#I might make a post about speech issues later

[izzyizumi]

"Wow, you've been venting a lot about D02 Fan base Issues lately, I wonder what happened???"

"Well you see ever since post-Kizuna dropped, which is extremely suspicious TIMING in itself..." (While DigiAdv 2020 was also airing BUT.....)

In the last section of caps, when I proceeded to politely (hyper-formally) request this person stop harassing me by spamming me with multiple rude comments early in the morning when I wasn't even AWAKE to answer, and mentioned I was away because I was observing Shabbat (noting to them politely what it was), they proceeded to flip out, "turn" on me and start accusing me of "betraying" the pair. "Okay I beyond messed up" was their failed ""attempt"" at an blatantly insincere apology (they since continued to spam/harass a handful more times) and acknowledging they WERE HARASSING ME.

Except here's the thing. a. The Taishiro tag, by all means, is still for a rare pair ship. b. I am very aware of which fans follow me for my O.T.P. and actively post about it and who doesn't (including people who have lurked before). c. When the harassment started up I reached out to multiple other Taishiro fans (and people aware of the ship fan base being active) actively posting at the time and we were keeping aware of the situation in case they went about to target others. d. THIS PERSON WAS NOT AND NEVER A "FAMILIAR FACE" HERE / IN KOUTAI OR ADV+02 TAGS and posted fully and competely mainly on Anon (before "de-anon"ng using multiple account names; this was just before A.O.3 introduced comment blocking as a feature almost immediately after I began contacting them about it.) e. The timing of this is STILL highly suspicious to me considering the harassment mainly began in 2k20:

What was happening in Oct. 2k20 (aside from it also being my bday month, which was fantastic timing to harass someone??)

It was around the ending of DigiAdv 2020 Ep 18, when a lot of long-time fans would have returned to (if briefly) see the end of the Devimon arc involved, including past long-time Stans who dropped off partly keeping up with "canon" post-Tri (also especially if they hated ALL said new canon since...)

Kizuna was already out, but hadn't debuted in some countries (however, long-term Adv-02 fans were pretty aware of Kizuna developments due to notable leaks) and a lot of Stans also came back to actively "talk" / rant about Kizuna and the ""timeline"" since.

The person started out using a handle referring to a well-known N.S.F.W trope that I have absolutely 0 interest ever engaging with, and they likely knew that I might be semi-aware of it if just due to its sheer popularity. This was the first clear "hint" something was immediately wrong with the persons' commenting style, but I humored them at first by responding seriously and politely, giving a simple answer to the question ("plrease read all author's notes and tags clearly before reading".)

They since moved on to create multiple accounts and handles to spam / harass me ("Tales" might have been a reference to "Tales of" fan base, which I'm not involved in but was also suspicious in itself), pretending to be ""different"" people each time but using the exact same speech patterns / ~~accusations~~ and basically failing massively at "obscuring" / hiding themselves, almost to the point all of this was INTENTIONAL. (Also failed at making me take them seriously once I realized their intent to spam.)

The second (literally right the nights when I posted it, showing they actively WATCHED ADV-02 SECTIONS) I introduced more Daisuke into the storyline, (I had already finished the thing a bit earlier on, it just wasn't on A.O.3 yet...) they "turned" and "flipped" on me, "pretending" like they actively hated him and disregarded him, but my suspicions are really high that this was all an ACT. Because THE HARASSMENT DID NOT RAMP UP AS MUCH UNTIL I BEGAN "TOUCHING" DAISUKE / USING HIM IN MY THINGS AT ALL. (Very Suspicious)

I have seen similar long-term behavior from certain 02 Stans in this fan base who act like they have ownership over Daisuke head-canons and interpretations or something... including from a former person-I-briefly-interacted-with who used to (and STILL, as recently as the last weeks, though I won't name names but...) often acts really possessive over him and their interpretations. (You know, there's no rhyme or reason for why these kinds of things happen, right???) I long since hard-blocked the person on all DigiAdvs related accounts over it.

^ The conclusion made by A.O.3. was that it WAS harassment.

So, I'm just saying.

But you know what pissed me off the MOST? (MORE THAN THE FACT I WAS BEING ACTIVELY HARASSED AND SPAMMED ABOUT MY O.T.P WORKS AND FAVS?)

When I very formally informed this person (during the time they attempted fake-"politeness"/creepy fake "praise") I was (mentally) away noting Shabbat during the time they sent like 6 harassing comments in a morning, they proceeded to make the "turn", accusing me of multiple times (since) of being a "traitor" and INSULTING SHABBAT TO MY FACE AND ACTING LIKE THEY DIDN'T KNOW / ""GET"" WHO JEWS ARE, EVEN WHEN I SPECIFIED IT WAS A HOLIDAY.

Which IS ANTISEMITISM. Regardless of any fan base involved things it's to the point of antisemitic hate speech and religious harassment. I'm not even sorry to point it out but it IS.

{I finally let them know I was aware of the kind of spam tactics they were using against me. They proceeded to say this and continue acting "clueless" about what they were doing, while also half acknowledging it all the same} (Like seriously????) Anyway, if you (anyone posting in Adv or 02 sections, especially Koushiro or Daisuke involved fic!) ever get harassing spam comments from any of these user-names, REPORT THEM TO A.O.3.

I also don't mean to ~~call out~~ another "response", but...

When I brought these concerns up with people who I suspected may be involved in the (or possibly aware of similar) active harassment but was INITIALLY genuinely giving the benefit of the doubt, I intentionally left out about half of the comments since A.O.3 was still handling the case. One of the people I asked about if they were aware of such things actively going on in 02 sections commented very oddly and almost vaguely to me

"Maybe they're using an A.I. generator? They're getting more advanced {with text} (!!!!!) these days." (Summarized response)

A response I still find highly suspicious to this day.

Because this was blatantly NOT the work of an A.I. This person KNEW which characters they were talking about (despite trying to make it seem like they were "clueless" or "~~couldn't read~~" the MASSIVE amount of author's notes and summary and tags I left all over the fics and making a blatant show of "not actually reading" / absorbing it).

Also, in between, they NOTICED(!!!) immediately when I began up-loading my old A.M.V.s to other non-DigiAdvs sections(!!!) and began spamming those comment sections TOO (all with the same type of comments). (I did NOT give these any attention or response at the time)

So I'm Just Saying. Yeah?

This is unacceptable.

{Mocking Shabbat after I got after them for spamming me.}

So yeah, to anyone who MAY have been involved in this?:

(Kizuna spoilers!Koushiro moment Commence):

I'm still NOT amused.

(DO NOT copy or re-post my gif.)

It's been just about a year since the harassment-spam began last year (to eventually be squashed by A.O.3). All I'm saying is, yeah I'm still ticked and there were reasons why I wasn't actively posting other works, including for other not-O.T.P things...

(While it may change {with my postings} with the coming year I'm not going to deny that I'm not still majorly pissed off at the sequence of events at all.)

#d02 issues #digiadvs issues #izzyizumi personal #izzyizumi vents #izzyizumi blog #(You know) #(You know? I wasn't going to compile these because I figured enough time had passed in between + I was trYING to wind down But) #(I'M STILL PISSED OFF) #(I have a very VERY HIGH suspicion of who all may have been involved and I'm sure they may be aware that I'm thinking so) #(If that person is seeing this post?) #(Well) #(Posts the Conclusion) #(If anyone has any similar info on these usernames or things they experienced around the times PLEASE also reach out to me somehow) #(Because I Am Fed Up) #(This started out as something I was just flat out laughing at) #(LIKE YEAH I ~~hate KouTai~~ so much I ACTIVELY MAKE ALMOST ALL MY STUFF ABT IT INCLUDING MULTIPLE A.M.V.s) #(WOW I cant BELIEVE someone who ~~HATES THIS SERIES SO MUCH~~ WOULD MAKE SO MANY WORKS FOR THEM etcetc) #(Once it turned to antisemitic hate speech? YEAH) #(I might add to this post or expand in another later but I'm keeping it no rb for now bc I don't necessarily want this spread) #(I AM however Finally Posting About It)

[gabessquishytum]

Ages ago I was thinking about married dreamling later in life, and I rambled out a few hundred words about Hob having a big butt and Dream loving it... I'm probably not going to do anything with it now but I think it deserves to be posted, and it would be amazing if it inspired further thoughts about middle aged comfy dreamling <3

Potential tw for mild body image issues. Enjoy! <33

It's not that Hob thinks that Dream is weak, alright? That's not what it's about at all.

When they met at university some 20 years ago it had been very much a “twink4twink” kind of affair. Hob had looked like a strong gust of wind might blow him over. He had to have extra holes drilled in his belts to keep his jeans from falling down. He was frequently accused of having hollow legs – and Dream was no better. No amount of pot noodles and cheap beer seemed to make a difference. They used to be able to share clothes.

Things have changed. Somewhere along the line during the two decades of their relationship, Dream filled out into a lean yet distinguished gentleman, whose flat stomach paired very nicely with his sinewy arms and strong calves. His suits fit him immaculately, and Hob wouldn't even dare to try and get into his skinny cut trousers.

Twink death, they call it. That's what Hob’s been through. He's actually not mad about it. But what the hell is he supposed to do when his beloved husband asks him to sit on his face?!

Dream has such a pretty face, too. That lovely sharp little nose. Those cheekbones. Hob would very much like to sit on it, actually. Then he'll catch a glimpse of his own arse in the mirror. What if he breaks his darling Dream’s pretty face? So he makes excuses and distracts Dream with other activities. He gets Dream to sit on his face. But Dream does keep asking, and Hob does hate to deprive him of something that he obviously wants.

“Dearest darling. It's not that I don't want to.” He admits, the next time Dream brings it up with a hopeful lilt in his voice. “Don't you think I'm just a bit too… big? I mean, my bottom eclipses the dining room chairs. I'm afraid you have to face facts. It might just be a bit ambitious.”

Dream looks out from under his eyelashes. And he licks his lips slowly. “Does it not occur to you that the size may in fact be part of the appeal, in this case?”

Hob blushes. He can vividly feel his cheeks heating up. “You want me to potentially break your nose with my massive arse?”

“I want you to sit on my face so that I can pleasure you with my tongue, and feel your thighs flexing around my head, and feel the softness of your body rippling under my hands. I will beg for it if you wish, my beloved husband. I will beg to feel your weight on me.”

Hob doesn't make him beg. After such a moving speech, Dream deserves to get exactly what he wants. Possibly for the rest of their entire marriage, but certainly for the next half an hour at least. If he wants a massive arse, then Hob will gladly provide it.

