#Phil Edgar

[atorionsbelt]

Phil Dunster attends GQ Men of the Year Awards

pictured with Fionn O'Shea, Daisy Edgar-Jones, India Mullen, and Theo James

#THATS MY BOYO #phil dunster #pdunsteredit #jamie tartt #ted lasso #op #finn o’shea #daisy edgar jones #india mullen #theo james

[weirdlookindog]

The Phantom of Paris (The Mystery of Marie Roget, 1942)

#the mystery of marie roget #the phantom of paris #patric knowles #maria montez #maria ouspenskaya #1942 #1940s movies #phil rosen #mystery #film noir #edgar allan poe #movie poster

[elijones94]

🍃🐾 Young Tarzan & Jane Porter 🦍

@moveslikeanape

#Young Tarzan #Jane Porter #Tarzan #Tarzan and Jane #character study #vine swinging #jungle #Disney fanart #Son of Man #Strangers Like Me #Trashin’ the Camp #Two Worlds One Family #You’ll Be In My Heart #Phil Collins #Edgar Rice Burroughs #Alex D. Linz #Minnie Driver #Tony Goldwyn #John Ripa #Ken Duncan #Glen Keane #late night drawing #Kala #Kerchak #Terk #Tantor #Professor Porter #Clayton #Sabor the Leopard #Tarzan’s parents

[missrandomdreamer]

Edgar Allan Poe's The Bells sung by Phil Ochs

Have some little chaos today <3

#youtube #edgar allan poe #the bells #phil ochs #i love the building chaos of this poem and its just even more so with the music and song

[shit-the-vampyr-cast-never-said]

Edgar: I may have done something you told me to never do again.

Elisabeth: ...

Elisabeth: That is a very long list.

#Vampyr #Vampyr Incorrect Quote #Edgar Swansea #Elisabeth Ashbury #Source: Dan and Phil

[doodlingcrayon]

More Yakuza karaoke jokes. Doki would have the time of her life with “x3shine”! Edgar, however--

#Doki #Edgar #dnd #procreate #illustration #help him. he's been through so much. #also i streamed this to my friends as i drew it and it was SO much fun #shout out to phil for making his own character look even MORE distraught that i initially intended #he came up with the empty glasses and the ice pack and i feel like they just. add so much here LMAO

[ich-bin-der-chrome-dinette]

spotted at the Crane Ave location of MIller's Crossing Antiques

The Deep Purple thing is, of course, Thin Lizzy plus other guys.

The Glass Prism thing was recorded by LEs Paul, for some reason.

#vinyl #thin lizzy #poe #Edgar allen poe #les paul #Phil lynnott

[graphicpolicy]

Crowdfunding Corner: Vampires on Mars asks how much will you give up to get what you want?

Crowdfunding Corner: Vampires on Mars asks how much will you give up to get what you want? #comics #comicbooks

Backer Beware: Crowdfunding projects are not guaranteed to be delivered and/or delivered when promised. We always recommend to do your research before backing. It’s an intergalactic confection composed of a force far beyond human ability—it’s Vampires on Mars #1, now live on Kickstarter! Co-created by writer George O’Connor, with art by Fernando Pinto, through a mix of sci-fi, horror, and dark…

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#alex cormack #comic books #Comics #ellie wright #fernando pinto #george o&039;connor #jacob edgar #james emmett #justin birch #kickstarter #phil plait #vampires on mars

[ninhaoma-ya]

Here, have an earworm that made me write.

Based on Edgar Allan Poe’s “The Bells” (1849).

