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#The World's Applause

fibula-rasa · 1 year

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Lost, but Not Forgotten: The World’s Applause (1923)

Direction: William C. de Mille

Scenario & Titles: Clara Beranger (more about Beranger at the Women Film Pioneers Project)

Camera: L. Guy Wilky

Sets & Costumes: Paul Iribe

Studio: Famous Players-Lasky (production) & Paramount (distribution)

Performers: Bebe Daniels, Lewis Stone, Kathlyn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa, James Neill

Status: presumed entirely lost

Synopsis (synthesized from magazine summaries of the plot):

Corinne D’Alys (Bebe Daniels), f.k.a. Cora Daly, is a theater star who has “taken the Rialto by storm.” Unfortunately, Corinne also has a desperate hunger for publicity. Her manager, John Elliott (Lewis Stone), who also happens to be in love with her, advises her to be more sensible about her career. A famous artist, Robert Townsend (Adolphe Menjou), has become enamored with Corinne, and wants to paint her portrait. Despite John’s warning that Robert wishes only to “see more of her,” Corinne sits for the portrait.

Robert plans on throwing a party to celebrate finishing the painting but declines to invite his wife, Elsa Townsend (Kathlyn Williams). Elsa comes to her husband’s studio anyway and finds the portrait and a pearl headdress that Robert is going to gift to Corinne. In a jealous rage, Elsa takes a knife to the painting and then to her husband—fatally stabbing him. Elsa also happens to be John’s sister and she calls him in a panic to help her. John arrives at the studio in secret and helps Elsa escape the scene. Meanwhile, Corinne and the guests begin to wonder where their host is, and Corinne then finds the body of the painter.

John convinces the police that Corinne is innocent. Corinne leaves town to avoid the storm. Unfortunately, John then becomes the primary suspect, as he had a notable fight with his brother-in-law months prior. When John is arrested, Corinne returns and confesses to Elsa that she feels morally responsible for Robert’s murder. Elsa then confesses to committing the murder herself. It’s implied that Elsa commits suicide via “the watery route.”

Now that both John and Corinne have been cleared of suspicion, they are free to marry and Corinne has lost her appetite for publicity.

Transcribed sources & annotations below:

Moving Picture World, November 11, 1922

News from the Producers

Conducted by T.S. da Ponte

Changes Titles of Two

Three new titles have been chosen for as many forthcoming Paramount pictures.

William de Mille’s recently completed production from an original story by Clara Beranger, in which Bebe Daniels, Lewis Stone, Kathlyn Williams and Harrison Ford have the important roles, has been permanently titled, “The World’s Applause.” “Notoriety” was the title originally chosen, but when it was found that another company had a prior claim, it was changed temporarily to “Paths of Glory,” which in turn has now given way to “The World’s Applause.”

Mary Miles Minter's latest picture, just completed under the direction of Charles Maigne and adapted from Stephen French Whitman's novel, "Sacrifice," is to be called "Drums of Destiny."

"Racing Hearts" is the title chosen for the new picture Agnes Ayres is just starting under the direction of Paul Powell. This is a story by Byron Morgan, author of the Wallace Reid automobile racing pictures, and Miss Ayres has the role of a race driver who goes in and wins a thrilling speed contest when the regular driver fails to show up.

Both "Drums of Destiny" (titled "Drums of Fate" on release in 1923) and "Racing Hearts" are also lost films.

Exhibitor’s Herald, January 20, 1923

REVIEWS

BEBE DANIELS IN

WORLD’S APPLAUSE

(PARAMOUNT)

A fascinating story of the life of an actress who unwittingly becomes involved in a murder mystery which almost brings about her downfall professionally. Lavishly presented, very well acted and directed in William deMille’s best style. Length, 6,528 feet.

An original story by Clara Beranger provides Bebe Daniels, Lewis Stone, Kathlyn Williams, Adolph Menjou and others with a suitable vehicle in which to display their talents. There is good story interest for the most part, with good surprise value and considerable dramatic suspense in the contest of wits between the detectives and John Elliott and his sister.

