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#John Harrison
unioncityblues · 6 months
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Debbie Harry in horror films.
Videodrome (1983) dir. David Cronenberg
Tales from the Darkside: The Movie (1990) dir. John Harrison
Body Bags (1993) dir. Tobe Hooper and John Carpenter
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A Khan By Any Other Name
a prequel to Star Trek: Into Darkness
mystery, suspense, danger ~ romance & NSFW material to follow
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summary: Seraphina DiPietro is wise in the ways of the world of world; she has to be, as she travels the California coast as a torch singer in pubs, bars, and nightclubs. She knows how to take care of herself and stay out of trouble--most of the time. When trouble comes, it's usually because she lets her kind heart overrule her common sense. Stopping to check on a handsome stranger stranded roadside in the Mojave Desert, her curiousity is piqued as much by his classic, mint-looking Mustang, as by its driver--a tall, dark, mysterious drink of water, whom she quickly learns is so much more than he appears.
characters: Khan Noonien Singh (aka: John Harrison), Seraphina DiPietro (OC)
word count: 2.4k
Chapter One
Her first mistake had been slowing down to have a second look.  Three plus years with a vintage car enthusiast (her ex now, thank god; three months gone and good riddance to him, her mantra whenever he crossed her mind) had ingrained the habit in her. The habit, frankly, plus an appreciative eye for the sweetest of rides.  Thanks to Simon (and his obsession), she could distinguish in seconds between the genuine article and that which easily fooled the masses, a cunningly detailed replica—and the sleek ragtop that looked to have skidded to the side of the road, leaving a spray a gravel and black, burnt rubber in its tracks, was absolutely the real thing.
So she’d slowed down, only half meaning to, cataloguing the fine details and quickly estimating its worth, while admiring its classic lines and the bright flash of its chrome detailings.  Seraphina couldn’t keep from grinning, thinking about how instantly covetous Simon would be in the face of such a find, and how jealous he would feel to know that she had stumbled upon it with no effort whatsoever.
The man bending over the open hood
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straightened as she passed, arresting her attention with a commanding, steely gaze that left her feeling like a marked woman.  As though he not only saw her, in her every visible feature, but somehow inexplicably knew her—and needed her.  Vitally, and immediately. Despite the lick of common sense apprehension that fluttered through her vitals, simple curiosity and a deeply embedded tendency to act the good Samaritan had Seraphina making her second, even bigger, mistake of the afternoon--pulling over to park her hovercraft several feet in front of his stalled vehicle.
She looked into her rearview mirror; he had turned to watch how she would proceed, holding his hands up with his fingers splayed wide, surely his way of expressing she could approach him safely.  “Not so fast, buddy,” she murmured, “I wasn’t born yesterday…and I’ve seen your kind before.” Sera cut the engine, pulling the keys from the ignition and flicking the lock mechanism off the small can of mace dangling from her keyring.  She wasn’t so foolhardy as to face the tall, well-built stranger unprepared; nearly a decade of travels up and down the coast of California, performing in seedy, small town dives, then upscale pubs and bars, and finally city nightclubs, had taught her well to be ever on her guard.
And she’d learned a few tricks in the course of her career, for if the mace should fail; she could—and had—flipped a drunk onto his back a time or two, who’d tried to cop a feel when she passed across a darkened dancefloor; and she knew all too well how much force was necessary, knee to groin, in order to incapacitate those pigheaded brutes who wouldn’t take ‘no’ for an answer when they followed her out to the parking lot at the end of a gig. Handsome he might be (decidedly so, she mused, angular features, piercing eyes, thick, dark hair, an errant lock strayed upon his brow; such a striking combination!) but she was not fool enough to ever judge the book by it’s cover.
The stranger stood motionless a moment more, the light breeze ruffling that wayward lock until he brushed it back, a swift yet languid move that spoke of cat-like grace and an elegance that didn’t fit the setting or the way that he was clothed.  He was straight-backed, slim-hipped, long-legged--and poised with a confidence befitting a prince, and not the work-a-day posture of a blue-collar joe or road-weary drifter.  Yet the smile he gave her did not reach his eyes; Sera found it a little feral, and felt her pulse increase as a taste of adrenaline—that trusty “fight or flee” response—hit her system.