#on the docks #earworm #edgar allan poe #the bells #phil ochs

[poppletonink]

Jess Mariano: An Inspired Reading Recommendations List

Please Kill Me: The Uncensored Oral History Of Punk by Legs McNeil and Gillian McCain

On The Road by Jack Kerouac

Sweet Dreams: The Story Of The New Romantics by Dylan Jones

Pride And Prejudice by Jane Austen

The Sun Also Rises by Ernest Hemingway

We Owe You Nothing, Punk Planet: The Collected Interviews by Daniel Sinker

Factotum by Charles Bukowski

The Green Mile by Stephen King

Slaughterhouse Five by Kurt Vonnegut

Why Bowie Matters by Will Brooker

A Light that Never Goes Out: The Enduring Saga of the Smiths by Tony Fletcher

The Tell-Tale Heart by Edgar Allan Poe

1984 by George Orwell

Punk Avenue: The New York City Underground 1972-1982 by Phil Marcade

Emma by Jane Austen

Neverwhere by Neil Gaiman

The Catcher In The Rye by J.D. Salinger

Howl and Other Poems by Allen Ginsberg

The Old Man And The Sea by Ernest Hemingway

Daisy Jones & The Six by Taylor Jenkins Reid

#books #book blog #booklr #readblr #book reccs #book recommendations #bookaddict #bookblr #bookworm #jess mariano #team jess #jess mariano vibes #jess mariano book list #jess mariano reading #book list #gilmore girls #gilmore girls book list #ernest only has lovely things to say about you

[fangerine]

"Take car. Go to mum's. Kill Phil. Grab Liz. Go to the Winchester. Have a nice cold pint. Wait for all this to blow over."

SHAUN OF THE DEAD (2004) dir. Edgar Wright

#shaun of the dead #edgar wright #simon pegg #nick frost #gifs #movies #film #gif set #film edit #movie edit #film gifs #movie gifs #gif edit

[curiouscreationss]

ASOUE characters: How popular are they on Ao3?✨📚😎😮🫢

No.of fics with each character in them

Baudelaires:

Beatrice: 417

Bertrand: 257

🔧Violet: 977 🏆

📚Klaus: 822

🍳 Sunny: 662

👶 Beatrice II: 192

Quagmires:

Mrs Quagmire: 34

Mr Quagmire: 28

🖋️Isadora: 369 🏆

🗞️ Duncan: 367

🗺️ Quigley: 332 (Surprising tbh, I thought he’d win out of the triplets at least)

Widdershins:

⚓️Captain Widdershins: 40

🍄 Fiona: 114

🪝 Fernald: 166 🏆

Olaf+his troupe:

🎭 Count Olaf: 722 🏆

🍸 Esmé Squalor: 379

Woman with hair but no beard: 30

Man with beard but no hair: 25

👓 Georgina Orwell: 143

Henchperson of indeterminate gender: 84

Bald man: 57

White-faced women: 56 (just mildly less popular than the bald man yet there’s TWO of them- that’s gotta blow 😔-)

🎪[The Freaks] 🎪

Kevin: 14 🏅

Hugo: 13

Collette: 12

Denouements:

Frank: 76

Ernest: 92

🦄: 102 🏆

Snickets: (Take this with a grain of salt bc they have a whole other series -ATWQ- going for them)

Jaques: 347

Kit: 410

Lemony: 536 🏆

Guardians+the likes:

🏦 Mr Poe: 104

🗞️ Eleanora Poe: 14

📰 Polly Poe: 1

🐑 Edgar Poe: 10

💰 Albert Poe: 6 (Why is Edgar more popular??)

🐍Uncle Monty: 114

🐍 Ink/The Incredibly Deadly Viper: 8

🪟 Aunt Josephine: 72

Ike Anwhistle: 26

[🚬 Sir: 30

Charles: 54

👓 Georgina Orwell: 143 🏅

😃 Phil: 10 ]

[🎻Vice Principal Nero: 37 (That’s less than the bald man who has maybe 3 lines total, take that!)

Mrs Bass: 4 (Damn.)

Ms. Tench: 2 (Double damn)

Mr Remora: 3

📚 Olivia Caliban: 237 🏅]

🍸 Jerome Squalor: 104

(✨Esmé Squalor: 379 but I put her in the Olaf’s troupe section. This is just for quick comparison to Jerome. Poor guy. Ish. I don’t actually feel that bad for him tbh.)

