came with such a flight. Hell, at present, you hadn’t slept in almost two days and you were running on fumes; there wasn’t enough caffeine or energy pills in the world to get you through another day with no rest. Your reaction time was already dragging if your last narrow escape was anything to go by. If you continued this way, you’d be dead before the sun started to warm the sky; you were certain of it.

Soldier Boy stared you down. “What’s it gonna be?”

You didn’t answer. Instead, you glanced behind you at a small noise far off down the street. Thankfully, it was an old woman tossing something out onto the pavement, but you couldn’t deny it put you further on edge. You turned back to the Supe whose eyes stayed trained on you. You took a deep breath to steady your nerves and readied your response. His lips began to quirk upwards into a smile; he knew what your answer was going to be before you even said the words.

Vought Tower had been completely demolished. Luckily, it had been mostly evacuated before the destruction occurred. A fight between Soldier Boy and the now-dead Homelander had caused most of the damage, but the C4 that had been carefully lined throughout the infrastructure is what ended up bringing it down.

Before it went boom, Soldier Boy had approached Stan Edgar, who refused to cower in a corner. The Supe respected that, but it didn’t change what he’d come here to do. He gripped Edgar by the throat and lifted him in the air, choking the older man and ignoring the fingers that desperately clawed at his hand.

“I thought we had an agreement,” Edgar rasped out.

Soldier Boy shrugged. “She made me a better one.” He then snapped the man’s neck and tossed his body aside like a rag doll.

“Oi! We ought to get out of here,” Butcher warned after seeing Stan Edgar lifeless on the floor. “Frenchie’s about to blow this place to fucking hell.”

He glared over at the Brit and picked up his shield. He still didn’t trust him, not after what he and his merry band of assholes had tried to do the last time they’d teamed up, but he’d made a deal with you and he was intent on keeping his end of it. The only conditions Butcher and Captain Lesbo had given this time around was: no civilian casualties and Ryan was off limits. He did his best with the first and he could give less than a fuck on the other. As far as he was concerned, the kid was Butcher’s problem as long as the kid didn’t come looking for some payback once he got older, which Butcher assured he wouldn’t. That, and there better not be Novichok gas waiting at the end of this mission for him. They’d reluctantly agreed, knowing they had no other way to kill Homelander and take down Vought all in one swoop.

“After you.” Soldier Boy gestured for Butcher to leave first. The man scowled but obliged, keeping a wary eye out as he moved. Smirking, Soldier boy followed. The Supe might have enjoyed the reaction—or even tried to settle the score from Butcher’s previous betrayal—if he didn’t have you to get back to. He needed to let you know that you no longer had Stan Edgar or Vought to worry about. He’d kept up his end of the bargain you’d both made — now, finally, you were free.

You woke up to the sound of someone moving through the darkness in your room. You grabbed the gun from beneath your pillow and bolted upright as much as you could, trying to get your eyes to adjust so you could get a good shot.

“Relax, it’s just me,” Soldier Boy assured you.

Recognizing his voice, you slowly lowered the gun and focused on his location. When your eyes finally adjusted, you realized he was near the foot of the bed, completely nude, his hair damp from a fresh shower. “Ben,” you breathed out in relief. “You scared me.”

Through the beams of moonlight shining into the room from the window, you saw him give you a smile and lay his shield down on the floor next to him. “Didn’t mean to.”

You slipped the safety back on the gun and stashed it into the drawer of your nightstand. You hated having it under your pillow at night; it was super uncomfortable and you only needed to do that when Soldier Boy — Ben, as he’d asked you to call him instead — wasn’t around. “Everything go okay?”

“Better than okay.” You glanced back to see a smirk adorning that handsome face of his, with an all-too familiar gleam in those green eyes. You watched as he slipped on some sweats and then made his way to the opposite side of the bed. You moved onto your side to face him, smiling as he climbed in next to you and sat up against the headboard, turning to grin down at you. Within seconds, he had his arms wrapped around you, pulling you up against him, and he was kissing you a proper hello. He only pulled back when you needed air and tenderly rubbed his nose along yours, nuzzling you. “How about you, doll? Everything go okay while I was gone?”

You nodded and snuggled into his bare chest, letting out a relieved sigh when you felt his warm hands stroking your back. “Everything’s fine,” you assured him, closing your eyes. You’d never admit it aloud, but you felt so much better when he was around. Not only did you feel protected but you just felt better in general. You’d have to be under the pain of torture to admit to him (or yourself) that you actually missed him when he had to leave.

He pressed a kiss to the top of your head and let his lips linger there, continuing to rub your back just the way you liked. “Edgar and Vought are gone,” he murmured. “The Caped Cunt, too. You’ve got nothing more to worry about.”

Your eyes snapped open and you lifted yourself up to meet his gaze, your brows furrowed. “What?�� You asked in shock.

“You heard me.” He stroked your cheek with his thumb, his grin now a smug smile. “You’re safe, baby.”

Your eyes widened when the realization hit you. “That’s where you went?”