But she was already committed, having left the safety and cool comfort of her two-seater; if he was an actual threat, the worse that she could do was show the weakness of timidity now. Sera left her sunglasses in place, determined he would not read a bit of doubt in her eyes or bearing, the can of mace tucked neatly in the palm of her left hand, and walking forward into the dry, baking, Mojave Desert heat.
Sera gave a low but audible whistle, advancing as casually as she could, finally calling out to him, "She's a real beauty--and someone's taken serious loving care of her too." The 300-year-old Mustang appeared as close to mint as any vintage vehicle she had ever seen; given its obvious value, she had to wonder why the hell he would even have it on the road--especially in desert conditions. That instinctive voice of warning sounded an answer in her head: that's because it's not his.
Okay, Sera, she cautioned herself, give him the benefit of the doubt; he could have come by that automobile in any number of ways. She stopped a half-dozen steps from where the stranger stood, aiming to read his reaction as she asked, "Early 21st century, right?"
The man smiled--more sincerely this time--and nodded. "That she is," he replied, sparing a brief look at the stalled car, "Unfortunately, she's not going anywhere, anytime soon." His smooth, deep voice was as pleasant to the ears as his form was easy on his eyes, and his accent distinctly British, leaving Sera to ponder how and why he'd found his way into the midst of the Mojave. "I believe it's the transmission," he added.
In an instant, his eyes flicked downward, as though he registered that small, innocuous movement. She rushed to fill the vacuum of silence that hung between them, hoping to distract him from whatever suspicions her little move might have awakened.  “I know collectors,” she told him, running her right hand through her hair, fluffing it a bit, hoping to draw his eyes upwards again “…fanatical ones, who would pay a small fortune to make such a treasure theirs.”  She leaned toward him, adopting a confidential tone, honest in her curiosity, “However did you manage it?”
Sera could hear the tick of the internal combustion engine as it cooled, informing her he hadn't been stranded long. Surveying the area behind the Mustang, she spotted several telltale puddles of transmission fluid in the car's wake. "Looks like you might've blown a hose," she speculated, indicating the fluid spotting the back trail. "Those kind of parts are few and far between these days...but I bet we can find a mechanic who might be able to juryrig something enough to get you on the road again."
She turned back to find him watching her, his exotic-looking eyes narrowed. Appraising her in a way that made her feel...exposed. Unnerved. Vulnerable. Sera squeezed her hand against the reassuring weight of the small, defensive weapon cupped in her palm.
He inhaled sharply, a fleeting look of calculation crossing his face.  “It was an unexpected…” he paused, studying her carefully, “…but well-timed acquisition of…convenience.”  Such a reply was far too vague to answer her question—but didn’t surprise her in the least.
“Then you must be a man of remarkable luck, Mr…” Sera let her voice trail off with the question, fully expecting there would be little truth in his answer.
And then he was moving past the safe cushion of space between them, extending a large, powerful looking hand towards her, as way of introduction. “Harrison. I’m…John Harrison.” His grip was firm, not too tight, but Sera sensed—felt—a strength restrained that fit his bearing perfectly. Intimidating, but not frightening; confident—and intriguing her beyond her good sense should allow; and his eyes were locked on her, regarding her with such curiosity and healthy appraisal, that she slipped her sunglasses atop her head without a moment’s hesitation, meaning to meet his gaze directly.  
Sera hadn’t realized she was staring until he cleared his throat. “And you are?” he asked, smiling warmly, surely feeling the advantage now of having gotten past her bravado.  Her mouth felt dry—it had to be the arid atmosphere and not embarrassment over her awkward reaction to him--so that her tongue actually stuck a moment before she stammered out her name. “Seraphina.”  She said it rather breathlessly, then bit her lip against revealing her surname.
Harrison had not released her hand, although his grip was gentle, and the warmth of his skin pleasant against her own.  “Seraphina,” he repeated, the small smile creases bracketing his mouth deepening, and a hint of his true smile finally reaching his eyes.  “Lovely name, Seraphina. Exotic in its way, and as rare and fetching as a desert rose.”
Ordinarily, Sera would laugh off such obvious flattery; she’d had enough of it--and insincere at that--throughout her years as a torch singer.  This stranger—John Harrison—looked a better class of man than those who usually tried to ply her with compliments.  That was no reason, of course, to take him more seriously than any of the others.  And yet she felt a sort of…solemnity…about him; a dignity and self-assurance that spoke of a far more purposeful life than those of plain, ordinary men. He was damned attractive too, enough to have her a bit flummoxed at so dear a distance.  
