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#Recorded Fall 1961
jazzdailyblog · 1 month
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Steve Kuhn: A Journey Through Jazz Mastery
Introduction: Steve Kuhn is a jazz pianist whose career spans over six decades, marked by a relentless pursuit of musical excellence and innovation. Born eighty-six years ago today on March 24, 1938, in New York City, New York, Kuhn began playing the piano at an early age and quickly showed a natural talent for the instrument. His musical journey has been characterized by a deep exploration of…
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Elvis Presley - Can't Help Falling in Love 1961
Blue Hawaii is the fourth soundtrack album by the American singer Elvis Presley, belonging to the 1961 film of the same name starring Presley. In the US, the album spent 20 weeks at the number one slot and 39 weeks in the Top 10 on Billboard's Top Pop LPs chart.
The songs "Can't Help Falling in Love" and "Rock-A-Hula Baby" were pulled off the album for two sides of a single. The A-side "Can't Help Falling in Love," which became the standard closer for a Presley concert in the 1970s, went to number 2 on the Billboard Hot 100, and it topped the British charts in 1962, spending four weeks at number 1.
The melody to "Can't Help Falling in Love" is based on "Plaisir d'amour", a popular French love song composed in 1784 by Jean-Paul-Égide Martini. The song was initially written from the perspective of a woman as "Can't Help Falling in Love with Him", which explains the first and third line ending on "in" and "sin" rather than words rhyming with "you".
The song has been recorded by many other artists, including the British reggae group UB40, whose 1993 version topped the US and UK charts.
"Can't Help Falling in Love" received a total of 84,5% yes votes!
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sissa-arrows · 8 days
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If what’s happening in France right now was happening in the Global South there would be talks about sending troops to bring democracy in France.
The leaders and big figures of the opposition who support Palestinians are getting summoned by the police one by one for refusing to call October 7th a terrorist attack (for the record a lot of them say that it was a war crime because it targeted civilians but not a terror attack so they don’t even support what happened).
All while letting Zionist who actually called for mass murder on live TV get away with it.
But you know what? As strange as it sounds it’s actually a good sign. One of the most violent day for Algerians during the war of liberation (17 October 1961) happened less than a year before the independence just a couple months actually (the independence was on July 5th 1962 but it was signed in March 1962). Because that’s how the colonizers behave and think. The crackdown in France, the new German law forbidding the use of Arabic and Hebrew at pro Palestinian protests, the crackdown in US universities… a wounded dying beast always get more violent. They are scared so they try to silence us harder. They know that it’s a matter of time that the fall of colonialism, imperialism and white supremacy will happen in our lifetime so they try to scare us into stopping the fight.
Don’t get me wrong it will be hard and won’t happen overnight but their reactions are convincing me that we will see a Free Palestine a Free Global South a Free world in our lifetimes.
(P.S: ​tagging the post with Palestine because my previous post being positive about the outcome seemed to help some people who felt hopeless so I hope this one will help too. That being said we don’t have the right to give up the fight and we shouldn’t give up hope either. None of us is free until all of us are.)
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The Subtle British Pop Culture/Timeline In CHICKEN RUN
On occasion, I've pointed out when the original CHICKEN RUN is set.
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It's often been written that CHICKEN RUN was "set in the '50s", a sort of vague descriptor of its rather dreary post-war England setting. One could assume that from the technology present in the movie, and the homages to 1950s prisoner-of-war films. The obvious ones being STALAG 17 (the number 17 is on the main hut that the chickens all plot in) and THE GREAT ESCAPE. The character Fowler was of the mascot division of the Royal Air Force during World War II. All that talk about his medals. Chocks away!
The easiest way to pinpoint when CHICKEN RUN is set, at the earliest, is knowing what the songs are.
The chickens, in a hut, dance to a cover of Joe Turner's 'Flip, Flop and Fly', Turner's original was released in 1955, an early example of a rock n' roll song. Britain certainly had rock n' roll in a pre-Beatles era, but it doesn't seem as well-known to the average American as American rockers - you know, Elvis, Little Richard, etc. - are to Brits.
Later in the film, Rocky the rooster is jamming out to 'The Wanderer' by Dion.
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The song first appeared in North America in November of 1961 - both as a single and as an album track on RUNAROUND SUE (the title track another big hit for him), and if you look in the opening credits sequence, Mrs. Tweedy works with a calendar that says "November"... However, 'The Wanderer' was first released in the UK in January of 1962. And it doesn't seem like much time has passed since the opening credits and the end of the movie...
'The Wanderer' reached #10 in the UK, which was great for an American rock/pop song over there... If anything, the movie is likely set in November/December 1962, so that was plenty of time for 'The Wanderer' to climb the charts, and then be played on the radio every once in a while. Things took a little while in a pre-streaming age, ya know? *waves cane* *I'm actually not that old, nowhere near lol I just love this kinda pop culture history*
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So CHICKEN RUN is still kind of a post-war/pre-Beatles England, and it's set in a secluded location inhabited by a middle-aged couple who likely wouldn't have had any idea what was going in the teen beat scene. The Beatles' 'Love Me Do', the single that really put them on the map in the UK, was released in early October of 1962. Being their first true single (not the 'My Bonnie' recording they did in Germany with Tony Sheridan), it charted at a great #17 in the UK... Which of course was nothing compared to what was to come, the strings of #1s, or at least close to that. 'Please Please Me' was the second single, released in January 1963, it hit #2 in the UK. Beatlemania pretty much becomes a thing in the UK by the middle of 1963... It would take a little while for us yanks to catch the fever...
Anyways, CHICKEN RUN is set in November/December 1962. Or maybe it's 1963, who knows, but I think it's pre-Beatlemania rural England. Yorkshire to be exact.
