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#I started writing and this came out
poorly-drawn-mdzs · 2 months
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The Dungeon Meshi crew 'leap' into action!
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lifeof-pink · 2 months
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do you think part of the reason why dokja’s face is so unclear/censored throughout most of the story is because his self as the oldest dream (ie 15 year old him) cant imagine himself surviving to adulthood
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wandixx · 2 months
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Ghost of fries and hero of cookies final part
All work words count: 14 643 Words in this part: 244 Summary of whole work: Duke wasn't expecting to wake up from his quick rooftop nap to some meta kid with fries. He also wasn't expecting kid to stay Or Danny asked Dani to stay safe while she was in Gotham. Where would she be safer than under the wing of local hero? And he looked like he needed bad day combo anyway This part summary: What happened to Dani (author needs a certificate for being little shit) Beta read by @audhumla-sailor though English is second language for both of us, so proceed with this in mind. I also know all of the charaters through fics alone, so probably ooc. Stay catious if it's something you don't like
First part, Previous part
Dani packed her stuff as soon as she got back from patrol. While doing it, she called Tuck and Sam to coordinate travel plan with them and to make sure she heard where and when correctly. Danny’s birthday were coming, an alien’s autograph would be a good present. Unfortunately she wouldn’t have time to get any of his merch on her way so the sky map she printed in Gotham’s Public Library would have to make it. Because of Sam’s demand she stocked herself in protein bars, other high calorie snacks and tons of drinks. Guy at the register looked disturbed but correctly guessed it wasn’t his business. Thanks for physics meets magic mess that made her backpack lighter. It worked like thermos in a way, though she didn’t even try to understand it.
This flight was going to be challenge not only to her speed but also, mostly, her stamina.
Ancients let her survive.
*
Turns out, phones couldn’t survive falling from over a hundred feet at around 60 miles per hour. Well she had all important numbers (Jazz, Val, Tuck, Sam non- and yes-emergency Danny) on paper phased inside her hip. From Sam’s money she could buy one in Los Angeles and explain the change of number then. She would have to come up with an excuse though.
She wasn’t going to admit she got distracted and bumped into a bunch of pigeons, got startled and dropped her phone like a silly child.
********
I know I could and should post it with previous part but I wanted to build the tension.
Batfam: We will finally meet our almost niece! Dani: Oh, look, plot convienient reason to leave city fast! Dani was setting up most intense and insane work-out playlist known to mankind to get her through her journey when she bumped with these pigeons face first
Starting notes are longer than this part.
Shit, I really should put it with previous part but the tension and potential for drama aaaa I couldn't resist
and @audhumla-sailor is an enabler
Tag list: @pickleking8 @mynameisnotlaura
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chrollohearttags · 6 months
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lowkey makes me sad when people are scared to write bc they think their fics won’t get recognized bc the series/characters aren’t popular or bc they think their shit might end up in the wrong hands and somebody will make fun of them for it not being perfect. (I know how the girls get down on here). Reminder that popular characters/shows ≠ best or even a good writer. Hell, it’s some people who’s writing is only contingent upon what’s hot at the moment. Also, your first story is supposed to be bad!! Stop letting people tell you otherwise. You’re allowed to grow and mess up. You’re very much valid for wanting people to read/reblog. Nobody wants to create into a void (don’t let nobody gaslight you either). But don’t forget to write for joy and not to be liked.
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anonymouscreampuff · 8 months
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sometimes you just gotta draw sad old men
ft marcy and the vampire king(who technically is an old man)
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misc-obeyme · 2 months
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what are your thoughts on the cheeky lil cow boy (belphie)
Ah yes, Belphegor, a bit of a polarizing character in general, I think. People seem to either really love him or really hate him.
Generally speaking, I think he's deceptively cunning, but not in a malicious way. He's pretty chill most of the time, but he'll do stuff like manipulate his brothers to get them to do his chores for him. Except for Beel, of course. And really they are a unit. Belphie is always ready to fight for Beel and vice versa. But I also really like how they just quietly support each other. Someone will say oh Belphie fell asleep in this weird place and Beel will immediately be like I'll go get him. Or Belphie will be like we need to make sure we bring food to this thing because Beel will get hungry. Like they're just always thinking about each other and I think that's really sweet.
Belphie will also call people out if he wants to. If he has no reason to keep it to himself, he'll straight up tell you if he thinks you're doing something questionable. And his issues with Diavolo indicate to me that he has a problem with authority, like he would be more defiant if he wasn't also lazy lol.
Inevitably, though, we can't really talk about Belphie without discussing the Lesson 16 Incident. At this point, I think most people are aware of those events, but just in case, I'll put the rest of this under a read more. And also it's kinda lengthy, so be forewarned lol.
First of all, I have to say that I was honestly so confused about what was happening in Lesson 16 that I didn't fully understand that Belphie had killed MC. I had to read it multiple times and then read what other people were saying about it. So I never had an intense reaction to it.
But to be fair, it wasn't like we didn't know there was something weird going on the whole time. I knew it was the youngest brother locked up there and it seemed like it was wrong, so that made Lucifer out to be the bad guy of the situation. Then it turns out that wasn't the case at all.
Belphie is manipulative. That's just part of his character. And when he has something that he's trying to do, he's going to use that skill to get it.
Some people are still mad at Lucifer for locking Belphie up at all. Some people are obviously quite upset that Belphie killed MC.
But here's what I think.
It isn't that black and white. Aside from the confusing time travel shenanigans, this event is one of the most realistic things that has ever happened in the story.
Belphie shared Lilith's love of humans. Together they wanted to learn more about the human world. It would be easy for him to blame himself for her interest and what ultimately led to her death. But even if he didn't, he saw the way that it tore his entire family apart.
It wasn't just that his dad got mad at his sister and they had an argument or something.
It was that his dad was going to end his sister's existence and in defiance, his older brother rebelled. And there was a war. This was not some squabble. This was siblings fighting siblings.
Belphie watched his brothers and sisters fight and hurt and kill each other and it all came back to Lilith falling in love with a human.
And then he fell with his brothers, cast out of his home, losing everything he's ever known. His brothers are changing and suffering just like he is.
They don't talk about it. They clearly all keep secrets regarding it still, things that don't come out until MC comes along. Which is supposedly thousands of years after the fact (at least in OG). That means Belphie has had all that time to let that trauma fester. To let it twist inside him. To let it morph into the one thought that became most dominant: that humans are bad.
Is that a fair assessment of what happened? No, of course not. But we're dealing with a war traumatized fallen angel that clearly hasn't worked through any of these feelings in thousands of years.
And then he defies Diavolo and Lucifer panics.
Yes, Lucifer should have found a better way of handling it. But remember what happened to him when he defied authority? He is trying his best to protect Belphie. He is trying not to lose another sibling. He is also still traumatized and therefore overreacting out of fear.
And so was Belphie.
Imagine being locked up like that and a human comes along. A human is free among your brothers to do whatever terrible things humans do while you're powerless to stop them. Of course he's going to try to manipulate that human into setting him free. Of course he's then going to eliminate them because humans have been historically bad for his family.
I read this situation as Belphie being both afraid and angry that a human - the thing he's convinced himself was the main cause of his sister's death - has become so close to his brothers and has the access to his family that could cause another rift among them.
You could say that it was Belphie's idea to get MC to have all the pacts, but that isn't really true, either. By the time MC meets Belphie, they already have a pact with two of his brothers. He sees them already starting to worm their way into his family. And he knows that the only way to get out of the attic is to encourage it. He doesn't really have a choice.
Maybe everyone can now call me a Belphie apologist. But I'm always coming at this from an outside fictional standpoint. I'm like listen he's a flawed character and it's actually pretty realistic of him to react this way considering the circumstances.
However, he did kill MC. And that's why my own MC, Ciaran, has issues with Belphie for a while. It's also traumatic to have someone kill you, so it isn't like I'm saying MC should just forget about it or forgive Belphie immediately. I think it probably should have taken a lot more time for MC to trust Belphie again. Certainly that part of the story was a bit rushed.
But they're dealing with lesson format constraints and also it's a silly otome game so I guess fully formed character arcs can't be expected. Especially since we aren't dealing with routes and they have to cram everybody into the same set of lessons.
In the end, I think Belphie is an interesting and complex character. I think there's a lot of space to explore more about this particular aspect of him, but due to the format of the media and the lack of routes, his more in depth character arc just doesn't exist.
I personally have no problem with Belphie as a character, but I also understand why people don't like him. I am always of the opinion that everyone is free to love or hate or have any emotions at all about fictional characters lol. This is just my personal opinion.
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angellurgy · 27 days
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if i give you a super boop its the same as if i kneeled on the floor and crawled towards you before leaving a gentle kiss on each of your feet btw
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gunsatthaphan · 8 months
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"what do you want?"
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I honestly love how the artwork of Eren as a doctor implies he has bad eyesight when he's older or at the very least he needs them for certain tasks.
Like imagine him first getting them and he HATES them cause he isn't used to them, he doesn't like how his face looks because of them.
He's constantly squinting at stuff and you have to remind him to wear his glasses and you get such a juvenile reply from him.
He absolutely will call you a liar when you say you think he looks handsome with them on.
Always hearing "I can't see anything." When he does forget to wear them and he's trying to read something.
You're always having to carry his case for him in your bag cause he always forgets it.