🦅 The Council of Elders: 4

🎈 Hector: 48

Hal: 8

Babs: 9

Phil: 10

[🍎 Ishmael: 17

🐟 Miranda Caliban: 8

🕶️ Friday Caliban: 26 🏅

🚢 Thursday: 5 ]

Miscellaneous VFD members:

😎 Jacquelyn Scieszka: 172 🏆

🎥 Gustav Sebald: 78

🐟 Larry Your-Waiter: 85

👑 Duchess R of Winnipeg: 61 or 64 (3 are under ‘Duchess R’

Uncategorised:

Ben: 4

🚲 The Paperboy: 3

💃 Carmelita Spats: 149

Top 3:

1~ Violet Baudelaire! 🔧💜 (977 fics on Ao3 are tagged ‘Violet Baudelaire’! 🎉)

2~Klaus Baudelaire!!📚💙(822 fics!)

3~ Count Olaf! 👁️ 😈 (722 fics!)

Loser:

Polly Poe (with a disappointing 1 fic!😱)

#asoue #asoue fic #a series of unfortunate events #soue #ao3 #asoue fanfic #klaus baudelaire #Violet Baudelaire #Sunny Baudelaire #beatrice baudelaire #bertrand baudelaire #lemony snicket #kit Snicket #Jaques Snicket #quagmire triplets #Baudelaire children #Baudelaire orphans #fiona widdershins #fernald widdershins #count Olaf #esmé squalor #jerome squalor #Charles #sir #jacquelyn scieszka #olivia caliban #the denouements #dewey denouement #ernest denouement #gustav sebald

[weirdlookindog]

The Phantom of Paris (The Mystery of Marie Roget, 1942)

#the phantom of paris #the mystery of marie roget #patric knowles #maria montez #maria ouspenskaya #1942 #1940s movies #phil rosen #mystery #film noir #edgar allan poe #press book

[elijones94]

🍃🐾 Whenever I do drawings of characters from Disney’s “Tarzan”, I usually refer back to original drawings, storyboard drawings, or early concept drawings by Glen Keane, Ken Duncan, Bruce W. Smith, John Ripa, and Sergio Pablos. It’s fascinating to see earlier versions of characters from their respective movies. With this drawing I did of Tarzan’s mother, Alice Clayton, is actually based off an early concept sketch by Glen Keane. Keane was the supervising animator for Tarzan (as an adult). John Ripa was the supervising animator for Baby Tarzan and Young Tarzan. As an adult, Tarzan gets his hair color and facial shape of his father and his mother’s hair type and eye color. Additionally, their deaths were way more gruesome in the original book than in the Disney movie. In the book, his parents get marooned by mutineers. At the beginning of the movie, they’re escaping from a burning ship. In contrast to the movie Tarzan’s mother dies from natural causes and his father gets killed, not by Sabor, but by Kerchak which is pretty shocking. 🦍🐆

#Tarzan #Alice Clayton #John and Alice Clayton #Baby Tarzan #character study #Disney fanart #Tarzan 1999 #Two Worlds One Family #deceased characters #Tarzan’s mother #Tarzan’s parents #Sabor the leopard #jungle #Africa #Glen Keane #You’ll Be In My Heart #Phil Collins #Tarzan of the Apes #Edgar Rice Burroughs #opening scene #Lady Alice Clayton #Tarzan and Jane

[blazepandaartz]

Hey guys, it's Steven Edgar Diego Lucy Kramer Emilio Morgan Cosmo Soloman Phil Joe Aaron Jordan Eugene Arnold Gertrude Tyrone Jones Henry Kevin Daniel Steven Larry Philip Logan Chris James Jack Oliver Jackson Aiden Mason Luke Levi Cameron Wyatt David Carter Issac Jayden Luca Thomas Maverick Josiah Charley Miles Caleb Griffin Nathan Eli Andrew Cooper Santiago Christian Landon Roman Brook Wesley Jeremiah Hunter Jordan Jose Connor Dominic Adam Ryder Kingston Damian Sawyer Vincent Chase Diego Milo Cole George Zion Luis Jonah Ayden Calvin Jones Stevenson here.