"Seraphina,” he reiterated, teasing the syllables along, the depth and richness of his voice making her shiver a little despite the desert heat. “A derivative of seraphim, the highest order of celestial beings in religious myth.  Heavenly, fiery, winged immortals, tasked with surrounding and praising the throne of god.”  He leaned nearer, well past that unspoken barrier of personal space, closing his eyes while inhaling deeply through his nose, seeming to seek her essence by scent alone.
Such unexpected intimacy left Seraphina speechless, every instinct she had telling her to give ground a step or two—yet she remained still, for when he opened his eyes, she found herself fascinated by their changing hue. Seraphina had never seen such striking eyes on a man before; and she’d have sworn that they were blue.  Pale blue when she’d seen them from a distance, in the bright, unfiltered sun; then a surprising, piercing, azure when she met him face to face.  Now they seem to shift unpredictably from purely blue to nearly green with however the light played upon them, with flecks of gold speckling around the pupils.
“I wonder,” he mused, almost to himself, while Sera remained entranced and silent, unable to look away despite knowing she must look utterly foolish, “Might you be the angel of mercy I’m in such desperate need of?”
Befuddled, Sera sputtered back, "I...um...what?", finally taking a step back and pulling her hand from his grasp.
"I mean to say how fortunate I am, you came along precisely as you did. " Harrison shrugged and took a step back as well, his manner self-effacing enough to lend sincerity to his words. "And that your nature is a kind one--I imagine most women would have cruised by without a care for my predicament, given this isolated location and the potential threat I could embody."
Regaining her composure, Sera lifted her chin proudly, "I've managed to look after myself for many years now, and in dodgier situations." Her usual insoucience restored, she asked the most vital of questions, looking him squarely in the eyes to read the truth before he even answered, "Do I have reason to fear for my safety, Mr. Harrison?"
His eyes widened and he grinned, and then he began to laugh. Heartfelt, and deep in his throat; the rich sound of melted, dark chocolate--the rare sort of sweet that was supposed to be healthy for one, but only if consumed in moderation. A woman could lose herself in such a laugh, she realized, and I'll bet he knows it too.
"If there was any reason at all, you've quite disarmed me already." Now it seemed he was sizing her up beyond first impressions--and liking what he saw, by the look of satisfaction on his face. "I promise you, Ms..."
"It's just Seraphina for now please, if it's all the same to you. " Sera pressed her lips thin against the smile that wanted to break forth, enjoying both his unspoken surprise at her overall boldness--and what she dared to believe was an appreciation for her physical charms.
Harrison acquiesced with a tilt of his head. "Then I promise you, pretty Seraphina, that I harbor no ill intent towards you. And I would be deeply indebted to you for the aid I am sure you intend to offer me."
She felt her cheeks flush at his easy compliment--not taken in, but happy to accept it nonetheless. "Well, it's a shame to have to abandon her here, but the closest hope you have for a spare part--and a mechanic with working knowledge of antique cars--is at least a hundred miles away."
"Alright then," he affirmed, moving past her to slam shut the Mustang's hood, "We should probably be on our way."
"Of course." Sera turned to follow him, wanting a closer look at the rare vehicle before they drove away. "You should put the top up too; you may not make it back here until tomorrow at least."
He nodded again, striding to the driver's side door to start the car and raise the top. Something not quite right here, she thought, frowning; I could swear that this model and the ones that followed, had a remote on the key fob to control the mechanism. It reminded her that she'd initially thought the car did not belong to him--and that somehow she had allowed his charm cause her to lower her guard.
She stepped to the passenger side, hoping for a peek inside to confirm her growing suspicion. "You ought to raise the windows, too," she told him, leaning close enough to peer inside the passenger side window, "No telling what might find its way inside here once darkness falls. It gets pretty cold here at night..." Sera swallowed hard when she got a look at the ignition cylinder; it had been removed from its place beneath the steering wheel and hung down by several wires. The wires themselves appeared to have been rearranged.
Her heart in her throat, Seraphina searched her memory for the word to describe exactly what she was seeing. Hotwired. That's what they called it; a quick and easy way to boost a car. Simon had educated her, marveling at the skill of those he'd read about who could do do in under a minute. She'd never dreamed of seeing something like it up close. Yet there it was, and the man who'd done it clearly hadn't wanted her to see it. Which meant...