You've witnessed him lose them multiple times when they're sat atop his head or hanging from his shirt.
And you just know he's broke them on multiple occasions and in the most ridiculous ways.
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wexhappyxfew · 2 months
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hey!! could i request "enjoying the sun that's warming their face" for whichever character/ship you're feeling? thank youuu 💕
hello anon! thank you so much for stopping by the askbox! and thank you even more so for sending in a prompt - i really loved getting to work with this prompt so so much and it honestly led me to a (1) new OC for MoTA and (2) writing with a new character from MoTA that I wanted to try some writing for! :) SO, i hope you enjoy the first introduction to WAC, Lieutenant Annie Chattaway from Mankato, Minnesota!
It was a wonder to Annie what a Lieutenant bar did to a man.
Not only did she watch men seem to hastily salute in her direction, or shove each other quickly to their feet, but they watched her with a shaky gaze before she kept on moving past.
The bright sunlight above seemed fit for arrival, her transport having dropped her by the entrance to Thorpe Abbotts, with Colonel Harding taking her in for introductions, hand-shaking and flattery. Now, with her belongings sorted out and her bearings gathered, she was in search of a few select names that Harding had graciously offered up.
"Looking for something special?"
The rumble of a military-grade jeep, fumes and all, pulled up beside her in a hurry, screeching to a halt, the breaks in need of a good oiling, and a smiley Major in the front seat. Annie halted for a moment there on the tarmac and offered a sweet smile, from behind the Raybands and her cap and stepped to the edge of the jeep.
"Depends on who's asking." she told him with a smile and a nod, before saluting.
"John Egan, uh, Major Egan," he said, another smile spreading on his lips, tilting his head to the side, "Bucky if you like." More widening of the grin.
"Pleasure to meet you, Major Egan," she said, dismissing his grinny self and stuck out a hand forward, "Lieutenant Chattaway, just in from Fort Des Moines. I've been assigned here, as a translator."
Major Egan made a show of raising his brow from behind his own pair of Raybands and leaned forward, arm up over the passenger's side of the jeep, hand on the steering wheel and smirked.
"Sounds like you got yourself into a nice gig," he said, "….translator, huh?" Annie stared at him from behind her Raybands. Right.
"Can I ask where your mess hall is, sir?" she asked him, side-stepping the translator question, "Colonel Harding mentioned it after introductions."
"Wanna hop in? I could give you a ride over, chat over coffee, hey, I'll even show you where the officers' club is." he said and then scooched back to his side and nodded to the seat, smiling, "Take it or leave it." Annie watched him for a moment and debated her options - ride with Major Egan, possibly get some coffee that he definitely knew the location of, or continue to wander around base looking like a sorry excuse for a bull in a china shop.
"Major."
Annie turned to behind her, following Major Egan's line of sight, and found a Captain walking towards them, his eyes squinting in the bright sunlight, saluting Major Egan and then turning his eyes to her. He watched her for a moment, before she quickly saluted him, watching him quietly from behind her Raybands - tall, large stature, soft eyes.
To think he was a pilot by the way his peak cap covered his head, seeing all the war the planes brought to the air and the sky around.
"Brady, just in time," cooed Egan, jumping up from his seat in the jeep and coming towards the Captain - Brady - wrapping an arm around his shoulder and nodding, Brady slowly looking towards Egan with a tired look.
"This is Lieutenant Chattaway," Egan said with a nod to her, "didn't find the time for a first name, but I know it's there. She's gonna be translating." Brady eyed her for a moment.
"Pleasure to have you here, Lieutenant Chattaway." Brady said, nodding firmly, a quick itch of a smile on his face before disappearing and looking over to Egan, "Major Egan, I've been meaning to discuss with you-"
"Later." Egan said, clapping Brady on the shoulder, "right now, we gotta show Lieutenant 'No Name' Chattaway to the mess hall. Get her some grub." Brady glanced her way again - she stared right back at him through her Raybands and cleared her throat.
"It's fine really, sir," she said quickly, "I can find my way." She smiled slightly.
"Nah! Nah, c'mon, Lieutenant," Egan said, "look, here, Brady and I, consider us your personal tour guides-"
"Major-"
"C'mon, let's roll." Egan said and then gave Brady a clap on the shoulder and a wink and then moved back towards the jeep. The two watched him go before standing in silence.
Annie looked back towards Brady and found him already watching her; when he caught her eyes on him, he offered a small smile.
"You doing alright?" he asked her, the smile on his face soft, the sunlight bathing his face in a golden light; looking up towards him she put on her best smile and nodded.
"Yes, sir." she said firmly.
"He can be…." Brady trailed off and looked over her shoulder and nodded, "….yeah."
"It's fine, really, sir," she said, "seems like a fun guy." Brady grinned at her comment and nodded, before looking down.
"Probably best if we get in the jeep, before he starts well…." Brady smirked, "….you can probably guess." Brady imitated a little circle beside his head - before he starts going crazy, she seemed to finish it off in her mind. Annie smiled.
"Captain John Brady," he said, holding out his hand, "I know Major Egan introduced you as Lieutenant 'No Name' Chattaway, but that's-"
"Annie." she said, meeting his hand - warm as anything, encasing her own, firm, "Annie Chattaway." A loud beep-beep and a rumble of an engine appeared beside them with a slightly, pathetically disgruntled Major Egan in the front seat.
"C'monnn, let's goooo," he said, clapping his hands in front of him, "days changing to night, I think the first leaves of fall have come down." Annie looked back over to Brady and watched the small smile dart onto his face.
"What? Are you going to turn into a pumpkin, sir?" Annie questioned turning to him and moving towards the passenger side, before climbing right in the back, looking over to Egan who was smirking at her - she glanced then at Brady, "Will you be joining us, Captain?" Brady looked to her and then offered her a smile and climbed in the passengers' side.
"What would happen if I turn into a pumpkin, huh?" Egan called over his shoulder, "You hear that, Brady, she thinks I'll turn into a pumpkin!" He started up the jeep.
"I think a pumpkin is being generous, sir!" Brady called back over the roar of the jeep as they moved towards the barracks. Annie smirked to herself and admired the life around base - the Land Army women, the townsfolk, the pilots, the airmen, the ground crews, the sky, the sun, the trees. The world as they knew it.
"So, Chattaway, where you from? Wisconsin? Harding mentioned something or other..." Egan called over his shoulder, "They make cheese right?"
"Minnesota, sir!" Annie called back, "Mankato!"
"Never been!" Egan called over his shoulder, "Should show me how to make The Bootleg - you know….. they said F. Scott Fitzgerald would sip on some of those."
"Really." muttered Brady unenthusiastically from beside him.
"Oh, cheer up, Brady, you could be getting The Bootleg tonight - you'd be thanking me for it, too." Egan called as they pulled up to the front of mess, "Right, we're here." Egan turned to look over his shoulder at her and grinned.
"Liking the view?" Annie offered a smile.
"Thorpe Abbotts is beautiful, sir," she said glancing to the sky, "I'll be excited to see the mess hall." Egan grinned and gave Brady another shoulder slap.
"You'll be pleased as peaches to see coffee," Egan said hoping out and turning to her, laughing to himself, "I mean, I know I always am." Brady moved out and straightened out his pants before glancing over his shoulder and turning towards her.
"It's nothing more than watered down G.I. coffee, but it's something," he said as Annie slowly shifted forward, "Major Egan just gets excited when there's still extra by midday."
"Don't be telling my secrets now, Brady," Egan said pointing to him, "it's a precious commodity, we don't go saying that around here." Annie smiled to herself and then slowly stood, placing her hands on the edge of the jeep before noticing a hand appear.
Looking up, Brady was stood there, watching her with the sun warming his softened face. She smiled at him, gratefully taking his hand, letting him help her step down onto the ground. It was only a few seconds more before the two were dropping their hands and Major Egan was making a show of pointing up to the mess hall and going on about something or other about a beer bottle being thrown at the wall - but as Annie followed quietly behind both Egan and Brady, she noticed the clench of Brady's hand there.
The one that had touched her own.
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loadinghellsing · 3 months
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Angel: hey God..? you haven't really been, answering prayers..?
God: what? I have too!
Angel: You have?
God, nods to Anderson: see those bayonets?
Angel: i-it's just the sword part, but um... yes?
God: Each one of those was prayed for
Angel:
---
Angel: hey, wait a minuite-
Angel: isn't that the cocain addict?
God: don't worry I fixed that as well.
Angel: you... fixed his cocain addiction?
God: Yep. he's a regenerator now, meaning he'll heal to just as he was when that blessing was bestowed upon him
Angel: YOU MADE THE COCAIN ADDICT IMMORTAL?!?!
God: EX COCAIN ADDICT! It doesn't effect him anymore
{Anderson doing as Anderson does}
Angel: ...are you sure he was sober before making him eternally like that?
God: ...I didn't think it was relevent at the time.
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mugentakeda · 2 months
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the tapping of his fathers pacing on the tile is almost enough to drive him mad.
“don’t let your brother’s incessant whining cause you to falter. this is merely a short visit to discuss the matter at hand, and then you’re on your way right back to ba sing se. he will try and whisper doubt in your ear.” the firelord stops to shake a finger at him. “do not listen to him for anything! i will help you in the best of my ability to have this taken care of.”
