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akindablueddy · 2 years

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Ooohh!! Did you post you Cap-wolf/Witch Tony fic or is it a fun head-fic? It looks vry cute in any case, have any points you wanna share?

🎃

Thanks!!

ah!! thanks for asking about it! 〔´∇｀〕

It’s um sort of in-between? It's not a completed and posted fic, but it has advanced from the head-fic stage in the sense that I’ve written down lots of notes about it and bits and pieces of scenes. Fingers crossed, one of these days I'll have the time and strength of mind to sit down and wrangle it all into paragraph form.

As for points I'd wanna share, hm... I could try to give the basic premise of it?

Steve's a werewolf (obviously), and he's spent the past half year since he received this curse trying and failing to find a cure. He's making his way deeper and deeper into a system of caves in preparation for the full moon when the wolf overtakes him (This universe's version of werewolf doesn't need contact with moonlight.). Steve's several days' subterranean journey is reversed in a matter of a few hours by the wolf, and the beast pounds off after the scent of a town filtering through the miles of forest between them.

Halfway through this forest, without warning, Steve is lifted back into consciousness and blearily peers up at the distinctly disappointed face of a witch. He can tell the man's a witch because of the otherwise unexplainable tendrils of light reaching toward him. Before he has the chance to get a single word out, he's shoved back down into unconsciousness. When he wakes, he's on the seashore. The ocean's so far from the region Steve lives in that he's never seen it before now. Even more miraculous than any distance travelled, not a single drop of blood stains his clothes.

Steve spends the next month hunting tirelessly for that witch in the woods.

The thirtieth secluded cottage he visits is overgrown and falling to pieces in places. Disregarding the seemingly abandoned state of the property after the small army of pumpkin golems springs to life and besieges him (as, he's discovered, is standard of occupied witches' dwellings), Steve marches through the bramble and pumpkin guts covering the faint memory of a front path and knocks on the door.

The witch he's been searching for does answer the door, though more out of confusion than anything else. But it takes several tries before Steve can get more than three sentences in before the witch magics him away to whatever far-off, increasingly dangerous location suits his fancy that day.

Wow ok, wait. I'm going on about this "basic premise" for way longer than I'd meant to. I'll try and wrap things up quick!

Eventually a conversation is managed. Steve learns that Tony is a witch who specializes in magical creatures and that his taming spell somehow worked on Steve's wolf. However, Tony, for reasons Steve can't comprehend, refuses to help Steve, you know, not go on a killing spree against his will once a month. Steve despises Tony for having no conscience, and Tony despises Steve for demanding his help, not leaving him the fuck alone, and also for being a former famed beast hunter (not for sport, don't worry).

But then, Steve discovers Tony stopped his wolf in the woods that night because he's deeply interested in studying the creature. Steve's all like "It's kind of sick for you to be so interested in studying bloodthirsty monsters." to which Tony rolls his eyes and tells him, "You're not a werewolf. Somehow, your form got bound to a particularly violent member of a species of beast that's near-extinct. How you two got bound, I don't know. Why's your beast so violent? Well, being bound to you's probably enough to drive anyone to madness." (He'll regret those words.)

Steve soon realizes he can strike up a deal: If Tony keeps Steve's beast tame for the full moon, in exchange, Tony can study the beast during that time. Neither of them is at all trusting that the other will keep their word, so they bind themselves to the arrangement using a magical oath with vague, magical consequences. Those vague, magical consequences are quickly demystified when Steve steps past the low, outer wall of the property.

Tony irritably flips through his spell book to find what on Earth either of them had done to break the oath so soon and then apparently un-break it once Steve walked back toward him. Horror dawns on him as he realizes he forgot about the distancing limit baked into the oath he chose. Steve's equally horrified but doesn't pass up the opportunity to laugh in Tony's face for being such a shit witch.

