Joni Mitchell "Both Sides Now" Paris Theatre, London, England, October 29, 1970.
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THREE OF THE MOST SPIRIT/SOUL/LIFE-CRUSHING BILLS IN THE KNOWN UNIVERSE.
PIC(S) INFO: Spotlight on a show/gig flyer for Osaka-based sludge/DOOM metal band CORRUPTED (headlining), with band's NOOTHGRUSH, DETESTATION, & AXIOM supporting, performing live at the Paris Theatre in Portland, Oregon on October 27, 1997.
EXTRA INFO: Two more show/gig flyers with band's CORRUPTED (Osaka) & HELLCHILD (Tokyo) headlining, and American band's NOOTHGRUSH, DISASSOCIATE, DYSTOPIA, & WORD SALAD supporting, performing live at 924 Gilman & PCH Club, CA, on October 17 & 24, 1997.
Sources: https://gocollect.com/concert-poster/corrupted-paris-theatre-1000-10-27-1000-paris-theatre-oct-27 (go collect 3x).
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screencap studies from Goncharov (1973)
particularly liked the duo Andreï-Goncharov pre Napoli you know?
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romeo and juliets driving theme is not silly teenagers falling in love, it is the male cycle of violence and how children will always be it’s worst victims
and the sooner you guys realise that the better
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and please forgive these hands of mine
for the tremble and untwine
all the knots i've bonded to
the steps that we once knew
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Joni Mitchell “The Circle Game” featuring James Taylor—Archives - Volume 2: The Reprise Years (1968-1971).
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Théâtre National de l'Opéra Comique à PARIS
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This is me only just realizing I can put multiple audios into one post...
My recordings, please do not share/repost out of Tumblr. Headphones recommended.
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Her staging of the Scottish play opens with an arresting tableau. Lady Macbeth sits hunched over, her face hidden under a disheveled mane. As she rips out clumps of her hair, a portrait of Macbeth, her husband, starts spinning on a wall behind her — until an invisible knife seems to cut into the painting.
It’s an ominous way to position Lady Macbeth, as a shadow addition to the three witches who prophesy that Macbeth will be king. When the trio appears shortly afterward to deliver their message, a giant ring materializes above the empty stage. In true “Lord of the Rings” fashion, it then descends upon Macbeth (Noam Morgensztern), metaphorically anointing him even as recorded whispers of “murder” fill the Comédie-Française’s auditorium.
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At the Comédie-Française, Costa’s “Macbeth” edits the two dozen named characters down to only eight actors and leans heavily into religious symbolism. In “Hamlet,” Jatahy goes so far as to keep Ophelia alive. Far from going mad, Ophelia climbs down from the stage and exits through the auditorium after declaring: “I died all these years. This year, I won’t die.”
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Joni Mitchell “For Free” featuring James Taylor, Paris Theatre, October 29, 1970—Archives - Volume 2: The Reprise Years (1968-1971).
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