He was faster than her by far; almost preternaturally fast. Harrison had grabbed her left arm ( --- damn, he had noted she was carrying something there! --- ) through the window opening, his iron grip digging into her flesh painfully. "Drop it," he ordered her, "Drop it now. I can explain everything if you just remain calm, Seraphina."
She didn't mean to, but she whimpered softly, not only at the discomfort he was inflicting, but also for the cold menace in his eyes. Had she thought them beautiful, compelling, alluring, just moments ago? Now it seemed to her they were the deadliest eyes she had seen in her life.
(to be continued)
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blackhood7777 · 2 years
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I CANT
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90smovies · 2 months
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joelmchaleit · 1 year
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Benedict Cumberbatch as John Harrison
STAR TREK INTO DARKNESS (2013)
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brokehorrorfan · 3 months
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Gutter Garbs has released two Tales from the Darkside: The Movie shirts designed by Sam Coyne and Brandon Stecz. Priced at $30, they’ll ship the week of February 15.
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sitting-on-me-bum · 8 months
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“White-faced Storm Petrel”
Bird: White-faced Storm Petrel
“A flying white-faced storm petrel skiing on the water. Storm petrels regularly exhibit this behavior whilst searching for food on the water's surface, but I have never seen such a perfectly timed photo of the moment of impact.”
by John Harrison. Birds in Flight Winner.
BirdLife Australia Photography Awards
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Can we talk about this amazing call back moment in Star Trek Into Darkness? It's probably been talked about before but I haven't seen anything about it and I crave discussion
Dialouge -
Spock: You're suggesting the Admiral violated every regulation he vowed to uphold simply because he wanted to exploit your intellect?
Khan: He wanted to exploit my savagery. Intellect alone is useless in a fight, Mr. Spock. You... You can't even break a rule, how would you be expected to break bone?
‼️‼️
Towards the beginning of the movie we see Kirk, Khan, and Spock talking as more truth comes out about all of the circumstances surrounding John Harrison and the attack against Starfleet.
There we establish the mind set Khan has, the way he sees even Spock as inferior to him and his people.
Then we jump towards the end of the movie. Spock just sat with his best friend as he lay dying, unable to help him or truly comfort him at all. He is angry and heartbroken, he wants Khan to pay for what he's done. He knows the man must be stopped. So he beams down from the Enterprise to go after him.
The second Spock gains the upper hand in that fight he snaps Khan's arm like a fucking twig.
As both a writer and a viewer, that's the kind of thing that makes me go, "Shiiiiiiit that's good soup. I need more"
Both scenes in the same video 🥰
I dunno guys. I just really love Spock.
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doctorhelm · 10 months
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historysurvivalguide · 5 months
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Holiday Science History Book Recommendations
Need ideas for science and science history lovers in your life?
The holidays are coming up! Need some inspiration for presents? Here are some of the best science history books I’ve read this year if you need a place to start
Scurvy: How a Surgeon, a Mariner and a Gentleman Solved the Greatest Medical Mystery of the Age of Sail by Stephen R. Brown
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🍋 The adventure behind the discovery of the cause and cure for scurvy 🍋
Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time by Dava Sobel
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🕰️ Latitude is trivial to measure but a good way to measure longitude took hundreds of years, the invention of non-pendulum clocks, and a meeting with the King of England 🕰️
The Ghost Map: The Story of London's Most Terrifying Epidemic and How It Changed Science, Cities, and the Modern World by Steven Johnson
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💧 This book on the history of a deadly cholera outbreak in London reads more like a murder mystery and thriller 💧
Force of Nature: The Life of Linus Pauling by Thomas Hager
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🧪 Pauling is a true “force of nature” and dominated chemistry in the first half of the 20th century and help spearhead what is essentially modern chemistry 🧪
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artfulfashion · 8 months
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Kate Bezvulyak for Lucy's Magazine Summer 2023 photographed by John Harrison
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yetihideout · 1 day
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Favorite Albums
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Music Composed And Performed By Goblin: Their Rare Tracks & Outtakes Collection, 1975-1989, Goblin
My favorite compilation from Goblin, the prog rock, synthesizer masters who became famous thanks to their contributions to the soundtracks for Dario Argento’s Deep Red and Suspiria as well as George A. Romero’s Dawn of the Dead. Often super-charged and kinetic, but also possessing the ability to be slow, atmospheric and moody, this group epitomizes the nature and energy of horror: from the otherworldly and terrifying soundscapes of Suspiria to the beautiful, thoughtful love theme from the obscure St. Helens (not a horror film, but dramatic nonetheless.)