Next time he catches himself in the mirror, he'll smile. Maybe have a little wiggle. And think about Dream’s tongue, with all the wicked things it can do…

#the sandman #dreamling #nsft #cw body image #dreamling fic

[eddheadweirdo]

SOUKOKU SEASON 5 ANALYSIS

"Dazai never directly says what he wants. He always gets someone else to say it for him." -Kunikida

Very rarely do we ever see Dazai express genuineness to someone he cares about, ESPECIALLY when it comes to Chuuya. The only time Dazai is genuine with Chuuya (excludding post corruption) was when he postponed the end of the world in order to know if Chuuya wanted to know if he was human or not. So, when Dazai learns about Chuuya's vampirism, it's not out of character for Dazai to show him genuine feelings, since Chuuya wouldn't be conscious.

Except... He knew Chuuya was never a vampire.

So what do these scenes mean?

The genuineness of Dszai's speeches aren't tactically necessary, because he didn't HAVE to act like he cared just to convince Fyodor. Fyodor would have been as convinced if Dazai was also pretendung to see Chuuya as a tool. (Infact, Fyodor might have been more convinced that Dazai was protecting his partner by PRETENDING not to care).

But none of these speeches were for Fyodor. These speeches were too geniune.

Dazai didn't need to have actual flashbacks on their youth just to convince Fyodor. He didn't even have to mention that he and Chuuya, at times, bonded. These lines were unnecessary for their escape.

And then comes the biggest kicker. "Come back to me."

. . .

It's been established that Dazai didn't need to say these things in order for their plan to go well. It also wouldn't make sense that Dazai was saying these things in order to tease Chuuya (He literally reminisced on flashbacks, which Chuuya couldn't know about). The only other option is that he was being sincere.

The issue is, that Dazai never directly says what he wants. "Anything I want gets lost in the end." (Paraphrase)

But based on his actions and speeches, it seems like what Dazai is saying, is that he misses Chuuya.

The line "come back to me" no longer means "come to your senses", but "be apart of my life again."

The sad look he directs at the cieling when thinking about their youth no longer means that he's upset that Chuuya will die, but that he misses what they had.

Other lines like:

"We used to do this all the time." (Helicopter scene) Dazai once more looking back on their past.

"I've spent the past 7 years thinking of ways to kill Chuuya." (He says to Sigma) This line in particular is peculiar because Dazai figured out his weakness ages ago (poison). This just proves that he thinks about Chuuya.

Everything he says is geniune, yes, but has a second meaning to it aswell. Which, again, I highly believe is him saying that he misses Chuuya.

So what is Chuuya's reaction to this? Well, nothing. He treats Dazai the exact same way. Which completely makes sense.

He may be able to figure out Dazai's motives. But when it comes to what Dazai thinks about Chuuya, Chuuya couldn't be more oblivious. This is seen in the 15 arc, where Dazai was manipulating Chuuya to be his dog in the Port Mafia. Later in the dungeon scene when they're 22, Chuuya fell right into Dazai's manipulative trap.

Chuuya's great at picking up ques from Dazai when it comes to fighting an enemy. When Dazai's attention is directed at him, however, he's just as easy to misinterpret Dazai's intentions.

#soukoku #hope this theory makes sense #not exactly a unrequited theory #more like a they both care for each other but their love languages are so vastly different that they don't realuze it #what im saying is that they're idiots #dazai osamu #nakahara chuuya #bungou stray dogs #bsd #bungo stray dogs

[yallemagne]

Note that Dracula does not actively retaliate against Jonathan. He retaliates against the letter, for sure, but he does not punish Jonathan exactly as one would expect. He keeps the act up. Which is possibly an even worse punishment.

Jonathan already knows about the Romani, which is interesting. Of course, functionally, Bram is giving us world-building and using Jonathan as a vehicle for that, but the description of the Romani is not one that would lend to too much confidence that they would help Jonathan, as they are clearly aligned, however knowingly, with the Count.

Who must have told Jonathan about them? Possibly one of his previous hosts, but I opt to say it was the Count.

Imagine that: Jonathan inquires about the only staff he has seen so far in Dracula's lands, and Dracula's answer is to squash Jonathan's hope by saying those "lawless" men answer only to himself. However, Jonathan still tries, he can't let himself give into his despair and give up without trying such an obvious means of escape. He knows that, in all likelihood, Dracula could be lying when he says these people are unlike the locals that helped Jonathan in the past. Though, Jonathan still takes precautions to make sure the full extent of what he knows isn't revealed if this is a dead end.

Unfortunately, the Romani are aligned against Jonathan, but possibly not with ill intentions. In all likelihood, they don't know Dracula's nature, or, if they do, they have to ignore it out of desperation, because no one else would ever employ them. It is serve Dracula or starve. They parallel Jonathan, in a way. They see a frantic man trying to appeal to them in a foreign language, and all they can do is accept what they believe he might be saying and continue on with their work.

There's also the possibility that it is more of Dracula's duplicity. Who is to say the man that took Jonathan's letters and payment did not parse Jonathan's meaning? Perhaps he did but was killed on his way to deliver them to a post office. And Dracula reframes it as the men being completely loyal to him. The belief, then, is not that sending more shorthand letters through them is dangerous because the Count will intercept them himself, but that the Romani will deliver them to the Count whether out of ignorance or malice. The latter is quite hopeless. It means that Jonathan cannot get by on the grace of others-- that the only humans he has seen in so long are either unknowing or uncaring of the danger he is in.

Dracula burns the letter but allows the inconspicuous one to be sent. He's mocking Jonathan for his attempt, letting his message be sent but not the one that matters.

"The letter to Hawkins—that I shall, of course, send on, since it is yours. Your letters are sacred to me. Your pardon, my friend, that unknowingly I did break the seal. Will you not cover it again?" He held out the letter to me, and with a courteous bow handed me a clean envelope. I could only redirect it and hand it to him in silence. 

He, once again, reframes the situation. Oh, if Jonathan had simply written all he wanted to say clearly in that letter to Mina, there would have been no issue with it, since Jonathan's letters are sacred. Never mind the desecration of Dracula opening the letter to Hawkins. He then forces Jonathan to participate in the mockery by having him reseal the envelope.

When he went out of the room I could hear the key turn softly. A minute later I went over and tried it, and the door was locked.

Remember Dracula's warning from before?

"Be warned! Should sleep now or ever overcome you, or be like to do, then haste to your own chamber or to these rooms, for your rest will then be safe. But if you be not careful in this respect, then"—He finished his speech in a gruesome way, for he motioned with his hands as if he were washing them. [May 12]

Locking Jonathan in the study now is a passive threat that, if Jonathan does not stay in line, Dracula will relinquish his protection over him. Though the study is presumably one of the safe rooms, there is only guaranteed safety if Dracula provides it.

When, an hour or two after, the Count came quietly into the room, his coming awakened me, for I had gone to sleep on the sofa. He was very courteous and very cheery in his manner, and seeing that I had been sleeping, he said:— "So, my friend, you are tired? Get to bed. There is the surest rest. I may not have the pleasure to talk to-night, since there are many labours to me; but you will sleep, I pray."

Dracula locks Jonathan in the study so he has no choice but to fall asleep there and not in his room. Jonathan is only able to go back to his room once Dracula comes in to retrieve him. Before, Dracula placed the guarantee of Jonathan's safety in his own hands. "If you do this, if you don't do this..." But now he's taking it back. "If I decide you must die sooner than promised, you shall."

I passed to my room and went to bed, and, strange to say, slept without dreaming. Despair has its own calms.

Sleep is only a short reprieve from Jonathan's waking nightmare. He can't rely on the help of his fellow humans, Dracula can and will take back his hospitality on a whim-- Jonathan has nothing to hope for except a night of dreamless sleep.

... I reframe the latter half of May 28 in my fic Orice-- *gets shot*

#dracula #dracula daily #re: dracula #jonathan harker #count dracula #may 28

[sophieinwonderland]

The Plurality Of... Batman! (Failsafe)

An anon mentioned this arc to me which they said depicted Batman as a plural character. So I decided to give it a read!

The Beginning

The actual plural stuff doesn't really start until the third issue of the arc, but this was something that popped out at me immediately.

We never really paid attention to it before, but Batman does this in a lot of things, doesn't he? Referring to "Bruce Wayne" as a separate person. Especially while dressed as Batman. There are other phrasings of this that could have been used. "I often used him to cement my playboy status," being the most obvious or even "I often used him to help cement my playboy status as Bruce Wayne."

Other superheroes don't do this as often, do they? I know it occasionally comes up when living a double life, but it doesn't seem nearly as common when talking to people who know both identities as it does with Batman.

Anyway, Robin is worried about Bruce not having happiness in life, and mentions that the Bat Family is concerned about him not being just "Bruce Wayne" anymore. That he's always Batman all the time.

Probably not the best thing for a secret identity when Batman starts appearing out in the day right after Bruce Wayne loses his day job... but when has he ever cared about keeping his secret identity secret?

This sets up an important conflict in the story. That Bruce needs to be Batman and Bruce Wayne both. He needs that balance in his life.

After being framed for a murder, a Failsafe is activated meant to kill Batman.

Bruce fights it, it seems familiar, but he can't place it. Which Bruce realizes is very wrong for somebody who has a perfect memory. (Because of course he has a perfect memory.)

That leads us to...

The Batman of Zur-En-Arrh

The Batman of Zur-En-Arrh first appeared in the silver age as an actual alien Batman. He was later reintroduced in the modern era as an alternate personality in Batman R.I.P. from 2008. I haven't read that so won't be able to comment on it, but if enough people like this, I might check out RIP and do a post on it too!

The third issue of this arc opens with a flashback that took place after the Tower of Babel storyline. This is the famous storyline where Bruce created plans to deal with all members of the Justice League in the event they went bad. Part of the flashback again highlights the duality of Bruce and Batman as almost being separate individuals.

Again, none of this is actually presented as a plural thing, but I do think it's interesting to note. If only to contrast the clear plurality we see with Zur.

Superman challenges Bruce, asking how the Justice League can be contingencies when Bruce has planned for everything.

Then the story returns to the present.

Here we have a Batman who is talking different, acting different, dressed different. Even his speech bubbles are colored differently to signify the switch.

And he is using plural pronouns when he speaks.

He declares himself better than Bruce. A Batman without a Bruce Wayne who was intentionally created by Bruce.

I love the use of "our mind" here, showing that he thinks of them as separate individuals.

It's revealed that the Batman of Zur-En-Arrh was the one who created Failsafe. Bruce suspected that, which was why he switched. Zur takes over for a little bit, and is focused solely on the mission and defeating Failsafe, no matter what.

One thing that I like about the above panels is that they lead to another possibility other than what the story presents. We're told that Zur is Batman without Bruce. But as Tim points out, he doesn't really act like it. Batman is always thinking ahead. He's always thinking strategically. It's what makes him Batman.

I don't think Zur is literally meant to be Batman without Bruce... but perhaps he's Bruce's idea of who Batman would be without Bruce Wayne.

Later, during the fight, Failsafe tells Zur that fighting only causes his family pain. Zur responds by saying that they're not family. They're his soldiers. Leading to this fascinating exchange with internal communication...

That morphs into an Inner World.