“i’m not,” iroh snaps impatiently, digging his palms into his eyes. “i’m not listening to him, father. he doesn’t care for lu ten and he doesn’t have to. he has his house and i have mine. empty words have little meaning to me at the moment.”
his father purses his lips. the sting of his stare digs down to the core.
“you say that,” azulon snaps, “but i believe this to be a family affair. its possible lu ten was taken advantage of because he was too busy protecting ozai’s wife and ozai’s children to protect himself. if that’s true, then ozai owes him. i don’t give a damn if he cares about him as his nephew or not. lu ten honored his house, so he shall honor lu ten in return by shutting his trap for once.”
iroh doesn’t have the strength to respond. he’d left ba sing se in a rush after receiving the news, and ordered the shipmen to get him back home on the double. he’s sick, he’s tired, he’s terrified and angry, and he misses his son something awful. the last thing iroh cares about right now is what ozai does or has to say.
there’s a heavy, sad sigh from above him. azulon slowly makes himself comfortable on the sitting cushion next to him, grunting as his bones creak. he sets the knocked over teacup straight again and refills it. the familiar heat and fragrance does nothing to soothe iroh, however.
“there is nothing i can say to make you feel better as of right now,” his old man mutters, sitting the teapot back down with uncharacteristic gentleness, “nor can i say anything sure about ursa or the children. but lu ten, he…. he is a remarkable young man. thick skinned and ornery. lightning generation at only 21, can you believe that? he beat you by a whole year. you must have faith in him.”
“it’s not about having faith in my son, father, of course i have faith in my son. but i have no faith in whoever has- has stolen him from me!” iroh suddenly exclaims, gesturing wildly. azulon flinches as his hands come dangerously close to knocking over the tea again.
your boy flagrantly disrespected you and stayed home to laze around, ozai had hissed, his narrow eyes locked straight up at the throne. both were kneeling before their father’s throne, side by side. i don’t know why you even bother. if he thinks he’s so grown up then he can save his own skin.
iroh didn’t bother to respond. he has nothing to say to his brother even on the best of days. all his life, he’s been nothing but a background character to iroh. always insisting on holing up in his room or office, never joining family dinners or celebration banquets. never one to offer his congratulations, but expects his older brother to offer his. yet, he always liked to think his word was of any significance to iroh. that he was always to be heeded. respect to his elders only means something to his little brother if there’s something to be gained.
flagrant disrespect. lu ten did not disrespect him if iroh never directly asked or ordered anything of him in the first place. he implied it, and lu ten pushed back. it hurt, but it would’ve also been the boys first true venture outside the fire nation. so iroh understood the hesitancy.
iroh would’ve just had lu ten by his side in his war council anyway. he would’ve never seen the battlefield or the city until iroh leveled it. not a spot of green would be spared by his men.
he had envisioned himself shooting a hole right through the flimsy palace wall with his lightning, and his son by his side. winning.
nothing has gone the way you made it out to be, great spirit. i don’t feel very lucky, as of late. the evening sun peaking through the tall windows of the corridor offer his thoughts no response. the general sighs heavily, and continues on his way.
the royal procession had gone through the beach house, along with the rest of the island. not a trace left behind. no sign of a struggle, either.
the procession claims it’s like they vanished out of thin air, sir, jee had whispered.
delicate situations such as this one call for holding the ones you trust most closer than ever. thus, iroh took only his personal guards from ba sing se back with him. jee is a rugged and introverted man, one that iroh knows can keep a secret, so he has been acting as his messenger man and valet for the time being.
another member of his most trusted circle is one of his longest working servants, one that belongs to iroh’s house personally. her name is su, and she is a stout woman around his father’s age. stern and silent, but trustworthy. she was the one that kept a close eye on lu ten from a distance during the periods of time iroh wasn’t around in his youth. she had been the midwife at his birth, she had been the one to pick the wet nurse.
and she had slipped iroh a journal outside of lu ten’s room. leather bound and stained in a deep red, with delicate embroidery of lotus flowers decorating its cover. it looked like something the lady ursa would gift him.
i came across this left behind in lady ursa’s garden, your highness, she had murmured fiercely. i snatched it right up and held it for you upon your return, lest it fall into the wrong hands.
the dark, warm silence of iroh’s own chambers is a small comfort, but the cold leather of the journal in his hands chains him to the cruel reality.
one of the vows iroh made for himself when lu ten came into puberty was that he would never violate his son’s privacy. he’d like to think that his son’s life possibly being in danger is a good enough reason to break it, but it still feels… wrong. especially now that he’s an adult himself.
it’ll be like eating a dollop of wasabi, he tells himself. spicy and painful one moment, then fading tingling the next.
with a sigh, he cracks it open to the back page. a few lines of familiar scrawl.
and the reason i torture myself trying to ignore all these things about him that bother me is because….
he looks away, shame crawling up his back. the candle sitting at the corner of his desk flicker along with his irregular, fear ridden heart.
a dollop of wasabi, he reminds himself. he opens his eyes again with a long breath and looks back down at the journal once more.
…well, that’s the crux of it. i just don’t know how to finish that sentence anymore.
that tells him a whole lot of nothing.
iroh flips the page back again, and is immediately overwhelmed by completely filled pages. then startled, by the sheer amount of times his own name pops up to his searching eyes among walls of scrawled text.
unease curls in his gut, like a dragon slowly rising from a slumber.
the ink doesn’t look too old. and su had said she found it in the lady ursa’s garden. and then jee said the royal procession claimed the fours’ trip to ember island was only to last three days, tops.
and as far as iroh knew, lu ten had been keeping quietly busy after iroh’s departure to ba sing se. lu ten willingly buried himself in paper work, always hunting for things he had the power to make into his business. training with lightning generation was grueling, and took hours, on top of the meditation necessary. and it takes a clear mind to even work with lightning, so…
had he done something recently to upset lu ten, and didn’t realize it? what things about iroh did lu ten torture himself trying to ignore? dramatic wording like that is difficult to overlook.
the general thinks back to how well his son can hide his emotions. lu ten’s court face beats even ozai’s, so it made him a gnarly pai sho opponent, but… he never did the backhanded comments. he can lie, but he’s a man of action before a plotting one. so you’ll never see the storm coming until it hits you directly in the face.
the letters he got back from him in ba sing se were… neutral. unbothered. he hadn’t seemed very troubled at the palace gates during his departure, either. tired and a bit wary, maybe.
but now that he thinks about it, the way lu ten looked at him had been… strange. his eyes had an emotion swirling in them that the general couldn’t read.
he rapidly rolls over the most recent letters in his head, the days right before leaving, trying to think of what he might have done to set lu ten off-
…the tiff they had on the evening before iroh’s departure.
he had forgotten about it completely.
spirits, he’d forgotten about it by the time he stepped foot on the shore. the elation of finally arriving at ba sing se, the first big step toward fulfilling the biggest thing he’s wanted to accomplish his entire life, the ultimate win, decades of planning and dreaming, inspired by agni herself…
he’d been caught up in the heat of the moment.
it didn’t even turn into an actual argument, that’s how small the tiff had been- a few things thrown back and forth during their private dinner, and the rest of it had been spent in awkward silence. iroh had let his hurt get the better of him, and he got testy.
the only thing that spoiled his ongoing luck, his relief of finally being able to go and crush his country’s most stubborn opponent, to make the second biggest win since sozin- was his own son not joining in, or showing any interest.
and that wasn’t even it. the closer iroh and his advisors got to bringing their planning to a conclusion, the more withdrawn lu ten became. whenever iroh brought it up, his son would close like a firelily in the night.
i assumed you were above teenage rebellion, iroh had muttered. i understand you want accomplishments of your own, but-
teenage rebellion? you’re joking, right? why do you always insist on- on patronizing me whenever we don’t agree on something? if you think you’re gonna guilt trip me into changing my mind, you’ve got it all wrong.
the disbelieving, ever so slightly shriller tone lu ten’s voice took on reminded iroh of his mother. she always had the habit of raising her voice a few pitches when she got upset. it reminded iroh of a coyote-eagle, once upon a time. the older lu ten got, the taller and leaner his face and physique became, the more time they spent apart, it’s like a vivid repeat of his mother. he even became a hand talker when iroh hadn’t been looking, just like fuhua.