It's kinda funny how the Disney animated ONE HUNDRED AND ONE DALMATIANS shares some similarities in this regard. That film was released in January 1961, and is set in both London and rural England. Its second half during the late fall/early winter no less. The puppies arrive in October, as stated in the film, and the film ends during Christmastime. Snow everywhere, dreary atmosphere, etc.... And then you have the Tweedys in CHICKEN RUN. Mrs. Tweedy is kind of a combination of Cruella de Vil *and* Jasper. She's got the contempt for animals like Cruella, and is taller and the brains like Jasper. Horace, the shorter, pudgier one in the equation - who is onto what the animals are doing but isn't believed, is totally Mr. Tweedy.
That brings us to the recently-released CHICKEN RUN: DAWN OF THE NUGGET... The sequel swaps prisoner-of-war movies and World War II imagery for James Bond and MISSION: IMPOSSIBLE. Spy movies in general.
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One look at Mrs. Tweedy's high-tech new factory shows that in *spades*. But the folks at Aardman Animations did their homework, a lot of the details and background design and such, it legitimately looks like the lair of a supervillain in a '60s spy movie. Much like how Nomanisan Island does in THE INCREDIBLES, another very midcentury modern-inspired movie and franchise. There's also that charming UPA-esque cartoon on how the chickens are processed into nuggets, great stuff there. I also kind of get a bit of a Gerry Anderson vibe here, too. He was known for marionette shows - done in a process called "Supermarionation" - like THUNDERBIRDS and CAPTAIN SCARLET AND THE MYSTERONS. I assume most of the crew behind these movies grew up watching those shows.
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And of course, a big indicator... Towards the end of the film, all the chickens - brainwashed by mind-control collars that make them all happy-go-lucky - are being forced up an escalator to a popcorn chicken death. In this pretty creepy sequence, they're all doing this while Cliff Richard's 'Summer Holiday' plays in the background. The bright, pastel-colored set adorned with simplistic countryside-looking hills that these chickens are brainwashed in before they are to be ground into fast food is reminiscent of vintage British and European children's programs. I was thinking of stuff like THE MAGIC ROUNDABOUT and such, which was also a stop-motion production.
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Oh yeah, 'Summer Holiday'. That song came out in January 1963, it was the title song for a movie that was *huge* in England when it first came out. Cliff Richard is the prime example of a pre-Beatles British pop/rock star, I feel he's almost synonymous with that period of British pop music before John, Paul, George, and Ringo showed up. So, CHICKEN RUN 2 is set *after* January 1963. Plus, Ginger and Rocky's daughter Molly needed some time to grow up a bit.
Either this was intentional or not, but it strangely adds up. It's pretty chronological, either by accident or they made sure they didn't have too many anachronisms... Other than the cartoonishly high tech of Mrs. Tweedy's Fun-Land Farms, but then again, the pie machine in the original CHICKEN RUN was kind of improbable too. But that's the fun of the CHICKEN RUN movies, so it's a staple.
And even in other Aardman works, there are fun nods to British pop culture and media. For example, in WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT, Art Garfunkel's 'Bright Eyes' can be heard on the car radio in one scene. Garfunkel is American, yes, but 'Bright Eyes' was composed and recorded for the soundtrack of the British animated classic WATERSHIP DOWN. Just in case you've never seen or even heard of that movie. WATERSHIP DOWN is about rabbits, and in the WALLACE & GROMIT movie, they're dealing with rabbits! Quite clever.
Another favorite of mine is in FARMAGEDDON: A SHAUN THE SHEEP MOVIE. Of course, Shaun the Sheep is spun off from WALLACE & GROMIT, he appeared in the short film A CLOSE SHAVE. The second SHAUN THE SHEEP movie brings in science fiction and aliens, a real 180 from the small-scale first film. At the end of the film, the Farmer accidentally gets onto the UFO and is not on Earth anymore! Before they get him back, a song called 'Forever Autumn' can be heard playing on a radio.
'Forever Autumn' is a rewrite of a Lego commercial jingle composed by Jeff Wayne in 1969, with lyrics by Gary Osborne and Paul Vigrass. The two lyricists recorded the first version of that song in 1972 for an album called QUEUES. A couple years later, Jeff Wayne got the idea to do a musical version of H. G. Wells' THE WAR OF THE WORLDS. A musical album, bringing in several mostly British talents to retell - through story and song - the British sci-fi staple. 'Forever Autumn' was covered for the album, with lead vocals sung by Justin Hayward of The Moody Blues. Of course, another British group... all for the section of the album in which the protagonist - a journalist - fears his wife had been killed in the Martian invasion. "'Cause you're not here." Which is the lyric heard in FARMAGEDDON when they realize that the Farmer went to outer space!
(It takes a special kind of skill to take such a depressing song and make it FUNNY in any context.)
Anyways, those are just a couple examples off the top of my head. Aardman's work is distinctly British, to the core. And the CHICKEN RUN movies give me a fascinating idea of when they are set, a very cartoon British '60s.
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i-am-the-oyster · 1 year
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John Lennon, Icke Braun and Bettina Derlien, Hamburg 1966
Hans-Walther (Icke) Braun was a friend of the Beatles in Hamburg. He is the source of one of the main bootlegs of the early Beatles music (the Braun tape -- given to him by Paul) and his name can be heard on the Star Club recording (Paul dedicates Till There Was You to him). He wrote an autobiography in German in 2018, which includes the following:
“And you, Icke?” asked Paul. “Who’s your favourite author?” “Henry Miller. I think he’s very good,” I said. In that moment John suddenly looked over at me. Until then he had been watching Bettina, the bar lady, rinsing glasses and tidying up the bar, with his typical somewhat blasé expression. Our discussion hadn’t seemed to interest him much. Now he was looking directly into my eyes. Quietly and without taking his eyes off me, he walked around the whole counter over to me, planted a kiss on my mouth and went back to his spot. At first, I was quite surprised and didn’t know what to do about it, then I found it rather funny and thought little of it. A few days later, it happened again. I happened upon* him in the hallway behind the stage and again he took my hand and kissed me. At some point the thought occurred to me, “man, he thinks I’m gay, but I can’t help him with that.” What was really going on, I don’t know. Maybe he meant the kisses as overtures; he was even treated as a closet case by homosexuals. No idea. In any case, I saw his girlfriend Cynthia, who visited him in Hamburg in 1961 and whom he married a year later. Apart from that, as far as I know, he spent his time ...