Your only answer was the lengthening of that smile.

“Jesus, Ben.” So many thoughts and emotions swirled within you all at once. You were free, truly free. You no longer had to worry about Vought death squads hunting you down, Homelander coming for you, or Stan Edgar sending after you any ragtag Supes he could scrounge up. You were free. Although, Ben hadn’t told you that he was about to go on his most dangerous mission yet. He might be America’s original superhero and he might be tough to kill, but that didn’t mean he was completely invincible. He’d admitted as much to you over the last few months. “What if… What if you didn’t—”

He kissed you, effectively cutting you off. “I did,” he hummed against your lips. “Told you I would.”

You nodded, gently tracing his facial features with your hands before gliding down to his shoulders, dipping down the warm expanse of his back and then slowly returning to his chest. As always, he remained patient whenever you did this ritual of checking him for any wounds or injuries, knowing you wouldn’t find any but needing to assure yourself just the same. Truthfully, this man had come to mean more to you than you’d ever imagined would be possible. Hell, there had been a time when it wouldn’t have been possible at all.

When you were done, you met his gaze head on. “Do I want to know?”

Ben remained silent, but his eyes said it all: no, you didn’t want to know. You and Ben may have planned for the downfall of Vought and the ends of Homelander and Stan Edgar, the very same bastards that had put a target on your back in the first place, but that didn’t mean you wanted to hear the gory details of their deaths. You were just grateful Ben had come back to you alive and unharmed.

You gave him a thin-lipped smile in understanding. “Thank you,” you whispered.

Ben studied you for a moment, then pulled you in and kissed you again, his fingers slipping through your hair until he grabbed the back of your neck and urged you to meet him more fully. Just as you were getting into it, he broke away and chuckled. “You’re real eager for me, aren’t you, sweetheart?” You shot him a look and the smirk was suddenly back on his face. Without warning, he picked you up to rearrange you in the bed how he wanted you. “Too bad that you need to get some rest. We’re blowing the fuck out of here tomorrow and you’re gonna need to keep up.”

As if he would leave you behind if you couldn’t. “I thought you said Butcher would leave us alone after this.”

“I don’t trust that dicksucking Brit and I trust his bitch of a boss even less.”

You rolled your eyes, smirking when you felt him settle in behind you, knowing how much he enjoyed spooning you like this. “‘Kay,” you agreed. He had successfully protected you this far; you’d follow his lead on this one, too. You shut your eyes and snuggled into your pillow, content to feel his hands on your back caressing you once more. You were just about asleep when you heard him murmur in your ear, “Sleep. I’ll keep you safe.” You smiled when you heard the words he’d been saying to you every night now for many months and your heart lightened when you felt his hands trail from your back to cup protectively over your rounding stomach, rubbing gently. ‘Safe’ is exactly how you felt right in this moment, and the little girl moving to meet her father’s embrace—like she always did when she sensed he was near—only cemented the knowledge that this was the first night neither you nor she were in danger any longer. It gave you a sense of peace you hadn’t known in a long time.

A/N: Please let me know what you think. 😊

#soldier boy x reader #soldier boy x female reader #soldier boy x you #soldier boy x y/n #soldier boy #the boys fanfiction #the boys #prompt response #the boys fandom #soldier boy fanfiction #soldier boy x female!human!reader #female!human!reader #jensen ackles #jensen ackles character #thebiggerbear

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bonefall · 2 months

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Clear Sky Killed Bumble; Gray Wing's Desperate Defense

The "analysis" I've seen out there is beyond bananas. We are out there on state-of-the-art exploratory vessels, sailing the 7 seas into brand new lands, discovering new kinds of fruits to compare to the absolute lack of sanity people are displaying.

Clear Sky definitively killed Bumble. Gray Wing does not want to believe reality.

While some try to argue this death down to "negligent homicide," that Clear Sky essentially beat her unconscious and left her in an unsafe area where she got killed, that's so unlikely I'm confident in saying it's wrong. The evidence shows that Clear Sky tormented her to death with a ferocious, sadistic beating which caused her to bleed out, which is second degree murder, and used the smell of a fox and Gray Wing's blind adoration to lie his way out of consequences.

There's not a lot of ambiguity in the evidence that is presented. There is fox scent but no fox bites, and the preceding chapter provides a comparison between the wounds on Misty vs the wounds on Bumble. Clear Sky's story is so convoluted that not a single part of it makes any sense. Quite frankly it's only been topped recently by the "I can confirm this woman is evil because she snored her evil plans in their sleep" fib of ASC.

In either case, Gray Wing believes neither. He does not believe this is Clear Sky's kill in any way.

This moment is an excellent example of how Gray Wing continuously prevents anyone from taking any action against his dear brother's violence until it is too late. By convincing the moor cats to all calm down when they're rightfully furious, and treating the lives and perspectives of native cats as lesser, Gray Wing becomes complicit in some of the harm this tyrant manages to carry out.