It's not for long, but it's amazing to see these characters interact inside their head.

With that powerful line, Bruce takes control again. Failsafe recognizes him as having switched despite still wearing the same costume.

After that issue, Zur is sadly not brought up again in the Failsafe arc.

In the next issue, Bruce describes Failsafe as being made by his subconscious when talking to alter.

Which isn't how a subconscious works, Bruce.

A subconscious is, by definition, not really conscious. Sorry, but Zur is a completely self-conscious entity you made in your head. 🤷‍♀️

But I guess that works for an explanation for Arthur.

And that's it for... Wait a second...

Zur-En-Arrh YEAR ONE

Turns out, the story of Zur isn't just in the Failsafe arc itself, but also in a B story that shows Bruce mentally training himself to create a new personality after a mental attack.

I want to say that Zur-En-Arrh might be a tulpa, but I think there's more going on than that. The name was a distorted version of something Bruce heard from his dad as a child on the night his parents died.

Bruce might not have made an entirely new headmate, but just fed something that was already there. Something that he had repressed.

After the Joker murders a bunch of people, Zur coaxes Bruce to let him take over so he can kill the Joker.

Zur does takeover and Joker, like Failsafe, immediately recognizes.

While Zur tries to kill Joker, he and Bruce are also communicating in their inner world.

After this, we see other characters appear in this inner world such as a version of the Joker meant to represent him before going mad, and a version of Bruce's mother.

Placing either of these as plural headmates is difficult. They don't front, and don't appear more that I'm aware. I'm inclined to classify them as only Ephemerals. Although, if there are more times they appear... and especially if they retain autobiographical memories between appearances, then I might want to look more deeply into that.

Martha unmasks Zur and shows what's underneath...

The appearance makes sense to me. If Zur is supposed to be the perfect Batman, then what does he need anything under the cowl for? And at the time, he wasn't very developed, only fronting the one time and not really existing much before that.

I wouldn't describe Zur as nothing but hollow anger though.

Yes, the anger is there, but so is a purpose. He's willing to kill because he views it as the right thing. Anger, yes. But he's also doing what he was made to do, what Bruce created him for, in his own way.

Bruce saves the Joker, and continues developing Zur... but he instills his own moral code into him, making certain that Zur won't be a killer after that. Which we can tell works since Failsafe was programmed by Zur to not kill anyone but Bruce.

It's unclear how this actually works. But I like that the solution wasn't just getting rid of Zur. Ultimately, Zur wasn't evil. At least, no more than Red Hood who had similar goals and methods.

Conclusion

There you have it! Batman is canonically plural!

This was a really fun read and I'm a huge fan of Zur's dynamic with Bruce for the little bit of time we get to see it in Failsafe.

There are also a lot of ways to play around with this that I hope we can see someday. A situation where Bruce actually has to work with Zur would be really cool. Maybe fighting against some invader breaking into their mind to extract information, forcing them to team up to face it together.

I also would love to see a story where Zur is frontstuck and has to work with Bruce's allies and build his own unique relationships with them. Or even has to pretend to be Bruce Wayne in public without giving anything away.

There are a lot of fun places to go with the character if the writers don't decide to put him on ice for another decade-and-a-half!

(For more discussion of plural DC characters, see The Plurality of... Blue Beetle.)

#pluralgang #batman #bruce wayne #batman comics #dc batman #comics #batfamily #dc comics #dc characters #pro endo #pro endogenic #syscourse #tulpa #pro tulpa #endo safe #multiplicity #sysblr #endogenic #plural #plural representation #survivor's network dni

[oshiawaseni]

A post about the time Hawks made Kacchan really, really jealous.

When I watched this scene in the anime I found it amusing as hell. Kacchan’s behaviour felt kind of strange/off though, but after I saw the panelling of the scene in the manga recently, it only seems even more funny and bkdk driven. His behaviour also made more sense. I’ll breakdown the scene and go into some of Kacchan’s deeper issues after.

They meet with Hawks after he helps them bring down villains. Izuku is star struck from the get-go and nervously greets the rank #2, who likewise recognises him from the sports festival.

Hawks tells Izuku he's heard about him from Tokoyami... then backtracks and says, "No, actually... (even without that) I would have liked to have worked with you, too, but..."

However, before he can finish explaining himself... he feels a "sakki", meaning bad feeling or literally "killing intent." (But the anime didn't show this part of their interaction! or how noticing the sakki interrupted Hawks' speech. So this is another one of those little flavourful nuances anime watchers(me) missed out on)

sakki (殺気  The individual kanji are pronounced satsu and ki, respectively, but due to Japanese grammar rules, the -tsu in the former is dropped and the consonant in ki is geminated, turning it into sa- + -kki.), which is primarily used by practitioners of Ninjutsu; "Killing Intent" is the most literal translation, with "Bloodlust" as a close second. The Chinese equivalent is sha qi - x

Which is kind of funny, considering Katsuki's soon to be revealed hero name which also had “Satsu” in it. Dai Baku Sasshin Dynamight. (Great Explosion Murder God Dynamight)

Hawks turns to the source of the "sakki"... and it's Kacchan staring bloody murder at him, challenging him! After the stuff Hawks said, it feels like Kacchan is even more annoyed at Hawks for taking a special interest in Izuku, by saying he wanted to work with him (despite being so busy he left Tokoyami in the care of his sidekicks). I think in Kacchan's mind this means a scenario where Izuku would have been with Hawks at his hero nest instead of with Kacchan at Endeavour's agency... 👀 How territorial! I think Hawks also noticed something was off and taunts him, just for fun. 🤭

Also, this is only a funny coincidence, but after Hawks says something that feels like he's wanting to 'take Izuku away,' Kacchan just happens to say “About before, I got in faster than you." It could mean absolutely nothing, or it could be the slightest nuance for "I was here first. Deku's already been mine since childhood, so back off.” Like an inside joke Hori made for himself, knowing he was writing bkdk to become the main canon couple in the series.

I'm /hj ofc but… you never know! It's wild that Kacchan is even this hung up on what Hawks did in the first place, so I might be trying to make it make more sense! understandably, right?

When Hawks leaves, not only is Izuku swooning over him again... now Shouto is too! Kacchan can't stand it! I don't know about you, but if Kacchan's intense reaction is only that Hawks showed them up, it’s a severe case of the punishment not fitting the crime. Not to mention, it began when Hawks started chatting up Izuku about getting him to intern with him and got even worse because Izuku went full fanboy mode LOL

Later at the agency he’s still filled with rage from their meeting, making up an insulting nickname for Hawks that can loosely be translated as “smiling birdbrain” (Hawks wears a carefree smile on his face and Katsuki doesn’t like it. He thinks he’s being smug - which he was, but only just a little… so again… punishment ≠ crime which is why we can theorise there was something more to his jealousy.)

Lmaooo listen. Think of a really possessive boyfriend who can’t stand their lover checking out other people and commenting on how attractive they are. And you've literally got how Kacchan feels about being a hero in front of Izuku.

Kacchan's gotten jealous like this before, when Shouto declared war on Izuku at the start of BNHA. That's how he got involved with the Todoroki family drama, because his jealousy drove him to follow them sneaking off alone together. And again in the third movie, at the very end, when Kacchan's boyfriend stayed back to say goodbye to Rody, and he glared at them the whole way going up the escalator lmao

Jealous Katsuki "needs Izuku's attention on him always" Bakugou has three modes: “Why aren’t you looking only my way you shitty nerd.” “Forget this other bastard, what about me??? I’m ‘sugoi’ right?!!” and our fave (😂) “Just keep your eyes on me, shitty Deku!”

He responded with SO MUCH irritation at Hawks simply because Izuku’s fanboying over somebody that’s not him.

Poor Kacchan has to compete with all other heroes for Izuku’s affection because he’s an otaku that grew up worshipping all quirks. 😂

Meet Katsuki Bakugou: From the age of four, he was told by family, doctors, teachers, hero loving society and the next door neighbour's cat that his quirk is the embodiment of excellence. What a guy! He will go far in life so we should let him do whatever he wants, it’s fine! He can be my sidekick! In a world where a person's character and value are measured by the power and usefulness of their quirk, Katsuki was the king.

Then there’s Kacchan: Grew up alongside this shiny doe eyed shitnerd who was always watching him, walking behind him, telling him stuff like he's sugoi and his quirk is so cool and he is so cool and wouldn’t it be cool if he also got a quirk as strong as his... And years later, Kacchan is (unsurprisingly) triggered that his Deku is reacting to everyone else and their ‘inferior’ quirks in almost the exact same way that he does with him. He has the biggest LOVE (ONLY!) ME DAMNIT vibes with Izuku! good lordt

The main issue Katsuki encountered after entering U.A and the world of pro heroes, was suddenly not being the obvious choice for best anymore. His usual status of being society’s king was completely upended after his world opened up to people like Iida, Shoto, Enji and Hawks. Something that was so effortless to him before, now required a lot of hard work, if he was going to rise above even the outstanding.

And I think a big reason he feels insecure around other talented people is because a part of him will always want to stay the coolest and strongest in Izuku’s eyes! That’s why Izuku acknowledging others sets him off a little. He knows what Izuku’s like… but he still wants to be the coolest to him, unquestionably sugoi and stay Izuku’s #1.

And sometimes it’s almost like, unless Izuku is the one doing the praising and fanboying Katsuki and only Katsuki, there's just no meaning to any of it for him.

＊* .•° ✿ °•. ❀。• *₊°。 ❀°。 ೋღ

It was only ever Izuku.

Growing up, surrounded by admiration from people who never dared to stand up to Katsuki... ultimately, it was only ever Izuku who valued his own set of principles and stood up to him when he was wrong. Because Izuku... was always honest with him, about everything. He let Katsuki know when he didn't approve of his behaviour, which meant the times Izuku did praise him was something that could be trusted. It didn't feel like the empty praise from everyone around him who only saw him for his quirk. It didn't feel like a lie.

Katsuki eventually realised the reason Izuku faced him was because Izuku genuinely cares. He saw all of him and despite intimately knowing his weaknesses and flaws not once did Izuku stop believing in him... so before Katsuki knew it, Izuku became the only person whose attention and approval actually meant something to him.

Can you blame him, though? Izuku’s the one who has been faithfully at Katsuki's side his entire life, sharing his dreams, believing in the best of him, gently encouraging him to do better than his worst, teaching him kindness of the heart and heroic sacrifice and finally… what it means to love someone so fiercely, you could give your everything and call it by their name.

Katsuki’s forever hero who always comes running to save him, no matter what. His one and only constant. How could he not become completely intertwined with him and fall hopelessly in love?

