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#In pace
autumn-may · 4 months
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Mostly spoiler free summary of my viewing experience
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mcmissileproof · 8 months
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favorite hobby when I'm driving is to catch someone trying to climb up my back bumper while I'm going a completely reasonable speed and just slowly take my foot off the gas. you seem upset, brother. why don't we slow down and enjoy the view awhile
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dykealloy · 4 months
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what do you mean jennifer saunder's shrek 2 cover of Holding Out for a Hero didn't play over the entirety of dressrosa arc
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moonlightmagical · 1 month
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that was an insane three hours.
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eggsdoodz · 6 months
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🩷🌷🐑⭐️🎀
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visenyaism · 2 years
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“everything will be okay”: shallow and dismissive comfort that establishes impossible goal an indefinite future away
“in two weeks you will have different problems”: so true bestie the human experience
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renzypretzy · 4 months
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sky siblings, plus martyn and grian. I was doodling these while listening to martyn’s lore stream video thingies on his yt. Its so cool and fun that he has those streams and makes lore with fans.
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ohno-the-sun · 9 months
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Some thoughts about who Eclipse is exactly
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lostjonscaves · 2 months
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while listening to ep 9 i realized that my “listening to new tmagp ep” behavior is not how normal people experience podcasts
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menoftiktok · 9 months
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aethersea · 1 year
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honestly it was a red flag when bbc sherlock went “well obviously the word written in blood isn’t the german word for revenge, it’s clearly the beginning of the name ‘rachel’, what absolute idiot would fail to see that” when in the original novel it is, in fact, the german word for revenge, which sherlock points out gleefully to a roomful of policemen who all figure it’s the beginning of the name ‘rachel.’
and by red flag I mean it was a clear sign that the adaptation was trying to one-up the source material, instead of engaging with it with love.
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sophios-draws · 4 months
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@portal-secret-santa gift for @wildyfoe! a comic set after glados saves chell. enjoy!
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ghostsberry · 2 months
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soldier !!
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pedro-pascal · 1 month
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leeepfrog: 45 and alive. 🧟
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askfordoodles · 6 months
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I just noticed when Ozzie appears behind Fizz, the initial explosion shows his sigil for exactly ONE frame (replacing Mammon's sigil we've seen plastered throughout the episode). I just thought it was a neat little detail, Asmodeus essentially summoned himself in that moment.
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deception-united · 1 month
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Let's talk about transitions.
Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.
Here are some strategies to smoothly transition between different pacing levels:
Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.
Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.
Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.
Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.
Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.
Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.
Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.
See my post on pacing for more! ❤
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