To shield a person from the consequences of their own actions is enabling, regardless of if it's direct or indirect, wittingly or unwittingly.

We are going to go over the whole of the 26th chapter of DOTC Book 2: Thunder Rising, from Bumble's death scene to Gray Wing's downplay of it. A meticulous, step-by-step analysis.

Leading-up context

The Scene

The Immediate Response

Incredible suggestions that have been made that I had to read with my own eyes

Leading-up Context

Let's start from square one by introducing the cast, with the assumption you have not read DOTC or are just vaguely aware of it due to its reputation.

Bumble is a kittypet who regularly visits the woods without issue. She is a small supporting character in the first book, The Sun Trail, whose purpose is mostly to be a friend to Turtle Tail, who is the future wife of the main POV character, Gray Wing.

As the two girls become closer friends, Gray Wing becomes more controlling of Turtle Tail and more hostile towards Bumble. This culminates in Turtle Tail leaving "The Settlers" to live with her friend over the winter. All is idyllic until the humans adopt a third cat, known to the fandom as Tom the Wifebeater because of what happens next in Book 2; Thunder Rising.

Turtle Tail becomes pregnant, but notices that her roommates are keeping some kind of secret. She begs Bumble until she reveals that humans tend to take kittens away when they're old enough to be weaned. Turtle Tail leaves to return to the wild, and Tom the Wifebeater begins methodically torturing Bumble over the next month as punishment, leaving scratches, bruises, and "dried blood" all over her when the humans are not looking.

When Bumble tries to seek help from the moor cats, Gray Wing is frustrated that the battered woman has interrupted his walk with his new wife. It is stressed that Gray Wing hates her for taking his love interest away, and he believes she is too fat and clumsy to live in the wild. The leader of the moor cat settlers, Tall Shadow, has a hard time throwing Bumble out, until two outsiders, Wind and Gorse, who are trying to get accepted into this group themselves, take the initiative and drag Bumble back to her domestic abuser.

Gray Wing is biased against Bumble. This is a fact. He explicitly does not like her.

Shortly afterwards, the forest cat settlers, led by Gray Wing's brother Clear Sky, experience a fire and begin to expand their borders. They are already known as a violent group, their leader is a manipulative liar, and Gray Wing himself was once viciously mauled as Clear Sky sat by and watched.

Yes, Gray Wing is aware that Clear Sky sat there and watched, too. He called out to him and Clear Sky did nothing as Fox, a man who knew full well that this cat was his leader's brother, was shredding him.

Gray Wing doesn't want to believe his brother is a bad person. This is also a fact. He explicitly feels guilty when he has thoughts otherwise.

On-screen, through the POV of Gray Wing's nephew Thunder, we see a native woman named Misty slaughtered by Clear Sky for her land. Her children are taken, and her body lays unburied and rotting for two days before Wind Runner and Gorse Fur (sporting new names at the request of the moor cats) find her.

They describe the wounds they found on the corpse in detail and make an accusation,

Now, before this point, Wind Runner and Gorse Fur have been doing everything in their power to endear themselves to this group. Gray Wing himself trusted them, because they've taught him methods for living here, caught and shared food, and even saved the life of his other brother, Jagged Peak, when a burrow collapsed on him.

But now his xenophobia towards them is coming back-- because they're calling for action against his brother. He's only ever uneasy about them when they seem to have an ounce of influence over his group.

Turtle Tail's conclusion is completely sound, and if it hadn't been for someone else, would be correct. Clear Sky DID move to kill the children-- he was stopped by his underling, Petal. Turts was able to understand what Clear Sky was going to do without seeing it firsthand.

The crowd is shocked and furious, for logical reason. They ARE in danger. Clear Sky IS escalating his violence and expanding his territory. It's starting with the native population, and the moor cats are able to understand and predict what will happen next.

Except Gray Wing.

The Scene

While investigating ONE confirmed murder, as there is no reason to doubt Wind Runner and Gorse Fur except for conveniently xenophobic ones, and TWO suspected murders of children, the patrol hears the sudden shriek of a cat in pain.

Bumble is found bleeding to death on a previously unclaimed patch of land, at the very center of a circle of trampled grass. There is the reeking smell of fox, and under that, there is the scent of Clear Sky.

Her wounds are described in great detail,

Completely consistent with the way that the wounds were described on Misty. Nearly word-for-word.

The only evidence of fox is the smell. No one heard it bark, there is no note of it bounding off, there are no bites or wounds consistent with those of a canid. They were described exactly the same as Misty's.

Slits are cat claw wounds. Not fox bite wounds. She was not being bitten, she was cut all over her body, prominently down her belly and sides.

Unless this fox shapeshifted into a cat and then meticulously created wounds consistent with the ones left on Misty, Clear Sky did this.

Where did the fox go? Probably came to investigate, maybe licked at the bloody cuts expecting a meal, and then was scared off by Bumble suddenly waking up and screaming. It's possible, but unlikely that the patrol's clamor scared it off, considering they didn't see or hear any fox noises.