#bakudeku #and the only hero he can forgive Izuku's fanboying for is All Might because Kacchan simps him too🤭🤭🤭 #kana writes #jealous Kacchan #possessive kacchan #he can’t help it 😭 #he’s in love with him 😭😭 #Kacchan loves deku #deku loves kacchan #tsundere Kacchan #bnha meta #op

[mr-payjay]

feel free to complain to me about the ii finale <3 i'm all ears

thank you ellie :)

fair warning for ii neg, especially on the latest episode.

prefacing this with saying: I LOVE INANIMATE INSANITY!!!!!! inanimate insanity is my favourite show in the world and every episode leaves me full of joy and excitement. i adore criticizing it not out of hatred but out of genuine love. i enjoy every single episode i watch.

however, i find that iii19 has been the worst episode so far. it has gotten me the least hyped out of any episode in the series, which is saying a lot because i bounce off the walls at every episode no matter how much i end up criticizing it later. there are. so many problems i have with it. im gonna try and organize them the best i can, though i'll probably(?) edit this post later to insert anything i missed or forgot to say.

starting off positively: oj!!!! personally i am so glad he didn't talk in this episode. i was terrified of the idea of him having a new va. the spin was adorable, i loved his signature thumbs ups, and every time i saw him i squealed with delight. him voting for balloon also made me really happy! despite the grudge he's had against him for so long, he still sticks with him on this part. even after laughing at his death the episode before that

in general all the seasonwunners voted for balloon!! which makes me happy!!! paintbrush, nickel, balloon, and oj have all been there for the very beginning of season 1, three of them being there for every season. i love the inherent connection the contestants from season 1 have with each other. they've been together since inanimate insanity began and they're there for the end of season 3 too. very sweet.

onto more negative stuff! I CANNOT FUCKING BELIEVE WHAT THEY DID WITH SILVER SPOON AND CANDLEEE they set up something crazy in the last episode and then did NOTHING with it!!! they had silver spoon beat candle unconscious the second she said something that wasn't coddling him like the manchild he is and she STILL voted for him. where even was she for half of the episode?? they just left her lifeless corpse on the ground in iii18 and then she eventually got up in this episode and just. went back to the competition??? dogshit writing

okay now i wanna talk about cabby. I Don't Like Cabby Anymore. so from the very beginning i have loved cabby. she was extremely similar to me in fact! i have really bad memory issues and i tend to keep files on people and on things that i might forget about, as well as just to organize my thoughts and ideas. i loved her confidence, obsession with knowledge, and analytical personality at the start. i was pretty upset when the characters (mostly test tube lmao) started relentlessly bullying her, and i HATE the whole thing in spring on the breakfast where they try to demonize her files. it was kind of annoying when they tried to remedy it really quickly after that because it was clearly because of the backlash, but i was glad they at least tried to fix it. however, over the course of the series, she just felt like she was... becoming sadder? pitiful, honestly? she went from an awesome smart character who loved taking notes on people's behaviour and using that information to get better at the game into some kind of Sad Little Bullied Victim. she doesn't even feel like a character anymore to me, just a mouthpiece for the creators to write dramatic "cathartic" speeches through to prove they're Definitely Not Ableist. also what was the deal with her parents lmao they never brought that up again

aaaand this episode was generally written really badly. super fucking corny for one. they literally had a little dance party at the end like people make jokes about for stereotypical Kids' Shows. but my issue is more with like... the weird super fast character development? and the way they wrapped everything up as quickly as possible? something that bothered me was the tonal whiplash between zuwie voicing springy super hysterically and dramatically and then springy being fully redeemed within like the next 5 minutes and dying for mephone. Why did they even die for mephone. like as a character why would he of all people die for mephone. thats so fucking stupid. the rest of the voice acting felt completely different from springy's as well so it just made the effect worse. everyone's lines were really corny and felt so manufactured, like they would pull characters to mephone's side (losing my mind over all the contestants rooting for mephone like cmon man that guy sucks i just know oj at least would want him dead) with a short Cathartic Speech and everything would be fixed and lovely and peachy keen. its just painful to watch. everything feels really weirdly disjointed and badly put together, the flow is awful, the "danger" doesn't feel like there's any suspense to it at all, and every character gets fully redeemed for no good reason. even walkie talkie chats casually with mephone at the end as if they're good friends after they were HYSTERICALLY INSISTING ON MURDERING HIM? AND MAKING HIM WATCH HIS OWN DEATH?? idk if this will get explained in s2 but we still don't know who walkie talkie is, what their motive is, WHY they got redeemed, etc. we know nothing about them. and even if it will be explained later, i think it's shitty writing that NOTHING was explained in this season.

some extra stuff

- SO FUCKING GLAD THEY DIDN'T BRING HOTEL OJ INTO THIS I WOULD'VE CRIED IF THEY PUT SEASON 3 CHARACTERS INTO HOTEL OJ OR MADE IT ALL SLEEK AND S3 STYLE

- the "you can do this" thing at the end was fucking stupid man that was so corny (btw corny isn't always bad but jesus christ... this episode was just awful with it)

- could not feel any emotion towards the Emotional Parts but laughter and secondhand embarrassment

- HOW DID THEY GET THE FUNDING FOR A LIBRARY? I THOUGHT THE PROBLEM WAS THAT MEPHONE DIDN'T HAVE ANYTHING FOR A PRIZE HOW DID HE PAY FOR AN ENTIRE LIBRARY

- speaking of, why isn't oj back at the hotel. doesn't he have to manage it. wasn't paper having a ton of trouble managing it. why are all of them still on that fuckass island. did the library take like 5 minutes to build what the fuck

- ALSO!!! Why did they build a library in the middle of a deserted island

- i liked the short nickloon scene because im a nicklooner

- glad yinyang and candle got to talk

- test tube saying nearly nothing at all the entire episode except for sitting on the ground in a really stupid pose and apologizing to cabby made me laugh

- weirded out by tt and fan not talking to each other at all? not as a ship thing but like they're best friends aren't they

- really fucking annoyed by the fantube family picture at the end i hate fantube family leave that grown ass adult (bot) alone

- glad they didn't canonize any ships i was so scared about silvercandle and fantube

- 4s scene and s1 flashback was cool i love s1 so i got excited

- aaaaand i think my misogyny thread is relevant again. i should update it sometime because ii has only gotten worse about it lmao

- didn't like them making clover stupid for some reason like "is he talking about me?" come on

- oj not talking in these last two episodes is so glaringly unusual because he's never been able to shut his fucking mouth for even a minute

#juice.txt #ii neg #ii spoilers #i love this show but jesus fucking christ #absolute dogshit writing its so embarrassing

[katy-133]

Rick Sanchez Showing Signs of ASD for 30 Images

(Re-posting this from a previous reblog I posted in. For organisational purposes.)

(Using some notes from CDC.gov and NHS.uk)

“People with [autism spectrum disorder (ASD)] often have problems with social communication and interaction, and restricted or repetitive behaviors or interests. People with ASD may also have different ways of learning, moving, or paying attention. It is important to note that some people without ASD might also have some of these symptoms.” - Signs and Symptoms of Autism Spectrum Disorder, CDC.gov

Similar to the above quote, some of the below examples can be explained through Doylist (meta) explanations (for example, Rick usually wears the same clothes because that's a common trope in animation, due to asset limitations and marketing/merchandise reasons).

With that in mind:

Bad sensory, overstimulation: Rick preferring to eat just noodles (possibly due to texture/taste aversion), instead of having what everyone else in the family is having.

Getting very upset if someone touches or gets too close: Rick pushing Morty away when Morty runs up to hug him.

Stimming (repetitive performance of certain physical movements or vocalisations) by moving his fists in a celebratory shaking motion in multiple episodes.

Gets upset by minor changes. Rick getting mad at Morty for changing the position of his car seat, refusing to leave a dangerous situation until it's re-adjusted.

Rick: "Wait, did you f**k with my seat settings?!"

Having the same routine every day and getting very anxious if it changes: Rick being upset that Morty is busy and can't go on an adventure with him (like in a typical episode).

Gastrointestinal issues (for example, constipation). An episode focuses on Rick needing to go to a custom planet (that felt safe and secluded) to use the toilet and feeling great distress upon learning that someone else found the planet.

Has a safe food that is seeked out for comfort. Rick likes wafers. He's seen getting them from the kitchen in multiple episodes, Beth makes sure the house is stocked with them, and the Citadel of Ricks even has its own factory to produce them.

Referencing good sensory: Rick talking in detail about pancakes covered in syrup, not wanting the pancakes to go bad.

Rick: "Now if you'll excuse me, I've got pancakes back home with syrup on top of them. They're about to hit that critical point of syrup absorption that turns the cakes into a gross paste. And I hate to get all Andy Rooney about it, but I think we all like fluffy discs of cake with syrup on top!"

And Rick enjoying pancakes in S1E10 and S4E2:

Has obsessive interests. Rick becoming hyper-focused on giant mecha collecting and Morty reminding him to not go overboard on his new hyperfixation.

Morty: "Sometimes, enough is... ?" Rick: (Sadly) "Sometimes enough is enough."

Liking to plan things carefully before doing them: Rick keeping various helpful inventions in his lab coat just in case he needs them later (Vindicators episode).

Infodumping (to excitedly share a large amount of information about a highly-focused subject or passion at one time, usually in great detail and length).

Finding it hard to talk about feelings: Rick having hesitation in apologising and explaining his thoughts and feelings to Jerry.

Rick: "If I'm genuinely cool, I should be able to love you. Which I... therefore do."

Avoids or does not keep eye contact: Rick looking away or breaking eye contact with Morty. Image set of Morty calling him out:

Rick breaking eye contact while lying to Morty:

Having a preferred outfit to wear each day (can be cause of sensory issues). Rick wearing the same blue shirt for over 40 years (we see in flashbacks that it was brighter and has faded with time).

Unusual speech patterns, such as stuttering. Rick's stuttering decreases as seasons progress.

Vocal stimming (when someone repeats a specific sound or phrase to produce sensory stimulation). Some autistic children find it easier to make up their own words. Rick repeatedly saying, "wubba lubba dub dub." He will also repeat his own words (echolalia) immediately afterwards.

Delay edecholalia, scripting (when someone "saves" exact phrases and uses them later to make social situations easier). Rick (in The Ricks Must Be Crazy) remembers Morty's comment, "that just sounds like slavery with extra steps" and uses it later to try and win an argument with another scientist.

Not picking up social cues, finding it hard to understand what others are thinking or feeling. Rick making a joke and then realising the other person is in too much distress to laugh with him (has done this with both Morty and Jerry).

Rick: "You're not laughing?" (Expression changes upon realising) "Oh, right. You're dying."

Unconventional grief response, "inappropriate" facial expressions, lack of fear: Rick reacting to burying himself in a less uneasy way than Morty.

"To the point" style of social interaction. Rick often speaks bluntly and is seen as rude by other characters in response.

Rick: "Everyone, f**k off. Morty, I need your help."

Has a terrible memory but can remember ridiculously difficult information if it interests him. Rick forgets his portal gun and leaves it behind, but can remember the formula for various chemical reactions without using a reference (ending of M.Night Shaym-Aliens!).

