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#Ripley the space cat
mycatismyeditor · 1 month
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Day 261
Lena gets drunk
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Art by the incredible @rustingcat
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ghibli-stims · 6 months
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🛰 -> Ellen Ripley (Alien) Stimboard !
📦 -> with related stims !
📬 -> rqd by me, self indulgent !
📓 -> 🪐 - 🐈 - 🪐 / 🐈 - 🐈 / 🪐 - 🐈 - 🪐
🔓 -> requests closed ! rq info !
DNI -> NSFW/Kink/Bigots/Etc. I'll Block You.
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drsatanicmechanic · 7 months
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I want a girl who will run through scary spaceships with me… especially if we’re rescuing a cat.
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picory · 3 months
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finally watched alien 👍 loved it
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daisychainsandbowties · 8 months
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doing sit ups with my feet stuck under the couch is so funny because i’ll be there dying and meanwhile my cat is having an afternoon nap so i’m 🫠😐🫠😐 and every time i do a sit up all i see is
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she is just chilling
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phantomhag-666 · 8 months
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Space babes with ginger cats.
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i watched alien (1979) with my partner a few days ago and goddamn this evil space cargo ship company can fit so many sci-fi osha violations in it
#engineering school has made it impossible to not find design flaws in every movie i watch#i know all of it is designed to get the characters where they need to be for the story to work#but also#why does the escape shuttle not have enough room to take the entire crew#you have seven people and a cat in the crew you need enough room on the space shuttle to take seven people and a cat#come on we learned this lesson after the titanic#also why is a cat even on the space cargo ship and given free reign#i know the answer is 'because the crew likes cats' but also what if that thing chews on the wires#also why is the mechanism to self destruct the cargo ship not in the escape shuttle itself#why does ripley have to trigger the mechanism and then run like halfway across the ship to get on the shuttle#bro what if she trips your ten minutes of leeway would not be enough for the crew to all get on the shuttle before the self destruct sequenc#also ripley was like. reading the instruction manual on how to trigger that self destruct#girl who trained you? if the ship has a self destruct sequence you need to learn this in work safety training#again i know i know its to make the story more dramatic#this movie is good and the actual emotional beats are not lost on me#still fun to poke fun at it tho bc if i dont id get kind of scared since i dont do well with horror#my partner says maybe in the distant future of the 2030s the space cargo ship company bought osha and yeah that tracks#the real horrifying alien was capitalism and the osha violations we made along the way#alien (1979)#the crew of the nostromo needs to unionize and lobby for better employee safety training#shut up pandora
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guadzsworld · 1 year
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I have a certain type; baddass space bitch with a ginger cat
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( and the fact that they kind of look a like too.)
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I watched this movie mostly because of this. And I’m so glad Jones isn’t judged or killed off. He’s a good boy who deserves his happy ending. ^^
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Something always fascinating to me is the "character who thinks they're in a different genre" phenomenon. The theme of the story you are telling determines what the right and wrong actions to take are; but the characters, reacting in-universe to the situation, don't know what story they're in, and the exact same responses can be what saves you or damns you depending on what kind of story the author is telling and what the story's message is about what life is like.
In Wolf 359, Warren Kepler approaches the mysterious and powerful aliens with threats; he kills their liaison and tries to position himself as a powerful opponent. However, he's shown to be wrong and making things worse: his preemptive aggression is unwarranted and unhelpful and bites him in the ass. The aliens want to communicate and understand humanity and share our music. It's Doug Eiffel, the pacifistic (and kind of scaredy-cat) communications officer who loves to talk and share pop culture, who talks to them and understands that the aliens are scary not because they want to kill us but because they don't understand the concepts of individuals and death. Talking to them, communicating with them, understanding where they're coming from and and bringing them to understand a human point of view, is what succeeds. Openness rather than suspicion, trust rather than aggression. Kepler thinks he's a dramatic space marine protecting the Earth from the alien threat by showing them humans are tough and can take them, but that's not the kind of story this is.
Conversely, in Janus Descending, Chel is in awe of the strange and beautiful alien world around her. She wants to touch it, understand it, get up close to it. When she sees a crystal alien dog, she wants to befriend it, despite Peter's warning. But when she gets close to it, extending her arm in greeting, it attacks her and drags her down into the cave to try to eat her. This sets the inevitable tragedy in motion. Suspicion is warranted; trust will get you killed. Because this is a sci-fi horror, with a major running thematic reading about how racism and sexism will destroy your brain and your society, and how the people who think they're too smart to be prejudiced don't see their own prejudice and will end up ruining the lives of the people they still don't fully see as equals, this kind of trust that Chel shows this strange alien is tragic. However it is also a horror story where there are very real hibernating space snakes ready to wake up and eat the fresh meat that has landed on their planet, and by being too trusting Chel has accidentally introduced herself to one.