Lewis Stone plays the role of Elliot and gives an unusually convincing and consistent characterization. The director, author and producer are to be congratulated upon securing Mr. Stone’s services for this part. Miss Daniels appears in the role of an actress who is a hound for publicity, and the moral of the story shows how ready the public is to condemn these children of the stage. Kathlyn Williams has the role of Elsa Townsend, wife of an artist in love with the little actress, who in a fit of jealousy kills her husband. A difficult role, but played with restraint and conviction. Adolphe Menjou is the artist. Bernice Frank was the maid; Mayme Kelso, secretary to the actress, and George Kuwa, valet to Townsend. James Neill was Elliot’s valet, while Brandon Hurst played James Crane, owner of a string of newspapers.

Corinne d’Alys, popular Broadway star, poses for Townsend while he paints her portrait. On the day he is to display the painting he gives a party at his studio. As the guests assemble, Mrs. Townsend comes to the studio, discovers a valuable pearl headdress which her husband is to give to Corinne, and the portrait of the actress. In a fit of jealousy she strikes him down and leaves the studio with her brother, John Elliot. The discovery of the dead artist throws suspicion upon the members of the party. Corinne telephones to her affianced husband Elliott and he succeeds in convincing the police that she is innocent. Crane takes a hand in the investigation, however, and dogs Elliott’s footsteps. A confession from Mrs. Townsend finally clears Elliott and the little actress, and she no longer seeks the world’s applause, but is content to settle down with John.

The Film Daily, February 2, 1923

A Typical DeMille Entertainment With the Usual Atmosphere

William DeMille Prod.

“THE WORLD’S APPLAUSE”

Paramount

DIRECTOR…William DeMille

AUTHOR…Clara Beranger

SCENARIO BY…Clara Beranger

CAMERAMAN…L. Guy Wilky

AS A WHOLE…Consists of situations and atmosphere intended to provide visual appeal but that is as far as it gets

STORY…Artificial and quite theatrical; flavored with sensational bits that will make it popular with a certain crowd

DIRECTION… Very good as far as production goes and usually handles story with good judgment but ending is too long arriving

PHOTOGRAPHY…Excellent

LIGHTINGS… Good

PLAYERS… Lewis Stone and Bebe Daniels featured with Stone doing his usual good work and Miss Daniels a suitable but not beautiful Corinne d’Alys; others Kathlyn Williams and Adolphe Menjou

EXTERIORS…Few

INTERIORS… Many elaborate settings

CHARACTER OF STORY…Star seeking publicity is cause of man’s death at the hands of his jealous wife

LENGTH OF PRODUCTION… 6,526 feet

Probably because there is a moral to it the unpleasant bits in “The World’s Applause” will have to be excused but it does seem unfortunate that they have to wade so deeply into scandal and sensation providing incidents in general, to get to it. Before you finally learn the lesson of this film—that success is not measured by the amount of prominence you attain—you are treated to some mighty intimate scenes in which a popular stage favorite is the sensuous, central figure. She is very deliberately sought by a famous portrait artist, a married man, who plans his seduction in elaborate style. Of course he has a studio establishment which figures prominently in his scheme and the very innocent young moth runs headlong into the flame heedless of the warning of her manager, who really loves her. The aggravating thing about these petty publicity seekers is that you are expected to accept their sugar-wouldn’t-melt-in-their-mouth attitude for the real thing.

But this Corinne d’Alys spoils it all, or the title writer does it for her, when she admits that her would-be lover will give her everything but “a narrow gold band.” The titles, incidentally, are very bad. There is one in which the true lover warns the girl that the artist wants her to pose for him so that “he can see more of her.” The titles are quite off color in many similar instances. This one particularly seemed to strike the Rivoli audience as a thoroughly fine humorous touch.

William DeMille is following closely in the footsteps of his brother, Cecil, when it comes to making pictures with plenty of pictorial appeal and colorful atmosphere. In this respect the picture is interesting and should satisfy. From a story angle, it is all a matter of taste. Where they like theatrical, sensational stuff, it is all very nice but where they want clean, wholesome stories, it may be different.

Bebe Daniels handles the role of Corinne adequately but she never gives the impression of being sufficiently beautiful to have “The World’s Applause.” Lewis Stone is always capable but deserves a more sensible role. The cast, on the whole, is suitable.