And finally...

President Curtis referencing Rick's neurodivergency:

Rick's comment:

Rick: "I'm not touching that thing,"

Rick finding a roundabout way to let Morty know that he (Rick) also has ASD:

Rick: "Is this game popular with autistic people?" Morty: "Why would you say something like that?" Rick: "Because I'm starting to love it."

Wish I could have added more examples, but 30 images is Tumblr's current post limit.

(I understand that the potential meme joke by OP is that the "NOT YOU" image is of Rick from season 1, versus his markedly changed characterisation in season 5-onwards, that focused more on coding Rick as neurodivergent.)

I hope this has been in some part educational for a few readers. Happy Autism Acceptance Month.

But now for the disclaimer bit: Don't take it from me, learn more about ASD.

#tumblr won't let me add links sorry. #rick and morty #my text #storytelling #neurodiversity #long post

[hyperfixiation-station]

Introduction/Requests

Hi yalll!! I decided to redo this post now that I know how to use tumblr a bit more :D

Masterlist

Requests(open)

Prompts

About me:

My name is Sun, I am 19, and I love writing!! I am in a lot of fandoms, namely Supernatural, Marvel, Gravity Falls, DC, MLB, and, of course, COD. This blog is primarily for COD, but I am 100% willing to write for other fandoms as well!

I am in college and majoring in communications, I want to be a speech pathologist :))

I am AuDHD, so I am sorry if I misunderstand something yall say or come across as rude, I absolutely do not mean to!

I am chronically ill (hEDS, tachycardia, insomnia), so when I don't posts for a while don't worry! I haven't forgotten about my fics or your requests, I didn't abandon the blog, I am just going through a flare up and don't have the brain space to write XD

I love feedback, good and bad! As long as it is presented in a kind way, I want both. I want to be a batter writer, and do that I need criticism so I know what to fix :)

I love interacting with yall!! I love when yall message me, whether with a request tor just to say hi. makes me all giggly. Interactions with yall are like my lifeblood, because I have ✨validation issues✨

On that note, I LOVE when you guys request things, whether that be just asking for another part to a fic, or asking for a totally different one!

Requests

Requests are open!!! I will write pretty much anything from one-shots to long-fics, hurt/no comfort, fluff and anything in between!

I do have a couple of restrictions/things you should know, so I will go over those below :))

Rules:

#1.)I don't write smut. That's about my only restriction. Sorry to all yall smut lover out there! I am asexual and that stuff grosses me out lmao.

#2.) Like I said earlier, I will write fics for other fandoms, including Marvel, DC, Supernatural, etc.

#3.) I will stick to either Fem! or GN!readers, simply because I am not male and don't think I could portray that correctly, sorry :(

4.) Don't be afraid or think your request is weird. I guarantee you I have thought of it at least once XD\

5.) You can request things either in the comments or on the ask page: Requests

And yeah! I think that's it for now, might be updated later, who knows ¯\_(ツ)_/¯

Anyways I thinks that all for now. Thanks for your support <3

#cod fanfic #cod #cod x reader #simon ghost riley #ghost fanfiction #john soap mactavish #ghost x reader #kyle gaz garrick #call of duty #call of duty fanfic #call of duty x reader #cod fanart #cod fandom #request #requests #asks #requests are open #reqs open

[iliveforyouilongforyouvesuvia]

Having access to them would ease this poor searchers mind 😄 I would love knowing how to find them! Its sucks that the post was taken down though 🫤 so sensitive nowadays

The Arcana HCs: How the M6 found some cool art

~ no comments on the second half of that ask, but here you go anon friend XD (this accidentally turned into a whole fic, so clear directions will be at the end) ~

It started with Portia

There's this book series that she's been a fan of for a long time, and rumor had it that if you went to a certain part of the town square at a certain time of day, the store that sold the books would be displaying sketches that the author had made

Unfortunately, Portia wasn't able to go. She was out of town doing important ambassador business and missed the window to view it

So she spent the next five hours ranting about it to her brother as soon as she was finished unpacking and he dropped by for tea

"Correct me if I'm wrong," said Julian, "but it's just art. Couldn't they show it again?"

"Ugh, I wish. But they said it was an exclusive event, and now some of the people that went keep referencing it and acting like they know more than everyone else, and you know I hate missing out!"

"Understood," said Julian, and he drained his teacup and backed out of the cottage before Portia could keep ranting

Several weeks later, Julian, Asra, Nadia, Muriel, Portia, and Lucio were all gathered at the magic shop. MC was out of town for a while, so they all crowded into their apartment to miss them better

Asra was lounging on the windowsill knitting, Muriel was skulking in the corner next to them, Nadia was reading her messages, Julian was listening to Portia's continued ranting, and they were all ignoring Lucio

"Let me get this straight," Julian began, tired of Portia's yelling

" - you're not." Asra interrupted, lazily stretching as they counted stitches

Julian rubbed at his face and continued. "If you want the art so bad, why don't you just take it?"

"Absolutely not." Nadia somehow managed to issue commands without even looking up from her phone.

"Why does Noddy have a phone?" Lucio asked. Nobody answered him

"Ugh, but I want to see it so bad!" Portia grumbled, letting her head fall into her arms with a thump.

"What was the name of the book series again?" Asra asked, ignoring the warning glare Julian shot their way as Portia geared up for another impassioned speech.

"Lonely Hot People Near You," she said, "but we just call it LHPNY."

"Oh." Nadia said, but it was the kind of "oh" that sounded more intrigued than understanding. "It looks like you might be able to see them after all."

Portia gasped. "Really?"

"Yes, but you'll need a friend."

"I volunteer! I volunteer as tribute!" Julian's arm went up theatrically as he geared up to make his own impassioned speech. "It is every older brother's duty to make his younger sister happy -"

"Okay, but how?" Portia interrupted. "I thought you said not to do anything ... iffy."

"One of the bookstore employees made a post explaining how." Nadia held up her phone and the siblings leaned in. Over by the window, Asra was pulling up the link she'd sent them to show Muriel as well.

"You'll have to use their app."

"What's an app??" Lucio asked, but nobody answered him

"I don't want to have an account with them, though," Julian said. "I prefer academic journals."

"Neither of you has to make an account. Just give them your email. You can delete the app and unsubscribe later if you want to."

"Ohhh." The Devorak siblings nodded and pulled out their phones. Even Muriel looked intrigued at this point.

"Why does everyone have emails?!?" Lucio shrieked, as real-life technology became more involved in a plot set in a fantasy world. Nobody answered him.

"Now what?" Portia asked excitedly.

"Now one of you has to look up 'book club'," said Nadia, "and the other one of you has to sit on the page labeled 'streams' and wait."

"I'll look it up!" Portia crowed.

"I'll wait." Julian sighed.

Nadia nodded and continued. "Portia, have you found the selection you're looking for? Go ahead and pull it up. Hit 'stream' instead of 'play'."

"What happens if I hit 'play'?"

"You'll find a paywall that you'd have to pay about 27 USD to get enough points to unlock."

"For all of it?"

"For the first section. And it would only stay unlocked for one playthrough - if you wanted to see it again, you'd have to pay again." Nadia gave the window an inscrutable look

"What's USD???" Lucio begged, but nobody answered him.

"Got it." Portia stuck her tongue out in concentration, Asra coming to lean over her shoulder and get a peek at her screen.

"Pasha!" Julian looked scandalized. "Hotcatlady69? Really??"

"Join her stream," Nadia said unfazed. "Now that you have an audience, Portia, you should be able to unlock it all without paying anything."

Portia shrieked with delight as she tapped through the artwork on her screen. "These are so cool! Should I save them for later?"

"That's none of my business." Nadia sat back in her chair and coolly returned to her messages. She looked up from her phone again a few minutes later when Portia let out a disappointed sigh

"It's already done, and there were only twelve slides. I heard there were more."

Asra plucked her phone out of her hand and scrutinized the display, smirk tugging at their lips. "It's got multiple parts. Do it again."

Portia gasped and snatched it back. "Yes! Ilya, don't sign off."

"I wouldn't dream of it." Julian sighed and sat back, happy to see his sister appeased for the first time in weeks. "Have at it."

"Oh, that one looks like Muriel," Asra commented from where they were leaning over Portia's shoulder, "send it to me."

"I'll put it in the group chat when I'm done."

Nadia sighed and sent them a mildly disapproving glance. "I didn't hear that."

"Whatever happened to 'be gay, do crime' Nadi?" Asra chuckled as Portia finished her second round of artwork

Nadia raised an eyebrow with a small smile and didn't answer.

"There's only two parts!" Portia wailed, ending her stream and leaning back with a huff.

"Are you done?" Julian asked, long fingers wrapping around his phone and tapping at his cracked screen. "I'm deleting the app, then, I need more room for my theatre recordings."

"There'll be more, see?" Asra pointed at the part on Portia's screen that said "ongoing".

"I guess I can wait," Portia sighed, tapping over to her messages and typing away.

Lucio reached into his pocket, where something was beginning to chime, and shrieked when he pulled out a phone of his own. "WHY DO I HAVE ONE OF THESE TOO?!?" he cried, on the verge of a mental breakdown. Nobody answered him

"Why is he in the group chat?" Muriel grumbled

"I don't know," Julian sighed, "he just is. Oh-ho, this one looks like me."

A few days later, Nadia would overhear Valerius grumbling over Lucio's risk-taking habits when he runs across the town square, scattering the art as he goes after Asra dared him to.

"That Fool," she chuckled.

QUICK INSTRUCTIONS:

open the app

you won't need to make an account, just put in your email and give yourself a username and skip the rest

select "the arcana book club" and hit stream

get a friend to hop onto the stream (technically, your stream needs an audience. you only need one viewer)

it'll all show up on your screen when you vote on "unlock"/"continue"

there's multiple parts, so if you choose to replay it you might see more

there may be more parts added in the future

do with that information what you will, your decisions are yours to make

#ask arcana brainrot #the arcana #the arcana headcanons #the arcana hc #asra the arcana #julian the arcana #nadia the arcana #muriel the arcana #portia the arcana #lucio the arcana #the arcana game #the arcana crackfic #asra alnazar #julian devorak #nadia satrinava #muriel of the kokhuri #portia devorak #lucio morgasson

[quirkwizard]

Vigilante Pursuit: Looking at the Villain Hunt Arc

So for anyone who has followed my blog for any period of time, you know that I dislike the Stars and Stripes arc. However, that isn't the only arc that I take issue with. When I was first reading this arc, I had my issues with it, but I did my best to try and move past them. Unfortunately, my opinion of it has only soured as time has gone on and I have had more time to reread and process everything that happened in it. That being the Villain Hunt Arc.