(are habits hereditary, or had fuhua died after running away, and came back to haunt him?)
it’s probably best to start a bit further back in the journal. it might provide the context this father needs. he flips the pages for a few moments, and stops at random.
i spoke with a gentleman from the earth kingdom today during my observational trip through the colonies closest to the homeland. if you didn’t look close enough, you would’ve thought him to be any old fire nation fisherman, but i know green eyes when i see them.
his wife was a sailor that hails from caldera city. they met across the seas, in a neutral port town. they have two young twins, just barely older than zuko and azula. isn’t that something?
now, that is something iroh never bothered doing when he was a young man- it’s only now that his joints won’t let him run around chasing skirts anymore that he’s become a people person. but he’s proud of his boy for taking that initiative and having such a sense of responsibility, to go and mingle with the common man. an empathetic ruler that’s popular with his people will have the surest and furthest reaching authority, after all. iroh couldn’t name a single councilman off the top of his head that would be willing to even breathe the same air as a commoner, much less a colonial mutt.
however… this isn’t a colonial. he’s too keen on the idea of his family members’ abductors being petty, revenge seeking crooks from the earth kingdom to be okay with the idea of his son even conversing with one. for all they claim to be true and steadfast, them sneaking in and attacking an unarmed woman and her young children in their beach house just to get back at iroh is all too realistic of an idea.
but lu ten wasn’t unarmed. lu ten is one of the strongest men in the fire nation, and iroh isn’t even being biased about that. it takes prodigy to conjure lightning, and mastery to control it. and lu ten was very protective of ursa and the children- almost too protective. back in the day, during celebration parties at the palace, lu ten would damn near prowl around a pregnant ursa to fend off the careless crowd, lest they bump into her and jostle her. and he’d only been just a young teenager himself, so it was like watching a polar bear puppy that thought itself a snarly guard dog.
then a few years ago, there had been an incident where lu ten claimed zuko’s instructors were smacking him around. he’d grabbed both of the men by the collar and dragged them both viciously through the palace and right out the door- only after the sharpest scolding iroh’s ever heard since his mother was still alive. he’d never seen his son so angry. he’d chuckled at the way those old instructors had babbled apologies and fell to lu ten’s feet, while patting ursa’s back gently as she floundered.
no, it’s doubtful that an old fisherman had anything to do with it. earth kingdom or not. this is just something he needs to talk to his son about once he’s found. it would take a group of very strong benders to take lu ten down, at the very least.
he was wisecracking and friendly. we talked about his business, the officials that take care of the town and the surrounding environment, how he met his wife. he even shared his lunch during our time together- grilled fish, fragrant with sumac and citrus, and a chilled earth kingdom style mint tea. it was refreshing and unique, and i want to do it again. you’d think the fire nation would pick up these little things as it expands, but it just drowns it all out. i’m not sure if that’s a good thing. what made the food good was its earth kingdom style and seasoning, after all. what made the man interesting was his earth kingdom raised manner.
…what made lu ten think it was a good idea to write such things in a journal, and then be so careless to just forget it in ursa’s garden? he’ll have to thank su for her keen eye. if someone lacking critical thinking happened to pick this up and turn it in to his father, he’d have to deal with his son having allegations of sedition on top of everything else.
iroh, personally, is more than happy to let all traces of chilled tea get drowned out. it’s a frequent and light hearted debate between a father and son, the do’s and don’ts of tea. iroh is a stickler for tradition and enjoying the natural flavors. the fire nation boasted only the most fragrant flowers to enhance only the most delicate flavors of only the finest tea blends, after all.
his son claimed it all tasted like dinky dirt water, and stubbornly stuck with his cold hibiscus teas with herbs, and his heavily spiced and creamed saffron teas. it had been a big joke back then, but now… not so much.
a whole lifetime of a father making his son tea, sharing one of his passions. conversations over tea, tea for soothing a sore throat after screaming matches with councilmen, tea to wash down sea water accidentally swallowed at the beach. traditional methods, ceremonies, porcelain pots precious enough to buy a whole town- but it’s dirt water. yet an old fisherman from their greatest enemy shares ice water with a few mint leaves in a tin cup, and its unique.
and he wants to do it again.
the personal betrayal somehow hurts more than the blatant treachery written out plainly on the paper.
to be honest, i think that it’s a great shame that a good man like that has to be careful on his own property-property he paid for with his own money and built with his own hands- due to being from the earth kingdom, even if he has a strong marriage to a fire nation citizen. i thought about it for a long time, and realized that even if he wasn’t loyal to the crown, i didn’t mind. i don’t get angry at the idea, and i don’t think i ever have. i didn’t even think about it until i left. he made good company, offered to share his food with me, and introduced me to his beautiful children as if i was his new neighbor. i think community like that is something the fire nation needs. especially the nobility, who you’d think all have iron sticks shoved up their asses.
interactions like that are the most important ones to me, because they challenge me the most. i hate to cheapen that by thinking i just enjoy being challenged to spite my traditions and elders, or to be contrarian. that’s what coming of age means to me- looking inward, and asking the big questions.
…this can’t be why lu ten has been so distant lately.
the general slowly shuts the journal in dull horror. how long has this sickness had time to fester his son’s soul?
he swallows hard, and gingerly slides the journal in the folds of his robes. under no circumstance can anyone get their hands on it.
and later, when his gut quits churning and the candles around him quit threatening to set his room on fire, he’ll read this whole journal, front to back. brand every sentence, every symbol into his eyes. then he’s gonna burn it, bring his son home, and ask him what the hell he’s thinking.
the next morning, after letting the foul scent of burnt leather fade from his chambers, iroh finds jee.
“what can i do you for, your highness?”
“i need you to bring me the finest bounty hunter money can buy,” iroh murmurs. there’s a madness in his eyes and in his grip now that he’s had time to ponder the contents of his son’s journal, and what they entail. “and no matter what, it stays between us. i do not care what measures you must take to keep it that way.”
jee swallows hard and salutes with purpose. the poor man must be able to his see stress all over his face, but he’s barely containing himself the way it is.
this was no kidnapping. the blasted earth kingdom has everything to do with it, naturally, but it was no kidnapping.
jee returns to him that evening, followed by a lovely young woman, head to toe in black leather. her gait oozes confidence, and her narrow eyes scream danger.
this is definitely not the kind of finest iroh meant by finest bounty hunter money can buy, but he’ll take it.
“…i’ve, uh. fulfilled your request, your highness,” jee says. he looks flustered, and is clearly refusing to even glance at the woman.
“with a few breaks in between, i’m guessing. your collar is uneven, soldier,” iroh deadpans. he’d call it a shame if he wasn’t curbing an episode at the moment.
jee makes a faint noise of distress and fumbles with his uniform, blushing a deep red. iroh realizes that was the wrong thing to say at how the fair lady scowls at the crude jab.
she shoves past jee with an aggressive shoulder clip and crosses her arms before the general.
“i was promised a shitload of coin in exchange for some missing royals,” she says, voice clipped. “i don’t like to work with your kind, but good money is good money. and i can promise better and quicker results than any phony bounty hunter in the world- my companion is a shirshu. she can sniff out a rat from a whole continent away.”
a shirshu, eh? it would seem my luck has made its return after long last.
“impressive,” iroh praises truthfully. he’s a weak man for crass and foul-mouthed women. “i’d like to take a look at this beast, and then we can discuss the details and prices. i also hope you’re alright with keeping this transaction under wraps, my dear.”
she sneers. “you can call me june. and i’d highly suggest keeping a few steps away from my nyla, for your own good.”
jee clears his throat. “i’d listen to that one, sir. her creature is something else.”
iroh hums pleasantly, and keeps a few paces behind june as they go. a strange calm has washed over him now that the universe finally makes sense to him again; he has a few more people he’d like to question, and he’ll be all set. then sooner, if he’s lucky, rather than later, his sister-in-law, his nephew, and his niece will all be found and returned home, safe and sound. his son will be in his arms, whole and unharmed. ba sing se will simply have to wait.
and if they’re lucky, the dragon of the west won’t have thought up a better solution to finally grinding their sorry ashes into their own dirt by the time he gets back. but regardless, he will win.
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ryllen · 7 months
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"Bran is practically my brother's cat" - is what i would like to think
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chrollohearttags · 4 months
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anyways, I’m so glad I actually have talent and the ability to make fics that make me happy so I don’t have to go around throwing shade at others’ writing because I have the creativity of a piece of fucking lint. So happy I have self esteem and a personality instead getting mine from the internet. Some of you obviously can’t relate.
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happy-hermit · 1 year
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OKay um. I kind of wrote this on accident and it is literally nothing that i had planned on writing but. Hope you enjoy it anyway KASJD scar hurt/comfort the beloved <3
( @stiffyck i hope you don't mind the tag just every time i write scar angst i think of you)
Summary: Grian sees Scar's vex wings for the first time.
“Cub said you have wings,” Grian says, apropos of nothing, and Scar almost drops the blocks he’s holding. 
His mouth is suddenly extremely dry, and he has to clear his throat before responding, forcing himself to continue placing leaves along the ground. “Cub is— Cub is a crazy man. He doesn’t know what he’s saying.”
Grian is sitting on a chest a few feet away, and he shrugs. “I dunno. He seemed pretty sure.” He’s trying to appear casual about it, but Scar can hear the burning curiosity lurking behind his words. Nerves start to writhe in his stomach. 
Cub wouldn’t have said anything on purpose, is the thing. Scar can’t even be mad at him. It had probably just slipped out. Cub wears his own wings a lot more casually than Scar does. Which is to say that Scar doesn’t. Ever. 
It takes Grian talking again to make him realize that he’s frozen in place, no longer building. 
“Look, if it’s— You don’t have to say anything if you don’t want to,” Grian says, and when Scar looks at him there’s a hint of worry in the lines of his face, a hint of awkwardness. “You can tell me to buzz off and I’ll drop it.”
“Like it’s hot?” Scar says, just to see the way Grian’s nose wrinkles in irritation. 
Scar laughs softly, and a bittersweet resignation keeps his mouth turned upwards at the corners, afterwards. He puts his leaves back into his inventory and sits down on the shulker in front of Grian with a little sigh. Scar wrings his hands together and avoids eye contact, instead watching a rabbit dig in a nearby field. 
“Cub… might be onto something,” Scar says eventually. “This time.”
“It’s true?” Grian sits up straight with wide eyes, his own wings fluffing out behind him. “But— I’ve never seen them before.”
“I do have some subtlety, I’ll have you know,” Scar says, scoffing playfully. Grian raises an eyebrow. “I do!”