Note: *treffen (traf, in the past tense) is usually translated as meet, but it can mean “happen upon” and probably that’s what’s meant here, from context
Translation by @idontwanttospoiltheparty (thank you!) Emphasis mine.
Thanks also to @paulsrighthand and her Mum for working on translating the book for us.
Original German:
„Und du, Icke? fragte Paul. Wer ist dein Lieblingsautor?" „Henry Miller. Den finde ich richtig gut," sagte ich. Im selben Morent blickte John ruckartig zu mir rüber. Bis dahin hatte er mit seinem üblichen, leicht blasierten Gesichtsausdruck Bettina, die Barfrau, beobachtet, wie sie Gläser spülte und die Bar aufräumte. Unser Gespräch schien ihn nichtbesonders zu interessieren. Jetzt sah er mir direkt in die Augen. Schweigend undohne den Blick von mir zu nehmen, kam er um den ganzen Tresen zu mir, gab mireinen Kuss auf den Mund und ging wieder zurück zu seinem Platz. Im ersten Mo-ment war ich ziemlich überrascht und wusste nichts damit anzufangen, dann fandich es her witzig und dachte mir weiter nichts dabei. Ein paar Tage später pas-sierte es nochmal. Ich traf ihn auf dem Gang hinter der Bühne, und wieder nahm ermeine Hand und küsste mich. Das hat mich irgendwann auf den Gedanken ge-bracht, Mensch, der denkt, ich bin schwul, aber damit kann ich ihm leider nichtdienen. Was wirklich dahinter steckte, weiß ich nicht. Vielleicht hat er die Küsse als Annäherungsversuche gemeint, unter Homosexuellen wurde er soar als Klemm-schwuler gehandelt. Keine Ahnung. Auf jeden Fall habe ich einmal seine FreundinCynthia gesehen, die ihn 1961 in Hamburg besuchte und die er ein Jahr späterdann ja geheiratet hat. Abgesehen davon trieb er sich, soweit ich das beurteilen kann, oft und gern mit anderen Mädchen rum.
(this text is taken from OCR, so there may be small errors in the German).
The term 'closet case' is Klemm-schwuler.
Icke, Evelyn Hamann und die Beatles: Eine Art Biografie by Hans-Walter Braun (Author), Volker Neumann (Author)
Working on @takeasadsongandanalyzeit with @ilovedig continues to be a source of incredibly interesting rabbit-holes.
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pluckysidekick · 4 months
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It’s Wednesday, my fellow Drewds! Going into the holidays I can’t help thinking about how our favorite Crew are celebrating the holidays. Can’t wait for all of the @secretsleuthexchange fics, gifsets, and fanvids we’re going to get!
In the meantime, I was inspired by a poll from @burningblake about which classic “standard” song best represents Nace (all excellent choices). I wound up making a Season 4 playlist of standards from the Great American Songbook, and a few other classic tracks, that represent their Season 4 journey for me. If you’re interested in this sort of thing, here we go!
I’ll be linking the Spotify tracks, but you should be able to find them all on Apple Music or YouTube. If you want a link to the full playlist, just hit me up here or on Discord.
1. The Nearness of You - This Hoagy Carmichael classic brings to mind Nancy and Ace’s inability to stay apart every time they’re near each other in Episode 401 🥺. I love the Ella Fitzgerald and Louis Armstrong duet, but I picked Norah Jones’ version from her 2002 debut album because it’s just so perfectly wistful.
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2. Is You Is or Is You Ain’t My Baby - this so so cool track was written by Louis Jordan, but I first heard it on Tom and Jerry (that’s the fighting cat and mouse cartoon in case you’re too young to remember them). I immediately envision the back and forth argument Nancy and Ace have throughout Episode 402 in the lyrics of this song. Ace just wants to know! I adore Joe Jackson’s version, but I went with Dinah Washington and Quincy Jones from 1956 because it is absolutely perfect.
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3. Night and Day - I like to imagine that Nancy and Ace stayed up all night talking at the end of 402. This song perfectly embodies their relationship at this stage 🥹. It was written by Cole Porter for Fred Astaire to sing in the original ‘The Gay Divorce’ Broadway musical (catch the film, a classic Fred and Ginger madcap musical romcom with such amazing dancing🕺🏼). But I had to go with Frank Sinatra from 1957’s ‘A Swingin Affair’ because it’s such a classic swing tune.
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4. April in Paris - I’m not crying, you’re crying. Warning, there’s going to be a lot of crying in this playlist. Nancy telling Ace the story of her parents’ honeymoon in Paris in Episode 403, that shy smile when she tells him she always wanted to recreate it with someone, GAH. I had to pick the wonderful Sarah Vaughan with Clifford Brown on trumpet, simply exquisite. I’m going to have to take a break to sob quietly in the corner. “What have you done to my heart” indeed.
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5. Fever - There was only one song, and only one version of this song, that matches the heat Nancy and Ace generated in the infamous Sigil scene. Peggy Lee burned the house down in 1958 with this track. “What a lovely way to burn” - Nancy can relate.
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6. So in Love - Another genius Cole Porter song, written originally for Kiss Me Kate, but sung here by the incomparable Ella Fitzgerald (my personal hero). I had to pick it for THE KISS. They are just so in love 😭. A beautiful song and a beautiful rendition worthy of Nancy and Ace’s love. The fact that Kiss Me Kate is a musical about bickering exes who eventually find love again makes it even more perfect.