Goblin is, without argument, one of the most influential artists to the world of horror music – no doubt influencing John Carpenter’s simple piano-driven theme to Halloween (listen to Goblin’s title track from Deep Red and compare) to the current crop of synthesized themes in films and series like Turbo Kid, It Follows, Drive, Stranger Things and many others.
These are all babies born of Goblin!
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Silk & Soul, Nina Simone
My favorite album by my favorite vocalist for reasons that are inexplicable to me. This is the album that I play most often – perhaps it’s the odd variety of songs chosen (although all of the material in the Simone archives are from an astonishing range of disparate and unique sources). Historians would consider “I Wish I Knew How It Would Feel to Be Free” to be the signature song from this album, but I find her brief tale of simple, matter-of-fact racism explained in “The Turning Point” to be much more devastating, perhaps since it’s told from the point of view of a child.
All of the songs are wrenching and even her revisions of Burt Bacharach’s “Look of Love” and The Association’s “Cherish” are re-ignited with a more appropriate longing and yearning that only Simone can express.
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Creepshow, John Harrison
My favorite horror soundtrack of all time. There is something about the opening piano theme that appealed to me even when I first saw ads for the film on HBO as a child (I was much too scared to watch the entire film, but I would torture myself by at least watching the opening credits). The child-like piano tune with the taunting children voices was spooky, fun and surprisingly catchy. This album was a sort of Holy Grail of mine growing up and I would often watch the film just to hear the music. It wasn't until many years later that I was finally able to get a copy of the record. Each story in the film is brought to life by a signature sound – from the Gothic, piano-pounding revenge motif of “Father’s Day”, the melodic and secretive tone of “The Crate” to the minimal synth soundscape that perfectly applied to E.G. Marshall’s roach phobia and germ-free apartment from the “They’re Creeping Up on You” segment.
Each and every note is deliberate, brilliant and visual.
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Bone Machine, Tom Waits
My favorite Waits album, probably for the simple reason that each song is like a tiny, separate horror tale embodied with an extremely visual style and brought to life by Waits’ rough, often inhuman voice. Each song is painted in charcoal black and tell stories about the hopelessness of...well...everything. “The Earth Died Screaming” is perhaps the most famous track from this album, but my personal favorite is the slow and mysterious “Black Wings” – a familiar tale of a neutral angel (or demon?) and his exploits, both good and bad. “Murder in the Red Barn” is an equally intriguing tale that one can easily visualize and it's peppered with ambiguous lyrics like, “there’s nothing strange about an axe with bloodstains in the barn - there's always some killin' you got to do around the farm.”
I like to look at Bone Machine as a sort of audio short story collection of tales that Roald Dahl, Richard Matheson or Robert Bloch might have conjured up.
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Thighs and Whispers, Bette Midler
A rare album that I actually listen to all the way through. This 1979 album has a diverse range of songs, including a great version of “Millworker” from the Broadway play, “Working”, and some cute disco-fueled tunes like “Married Men” and “My Knight in Black Leather”. Each song has some moment that gives me shivers, or at least slight goose bumps. One of those moments is in the song, “Big Noise from Winnetka” when they sing the line, “Once she was picking up the big boys…now I’m pickin’ up my little kids’ toys”.
The whole album makes me feel really good with all of its emotional ups and downs...which, afterall, is basically what makes a perfect album. Right?
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Cow Fingers & Mosquito Pie, Screamin’ Jay Hawkins
My favorite compilation of songs from the incredibly insane catalog of Hawkins. All of the favorites are here – “Alligator Wine”, “Hong Kong”, “Little Demon”, “There’s Something Wrong with You” and, of course, his most famous track – “I Put a Spell On You”. Every song is unleashed in his inimitable way, through screaming, shouting and lip-smacking gibberish. His work makes me scream with laughter. I find that listening to his albums is the perfect remedy to road rage…just “singing” along with Jay is incredibly cathartic and relaxing! Take him along with you on your next commute.
Who knew that spouting out silly words and making fart noises would become such a huge part of someone’s career? I’m totally in the wrong profession.