“How do you hide them then?” 
Scar huffs quietly, glancing at Grian and then away again. He doesn’t mean any harm, Scar knows. His eyes hold nothing but curious concern. Maybe it’s time Scar stopped hiding, anyway. 
“It’s okay if you—“
“No, it’s fine,” Scar interrupts, and sends him a little grin. “I guess I could tell you. Now that I’ve proved I can keep secrets.”
“Yeah, yeah.” Grian waves a dismissive hand in the air, but he’s smiling. “I’m very proud.”
“Why thank you,” Scar says, and then he bites the inside of his cheek for a second before continuing. “I use magic to hide them. You know, illusion magic.”
Grian’s eyebrows furrow, and he tilts his head. “That doesn’t… I don’t know, it doesn’t wear you out?”
“Not much.” Scar shrugs. “It’s just habit at this point.”
Grian’s mouth twitches just slightly downward, eyebrows still drawn together, and when he speaks next it’s just a little bit softer. “Why?”
A familiar melancholy tugs harshly at his heart, and Scar lets his eyes drift over Grian’s shoulders to where his wings are shifting behind him, pristine and colorful. “They don’t look like yours,” he says. 
“Well, yeah. You’re vex,” Grian says, and he puts his hand on Scar’s knee. “You know— you know no one here cares about that, right? No one thinks of you or Cub differently.”
Scar laughs softly and avoids Grian’s gaze. “Of course. I don’t— I don’t hide them because of you guys. Promise.”
“Can I see?” Grian asks, carefully, and by the tone of his voice Scar can tell he’s realized how serious it is. How fragile it’s making him feel. Scar twists his hands into the fabric of his pants, swallows, and nods.
“Are you sure?” Grian asks, soft and quiet. He ducks down to look Scar in the eye, nothing but gentle acceptance and slight worry on his face. It makes tears prick at his eyes, and he blinks rapidly. 
“I’m sure,” Scar says, matching his tone. “It’s just— Well, they’re…”
“They’re what?” Grian prompts, and Scar lets out a short laugh that sounds more like a sob.
“They’re ugly,” Scar admits, and his voice breaks, and he feels silly, and he feels small, and he looks away from Grian and laughs at himself; sad and pitiful. “I’m vain, I know.”
“Oh, Scar,” Grian says, like his own heart is breaking.
Scar feels a light touch on his shoulder, and he looks over at Grian, at this person who has made him laugh on countless bad days, at his friend, and he finds it in himself to trust him. To let down his guard for the first time in— Well. For the first time. 
Scar closes his eyes, and he lets the magic slide through his fingers like sand in a sifter. He lets his wings go free. He lets just a bit of his hair turn white. He lets go. Grian inhales sharply, and Scar opens his eyes.
The avian is frozen in place, a hand still floating aimlessly near Scar’s shoulder, and his eyes are fixed firmly on something behind him, wide and horrified. Scar glances over his own shoulder to check on things, and finds pretty much what he’d expected. His wings are floating gently behind him, torn and scarred and ragged. Just barely glowing a soft grey-blue color. They aren’t pretty. Scar knows they aren’t pretty. His chest aches sharply at the sight, and he huffs and turns away. 
Only to meet Grian’s eyes, brimming with fury and fire. His large wings are flared out behind him defensively, talons gripping at the earth below and scraping grass out of the ground. Scar is confronted with the sudden and clear reminder that Grian is not entirely human, either. And he’s mad. Scar blinks in muted surprise.
“Who did this?” Grian asks, voice low and flat and almost deceptively calm. Scar just stares, and Grian looks at him sharply, seething. “Scar. Tell me who.”
At first, Scar thinks to lie. It is an instinct that is quick and fleeting. There is a matching scar on each of his wings, he knows, that are too uniform and precise to have been an accident. He tells the truth. The short version, anyway.
“We met in a woodland mansion. Cub and I, when we were little,” Scar says, heart beating painfully in his chest. “They had us in separate cells, and I would— At night, I would phase through the wall to see him. He didn’t have that kind of magic, but I did, and I was just, lonely, and—” He cuts himself off with a shaky breath, closing his eyes briefly to collect his thoughts.
“That magic comes from our wings,” Scar continues hoarsely, glancing back at his wings and shifting them carefully to get a better look. “When they found— found out what I was doing, they… I guess they kind of cut the source.”
He knows now, that they’d set him up to do it on purpose. He hadn’t been able to phase through any of the other walls, hadn’t been able to escape; he’d only been able to slip through to Cub. The Illagers had just wanted to test if they had the ability. So that they could nullify it as soon as possible. He’d been young, so young, and he’d fallen for it.
Scar cuts a glance at Grian and cracks the smallest of smiles through his watery eyes. “They’re long gone by now,” he says. “I don’t even remember what world we came from. You can’t find them.”
For just a moment, Grian looks like he’s going to try anyway, jaw set and face stony with cold anger, wings poised to take flight. Then he closes his eyes and take a long, slow breath. When he opens them again, he just looks sad.
“What about the rest?”
(A desolate world. The groans of the undead around every corner. Fighting for every moment of continued existence. Sharp pain shooting up his legs.  Clawed, rotting hands grabbing at his wings as he ran. Ripping, tearing—)
“That’s a story for another time, I’m afraid,” Scar says quietly. “Cub and I world-hopped without experience and got separated. My next world wasn’t… Well. It wasn’t great.”
Understatement of the century, but Grian doesn’t have to know that just yet. Though by the look on his face, maybe he already does.
“Do they hurt?” Grian asks eventually, gaze falling gently on his wings, something akin to grief in his eyes. Avians took wings very seriously, Scar knew.
“Sometimes.” Scar shrugs. “Mostly when it’s cold, for some reason.”
Grian starts reaching out, almost like he doesn’t know he’s doing it, and then he jerks his hand to a stop. It takes Scar a few seconds to realize he had flinched.
“Sorry,” Grian says, sounding embarrassed, and he retracts his hand back to his lap. Scar feels a spark of disappointment that surprises him.
“It’s okay,” he says, and then, as casual as he can manage, “You can touch them, if you want. They might feel funny, though.”
“You sure?” Grian tilts his head, and it’s so birdlike that Scar can’t help but crack a small smile. 
“Go for it.”
Grian reaches out again, slowly, watching him carefully, and Scar employs all conscious thought towards keeping his wings still. He can hear his heartbeat rushing in his ears. He’s holding his breath in anticipation. 
The touch is featherlight and soft, just barely grazing the top of his left wing, and it twitches on instinct before settling beneath the touch. It’s strange. It’s foreign. It is terrifying and comforting in equal measures. His chest is alight with a feeling he can’t quite place, and it’s crawling up his throat, choking his voice. 
Grian makes a small inquisitive sound, almost like a chirp, as he carefully runs his hand down to the edge of his wings, gently tracing a scar that he doesn’t know a zombie left. He brushes off a few bits of dirt and smoothes out the thinner parts that are wrinkling under the strain of being hidden for so long, and it’s almost as if Grian is trying to preen him, like he’s trying to find a way, and he’s being so gentle that it almost hurts. 
He doesn’t realize he’s crying until Grian goes still and makes a wounded noise, coming back around to look him in the eyes.
“Sorry,” Scar chokes out, laughing a little and wiping fruitlessly at his eyes. “I’m sorry.”
“No, Scar. Don’t be sorry.” Grian softly grabs his hands and pulls them away from his face, eyes focused and kind. “Do you want me to stop?”
Scar shakes his head almost frantically, overwhelmed. “No, please— I’m fine, don’t go, don’t go—”
Through his own tears, Scar can just barely make out Grian’s own eyes welling up, and then his hands are being yanked forward and he’s falling into a hug. Grian’s wings immediately rise to wrap around them protectively, brushing gently against his own, and Scar lets out a shaky breath, closing his eyes and burying his head into Grian’s shoulder. He’s tired.
“I’m not going anywhere,” Grian says, as firm as it is kind, as if it’s just a simple fact of the universe. As if it is ever that easy. Scar is wounded, and he’s a bit broken, and he’s heard that promise before. He believes it anyway. Grian says it, and he believes it. 
“Okay,” Scar says, muffled against the fabric of Grian’s sweater. “Okay.”
He knocks his wings gently into Grian’s, something warm settling in his chest. 
It almost feels like flying.
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confetti-cat · 2 months
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Twelve, Thirteen, and One
Words: 6k
Rating: G
Themes: Friendship, Self-Giving Love
(Written for the Four Loves Fairytale Retelling Challenge over at the @inklings-challenge! A Cinderella retelling feat. curious critters and a lot of friendship.)
When the clock chimes midnight on that third evening, thirteen creatures look to the girl who showed them all kindness.
It’s hours after dark, again, and the human girl still sleeps in the ashes.
The mice notice this—though it happens so often that they’ve ceased to pay attention to her. She smells like everything else in the hearth: ashy and overworked, tinged with the faint smell of herbs from the kitchen.
When she moves or shifts in her sleep (uncomfortable sleep—even they can sense the exhaustion in her posture as she sits slumped against the wall, more willing to seep up warmth from the stone than lie cold elsewhere this time of year), they simply scurry around her and continue combing for crumbs and seeds. They’d found a feast of lentils scattered about once, and many other times, the girl had beckoned them softly to her hand, where she’d held a little chunk of brown bread.