Story: John Elliot’s new star, Corinne d’Alys, is swept off her feet by sudden success. She accepts the attentions of Townsend, an artist, the husband of Elliot’s sister, who paints her portrait. Townsend is accidentally killed by his jealous wife and Elliot is arrested. His sister, realizing Elliot loves Corinne, commits suicide, leaving a confession which clears Elliot and cures Corinne of her craving for publicity.

One of those negative reviews that makes you want to watch a movie more, eh? Moralizing and misogyny on full display! Phew.

The Moving Picture World, February 1923

“World’s Applause” Released January 21

William de Mille, Paramount producer, departed temporarily from his custom of filming stage dramas when he made "The World's Applause," which was on the Paramount release schedule of January 21.

This is an original story by Clara Beranger, who has written the scenario of all of Mr. de

Mille's recent photoplays. Bebe Daniels and Lewis Stone are the featured players in a cast which Mr. de Mille considers one of the best he has had in his long career as a producer.

An ultra-modern note is struck by Miss Daniels in her costumes, it is reported. In each succeeding scene she wears something different from the preceding one, and although Mr. de Mille never allows his photodramas to descend to the level of mere fashion shows, this feature of "The World's Applause" is certain to intensify every woman's interest in the picture, Paramount says.

Variety, February 1923

WORLD'S APPLAUSE

Paramount picture presented by Adolph Zukor. William DeMille production, featuring Bebe Daniels, Lewis Stone and Kathlyn Williams in story by Clara Beranger.

At the Rivoli, New York, week of Jan. 28.

Corinne d'Alys..........Bebe Daniels

John Elliot........Lewis Stone

Elsa Townsend...Kathlyn Willams

Robert Townsend, her husband…Adolphe Menjou

James Crane...Brandon Hurst

Maid to Corinne...Bernice Frank

Secretary to Corinne.........Maym Kelso

Valet to Townsend..George Kuwa

Valet to Elliot......James Neill

“The World's Applause" is a screen treatise on theatrical publicity and exploitation with a twist that a certain theatrical personage's craving for newspaper "notices" and the desire to be the talk of the town boomerangs viciously when she is indirectly implicated in a murder mystery.

The theatrical personage is Corinne d'Alys (born Cora Daly), who has "taken the Rialto by storm," but who is counselled by her manager-lover (Lewis Stone) to cease her craving for the world's applause and deal seriously with her work. This is momentarily disparaged by her

with ensuing developments taking the audience rather interestingly through the usual five-reel span.

It starts with Robert Townsend, an artist who has "arrived" (Adolphe Menjou), becoming enamored with the favored and favorite footlights beauty and honoring her with painting her portrait for the annual Parisian exhibition. Townsend is married to the sister of John Elliot, the impresario, and a parallel situation develops of Townsend slighting his wife for Corinne, and

Townsend interposing himself between the actress and her suitor, Elliot.

At a studio party in Corinne's honor to which Townsend did not invite his wife, the latter enters

through the private studio door and, enraged at her husband's nonchalance, slashes the portrait and stabs the artist fatally. She telephones for her brother, who also enters unbeknown to the guests in the outer rooms. Both slip away, but not without being seen by a newspaper

publisher, whose testimony implicates Elliot, who shields his sister. Elliot is arrested on first degree murder charges, but is absolved when his sister confesses to Corinne. The sister runs away, and there is a suggestion she commits suicide via the watery route.

Not much to the story, but rather deftly handled by DeMille in his customary pretentious manner—never lavish but always in good taste. The captioning is pithy and bright, and such leaders as "the public always believes the worst about an actress" is good lay propaganda for the profession.

Miss Daniels sports a nobby collection of clothes to excellent advantage. Mr. Stone is a sincere opposite, who also has the ability of really acting when called upon. Miss Williams, too, accounted for herself handily.

The picture pleased at the Rivoli

Abel

Cine-Mundial, April 1923 p. 218 & 239

EL APLAUSO DEL MUNDO

(The World’s Applause)

“Paramount” — 150 metros

Intérpretes principales: Bebé Daniels y Lewis Stone. Colaboradores: Kathryn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa y James Neill.

