at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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fun fact, when mlp first came out in 2010, I had an entire comic I'd been drawing by hand with markers about my pony ocs which were guards in the royal castle. I still have the original 62 pages. fucking insane. anyway here's redraws of two of them lmao
Garden ("En") the "painted pegasus", who's mother was a zebra and who's pa was a pegasus. he was protag of the comic and YES I shipped him with princess luna WOOO LETS GOOOO
this guy was actually a background character more than anything. he was used here and there but he wasn't one of the central characters at all, he was friends with two other captains who WERE central characters. but I popped off with him so-
BEHOLD!! OLD ASS ART... FROM MY BEGINNER DAYS....
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office au! with coworker!gojo
he's the type to always be a little late. by a little, i of course mean a lot. he always bursts in the door with the biggest smile on his lips and four coffees in his hand. he winks at his coworkers, who then always blush and giggle out a hi, satoru! and you always roll your eyes at that. satoru nods his male coworkers, who always try to dap him up and start a conversation but he doesn't have time for that. he has things to do. (as if he isn't literally Late smh)
he answers the guys' question while he's walking – his eyes set on his favourite coworker. you. sitting in your cubicle, you're trying to ignore him and his dramatic enterance. that he does every single day. how annoying can he be? before you can roll your eyes again, a cup of coffee has landed on your table, making you glance over your shoulder.
he's blinding you, his grin is stretched so wide it's almost a bit creepy. he's standing right behind you, leaning his hand on your table right next to where he just placed the coffee. he's way too close for a co-worker and you gulp.
ugh.
"aren't you gonna thank your favourite coworker for bringing you coffee? whew, tough crowd, huh." his smile doesn't falter and he just leans in closer, his cologne clouding your senses.
UGH.
and he really does do it every single fucking day. he brings you coffee and he annoys you and he makes your eyes roll so hard you almost go blind and you hate to admit that he's kinda cute... it's whatever.
back to the coffees. so one of them is for you – he knows your order because he dug out the receipt from your bag when you weren't looking on his second day there. he almost got caught, too. but he only did that because you didn't wanna tell him your order!! and he was so insistent on bringing you coffee that he just had to find another way. he loved the way your eyes widened and how you tried to mask your surprised expression but nothing gets past his keen eyes. when you asked how he did it, he just told you that he guessed it. yeah, right....
the second coffee is for him. it's an insanely sweet latte. how do you know? he made you try it. more liked begged for you to try it. you also hate to admit that his puppy-dog eyes worked on you... he only drinks the special latte from the corner coffee shop and he refuses to drink the office "coffee". he's fancy like that.
the third coffee is for his second favourite coworker – kento nanami! they sure make an interesting pair. kento is the main reason why satoru even got the job. the latter begged him to pitch for him to the boss; he was so excited by the concept of Office Work and just had to try it out. he, of course, passed the interview with flying colors and kento regrets his decision to "help" him out in the first place. satoru yaps his ears off whenever he isn't doing the same to you and he's constantly leaving little notes for the man. you once saw one and it just had a miniature penis drawn on it. very mature.
and the fourth coffee is for your boss. satoru isn't sucking up like you originally thought he was. you think he just wants to bring her coffee? your boss is cool – she's in her forties and she has a strong voice, everybody always listens to her and she really does make for a very good boss. your guess is that satoru has a crush on her. (you're wrong. he also just thinks she's super fucking cool. literally nothing else to it.)
he's always wearing a fancy white button-up with a black tie loosely hanging around his neck and a pair of matching black slacks that hug his thighs so nicely that the women and the men of the office are always finding it hard to not stare at them. he gets an obnoxious ego boost from this.
he's constantly leaning on other people's desks, pushing his hips out and it really is hard to concentrate whenever he does it. the pose and the smug smirk he sends you when he catches you looking is making you feel hot. he always catches you too, it's so annoying. why can't he just continue doing whatever he's doing so you can admire him in peace?
he's loud, he's annoying and he's so fucking good at his job that firing him couldn't even be a passing thought. he actually does his paperwork rather fast; often finishing before you and that gives him the time to tease you for being slow. he does that way less than you expected though. only a few times in a day – enough to annoy you but never enough to actually make you upset or angry. he actually helps you sometimes. he can tell you don't wanna ask and he doesn't wanna make you feel bad - he'd rather watch you roll your pretty eyes at his stupid jokes with a small hidden smile than roll them with a deep frustrated sigh. he learned that the hard way.
he loves your smile. more often than not you can't keep the straight face you try to put up with him, making your loud laughter resonate throughout the whole office. oh, how his eyes shine at that.
long story short. he's infuriating. he's funny. he's way too good at his job. he's way too handsome. you loathe working with him and yet, you can't stop smothering him in kisses whenever you two "happen" to meet in the printer room.
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