People do not talk enough about how amazing Lae'zels voice acting is. Devora Wilde put her whole ass pussy into some of those lines but nobody pays attention and calls laezel one note and angry. But have you listened? Have you heard her voice shake as she cries "what good - this heart of stone - for it to be shattered?" Have you heard the conviction where she declares that Vlaketh has sinned against her? Have you listened to the fear in her voice, the slight tremble when she is talking of becoming a mindflayer and the way that she has utter awe in her tones when she experiences something that is truly spiritual to her? Like. It's such a subtle and great performance.
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something I think adds so much depth to cooper howard's character is that he went to war pre-bombs and killed people in combat way before he became "the ghoul"
he brings it up occasionally in conversations with other characters (barb, maximus) but what I think is so fascinating is how his previous combat experience informs all of his choices, from making western movies with black and white morality to getting involved with vault-tec in the first place all the way up to eventually divorcing barb and becoming the ghoul.
Even before the bombs dropped he'd already killed to survive, already tried to rebuild a life, already saw how easy it is for greedy people to make one choice, like cheaping out on armor, that can lead to thousands of deaths without those people losing any sleep.
So as much as the ghoul's a persona on to survive the wasteland, there isn't a strict line between cooper howard and the ghoul, because, well, war never changes. And cooper howard's been at war a long, long time.
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"it was awkward to see colin flirt and behave like a rake" "he gave me the ick" yes ! that is the fucking point!! congratulations! you have the media literacy skills of a fucking monkey because my 4-year old niece could understand it better than you do.
we are supposed to find colin cringey and annoying and get the ick because that is not who he is. he is not anthony, or simon, or even benedict. colin (apart from gregory) is the sweetest of all bridgerton brothers (i'm going by book canon) and his most identifiable character trait is the fact that he values an emotional connection above everything. he runs away to the continent because he wants to feel that emotional connection. he has meaningless sex in brothels because that is the example he has seen growing up, that is the norm. he tries so hard to fit into the norm. he goes out drinking, adopts an entirely new personality, learns flirtations because that is how he thinks he will fit in. he's got armour on, as violet said. he puts everyone's needs above his own, he stops rambling on and boring his family with details of his trip because he knows no one cares. he doesn't talk to anthony or benedict about his heartaches because he knows they still, somewhere in their heart of hearts, view him as the annoying younger brother. he's so devastated by his closest friend not responding to him that he adopts a new personality in the hopes that it might mask the hurt better. he runs after penelope in episode one because he is so attuned to her emotions that he knows she's hurting, and tries to comfort her even when she's spiraling and lashes out. he must have been hurt by her words in the "good night mr bridgerton" scene but he puts it aside to genuinely apologise to her when literally no one else in that family would do that. colin, instead of brooding over his own feelings, goes and corners penelope in her family's garden and apologises to her, disregarding his own hurt at being cruelly dismissed by his close friend.
penelope asking colin to kiss her is not a mark of how "pathetic" she is. she has written and shamed herself in a manner that is almost entirely unsalvageable. she is at her lowest point, and then portia comes in and reminds her of how undesirable she is, and she sinks even lower. she asks colin to kiss her because she sees it as a final act, after which she can quietly wave goodbye to her dreams of ever getting married and leaving her mother's home. colin kisses her because he is also keenly aware of how she's feeling. he knows how hurt she is, he wants to do anything to alleviate that. be it cracking a joke, or kissing her. he is gentle, because he wants it to be something she can dream of when she's by herself. penelope, at this moment, has no hope for herself, and their kiss is an act of letting go for her. no, it's not a pity kiss, no he did not like her after her glow up, he has always loved her. him being struck dumb is a reaction to her physical transformation, nothing more. he does not flirt with her in that ballroom scene, he only approaches her when she's in distress. he's not flirting with her. i can assure you penelope could wear the frumpiest most neon yellow gown of all time and colin would still go "<333 my pen" for her.