Argumento de Clara Beranger. Dirección de William DeMille.

Argumento

Corina, actriz, tiene sed insaciable de publicidad y se muere por ver su nombre en letras de molde, bien grandes, aunque sea a costa de escándalo, sin escuchar los consejos de su empresario, Elliot, que la ama. Los periódicos mezclan a la joven en un lío en el que ver un famoso pintor que le está haciendo su retrato. La noche en que el artista va a celebrar con un banquete la terminación del cuadro, se presenta en escena su mujer, disputan, y en un acceso de rabia, la consorte se apodera de un cuchillo para destrozar la pintura y, accidentalmente, mata al artista. La homicida es hermana de Elliot y éste trata de salvarla a to-

(Continúa en la página 239)

NUESTRA OPINION

(Viene de la página 218)

da costa del presidio. Llega hasta a asumir la responsabilidad del delito, cuando las sospechas recaen en su contra, por causa de un disgusto tenido, meses antes, con su cuñado. Pero, justamente cuando la policía va a detenerlo, la hermana confiesa su crimen y Elliot y Corina, sus nombres limpios de mancha, se casan.

Tengo debilidad por Lewis Stone como actor. Quizá por eso me haya gustado tanto esta película, de impecable dirección. Por causa de la reducción de los escenarios, se concentra el interés en el tema y eso añade fuerza dramática a toda la obra, aunque el argumento no tenga, ni con mucho, excesiva novedad. Si se sujeta la película al análisis, se corre el riesgo de dejarla maltrecha. Prefiero, pues, dar sólo idea de lo que a mi me pareció. — Guaitsel.

Translation:

Lead actors: Bebe Daniels and Lewis Stone. Supporting actors: Kathlyn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa and James Neill.

Scenario by Clara Beranger. Direction by WIlliam DeMille.

Scenario

Corina, an actress, has an insatiable thirst for publicity and would die to see her name in lights, even at the cost of scandal, without listening to the advice of her manager, Elliot, who loves her. The newspapers mix the young woman up in an imbroglio with a famous painter, who is painting her portrait. On the night that the artist is going to celebrate the completion of the painting with a banquet, his wife appears on the scene, they argue, and in a fit of rage, the wife seizes a knife to destroy the painting and, accidentally, kills the artist. The murderer is Elliot’s sister and he tries to save her from prison at all costs. He goes as far as assuming responsibility for the crime, when suspicion falls on him, due to a disagreement he had with his brother-in-law, months before. But, just as the police are going to arrest him, the sister confesses her crime and Elliot and Corina, their names clean, get married.

I have a soft spot for Lewis Stone as an actor. Maybe that’s why I liked this impeccably-directed film so much. Because of the limitation of settings, interest is concentrated on the theme and this adds dramatic force to the whole work, even though the scenario isn’t very excessively novel at all. If you subject the film to analysis, you run the risk of dealing damage to it. I prefer then to give only the outline of how it seemed to me. — Guaitsel.

Photoplay, April 1923

THE WORLD’S APPLAUSE—Paramount

CLARA BERANGER seems to have dramatized the recent newspaper headlines. An idol whose fame has been built upon publicity gets involved innocently in a murder and the aforementioned publicity turns out to be a boomerang, demolishing said idol. Tritely told by William de Mille, who isn’t living up to early expectations. Bebe Daniels is pleasant enough as the idol.

Presumably, this writer is alluding to the Mary Miles Minter / William Desmond Taylor scandal from February of 1922. Kind of an interesting assumption given that, at the time, Minter was still under contract with Famous Player-Lasky, the same company that produced The World’s Applause.

The Story World and Photodramatist, April 1923

The World's Applause

With the excellent theme of regeneration after a terrifying experience, William De Mille slices his emphasis a bit in the story of The World's Applause; though he presents a warning to all actresses or public servants who, in their greed for applause, get themselves talked about in the wrong way, he misses the hole by a few inches because Corinne D'Alys is not the one to pay the piper most heavily. Even though she claims she is morally guilty of the murder, I found it

difficult to believe her regeneration more than skin-deep, possibly because the suggestion of the suicide of the physically guilty but wholly justified wife fades so quickly into the scene of Corinne's future happiness.