And so, Tony swears to work out a way of loosening the oath's boundaries, but in the meantime, he has no choice but to let Steve move in with him (mwahahaha). The first morning, Tony refuses to give Steve anything to do. After some arguing, he reluctantly agrees to Steve working around the yard just to keep him out of the house as much as possible. Once Steve's weeded, trimmed, and repaired every inch of the yard (with the help of the recovered pumpkin golems he gradually befriended), Tony reluctantly allows repairs and tidying of the inside of the house, except for the cramped library he spends most of his time in.

Ahh!! I am not "wrapping things up quick"! Ok basically, Steve and Tony slowly warm up to each other, and Tony starts forgetting to work day and night to find a way out of the oath. Steve helps Tony unpack his past and become less of a complete hermit. Tony helps Steve solve the mystery of his curse. Maybe they catch some feelings somewhere along the way.

Anyway! Thanks for shooting me a message letting me know you thought it was cute! Mega-warmed my heart since, as you can tell, this AU is- It's kind of on my mind. like kind of. 🎃

oh! and in the drawing: It's Tony info-dumping about his favorite beasts :3

#don't worry I will not and frankly can not insist you read it all the way through anon!#I'm just dropping the bones of the lore for anyone who remembers my capwolf post and is at all interested #Once again reminded of my chronic inability to summarize and keep things short #if given the opportunity to blab i simply will #maybe it just looks like a lot bc tumblr posts are formatted so skinny?#oh AND I don't know when exactly anon sent me this ask but I know it was a goddamn WHILE ago and I'm so sorry it took me this long!!!#school's got me by the throat and I'm actually still supposed to be studying rn but.... your ask needed answered!!#steve rogers #tony stark #stevetony #marvel #ask

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bitterpngs · 1 year

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wip dump

#the yuuji one im so sorry but i dont think ill ever finish it T_T #it was supposed to be like.. a comic from a fic i read a long time ago and ive lost motivation. maybe if i reread it ill get inspired again #but don't expect anything #the last image is from one of the band aus i have lmao. it's geto hitting a guy with a guitar. he has a reason i promise awiefjs #the one w shoko and kirara is basically kirara sitting on a table and talking to shoko #im going out of order but uhhh the first is from that one 2nd yr metal au i have #the one after is like. a geto comic idea i have.#im so fucking determined on posting something eventually. even if it's ugly sketches. the idea needs to be out there u_u #then after a cute lighthearted sashisu comic #wip #uuughfhrhhe i want to draw more but also don’t #and also don’t know what i want to work on nothing seems interesting to me #might just try to take a break for a while i guess

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zuala-bear · 2 years

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Finally, after weeks of procrastination (and tumbler's app deciding to not save my post for some odd reason-) I give to you Tumblr: A SQUIRREL

After being inspired those nature documentary clips on YouTube (and my sister's own squirrel oc-) I have decided to create this SQUIRREL. She - like many other spirits and demons - has issues with that one monkey. Something about missing jackfruit...

#Jttw oc #lmk oc #lego monkie kid oc #indian giant squirrel #indian squirrel oc #she hates monkeys - especially macaques #the last pic was drawn like a month ago and was suppose to be colored and stuff - but i didn't really know HOW to color her until #this lego was created #i love indian squirrels - they're so darn prettyyyyy #I hope I got the clothing right- i tried--#was listening to judaai r3zr while designing her clothes #i don't know the lyrics due to obvious reason XD but it sounds so pretty and it just suits her vibe (at least when she's in a good mood-)#i wanna put a bunch of triva in these tags but imma just save that for a actual post-#anyhoo-#she is the girl #best girl #zu's art

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riverofrainbows · 2 years

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I wish i had been healthy when studying and done this properly. It's absolute hell trying to pick up the pieces for my big exam thats coming up, all the lectures I've never been to, all the exams the most i was able to study for was half assed so i still don't know the subject properly, the study notes and lecture notes that i never properly sorted after i got home and still fly around, almost impossible to decipher now. I had a chance to rewatch some of the lectures that were recorded for covid, but today for some reason I've been thrown out of the website again, and I haven't gotten even halfway through yet.

