getting incredibly tired of westerners responding to firsthand accounts shared by palestinians in gaza with the reflexive demand to see a "source"
because by source, they always mean a western news report
never mind, of course, that international journalists are banned from entering gaza; the word of the western journalist, writing in passive voice about a genocide 6000 miles away, is still deemed more 'reliable' than the firsthand accounts shared by the victims living through that same genocide
a palestinian shares a video of an IOF solider brutalizing civilians in gaza? not good enough; they still need a ''source.'' the video in question was posted by a palestinian journalist? okay cool, but does someone have a more reliable source? can we get a word in from the esteemed fact-checkers over at the new york crimes, or the iraq-has-wmds-post? we just don't want to spread misinformation...
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bf!bkg ignoring you because you won’t call him baby or handsome or whatever nickname you usually call him
“Katsuki— have you seen my charger? I can’t find it anywhere.”
You call out as you make your way down the hall from your bedroom. Your boyfriend is sitting on the couch, having a rotting party all by his lonesome to really live out his day off. It’s a rare occurrence for him to be so inactive, but you surmise even pro heroes can be lazy every once in a while.
“Kats?”
Still nothing. You know for a fact that he can hear you, because you can see the way he subconsciously perks up the minute you say something. Definitely charming, but not enough to quell the growing mix of irritation and worry (mostly worry) brewing inside the pits of your stomach.
You make your way across the living room, standing in front of his place on the couch. He’s still not looking at you. No matter, you just decide to straddle him instead. His hands automatically find purchase on your hips, fingers just a few millimeters shy of your ass.
“Katsuki. What’s wrong?”
“Dunno who that is,” he huffs, head turning to the side so you can’t see the way his lips quirk down into a pout. (Because he swears up and down that’s something he never does.)
“Kats?”
“No.”
“‘Suki?”
“Close, but still no.”
“Baby?”
“Yeah, baby?”
"Have you seen my charger, handsome?"
"In your desk drawer on the right."
You smile. You press an innocent kiss to the tip of his nose. He pulls you flush against him before you can pull away, capturing your lips with his, appreciating the way the two of you meld against each other. He tries not to look too disappointed when you lift yourself off him and stand up. You lean down to give him a fleeting kiss on the cheek.
"Love you, Katsuki."
"Think you've got the wrong guy, sweetheart."
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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The officer leans close, jabbing a finger into Steve’s chest. “You’re damn lucky it ain’t ten years ago or one state over,” he growls. “You could be looking at a felony charge, serving 15 to life. We didn’t stand for this kind of thing in Hawkins when I joined the force.”
Steve just folds his arms and gives the officer a bored look. “Okay,” he says. “Good talk. Can I see my boyfriend now?”
The officer sneers, but he steps aside to let Steve through. They’ve got Eddie cuffed to the hospital bed with another gun-toting guard in the corner.
“Jesus christ,” snaps Steve. “He’s not gonna escape, he can’t even walk right now. Why don’t you clear out and give us a little privacy, huh?”
“Sorry,” says the guard, not sounding all that sorry. “It’s for his own protection.”
Fuck. He’s gonna have to hope Eddie can follow his lead. All that practice pretending to be a wizard or whatever has to be good for something, right?
He perches on the side of Eddie’s bed and takes his hand. He can do this. “Hey, gorgeous. How’re you feeling?”
“Uh,” says Eddie, eyebrows doing something hilarious. “Steve?”
“It’s okay,” says Steve. He rubs his thumb over Eddie’s knuckles. This is the most they’ve ever touched, he thinks—the most that was just skin, no layers of denim or leather in between. Not even a layer of blood and dirt.
He swallows and keeps going, willing Eddie to develop freaky mind-reading powers all of a sudden. “I know you didn’t want to tell anyone about us, but I had to, baby. I’m sorry. I had to tell them you were, y’know, with me when…when Jason killed Chrissy.”
“You didn’t have to tell them about us,” says Eddie slowly. He’s giving Steve kind of an intense look. “Honey-pie. I’m sure there’s gotta be another way. One without as many consequences for you that you might not have thought all the way through.”
“There really isn’t,” Steve says. Thank god Eddie’s so quick on the uptake. Sure, he’s being a stubborn dick about it, but at least it doesn’t seem like he’s going to let anything slip.
“Fucking hell,” sighs Eddie. “Don’t suppose we can put that pesky little cat back in the bag. Okay. Darling angel, light of my life, corndog of my soul, who else knows?”
Corndog of my soul, Steve mouths to himself. “Just the cops. And Robin and Nancy, obviously. And—oh, remember Hopper?”
“Do I remember Hopper, he asks. Oh, pudding-pop. The late Chief Hopper and I spent so, so much quality time together over the years; he was practically a father figure to me. And just as with my actual dear old dad, his departure was cause for great rejoicing in Casa Munson.”
“Sorry to break the bad news, then. Hop’s alive, and he—uh, he knows everything.” Steve tries to communicate the scope of everything by kind of tilting his head back and forth. “He’s been…helping.”
“Huh. No shit,” says Eddie. Steve can’t tell whether or not he’s getting it. To be fair, there’s a lot to get. “Okay, gallant knight errant of mine, any news on whether or not I’m getting sprung from this charmingly appointed dungeon?”
“We’re…Hopper’s working on it. That’s why I’m. Y’know. Here. To tell you that they know about us.”
“Cool, right, understood.” Eddie closes his eyes, leaning back on his pillow. It’s so strange to see him in nothing but a hospital gown against white sheets. He looks like a wrung-out dishtowel.
There’s a commotion from outside, raised voices saying something like you let him what and haven’t even interrogated the Munson kid yet and not a legal status you fuckin—
“Time’s up, sweetheart,” says Eddie, mouth quirking up into the ghost of a smile. “Anything else you wanna say before they decide to upgrade my security?”
“Uh,” says Steve. He’d mostly been focusing on getting the basics of Eddie’s alibi across in a convincing way, and he can’t remember if there were any other details Eddie should know.
He hears the door slam open behind him, and panics. “Love you, bye,” he says, and ducks in to brush a quick kiss across Eddie’s chapped lips. The last thing he sees as he’s hauled bodily out of the room by a pissed-off detective is Eddie with his eyes gone enormous and shocked, lifting his uncuffed hand to his mouth, looking and looking at Steve like something is always going to be different from now on, forever.
(ETA: small continuation here!)
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