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Sweet Dreams (Are Made of This), Eurythmics
Definitely the first official “album” I ever owned. Like most people of my generation, Annie Lennox mesmerized me in the music video for “Sweet Dreams” (which aired on MTV practically every few minutes). I was equally fascinated, terrified and hopelessly drawn to the pounding computerized beat, the throwback classical strings and Annie’s low, monotone delivery contrasting with her higher-pitched, "choir of angels"-type refrains. And who could forget her bizarre appearance? This is the perfect example of the power of the early 1980s music video: The song and accompanying video compelled me to purchase the entire album. I loved every single song on it – a rarity that I have not often found with other albums.
With the eerie “Love is a Stranger” and the hypnotic “Jennifer” to the ethereal, jungle beat of “I’ve Got an Angel” and the fun and goofy “Wrap it Up”, I had unknowingly set the stage for my musical tastes. 

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Hooked on Classics, Louis Clark conducting The Royal Philharmonic Orchestra
This was an album I remember being in love with as a young boy when I would play the cassette tape of it over and over again. It was a great entry point for classical music. The often goofy, pseudo-disco element that was added to the medleys of famous classical music provided a fun and punchy rhythm to the proceedings that was perfect for a child. I found a copy of the CD recently and discovered that the album is still a fun listen. The quick, “clapping hands” backbeat now reads very silly and one can envision the album being played during low-impact cardio exercises at a YMCA.
Though this album (as well as its sequels and spin-offs) has its vehement detractors, the album has a sweet innocence to it. It’s merely trying to make classical music a bit more accessible while not taking itself too seriously.
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The Haunted Mansion, Disneyland Records
Though not officially an album by any means, this was a record I played quite often as a child. Accompanied by a terrific illustrated book that detailed the exploration of the famous Haunted Mansion of the Disneyland world, your narrator leads you through the famous scenarios from the ride. Though only running approximately five minutes or so, the adventure leaves your brain with indelible memories, probably the most startling being the bride with the visible, beating heart.
The B-side is what I remember the most from this album – a simple collection of sound effects, from moaning ghosts to the absolutely terrifying and intense sequence of a pack of dogs barking in the distance and getting louder...and ever so closer…
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sobeautifullyobsessed · 9 months
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Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love ❤
Thank you so much for the tag, my friend--you know I appreciate every chance I can get to promo my work!
So, five favorites? Honestly, it's hard to choose, as most of my work remains WIPs that are currently languishing for updates. I'm going to exclude my one-shots to narrow down the field - and base this list on both the story and the quality of the writing. Hoping that they might get a little bit of love and some new readers!
Of Magic, Miracles, and Moonlight - Stephen Strange x OFC. Slow burn romance, older man/younger woman, mentor/student, friends-to-lovers. Pre-Infinity War. Contains Mature Content. WIP, currently 19 chapters.
A Khan By Any Other Name - Khan Noonien Singh x OFC. Adventure, danger, angst, romance. Pre-Star Trek Into Darkness. Contains Mature Content. WIP, currently 12 chapters.
The Secret of Salvation - Major Jamie Stewart x OFC. War Horse AU. WW I. Angst, prisoner of war, romance. Contains Mature Content. WIP, currently 5 chapters.
The One That Got Away - Benedict Cumberbatch AU, where he is primarily a stage Actor with some movie/television appearances. Benedict Cumberbatch x OFC. Takes place during a production of The Taming of the Shrew. Castmates to friends to falling in love, slow burn, jealousy, lots of angst. WIP, currently 18 chapters.
Scarlett and the Professor - Tumblr exclusive. An original, erotic, paranormal romance, based on a discontinued roleplay. All original characters. Takes place on an unnamed Caribbean island. Older man/younger woman, professor/student, supernatural elements bringing them together, romance, angst, forbidden desires, light kinks with foreshadowing of darker kinks. Contains Mature Content. WIP, currently 32 chapters, plus two one-shots.
moodboards under cut
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(related works: Lady in Red, Though There Be Pain Love Still Endures)
Of Magic, Miracles, and Moonlight
Doctor Stephen Strange's life has settled into a fulfilling pattern; even as Master of the New York Sanctum, he continues his studies in the mystic arts, self-training with the library that the Ancient One amassed in her years as Sorcerer Supreme. An old alliance forged by the Ancient One brings an unexpected request to him, and he is duty bound to fulfill it. Along the way he meets with some pleasant surprises--and discovers that his heart is not immune to the effects of the gentlest sorts of magic.