I've been going through all my study materials trying to sort them and prepare for the exam, and found subjects i have no memory of taking, meticulous flashcards i have no memory of making (nor of their content). I see mountains and mountains of evidence how bad i was doing all these years, and how much i tried despite, still.

And it makes me so sad, so Fucking sad. I am grieving all the time i struggled so hard and tried and tried my best, and it was a jangled mess i am trying to pick up now.

And i am angry because it's so much harder trying to study with no or lacking lecture notes, having to dig through the mess instead of just taking it out of a folder. It was hard then, and suffering back then still makes life harder for me now.

#own post #disability #grief #anger #i am doing better now not perfect but better and i think of all the lost potential too #i could have been very good ngl but instead i was struggling and kept failing tests and getting through with just the required points #and it makes me so angry because i do find it interesting and i can be brilliant at what interests me. remembering tiny details #i could have shone so bright but instead its all just struggling and then reliving that struggle while trying to pick up the damn pieces #and it makes me so sad for past me (who I can't even really remember) because he tried so hard and put in to much energy #like the amount of energy i used to have while severely ill is another thing because I don't have it anymore #i am doing better so i do have more energy available and it also takes less but i cannot imagine ever doing that again while suffering #i don't have the reserve anymore to do things while suffering. i used it all up #its all gone and when i look back its still Still such a mess #it makes me think 'and for what' because what am i even supposed to do with that #i used it all up just to survive and get by #all my reserve energy all of it #and when other look at it at what i achieved all they see is a failure. and i try not to do the same bc i was there i know why #but sometimes it does feel like that. sometimes it just frustrates me so much #I've gotten out of the depths of the severe burnout i was in after the last semester a few weeks ago and it's a lot to process #now that I'm not actively in survival mode anymore in active fight or flight over doing anything uni related #and i start to process all those emotions #i am proud of paar me and i feel so sorry for him #and for me

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defiant-firefly · 2 months

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(I've had my chatty medicines so you get a post about this)

There is something distinctly and uniquely alienating and bizarre about hearing people say 'Easter Sunday is the most religious day of the year'. Like, when was this?? If it's so religious and so so so important, how come no one thought to tell me it was religious until like four or five years ago?

Yeah it's kinda funny but I'm also sat there every time like "what the fuck are you talking about". The assumption I was raised Christian and am Christian via culture is really funny though cause like. Bro I have no fucking clue what any of this stuff is about.

My parents never taught me the majority of this shit. Anyone else assumed I already knew about it. This Easter talk I've been hearing about a weird amount more than normal is all new to me and making me think of all this shit lmao

#no I'm not joking about only realising it was religious a handful of years back #but it IS weird to see people talk about what MUST be my default beliefs given my country and just #very little of it being true?? I don't see a lot of this talk at the moment I just heard my dad talking about easter and it got me thinking #so don't mind me really but like.#as an example of what I mean. its assumed christian cultures push the belief of going to heaven when you die #it's probably true! but not for me. I was raised to belief that when you died you became a star in the sky #specifically on the first night you were the brightest star in the sky so everyone could see you #APPARENTLY this is greek?? I dunno man but it's not heaven lmao #there were loads of little every day things I remember seeing a while back that were listed as this stuff too #and I don't remember them at all but there were only a few there that I recognised as my own beliefs #i feel like i was raised culturally... i guess blank? so I picked up my own beliefs over time??#does that make sense?? is that a thing?? actually wondering if it's just me that gets this #cause it was only two years ago I found out valentines was a saints thing #wondering if anyone else was just raised with a 'I dunno its whatever' thing instead of a culturally religious thing #cause it IS weird seeing posts treating this knowledge as something everyone has I dunno #but ANYWAY it's funny sitting there while people are stunned you didn't know about the 'most religious day of the year'#my mans my only religious experiences were very VERY brief and I was mostly annoyed I couldn't eat the gummy bears on the impaled orange #what in the fuck is that about btw??? honestly what's the deal with that one???#why is there a whole service revolving around an orange with a bunch of cocktail sticks in it???#I don't even remember when that was I think it was end of the year time or something???#there was nothing to do so obviously my child self wasn't interested at all in anything but the orange #I need to look this up now I guess but without the context I'm supposed to have apparently this genuinely sounds batshit insane #I don't remember what I was talking about imma hit post and forget this whole thing and not reread anything #firefly life #<- probably. I don't remember

