From Shree 420 To Anari, The Highest-Grossing Movies Between 1955-1959
CID stars Dev Anand, Waheeda Rehman and Johnny Walker in the lead.
From 1955 to 1959, Bollywood delivered multiple hits that later became evergreen and their stories left the viewers spellbound.
Over the decades, Bollywood has delivered some evergreen movies. Some of them have been cult hits while others have set the box office on fire. From critically acclaimed actors to spellbinding stories…
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Remembering #MehboobKhan, the legendary filmmaker, on his 59th death anniversary (28/05/1964).
A man of humble beginnings and little formal education, Mehboob Khan became one of India's greatest Filmmakers.
In this photo: Mehboob Khan directing #Nargis on the sets of #MotherIndia, just before the shot when she was engulfed into blazes and was heroically saved by #SunilDutt.
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Duniya Mein Hum Aaye Hain , Mother India (1957)
In this melodrama, a poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, she always sticks to her own moral code.
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mother
1 'artist' unknown Venus of Willendorf (c28000-25000BCE) limestone http://smarthistory.khanacademy.org/nude-woman-venus-of-willendorf.html
2 artist unknown snake goddess, Minoan Civilization, Crete (c1600 BCE)
3 artists unknown Empress Theodora, mosaic in church of San Vitale, Ravenna, Italy (6th Century) http://smarthistory.khanacademy.org/byzantine-justinian.html
4 Ana Mendieta (1948-85) Cuba/ USA Silueta search at http://www.moca.org
5 Piero della Francesca (1415-92) Madonna of Mercy, detail (c1460) oil and tempera on panel
6 poster from Mehboob Khan's 1957 film Mother India http://www.youtube.com/watch?v=yNFPjvT5PJM http://www.youtube.com/watch?v=JzJHnADcpa8
7 Cindy Sherman Untitled (1989)
8 Maïmouna Patrizia Guerresi () As a photographer, sculptor, and installation artist, ‘Maïmouna’ Patrizia Guerresi reveals unique and authentic sensibilities in her narration of the beauty and subtleties of racial diversity and multiculturalism. Over an established career, she has developed her own symbolism, which combines cosmological and ancestral traditions belonging to various European, African, and Asian cultures. Her personal commitment to Baifall Sufism has led her to produce an aesthetic that is able to bridge time, space and civilisations, as well as figuration and abstraction.
The human body is seen as the nucleus and temple of the soul, a place that houses a delicate, higher awareness; the very conduit for encompassing natural and cosmic forces. More about mysticism than any singular religion, her work is visionary in that it restores those elusive qualities of sacredness and unity in our frequently dehumanising and fragmented contemporary visual world. Her classic iconographic style explores the universality of human experience and reclaims the often hidden nurturing powers of feminine energy. Presented as a kind of free flowing epic, the viewer is left to read the significance of her imagery and quietly meditate on its potential to personally engage with its audience. As if her figures were speaking directly to each one of us.
From her earliest experiments with the physicality and archetypal imprinting of the psyche, through to her latest, evermore metaphoric ‘inner constellations’, Maïmouna insists on a cross-cultural discourse and an expansion of the boundaries that normally dictate our individual attitudes. She invites us to see further and to look deeper – past skin colour, preconceptions, and ethnic landscapes – into the wider paradigm of inclusion. She leads us through apparently simple notions of dimensionality into the exquisite, mystical and fragile complexities of life from within. Rosa Maria Falvo,writer and curator, www.chobimela.org
Perspective on the relationship between women and society, with particular reference to those countries in which the role of women is most marginalized. For over twenty years Guerresi’s work has been about empowering women and bringing together individuals and cultures in an appreciation for a context of shared humanity, beyond borders – psychological, cultural, and political. She uses recurrent metaphors such as milk, light, the hijab, trees, and contrasting white on black to create awareness of the vital unifying qualities of the feminine archetype and its special healing potential. Guerresi’s art is uniquely authentic. Her work is inspired by personal experience and cultural contexts that reference universal myths, the sacred realm, and the female condition, all of which are seen as vital expressions of the human form: an essentially spiritual and mystic body. Through photographs and videos of silent, austere, veiled women in domestic scenes and individual poses, her work functions as both metaphor and provocation. Guerresi’s images are delicate narratives with fluid sequencing, as well as rational analyses: women dressed in white, enveloped in chadors, fixed within their own tradition and isolated from and by it in the contemporary world. Her Fatimah image suggests the woman as Mother- Earth supporting us in the original energy cycle of Space-Universe-Infinity. www.maimounaguerresi.com
9 The Cholmondeley Ladies (c1600-10) oil paint on wood 886 x 1723 mm British School 17th century (1600‑1699)
search @ www.tate.org.uk
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Cinematic Landscape: Artistic Expression or Political Propaganda?
“At a time when cinema is shaping public opinion, it is crucial to uphold the principles of artistic freedom and integrity so as not to risk sacrificing the soul of Bollywood on the altar of political expediency”
Rohinee Singh*
The nexus between Bollywood and Indian politics has long been a subject of intrigue and debate. But using films for electioneering purposes is a new phenomenon that came…
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what’s much more frustrating than halfhomo nitwits in the USA is fully anti-homo nitwits in India and Africa. I’ve been telling so many haters of gays in India that they should be sent to prison, some of them for life.
what’s good for the homophobe’s object of hate is good for the homophobe. I wouldn’t threaten violence but I do threaten incarceration or being fired from a job for hateful heterosexuality when it gets out of control and can’t be nice to homosexuals.
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Millions of salutes to the brave son of Mother India Rajguru ji on his birth anniversary.
माँ भारती के वीर सपूत राजगुरु जी को उनकी जयंती पर शत् शत् नमन ।
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Oscars 2022 Nominations: ऑस्कर अवॉर्ड की इन प्लटफॉर्म पर होगी स्ट्रीमिंग, ऐसे देख सकेंगे लाइव
Oscars 2022 Nominations: ऑस्कर अवॉर्ड की इन प्लटफॉर्म पर होगी स्ट्रीमिंग, ऐसे देख सकेंगे लाइव
तमिल फिल्म और सूर्या स्टारर ‘जय भीम’ (Suriya Jai Bhim) को ऑस्कर में एंट्री मिल गई है. ‘जय भीम’ को बेस्ट फिल्म की कैटेगरी में नॉमिनेट किया गया है. कोरोना वायरस महामारी जबसे शुरू हुई है, तब से कई अवॉर्ड शो आयोजन की तारीखों में अस्थिरता आई है. लेकिन अब मनोरंज जगत के सबसे बड़े अवॉर्ड ‘ऑस्कर’ के लिए नॉमिनेशन आज होगा. एकेडमी ऑफ मोशन पिक्चर आर्ट्स एंड साइंसेज मंगलवार को 94वें अकादमी पुरस्कार (94 Academy…
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Gilded-gold painting depicting a Mughal style Annunciation scene, showcasing Mary, future mother of Christ, with two small angels, one prostrated and the other reading from a book.
In the background, a river, fields and a well on a hill. Accents of colour in background and at figures' waists.
Mughal dynasty, India. 1600s.
British Museum. 1920,0917,0.13.21
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