Kepler, suspicious and ready to shoot any alien he doesn't understand, would likely have survived Janus Descending; Chel, with her enthusiasm for learning about and meeting aliens, would have been a wonderful and helpful member of the Wolf 359 crew.
In a similar manner, in Alien, Ellen Ripley yells to the rest of her crew not to bring the attacked crewmember with the alien on his face back on the ship and into the medical bay, you don't know what contamination that thing might have; she's ignored. She tells them not to let the crewmember out of quarantine even though he seems fine; she's ignored again. Ripley is the one person protesting this isn't safe, we don't know what's going on, and she is consistently ignored, until an alien bursts out of her crewmate's chest and then eats everyone and Ripley is proven to be right and also the only survivor. (And it turns out that the science officer consistently overriding her protests was an android sent by the company that contracted them, and said android was given orders to bring the alien back so the company could study it and do weapons development with it, try not to let the crew find out about it, and kill them if he had to in order to do so!)
Ripley's paranoia and mistrust of the situation was correct, because Alien is a space horror and the theme is in space no one can hear you scream (also corporations consider you expendable).
Conversely, in All Systems Red, we have a damaged and almost-combat-overridden Murderbot being brought back into the PreservationAux hab medical bay after being attacked by other SecUnits. Gurathin becomes the one person protesting this isn't safe, we don't know what's going on, he doesn't want to let Murderbot out because it's hacked and probably sabotaging them for the company contracted their security and sent it with them. Gurathin thinks he is the Ellen Ripley here! He is trying to warn his teammates not to make a dangerous mistake that will get everyone killed!
However, All Systems Red is a very different story than Alien, and Murderbot is neither a traitor on behalf of the company to sabotage them and steal alien remnants for weapons development, nor a threat to the humans - it's a friend, it's a good person, and it wants to help them against both companies willing to screw them over. Trusting it and helping it is the right thing to do and is what saves their lives. Gurathin is proven to be wrong.
If everyone on the Nostromo crew had listened to Ellen Ripley, they would still be alive (except Kane. RIP Kane), because this is a horror story about being isolated and hunted and going up against this horrifying thing that wants to kill and eat you and just keeps getting stronger. If everyone on the PreservationAux team listened to Gurathin, they would all be dead, because this is a story about friendship and teamwork and trust and overcoming trauma and accepting the personhood of someone very different from you.
Same responses. Different context. And so very different moral conclusions.
Warren Kepler was about how the brash violent over-confident approach to things you don't understand is wrong, and that openness and developing that understanding between people is what's important; Chel was about the tragedy of trust destroying a Black woman who wanted so much to believe in a world that could be kind and beautiful. Ripley was about a woman whose expertise and safety warnings were ignored and brushed aside and everyone who did so died because of it; Gurathin was about how even justified fear shouldn't mean you make someone else a scapegoat and mistrust them because they seem scary.
Sometimes you're in the wrong genre because you need to be, because the author is trying to show how not to react to the situation they set up in order to build the mood and the theme they're trying to convey.
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mycatismyeditor · 25 days
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Day 267
Supergirl returns to the station.
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Art by the incredible @rustingcat
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victoriadallonfan · 1 month
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Having re-watched Alien (1979) and Aliens (1985), I think I've realized what went wrong with the further expanded film universe on a thematic level (this is not accounting for AVP films, which seem to exist within their own continuity atm).
The main issue is that these films made 2 intertwining mistakes:
Making the Xenomorph too animalistic
Removing the mystery of space
For the first part, Alien and Aliens are quite vague about the Xenomorph mind. Alien treats it almost like a serial killer at times, including a particularly interesting moment where it disregards Jones the Cat entirely, despite making a very easy target, and how it will sometimes meander up to the crew as if it knows it's inflicting terror upon them. This Xenomorph even seems to only flee when Parker goes to kill it with a knife and hides within the evac shuttle when it realizes that Ripley was going there as well.