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joycrispy · 9 months

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Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

#good omens #ineffable husbands #aziracrow #good omens 2 #crowley #aziraphale #good omens meta #I have no idea if I've made a coherent point here but I'm tired of this being in my drafts; RAW FEELINGS IT IS #it's about being sent to destroy and instead staying to love and protect and nurture I'M CRAZY I'M CRAZY RAAAAAAAGGHHHH #gnu terry pratchett

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inkskinned · 8 months

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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

#writeblr #warm up #this is longer than i wanted i really considered removing that part about myself and what i went thru #but i think it really fucking bothers me that EVERY time i talk about being an artist #ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work #part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just #like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r #ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week #this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism #imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY #''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''

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loganlermanstanaccount · 1 year

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Show me where it hurts (part 1)

Miguel O'Hara x spiderwoman!reader

(AO3 Mirror), Part 2, Main Masterlist

summary: Miguel's acting weird, and you make it your mission to find out exactly what's going on.

warnings: no warnings for this chap, pg-13, swearing and canon level violence. smut next chapter xoxo

a/n: this is a combination of 2 asks and this post I saw on here a while ago: flirty/ snarky fem reader, Miguel during a ""rut"" (I don't know if it counts as a rut really, but its to do with his animal instincts/DNA) and Lyla playing matchmaker. I had so much fun writing this, enjoy :D

(i wrote this pre seeing spiderverse 2, so i think characterisation is a little off, esp for Lyla, apologies! I'll fix it in my upcoming fics)

edit: I use the term "bichita" which I have been informed can be read not as I intended in Spanish. I'm not a native speaker so I want to apologise in advance. I'm doing more research for my future fics and leaving this up as a testament to my stupidity. Spanish speakers, feel free to correct me / clown my ass in the comments. My bad guys :(

wc: 3.6k

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You think Miguel is avoiding you.

One of your closest friends, giving you the runaround for months, it seems. Calling the two of you close friends is a little extreme, sure. You've only known O'Hara for two years, and been in love with him for slightly less than that, thank you very much. And yes, he refuses to call you by anything but your last name. And the last time you saw him he wouldn't so much as look at you, but that was besides the point.

"..the point," You tell Lyla, in between exasperated bites of cereal, "... is that aren't elite forces of spiderpeople supposed to, you know, have some spiderpeople kick ass once in a while? And where exactly is our fearless leader? I haven't seen O'Hara's scary ass in weeks, and I'm starting to miss it."

She gives you a look, one that says this isn't what I'm programmed for , but you pointedly ignore it.

"His ass, by the way." You clarify. "I very specifically miss his ass. Remind me to get his routine. I know girls that would kill for…"

"How the fuck did you get in here?" A voice croaks. You turn behind you and see Miguel, not in his suit, but wrapped up in a blanket like he's just woken up. And he looks rough, like a train ran him over on the way here: puffy eyes, splotchy skin, tension kneaded into his brow.

"Wow." Your spoon drops into the milk. "You look like shit.."

He furrows his brow even deeper, if that was possible. " Mierda. You shouldn't be here."

"This isn't quite the welcome party I was expecting, man. I'm the only one to actually turn up to one of your meetings, and this is what I get?"

"I thought I told Lyla to cancel," He mutters, pinching the bridge of his nose.

"Cancel? Since when do you miss a chance to talk about rules and protocol?"

"I don't have time for this-"

"-and I'm not leaving without a proper explanation. Is everything okay?"

"It's actually way worse now you're here." He deadpans.

"Haha ." You turn to Lyla. "You drop everything to travel halfway across the multiverse and this asshole won't even say thanks."

"Thanks, but this asshole needs you to leave. Now."