There are also signs of a struggle-- and Bumble was not able to fight in the condition she is currently in. It's most likely it was the struggle from when she was being tormented and trying to get away, unless there was a fight with a fox while Bumble was still unconscious and she was dragged to the middle of it, for some reason.

However, a fight with a fox is still unlikely, as the patrol was able to hear the whimpering of a cat in pain as they approached but not the furious sounds of a battle with a large predator. If there was this whole epic brawl with a fox that trampled the grass around Bumble, why was there only a single shriek?

Gray Wing, expert on the smell of Clear Sky's armpit, confirms it's his brother. His whole world spins when he realizes his Dear Brother is involved in this, feeling horror and disbelief.

(Also note that Gray Wing implies Clear Sky's involvement is the prophetic bad thing his adopted son mentioned in the previous chapter, not the shredded woman dying in front of him lol)

The rest of the group is able to acknowledge reality, coming to the obvious conclusion. Clear Sky is expanding his territory, including the very patch they're standing on. He has been violent in the past, even against other settlers. Misty was slaughtered in a way consistent with the victim dying in front of them, so he is killing cats who stand in his way. Gray Wing's immediate, literally DESPERATE response is first to jump to Clear Sky's defense.

Gray Wing asks Bumble directly if it was a fox, and she is too weak to answer... until she finds the strength, as a domestic abuse victim, to blame herself for the way a cat beat her bloody. She thinks it's her fault for hunting here, because she was hungry, not thinking straight, and stupid.

I have seen this described as Bumble "making a defense of Clear Sky." I will leave it up to you, the reader, to determine if this sounds like Bumble is trying to say he's not guilty of hurting her or if it's the sort of infamous self-blame that domestic violence victims lapse into after a furious thrashing.

When Clear Sky returns to the scene of the crime, he cuts her off while admitting he did assault Bumble, then glares at everyone to challenge a fight.

Gray Wing swoons over him like he always does.

I have heard it said, without examples, that this is normal because this happens all the time in Warrior Cats. That it's a normal thing to be standing next to a domestic abuse victim who is bleeding out and watch her murderer daring all of your friends to do something about it, and admire how brave he is. That, again, without any examples, this is just something that every character does when the Villain of the Week exists in front of them, so it's not even special that it was Gray Wing's first response.

If you believe that, I have a bridge in London to sell you.

Desperation is under all of Gray Wing's feelings which immediately follow. His voice "cracks" when he has to ask if his darling brother did this. He wants to scream when he takes his sweet time answering. He shrinks under Clear Sky's gaze, because he reads that he's "accusing him of betrayal."

But somehow, that FIRST response for him to fawn over his brother is not part of that, because in unquoted books of other arcs a hero has admired a villain?? Context doesn't exist because in some other book the same emotion was described maybe. Incredible.

No mention of how casually he brushes off this sight that makes his eyes show "guilt and horror," either. No talk of how he made a little ""joke"" about how no one greeted him nicely at a tortured woman's deathbed. Almost like he was caught red-handed and the wounds don't actually unsettle him as much as the crowd's reaction.

Even the glare-- Clear Sky is trying to get Gray Wing to do his bidding. He wants him to protect him, be his flying monkey, and control his furious people.

So at the next opportunity, Gray Wing jumps to his defense again. Second time in this exchange.

FIRST he was described as "desperate." Now he takes a deep breath and BRAVELY licks that boot.

Turtle Tail steps forward and posits the obvious truth. Clear Sky is going mad with power, doesn't care who he hurts, and is completely capable of doing something like this to Bumble. This was already done to Misty, and even earlier, Clear Sky stood by and watched as one of his minions savaged Gray Wing in a similar way.

The whoooole crowd can see this. It is Gray Wing, and Gray Wing alone, who prevents there from being any consequences for Clear Sky's actions.

He hypocritically believes that attacking Clear Sky for the murder of Bumble would make them all "no better than he is" when he had no qualms about coming to blows over the exile of Jagged Peak much earlier. "Attacking Clear Sky for Murder" is morally equivalent to "Actually Doing Murder."

This is only for Bumble though, a "foreign" woman he does not like. He did not believe this for Jagged Peak, and he will not believe it later when he watches Clear Sky strangle Rainswept Flower to death. They are worth physical consequences.

He even physically shields him.

"he stepped between Clear Sky and his own cats, not sure which of them he was trying to protect." It's Clear Sky. Bumble's life means nothing to Gray Wing, so he is trying to protect Clear Sky from the fury of the angry mob he has earned by killing her and Misty.

He CANNOT let there be any doubt. Not even from himself. His brother must be protected at all costs. To that end, he is trying to make some kind of opportunity for Clear Sky to escape accountability.

If you are "neutral" in the conflict between victims and their abuser, you have taken the side of the abuser. If you provide opportunities for a perpetrator to escape accountability, you are an enabler. If you allow a suspect to escape the scene of a crime, since every cat in these books seems to be a lawyer the minute anyone wants to react to violence, you could be charged with accessory fleeing and eluding-- a felony.