Aliens forgoes this in favor of showing how terrifying their numbers are even in the face of superior (if greatly mislead) fire power, but then pulls the rug under our protagonists by (seemingly) cutting the power and testing the endurance of the auto-turrets. While the drones are not individually as intelligent as the original xenomorph from the first film, this is instead given to the Queen, who understands not only the danger Ripley poses to her Hive but hostage negotiations of the most blunt variety. And, of course, incredible spite and vengeance when Ripley burns her eggs.
Basically, the two films do a good job of making you wonder... how sapient and sentient are the Xenomorphs? Do we take Ash's word and think of them as simply Hostile Weapons or do we see them for the adaptable and complex - if instinct guided - parasites just trying to protect their hive? This is further food for thought when we learn that one of the cut endings would have had the Xenomorph kill Ripley, tentatively use the shuttles control panel, and speak into the intercom with Dallas voice (ala Predator).
Imo, that goes too far into making them human, but we'll circle back to that later. The point is that the Xenomorph is never clearly one thing or another, but rather, something that constantly foils our attempts to understand them completely.
Aliens 3, Alien: Resurrection, Prometheus, and Alien: Covenant fail in that regard, because they take the firm stance that the Xenomorph is... an animal. A very, very, dangerous and hostile animal but an animal nonetheless. It's not some vague horror that we struggle to comprehend and reason with, because all the facts (as they are for now) are laid out: the Xenomorphs are weaponized animals that just kill, reproduce, and kill etc etc.
Nothing is entirely new about the Xenomorphs in these movies (beyond the forms and one part of Covenant, but we'll circle back to that as well), but rather trying to recapture the formula of Alien and Aliens. And even when the film isn't necessarily about the Xenomorphs like Prometheus, it still goes out of its way to copy the play by play of Alien to an almost hilarious degree (except, somehow, having a cast entirely of stupid scientists).
The Xenomorph is used as a toll for the films to talk more about the human threats who would use them, which is fine, except the same message of "Weyland-Yutani wants Xenomorphs, They Failed" over and over again (except I guess for Alien: Resurrection, but that had Walmart as a plot point so...) gets tedious. It's not longer about the folley of mankind, but rather this one company led by a man (or Android?) who keeps fucking up.
Ditto goes for the second part: removing the mystery from space. Alien and Aliens treat the Space Jockey and other (non-Xenomorph) alien life at an arms distance. They are large, grand, ominous, and vaguely defined. We don't know much about WY in either movie, nor how much is them knowing versus independent people within the company (Burke mentions cutting out his own bosses for profit for example, and Bishop the company Android is heroic and horrified at the situation they are all in, a big difference to Ash). The Xenomorphs having a Queen was a huge reveal, because we literally had no idea until then if those were actual eggs or simply pods artificially created.
Aliens 3 tries to add some mystery with the prison colony, but it's also hamfisted and given a lot of exposition to explain the situation they are in, but I will give it kudos for making Weyland (???) look like Bishop as a twist. Aliens: Resurrection... yeah, no.
Prometheus and Alien Covenant gave us a plethora of seeming mysteries, but also gives us really super simple answers. Basically, Space Jockeys are just super humans seeding life across the planets and they wanted to bomb Earth into oblivion because we killed Jesus Christ (who was a Space Jockey). And one of our androids then - possibly - goes to their home planet and bombs them to oblivion thus wiping out the human race. And they made Xenomorphs yadda yadda.
Prometheus in particular seems to despise the idea of space being a mystery, with the conversation David has with a scientist being plainly spelled out as the theme of the film: "Sometimes, humans/space jockeys just build shit, and it goes wrong I guess. No gods or mysteries here, just hubris."
Which, if handled well, is still a fascinating idea (I think it's a pretty interesting 'take-that' against the stupidity of Ancient Alien Conspiracy Theorists)... but it's not handled well. At all. And certainly doesn't work well when trying to write Xeno-Horror.
So, what COULD work?
Well, I think we need to look at how Alien and Aliens made the Xenomorphs, Space Jockey's, and Space itself all work.
For the xenomorphs, I think back to one scene I actually thought was interesting in Alien: Covenant; as a chestburster is born from a hapless scientist, it lays its eyes (???) on David and replicates his movements, mimicking the first living thing it witnesses. Nothing is ever done with this (of course), but think about the potential that could be used! Plenty of animals like crows, ravens, dolphins, octopi, killer whales etc etc can use mimicry in voices and actions, and that includes things like tool-use! And of course, the fact that they take on new forms from hosts helps with that.
