Charles Vess
Source Benno Rothschild (comicartfans)
The Wood Beyond the World , in Benno Rothschild's Charles Vess Gallery Comic Art Gallery Room (comicartfans.com)
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William Morris - The Wood Beyond The World - Ballantine - 1969
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I just read the "first" fantasy novel (?) The Wood Beyond the World, mostly bc the title sounds like that silly triangle-void place in Star Wars TV shows. That location was inspired by the multiverse-puddle-forest in the Narnia sequels, and Narnia was inspired by this novel, as was LotR. You can definitely see the inspiration, though both those novel series improved on this one, firstly by being funny and secondly by turning the focus to characters who are lower on the totem pole (kids, hobbits). The main character of tWBtW is just a lucky upper-middle-class misogynist.
One thing I did like was this conflict between himself and his girlfriend, who lived her whole life ensnared in the fairy realm but finally rescued herself (seriously he did nothing to help, he even cheated on her a bit), about what type of world would be better for them to live in. They're lost in some enchanted forest dealing with all this racist whimsy, and she says she's excited to escape to the city where he can finally use his own skills to help them out.
He's like, you've never been to the city like I have, I can assure you the people there are just as wicked as the magical creatures out here. That is a pretty interesting idea, and made me think of the descriptions of Ankh-Morpork in Discworld. In this context though it feels a lot like he just wants to keep relying on her to solve the magic problems, and doesn't want to go somewhere where he would have to man up. It's sort of anti-patriachal, since the magic woods are a woman's world, but she's still subservient to him anyway.
The premise of adventure fantasy is about leaving the real world and going somewhere more interesting, which gets complicated if you meet someone who's sick of magic and wants a white picket fence and 2.5 kids. In the end they improbably resolve this by him stumbling into getting crowned king of some third option place.
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15 Early Fantasy Reads that Defined the Genre (Before Tolkien)
As a fantasy reader, you understand the allure of otherworldly realms, magical creatures, and grand adventures.
The genre has evolved over the years, with contemporary authors captivating us with their unique worlds and unforgettable characters.
But it’s also valuable to recognise and explore the roots of fantasy literature to appreciate the genre fully.
This blog post will take you on a…
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The words of Grandmother Wren “It is not witch’s job to make perfect choices. Just right ones”
I’m not good
I’m not nice
I’m just right
I’m the Witch
You’re the world
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Brennan Lee Mulligan really describes like The Bear of all time and I’m supposed to be normal about it?? You’re telling me that this bear says his purpose is to live deeply and live well in the forest??? Like yeah, dude, that sure fucking is a Great Bear. Maybe even the best
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I'm listening to the first fireside chat for The Wizard The Witch and The Wild One, and as a creative who SO so so so so often feels like I need to have a reason or purpose to make something, this "100 jellyfish" story is just a kick in the chest and something I DEEPLY needed to hear. In this current capitalist hellscape where things are made to make money, having creative teams out there making things simply because they WANT to is SO important, and good god it fucking SHOWS in the products those teams produce. There are so many good audio drama podcasts out there FOR FREE to listen to, being made by people just because they want to get together with friends and tell a story! I am so eternally blessed to be financially secure enough now that I can support multiple podcasts monthly, even if I don't always have time to keep up with listening to them. Art is important, and art made for art's sake is the MOST important. So if you make art of any kind, please remember you don't need a reason, you don't need to only make what people ask of you to make, you can just...create for the sake of creating, and the world is a better place for it.
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Agatha, texting Sophie: Sophie! Help I’m being kidnapped
Sophie: Where are you?
Agatha: I’m with some strange person. In a car. Help.
Sophie: I’ll call Tedros.
Tedros, answering her cell: Y’ello?
Sophie: Where’s Agatha? They texted me that they were being kidnapped.
Tedros: Agatha? Whaddya mean, she's right next to me-
Tedros:
Tedros: I’ll call you back. *hangs up*
Tedros: THE NEW HAIRCUT ISN’T THAT BAD!
Agatha: WHO ARE YOU?!
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personally i love both rick riordan and soman chainani's books but it's so easy to tell the characters are written by men. like i'm sorry but it's so so painfully obvious. i literally can't breath
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mistynat was the best fucking dynamic in the WORLD!!!!!!! AND THEY FOUCKING TORCHED IT!!!!!
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When your love language is war...
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The ending for "The School for Good and Evil" had one of the gayest and most homophobic endings I've seen.
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Happy pink day!!!! Minecraft cherry blossoms,
MINECRAFT CHERRY BLOSSOMS!!!!!!!!!!!!!! ! !!! PINK WOOD
love AND peace on planet earth!!
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something so personal about the parallel that is travis saying "quit acting like such a saint" to natalie (someone who is constantly being thought guilty of sin- though they never had sex) and shauna loving the saints because 'they were all so tragic' and then eulogizing jackie as a saint (someone who travis had sex with before her death)
they're so who is the lamb and who is the knife coded
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eursulon's playlist
lou wilson keeps getting me in my feelings. listening to the playlist he made for eursulon reminds me of why i relate to that big beautiful seabear paladin so hard. and his playlist liner notes just makes it even worse/better.
being of one world, seemingly perfect, only to find something more that exists elsewhere. and in that pursuit of ambition and glory, getting locked out of the fantasyland they came from.
feeling the shame of leaving home and that perfect life. learning not to live with the shame, but to embrace this new life that is truly yours. learning to love yourself, not despite, but because of your choices to leave.
the balancing act of appreciating where you are, while still heading towards your dreams, even if slowly. the realization that you can never turn back, even if you wanted to.
"something in the distance. it's yours. it always belonged to you. it's been waiting for you to grasp it. possess it. that's all it ever wanted."
i'm up in the woods... i'm down on my line... i'm building a sill... to slow down the time.
i'm shattered. neither tears nor words are enough to express how this feels. this music, though. it hits me exactly where i've been.
thanks, lou.
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