#Had a ton of fun painting this in procreate #blazes art #art #artists on tumblr #art tumblr #tumblr art #tumblr artist #tumblr artists #digital painting #procreate painting #dsaf #dayshift at freddy’s #dsaf phone guy #steven stevenson #dsaf steven #dsaf steven stevenson

[spiderdreamer-blog]

Tarzan (1999)

It's hard to define sometimes where the end of the Disney Renaissance period from the late 80s through the 90s is. After the release of The Lion King, the 2D animated features steadily made less money and critical acclaim became more mixed. There was a sea change occurring thanks to more competition from companies like DreamWorks and Warner Bros., as well as the advent of the computer. For me, the dividing line is 1999's Tarzan, mostly because it's after this point that we get to what I and others call the 2000-2004 "experimental" age with films like The Emperor's New Groove, Atlantis: The Lost Empire, Lilo & Stitch, and Treasure Planet. But Tarzan has much in common with those films, representing a step away from the Broadway musical traditions and into a new, intriguing arena of animation storytelling. It's genuinely one of my favorite Disney films to revisit, and I hope this review helps explain why.

The story takes Edgar Rice Burroughs' initial novel Tarzan of the Apes as a guideline more than an actual adaptation, namely ditching concerns about nobility wealth inheritance and unflattering black African caricatures (the spinoff TV series would deal with the latter in trying to be, uh, less problematic about such). We pick up with Ye Olde Dramatically Convenient Boat Wreckage in a truly commanding opening sequence set to Phil Collins' anthemic Two Worlds. Tarzan's unnamed parents land in Africa and are put in parallel to gorillas Kala (Glenn Close, at the time coming off a very different performance for Disney as live action Cruella De Vil) and Kerchak (Lance Henriksen). Tragedy strikes for both families, and where one loses his parents, another gains a son. But Tarzan (Alex D. Linz as a child, Tony Goldwyn as an adult) grows up knowing he is "different", desperate to prove himself as an ape and belong. He seems to find an equilibrium, becoming best friends with Terk (Rosie O'Donnell) and Tantor (Wayne Knight at his most nebbishy), and even managing to vanquish Sabor, but then strangers arrive. Strangers who look like him, in the form of British scientist Archimedes Porter (Nigel Hawthorne), his daughter Jane (Minnie Driver), and their guide Clayton (BRIAN BLESSED). Now things steadily grow more complicated as Tarzan wishes to learn all he can about these outsiders and himself, but what might it cost?

One of the first, most notable things about the film to me is its complexity in the writing and characterization. Looking back, the Renaissance can have a problem in terms of male leads being love interests who don't get as much focus or slightly bland focus-tested "likable". This isn't true for ALL of them; the Beast has many layers to his personality, while Simba and Quasimodo are great, imo, because they have more baggage tying them down and thus more to rise above for true heroism. Nor does it make most of them bad characters. But it was notable enough, as was the tendency for them to be overshadowed by the villains or sidekicks, for co-directors Kevin Lima/Chris Buck and writers Tab Murphy/Bob Tzudiker/Noni White to slightly...course-correct.

Ergo, Tarzan himself is very much the main focus here. There's only one major sequence that he's not really involved with, and even when he's not onscreen, the other characters are as intrigued by his contradictions as the audience. (Insert your own Poochie jokes here, though obviously it doesn't come CLOSE to that) We truly feel his anxiety about fitting in, and the lengths he goes to are intensely relatable even at their most self-damning.

The other characters, too, feel richer and more lived-in than many of the standard types. Kala is a mother figure, one who tries to make Tarzan feel like he belongs, but is deeply scared of losing him. Kerchak is possibly my favorite character in the film because of how much you have to read into his actions because he holds so much back emotionally until the very end. Even then, he comes off as a more realistic harsh father figure than a caricature, and we can always understand where he's coming from. Jane is one of the best Disney love interests, meanwhile, feeling like a modern romantic comedy heroine with a lot of drive and initiative, as well as being just genuinely nerdy, which you don't often see even today. Clayton manages a nice two-step of seeming like an obvious bad guy but playing things down the middle until he gets what he wants. Even the comic relief gets good moments, such as Professor Porter gently supporting the romance or Tantor standing up for himself at a critical juncture.