For the Space Jockey's: scrap them. They had their time, the mystery is basically solved. Show us new and different alien civilizations long past. Were they also victims of the Xenomorphs? From some other threat entirely? Surely, there are extraterrestrial predators out there that don't follow the Xenomorph formula. Why not have them share the splotlight, with just as little explanation?
For space itself: stop with trying to recapture Alien and Aliens. Alien: Isolation is the only successor specifically because of the format of the medium. Alien and Aliens rely heavily on the shock factor of sudden reveals. Remove that, and you are given "bug hunt" games and movies ala discount Starship Trooper. Focus more on making human space feel almost alien and beyond our understanding as well, but just enough that we can recognize the purpose that we would have them for our society.
How I would write an Alien Story:
(This would all be backstory and setup for the actual story)
I would set it within a colony satellite with an explicit task: a skyscraper ecological time-capsule for deep space experimentation of wildlife.
It would have levels, with humans situated at the second uppermost and an AI as the manager at the top level of the satellite, with all the other animals in different levels fit for their habitats (including some non-earth, non-xenomorph aliens). It's a religious sponsored and run organization, offshoots of [Insert Church Here] that is trying to get good press with cutting edge AI and biological research.
The prize is an alien lifeform that looks like a cross between a crocodile and a panther. Usually docile when fed, it has been growing more and more agitated, harming several workers on the job. Most assume it may be some late-stage degenerative disease within it's brain.
Not all things are as it seems, as at the bottom of the station, a location no one but a select few faithful engineers are sent to maintain, a pod is damaged. A young attendant watches in shock and horror as a bloody and maimed chest burster crawls out of the pod, possibly having injured itself to burn through the lock. The creature is mewling in pain, but the young attendant makes a choice: leaving food, water, and blanket for the creature. Watching as the creature watches them, before going to feast. All under the gaze of a camera.
The xenomorph grows and grows, eating more, getting bolder and allowing its "caretaker" to feel more comfortable. Soon it begins to recognize certain sounds as they pray when he feasts, and association occurs. One day, its hiss sounds suspiciously like "Lord".
This is when the young attendant reaches out to higher, but trusted, priests to share this miraculous revelation. The first one is shocked, terrified, but intrigued as the creature mimics words like "Lord" and "Mighty". Barely audible, some would say hallucinatory, but they believe they can here this humanoid creature speak their language.
The second is equally shocked, terrified, but listens and becomes a believer.
The third one does not believe. Rightfully horrified and full of questions. Their arguments in front of the beast escalate into violence and when the young attendant shoves the priest to the ground, it is the Xenomorph that pounces. Blood is shed. the creature rises in front of it's faithful, and the Xenomorph uses the same sounds it heard over the fight. Lord. Mighty. Here-tik.
They can't be delusional or driven by guilt! This is a sign... right? This creature is speaking to them!
The faith grows. Never large. Can't risk word getting out or people noticing too many missing priests. The satellite is just barely large enough that people can excuse going missing for a few days between objectives.
But key individuals are brought in. The creature is worshiped. Animal offerings are delivered. It's changing, slowly. Growing larger (not a Xenomorph Queen, it's too maimed, but adapting to a steady diet).
Things might have escalated, had one of the priests killed not had an estranged sibling/spouse/loved one who had the pull to make a formal investigatory complaint.
The investigator arrives with his repertoire, this supposed garden of eden in deep space, none the wiser to what he would uncover. (Again, this would be the backstory, not revealed except through character investigations and evidence found during that. Defeats the purpose if it's spelled out like this).
It would play with the idea of how sapient/sentient the Xenomorphs are (do they care? do they understand? if not, why act like this? if yes, what does this mean for their continued slaughter), how much one puts into faith versus delusions, and leaves lingering questions: who put the xenomorph on the ship, why is the AI so complicit with the deaths and disappearances, and why is the one non-xenomorph alien acting so dangerously agitated despite being far away from the xenomorph's quarters?
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wwerhea · 10 months
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SACRIFICAL ANGEL
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pairing. rhea ripley x fem!reader
synopsis. there was something about her the moment you two met. she was strong, intimidating, and breathtaking. she was everything you wanted, but was she worth the risk?
tags. friends to lovers, dirty talk slay, shitty boyfriend?, aggressive!rhea, bi!reader.
warnings. eighteen plus — heavy cheating themes, sexual content, fingering, oral (f receiving), dirty talk, cursing, shame kink, slightly manipulative!rhea, mentions of penetration.