In lieu of convincing plot to express his theme, Mr. De Mille has resorted for public appeal to the tinsel more often found in a C. B. de Mille production—to lavish sets and to gowns for Bebe Daniels as daring and gorgeous as any of Miss Swanson's. For admirers of this young actress, the picture will doubtless be more or less satisfying, but contrary to dramatic principles, to the opposition have been given the histrionic opportunities

It is many pictures since I have seen such an amusing lothario as the unfaithful husband; but pushed too far by his desperate wife, he rises to the breaking point very naturally. The development of the battle of their wills into one of physical violence and murder deserves high

praise as an example of loss of mental control at the moment of physical contact. The stellar role from the dramatic angle is that of the neglected wife—excellently portrayed by Kathlyn Williams. The story revolves around her problem of protecting her home and retaining her

husband's love. It is she who struggles and suffers through her hasty deed, and in the end sacrifices herself that her brother and the foolish enticer of her husband may be happy.

The weakness of the plot is early evident for the first big dramatic scene does not include the supposed lead. While Corinne is in another room with the guests, the artist's wife declares to her husband her intention of being present at the dinner to celebrate the completion of his portrait of the actress. When her husband urgently remonstrates, she seizes a knife and in the old sensational manner slashes the portrait. He seizes her hand, the exasperated animal rises in her, and she plunges the knife into his side. Horribly frightened, she phones to her brother; he assists her to escape and later denies all knowledge of the crime.

Meanwhile the supposed lead, growing tired of waiting, opens the door on the body of the artist. The guests, sensing a scandal, leave Corinne to enjoy the notoriety her desire for applause has brought upon her. The brother is suspected and his and Corinne's financial backers withdraw their support. Instead of remaining to fight it out, Corinne leaves town. The brother is arrested, and his sister is torn between her love for him and her fear of prison bars for herself. When Corinne returns, she goes to the wife and claims the moral guilt.

In a rather confused manner the story rushes through the confession of the wife and the suggestion of her suicide to the inferred regeneration and future happiness of the actress with the recently bereaved brother. Odd thing, poetic justice! Frankly this picture is not up to the De Mille standard; its appeal is to the more superficial emotions and through the eye rather than through the intellect or heart of the discriminating spectator. It is not the clean, wholesome picture I had anticipated.

Picture Play Magazine, May 1923

The Screen in Review

“The World’s Applause.”

If you are a young actress who will do most anything for publicity, this film will be a lesson to you. Otherwise it will be sheer entertainment, cooked up by William De Mille and charmingly acted with Bebe Daniels as the publicity-mad star and Lewis Stone as her manager. The story has really original twists in it and is directed with humor and restraint. Its only flaw is the incredibly silly subtitles. I don’t understand how Mr. De Mille let them get by in one of his productions which always bear a certain imprint of good taste and sophistication.

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brother-emperors · 10 months

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DO NOT BE AFRAID

this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.

I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!

idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.

Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika

and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.

The Excidium Troie + Ovid's Heroides:

Excidium Troie, trans. Muhammad Syarif Fadhlurrahman

Ovid, Heroides 16 (trans. Harold Isbell)

a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.

The Divine Twins in Early Greek Poetry, Corolla Torontonensis

Iliad 24 and the Judgement of Paris, C.J. Mackie

Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek

Ennian Influence in "Heroides" 16 and 17, Howard Jacobson

Paris/Alexandros in the "Iliad", I. J. F. de Jong

#long post #paris of troy #komiks tag #it's all greek to me #like. DISTANTLY. its #the iliad #drawing tag #listen i know it's fun to dunk on paris. but im a chronic killjoy. i know its cringe. mea culpa etc #i would love. I WOULD LOVE. to draw a comic and not have the commentary notes be longer than the comic itself #unfortunately i like to read and i cannot stop talking about things that i read. so this will not be changing.#ngl i keep hearing the last line 'my brother says you are a just judge' as 'and brutus says he is an honorable man' and that's smth for sur #god i wish this was shorter but then i remember it could've been longer bc i started drawing this while watching #some excellent korean horror but then i looked at myself in the mirror and said 'no. get your shit together.'#but that show is what sparked this. the themes. god i love shows. a round of applause for tv shows.#in a different world theres a version of me that didn't exercise self restraint and there's 30 screen caps from a horror show here too