Before you try to say this is all in the noble pursuit of peace, let's not be dense.

DOTC is not committed to non-violence for any other tyrannical leader. Especially not One Eye, even believing that an underhanded ambush that breaks the terms of a duel Clear Sky set is the good and righteous thing to do. Killing him was the correct action, as it was with Slash in Riverstar's Home. Outside of DOTC this logic is casually applied to Brokenstar, Tigerstar, Scourge, Hawkfrost, Darktail, and Ashfur-- with only Leopardstar and Blackstar being "exempt" for following an evil ringleader.

Gray Wing himself has no moral dilemma about One Eye or Slash, either. Nonviolence is not his goal.

It is Clear Sky, and Clear Sky alone, who the narrative of DOTC will conclude "deserved" a million second chances. That torturing Bumble to death, slaughtering Misty for her land, and countless offscreen cases of attacking natives didn't push him past the "fundamentally evil" threshold into an irredeemable monster, as is the case with Slash and One Eye later in this arc.

The difference between Clear Sky and DOTC's other two tyrants, to me, is obvious. Clear Sky is the POV's brother and a member of the in-group of The Settlers. The lives of his victims, as mostly "foreigners" and entirely women, are worth very little to the notoriously xenophobic and misogynist writing team.

If the moor cats had shredded Clear Sky right here and now, dozens of lives would have been saved. The First Battle wouldn't have happened. Justice would have been served for Bumble, regardless of if the cause of death was 2nd degree murder or negligent homicide. He wouldn't have smacked and beaten any of his other victims.

Gray Wing prevents this, giving Clear Sky an opportunity to tell a lie.

(He even whines about the idea of Wind Runner challenging Clear Sky about boundaries, the whole thing that started this incident in the first place. This is the perfect time to start arguing about boundaries, actually, when he's in the middle of establishing new ones.)

In the past, I'd been too charitable to this exchange. This lie is obscene and anyone who believes it is ignorant. No frills, no bells, you either can't think critically or just didn't want to so Clear Sky can be innocent or Gray Wing can seem "reasonable."

Clear Sky's visibly eager to start his story, "glad of the chance" now that he's had time to concoct a story. He could have explained earlier but didn't, sizing the group up and glaring at his brother to crack a whip, asking if they believed he was capable of it, so he could gauge what he can get away with.

"New part of my territory" = Freshly annexed land he has violently conquered, confirming the patrol's fears of expansion.

"I wanted to give her a warning, just a little cuff" = No one leaves his territory gently. Confirmation he thrashed her, downplay of how severe.

"How was I to know she would faint?" = Bumble is visibly emaciated, and he's blaming her for not being able to stay conscious through the whole beating.

"I could see her paws twitching, and I knew she would come around" = He would not care, Misty's body was unburied for two days.

"So I left" = Leaving Count: 1

Pauses, wincing, because this is another act. Every time he's putting on a little show for other cats, he takes dramatic pauses and plays up his pain and regret. Seen earlier in this book.

"But heard a fox bark" = no barking was heard by the patrol, only a cat's shriek.

"And ran back" = Was apparently so close that he could hear barking the patrol didn't, but so far away that a fox had time to cut her to ribbons, AND this was so long ago the patrol wasn't close enough to hear the fight? Returning Count: 2

"But I was too late" = Wounds inconsistent with fox attack. Leaving Count: 2

"I was going to get help" = There is no medic in proto-SkyClan. When Jagged Peak broke his leg, they had to borrow Dappled Pelt. What help? Who?? Even as he says this, Frost's wound is going completely untreated. If Clear Sky was going to get help, why wasn't he telling Cloud Spots to do something when he got back?

"But then I heard you all arrive" = He left to get help but was still close enough to hear running? Just abandoning his noble quest to get that "help" he apparently has? Returning Count: 3

Not a single part of his story adds up. EVERY aspect of it has a problem, in that it's either deceptively worded to downplay his abuse, doesn't line up with who he is, or just doesn't make logistical sense.

It's not JUST a lie, it's a BAD one.

Even worse, Clear Sky is a known liar at this point. He does this when the truth would not benefit him, like earlier in this book when he fibbed to Thunder about why he abandoned him right in front of Gray Wing's face. The story doesn't make sense and there's not even any reason to give him benefit of the doubt, because he is known to be dishonest.

He's offended when Turtle Tail calls him on being full of baloney, and once again shoots a sharp look over to his flying monkey, expecting Gray Wing to dance on command and defend his honor like always.

But Gray Wing seems to be perfectly capable of being "wise" when it would directly benefit Clear Sky.

I have seen the question begged, "if he's such a bootlicker then why he no verbally bootlick a third time in a single exchange?" and I would tell that person to read the text because it says why. Right there. Here, I've underlined it. So you don't miss it again.

If Gray Wing licks that boot again, THIRD TIME, in front of an angry mob who wants to skin Clear Sky alive, they will lose patience and make the clearing look like Bruce's Eating Dome. So he shuts the fuck up and gives his ungrateful brother the chance to indignantly slip away, even though he desperately wants to cry out and tell him how shiny and lickable those boots are.

