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#OR with the use of layer effects
cathalbravecog · 8 months
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taco bell bong sfx
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verflares · 3 months
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hyrule's most fashionable ⚡❄️
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mintjeru · 6 months
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hop'n step'n may i have this dance / this is the world's end. shall we do the "one-two"?
open for better quality | no reposts
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chalkrub · 6 months
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return of my funniest fella
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lazycranberrydoodles · 5 months
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cole !!!
more portrait practice ^^ these are so fun
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sashthesloth · 2 months
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“Janiris. It’s an asari holiday.” […] “It is mainly marked by a feast and the making of flower crowns and necklaces. Then exchanged between friends and lovers.”
The Untamed Effect, Chapter 6 by @thievinghippo
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ttvck · 28 days
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these were crazy btw
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boiledegghole · 27 days
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window into mortality
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cos-latte · 9 months
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Just some robots in clothes Repost from twt
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misarumis · 7 months
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pretty boy with an attitude and a terrible secret? sign me up
pose ref'd from the pose archives
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sanctus-ingenium · 1 year
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I was wondering how achieve such a wonderful textured finish on your pieces? They are wonderful and I love their resemblance to aged photographs and the speckles of colors in the backgrounds. Your art is mesmerizing :)
you can see some of the texture brush sets i use in my #info_asks tag but i have some more (procreate) tips aside from just brushes
also hi i made this whole thing and then stupidly hit ctrl z to erase ONE word and i lost the entire bottom half of the post and all my image descriptions so fuck you tumblr i had to make this twice
to get a faded photo or old digital screen look, consider duplicating the canvas (once all the layers are merged) and using a gaussian blur tool on the new duplicated layer. then set that to low opacity to add a misty sort of look. looks nice in combination with some chromatic abberation and a small bloom effect. then a subtle noise filter on top:
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for faded print effects, it's really worthwhile to learn how to use layer masks. you can use a layer mask to non-destructively 'weather' blocks of colour or lineart, without erasing the layer itself. the weathered ink/block print effect here was made using layer masks which means that if i just hide the mask, the lineart becomes solid black again and easy to alter or colour in:
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for old paper effects you can just set a paper texture on multiply over the art sure, but you can also combine it with the blur & bloom thing, a really subtle drop shadow and canvas tilt, and highlights to make it look like an aged photograph of a card. this originally had a transparent bg but i'll post it here with a white bg so that the drop shadow is more obvious. the scuffed edges of the card (left) were hand drawn, simple white stucco brush. the bigger patch of scuffed ink (top right) was a texture stamp.
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for block print looks you can move the colour layer out of alignment by a few pixels - but only after you're absolutely sure you're done with it, otherwise you'll get something like this -
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i forgot to erase out her eye before i moved the red layer so now her eye defeats the 'look' of a misaligned print. the black lineart and red layer were also given the same layer mask treatment as described above to make them look faded or like the ink didn't stick down right to the paper
you can do this with multiple colour layers too. if the colour layers are separated and set to multiply (as in this cmyk example), it'll leave halos and edges around each shape which mimic old comic book print
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just to show what you can do WITHOUT any special brushes, here's a piece of one of my mez tarot cards from before i got any extra brushsets at all. for this one, i added a green tint over everything to mimic a sun-bleached or faded print (my actual goal wasn't 'medieval illustration' but actually 'trading card from the 60s that got left on someone's windowsill for decades'). the background texture is the procreate noise brush. the texture under the green lion drawing is the procreate concrete brush (to make it look painted onto a wall). the lettering and lineart is procreate's 6B pencil. but to properly aim for The Look of it being a printed physical object, i also used a perspective blur so that the edges are out of focus, and metallic gold highlights which don't match the lighting of the actual illustration and appear to be catching some other external light. that texture was made from the procreate noise brush
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it's pretty simple compared to my later stuff but i still really like the effect
in terms of colours, you need to keep them unified so that they all appear to be acting under the same external light source, like if someone is holding up a torch to a painting then the painting colours will be glazed with firelight even if there's no painted fire. a really easy way to do this is to slap a multiply layer over everything in one shade - grey-yellow for a weathered paper look, or greenish blue for sunbleached photos. this unifies all the colours of the drawing. or you can apply a gradient map at a low opacity so that there's only a subtle change. or just do it by hand - if you want everything to be slightly tinted yellow, just pick the colours you normally would, but move the colour wheel towards yellow to get a yellowfied version of the base colour. easy
it's really important to consider how fading and weathering can affect printed colour. white paper yellows, black fades. you will rarely see pure black or pure white. which means you can use pure black or pure white to add external effects like the white scuff marks on the hierophant card. if the whole drawing is yellowed from age but there's some white somewhere, it's an easy shorthand to show that the scuff mark or whatever was not originally part of the drawing (great way to add some nasty stains lol)
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cowboy-robooty · 1 year
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mmmmmmmmmmmmmmmmmmm me likey le canadia ^_^
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lexiesdoodles · 3 months
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Madoka
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syruubi · 1 year
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A standalone of the last panel from the latest comic because I spent way too long on it o<-<
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pivsketch · 8 days
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noise tone layer effect
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gratielalovebot · 5 months
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entry for @kokoasci 's dtiy ! click for better quality :)
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