Yes, I know its official title is the Dark Hero Arc, but that name is dumb, so I'm sticking with the Villain Hunt Arc. To be pretty clear, I don't hate this arc, and I still think that there are some good qualities to it. The fight with Lady Nagant is a dramatic challenge to Izuku's perception of heroes, the confrontation between All Might and Stain was a strong beat for their characters, and the Uraraka's speech is one of the highlights of the later arcs of the series. It is not without its problems, and I do feel a lot of frustration with those problems. So, after reaching nine thousand posts, I thought I would reflect on them and try to figure out how to fix this arc.

Unlike the Star and Stripes Arc though, the problems aren't exactly fundamental to the arc itself, more that there are issues in execution. Even then, it's more of one consistent problem throughout the arc and a few other bits with how things play out. So a lot of this will be more of the rewrite than me simply complaining about it. For the sake of this, I'm going to try to stick to as much of the canon structure and this arc as possible with the rewrites. I may have a lot of issues with Izuku's power progression, which is probably the worst in this arc, but such a thing would require changing whole other arcs or making new ones. And when I am writing this, the most recent Chapter 387. So if anything happens to counter my points, know that it hasn't happened yet.

Just Watch Us

Whenever I think back on this arc, I always think about the lack of character moments that weren't for the usual ensemble. The ones that stand out most to me are Hawks and Endeavor. I can understand why the characters would want to brush past that given their personalities and their circumstances, but it feels unsatisfying to not see them react to what happened to them or have the world change as a result. Endeavor says that he will keep pushing forward and tells people to watch him. Even though he has nothing to show for except his words after one of the worst debacles in hero history. And what he did has no real effect or reaction on anyone outside of the family. There isn't any pushback or reflection on Hawks either. Hawks murdered someone on live television, and the most we get is during the press conference. There's no time to think about Twice or the regret he has for killing. He's an optimist, after all.

And don't think that they are the only ones. So many of the students are barely given any time to process or talk about what happened to them. Mina and Kirsihima saw the brutalized corpse of their teacher. And we barely get anything on that. They just got out of a war, and all of them seem a bit bummed out. This is the worst day for most, if not all, of the characters involved. Why can't we see that tragedy and turmoil in them? This isn't only a thing with the war, either. Uraraka and Iida find out their best friend has lied to them for the better part of a year and has left them behind, with the two having no idea where Izuku is or what's happening to him. There isn't any time to reflect on how they're dealing with any of this. We simply have to assume that all this happened off screen in the month-long time jump, if it happened at all.

Near Miss

So when I said that I didn't dislike the Lady Nagant fight, there were a few asterixis next to it. I know it's a minor point, but it has constantly bothered me: why is Kai here? Now I understand why Kai is around. It's to set up everything with Lady Nagant and Izuku trying to save and help the villains, pairing him up with the most hateable villain that isn't part of the League of Villains. However, that doesn't explain why Kai is here from an in universe perspective. Lady Nagant seemingly brings him out of Tatarus on a whim. She says she wants to use him, but what use is a gibbering ex-convict with no arms? And when they get out, she wants him around to identify Izuku. Why on Earth would she need that? Are you telling me All For One didn't even give her any information on Izuku? Nothing like a photo or a basic description of her target?

My biggest issue with it is the introduction of "Fa Jin". Aside from the pacing issues of introducing so many of his new Quirks in such a short time span, "Fa Jin" is easily the worst of all the "One For All" Quirks. As an actual Quirk, it's fine. Nothing special, but has a unique gimmick. My problems lie in making it a Quirk for Izuku because it doesn't really add anything to his power set. It isn't an interesting expansion on Izuku's arsenal, basically doing exactly what "One For All" was doing before. It's obviously only there as a crutch to get Izuku to One Hundred Percent as fast as possible in the shortest amount of time. What's more is that it ruins the fun cat-and-mouse dynamic the fight had before. It's not something we've seen in the series before and would have given us a chance to see Izuku as the intelligent planner he's supposed to be. Instead, Izuku didn't win through some clever strategy, he won by making his number bigger.

Then there is how the fight ends. Lady Nagant blows up as a part of a cruel tactic by All For One. I understand what the story is going for, having all of Izuku's efforts destroyed to mentally break him, but there are some questions raised. Like how exactly did All For One use a Quirk that wasn't his? Why make it a Quirk he snuck onto her then? Why not simply be the effect of a Quirk he already had? How did Lady Nagant handle three Quirks when even two Quirks are considered extreme and potentially life-threatening? How was Lady Nagant not aware of this? Then following up with Izuku going to the mansion, which only results in All For One reinforcing what we already know and another egregious explosion fake out, just feels like such a limp and pointless way to end this entire segment. It's another symptom of All For One worming his way into every single plot as the big villain. You can't have a moment between a hero and villain without All For One twirling his IV tubes in the background.

How it All Stops

I know I have played up in the past how much I liked this moment. I did feel catharsis when Bakugou finally owned up to how awful he was to Izuku and apologized. But looking back at it with a critical eye, I'm finding a major problem with it: it's all about Bakugou. Don't get me wrong, this is supposed to be a big moment for Bakugou and how he's grown. But the other half of the equation is simply missing. There isn't accountability of what he did to Izuku. It's all justification about why he treated Izuku so poorly, only to then turn it over to how he has been acting in the past. There isn't any kind of acknowledgement or punishment for what he's done to Izuku. It comes across that Bakugou effectively Houdinied his way out of the actual consequences of his actions.

What's more is that there's nothing about how Izuku is processing this. Izuku, the guy who was hurt most by Bakugou's constant bullying and actions, doesn't say or think anything about this. Which is such a massive problem throughout the whole of the arc. There is so little time to give Izuku any moments to himself or thoughts on how he's feeling about everything. This should be a huge surge of emotions and the culmination of everything that's been building up with Izuku. But everything is more focused on the other characters, either through Izuku's own thoughts or writing focusing on them more. All that happens is that he collapses and apologizes to everyone else for insulting them. And this ends Rogue Izuku portion of the story. Did you enjoy the handful of chapters you got? I hope you did, because that is the end of that part of his character. One we barely got to actually see.

After all of that, there's barely anything following up on it. All the building emotions he had about himself and the arc over the years? Gone. A serious talk between Izuku and All Might about everything that has happened? Nothing. Any sort of real connection or follow-up with Uraraka and Iida? Not really. The most we get is simply in service of Toga and Uraraka's plot dozens of chapters later. There isn't anything personal about this arc that carries forward. As far as developing the characters, it may as well not have even happened. Bakugou still acts like a tool to Izuku, making it seem like he didn't really learn anything from all of this. We don't even get any proper follow-up with All Might. He apologizes to Izuku and then they move onto more plot beats. Which is so off the mark that it's downright insulting to both characters' stories. Take a bath and a nap, Izuku. It's clearly what you needed.

I know I keep harping on this part of it, but you need there to be a proper middle ground and payoff in order for the conclusion to feel satisfying. It feels like I'm watching a DVD with scratches on it, constantly skipping between major scenes, and the characters acting like they came to a conclusion without us seeing it. It's what attributed to a lot of rushed feeling for the last few arcs. While I always believed that these rapid plot points began back during the MLA War Arc, they have become so prevalent here. All the characters are being moved to their conclusion faster than the manga can handle in the number of chapters they are given. So a lot of them either feel forgotten in the sweep or have their characters and stories shorthanded to reach the end. Now, how would I fix all this?

Heroes of the Past

To start things off, Gran Torino will die in the hospital, potentially while talking to Izuku. I'm not one for suddenly killing off characters, but he really shouldn't have survived such a massive attack from Tomura and I think this would be a good point for him to bite it. More could be added from his death than from his life, especially if he's just going to sit in the hospital for the rest of the series. It would actually have Tomura kill someone that we know and care about, adding some more stakes and threat to this arc, but it would also start Izuku's spiral during this entire situation. From there, I would change the vestiges role as well for this arc. I would have them put more pressure on Izuku. He is there last shot at stopping All For One and they would try to push him more and more. Having the manifestations act as the voices of overwhelming responsibility would be a really interesting way to represent Izuku's thought process and the doubts he has. It's literally Izuku's power and the ghosts of the previous user wearing down on him.

With Hawks and Endeavor, I would certainly have them both interact on their own as characters away from the plot. Maybe Hawks could see some parallels between himself and Shoto as two young kids who were weapons for the sake of others because of their strong Quirks. Maybe Endeavor could talk about how much he had similar thoughts to Hawks, yet was always able to hold back in the end. You could give some more depth to their histories, like Hawk's life in the Hero Commission or who Endeavor was outside of hero work. And if nothing else, we need Endeavor's reaction to "One For All". The cornerstone of Endeavor's entire character was wanting to surpass All Might. After everything that happened over the past year for him, from becoming the Number One to finding out about Dabi, there should be something to him finding out just how truly futile that goal was this entire time. How much of his life was destroyed for less than nothing.

After that, there should be some external pushback and problems for them. Endeavor could be confronted by civilians and heroes, saying that they don't want to look at him and constantly throwing what Dabi did in his face. You could even have former heroes attack him, believing that someone like him does not deserve to be a hero and is simply a villain corrupting their role. Hawks could come across a scene where he finds a group of minor, but recognizable villains, like the Reservoir Dogs, all strung up on the streets. This could either be done by civilians or rogue heroes, finding Hawk's actions justifiable in killing villains, only exasperated by the extreme circumstances. How could those two possibly confront those circumstances? It'd give us some actual weight and consequence to their actions while fitting with the idea of how the actions of major heroes can trickle down into the rest of society.

vs Lady Nagant

This time around, Lady Nagant will bring Kai out of a sense of empathy for him given his condition, though she will hide it from All For One with the same excuse of thinking he'd be useful, which is technically true. Once she gets her mission, she will bring him along out of a need for information about Izuku. Not he knows what Izuku looks like, but because he knows about Izuku and how he fights. It could help explain why Lady Nagant is doing so well, aside from her simply being that good and give Kai more of a purpose. Instead of using "Fa Jin", just have Izuku uses the benefits of his other Quirks. Let him use his other powers and show off the benefits that "Black Whip", "Float", "Danger Sense", and "Smokescreen" provide for him. This provides a unique chance to have Izuku fight smarter and not harder.

And when the fight is over, don't make Lady Nagant the bomb. Make Overhaul the bomb. All For One could have attempted to take "Overhaul", but failed to do so since Kai's Quirk Factor is gone, which well say works that way for this rewrite, only to then sneak the bomb on him. Then you could have Lady Nagant make a move to save Izuku at the cost of herself. That still has the same kind of tragedy to it. The person he'd tried to save is dead or dying, depending on what Hori wants to do with him, and reigniting those heroic values in someone puts her in critical condition. Plus, I think if Hori wants to do any kind of redemption for Overhaul, people are going to want to see him suffer a little bit more for all the stuff he did to everyone in the Overhaul Arc. And skip All For One taunting Izuku, that simply wasn't needed.