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mysteriousz · 4 months

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32/∞ SKZ | Changbin & Felix making their entrance on Amazing Saturday 👏🏻

#stray kids #skz #felix #lee yongbok #changbin #amazing saturday #e290 #when they made their entrance ^^#they deserve all the applause in the world T_T #my gifs

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monbons · 27 days

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WIP Wednesday

Thanks for the tag @you-remind-me-of-the-babe! I am also sitting in a cafe just writing, watching the rain, and tackling my own challenging time elements. If I can give any words of encouragement, it is that it is so hard but also so worth it once you get it right!

I am now eleven chapters deep into The Eternal Life of Baz Pitch, which was going to be 14 chapters but is now looking more like 15. Who could have guessed it would take more than one chapter to successfully execute a slow burn? (ha!)

Again, can't reveal too much of what I've been working on, but here is a snippet I wrote this week from much later in the fic that could honestly make sense in just about any SnowBaz fic.

“I know all about that kind of hurt.” Baz brings his hands to rest on top of Simon’s and squeezes. “When you love someone so much you can’t breathe. When losing them feels like having your heart ripped out of your ribcage.” “It’s death.” “It’s not.” Baz squeezes harder. “Not having someone to love at all is so much worse.”

Happy (rainy) Wednesday, all!

Hellos and high-fives below the cut.

@thewholelemon, @roomwithanopenfire, @noblecorgi, @you-remind-me-of-the-babe, @youarenevertooold, @cutestkilla, @bookish-bogwitch, @emeryhall, @valeffelees, @beastmonstertitan, @raenestee, @arthurkko, @iamamythologicalcreature, @hushed-chorus, @rimeswithpurple, @aristocratic-otter, @cattocavo, @larkral

#a round of applause for jenny who is the world's best beta #time jumps making sense and slow burn being slow are all her doing #give me more!#<- paraphrase of all her comments on my doc #baz pitch #simon snow #snowbaz fanfic #the eternal life of baz pitch #addie larue x snowbaz #wip wednesday

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daebelly · 3 months

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i simply do not understand the drive of some people to put down any attempts to improve, to get to a 'normal' level of kindness, productivity, healthiness, etc as "the bare minimum," which isn't 'worth praising.' humans respond positively to praise, and continue to do good things when it means good things are said to them or happen to them as a result. this is elementary shit, and it's why people do horrible shit--it benefits them, so they keep doing it. to ignore this simple mechanic in humans is completely asinine and will make just about every effort you make to improve things much harder. does a child learn to love reading if you huff at them and say that it's the bare minimum when they read their first book? does a teenager learn to respect themselves if taking care of themselves gets them seen as preening self-service? does a parent get to learn from their mishandling of their child raising strategies and figure out that they've improved things via positive feedback? or are all of those things 'the least they could do' and not worthy of praise? what a bizarrely cruel, shriveled mentality some people have.

i had initially replied this in response to someone being weirdly mean about someone fixing their parenting, but i figure it fits better as a post because quite frankly i find that mentality exhausting.

#okay to reblog #i am so tired.#the cruelty it takes to look at someone improving their parenting and their child's life nd say 'not good enough. you dont deserve applause #it boggles the mind.#you might not think its good enough but to that child i bet that means the *world*#and you better fucking bet that that 'small' improvement will have a long-term positive effect on their life #you dont need to gift someone a billion dollars and a mansion and fifteen puppies and solve world hunger and stop every war and save every #life in the world to be given kudos for doing the right thing.#no one has any business having standards as high as some people have.