This is the most he's spoken to you in forever, and you hate that you like it. You just want his attention, however it comes. If that means dragging this out so maybe he acknowledges you, touches you, looks at you - then so be it. Squinting, you get closer to him. You scan his face for anything to latch onto. You put a hand on his shoulder, still searching.

"You sure you're alright? You know you can tell me if-"

"Si, si." He grits his teeth, looking away. "M'just fine. I'll explain…. later."

"...because I'm your right hand man?" You grin, poking at his brow. "Stop frowning so much Miguel, you're gonna ruin that pretty face of yours."

He flushes, nervous, and swats you away. "-what? N-No. You're not my right hand man and I like my face just the way it is. Now, leave. "

Making your way to the door, you tap your nose teasingly. "You know where to find me!"

When the door closes with a click, you make your way down the corridor, and stop in your tracks when you hear it. It's muffled, but with the strain of your supersenses you can make out Miguel's voice just beyond the wall.

"I just…. don't want her to see me like this… Lyla, it's not happening… I can't tell her…." Tell her what, exactly?

Resolutely, you make up your mind. Miguel O'Hara's got a secret. And before you leave for home, you're gonna do everything in your God given power to wear him down and find out.

~~~

Despite his insistence otherwise, you liked to think of yourself as O'Hara's right hand man - and most of the other spiderpeople thought so too. You were one of the very first he recruited, after crash landing onto your earth like a spiderman-shaped meteor; the two of you were inseparable. Miguel was stubborn and headstrong and thought he was right all the time. Infuriatingly, he was, but that didn't stop you from telling him to get his head out of his own ass when his ego grew too big.

He was different around you, you think. Softer, sometimes. Harsher, other times. He told you what you needed to hear whether you wanted to or not; the result of mutual respect and agonising persistence. Slowly, you had chipped away his hard exterior; the one he built because he thought he needed to push people away. In that regard, you were similar, but this need manifested in you like a weed - an awful, awful compulsion to joke and laugh at your own expense, to keep others at an arm's length. You had spent your whole life picking and pruning away at yourself, looking for perfection. Even after all this, multiverse-hopping and fighting alongside people who were the closest things you had to friends , it wasn't enough. There was still something missing.

Ironically, Miguel had told you something similar the one of the last times you had spoken. You had fucked up a mission, well and truly. In the aftermath, all you can remember is coming back to base, limping on Jessica's arm.

"She's hurt!" She cries out. Lyla materialises and leads you both to the med bay, inspecting any visible wounds. There's a deep laceration, sticky with blood, at the base of your stomach. You shift onto the bed and hiss with pain.

Miguel is quick to follow, face twisted with confusion, pain, sadness. Even in your haze, you feel the tension radiating off of him as he drags over a cart of supplies.

"What happened?" He strains.

"I don't even… it happened so fast. We got ambushed, and all of a sudden I'm on the ground. I wasn't thinking straight and… " She sobs. "...she jumped in front of me. God, she saved my life-"

"-wasn't your fault, Jess." You croak, trying to sit up. "And I'm fine. Just need to walk it off…"

"Sit, bichita," His nickname makes you frown, despite yourself, and you settle back down. "Lyla, what's the damage?"

Your vision goes spotty, and Lyla's voice barely registers. All you can feel is searing pain in your side, but Miguel is warm, oh so warm. You clutch his arms, and force him to look you in the eye.

"M'ready, Miguel." He nods weakly, but you don't think he understands. "I mean it . I can lead, j-just need another chance and I won't let you down… Jess, tell him that I can-"

"It's okay. I believe you. You just need to relax for me, hmm?" He clutches at your hand, tight, and it's like you're the only two people in the world. "You did good. I promise."

Faintly, you nod. You feel a pinch at your arm, and Jessica's there, with an empty vial of something in her hands. The pain washes over you, and you fight to keep your eyes open. In those last few moments of light, you swear you feel a shaky kiss pressed to your temple.

"Sleep, mi bichito amoroso. Sleep."