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7. Crying - Roy Orbison, 1962. Need I say more? I may never recover from the final scene of 403. This song at least helps a little with the pain by naming it. Roy hits some insane notes in this song—the intensity matches both Nancy and Ace’s misery in that moment.
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8. Good Morning, Heartache - More like Good Morning, Sorbet. In Episode 404, Nancy drowns her sorrows in her favorite frozen dessert to deal with the heartache of gaining and losing Ace. And no one does heartache like Billie Holiday, who recorded this song in 1946. Heartache haunts Nancy all throughout S4, and this track represents it perfectly.
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9. I had two contenders for the Nace scenes in Episode 405, both from the early 60’s. I Fall to Pieces, released by Patsy Cline and The Jordanaires in 1961, was a country crossover and Patsy’s number one hit—an incredible track that embodies Nancy’s emotions on seeing Ace again. She can’t even look him the eye at the beginning of the episode. Which brings me to my other choice, Walk on By, written by Hal David and Burt Bacharach, and famously sung by Dionne Warwick in 1964. Nancy puts up a brave front for most of this episode, but inside she wants to break down and cry.
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10. Episode 405’s speed dating montage is one of my favorite scenes of Season 4. Again I have two contenders—why should I have to choose? Harold Arlen and Johnny Mercer’s One For My Baby (and One More for the Road), as sung by Ella Fitzgerald (again ‘cause she’s the best), is an ideal soundtrack for Nancy’s increasingly desperate descent as she spends every would-be speed date talking about Ace and THAT KISS. Equally appropriate is Billy Strayhorn’s Lush Life—velvet-voiced Johnny Hartman and saxophonist John Coltrane’s 1963 track positively drips with ennui, elegantly over cocktails, of course. If you’ve never heard this one, please give it a listen. There’s even a mention of a week in Paris 🥺.
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11. Episode 406, with the infamous Spider Prom, is Ace’s episode IMO—we finally get to see how he’s dealing with the loss of the love of his life and his best friend. He so desperately wants to somehow get back to being friends with Nancy, he resorts to spending countless hours with the help of S4 MVP Nick trying to catch Chunky Velez for her. Can’t We Be Friends? is the perfect song for him in this episode, gorgeously sung by Ella and Louis. That is, until he spies Nancy and Tristan dancing, and realizes what he can never have. Etta James’ blistering track I’d Rather Go Blind captures Ace’s feelings in that moment. He may have been the one to halt their attempts to brake the curse, but he’s hurting just as much as Nancy is.
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12. I’ve got two seminal songs to represent Episode 407. When Nancy realizes that Ace let Chunky go, and hears his admission that seeing her with Tristan hurt, it positively screams Cry Me a River. No, not the Justin Timberlake song 😅. This epic torch song was famously sung by Julie London in 1955, and expresses beautifully Nancy’s scorn at Ace’s hypocrisy even as she admits that he broke her heart.
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Their fight, and Nancy’s subsequent dashed hopes that Ace would call her bluff and come back, makes me think of Ev’ry Time We Say Goodbye. Another Cole Porter masterpiece sung by Ella. What can I say? You can’t top perfection:
Every time we say goodbye, I die a little Every time we say goodbye, I wonder why a little Why the gods above me, who must be in the know Think so little of me, they allow you to go
I dare you to listen to this track without weeping over the Nace of it all. Enjoy!
Well, Drewds, we’re just past the halfway mark of Season 4 and this post is already a novel, so I’m going to stop here for now. What did you think of my picks? Any you think I missed?
I’ll do a Part 2 as long as I get a few notes on this one 😂 . It will feature more classic songs that represent Nancy and Ace as they head into the back half of the season. I know it’s going to get rough ahead, but I promise the music will be sweet.
Update: Part 2 is here!
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presleybutlervsp · 1 month
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March 21, 1961
The soundtrack recording for Blue Hawaii began at Radio Recorders at 1.00 p.m. They worked until 11.50 p.m. In 2 days there were completed 15 songs, including Can’t Help Falling In Love. The usual Nashville players were there including Hal Blaine, a percussionist, and steel guitar and ukuleles to help create a Hawaiian sound.
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mariacallous · 4 months
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It’s been hard recently to think about anything other than the wars and humanitarian crises raging around the world. Climate change has left its mark in what was almost certainly the hottest year in human history—there were unprecedented heat waves, intensified forest fires, torrential rain, and floods like those in Libya that caused devastation after two dams burst.
But this has not stopped scientists, innovators, and decisionmakers from working on solutions to our biggest societal challenges—with success. Here is a collection of uplifting news to come out of 2023.
A powerful laser veered lightning strikes off their path
In an instant, millions of volts can damage buildings, spark fires, and harm people—unless the lightning can be redirected. An experiment with a laser beam suggests this is possible. The scientists behind it must now demonstrate that their multimillion-dollar laser would actually work better at critical sites such as airports and rocket launchpads than widely used, cheap lightning rods. Read more at Science.
Asteroid rocks and dust were brought to Earth
The first US mission to collect an asteroid sample, OSIRIS-REx, successfully returned a capsule containing granules and dust from the asteroid Bennu. Early analyses back at NASA’s lab suggest the sample is rich in carbon and water-laden minerals, the building blocks of life on Earth. Read more at WIRED.
Scientists grew mouse embryos for the first time ever in space
What would make humans a truly spacefaring species? If we could reproduce and grow outside of Earth’s atmosphere. It may be that this is possible, an experiment with mice suggests. Scientists managed to grow mouse embryos aboard the International Space Station and return them safely to Earth. Their initial growth appeared to be unaffected by the low gravity and high radiation. Read more at New Scientist.
A rare egg-laying mammal was rediscovered after decades
A species with the spines of a hedgehog, the snout of an anteater, and the feet of a mole seems hard to miss. But the long-beaked echidna Zaglossus attenboroughi—named after British naturalist David Attenborough—had remained hidden until caught on camera for the first time since it was scientifically recorded in 1961. This egg-laying mammal is known to only live in the Cyclops Mountains in the Indonesian province of Papua. Read more at Mongabay.