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“Are you telling me to stop?” Her strong frame caged you in like you were prey and she was nothing but a wild animal going for the kill. Skillful fingers playing with the hem of your dress wanting nothing more than to rip it clean down the middle. Both of your palms laid flat on her chest, trying to create some space, but Rhea wrapped them around her neck, using your body to best of her advantage. Taking any opportunity to get as close to you as she could. 
“He’s waiting for you, isn’t he? Waiting for his good girl, yeah?” Rhea purred in your ear, the sultry in her voice never failing to get you exactly where you need to be. Soft lips sucking on the sweet spot just beneath your ear, teeth nibbling at the sensitive skin, making you whine for her as her tongue soothed the bite. 
She pinned you against the door harder, hips continuing to press into hers  until she had your legs wrapped around her waist, and your hands woven into her hair. Pulling at it every time she bites you was music to her ears. Your hips grinding into her, whining like a cat in heat as you felt what she’s packing. 
“Is this what you’ve been dreaming about, huh? Me fucking you while your pathetic little boyfriend is  entertaining everyone else — is that what you want?” She taunted you, but all you did was whine as her assault on you continued.
“He doesn’t know how weak you are for me. My little princess in the palm of my hand.” 
She pulls always from your neck, lips pressed against your ear, ready to torture you with the voice you’d be on your knees for. 
“Begging and waiting for me to give you everything you need. Isn’t that right?” She smacked your ass, nails digging through the fabric, desperate to have you out of it. 
Eagerly, you nodded in response. 
“I bet you’re just dripping  for me to split this pussy right open. Fuck her the way she deserves.” Rhea nibbled on your ear before she whispered, “Is this cunt dripping for me? For your Mommy?” 
“Yes, it’s always for you. All for Mommy.” You pulled Rhea’s hair, needing to feel more. You finally accepted your feelings and you craved to feel her in any way you could. 
Every touch felt like it was the first. The explosiveness in your stomach, the head rush every time her lips connected with your body — this was how it was supposed to feel. It physically made you ache in pain knowing who you were betraying but the woman in front of you was it. 
No one else could compare, they never could. Rhea was one of a kind, a sweet precious diamond you wanted to keep near and dear to you.
But tonight, she would remind you just how sharp her edges truly were. 
“Just say the word, princess. Fuck, I want to make you cum, angel. Are you going to let Mommy make a mess?” 
“Please.” It was all Rhea needed, before she maneuvered you on the bed, enjoying  the erratic movements of your hips against your body before she threw you on the bed  as easily as a ragdoll.
The confirmation you needed her just as badly had her reeling. The rush of power she felt pumping through her veins, knowing you wanted her was all the satisfaction she would ever need. 
“Are you really that much of a needy fucking brat you’re going to let me fuck you right here? You’re going to let me take whatever I want while your pitiful, little boyfriend is waiting for you?”Rhea sat back on her calves, almost as if she wanted you to come to her.
Thighs on full display, broad shoulders pushed back.  “You’re going to let Mommy do whatever she wants with you tonight. Such a good little slut for me.” 
You nodded eagerly. Only wanting to please her. 
“Take off your dress, baby.” Rhea demanded, tongue peaking out as she ran it over her teeth, eyeing you like you were her last meal. 
You carefully picked it by the hem before throwing it over your head, leaving you with nothing but a pair of lace panties, The only piece of integrity left, hanging on a very thin line, but now there was nothing stopping her now. You matched her stance with far less clothes adorning your body, as you waited her to do as she pleased. 
You should feel regretful, or even a little bit shameful. It was your boyfriend’s big celebration, his entire family and friends congratulating him on his biggest accomplishment and all you craved was to please the woman in front of you.
To let her mold you into whatever she desired - no longer able to contain your wants and needs for her. 
Rhea was someone you never be able to let go of. It was that simple, but you knew regardless, he would feel justified in your wrongs. 
“Fuck.” Taking you in, Rhea couldn’t believe it, you were just as beautiful as she remembered. A painting she only dreamed of, so perfect and precious as she looked into your dreamy eyes.
Part of her couldn’t believe it. Truly, you were here — for her and her alone. 
 She sunk two of her fingers inside her mouth before sucking on them sweetly, her mischievous eyes never leaving your own until she pulled them off with a pop. 