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moodboard by @strangelock221b
Seraphina DiPietro is wise in the ways of the world; she has to be, as she travels the California coast as a torch singer in pubs, bars and nightclubs. She knows how to take care of herself and stay out of trouble--most of the time. When trouble comes, it's usually because her kind heart overrides her common sense. Stopping to check on a handsome stranger, stranded roadside in the Mojave Desert, her curiosity is piqued as much by the classic, mint-looking Mustang, as by the driver--a tall, dark mysterious drink of water, whom she quickly learns is so much more than what he appears.
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moodboard by @mel-loves-all
Major Jamie Stewart is a survivor--but sometimes he just needs to escape. The guilt, the pain, the despair; his bitter fall due to folly and hubris. It helps to survive if one has a sanctuary to turn to, a dream to hold onto. A vision of a day--and a woman--that might grant him the salvation he desperately craves.
bookcover for The One That Got Away created by @onebuttscratcher
An actress making her name for herself on the London stage, Virgilia (Vicki) Gordon vows not to follow her usual pattern: falling in love with her leading man. The work comes first and foremost--or so she plans. She never expects to develop feelings for her co-star in "The Taming of the Shrew", but with his stellar talent matched by his charm, kindness and intellect, Vicki learns all too soon that, despite one's best intentions, the heart goes where it will. Still, all might be well--but he is far from free enough to return her affections.
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moodboard by @strangelock221b
Romance & Passion. Mystery & ties to the Supernatural. Lust & Erotica. NSFW material, so be forewarned. A young Scottish woman of ancient Selkie blood finds herself irresistibly drawn to her dashing British professor, with his own mysterious ties to the Sea. A serial womanizer who believes his inner darkness makes him unredeemable, he finds what seems an uncorruptable innocence in the love she freely offers--eventually coming to wonder if her light might be enough to save him from his demons.
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byronicherobracket · 3 months
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The Byronic Hero Bracket: Qualifying Round Batch E #10
John Harrison from Star Trek Into Darkness vs. Dean Priest from Emily Of New Moon
(Note: The portrayal of Dean Priest here may be inaccurate, as finding an image for him was a confusing process)
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Reasons under the cut (spoilers for both)
(All sources from TV Tropes)
John Harrison:
Star Trek Into Darkness: John Harrison/Khan. He fits the bill in a few ways; Brooding, charismatic, and physically attractive but also incredibly vengeful, prideful and was once an Evil Overlord back in the day.
Dean Priest:
Dean Priest of the Emily of New Moon series embodies a number of these character traits. He's well-educated and charismatic, but his disabilities have also made him cynical, bitter, and rather self-destructive. He travels often, which makes him a bit of a self-imposed exile. He is a loner. He is self-interested to a degree, but can also be selfless when he wants to be. LM Montgomery also gives him lots of Mr. Rochester parallels, who is himself a Byronic hero.
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thingsasbarcodes · 1 month
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The Sarah Jane Adventures 5x06 - The Man Who Never Was (Part 2)
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brokehorrorfan · 8 months
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Tales from the Darkside: The Movie will be released on 4K Ultra HD + Blu-ray on November 7 via Scream Factory. The 1990 horror anthology is based on the TV series of the same name.
John Harrison (Dune) directs from a script by George A. Romero (Night of the Living Dead) and Michael McDowell (Beetlejuice), including adaptations of Stephen King and Arthur Conan Doyle. Debbie Harry, Christian Slater, David Johansen, William Hickey, James Remar, Rae Dawn Chong, and Matthew Lawrence star.
Special features are in progress and will be announced at a later date.
To keep from being eaten by a modern-day witch (Deborah Harry), a young paperboy weaves three twisted stories to distract her. In “Lot 249,” a vengeful college student (Steve Buscemi) resuscitates an evil mummy to teach unsuspecting student bodies (Julianne Moore, Christian Slater) a lesson in terror. Then, “Cat From Hell” is a furry black feline who cannot be killed… he may have nine lives, but those who cross his path are not so lucky. Finally, in “Lover’s Vow,” a stone gargoyle comes to life to commit murder.
Pre-order Tales from the Darkside: The Movie.
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