Tonight, she has nothing. They don’t mind—though three of them still come to sniff her limp hand where it lies drooped against the side of her tattered dress.
A fourth one places a little clawed hand on the side of her finger, leaning over it to investigate her palm for any sign of food.
When she stirs, it’s to the sensation of a furry brown mouse sitting in her palm.
It can feel the flickering of her muscles as she wakes—feeling slowly returning to her body. To her credit, she cracks her eyes open and merely observes it.
They’re all but tame by now. The Harsh-Mistress and the Shrieking-Girl and the Angry-Girl are to be avoided like the plague never was, but this girl—the Cinder-Girl, they think of her—is gentle and kind.
Even as she shifts a bit and they hear the dull crack of her joints, they’re too busy to mind. Some finding a few buried peas (there were always some peas or lentils still hidden here, if they looked carefully), some giving themselves an impromptu bath to wash off the dust. The one sitting on her hand is doing the latter, fur fluffed up as it scratches one ear and then scrubs tirelessly over its face with both paws.
One looks up from where it’s discovered a stray pea to check her expression.
A warm little smile has crept up her face, weary and dirty and sore as she seems to be. She stays very still in her awkward half-curl against stone, watching the mouse in her hand groom itself. The tender look about her far overwhelms—melts, even—the traces of tension in her tired limbs.
Very slowly, so much so that they really aren’t bothered by it, she raises her spare hand and begins lightly smearing the soot away from her eyes with the back of her wrist.
The mouse in her palm gives her an odd look for the movement, but has discovered her skin is warmer than the cold stone floor or the ash around the dying fire. It pads around in a circle once, then nudges its nose against her calloused skin, settling down for a moment.
The Cinder-Girl has closed her eyes again, and drops her other hand into her lap, slumping further against the wall. Her smile has grown even warmer, if sadder.
They decide she’s quite safe. Very friendly.
The old rat makes his rounds at the usual times of night, shuffling through a passage that leads from the ground all the way up to the attic.
When both gold sticks on the clocks’ moonlike faces point upward, there’s a faint chime from the tower-clock downstairs. He used to worry that the sound would rouse the humans. Now, he ignores it and goes about his business.
There’s a great treasury of old straw in the attic. It’s inside a large sack—and while this one doesn’t have corn or wheat like the ones near the kitchen sometimes do, he knows how to chew it open all the same.
The girl sleeps on this sack of straw, though she doesn’t seem to mind what he takes from it. There’s enough more of it to fill a hundred rat’s nests, so he supposes she doesn’t feel the difference.
Tonight, though—perhaps he’s a bit too loud in his chewing and tearing. The girl sits up slowly in bed, and he stiffens, teeth still sunk into a bit of the fabric.
“Oh.” says the girl. She smiles—and though the expression should seem threatening, all pulled mouth-corners and teeth, he feels the gentleness in her posture and wonders at novel thoughts of differing body languages. “Hello again. Do you need more straw?”
He isn’t sure what the sounds mean, but they remind him of the soft whuffles and squeaks of his siblings when they were small. Inquisitive, unafraid. Not direct or confrontational.
She’s seemed safe enough so far—almost like the woman in white and silver-gold he’s seen here sometimes, marveling at his own confidence in her safeness—so he does what signals not-afraid the best to his kind. He glances her over, twitches his whiskers briefly, and goes back to what he was doing.
Some of the straw is too big and rough, some too small and fine. He scratches a bundle out into a pile so he can shuffle through it. It’s true he doesn’t need much, but the chill of winter hasn’t left the world yet.
The girl laughs. The sound is soft and small. It reminds him again of young, friendly, peaceable.
“Take as much as you need,” she whispers. Her movements are unassuming when she reaches for something on the old wooden crate she uses as a bedside table. With something in hand, she leans against the wall her bed is a tunnel’s-width from, and offers him what she holds. “Would you like this?”
He peers at it in the dark, whiskers twitching. His eyesight isn’t the best, so he finds himself drawing closer to sniff at what she has.
It’s a feather. White and curled a bit, like the goose-down he’d once pulled out the corner of a spare pillow long ago. Soft and long, fluffy and warm.
He touches his nose to it—then, with a glance upward at her softly-smiling face, takes it in his teeth.
It makes him look like he has a mustache, and is a bit too big to fit through his hole easily. The girl giggles behind him as he leaves.
There’s a human out in the gardens again. Which is strange—this is a place for lizards, maybe birds and certainly bugs. Not for people, in his opinion. She’s not dressed in venomous bright colors like the other humans often are, but neither does she stay to the manicured garden path the way they do.
She doesn’t smell like unnatural rotten roses, either. A welcome change from having to dart for cover at not just the motions, but the stenches that accompany the others that appear from time to time.
This human is behind the border-shubs, beating an ornate rug that hangs over the fence with a home-tied broom. Huge clouds of dust shake from it with each hit, settling in a thin film on the leaves and grass around her.
She stops for a moment to press her palm to her forehead, then turns over her shoulder and coughs into her arm.
When she begins again, it’s with a sharp WHOP.
He jumps a bit, but only on instinct. However—
A few feet from where he settles back atop the sunning-rock, there’s a scuffle and a sharp splash. Then thrashing—waster swashing about with little churns and splishes.
It’s not the way of lizards to think of doing anything when one falls into the water. There were several basins for fish and to catch water off the roof for the garden—they simply had to not fall into them, not drown. There was little recourse for if they did. What could another lizard do, really? Fall in after them? Best to let them try to climb out if they could.
The girl hears the splashing. She stares at the water pot for a moment.
Then, she places her broom carefully on the ground and comes closer.
Closer. His heart speeds up. He skitters to the safety of a plant with low-hanging leaves—
—and then watches as she walks past his hiding place, peers into the basin, and reaches in.
Her hand comes up dripping wet, a very startled lizard still as a statue clinging to her fingers.
“Are you the same one I always find here?” she asks with a chiding little smile. “Or do all of you enjoy swimming?”
When she places her hand on the soft spring grass, the lizard darts off of it and into the underbrush. It doesn’t go as far as it could, though—something about this girl makes both of them want to stand still and wait for what she’ll do next.
The girl just watches it go. She lets out a strange sound—a weary laugh, perhaps—and turns back to her peculiar chore.
A song trails through the old house—under the floorboards—through the walls—into the garden, beneath the undergrowth—and lures them out of hiding.
It isn’t an audible song, not like that of the birds in the summer trees or the ashen-girl murmuring beautiful sounds to herself in the lonely hours. This one was silent. Yet, it reached deep down into their souls and said come out, please—the one who helped you needs your help.
It didn’t require any thought, no more than eat or sleep or run did.
In chains of silver and grey, all the mice who hear it converge, twenty-four tiny feet pattering along the wood in the walls. The rat joins them, but they are not afraid.
When they emerge from a hole out into the open air, the soft slip-slap of more feet surround them. Six lizards scurry from the bushes, some gleaming wet as if they’d just escaped the water trough or run through the birdbath themselves.
As a strange little hoard, they approach the kind girl. Beside her is a tall woman wearing white and silver and gold.
The girl—holding a large, round pumpkin—looks surprised to see them here. The woman is smiling.
“Set the pumpkin on the drive,” the woman says, a soft gleam in her eye. “The rest of you, line up, please.”
Bemused, but with a heartbeat fast enough for them to notice, the girl gingerly places the pumpkin on the stone of the drive. It’s natural for them, somehow, to follow—the mice line in pairs in front of it, the rat hops on top of it, and the lizards all stand beside.
“What are they doing?” asks the girl—and there’s curiosity and gingerness in her tone, like she doesn’t believe such a sight is wrong, but is worried it might be.
The older woman laughs kindly, and a feeling like blinking hard comes over the world.
It’s then—then, in that flash of darkness that turns to dazzling light, that something about them changes.
“Oh!” exclaims the girl, and they open their eyes. “Oh! They’re—“
They’re different.
The mice aren’t mice at all—and suddenly they wonder if they ever were, or if it was an odd dream.
They’re horses, steel grey and sleek-haired with with silky brown manes and tails. Their harnesses are ornate and stylish, their hooves polished and dark.
Instead of a rat, there’s a stout man in fine livery, with whiskers dark and smart as ever. He wears a fine cap with a familiar white feather, and the gleam in his eye is surprised.
“Well,” he says, examining his hands and the cuffs of his sleeves, “I suppose I won’t be wanting for adventure now.”
Instead of six lizards, six footmen stand at attention, their ivory jackets shining in the late afternoon sun.
The girl herself is different, though she’s still human—her hair is done up beautifully in the latest fashion, and instead of tattered grey she wears a shimmering dress of lovely pale green, inlaid with a design that only on close inspection is flowers.
“They are under your charge, now,” says the woman in white, stepping back and folding her hands together. “It is your responsibility to return before the clock strikes midnight—when that happens, the magic will be undone. Understood?”
“Yes,” says the girl breathlessly. She stares at them as if she’s been given the most priceless gift in all the world. “Oh, thank you.”
The castle is decorated brilliantly. Flowery garlands hang from every parapet, beautiful vines sprawling against walls and over archways as they climb. Dozens of picturesque lanterns hang from the walls, ready to be lit once the sky grows dark.
“It’s been so long since I’ve seen the castle,” the girl says, standing one step out of the carriage and looking so awed she seems happy not to go any further. “Father and I used to drive by it sometimes. But it never looked so lovely as this.”