“You look just as perfect, but do you taste as sweet?” Rhea pushed you until you were laying on your back, spreading your legs wide as the wrestler positioned herself, careful to not put her entire weight on you. “Tell me, does he ever eat you out?” The smugness in her tone and the way she ran her finger down the middle of your chest told you she already knew the answer. 
But this is Rhea, and she loved to play with her food. She wanted you helpless and crying out before she put you out of your misery. She wanted to bend you so far, you’d be afraid of snapping. The dominant side of her took over and you could see it in her eyes – how she wanted to completely and utterly devour you until there wasn’t anything left. 
Then, she would do it all over again. 
“Aw, have you gone mute, baby?” Her tattooed hand slapped your covered cunt, causing you to shriek. Rhea laughed while she teased you even further. “Do you need to be reminded of how it feels to cum again? I know that little boy toy of yours even knows where a clit is.” 
Softly, her lips kissing along your neck before finding purchase on your lips, kissing you confidently, assured you would accept anything she'd have to offer. Your hands clung onto her biceps, nails piercing through your skin as you tried to contain yourself. 
“Are you ready for this?” She was pushing, wanting the satisfaction of being the one you wanted. The crave boiling in her blood ran deep and there was no controlling it. Rhea knew you felt the same, all that was needed was coaxing. A little bit of bad influence to bring it out of you. 
He would never care for the way Rhea did - treat you the way you deserved. She knew it in her bones she loved you more than anyone ever could.
For years, Rhea had seen the twinkle in your eyes when you looked at her and she was afraid. Afraid the fantasy she dreamt of was just that, a figment of imagination. Until that one fateful night. 
Rhea seemed to replay it in her mind until there was nothing left, just you trapped in it. Your blinding smile, always taking her breath away any time it was directed towards her. Maybe if she was lucky, you’d choose her too. 
There were pieces of you, ones she had collected over time, and the puzzle was nearly complete. All she needed was you to fall in as deeply as she had. Part of her believed in your feelings for her, and she wanted to, but she had her reasons for holding back in the past. 
But now? There was nothing in her way. Not since the kiss. 
It excited Rhea. The thought was enough to bring the strong wrestler to her knees. Carefully, she was reminded of the lengths she would go for you. There wasn’t an edge she wouldn’t reach to claim every part of you. 
Rhea let herself relax, more encouragement fled through her veins as your hands clung to her like a vine. Afraid if you let go, she would disappear. 
She pulled herself away from your heavenly body, mouth opening before sporting a knowing smirk, until her voice was found. 
“Are you ready for this?” Rhea challenged, but she also needed assurance. She wasn’t your long time partner, the man expecting you at home was. To you and to her, if this happened it wouldn’t be some meaningless one time thing. The desire building beneath the surface had officially overflowed, and you wouldn’t be able to stop yourself even if you tried. 
“There’s no shame if you can’t. I would be severely disappointed, but I’m a big girl, I can take the rejection. Even if my darling angel has changed her mind.” She affirmed if this wasn’t what you wanted, there was still room for you to dismiss and pretend this never happened. 
You took note of the sincerity laced in Rhea’s eyes. Truly meaning every word. 
“I promise, I wouldn’t be here if this wasn't what I wanted.” Your thumb rubbed reassuringly on her bicep, reassuring her if you wanted to be somewhere else, you would. It was the last nail in the coffin, before she trapped you in there,  binded in the ashes of your love. 
“I’m going to take these off now.” You knew she was giving you an out, a last moment to stop this if it’s what you wanted, but the only coherent thought entering your mind was just how much you craved her.  How this was the only thing you’d been able to think of for months on end. 
The dreams of touching her, kissing her. Getting lost in the thought of her beautiful blues, her strong frame, or imagining how she’d look like coming for you. Or the devilish smirk in your eyes right before she tips you over the edge, knowing exactly what’s coming. 
It’s how you’d been getting off while Jordan worked long nights - thinking of Rhea. Sometimes, it was when he was in bed fast asleep, you would think of how good her tongue would feel buried in your cunt. Her long fingers, and how much more they’d fill you up than your own, reaching places you wanted to but to no avail remained untouched. 
You thought of her thick thighs, and how much you want to ride them. Would she let you get off on her thighs alone? Or would that just be her tease of the night? 