Of course, what helps here is that said characters have some of the most beautiful environments and animation backing them up in Disney history. The African jungle is depicting as a kind of painterly, hyper-real fantasy, with impossible tree shapes and vines that bloom in the sunlight. And the then-revolutionary Deep Canvas CGI process allows Tarzan to soar through them, the camera spinning and rotating with each movement. The design sensibility is "classical" Disney to a large degree, but with slightly longer faces or larger eyes to add expressiveness. The California, Parisian, and Florida animation teams all clearly busted their asses to make this come to life. And Glen Keane's work with the Paris studio on Tarzan might be the best of his legendary career in terms of the variety of movements and subtleties in expressions. So too goes the rest of the supervising animators: Ken Duncan makes Jane truly lovable and wholly distinct from the likes of his Meg or Amelia; Randy Haycock gives Clayton a macho swagger that feels entirely his own rather than feeling like a Gaston ripoff; Bruce Smith combines remarkable anatomy work and microexpressions with Kerchak; Russ Edmonds' Kala is warm and motherly while never letting you entirely forget she's a gorilla; Dave Burgess makes Porter funny with his slightly squat, short shapes; and Mike Surrey and Sergio Pablos make for an excellent duo on Terk and Tantor in terms of contrasting their size, as well as the latter giving nervous-nelly body language to such a huge character. That's harder than it looks.

The aural end is just as good. Much hay and memery has been made of Phil Collins going ridiculously hard on the storytelling songs, which I fully support. But it really is true that they add so much here and take the burden off the characters in terms of singing save for the improvisational scat number "Trashin' The Camp". I'm partial to "Strangers Like Me" in terms of the earnest yearning and connections that Tarzan makes over the course of it. And of course the various versions of "Two Worlds" are essentially the mission statement of the film, complete with absolutely bitchin' percussion. Mark Mancina's accompanying score is also excellent, sounding like a fusion between The Lion King (which he produced/arranged for both the film and Broadway show) and his action movie work on projects like Speed or Bad Boys. Particularly great is the cue that plays when Tarzan defeats Sabor and builds up to his classic yell, which milks the heroic triumph for all its worth.

The voice cast is also excellent top to bottom. Goldwyn has a deeper timbre than many Disney male leads, less of an ingenue, and this adds to the stormier emotions; we truly feel his pain on lines like "Why didn't you tell me there were creatures that look like me?" But he's not TOO grim, thankfully, and gets some good subtly funny moments such as sounding out monkey noises in a conversation that Jane only hears one half of. Close is properly maternal, of course, getting her best showings in emotional one-on-ones with both Linz and Goldwyn as they hash out their relationship. Henriksen, like the animation, wisely underplays Kerchak and lets the emotion come out through his gruff, gravel-pit voice rather than obviously signaling things. Driver is hilarious and winning as Jane, getting some of the best laughs and most sweetly tender bits of the proceedings. It's all the more impressive when you consider she played Lady Eboshi in the Princess Mononoke dub the same year, which is the utter opposite of this performance. BRIAN BLESSED doesn't do a lot of his patented BRIAN BLESSED yelling outside of some choice bits at the end, but he makes a meal of Clayton regardless as a charismatic asshole, and I like how he plays a climactic bit of manipulation in particular. Hawthorne gets a much better showing here than his previous Disney voice role as Fflewddur Flam in The Black Cauldron, daffily sweet and humorous in equal measure, while O'Donnell and Knight are familiar vocally but use that to inform their characterizations rather than distract.

I think what I like most about this movie is that it feels incredibly well-rounded. Some Disney movies from this period might have a great villain or sidekicks but a weaker protagonist in Hercules or strong protagonists/villains but a weaker supporting cast as in The Hunchback of Notre Dame. (Then you have Pocahontas, which sucks on ALL ends!) In Tarzan, everything feels of a piece, and nobody jars against the tone or mood. Combine that with the dizzying highs of the animation and truly excellent emotional beats, and you've got a real winner that stands the test of time in my eyes.

#disney animated canon #tarzan #disney's tarzan #reviews #analysis