After this fight, we are going to cut away from that part of the story. In order to get some breathing room for the rest of the characters, we need to push Izuku away from the spotlight for a little while. What's more is that gives the audience some tension and concern over what's happening with Izuku. Ideally, we start with Izuku and cut away once the Lady Nagant fight is over. It helps put us into Izuku's headspace some, focusing so much on everything that all the other characters feel so distant, only to cut back to them and feel the worry with them since we know how bad of a place Izuku is in. And could you imagine the reveal when we see Izuku and his monstrous vigilante look? Then, when that happens, we flashback to what Izuku has been doing before all of this happened. Plus, with UA, we could get a look at some of the other civilian reactions to what's been happening.

Back at UA

As for what this would be filled with, the first thing to come to mind would be Kirishima, Mina, and Momo. Look, I don't like how they handled Midnight's death. I think it was an incredibly cheap death, throwing a named character to the wolves to give the deaths on the hero's side some artificial weight without giving her any depth or connections outside of a side manga. But if you are going to kill her, at least do something with the characters it's supposed to affect. Have Mina bring up how much Midnight's classes meant to her, or have Momo think about some advice Midnight taught her. Sure, it's a retroactive fill-in for what should have been actual moments in the story, but it's better than nothing. Maybe let Aizawa come in and talk about her as well. Show us that the death of his friend and colleague of over a decade actually affected him and break down his walls some. Show us he is emotionally invested in someone other than Oboro, the Friendly Dust Cloud. You could even have it tie back into Aizawa's own experiences with Momo and how much they believe in her as a leader.

Then there are Iida and Uraraka. I swear, these two have been pushed so far to the back of the manga for what should be major supporting characters that it's insane. You could have Iida running around UA, trying to help everyone he can, wherever he can. It's all that Iida knows to do when he's stressed. It's all that's keeping him from trying to go against the school and looking for his friend. He needs to be here as the person who bears the name Ingenium, one of the oldest families in heroics, and the successor to his brother. Uraraka is helping as well, but clearly isn't as present. She keeps going back to everything with Toga and what she said. You could then have them both talk to each other, realizing how difficult it is to cope with all this, especially when their best friend is gone. It could play off the traits we know about them and set up stuff for later.

Finally, there is Bakugou. There is a lot that could be covered with him, though I do think that it would help a lot if he had a character to bounce off of. And while there could be a lot of characters to do that, I think that All Might would be the best option. Give the two another scene together, paralleling the one after the first fight between Izuku and Bakugou. With them together, they talk about what was going on with Bakugou and why he did what he did. It could do a lot to help build the bridge between everything that happened during the war and his apology to Deku. This could be where the card scene comes into play during Bakugou's death as well, or at least the set-up for it, like Bakugou holding the card in his hand before cutting away or him stifling his words. Once it's all done, All Might could be the one to spill the beans that they actually lost contact with Deku, prompting the class to want to go after him.

Viglinate Izuku

So with the Final War Arc, there are a lot of issues with society broguht up. Some of which are not as fleshed out as they could have been. Want to know what would help with that? Seeing it in action. We get a few montages of this, but I believe that it needs more time to convey how bad things have gotten. While Izuku is running around as a vigilante, he could be dealing with crisis situations that relate to all of the problems brought up throughout the season. Heck, the whole thing with the giant fox/shark lady is some of the most development we got for the Mutant Plotline in the story. Why not shore up some of the other issues with more evidence of that coming forward? The country degrades as all the nasty sides of society come up as the chapters go on. Izuku's goal of trying to understand only brings him more stress and heartache. Have him deal with something like Wash and Yo Shindo did. Carry over some of the issues that Endeavor and Hawks are dealing with. Have him let someone slide when they are committing survival crimes for their family.

Then we cut back to Izuku after the Lady Nagant fight and meet up with All Might after beating another assassin. He sees the damage done to Toshinori's windshield, realizing that he was attacked and nearly killed by more of All For One's goons. Before he can explain, Deku brings up Sir Nighteye and Gran Torino and how much he's learned from them, but that he's learned the most from All Might. He says that he doesn't need him as his mentor any more, implying that he's doing this so All Might doesn't die as well. After that, it's going to be more of Izuku trying to solve people's problems, and it's only going to get worse from here. It's going to be more difficult situations with less obvious answers, stressing Izuku out more and more, made even worse by the lack of self-care he has been doing.

The final point of this will be at the Hero Commission Building. You know that recording where Lady Nagant talked about everything she did? Well, that got out to the public somehow, maybe by All For One to sow more chaos and distrust. Now people want blood for everything that happened with Lady Nagant. Izuku wants to stop the rioters because there are still innocent people in that building, but the rioters aren't villains. They're civilians who have been hurt by the Commissions attempts to keep the peace. Then we come to the big dilemma: Izuku is stuck between protecting the epicenter of all the corruption in hero work and the people who have been hurt by them. A major moral conflict to punctuate everything Izuku has been dealing with.

It all comes to a head when the Commission demands he help, and the crowd accuses Izuku of not being a real hero. Just another goon of the Hero Commission. Izuku breaks and unleashes "Black Whip" to make a massive webby wall between the rioters and the building, telling the rioters to go home. This is when we get the reveal of the monstrous hero costume in all its glory. And the rioters are terrified, looking on in utter fear and running away. Before the Hero Commission has a chance to thank him, we see the cold eyes of the broken Izuku we see later before he leaves as well. Not only could this show the other dangers of Izuku not taking care of himself and taking on the burden, but his appearance only inspires fear in the people he wants to help, but it also works to punctuate everything that has happened thus far with the various problems.

Izuku vs Class 1-A

Before this fight starts, we are given a bit in the world of "One For All". This is where I would flesh out the vestiges some more and how they view things, something that would have been hinted at through their brief appearances in the rest of the arc. Like we have the Second User saying that what Izuku is doing is fine, but why not have something like the Fourth User saying they should hide while Nana tries to act as the voice of reason? When it comes to the Despot fight, I would add a few more high profile villains to the scene. In the manga, this doesn't feel like a situation that Izuku needed help with, which is the whole point of this scenario. It feels like there should have been more ways for him to deal with this given the tools he had, but he gave up because that's what Hori needed to happen. So between the massive number of civilians and the other villains making it all at risk to do anything, I think that would cement more how screwed Izuku is without other people around him.

And when the students show up, I would give some more time to them to show off their abilities some more. Something that can show both Izuku and the audience that they have grown some over the skip. Maybe show off some new techniques without making a big deal out of it or changing their costumes around to give them a new edge. And with more villains, it gives us more chances to see that. Once the fight is over, the students will then try to ask Izuku to come back. The fight will play out mostly the same, but I would add the bit about how "Danger Sense" doesn't detect certain entities as threats since the students are doing this to help him. I think it explains how they are doing so well in spite of Izuku having a power like that and makes the bit with Toga later seem like less of a contrivance.

After the fight, I would pass off the speech Bakugou gave about returning home to Iida. I think it just works better for him. As for the apology, while you could easily rewrite it, I think it would be better to keep it as is and then build off of it. Just because he's a better person now doesn't mean that he can say sorry and have everything be okay. I think we need some catharsis on Izuku's side and some atonement on Bakugou's part. Regardless, when Bakugou finally apologizes, Izuku isn't going to take it, at least not at first. You could say that's out of character for him, but between Bakugou's self-focused apology and how much Izuku has gone through in the past few chapters, I think you could justify it. This would give Izuku some time to talk about his own problems and how much suffering Bakugou put him through. Heck, a lot of Izuku's self-sacrificing mindset is because of Bakugou and that's what's killing him now.

Izuku is going to lay into Bakugou, verbally and potentially physically, as he tries to let out all of his emotions, as shown by "Black Whip" striking out and wrapping up around Izuku. He tells Bakugou to take everyone and go, saying that they aren't strong enough to keep up and are only going to get in the way. It's basically here to play up everything that Izuku had in his mind as a result of his role and insecurities. But because of the development he's gone through, that doesn't matter to Bakugou. He only wants to help Izuku and reach out to him. Before he acted on instinct, now he's reaching out with the express purpose of trying to save Izuku breaking through the "Black Whips" in order to make it to Izuku and remove his cowl. It's meant to reverse their relationship at the start of the series, both in their positions in dynamic as Bakugou is saving Izuku from something threatening to envelop his whole body.

Returning to UA

Once Izuku gets back, it will mostly be the same, only now the ensemble will be made up of the people who Izuku has helped so far in the arc. I would want a moment between him and Inko as well. Just something sweet and nice, like her using her Quirk to pull the cowl off him to see his face. After this, we'll get some breather chapters and spend more time on Izuku mentally recovering and slowly becoming more and more accepting of himself. How many? As many as we can get, frankly. Seriously, this is such an important time for Izuku and the rest of the cast that they're going to need all the time they can get. Now, while the other characters will play a role, it will fall more to Izuku to evaluate and heal. Like staying on his own some more before slowly coming back into the fold after a period of time.

As for any character interactions, there should certainly be a moment between Izuku and Uraraka. Uraraka stuck her neck out and poured her heart out in order to get him into UA. There should be at least be a thank you from him to her. Then some time with Shoto and Iida as well, with possibly each of them reflecting on their own arcs, like Shoto telling him to take his time with this or Iida saying that he always wanted to go out looking for Izuku since that's what he would do. Maybe would could squeeze in something with Aizawa as well. Who, maybe after scolding from, Aizawa tries to connect his own feelings with Izuku's predicament. How Aizawa kept trying to push himself so hard after Oboro's death and how that affected his life. And while he always wants Izuku to push himself, he never wants Izuku to end up like him.

There will be attempts by Bakugou to make things better, and there will be a notable change in how he acts around Izuku, acting more like equals rather than Bakugou barely tolerating him. However, Izuku is still working through it and makes it clear he isn't ready to truly accept him as a friend. Not only would this be more realistic, but it would also add some more tragedy to Bakugou's "death", making it seem like he died without ever making proper amends to Izuku. And if we go with the idea that the "One For All" visages are less helpful and more confrontational, then maybe we could have a scene with him confronting the vestiges as well. You could have Izuku tearing off the black covering around his body and fully speaking his mind, making it clear that he is certain of how he wants to be a hero and how things have changed since they were around.

Then there is Mirio. Not only would this give us some time to catch up with Mirio, someone who we have barely gotten to see outside of a fight scene since he got his power back, but it would also finish up the comparisons between the two. Now that "One For All" is out in the open, we could settle Izuku's doubts on whether or not he was the right heir. Maybe Mirio could say something about how it was a blessing Izuku got it instead of him because now there are two great heroes, or that him taking it on would have been pointless since it would have only killed him before he had the real chance to be a hero. Maybe even throw something with Eri in here as well. Just something that confirms that, no, Izuku's being chosen was never a mistake and helps on his journey to self-worth.