"What can I say?" Nothing. "I'll only make things worse" Correct. "If I don't let him leave now there will be a fight" im literally just quoting the text verbatim

He is NOT doing this because he does not believe him, NOR because he doesn't want to defend him. It's because this the best way to protect his brother from consequence.

And then Bumble uses her dying breath to apologize for ever hurting her friend, showing Bumble is still just blaming herself for everything, with Turtle Tail still repeating the same malicious excuses that were used to deny her asylum from domestic abuse.

"I wish you could have found happiness, even though I was unwilling to help you. It sucked to learn that our shared wifebeater started wifebeating you, but we didn't want you in our camp so really this was unavoidable."

I've voiced my ire before, gone on long rants about how angry this exchange makes me and even campaigned for more recognition of the misogyny in this subplot. The fact that the last words Bumble hears are just more excuses from a person who could have done something disgust me, and I think I'm right to feel that it's vile that this sits unexamined in a book for young readers. But it doesn't change what happened.

She senselessly died in intense pain and despair, for the crime of existing. All that's left to say is that I wish Bumble could have found a better friend.

But ultimately, Turtle Tail is another woman in the notoriously misogynistic arc of DOTC. She's just a supporting character for Gray Wing's conflict, and he's got some opinions about what, exactly, is making this so sad.

He doesn't give a fuck that this woman he hates has been murdered after slowly starving to death, for months, since he watched her be dragged back to a domestic abuser. She "stole" his romantic interest for a few months, after all.

It's stressed he "never especially liked Bumble" at her deathbed. It's not JUST "the death of a kittypet," a group of people he is bigoted against. It's about his piece of shit brother.

It's about how HIS REPUTATION HAS BEEN TARNISHED.

"It changes the way my cats think of Clear Sky," THAT HE IS NOW A KNOWN MURDERER, "and that changes everything" IT'S GOING TO BE A LOT HARDER TO DEFEND HIM NOW

This is completely consistent with Gray Wing's behavior into the rest of the chapter, and even the books beyond.

The Immediate Response

Gray Wing explains what happened to the other moor cats. He has to hide his actual belief that Clear Sky didn't actually do anything wrong so that the moor cats don't dismiss him for the biased, brother-obsessed little minion he is. He admits how he really feels about Bumble's death to Turtle Tail at the very end of the chapter-- so what he says here is a lie.

Not a delusion. A lie. He withheld the full truth of his bias when questioned. If he's honest about his conflict of interest, this group will trust his judgement less. He has a goal; to prevent his cats from retaliating.

Wind Runner is, again, the one who is rallying the other cats into action. She's seeing that Clear Sky is murdering innocent cats, possibly even her friend considering how much she knew about Misty, and that this will only escalate. Gray Wing doesn't like that.

So when Tall Shadow starts suggesting the things he agrees with, like how Bumble's life was less valuable anyway so this is no reason to start a fight with his Dear Sweet Brother, and they should all just sit on their butts until no one's angry anymore, he decides she "deserves" his support.

It's a political move.

"After all, she was only a kittypet... omg why are you so mad?? I didnt mean it like that, all im saying is that we should just calm down ugh dont be so sensitive" -Tall Shadow, channeling your racist aunt

If Gray Wing can get the other cats to waste their time on useless half-measures, like more patrols or perhaps writing a strongly-worded letter, he can make them feel like they're doing something when they're actually doing jack shit. Wittingly or unwittingly, this is a measure to stall the inevitable, making them miss their chance to strike while the iron is hot.

He's either an idiot or he's subconsciously acting from a place of loyalty to his brother. Bias resembles the former but is born of the latter, and either way the result is the same.

After this, there's a brief conversation where Tall Shadow makes it clear that there is absolutely no reason to be mistrusting Wind Runner. They both agree "when this is all over" she's a good cat to have around-- they just don't seem want to listen to her now, when she wants something done about the sadistic lunatic next door.

Gray Wing's talk of "working together" is laughable. His idea of "working together" includes the cat who just slaughtered two people for existing on his newly annexed land, who long ago stopped listening to reason. Tall Shadow herself starts preening and announces that her response to all this is that Clear Sky must absolutely be stopped by some cat.......................... so she'll think abt it.

tomorrow maybe. we'll put a pin in it. set a little reminder on her phone or something.

(the genius plan she comes up with in the end is a nonsequitor babble about how rocks don't exist to be sat on, so clear sky should just stop conquering all the land or something. he listens intently and then throws her into a tank of piranhas.)

But anyway, it's time to smooth things over with Turtle Tail, who had been struggling with that uncomfortable truth that the moor cats, and Gray Wing specifically, were also culpable in some way for the slow, painful death of Bumble.

He'll fix that with a big display of affection.