Countries signed a landmark treaty to protect the high seas
After almost 20 years of negotiations, members of the United Nations agreed to protect marine life in international waters—the two-thirds of the world’s oceans that lie outside of national boundaries. This legal framework enables, for example, the creation of vast marine protected areas (MPAs). It also states that “genetic resources,” such as materials from animals and plants discovered for use in pharmaceuticals or foods, should benefit society as a whole. Read more at The Guardian.
California national park bounces back after wildfire
Two years after California’s largest single wildfire burned almost 70 percent of Lassen Volcanic National Park, the ecosystem remains viable. Shrubs and grasses are growing in burned areas while fungi and insects are decomposing dead tree trunks, leading to a slow recovery. Read more at The Guardian.
Brazil’s top court rules for Indigenous rights in landmark case
A powerful agribusiness lobby tried to place time limits on Indigenous peoples’ right to land. They would have to prove they lived on the land in 1988, when Brazil’s current constitution was ratified. But many Indigenous peoples were expelled from their ancestral lands during the country’s military dictatorship, which lasted from from the 1960s to the 1980s. The Supreme Court in Brazil squashed the proposed time limit for land claims. Read more at AP News.
There could be a large reserve of hydrogen deep beneath the French ground
Hydrogen could power factories, trucks, ships, and airplanes in the future—but producing it requires a lot of energy and is expensive. But the gas also occurs naturally deep in the Earth’s crust, and researchers in France have accidentally stumbled on a potentially large deposit. Next year they plan to begin drilling to collect gas samples from depths of up to 1.8 miles. Read more at the Conversation.
The world may have crossed a solar power tipping point
A new study suggests that solar is on track to become the main source of the world’s energy by 2050—even without more ambitious climate policies being introduced. Renewables are already cheaper than fossil fuels. But in the case of solar energy, obstacles such as integration into electricity grids and financing in developing countries still need to be overcome in order for it to continue to grow as it has in recent years. Read more at the Conversation.
A new type of geothermal power plant is making the internet a little greener
A pilot plant is now helping to power Google data centers in Nevada by harnessing the Earth’s heat deep beneath it. Engineers drilled two boreholes down 7,000 feet, and then connected them by fracking, a technique that’s conventionally used in the oil and gas industry. Water sent down one borehole moves through the fracked rocks below and returns to the surface heated up via the other drilled hole. Read more at WIRED.
World’s first container ship powered by methanol completed its maiden voyage
Laura Maersk, the world’s first methanol-fueled ship, arrived in England in September—a milestone for the shipping industry, which is responsible for about 3 percent of worldwide emissions and struggling to decarbonize. Methanol can be made from food waste at landfills. Read more at the BBC.
A cheap and effective vaccine against malaria got approval
There’s now a second malaria jab that could be produced even quicker than the first and rolled out to more children. It got the thumbs up from the World Health Organization in October, two years after the first one. Malaria is the leading cause of death among children in sub-Saharan Africa. Read more at Stat News.
The largest study of migraine sufferers promises new treatment pathways
In the largest genetic study of migraines to date, researchers have identified more than three times the number of genetic risk factors previously known. This will help to better understand the biological basis of migraines and their subtypes and could speed up the search for new treatments. Read more at Science Daily.
Scientists made breakthrough in cervical cancer treatment
In a UK trial of 500 women, half received existing, cheap drugs before standard radiotherapy. The results showed that with the combined therapy, women’s risk of death or relapse fell by 35 percent. According to the researchers, this is the biggest improvement in treating this disease in over 20 years. Read more in the Independent.
Gene therapy showed early promise for children
Scientists in China reported that some children who were born deaf could hear after a gene therapy trial. Meanwhile, experiments are underway in the USA and France aimed at children with a rare form of genetic deafness. Read more at WIRED.
An implant restored walking ability for Parkinson’s patient
A man with advanced Parkinson’s disease can walk several miles again thanks to a special implant. Positioned in the lumbar region of the spinal cord, the implant sends electrical signals to his leg muscles. The scientists behind the innovation plan to carry out further trials with other patients in the coming year. Read more at SWI swissinfo.ch.
DeepMind’s new AI can predict whether a genetic mutation is likely to cause disease
Researchers at DeepMind, Google's AI company, have trained an AI model to detect DNA mutations, which could speed up the diagnosis of rare diseases. Similar to language models like ChatGPT, this model knows the sequences of amino acids in proteins and can detect anomalies. Read more at WIRED.
AI-powered prediction helped Chileans evacuate from floods
A forecasting tool from Google can predict floods in South America and other regions using a little data on the water flow of rivers, with impressive accuracy. This August, many people in Chile were able to evacuate safely and with their belongings thanks to a warning sent out two days before the flooding. Read more at Fast Company.
The Hollywood actors’ and writers’ battle against AI ended—for now
Generative AI has made it to Hollywood, and after months of strikes, both the writers and actors unions managed to negotiate guardrails on how the technology can be used in film and TV projects. AI cannot, for example, be used to write or rewrite scripts, and studios are not allowed to use scripts to train AI models without the writers’ permission. Read more at WIRED.
Lego bricks are teaching kids Braille
The iconic studs on the Lego bricks allow them to be stacked on top of each other. And now you can learn a new language while you’re at it. The company has started selling bricks with modified amounts of studs that teach the Braille alphabet. The corresponding letter or number represented by a brick’s studs are printed on each brick so that children can learn the code. Read more at TechCrunch.
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One famous skeleton, found in Shanidar cave in Iraq, illustrates particularly well the extent to which evidence for caring behaviours has changed our assumptions about the character of our ancestors. This particular skeleton, Shanidar 1, or ‘Ned’, has been the subject of much debate about the emotional dispositions of Neanderthals (Homo sapiens neanderthalensis) and the extent to which they were kind or callous.