It’d been months since your boyfriend had wanted to fuck, and even before, you fantasized about her. The more time you spent with her while Jordan wasn’t around left you under her spell. She didn’t have to do much until you were putty in her hands, molded and shaped just to her liking. Rhea was just what you needed, and god was she enjoying it. She craved your acceptance just as much as your submission. 
The whimpers and moans with her name continuously falling off your tongue. The way your cunt would grind against her own, begging for relief. The way you almost gave in when you agreed to go out with her two weeks ago, and her lips found yours. Devouring you from the inside with every stroke of her tongue dominating your own. 
It was the final nail in the coffin. You would never be able to escape her after dipping your soul with the sinner. You craved for more, yet there was a feeling in the pit of your stomach, a nagging voice telling you this wasn’t the way this should happen. 
You tried to feel guilty, or shameful, but when it came to Rhea you couldn’t find it within yourself to care about anything else. You just needed to be with her again and she had cornered you, pulling out all the steps necessary. You weren’t coming out of this room until she marked you as hers again. 
But this time it would be deeper. You would feel her vividly, raw and ready to please you. 
You knew it would be worth it. 
“Now be my good little angel and hold Mommy’s hair while she reminds you who should be with you.” Before you even had a moment to faux a protest, Rhea was right where you desperately wanted her, no matter how much it would hurt the man waiting to see your shining face as you congratulated him at the door. And almost, the vision was shifting. The look of disappointment etched in the furrow of his brow or in the pout of his lower lip. 
Try and try, you did. To at least give him an explanation as to why you weren’t there supporting along with the rest of him. Deadly but certain, you knew the accusations would start the moment you walk through the front door. Rhea’s name would be the first out of his mouth.
Envy reached him where you couldn’t, taking a hold of the man you once loved. The tight grip as strong as a vixen on top of you with his sights set on the woman he’d always been intimidated by. 
Rhea held you a little too long for his liking. He disagreed with how close she pulled you in. He lost it the first time Rhea kissed you on the cheek, lips so low they nearly reached the corner of your lips.
The first time you had to defend your relationship with Rhea was when the two of you had joined her at the gym and he swore you were checking her out during one of her reps. 
It was the first time you couldn’t deny your physical attraction to her. You couldn’t hide it, as much as you tried, her hold on you is visceral. A need buried so deep, it felt as if it had always been. 
Then she was on you. 
“Oh my god. Holy fuuuuck.” Her tongue started out with small strokes, fucking your folds with your tongue as your hands found purchase in her raven hair. Crystal blue eyes sinfully watching beneath you, mouth open wide trying to compose yourself. 
It’s all you could dream of, and your wish came true. The girl of your dreams worshiping you at the altar. 
“Mommy, you feel so good. Fuck, I’ve dreamt about your mouth s-so m-much.” Your hips began to move until she moved both of her hands to your thighs, her overpowering strength keeping you right where she wanted you. 
“Just my mouth then? Nothing else you wanted?” The whimper leaving your mouth as she circled her tongue on your clit had her humping into the mattress. Your tits on full display as you were dripping for her was more than enough to send her head through a frenzy, but tonight was about you. 
“Rhea, please. You know what I want. I-” You pleaded, but lost words died in the back of your throat when she sucked the sensitive bud in her mouth, pulling her hair tighter. 
Her tongue soothed over your clit and she released it until she did it again, your body beginning to shake at feeling. Before you could even process what was happening, she moved your hands to your sides so she could gain some space.
Only until she was on her knees spitting on your pussy, watching as it connects from her lips to yours. 
Black lips grinning wickedly as you continued to moan, she teased and fingered along your clit before she found your pretty little hole. Her long finger gradually built a pace as she watched you take such a small piece of her. 
Then she let a second one enter, watched your head fall back against the silky sheets, unable to look her in the eyes. 
Too afraid you’ll come too soon, but you assumed Rhea had other plans. She wanted to feel you unravel for her. She wanted to be the one to bring you there until you couldn’t take it anymore. Until you were hers, and only hers. 
“I need it Mommy, please.” You begged for her as she pumped brutally and then her thumb reached for your clit, circling just enough to send you in a frenzy, but not quite enough to get you where you needed to be.
She knew it yet she was taunting you with the sensation. It felt like too much at first, but then as time passed, you needed more. More of her and what she was packing beneath her sweats. “Give me your cock, Mommy.” 
Without losing her pace, she mauvered her body so she was hovering over you, limber fingers still pumping in your tight cunt. Using her free hand, she wrapped her hand before wrapping it around your neck, applying as much pressure as she felt necessary. 
