Tumgik
#Theater Stuff
scythematrix66 · 6 months
Text
Me as a Propsmaster: *enthusiastically making endless, constantly revised lists and hiding away for hours upon end painting wooden staffs, goblin mode at 50% capacity at all times* "ALRIGHTY WHAT'S NEXT? HIT ME. HIT ME!"
Me as a Stage Manager: *thinks going to bed at 11 is early, loopy from exhaustion at all times, running on caffeine and stress, +3 dex from writing endless emails, is terrified of authority (somehow is the authority????), is totally confused at all times, just Trying My Best* "Alrighty guys, welcome to rehearsal today we're doing scenes one and two, remember we're off book next week so please learn your lines...please..."
57 notes · View notes
oscarwetnwilde · 1 month
Text
Tumblr media Tumblr media
James Wilby as Alfred Redl in A Patriot For Me (posted by Nicola Stephenson who played Hilde) in 1995.
16 notes · View notes
jacktoria4ever · 21 days
Text
my toxic trait is thinking I can hit all of eurydice's notes in wait for me reprise...
Its not good..
8 notes · View notes
Text
Standing backstage during a tech rehearsal and a guy came up behind another guy and grabbed his hips and pinched his ass.
All I heard was “did you just bite my ass?”
And then I looked over and the first guy was brushing imaginary hair behind his ear saying “nooooo”
3 notes · View notes
mj-thrush-gxn · 7 months
Text
i love living within walking distance to my high school because i get to go straight from great gatsby rehearsal to my house
and on the way i get to jam out to marching band beats
like genuinely our marching band is so good and they are practicing at the same time i get out of rehearsal
AHHHH
it’s so freaking fun
love it
11 notes · View notes
Text
During the second act of the ballet I'm currently working on, one of the characters receives a breakup letter from another character. This is what it actually says:
Tumblr media
7 notes · View notes
engelsschwert · 1 year
Text
When the director and the two lead actors are sick one week before the premiere o_o'
2 notes · View notes
Text
i know people on here who follow me aren't theater people necessarily but i am OBSESSED with this interview with Sarah Porkalob in Vulture about her role in the 1776 revival/the show in general.
Since I heard about the revival, I've been wary of it. I find, lately, that a lot of big revivals are doing these kind of under thought casting changes to try and "update" older musicals, often to the detriment to the complexity of, say, their gender politics (yeah, I'm talking about company. Putting A Woman There doesn't make more feminist. Girl Bobbi Company is less about gender than the original flavor, but I shan't go on about that here). Here, it seemed suspect--like, sure, while casting 1776 with non-white non-men could GESTURE at a reckoning w the white supremacy of the original text/the subjects thereof, to quote an entirely different musical, "it ain't necessarily so." asking a non-white actor to embody a slaver is not a de facto revolutionary statement (take, for example, hamilton's discomfort with thomas jefferson. casting a black man to play jefferson does not make "sally won't you be a lamb" a more comfortable line NOR does it, in itself, complicate that relationship. it just.... asks a black person to inscribe that on their body. not great bob!)
all of this just to say that porkalob is remarkably (and sometimes hilariously) frank about the failures of the production, both in terms of process and the resultant product.
tumblr isn't letting me upload screenshots, so here's my fave quotes:
"What do you think is the effect of that casting? The casting is providing resources. The resources include a weekly salary, but also exposure for actors who traditionally would not be cast in this show. In terms of visibility, it is showing our audiences all of these faces that wouldn’t typically be seen. It’s also inviting our audiences to consider how our country was founded without the consideration of people like our cast in mind. Those are the three things I think it’s doing successfully. After that it gets a little complicated … a lot complicated, I should say.
What do you mean?1776 was written in the 1960s by two dudes. It won the Best Musical Tony over Hair. When it was written, during the Vietnam War, there was a generation of people who had bought into the American Dream, and part of the American dream was fighting for democracy. Then there was this generation after them that thought, Maybe we are sending our young men off to die for no reason. So it’s funny to look at 1776 and Hair as two very different musicals written at the same time, but in response to the same thing. 1776 has this desire to humanize the Founding Fathers and feels like a call back to nostalgic Americana. It’s like, Look at these good ole boys. They were just guys doing this stuff. To me, the play is a relic. It is a dusty, old thing."
"Then there is “The Egg,” which presents all these great moments of American history that happened after the events of the show by projecting scenes from them during the song. It did throw me off given that your production seems to be critiquing American exceptionalism. What do you think of that number? I think the directors missed a very obvious opportunity with that song to point back at American history in the way they said they wanted to. What we see in the projection is a collage of America’s history of protest, but do you know what it was sorely missing? The protests that were happening on Capitol Hill in January. Those people were literally chanting “1776.” It’s a choice. I would have been like, Let’s have this be a rock-out fucking song while we show those images of white supremacists charging Capitol Hill."
"Are you artistically fulfilled being in 1776? No, I’m not. The salary is good."
"How do you see queerness interacting with the show? I’ll be honest and say that our directors never thought about that. When we were all in the room together, there wasn’t any conversation about how we marry our queer identities with these characters, which is disappointing. It was clear that they were prioritizing the social identifier of race as a driving creative choice more than anything else. Gender identity, sexual identity — those we weren’t talking about.
Were you directed to play men? Yes, but in a very specific way. We were directed in the beginning of our Boston run to play at being men. It was in the posturing and the gestural work that we were doing in the choreography. According to our choreographer and directors, it had a masculine energy. I think honestly, in that Boston run, that approach did a huge disservice to us as actors. A lot of people were caught up in wondering, Am I a man? Am I myself? Who am I? I decided to pull back in, because I felt, I can’t act in ways that are exciting to me if I’m just playing at being a man. I had to change some things on my end to make it better for me."
it's a great interview and not a super long read. i really appreciate Porkalob's insights and admire her refusal to capitulate to the commercial theater machine. and i'm glad she got that salary :)
4 notes · View notes
cullen-collective · 2 years
Note
at risk of sounding stupid, re the theater twilight post: grams of what??
OMG no, okay, you do not sound stupid it is SO NICHE. basically some theaters (especially school ones) allow you to purchase little trinkets or candies that come with a little card and get sent back to the actors and crew. they're called grams!! I get them for my senior students every show!
3 notes · View notes
biruesque · 11 months
Text
Tumblr media
kindred spirits
6K notes · View notes
scythematrix66 · 6 months
Text
My progress as a baby stagemanager
How it started:
Tumblr media
How its going:
Tumblr media
18 notes · View notes
oscarwetnwilde · 1 year
Text
Tumblr media Tumblr media
James Wilby as Phil in Helping Harry, January 2001.
25 notes · View notes
jacktoria4ever · 9 months
Text
waiting to see if I got a callback 😗✌🏻
6 notes · View notes
Text
Tech rehearsal is gonna kill me
No im gonna kill myself because of tech rehearsal
If you hear I’ve died remember my last dying wish for you non-theater ppl is to never do theater
Theater people I’m so sorry try and save yourselves
1 note · View note
Text
all the spiderpeople juggling their secret identities and being squeezed into spiderpatties under the stress sledgehammer meanwhile pavitr is living his best life AND doesn't put anything in his flawless hair. king.
5K notes · View notes
ao3-crack · 5 months
Text
Tumblr media
(x)
2K notes · View notes