Ned had certainly had a very rough life. He lived around 45,000–70,000 years ago and survived a remarkable level of injury and impairment. His bones were excavated between 1957 and 1961, and demonstrated many different injuries. Probably, as a young adult, he had suffered a blow to the left side of his face, resulting in blindness or only partial sight in one eye. He also had a hearing impairment; a withered right arm, the lower part of which had been lost after a fracture, and possible paralysis; deformities in his foot and leg, leading to a painful limp; and advanced degenerative joint disease. How he suffered his eye-watering range of injuries is not entirely clear, though there has been speculation that he may have been injured in a rock fall.
What was remarkable about this individual was not his injuries themselves but the length of time over which he had survived despite them. He had been injured at least 10 to 15 years before his death, with the curvature of his right leg compensating for injuries to the left. Yet Ned lived until he was aged between 35 and 50, relatively old for a Neanderthal, despite his range of debilitating impairments. These restricted mobility, ability to perform manual tasks, and perception. Solecki (1971), and later Trinkaus and Shipman (1993), argued that he could not have survived without daily provision of food and assistance. Trinkaus and Zimmerman even commented (1982: 75) that Neanderthals ‘had achieved a level of societal development in which disabled individuals were well cared for by other members of the social group’. Aside from Ned himself, there are many other cases suggesting care against the odds. We now have a wealth of evidence for Neanderthal care, with more than 20 cases of probable care for illness or injury recorded. In many, it is clear from the severity of illness or injury and evident lack of possibility of recovery that only genuine caring motivations rather than any calculated reasons explain the help the injured received.
After his treatment in life, Ned was also carefully buried after death.
Penny Spikins, Hidden Depths: The Origins of Human Connection
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bayareabadboy · 1 month
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March 23, 1961
Hollywood, California
Elvis Presley recorded "Can't Help Falling in Love" at Radio Recorders for the soundtrack to the film "Blue Hawaii."
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lovesongbracket · 1 year
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Reminder: Vote based on the song, not the artist or specific recording! The tracks referenced are the original artist, aside from a few rare cases where a cover is the most widely known.
Lyrics, videos, info, and notable covers under the cut. (Spotify playlist available in pinned post)
Can't Help Falling in Love
Written By: George David Weiss, Luigi Creatore & Hugo Peretti
Artist: Elvis Presley
Released: 1961
Covers included: A*Teens, 2002; Ingrid Michaelson, 2008; twenty one pilots, 2012; Kina Grannis, 2017; Ice Nine Kills, 2021
A tender ballad about being unable to resist falling in love, “Can’t Help Falling in Love” is one of Elvis' most famous and romantic songs. Originally recorded to tie along with his movie, Blue Hawaii, the song has since been covered by various other artists, from U2 and Britney Spears to twenty one pilots. Rolling Stone ranked it as the 5th best Elvis song of all time, and it was also ranked as the 50th most popular wedding song by Billboard magazine.
[Verse 1] Wise men say "Only fools rush in" But I can't help Falling in love with you [Verse 2] Shall I stay? Would it be a sin If I can't help Falling in love with you? [Chorus] Like a river flows Surely to the sea Darling, so it goes Some things are meant to be [Verse 3] Take my hand Take my whole life, too For I can't help Falling in love with you [Chorus] Like a river flows Surely to the sea Darling, so it goes Some things are meant to be [Outro] Take my hand Take my whole life, too For I can't help Falling in love with you For I can't help Falling in love with you
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Work Song
Written By: Hozier
Artist: Hozier
Released: 2014
Alternate version included: Live in America, 2015
This is the only song on Hozier’s self titled album to have a title that is not entirely composed of lyrics from the song. The song is about the love of a worker’s life lending him strength during a hard day’s work. The song encompasses indie with strong influences on folk, blues and negro spirituals.
[Verse 1] Boys, workin' on empty Is that the kinda way to face the burning heat? I just think about my baby I'm so full of love I could barely eat There's nothin' sweeter than my baby I'd never want once from the cherry tree 'Cause my baby's sweet as can be She give me toothaches just from kissin' me [Chorus] When my time comes around Lay me gently in the cold dark earth No grave can hold my body down I'll crawl home to her [Verse 2] Boys, when my baby found me I was three days on a drunken sin I woke with her walls around me Nothin' in her room but an empty crib And I was burning up a fever I didn't care much how long I lived But I swear, I thought I dreamed her She never asked me once about the wrong I did [Chorus] When my time comes around Lay me gently in the cold dark earth No grave can hold my body down I'll crawl home to her When my time comes around Lay me gently in the cold dark earth No grave can hold my body down I'll crawl home to her [Bridge] My babe would never fret none About what my hands and my body done If the Lord don't forgive me I'd still have my baby and my babe would have me When I was kissin' on my baby And she'd put her love down, soft and sweet In the low lamplight, I was free Heaven and hell were words to me [Chorus] When my time comes around Lay me gently in the cold dark earth No grave can hold my body down I'll crawl home to her When my time comes around Lay me gently in the cold dark earth No grave can hold my body down I'll crawl home to her
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retropopcult · 10 months
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"Can't Help Falling in Love" is a song recorded by American singer Elvis Presley for the film (and album) Blue Hawaii (1961). The lyrics were written by Hugo Peretti, Luigi Creatore, and George David Weiss and the melody is based on "Plaisir d'amour", a popular French love song composed in 1784 by Jean-Paul-Égide Martini.
The single topped the British charts in 1962, spending four weeks at #1; in the US, the song peaked at #2 on the Billboard Hot 100 for six weeks but was unable to dethrone the song "Peppermint Twist". Nevertheless, it proceeded to sell over a million copies and is certified Platinum.
in the film, Elvis plays Chad Gates, a young man recently discharged from the army. He's eager to return to his old Hawaiian lifestyle with his surfboard, his guitar, and his girlfriend Maile... but his mother wants him to take over the family business, the Great Southern Hawaiian Fruit Company.