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lavendernarwhal72 · 9 months

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[image ID: top half is a screenshot of the YouTube video of Nyota Uhura’s song Solo from Subspace Rhapsody, bottom half is the turning the volume all the way up black kid with headphones meme. End ID]

#THIS SONG WAS SO GOOD #girl was BELTING #did you HEAR her hit those high notes???#applause #standing ovation #I will be listening to this on repeat #nyota uhura #snw uhura #star trek strange new worlds #strange new worlds #subspace rhapsody

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sukibenders · 8 days

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Looking back at Girl Meets World, it will forever irritate me especially for how they handled/treated Angela. Oh this show really hated black women because how do you not only 1.) describe her, one of (correct me if I'm wrong) only few black and MAIN characters of the og show, as a "concept" 2.) have characters show obvious disgust at the small mention of her name 3.) depict her as a homewrecker for a new relationship that, really, shouldn't have ever happened 4.) have her old friends treat her like dirt and her old lover like she is the root of his problems, when there was nothing but positive love there 5.) reuse all the concepts from said previous love story just to elevate the new ship with a yte woman and 6.) compare her to Hurricane Katrina, one of the deadliest hurricanes that caused significant numbers of death, harm, misplacement, and trauma to people, largely of whom were black? Mind you, all these points I mentioned were toward the only main black character of the OG show before the spinoff, and the only, from what I can remember, black female character of the spinoff who didn't even stay long. Not even getting into the racist drama with some of the members on set, but you cannot look me in the eye and tell me that the way the show handled Angela, her story, and her relationship with the other characters + Shawn wasn't fucking disrespectful, you can't because I won't believe you.

#boy meets world #girl meets world #like this show had so many issues (from its depiction of autism to religious intolerance to supporting grooming)#but this was a whole other level #it was especially hurtful as a young black girl to see growing bc i really tried to like this show with its lacking diversity #but coming from watching bmw to this a show from the 90s that depicted a black character better than a 2010s show- u get my point #and its so wrong bc it depicts angela as being the one to end the relationship when all she said in bmw how she #didn't want to see her leaving as a goodbye and there was ambiguous hope for the future #also shoving shawn to be with maya's mom was really unnecessary #not only bc of how it depicted being raised in a single parent household so negatively #but that the only way to solve maya's problems was for her...to have a dad? like that really isn't how it works #i blissfully live in the delulu where angela and shawn came back together once she left europe and he eventually married her #after they graduated college and have a beautiful family together #shawn x angela #don't even get me started on how whenever there was a guest cameo it was met audience applause and happy reactions #but when it was for angela: crickets 😬#back to maya- i feel like it would have been better for her story if shawn didn't marry her mother (and was with angela) and u would see her #hope and wish for the opposite to where it nearly consumes her only to finally be sat down and informed that #even if shawn isn't with your mom he'll still be in your life as a father figure no matter what #i personally feel like that would've been better #but this is largely just s rant so forgive the structure of it al

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n3onstarss · 1 year

Text

Dancin'!

rottmnt boys x Winged person reader

Relationship; Rise Raph x reader, Rise Donnie x reader, Rise Leo x reader, Rise Mikey x reader (all separate ofc)

Romantic or platonic?; romantic

Reader type; G/N reader, reader has bird wings (type of bird not specified!)

It was a nice spring night, almost impossibly nice for early April. Yokai all over the hidden city had gathered at one of the largest and most beautiful gardens for a night of celebrating the warmer weather and coming summer, alongside the anniversary of the day yokai and humans' acceptance of each other into their societies. Although both groups still had a majority of their people staying where they were before, some yokai and some humans had moves into NYC and the Hidden City respectively.

Tonight, however, was not the time to reflect, as a young couple roamed the park. Hand in hand, a turtle and their winged lover strolled beneath the string lights and warm air, enjoying eachothers company and the night. Some people, both human and yokai, recognized the turtle as one of the mutants who made this all possible, with the defeat of the kraang and the societies integrations, but nobody dared bother the two when they looked so at peace and happy together.

The two approached a courtyard of sorts, lined with short brick walls and well lit. music grew louder as they approached, and both opted to dance.

