On July 2, 1863, Colonel Joshua Chamberlain lead his men of the 20th Maine on a bayonet charge down the slopes of little round top, during the battle of Gettysburg. He would later be awarded the Medal of Honor for his actions that day.
This clip, from the movie Gettysburg, depicts the epic moment in history. It's one of the best, if not the best scene in the movie.
We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.
And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.
"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.
A child.
Now that's too big, surely.
But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.
And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.
In normal circumstances.
Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.
No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.
And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.
But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.
"Does it ever bother you Pond that your life existence doesn't make any sense?"
things from The Halloween Update that are concerning me more than i already am about Eddie:
his Frankenstein's Monster costume turning his face (and hands. ha, hands, like the hands on a-) half yellow half blue/purple like the clocks & Sally's door. that's fucking me up a little ngl
Eddie tacks "A bit of a moral conundrum-" onto his description of Frankenstein's Monster, who he's costumed as. which seems out of place with the rest of his description. he could've said "bolts" or "white streak in his hair" or another physical trait. nope. Moral Conundrum (one could also describe his costume as "two-faced"...). and the fact that he's dressed specifically as someone who was "brought back from the dead" makes me 👁️👁️. kinda reminds me of a certain set of artworks from Clown's tumblr a while back...
Eddie, despite his whole schtick being "bad memory", was the only one to accurately recognize Sally's costume as pedrolino from the Commedia dell'arte. could be a little 'inside joke', might be something else. i suspect it's something else due to his... ah... Everything.
Hello! I saw your recent art of sabo, and in the tags you mentioned the big 3 of Shounen. I know it’s One piece and Naruto, but what’s the third? How come you like the character? Lovely artwork, it’s candy for the soul!! Thank you •u•
Ah thank you!!! The big three of shonen (for I guess the previous generation?) are Naruto, One Piece, and Bleach. Naruto and Bleach have already ended but it seems like One Piece is still going quite strong, despite the new generation of shonen anime (including Hero Aca, Demon Slayer, and the third spot is still debated! Probably JJK is my guess though that falls into its own sub genre of shonen dark fantasy I suppose)
Here are my favs! I’ll put the reasons why I like them in the read more because it’s quite long :)
Despite watching Naruto first I could never actually finish it because it was so long so I kind of just osmosed the later parts of shippuden through fanfics and other such media ^^; I think it’s pretty difficult to pick a definitive fav for Naruto because I feel like it tends to fumble a bit of its character writing? I think if I had to pick one maybe young Kakashi but still kind of eh. Maybe I just didn’t watch far enough to get attached
As for Bleach, I picked it up years ago around middle school and then dropped it after the first hundred episodes or so because filler got boring for younger me but then I picked it up again in high school and managed to at least get past aizen! And then I dropped it there because I wasn’t interested in any continuation after what seemed like an already pretty strong ending.
Toshiro is my favorite because he falls into all niches of character tropes that I enjoy including but not limited to: child genius who acts responsible but is still somewhat immature, cold personality along with ice powers but fierce loyalty to close relationships. I especially enjoy child genius characters for the contradictory dichotomy of what is expected of them in terms of maturity and knowledge and the amount of pressure these kinds of characters face and how they handle it! That said, I enjoy him more for the tropes that he falls into and my personal interpretation of him rather than canon writing for him. I think that though canon is an alright base, he doesn’t get much time to shine (character-wise instead of combat-wise).
And Sabo. Oh my goodness I am brainrotting so hard over Sabo right now. The ASL siblings in general have a vice grip on my heart and really are not letting go. There is so much tragedy in the way that they are written, that works because there are three of them. Ace and Luffy spend so much effort trying to save the only brother they have left in the world not realizing that if they go they’ll be the first to go actually because Sabo is still alive, and Sabo could have done so much and changed so much if only he had regained his memories sooner. Why didn’t he remember sooner? I can only assume it’s because he didn’t want to remember, because he grew out his hair to cover a scar he wasn’t proud of, because he was running away from his origins when he lost his memories and maybe that stuck with him. I don’t even remember when Sabo was introduced as a character because I don’t think he was mentioned during Marineford? But he’s such a compelling character because he does so much to save the world and yet is unable to save his own brother! And he’s written to fit with Ace and Luffy incredibly well, being the voice of reason where they can’t be.
this is random but one of my favorite ALNST joke OCs is a girl who had a massive crush on Ivan and was able to date him for a little while because he felt bored enough to accept her. what follows is the most excruciating insanity inducing half-relationship in existence (they lasted 3 weeks before she gave up trying to understand him)
Late in the afternoon of July 2, 1863, on a boulder-strewn hillside in southern Pennsylvania, Union Colonel Joshua Lawrence Chamberlain dashed headlong into history, leading his 20th Maine Regiment in perhaps the most famous counterattack of the Civil War.
The regiment’s sudden, desperate bayonet charge blunted the Confederate assault on Little Round Top and has been credited with saving Major General George Gordon Meade’s Army of the Potomac, winning the Battle of Gettysburg and setting the South on a long, irreversible path to defeat.