When you come to, you're still in the medbay, moonlight streaming through. Well, artificial moonlight. Time worked a little differently here, something Miguel explained to you a while ago - God knows what about dilation and quantum interference. It makes you smile now, remembering his frustration as he tried to explain to no avail. You were the only spiderman this side of the multiverse without a degree in quantum tech, you had said with a lopsided smile.

You move to sit, and pain shoots up your side. Groaning, you push through it, determined to get out of this bed and find the others. As if on cue, Miguel walks in, almost leaping towards you.

"You should… mierda ! You should be resting in bed."

You pout as you stumble into his chest. He hooks an arm around you and leads you back. You clamber in, sighing. "M'fine, O'Hara."

"Your guts were halfway out of your body less than 24 hours ago. So stay put, or you might give me another heart attack."

You scoff, incredulous. "You were worried?"

He shrugs. " 'Course I was."

"Why? You know I'm practically indestructible." You give him a shit eating grin, and poke the frown appearing at his brow. He doesn't bat you away like he usually does.

"Famous last words, bichita." He sighs. You can't speak a lick of Spanish, but you know he only calls you that word when you've frustrated him to his limit. So you take it as a win, for now.

He drops into the chair next to you. "How are you feeling?"

"Just peachy, dollface." You wink, and he doesn't so much as groan.

"I'm being serious. You went through something pretty traumatic…"

"You want me to tell you it hurts, so, so bad, daddy? " You pout and flutter your eyelashes mockingly. Miguel shifts in his seat, unable to make eye contact.

"That's not what I meant."

"What did you mean, O'Hara? I feel fine. And in a couple of days, I'll feel even better, and I'll be up and about. I can finish what we started and-"

"-no, absolutely not." He frowns. "A couple of days? I'm sending you home-"

"You can't do that! On whose fucking authority?"

"On the authority of you almost fucking died ! Keeping you safe is our priority right now-"

"God, is this my punishment? This is a low blow, O'Hara. You know how hard I've worked for this: months of surveillance and intel a-and I did everything by the book, just like you told me to." You croak. "I fucked up . I know that, and I feel terrible. Give me a chance to make things right; that's all I'm asking. I can do it, I know it. "

He looks at you for a moment, something heavy in his expression. His face contorted, he strips you down to the bone with just his gaze. His voice is so quiet, you almost miss it.

"....you're still trying to prove yourself, aren't you?"

Honestly, it catches you off guard. You don't even know what the fuck that means, let alone why he said it.

"I don't… I d-don't…?"

"They all love you. Respect you. More than me I think, sometimes." He chuckles at that. "You're good at what you do. The best . What else are you trying to prove? What else do you need ?"

Your throat goes dry. You couldn't speak if you wanted to.

"I'm not punishing you. You made a mistake, but you don't need to be crucified for it. I just want to keep you safe. I can't… we can't lose you."

"Miguel-"

"-this isn't a discussion. And I'm not trying to argue, although I know how much you like to argue." He inches closer, cupping your face gently. You try to move away, blinking back tears. But his hands are steady and he strokes your jaw with so much tenderness you think you hear your heart break. He's pretty, so pretty. You don't deserve him, you think. "There'll be time to fight, bichita. Rest. That's your mission right now."

"C-can't sleep." You breathe. "It hurts."

Miguel pauses, head tilted like he's thinking. He taps your shoulder. "Scoot over."

You do as he says, and he slips into the bed with you. It's a tight fit, but he manages, placing you on his chest with an arm gently around your shoulders. You bury your face in his hoodie, sniffling and hoping he doesn't notice you choking back sobs. Absentmindedly, he settles into a rhythm, gentle breathing and playing with your hair, soothing you softly. He pretends he can't hear the tears.

"M'gonna stay here until you're asleep. For as long as you need."

You nod, unable to speak for fear of breaking down.

~~~

The days after felt like a blur. You woke up to Miguel gone, and an ache in your heart. Jess visits as much as she can, and Ben calls you a couple times, to see if you're okay. Peter B brings Mayday, and she clambers all over your bed, bringing some life into the room. Miguel doesn't visit per se - you hear whispers of him, Lyla visiting in his stead for comprehensive status updates. Once, you wake up in the night to see him on the adjacent chair, head lolling in deep sleep. He looks peaceful, calm - one of the first times you haven't seen his brow furrowed with worry. Of course, he's gone by the morning.

