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#Mehboob Khan
inmyworldblr · 1 month
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Madhubala in Amar (1954)
[ dir. Mehboob Khan | d.o.p. Faredoon A. Irani ]
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yoramkelmer · 4 months
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Sardar Akhtar (1915-1984)
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g0j0s · 1 year
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mulaqat
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oh look how he mocks me! tantalising the coils of my curls with his cool fingers. they press on my warm skin like the curtain of clouds falling over the sun’s heat. he tries to court me by calling me sweet names, comparing my speech to honey and my eyes to lotus leaves. but does he not realise that these are mere material things? for they don’t stand a chance against my beauty? I do not wish to be a subject to his bantering but when he speaks it’s all so endearing. tell me lord, how do I take my eyes off him? tell me before he catches me looking at him.
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marypickfords · 2 years
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Nargis in Andaz (Mehboob Khan, 1949)
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destinationout · 1 year
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"Don't call me a devil. I'll fight back."
Mother India (1957) Directed by Mehboob Khan Cinematography by Faredoon A. Irani
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bollywoodirect · 11 months
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Remembering #MehboobKhan, the legendary filmmaker, on his 59th death anniversary (28/05/1964).
A man of humble beginnings and little formal education, Mehboob Khan became one of India's greatest Filmmakers.
In this photo: Mehboob Khan directing #Nargis on the sets of #MotherIndia, just before the shot when she was engulfed into blazes and was heroically saved by #SunilDutt.
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mycinematheque · 11 months
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salmankhanholics · 3 months
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★ CHAP…Salman Khan with MUA Satya at Mehboob Studio!
-January 16, 2024
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filmytune-blog · 2 years
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Rehnuma is a brand new hindi song from the new Bollywood movie Heropanti 2. Rahnuma song lyrics is written by Mehboob Kotwal.
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srbachchan · 1 year
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DAY 5558
Jalsa, Mumbai              May 5,  2023              Fri 11:02 PM
Is this the mind symptom of the average over aged human  .. with due respect to the concept of overage .. most do not consider or accept that , but there are examples of it that abound ..
the symptom be that any matter that trickles through the gates of the cerebrum, tend to remain there and to connect immediately with the related events of the past and connecting it to the present ..
It never does make sense or any legible reason to be in such state but it happens regularly .. and at times overtakes all other thought ..
I cannot fathom whether this is good or not, but there it is ... 
Wanderings of the body to the various memories of decades gone by prevail more than those that occurred just a few moments back .. its a brain matter .. either good or terribly bad .. but there .. 
Its like the displacement of objects that have been placed according to your habits and pieces - 🤣 - haBITS and PIECES .. pretty inventive .. 
any way stop this self aggrandisement Mr B .. there is more to the thinking in the World than your stupid insipid putrid amateurish writings on this page of governance .. except the concept of the Ef .. which lives on and on and on .. 
and I get remembered in the cerebrum of that wonderful tale of the film ‘AAN’ made by Mehboob Khan and stared Dilip Kumar .. of which some other day ..
there is an incline for work that racks the body .. and each time there is an expression of it in the sharing to the Ef it finds its way to the content box of the ones that give out information .. the paucity is somewhat surprising , for in the days gone by the opposite was the order  .. communication technology has taken a sharp turn on the road to that informative regime .. and the powers that be have now in the rely of them that now work in a 7 billion mind strata ..
accept the vagaries of invention .. be about it or like some from the addressage of shr GooghlÈ leave it after serving for it , they find the alternative too discomforting in the months to come .. its months now .. was several years earlier .. because what was predicted for the next generational time lapse is now becoming the present .. within days .. the old gets overtaken even before it has drawn its first grey hair .. 
mine included .. several of them ..
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... the mind made this from nothing .. 
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Amitabh Bachchan
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inmyworldblr · 27 days
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Amar (1954) | dir. Mehboob Khan
[ Madhubala and Dilip Kumar ]
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yoramkelmer · 1 year
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More pre-partition posters…..
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maihonhassan · 2 years
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“Mere mehboob teri parda nahisni ki qasam.
Aashqon ki qataroon mein tumhe dekha haii”
“Acchi soorat ko sawarne ki zarurat kya haii.
Saadgi mein bhi toh qayamat ki Adaa hoti haii”
~ O’beloved I swear by the disguise of your veil I have seen you amongst the longings of my heart.Why would a pretty face need to glamorise? Even in modesty, it’s as if resurrection is to arise.
- Nusrat Fateh Ali Khan
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marypickfords · 2 years
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Andaz (Mehboob Khan, 1949)
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shrimpbiryani · 7 months
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I got tagged by @alvallah (thank u 😘) to list 10 songs from my “on repeat” playlist on spotify:
I’m tagging @tumkaafiho @infantisimo @lympharis @9javan @catterringgg
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bollywoodirect · 3 months
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Today marks the 18th death anniversary of Nadira, the iconic actress of Hindi cinema during the 1950s and 1960s (February 9, 2006).
Nadira, also known as Florence Ezekiel, was a dominant figure in the film industry during the 1950s and 1960s. Renowned for her roles in 'Mud Mud Ke Na Dekh,' she was one of the era's most sought-after actresses, portraying both princesses and vamps. Notably, she was perhaps the first Bollywood star to be driven in a Rolls-Royce.
She is fondly remembered for her outstanding performances in films like 'Shree 420' (1955), 'Pakeezah' (1972), and 'Julie' (1975), the latter earning her the Filmfare Award for Best Supporting Actress.
Originating from Nagpada in south Mumbai, Nadira was a Baghdadi Jew who made a spectacular entry into Bollywood at the age of 19 with Mehboob Khan's 'Aan' (1950), starring opposite the legendary Dilip Kumar.
Her portrayal of the villainous Maya in Raj Kapoor's 'Shree 420', where she captivated audiences with the iconic club-dance number 'Mud Mud Ke Na Dekh,' remains unforgettable to countless fans.
Additionally, the song 'Ajeeb Daastan Hai Yeh,' featuring Nadira alongside Rajkumar and Meena Kumari in 'Dil Apna Preet Parayi,' continues to be a beloved classic.
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