colin jumps to catch the balloon's ropes because he sees that penelope is in danger, he does not give a shit about anyone else lmao. he feels temporary relief when he sees eloise run to safety, but the moment he sees penelope in immediate danger, he rushes to take action. afterwards, when he sees that she's being comforted by debling (all my homies hate debling, even if he is aro/ace coded i do NOT claim him) he does not approach her. it would be easy for him to do so, but he does not, because he respects her boundaries. colin bridgerton is the only man in the ton who respects women (the featherington sons-in-laws are too pretty to have a thought) he calls out fife and his friends for treating women like objects and calls them cavalier. the only way he would have been more explicit about his demisexuality was if he tap danced on the club table (entertaining thought, luke newton please)
colin also rapidly takes action, something which no one in the show has done so far. simon would have died instead of accepting his feelings for daphne, daphne would have been content with a loveless marriage forever instead of asking for help. kate would have pushed edwina down the aisle and gone off to india instead of confronting her own feelings, and anthony would have married edwina if she hadn't been brave enough for the three of them to run from the altar and ruin herself. penelope stood on the sidelines for years and loved him quietly because she had no hope of him loving her back. colin, the moment he is assured of his feelings, runs to penelope, almost kisses her in the middle of a ballroom. when he hears that debling is about to propose, he goes to the ball, just to dissuade penelope one more time. he cuts into their dance because he's desperate. when he runs after her carriage, he asks her if she has been proposed to, because he would not have touched her otherwise. he confesses his feelings to her only when he knows that she hasn't gotten engaged to debling, and when she says "but we are friends" he moves away. nothing more. he would have let her go, if she did not return his feelings.
idk whether i should be flattered or offended at people misunderstanding this season because on one hand it is offensive, but on the other hand, it means only smart people get polin. seriously. your minds have been rotted by insta-love and enemies to lovers that you can't even appreciate the innate beauty of friends to lovers. being friends with someone and then holding all those feelings for them. the trepidation of possible rejection. the fulfillment of being loved by the person who knows you the best of them all. the privilege of loving someone whose feelings you know better than your own. love is gentle and kind and yes it is a violent, uprooting force but above all, love does not hurt anyone. it does not hurt you. i could love someone quietly for years and it wouldn't bother me if their feelings were requited or not because my feelings are none of their business and i consider it a privilege to love and be loved by them, even if it is not in the way i would want it to be. polin are privileged in the highest sense. they know each other better than anyone else, they know how to love each other better than anyone else. to think they are rushed or they dont deserve each other is a disservice to both of them. they would be miserable with anyone else.
in other matters, if i see one more person talking smack about luke or nicola behind the safety of their screens i will personally get a bazooka.
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For those who are confused why writers and actors are striking, imagine you’re an actor trying to make ends meet and your boss walks up one day and snaps a photo of your face and then says that they now own your face.
They’re gonna use your face to make themselves money for the rest of time and they’re only gonna pay you once for it.
And then theres what they’re doing to the writers. Do you want formulaic, unoriginal, safe, non challenging media thats boring and only exists to sell as many tickets as possible? Ai writing is how you get media thats formulaic, unoriginal, safe, non challenging and boring shit that only exists to make as much money as possible.
These people have decided that making a good movie that you will remember takes second priority to mass producing a metric fuck ton of soulless unimaginative garbage because mass printing garbage makes them more money.
These rich buffoons who wouldn’t know a good story if it hit them upside the head with a diamond-encrusted 2x4 are trying to AUTOMATE FUCKING WRITING AND ACTING, and pay anyone who they keep around nothing but pennies in comparison to their own profits.
So don’t throw a fit if your favorite shows or movies get cancelled or delayed because of this. The people at fault are not the writers and actors but the people who make all their money off the writers and actors and are hoarding said money and trying to replace said actors and writers with cheap knockoffs.
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there is something so twisted about matthew macfadyen and nicholas braun competing in the same category when one of them was delivering the performance of a lifetime and the other was just. there
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I just want to take a second to say that - regardless of what people think of the ending - it was incredibly ballsy of Neil Gaiman to take an ambiguous and inoffensively queer relationship that half the fandom denied existed, and make the romance and love between them so obviously canon. That kind of easily deniable queer relationship is common, and it was super refreshing to have an author actually be willing to alienate part of their audience in order to be true to the characters and take a definitive stance.
The fact that he managed to do that while still preserving that delicate tenderness everyone loved about them to begin with is everything I could’ve hoped for tbh.
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