“Shall we accompany you in, milady?” asks one of the footmen. They’re all nearly identical, though this one has freckles where he once had dark flecks in his scales.
She hesitates for only a moment, looking up at the pinnacles of the castle towers. Then, she shakes her head, and turns to look at them all with a smile like the sun.
“I think I’ll go in myself,” she says. “I’m not sure what is custom. But thank you—thank you so very much.”
And so they watch her go—stepping carefully in her radiant dress that looked lovelier than any queen’s.
Though she was not royal, it seemed there was no doubt in anyone’s minds that she was. The guards posted at the door opened it for her without question.
With a last smile over her shoulder, she stepped inside.
He's straightening the horses' trappings for the fifth time when the doors to the castle open, and out hurries a figure. It takes him a moment to recognize her, garbed in rich fabrics and cloaked in shadows, but it's the girl, rushing out to the gilded carriage. A footman steps forward and offers her a hand, which she accepts gratefully as she steps up into the seat.
“Enjoyable evening, milady?” asks the coachman. His whiskers are raised above the corners of his mouth, and his twinkling eyes crinkle at the edges.
“Yes, quite, thank you!” she breathes in a single huff. She smooths her dress the best she can before looking at him with some urgency. “The clock just struck quarter till—will you be able to get us home?”
The gentle woman in white had said they only would remain in such states until midnight. How long was it until the middle of night? What was a quarter? Surely darkness would last for far more hours than it had already—it couldn’t be close. Yet it seemed as though it must be; the princesslike girl in the carriage sounded worried it would catch them at any moment.
“I will do all I can,” he promises, and with a sharp rap of the reins, they’re off at a swift pace.
They arrive with minutes to spare. He knows this because after she helps him down from the carriage (...wait. That should have been the other way around! He makes mental note for next time: it should be him helping her down. If he can manage it. She’s fast), she takes one of those minutes to show him how his new pocketwatch works.
He’s fascinated already. There’s a part of him that wonders if he’ll remember how to tell time when he’s a rat again—or will this, all of this, be forgotten?
The woman in white is there beside the drive, and she’s already smiling. A knowing gleam lights her eye.
“Well, how was the ball?” she asks, as Cinder-Girl turns to face her with the most elated expression. “I hear the prince is looking for fair maidens. Did he speak with you?”
The girl rushes to grasp the woman’s hands in hers, clasping them gratefully and beaming up at her.
“It was lovely! I’ve never seen anything so lovely,” she all but gushes, her smile brighter and broader than they’d ever seen it. “The castle is beautiful; it feels so alive and warm. And yes, I met the Prince—although hush, he certainly isn’t looking for me—he’s so kind. I very much enjoyed speaking with him. He asked me to dance, too; I had as wonderful a time as he seemed to. Thank you! Thank you dearly.”
The woman laughs gently. It isn’t a laugh one would describe as warm, but neither is it cold in the sense some laughs can be—it's soft and beautiful, almost crystalline.
“That’s wonderful. Now, up to bed! You’ve made it before midnight, but your sisters will be returning soon.”
“Yes! Of course,” she replies eagerly—turning to smile gratefully at coachman and stroke the nearest horses on their noses and shoulders, then curtsy to the footmen. “Thank you all, very much. I could not ask for a more lovely company.”
It’s a strange moment when all of their new hearts swell with warmth and affection for this girl—and then the world darkens and lightens so quickly they feel as though they’ve fallen asleep and woken up.
They’re them again—six mice, six lizards, a rat, and a pumpkin. And a tattered gray dress.
“Please, would you let me go again tomorrow? The ball will last three days. I had such a wonderful time.”
“Come,” the woman said simply, “and place the pumpkin beneath the bushes.”
The woman in white led the way back to the house, followed by an air-footed girl and a train of tiny critters. There was another silent song in the air, and they thought perhaps the girl could hear it too: one that said yes—but get to bed!
The second evening, when the door of the house thuds shut and the hoofsteps of the family’s carriage fade out of hearing, the rat peeks out of a hole in the kitchen corner to see the Cinder-Girl leap to her feet.
She leans close to the window and watched for more minutes than he quite understands—or maybe he does; it was good to be sure all cats had left before coming out into the open—and then runs with a spring in her step to the back door near the kitchen.
Ever so faintly, like music, the woman’s laughter echoes faintly from outside. Drawn to it like he had been drawn to the silent song, the rat scurries back through the labyrinth of the walls.
When he hurries out onto the lawn, the mice and lizards are already there, looking up at the two humans expectantly. This time, the Cinder-Girl looks at them and smiles broadly.
“Hello, all. So—how do you do it?” she asks the woman. Her eyes shine with eager curiosity. “I had no idea you could do such a thing. How does it work?”
The woman fixes her with a look of fond mock-sternness. “If I were to explain to you the details of how, I’d have to tell you why and whom, and you’d be here long enough to miss the royal ball.” She waves her hands she speaks. “And then you’d be very much in trouble for knowing far more than you ought.”
The rat misses the girl’s response, because the world blinks again—and now all of them once again are different. Limbs are long and slender, paws are hooves with silver shoes or feet in polished boots.
The mouse-horses mouth at their bits as they glance back at the carriage and the assortment of humans now standing by it. The footmen are dressed in deep navy this time, and the girl wears a dress as blue as the summer sky, adorned with brilliant silver stars.
“Remember—“ says the woman, watching fondly as the Cinder-Girl steps into the carriage in a whorl of beautiful silk. “Return before midnight, before the magic disappears.”
“Yes, Godmother,” she calls, voice even more joyful than the previous night. “Thank you!”
The castle is just as glorious as before—and the crowd within it has grown. Noblemen and women, royals and servants, and the prince himself all mill about in the grand ballroom.
He’s unsure of the etiquette, but it seems best for her not to enter alone. Once he escorts her in, the coachman bows and watches for a moment—the crowd is hushed again, taken by her beauty and how important they think her to be—and then returns to the carriage outside.
He isn’t required in the ballroom for much of the night—but he tends to the horses and checks his pocketwatch studiously, everything in him wishing to be the best coachman that ever once was a rat.
Perhaps that wouldn’t be hard. He’d raise the bar, then. The best coachman that ever drove for a princess.
Because that was what she was—or, that was what he heard dozens of hushed whispers about once she’d entered the ball. Every noble and royal and servant saw her and deemed her a grand princess nobody knew from a land far away. The prince himself stared at her in a marveling way that indicated he thought no differently.
It was a thing more wondrous than he had practice thinking. If a mouse could become a horse or a rat could become a coachman, couldn’t a kitchen-girl become a princess?
The answer was yes, it seemed—perhaps in more ways than one.
She had rushed out with surprising grace just before midnight. They took off quickly, and she kept looking back toward the castle door, as if worried—but she was smiling.
“Did you know the Prince is very nice?” she asks once they’re safely home, and she’s stepped down (drat) without help again. The woman in white stands on her same place beside the drive, and when Cinder-Girl sees her, she waves with dainty grace that clearly holds a vibrant energy and sheer thankfulness behind it. “I’ve never known what it felt like to be understood. He thinks like I do.”
“How is that?” asks the woman, quirking an amused brow. “And if I might ask, how do you know?”
“Because he mentions things first.” The girl tries to smother some of the wideness of her smile, but can’t quite do so. “And I've shared his thoughts for a long time. That he loves his father, and thinks oranges and citrons are nice for festivities especially, and that he’s always wanted to go out someday and do something new.”
The third evening, the clouds were dense and a few droplets of rain splattered the carriage as they arrived.
“Looks like rain, milady,” said the coachman as she disembarked to stand on water-spotted stone. “If it doesn’t blow by, we’ll come for ye at the steps, if it pleases you.”
“Certainly—thank you,” she replies, all gleaming eyes and barely-smothered smiles. How her excitement to come can increase is beyond them—but she seems more so with each night that passes.
She has hardly turned to head for the door when a smattering of rain drizzles heavily on them all. She flinches slightly, already running her palms over the skirt of her dress to rub out the spots of water.
Her golden dress glisters even in the cloudy light, and doesn’t seem to show the spots much. Still, it’s hardy an ideal thing.
“One of you hold the parasol—quick about it, now—and escort her inside,” the coachman says quickly. The nearest footman jumps into action, hop-reaching into the carriage and falling back down with the umbrella in hand, unfolding it as he lands. “Wait about in case she needs anything.”
The parasol is small and not meant for this sort of weather, but it's enough for the moment. The pair of them dash for the door, the horses chomping and stamping behind them until they’re driven beneath the bows of a huge tree.
The footman knows his duty the way a lizard knows to run from danger. He achieves it the same way—by slipping off to become invisible, melting into the many people who stood against the golden walls.
From there, he watches.
It’s so strange to see the way the prince and their princess gravitate to each other. The prince’s attention seems impossible to drag away from her, though not for many’s lack of trying.
Likewise—more so than he would have thought, though perhaps he’s a bit slow in noticing—her focus is wholly on the prince for long minutes at a time.
Her attention is always divided a bit whenever she admires the interior of the castle, the many people and glamorous dresses in the crowd, the vibrant tables of food. It’s all very new to her, and he’s not certain it doesn’t show. But the Prince seems enamored by her delight in everything—if he thinks it odd, he certainly doesn’t let on.