"Don't be mad at me it's nobody's fault :) She wouldn't have been able to cope so it's inevitable she wound up dead :) I'm sorry you're hurting bc i like you, not that i give a damn that your friend was shoved into a blender and shredded alive after starving for months :) Thanks to you I am now ready to lead this clan directly off the side of a cliff." -very endearing conversation i assure you

It works because Turtle Tail is not allowed to maintain her own opinions as a girl in DOTC. Obviously. Her husband licks her ears and tells her that he likes her and that's the end of any examination that they have any responsibility here. god forbid she re-examine her feelings towards the writers' favorite in light of how much of an ass he made of himself at her friend's deathbed.

Just in case it slipped your mind though, once again it is made clear that Gray Wing is reacting with leisure because he does not believe (or care) that Clear Sky killed Bumble. No, not even in the negligent homicide sense, that Clear Sky's actions allowed Bumble to die through beating her unconscious and leaving her alone in an unsafe location. He does not think this was something to blame Clear Sky for.

He believes that the fox did it-- he was lying earlier when he said he "didn't know what to believe." He does. He didn't reveal his bias when he was being questioned, because he wants to prevent the moor cats from fighting Clear Sky over Bumble's death.

Also note the sneaky little turn of language Gray Wing makes there. In denial of Turt's claim that "innocent cats are being slaughtered," Gray's counter is Bumble alone before the pivot. The patrol was originally about Misty's murder and her missing kittens as Clear Sky expanded his borders-- but Misty's apparently not an "innocent cat" who's been slaughtered. She's absent from that category, implied to be part of Clear Sky's hypothetical "good reason" for expansion that Gray Wing needs to get to the bottom of.

Bumble's murder is denied. Misty's is implied to just be collateral damage for the unknown plan. He's unbothered about the death of either one.

Gray Wing: "No one else can get to the bottom of this! theres only ME! I AM THE ONLY ONE WHO CAN STOP CLEAR SKY"

Also Gray Wing: (leaps in front of an angry crowd to defend his brother. cries that he doesn't believe hes capable of such terrible violence. actively prevents anyone else from doing anything about him)

Anyone with a vague awareness of DOTC knows how this ends. Gray Wing is going to lead them astray with his bad judgement, so purposefully delusional about his brother that they will have to dig a mass grave at Fourtrees. Gray Wing thinks he's a *~special boy~* who is the only one who can truly get through to his brother, and maybe he is, but not before dozens of people have to suffer and die for it.

This is enabling. To enable is to directly or indirectly support another's harmful actions, such as addiction or abuse. He did it here, both during and after Bumble's death, giving Clear Sky the cover to escape consequences for his actions and halting any attempts to do anything concrete. Because of him, Clear Sky never pays for what he did to her.

In the book 3, Clear Sky denies all wrongdoing, and in Bumble's last mention in book 4, her torture is described in passive voice. A terrible "happening" which seemingly couldn't have been avoided. No one is held accountable. Not the moor cats for turning her away, not Clear Sky for her killing, and even Tom the Wifebeater is redeemed after being given a chance to live in a clan for not being "soft" like his female victim.

All so sweet, beloved little Gray Wing never has to confront that he let a killer get off scot-free because the uncomplicated childhood memory of his brother as a lovely good boy was wrong. That he was so consumed by spite that he smugly watched Bumble get dragged away from the only people who could have helped her. That he was complicit twice.

Incredible suggestions that I have had to read with my own eyes

fucking ✨Bonus Round✨

"If clear sky fought bumble, why bumble leave no scratches?" I'll let you sit there and think about why the DOMESTIC ABUSE VICTIM did not fight back against a large, violent man who was beating her. I'll give you a minute. I'll play some jeopardy music.

"he's quote 'horrified and guilty' at the wounds which means he didn't make them himself" Clear Sky has a repeated habit of "blacking out" when he butchers women (Rainswept Flower, Willow Tail). He's also a liar and an actor, even according to his own account he'd seen these same wounds before when he came back a second time. Most importantly, what fucking part of "horrified and guilty" implies he didn't make those himself, does a toddler not look "horrified and guilty" when it spills chocolate milk on a couch and its parent sees it? Does that mean the toddler didn't do it? If you wouldn't accept this logic for a toddler why the fuck will you accept it for a suspected murderer?

"Maybe Clear Sky fought the fox off?" He doesn't actually say that, it's just implied during his lie when he says he showed up too late, but it's hypothetically possible. Even if he did fight this fox off, he must have still mauled Bumble because she is covered in claw wounds, even if he doesn't remember it because he "blacked out." There's also still the problems of Bumble being in the middle of the trampled grass, the patrol not hearing the sound of battle, his framing that he just tapped her and she passed out, and him apparently running to get help he does not have. Occam's Razor still suggests the solution is that this fox was scared off when Bumble screamed, with Clear Sky just using the convenient smell to lie his way out of consequences

"How'd Clear Sky get fox scent on him?" Probably from showing up to the crime scene that absolutely reeks and prowling around like an axe murderer, which we saw him do. Bumble had no fox bites and no one heard a fight. did you know that if you stand in a sewer you smell like shit

"Gray Wing just doesn't want to think his dear sweet brother could ever do such a thing :("

"What if the Erins are just so incompetent that they created a crime scene completely inconsistent with the very true and real story that Clear Sky told, it just happens to look like a lie on accident, they unwittingly made him a liar earlier in this book because they forgot the events they previously wrote, and don't know anything about a type of predator that appears in nearly every entry of warrior cats and happens to be one of the most popular animals of all time" what if i tripped and fell and a shawarma with extra tahini sauce fell into my mouth, followed by an apple slice, and 3 litres of water. should i continue my fast or has Allah fed me.