The very last time you saw him, he opened the portal home. It was weird, after everything, but if Miguel felt the same you wouldn't know. Talking at a thousand miles a minute, he alternates between assuring you they'll be fine without you and situation reports from spider people all across the multiverse. Things you'd missed whilst bedbound, asking for advice before you left. He trusted your judgement and the thought warmed your heart, almost making you forget that he completely brushed past the previous nights before.

You still remember the last thing he had said to you, which would've been weeks ago, now.

"...and if you need anything, and I mean anything, you call me directly. Not Jess, not Ben, and certainly not Peter B. Call me, and I'll answer, I promise. You need help, you need advice, you just need someone to talk to, then-"

"-I call you. I get it, O'Hara. Will do." He opens the portal, watching as you walk towards it. He can't take his eyes off of you, even though you can't see him. At the last moment you turn, and run towards him. You almost knock him over with a hug. Burying his head in the crook of your shoulder, he hugs you back, ever careful of your injury. Separating, your smile almost knocks him over again. Weakly, he smiles back as you head through the portal, back home.

You're left with that feeling, of his arms around your body - warm, so warm - as you putter about by the switchboard. After careful deliberation (you were really, really bored ) you'd taken to manage the Multi Modal Multiversal Switchboard - as aptly named by Miguel. Everyone else called it the Big Red Phone of course, but he had insisted on calling it by its proper name . Every. Time.

The thought makes you chuckle as you call up Peter B. His icon flashes on the screen in front of you. With a click, he picks up the call, his face materialising holographically in front you. A little hand reaches up and tugs at his ear.

"Ow… ouch … Dad's on the phone, honey."

"Aww! How's my favourite Parker doing?"

"Not bad, actually! MJ just made us probably the best burger this side of New York-"

"-sorry, Peter? Me and May are trying to have a conversation." You hear her giggle in the background. Her gap toothed grin pops into frame and she babbles excitedly. "...yeah, exactly May. That's literally what I said."

"Okay, okay, that's enough." He puts the toddler down and watches her scurry away. "You're feeling better, I see."

"Yeah, back in action. Thought I'd check in."

"All good here." He squints, trying to take in your surroundings. "You're at HQ?"

You hum.

"Could've sworn Lyla cancelled…"

"Yeah, didn't get the memo. But I think something's wrong with O'Hara."

He gives you a weird look. "Uhhh, what makes you think that?"

"He won't even look at me. Was it something I said? Something I did?" Your eyes narrow. "...what do you know, Peter?"

"Nothing! Absolutely nothing!" He scoffs, a little too quickly, clutching his chest like you've offended him. He's stared down some of the scariest villains around, but the look you give him is truly chilling. "Just… uhhh. You didn't hear this from me."

"Naturally…"

"We tracked 'em down, the guys that ambushed you and Jessica."

"The Sinister Six? From Earth-215?"

"Yeah, but by the time we got there, it was just Kraven and some of his goons. Miguel got there first, and…." He gulps. "He was pissed. Trashed the whole place looking for the rest of 'em. Beat Kraven half to death and we had to pull him off."

"Shit."

"Yeah, it was pretty rough. Never seen him like that before. And just generally? He'd been weirdly quiet, a little grumpy, more aggressive on missions. I don't know what's gotten into him."

"Hmmm. Thanks, Pete."

"No problem, sweetheart. And if the big guy asks… "

"...this didn't come from you, I know." Weakly, you smile. "Say hi to my favourite Parkers, for me."

" 'Course I will. We should celebrate, if you're back officially. Mine and MJ's is always open."

"Good to know. I'll see you around."

He waves goodbye, and the hologram clicks off. Sighing, you try to piece together what you've just heard.