They talk and laugh and sample fine foods and talk to other guests together, then they turn their heads toward where the musicians are starting up and smile softly when they meet each other’s eyes. The Prince offers a hand, which is accepted and clasped gleefully.
Then, they dance.
Their motions are so smooth and light-footed that many of the crowd forgo dancing, because admiring them is more enjoyable. They’re in-sync, back and forth like slow ripples on a pond. They sometimes look around them—but not often, especially compared to how long they gaze at each other with poorly-veiled, elated smiles.
The night whirls on in flares of gold tulle and maroon velvet, ivory, carnelian, and emerald silks, the crowd a nonstop blur of color.
(Color. New to him, that. Improved vision was wonderful.)
The clock strikes eleven, but there’s still time, and he’s fairly certain he won’t be able to convince the girl to leave anytime before midnight draws near.
He was a lizard until very recently. He’s not the best at judging time, yet. Midnight does draw near, but he’s not sure he understands how near.
The clock doesn’t quite say up-up. So he still has time. When the rain drums ceaselessly outside, he darts out and runs in a well-practiced way to find their carriage.
Another of the footmen comes in quickly, having been sent in a rush by the coachman, who had tried to keep his pocketwatch dry just a bit too long. He’s soaking wet from the downpour when he steps close enough to get her attention.
She sees him, notices this, and—with a glimmer of recognition and amusement in her eyes—laughs softly into her hand.
ONE—TWO— the clock starts. His heart speeds up terribly, and his skin feels cold. He suddenly craves a sunny rock.
“Um,” he begins awkwardly. Lizards didn’t have much in the way of a vocal language. He bows quickly, and water drips off his face and hat and onto the floor. “The chimes, milady.”
THREE—FOUR—
Perhaps she thought it was only eleven. Her face pales. “Oh.”
FIVE—SIX—
Like a deer, she leaps from the prince’s side and only manages a stumbling, backward stride as she curtsies in an attempt at a polite goodbye.
“Thank you, I must go—“ she says, and then she’s racing alongside the footman as fast as they both can go. The crowd parts for them just enough, amidst loud murmurs of surprise.
SEVEN—EIGHT—
“Wait!” calls the prince, but they don’t. Which hopefully isn’t grounds for arrest, the footman idly thinks.
They burst through the door and out into the open air.
NINE—TEN—
It has been storming. The rain is crashing down in torrents—the walkways and steps are flooded with a firm rush of water.
She steps in a crevice she couldn’t see, the water washes over her feet, and she stumbles, slipping right out of one shoe. There’s noise at the door behind them, so she doesn’t stop or even hesitate. She runs at a hobble and all but dives through the open carriage door. The awaiting footman quickly closes it, and they’re all grasping quickly to their riding-places at the corners of the vehicle.
ELEVEN—
A flash of lightning coats the horses in white, despite the dark water that’s soaked into their coats, and with a crack of the rains and thunder they take off at a swift run.
There’s shouting behind them—the prince—as people run out and call to the departing princess.
TWELVE.
Mist swallows them up, so thick they can’t hear or see the castle, but the horses know the way.
The castle’s clock tower must have been ever-so-slightly fast. (Does magic tell truer time?) Their escape works for a few thundering strides down the invisible, cloud-drenched road—until true midnight strikes a few moments later.
She walks home in the rain and fog, following a white pinprick of light she can guess the source of—all the while carrying a hollow pumpkin full of lizards, with an apron pocket full of mice and a rat perched on her shoulder.
It’s quite the walk.
The prince makes a declaration so grand that the mice do not understand it. The rat—a bit different now—tells them most things are that way to mice, but he’s glad to explain.
The prince wants to find the girl who wore the golden slipper left on the steps, he relates. He doesn’t want to ask any other to marry him, he loved her company so.
The mice think that’s a bit silly. Concerning, even. What if he does find her? There won’t be anyone to secretly leave seeds in the ashes or sneak them bread crusts when no humans are looking.
The rat thinks they’re being silly and that they’ve become too dependent on handouts. Back in his day, rodents worked for their food. Chewing open a bag of seed was an honest day’s work for its wages.
Besides, he confides, as he looks again out the peep-hole they’ve discovered in the floor trim of the parlor. You’re being self-interested, if you ask me. Don’t you want our princess to find a good mate, and live somewhere spacious and comfortable, free of human-cats, where she’d finally have plenty to eat?
It’s hard to make a mouse look appropriately chastised, but that question comes close. They shuffle back a bit to let him look out at the strange proceedings in the parlor again.
There are many humans there. The Harsh-Mistress stands tall and rigid at the back of one of the parlor chairs, exchanging curt words with a strange man in fine clothes with a funny hat. Shrieking-Girl and Angry-Girl stand close, scoffing and laughing, looking appalled.
Cinder-Girl sits on the chair that’s been pulled to the middle of the room. She extends her foot toward a strange golden object on a large cushion.
The shoe, the rat notes so the mice can follow. They can’t quite see it from here—poor eyesight and all.
Of course, the girl’s foot fits perfectly well into her own shoe. They all saw that coming.
Evidently, the humans did not. There’s absolute uproar.
“There is no possible way she’s the princess you’re looking for!” declares Harsh-Mistress, her voice full of rage. “She’s a kitchen maid. Nothing royal about her.”
“How dare you!” Angry-Girl rages. “Why does it fit you? Why not us?”
“You sneak!” shrieks none other than Shrieking-Girl. “Mother, she snuck to the ball! She must have used magic, somehow! Princes won’t marry sneaks, will they?”
“I think they might,” says a calm voice from the doorway, and the uproar stops immediately.
The Prince steps in. He stares at Cinder-Girl.
She stares back. Her face is still smudged with soot, and her dress is her old one, gray and tattered. The golden slipper gleams on her foot, having fit as only something molded or magic could.
A blush colors her face beneath the ash and she leaps up to do courtesy. “Your Highness.”
The Prince glances at the messenger-man with the slipper-pillow and the funny hat. The man nods seriously.
The Prince blinks at this, as if he wasn’t really asking anything with his look—it’s already clear he recognizes her—and meets Cinder-Girl’s gaze with a smile. It’s the same half-nervous, half-attemptingly-charming smile as he kept giving her at the ball.
He bows to her and offers a hand. (The rat has to push three mice out of the way to maintain his view.)
“It’s my honor,” he assures her. “Would you do me the great honor of accompanying me to the castle? I’d had a question in mind, but it seems there are—“ he glances at Harsh-Mistress, who looks like a very upset rat in a mousetrap. “—situations we might discuss remedying. You’d be a most welcome guest in my father’s house, if you’d be amenable to it?”
It’s all so much more strange and unusual than anything the creatures of the house are used to seeing. They almost don’t hear it, at first—that silent song.
It grows stronger, though, and they turn their heads toward it with an odd hope in their hearts.
The ride to the castle is almost as strange as that prior walk back. The reasons for this are such:
One—their princess is riding in their golden carriage alongside the prince, and their chatter and awkward laughter fills the surrounding spring air. They have a good feeling about the prince, now, if they didn’t already. He can certainly take things in stride, and he is no respecter of persons. He seems just as elated to be by her side as he was at the ball, even with the added surprise of where she'd come from.
Two—they have been transformed again, and the woman in white has asked them a single question: Would you choose to stay this way?
The coachman said yes without a second thought. He’d always wanted life to be more fulfilling, he confided—and this seemed a certain path to achieving that.
The footmen might not have said yes, but there was something to be said for recently-acquired cognition. It seemed—strange, to be human, but the thought of turning back into lizards had the odd feeling of being a poor choice. Baffled by this new instinct, they said yes.
The horses, of course, said things like whuff and nyiiiehuhum, grumph. The woman seemed to understand, though. She touched one horse on the nose and told it it would be the castle’s happiest mouse once the carriage reached its destination. The others, it seemed, enjoyed their new stature.
And three—they are heading toward a castle, where they have all been offered a fine place to live. The Prince explains that he doesn’t wish for such a kind girl to live in such conditions anymore. There’s no talk of anyone marrying—just discussions of rooms and favorite foods and of course, you’ll have the finest chicken pie anytime you’d like and I can’t have others make it for me! Lend me the kitchens and I’ll make some for you; I have a very dear recipe. Perhaps you can help. (Followed in short order by a ...Certainly, but I’d—um, I’d embarrass myself trying to cook. You would teach me? and a gentle laugh that brightened the souls of all who could hear it.)
“If you’d be amenable to it,” she replies—and in clear, if surprised, agreement, the Prince truly, warmly laughs.
“Milady,” the coachman calls down to them. “Your Highness. We’re here.”
The castle stands shining amber-gold in the light of the setting sun. It will be the fourth night they’ve come here—the thirteen of them and the one of her—but midnight, they realize, will not break the spell ever again.
One by one, they disembark from the carriage. If it will stay as it is or turn back into a pumpkin, they hadn't thought to ask. There’s so much warmth swelling in their hearts that they don’t think it matters.
The girl, their princess, smiles—a dear, true smile, tentative in the face of a brand new world, but bright with hope—and suddenly, they’re all smiling too.
She steps forward, and they follow. The prince falls into step with her and offers an arm, and their glances at each other are brimming with light as she accepts.
With her arm in the arm of the prince, a small crowd of footmen and the coachman trailing behind, and a single grey mouse on her shoulder, the once-Cinder-Girl walks once again toward the palace door.
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