All of this is why I am adamant on saying that Clear Sky killed Bumble by beating her to death. In order for this to have been the cause of a fox, you'd have to take a liar at face value and ignore every other detail. That's what Gray Wing does, described on the page as "desperate to believe in his brother's innocence."

Unfortunately, this will also not be the only time that Gray Wing's obsession with his brother and shockingly horrific judgement will put other cats in danger or get them killed. It's just the most deliberate example, and thus imo the most upsetting.

#warrior cats analysis #Bumble #Bumble wc #Dotc analysis #dawn of the clans #dotc hate #clear sky #skystar #gray wing #dotc #Justice for Bumble #Bumble dotc #Gray Wing The Wise

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canonmisogynyvictimstournament · 6 months

Text

FINALS

PROPAGANDA

BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)

I.E.

Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there

CORDELIA CHASE (BUFFY THE VAMPIRE SLAYER/ANGEL THE SERIES) (CW: Pregnancy)

1.) (downs an entire bottle of vodka and slams it back on the table) SO. CORDY. Cordy started off as a supporting character in Buffy the Vampire Slayer. At the start she was your typical high school mean girl character, but as the show went on we got to see more depth to her character: her insecurities, her courage, her capacity for incredible acts of kindness. Then after the third season she moved into the show’s spin off, Angel, where from the beginning she was basically the show’s secondary protagonist. Her and Angel were the two mainstays of the show’s main cast, she gets the most episodes centered on her out of all the characters aside from Angel (and yes, I’ve checked), and we really got to see her grow from a very shallow and self-centered and kind of mean person to a true hero who was prepared to give up any chance at a normal life to fight the good fight while still never losing the basic core of her character. There were some… questionable moments like the episode where she gets mystically pregnant with demon babies and things got a bit iffy like halfway through season 3 where the writers seemed to run out of ideas for what to do with her outside of sticking her in this romance drama/love triangle situation with the main character but overall, pretty good stuff right? THEN SEASON 4 HAPPENED. In season 4 she gets stripped of literally all agency and spends pretty much the entire season possessed by an evil higher power, and while possessed she sleeps with Angel’s teenage son (who BY THE WAY she had helped raise as a baby before he got speed-grown-up into a teenager it was a whole thing don’t worry about it) and gets pregnant with like. the physical manifestation of the higher power that’s possessing her. it’s about as bad and stupid as it sounds and also is like the third time cordy’s got mystically pregnant in this show and like the fourth mystical pregnancy storyline overall (you will be hearing more on that note in other submissions I’m so sorry). after giving birth she goes into a coma, in which she remains for the rest of season 4 and the first half of season 5. SPEAKING OF WHICH DON’T THINK SEASON 5 IS GETTING OFF SCOT FREE HERE. yeah so in season 5 the show just FULLY starts trying to erase cordy’s existence. she gets mentioned ONCE in the first episode and then never again until halfway through the season where she wakes up, helps out Angel for a bit and encourages him in his fight against evil, and then goes quietly into that good night and dies so it can be all sad and tragic. I’d call it the worst fridging of all time but even THAT feels generous because the whole point of fridging is killing off a female character so a man can be sad, and after Cordy dies basically no one’s even sad about it because the show immediately goes back to pretending she never existed. she is not mentioned ONCE in the two episodes after she dies. in the whole stretch of time between her death and the end of the season she gets mentioned exactly four times. again, I counted. anyway the fun twist to all of this is that all of this happened because the actress who played cordy got pregnant before season 4 and joss whedon was so pissed off about this affecting his plans for the show that he decided to completely fuck over her character and then fire her and write her out of the show. so cordy’s a victim of both writing AND real life misogyny!! good times!!

2.) OH SO MANY THINGS they menaced by giving her terrible hair cuts, making her seem like she’d get together with the guy she loves (and who loves her back) but instead she was killed and when she was brought back, she got possessed by an evil entity who used her body to give birth to itself. afterwards she was in a long coma and died. her character was so throughoutly assassinated

3.) She got demonically pregnant TWICE - there was this real sense of a womb/ability to get pregnant as like, a place for evil to get in. She got positioned as femme fatale and evil mother. The actress basically got fired for being pregnant, and when she agreed to come back for a single final episode she specifically said they could do anything but kill off the character. Guess what happened

#polls #round 7 #week 12 #new #cw domestic abuse #cw pregnancy

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