Miguel: acting weird. Well, you knew that already. Aggressive was new. And Lyla? She had canceled, but not for you, for some reason. An honest mistake, perhaps. But Lyla doesn't make mistakes…

You stew for a couple of hours, puttering about the switchboard, twiddling your thumbs. Something's wrong, and for some reason you're afraid to see him. To have him look straight through you, again, when you ask to do the same. Show me where it hurts. Tell me how to make it better.

On the way there, you chew your lip in anticipation. In the corridor, you're outside the door to his place, hand hovering above the door. To knock, to call. In the harsh fluorescent light, you hesitate.

"Lyla?" Nervously, you sink down onto the floor. It's hard to explain, but you don't expect her to actually come; to materialise in front of you.

"How can I assist you?" She says with a ding.

"Uhh… hi. Just wanted to talk." You pause, clicking your tongue. "Can you be honest with me?"

"I can only be honest with you. It is not in my programming to lie, unless specified by my owner."

"Sure. Cool. It's about him, actually. Is Miguel okay?"

She tilts her head, as if processing your request. "Okay is a subjective term. Is Mr O'Hara alive? Yes. Is Mr O'Hara physically well? Yes. By those terms, he is okay ."

Too vague for your own liking. "I guess I meant more… his emotional state. To the best of your knowledge… in your opinion , Lyla: is Miguel okay?"

"...I believe Mr O'Hara is experiencing some emotional turmoil."

You frown. "Oh. Do you know why?"

"Mr O'Hara has instructed me not to disclose that information with you."

"Fair enough. But you don't have to tell me… I could just ask questions?"

She nods. "There is nothing in my programming that prevents me from answering some questions within certain parameters."

"Did I do something? Not just today but… last time I was here. Did I say something to hurt or upset him? Is that why he's acting weird?"

"No." She says blankly. "And yes. I suppose it is… complicated." She gestures around that word.

"I'm a little confused, Lyla."

She sits next to you, on the cool tile. Not that she could feel it, but it feels more intimate - like two friends talking. The extent of Lyla's consciousness, you weren't sure of. Was she alive? To you, she might as well be. Could she think, feel, emote? Maybe, maybe not. You weren't smart enough to understand the nuances of her programming. But you were human enough to see it in her - something glittering beyond the surface.

It could be projection, but you swear her voice is softer. "He has a name for you. When he speaks about you, and to you. I have it logged in my memory database. Do you know what that is?" You shake your head.

Lyla opens up her palm and projects videos and images - little Miguel's popping up in her palm, tinny and gruff voices ringing through the hallway. They say your name, shout your name, whisper it. Some say other things in Spanish. Curse words had always been your assumption, and he had given you no reason to think otherwise. Now, having it played back to you, you hear a tenderness in his voice you would've missed. Words and phrases that come up again and again…

"Bichita." She repeats. "Bichito del amor. Mi bichito amoroso. "

You shake your head, still confounded. "...I don't speak Spanish, Lyla."

"Little bug. Sweetheart. Lovebug. My little lovebug." She clears her throat. "I believe they are terms of endearment."

Steadfast, she directs you towards her palm. Another small Miguel appears, and you think it's him from this morning.

"I thought I told you not to let anyone in, Lyla?"

"I did not let her in. She let herself in using the code you previously gave her, Mr O'Hara."

"Yeah, for emergencies. Fuck. Mi bichita, too smart for her own good."

"...If you are in distress, I believe she would understand, Mr O'Hara."

"I just think it's too much. I don't want her to see me like this."

"According to Alchemax files, previous subjects showing this kind of aggression benefitted from-"

"Lyla, it's not happening, no chance. I can't tell her."

The figure blinks out of her palm. "Mr O'Hara has forbid me from telling you about certain things."

"...but not from showing me." Your eyes meet hers. You give her a watery smile. "Thank you."

With a hint of a smile, she nods and is gone from the corridor. You are left alone, with nothing but your thoughts of little lovebugs rattling around in your brain.

#miguel o hara x reader #miguel o'hara x reader #miguel o'hara #spiderman 2099 #spiderman 2099 x reader #across the spiderverse #kat_writes😼#this gif is fucking crazy btw

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