Raph

Raph enjoyed strolling through the large park with you. the whole night you'd both been getting looks ranging from 'i want what they have' to 'IS THAT THE GUY WHO BEAT THE KRAANG??'

either way, you both opted to ignore them, continuing to move towards the music

by the time you two got there the song that had been playing had ended and a new one was about to begin

as the song began to play and as the song came to life with vocals and drums he quickly looked over to you

you were already rocking and swaying to the best, your wings and feathers fluttering and puffing in time with the beat

when the lyrics actually registered all that was said between you two was a quick "may I have this dance?" before you were immediately a whirlwind of movement

Raph was spinning and twirling and dipping you, entranced with how happy you seemed, and your wings would flare themselves or spread out straight behind you during fast spins

for a majority of the song you had kept your wings close to your body when you could, but at the second chorus or so you both split off to dance together but not together

your wings moved quickly and full of energy in time with the beats and your arms while you twisting and ducked and at one point even took off for a second with a especially powerful beat

the whole time Raph hadn't noticed he'd come to a stop, just watching how violent and stunning you were and how the lights filtered through your feathers only making you stand out more among the vivid colors and moving crowds

by the end of the song you were both exhausted and happy together, opting to sit out for a bit and just bask in eachothers company

Donnie

The whole night he'd been more hunched in on himself than usual, trying to about the prying eyes of some people while also being angry at anybody who stared

In an attempt to bring him some relief from the staring you'd dragged him towards the courtyard, where nobody was paying attention to anybody else and everyone was dancing

by the time you two got there the song was starting, and coincidentally Donnie really liked the song. to the point where you two had danced to it before and choreographed some little dances for certain parts

a majority of the song was just spinning around each other in something that resembled more of a fight than a dance. at some points he'd gently grab your hands and pull you towards him, twisting his arms over your front so you were back to chest with him as you swayed

but after the lull in the song he decided it would be a good idea to just spin. he knew spinning was kinda your go-to when you didn't know what to do, and he didn't know what to do either

as he latched on and began to spin you both shared a wicked grin as you picked up speed and before long you both were a tornado of color in the middle of a circle the crowd had made to avoid getting hit

once the world was just colors and music and his face, you flung your wings open, flaring them in all their glory to catch the light before holding them close but still out behind you. before long they'd drifted to be parallel with your arms, encasing you both

when the song ended and you both stumbled giggling out everyone was either impressed or pissed, but quickly forgot that when the next song started. you both opted out though, needing a minute for your heads to stop spinning and a minute to yourselves

Leo

The whole night you'd both been getting looks, and he just basked in the attention, even if he didn't like some of the looks people gave the two of you

you definitely didn't like the stares, and tried to shrink in on yourself as much as possible

he noticed this early on and when he heard the music he knew what to do. he grabbed your hand and led you both to the music, where the song had just ended

And, of course, you both got lucky! a song you both enjoyed came on, and immediately he grabbed you by the hand and spun you both into a dance

the song was high energy, which was just what you'd needed to come out of your shell a little more. as the chorus came on you let go of eachothers hands to lean in and lip sync at each other before just continuing dancing

infact, the entire song was lip synced by you both, which eventually became singing. you both had listened to the song before and designated parts that you liked singing

as the final chorus approached you both split again and your wings were on full display as you spun and danced and flaunted them around

you both came back together just at the end for a final spin, your wings on full display and not a care in the world. the energy was higher than ever and you both were having the time of your lives out on the dancefloor!

when the song ended you both needed a minute and a drink, your laughter infectious for the crowd and anybody who passed you on your journey to the nearest vending machine

Mikey

Tonight had been a lot so far. you two had sent plenty of death glares at people who hadn't minded their stares and were both annoyed.

and apparently you both needed a pick me up because you automatically drifted towards the music

as the song started it was ironic that they'd played a song you both liked, but neither of you could complain when it was plenty high energy and an excuse to go crazy

the entire song your wings were flared as you both circled each other and spun and danced and dipped. Mikey sang along for a majority of the song and occasionally you'd join him on the chorus

the energy was infectious as the crowd also began to have fun with it, but your wings cleared a path for you two that kept you both away from the crowd

your wings were gliding and dipping with the beat, completely independent of your arms, and whenever Mikey decided to dance face to face they'd wrap loosely around the two of you, close but never touching

before the second chorus was the first time he'd done this, intertwining your fingers and holding both your hands by your faces

during the part between the same chorus and the next one he'd gotten into the song, dancing and spinning almost independent from you, if it weren't for all the times he'd waltz away and come back for you to dip and twirl him

by the end of the song he was more winded than you were, his curse of using dance to express himself more than you did, and it led you both off to find a snack vendor for his blood sugar