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hooked-on-elvis · 4 months
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Elvis Presley in "Kid Galahad" (1962) 🥊💥
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Directed by Phil Karlson and released by United Artists in August 1962. The movie opened at #9 at the American box office. Variety ranked it #37 on its list of the top-grossing films of 1962. "Kid Galahad" with Elvis Presley is a remake of the 1937 version starring Edward G. Robinson, Bette Davis and Humphrey Bogart and directed by Michael Curtiz, who also directed the 1958 Presley film "King Creole" released in 1958. Its actually said that Elvis prefered Mr. Curtiz had directed "Kid Galahad" instead of the actual director, just because he thought Michael was a perfect fit for this production.
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#PLOT
Willy Grogan (Gig Young) is a small-time boxing promoter and innkeeper based in the Catskills resort region of Cream Valley, New York. He is a contemptible man who is in debt and pays little attention to the woman who loves him, Dolly (Lola Albright), a chain-smoking, love-starved woman residing at the camp. Walter Gulick (Elvis Presley) arrives, a young man recently discharged from the army (they based Elvis' character on his real life pretty frequently on the scripts. Elvis had been discharged from the army a year before, in March 1960. This wasn't the first of his characters to be a former soldier tho) who loves the peaceful setting almost as much as he loves working on old cars. Walter wishes to find work as a mechanic at a nearby garage.
[Sub-plot/romance] When Willy's younger sister Rose (Joan Blackman) shows up unexpectedly, she becomes interested in Walter. Willy objects because he doesn't want Rose to fall for a "grease monkey" mechanic and two-bit boxer. Dolly is envious of the young couple's romance and resents Willy's interference.
Walter, in need of work, accepts a job as a sparring partner and knocks out one of Willy's top fighters. Even tho Walter is not a professional boxer, Willy, afraid of his debts expiring, convinces Walter, dubbed as "Kid Galahad" for him, to try his hand in a real bout. Both men are reluctant but need money. Walter begins training under the watchful eye of Lew Nyack, Willy's top trainer (Charles Bronson).
Some fights here and there, and then there's the biggest fight, the ultimate challenge. Will Walter win the competition even being an amateur boxing fighter?
Place your bets🥊💥
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PRODUCTION, ACTORS AND SOUNDTRACK
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Professional boxing coach "Mushy" Callahan trained Elvis for the fight scenes. He is credited as "Technical Advisor" for this movie. Above we see Elvis Presley practicing with Mushy Callahan on the set of Kid Galahad, 1961.
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Kid Galahad was shot on location in Idyllwild, California and onset in Hollywood, CA.
Shooting began in early November 1961 at Hidden Lodge, Idyllwild, California, before a storm forced a move to Hollywood.
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Above, Elvis between takes on the "Kid Galahad", 1961.
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Makeup shots for Kid Galahad at Culver Studios, Culver City, CA, 1962
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Elvis shows what he looks like after he gets slammed. I believe they intentionally opted for "smoothing" the makeup bruises big time, since it's a pretty shocking image seeing Elvis like in the last two pictures, specially. Like, wtf?! It really shocked me seeing this picture. Now imagine this beaten up Elvis in motion on the big screen for thousands of teenagers to see. It looks straight out from a horror picture, doesn't it? Great talented makeup artist tho!
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ELVIS' CO-STARS in 'Kid Galahad' (1962)
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Presley's co-starts in "Kid Galahad" were Joan Blackman, Lola Albright, Charles Bronson and Gig Young.
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And last but not least, the movie soundtrack
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"Kid Galahad" (EP) released on August, 1962.
Six songs were recorded for the film and the soundtrack was issued as an extended play record in August 1962 to coincide with the film's premiere. Recorded on October, 1962, at Radio Recorders (Hollywood), the EP "Kid Galahad" was released in August 28, 1962.
The tracks featured on this EP were: "King of the Whole Wide World", "This Is Living", "Riding the Rainbow", "Home Is Where the Heart Is", "I Got Lucky" and "A Whistling Tune" — As the plots for Presley films became interchangeable, songs rejected for a certain storyline could later be used for an entirely different film, as with "A Whistling Tune" which had been omitted from Presley's previous film "Follow That Dream" (1962) but found a place here instead.
The featured song from the album, "King of the Whole Wide World", received Top 40 radio airplay and reached No. 30 on the Billboard Hot 100 singles chart.
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"I Got Lucky" on scene from "Kid Galahad"
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RECEPTION
"Kid Galahad" didn't have a warm reception among critics.
Variety's note was: "The story may be old, the direction not especially perceptive, the performances in several cases pretty poor, but United Artists' 'Kid Galahad' is apt to be a moneymaker in spite of all this." Another critics report, John L. Scott in the Los Angeles Times called the story "old hat" but thought that it "should more than satisfy the horde of Presley fans."
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If you like this movie or not, it serves an undeniable purpose: Giving Elvis fans their well-deserved Elvis appreciation time. ❤️‍🔥
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I don't know about you but I find Elvis incredibly, and specially, sexy in tank tops, cotton short-sleeves T-shirts and sweatshirts. In that movie EP delivers that all at once. The ultimate [hunk] boy next door.
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... let's not forget the shirtless scenes. Yeah... the shirtless scenes. 🫠
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Yeah, leaving aside the movie, Elvis Presley's our ultimate champion winning with a high score. He holds the champion's belt for the hottest/sexier man ever alive since the 50s. No one take over his title, no one can beat Elvis Presley. 🏆✨
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Elvis Presley in "Kid Galahad" (1962).
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fuh-saw-t · 2 years
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Is there historical evidence of people using neopronouns such as fae/ey/thorn or even nounself pronouns like bee/cloud and whatever?
While neopronouns overall are nothing new - considering the development of language overall and the evidence of people using/proposing pronouns that appear very similar to the neopronouns used today - I found very little evidence pointing to people using pronouns such as fae/faer etc.