“Do you really think you’d ever be in a position to give me orders?” She bent her head down until her lips were met with your nipple, tongue circling around the bud before she let her teeth sink before letting go.
 “What would he do if he saw you getting fuck by mommy?” Then she began her assault on your other breast, her tongue lavishing and on your nipple, flicking back and forth on the bud until she found the high pitch moan she was looking for. 
The more she played with your tits the quicker she was bringing to the edge. A soft, but what seemed to be an infinite chant of her name fell from your lips. 
“I-...Fuck” You tried to respond to her but despite your best efforts, you were under mercy. Every stroke of her tongue and thrust of her fingers pushed you closer to where you would die to be. The sound of your slick being pushed around in your gushing pussy only made Rhea want more. 
All of it was because of her, but she wouldn’t be satisfied until she claimed you properly. 
“My cock’s not even in you, baby and you’re already being a dumb slut? Use your words before I make you regret it.” Rhea threatened, but she began to circle your slit faster as if her sole purpose was to torture you. “I asked you a question.” 
Her tone dropped lower as she spoke to you, “Would you let him stop me?” 
“No, of course not, Mommy.” You rushed out before tears began to fill your eyes, because just when her pace was bringing you where you needed to be, she removed her thumb from your clit as you began to ride her hand. Trying to get yourself off, as you felt the cool silver of her rings smooth over your cunt. 
“Good.” Then she leaned forward, lips pressed against your ear before she whispered softly, “I’m going to get undressed, you’re going to call your precious little boyfriend and then you’re going to talk to him while I fuck this sweet little pussy that was made for me. Yeah?” 
She didn’t even give you a chance to reply before she grabbed your phone from the floor, handing it to you, sweetly. Nervously, you fidgeted, terrified but excited for what was about to happen. You were about to get fucked by the woman you’d been thinking about for months. She was about to bear it all with you, and god was she going to make you work for it. 
Then, there she was, bare in front of you as you nervously dialed your boyfriend waiting for him to pick up. 
“Let me show you what a real fuck feels like, princess.”
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hope you enjoyed the read!
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toocabaret · 2 years
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i love you ellen ripley i love you original alien franchise i love you profound loneliness of being the final girl in space i love you practical humanity i love you greed is the enemy i love you unstoppable cosmic atrocity getting blown into the vacuum by a desperate, terrified woman in her underwear i love you going back for the cat going back for the little girl i love you lack of recurring characters other than the xenomorph meaning ripley’s only constant company in her whole life is her worst nightmare i love you true bravery in the face of true terror i love you janky 80s hardware i love you smoking in a spaceship i love you wet, sticky, slimy organic technology i love you heroine eventually becoming the alien i love you forced motherhood ending in infanticide i love you short hair buzz cut sweaty scared femininity i love you human emotions turned base turned raw turned dangerous i love you penetration pregnancy i love you hubris as a parasite i love you unstoppable entity i love you normal woman turned god
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Thirty One Days of Horror Movies! Day Twenty Seven :D
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Alien!
When a member of the crew of the Nostromo is attacked by a strange extraterrestrial creature that is discovered aboard a wrecked space craft the rest of the crew find themselves plunged into a horrifying fight for survival as they find themselves up against a killing machine determined to slaughter everyone aboard
While later films in the franchise would move more towards action or science fiction, the original film is 100% a horror movie set in space
The wonderfully creepy design of the Xenomorph is as terrifying as it is memorable and its easy to see how it became one of THE most iconic movie monsters of all time...the wise decision to initially keep the full creature in shadow only helps build the dread as it picks off the crew and the fact that it's up against a crew of what are basically space truckers makes the situation even more tense as they are terrifyingly outmatched against the remorseless and murderous entity they've brought aboard
The film of course also introduced us to iconic franchise heroine Ellen Ripley and Sigourney Weaver's performance here is good stuff. And before anyone asks, yes I would absolutely have gone back to save the cat as well <3
The movie has plenty of wonderfully scary and vicious scenes and even if the scene where the creature emerges from its luckless host no longer has the shock factor it had when the film first came out its still a fabulously gory and horrifying moment
While the sequels are a mixed bag (I personally really enjoy Aliens and I think Alien: Covenant is...OKAY and I am in the minority in that I really like the Alien vs Predator movies...) this first film is a fabulous sci fi horror that's well worth checking out this Halloween :D
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