Pronouns I've found historical evidence for that are similar to the ones in your question are:
Thon/Thons:
Date of Origin - 1858
'Thon' is a pronoun created in the absence of a gender-neutral third-person singular. It is predominantly thought to be a blending of 'that one', and was coined by the composer Charles Converse in 1858 (who, fun fact, composed church songs). The pronoun was recognised, being added to the dictionary between the years of 1934-1961, however it was removed due to lack of use.
Sources: Merriam Webster
e/es, ey/eir, em/ems, etc:
Date of Origin - 1890/1991
These all fall under Spivark-pronouns, which are a proposed set of gender-neutral pronouns coined by mathematician Micheal Spivark. The first recorded use of these pronouns was by James Rogers in 1890, in response to the pre-mentioned proposition of 'thon'. These are intended to be derived from the common pronouns 'he' and 'them'.
Sources: Infogalactic Page
In terms of noun-self pronouns (pronouns which include a noun, such as 'bee' or 'cloud' in your question), these are very new concepts to the English language. I could not find a recorded or referenced usage of them pre-2010s. It appears that the majority of the usage of noun-self pronouns appears on websites such as tumblr, which is cited as the origin of this form of pronoun.
Bonus Sources:
2019 Gender Propositions from Oxford English Dictionary
The Trevor Project - Pronoun Statistics
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t-horn-n · 1 year
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— puzzle pieces
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PAIRINGS: eddie munson x reader (gender-neutral)
GENRE: fluff
WARNINGS: none
SUMMARY: the dorky little things that comprise the enigma of you and eddie.
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Sometimes, Eddie returns to the trailer after a two hour band practise, the electric currents from the amps still racing through his veins and the rhythm of his song falling from his lips.  Wayne is at work, but both the screen and inner doors are pulled tight against their frame, something he never does.  He’s always flinging the doors on their hinges as he hurries out of the morning, perpetually late.  Now he enters his home and sees a pair of legs peeking out from underneath his bed.  He creeps closer and sees your lightened knees, dry from impending winter and lack of lotion.  You lay half shrouded in the darkness Eddie’s bed offers.  Your arms spread to their full wingspan, a walkman in one palm connected to the headphones atop your head.  You can hear Eddie chuckle over the sound of Axl Rose’s voice and he kicks off his shoes.  The soles are caked with dirt and the laces are tinted grey.  He shimmies beside you and together you stare at the wooden slats of his bed frame. 
You and Eddie ditch last period to sit on his picnic table in the woods.  You’re tucked between his legs and one of his hands rests on your thigh, fingers drumming a ceaseless beat.  Behind you, his head bobs to an unheard song.  You’re fiddling with his rings, twisting them around and around his fingers.  You’ve named all of them, some genuinely, others while you were just a little high.  Mr Bones is the silver skull wrapped around his middle finger.  Darlin’ is a thick band inlaid with minuscule moons, you have a matching one with suns stamped around the perimeter.  You address the rings, praising their beauty and babbling about your day until Eddie gets jealous and pulls his hand away, sitting on it.  “I’m going to stop wearing them since they steal all of your attention,” he murmurs into your ear.  You laugh and peck his jaw. 
At 3AM on Tuesday, you and Eddie are sitting on his bed with heavy metal blasting out of his record player so loudly that Wayne has told you to turn it down three times.  The comforter and floor are covered in paper scraps, glitter, and cardboard.  Precariously balanced on top of the assorted junk piled on Eddie’s desk is the remnants of a pizza.  For the past five hours you have been making various props and decorations for his next D&D campaign on Thursday.  False stalagmites, a canopy to hang over the table, lurking eyes made of paper.  “Anything for your sheep,” you had said when Eddie asked you to help him in this endeavour.  “Anything for our sheep,” he had corrected you.  In the morning, Eddie woke up to find googly eyes glued to his face.
Eddie is like a crow.  He finds things, little discarded trinkets, often shiny, and brings them back to you.  You leave to go to the bathroom for five minutes and when you’re back there’s three mystery items on your desk.  Frequently, its discarded change.  A quarter, newly minted in the last half-decade; a dime from 1961; a dollar coin handled so many times the face is nearly rubbed off.  Sometimes he folds gum wrappers into little cranes or a rose.  You keep a jar of his treasures on your bedside table, and when it’s full you move it to your shelf and buy another jar.
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— m. list
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widowshill · 8 months
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TO A CASTLE I WILL TAKE YOU. a roger/victoria playlist with selections from the collinwood record cabinet.
The Beatles – I Saw Her Standing There (1963) / The Beatles – Fool on the Hill (1967) / The Beach Boys – Sloop John B (1968) / The Monkees – Shades of Gray (1967) / The Hondells – Younger Girl (1966) / The Monkees – A Little Bit Me, a Little Bit You (1967) / The Beatles – Young Blood (1963) / Led Zeppelin – What is and What Should Never Be (1969) / The Monkees – Randy Scouse Git (1967) / Crosby Stills Nash & Young – Sea of Madness (1969) / Elvis Presley – Are You Lonesome Tonight? (1960) / Nat King Cole – I’ve Grown Accustomed to her Face (1963) / The Mamas and the Papas – Dream a Little Dream of Me (1968) / Jefferson Airplane – Come Up the Years (1966)  / Doc Thomas Group – Rescue Me (1967)  / The Turtles – Happy Together (1967) / Nino Tempo and April Stevens – Deep Purple (1963) / Elvis Presley – Can’t Help Falling in Love (1961) / The Sandpipers – La Mer (Beyond the Sea) (1966) / The Monkees – Sometime in the Morning (1967) / Nino Tempo and April Stevens – Sea of Love/ (Sittin’ on) The Dock of the Bay (1969) 
why don't you do what I do, see what I feel when I care? why don't you be like me? why don't you stop and see? why don't you hate who I hate, kill who I kill to be free.
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