Finally, I really want there to be a moment with Toshinori and Izuku. The two people who would be most affected by this situation and understand each other the most. This would be a follow-up to the confrontation Toshinori had with Stain. Toshinori simply being there and helping the students is more than enough. He needs to assure Izuku that he is proud of who he is and that he never once doubted his decision. It would be a genuine moment between the two. Not as the Eighth and Ninth Users of "One For All", not as the once or future Pillars of Society, but as Izuku Midoriya and Toshinori Yagi. A fine young man with a good heart, and an old man who did well in rebuilding his life. It would be a good punctuation to both Izuku's journey to rediscovering his own personal worth and Toshinori figuring out how to live a life outside of All Might.

#My Hero Academia #Quirks #Midoriya Izuku #Deku #Toshinori Yagi #All Might #One For All #All For One #Kaina Tsutsumi #Lady Nagant #Kai Chisaki #Overhaul #Katsuki Bakugou #Ochako Uraraka #Uraravity #Iida Tenya #Enji Todoroki #Endeavor #Keigo Takami #Hawks #MHA Meta #MHA Theory

[jeannereames]

In some of your posts, you've said we can't believe the speeches in the original sources like Plutarch and Arrian. And I get it, that they wouldn't have ways to record exactly what people said, but wouldn't they try to get it at least close? Didn't orators publish their speeches, so they'd know what they said? Demosthenes published speeches about Philip, I know. And wouldn't readers back then get angry if they realized the writers were just making things up?

When it comes to ancient texts, particularly ancient historical texts, speeches, dialogue, and letters are especially problematic. Why? Authenticity.

As the asker indicated, a lack of recordings automatically problematizes this. But their memories were generally better. The real issue centers on ancient ideas of WHAT HISTORY WAS FOR.

Ancient historians were writing to entertain, as well as to educate, and promote their notions of how the past should be understood, often to school people in their present. “Cautionary tales,” if you will. Or models to emulate. When they do say where they got their information (frustratingly rarely), it’s as much to show off their education/how well-read they are, rather than to assure their readers they know what they’re talking about.

It’s critical to understand that ancient history was akin to modern creative nonfiction. I don’t say that to diss creative nonfiction (says the historian who also writes historical fiction). But it’s crucial to recognize it was nothing like modern academic history with footnotes, peer reviews, and fact-checks.*

In terms of preserved speeches (or orations), we have two types. The first (often forensic) were published after the fact by the orator himself.** Those are indeed their words, but their edited words. Unlike now, ancient speeches were typically composed aloud, not in writing. But at least speeches published by the orator are authentically their ideas, if not, perhaps, what was actually said (in court, the assembly, etc.). Nobody is putting words in their mouth.

By contrast, the orations and dialogue in our histories are the creations of the authors of those histories. Why goes back to the first (Greek) historians: Herodotos and Thucydides (and Xenophon). They set a pattern that later generations deliberately followed. All put speeches into the mouths of their major players. This is called oratio recta (direct speech), or what we’d call a quotation. Another form is oratio obliqua (indirect speech), or what we’d call a summary or a paraphrase. In general, the use of the former characterizes the Greek historians, while Roman historians preferred the latter. (There are any number of exceptions, however.)

Incidentally, these writers didn’t lie about it. Their readers/listeners realized it highly unlikely Herodotos knew what Darius or Xerxes said back in Susa or in the Persian camp, but they were there for the drama. Thucydides even admits (1.22.1) he has no clue what was said in the speeches he records from the Peloponnesian War, but he wrote what he thinks would have been proper for the situation.

Why make it up?

Orations were entertainment.

Just as modern fiction authors craft a story to forward themes and motifs, so also with ancient authors. When an author writes out a speech, PAY ATTENTION. It usually contains key points.

In our modern world with lowered attention spans, we can forget that people might listen to orations (especially longer ones) for fun.

Yet this is extraordinarily recent. For as long as we’ve been human, we’ve gathered to hear good storytellers and be inspired by good speakers. Sometimes the art of rhetoric is equated with intentional lying. That’s cynically silly. The art of rhetoric just means getting across your point clearly, and powerfully. A goodly chunk of Barack Obama’s appeal was his fine rhetoric. Ironically (and like it or not), the same can be said of Trump; the Maga crowd adores his word-salad “oration” style. Similarly, in some religious traditions, “good preachin’” is considered essential to good pastoring. And monologues, whether comedic, newsy, or folksy can develop cult followings, as The Rachel Maddow Show proves, or Stephen Colbert, or the much earlier “News from Lake Wobegon” from Prairie Home Companion (Garrison Keillor). You can probably name another half-dozen without breaking a sweat.

Because the oration was a form of entertainment in antiquity, many ancient authors sought to prove their own creative brilliance by writing speeches. That’s why you should never, ever, ever assume a verbatim speech in ANY Classical Greek or Roman text is what the speaker actually said. If you’re lucky, it may at least represent the gist. But it also might not. Dialogue is similar. They make it up.

With letters, one might think at least they could copy it—no need to remember. Like orations, letters were sometimes published by one of the authors, for posterity. (The letters of Cicero, or the Younger Pliny are good examples.) Yet the same principle applies. Letters were a way for an historian to display creative chops so “tweaked” letters were not uncommon, even if based on an original. And sometimes letters were invented whole-cloth, at need.

Yet there’s another issue with letters that moderns aren’t aware of: accidental forgeries.

How can a forgery be accidental?

It’s a rhetorical-school lesson that “escaped.”

A popular assignment for students was to write a letter (or oration) “in the style of ___ famous person,” or “as if from the point-of-view of ___ famous person.” Lessons weren’t just to learn how to turn a phrase, but also to instill proper morals. So, for instance, some ancient schoolboy’s essay prompt might be: “Illustrate pistos/fides (loyalty) in a letter from Alexander to his mother, Olympias.” To get a good grade, he had to show he knew something about Alexander, about proper pistos/fides, as well as how to write like a king.⸸

Some of these letters got confused later with the real thing. Remember, record-keeping was rather haphazard.

So…recorded speeches, dialogue, and letters in our ancient histories should be regarded much the same as you’d regard such in modern creative non-fiction: dramatization to increase reader interest.

——————————————-

* This isn’t to say ancient historians never critiqued each other; they most certainly did. Sometimes quite brutally—and from the beginning. Thucydides is our the second surviving Greek historian and he begins his history by, in his very first chapter, including an oblique criticism of Herodotos, who invented the discipline!

** Male gender used on purpose. Greek women weren’t allowed to make public speeches, and Hortensia was considered a weirdo who pissed off the Second Triumvirate. She certainly gave a speech, but Appian put words in her mouth—like most ancient writers.

⸸ Ironically, I do something very similar in my own classes on Alexander. We put him on trial for war crimes, and students write either as Alexander in his own defense, or as the prosecutor, whoever that might be (Demosthenes, the King of Tyre, a Persian noble, etc.). They must write their speech demonstrating the morals of the ancient world, not the modern, using the primary sources. To get a feel for it, they must read a couple Greek forensic speeches too, in order to understand how to properly frame their arguments. This allows them “to get into the heads” of the ancients themselves. It’s not only more fun, but more effective as a learning tool, imo.

#asks #ancient literature #speeches in ancient literature #letters in ancient literature #historiography #Classics #Greek historians #Roman historians #ancient history #tagamemnon

[utilitycaster]

1/4 I want to preface this by saying that I'm not looking to convince you, nor do I expect you to agree. In fact, I'd like to hear a counterargument from somebody who is happy with how TLoVM adapted Vex and why the changes related to her character were good/necessary for the adaptation, bc as far as I see it right now, it easily could've been more faithful without additional screen time or significant changes made to TLoVM's story structure. So, what do you think of the criticism that her

2/4 backstory with Trinket is diluted by making her needing to be saved by Vax, him being the one to kill Trinket's mother and Vex reduced to just being helpless and then motherly afterwards. It takes what was originally a story about survival of a woman in terrible conditions and doing something kind along the way for someone else and turns it into motherly damsel in distress. The important character choice that she never even tells Vax (or anyone) how she got Trinket is also lost this way.

3/4 "Unproven ally, selfish and cruel" being cut from Saundor's speech when it affected her just as much, if not more so than "unwanted daughter". His words haunt her for over a dozen episodes later and she's worried she made the wrong choice during the fight by refusing his offer. It troubles her thinking that he was right and that she's endangering those she loves most, the family that she's chosen, and it's simply cut and reduced to her daddy issues. Her self-worth only revolves around the

4/4 men in her life. Her death isn't about her, only about how it affects Percy and Vax. Percy never apologizes to her for getting her killed, but he apologizes to Vax twice. She's never her own person with agency outside the men in her life, just a sister, just a love interest, just a daughter.

-----

I am going to answer this below. Against my better judgement I have included your four part ask in its entirety but for future reference, I would advise that if you wish to hear someone’s opinion, that’s fine, but it is better to ask it concisely rather than doing the equivalent of nailing a somewhat less antisemitic* 95 Theses to someone’s metaphorical door. Had you asked your original anon question as “I am not enjoying Vex’s plot in TLOVM- it feels very centered on the men in her life in a way I don’t recall it being in Campaign 1. You seem to be enjoying it, so could you tell me what you liked” this would be a much different and far more pleasant conversation.

Also I should note that you called me dumb and gullible in your ask this morning. And that’s fine, because I don’t know who you are or value any of your opinions, but it does make me disinclined to treat you with anything but bemused contempt, and indeed, I will do that.

Finally: gender and pronouns are not strictly connected and if you are a he/him lesbian or similar I redact this statement (though none of the others). But, if you are a indeed a man, as a woman being asked to give my opinion after you tell me yours, at length, which I did not ask for and indeed indicated that I hated it yet you reproduced it in full for a second time in my inbox, the irony of you handwringing that Vex (fictional woman)’s plot isn’t very Spice Girls Girl Power of them while insulting and making demands of me (actual human woman who exists and who’s already hinted extensively to the point of outright saying that I’m getting pissed off) is not lost.

*this post is not antisemitic other than the fact that I’m Jewish and I find it annoying. Do not cancel OP for antisemitism; I am making a joke.

Anyway. If you were looking for a good counterargument, and had the research skills my high school librarian taught, you might have come across this article which is a very good discussion of Vex’s arc, and I recommend you read it.

For my take, please see below the cut.

Here’s the thing about Vex. Her main relationships are with men. She is frequently bitchy, at times bordering on bullying, towards Keyleth - and it’s at its peak during the early Conclave Arc. She gets along well with Pike, but Pike is frequently absent during the campaign, and more importantly, friends are not going to reach the level of “twin brother who has literally been the only person by her side for much of her life and her sole confidant early in the campaign” and “man she’s deeply in love with and will one day marry." Her issues, meanwhile, are because her father treated her as less-than, and so she tried to become cold and perfect and powerful to ensure that never happened. Her story is extremely about how her personality is shaped by her relationships with men. It is dismissive of that story to claim otherwise. (And, for what it's worth, this is a very real story that many women can relate to and which frequently gets criticized in fantasy by people with a poor understanding of both women and genre, my two true passions, but that's a separate post.)

As for the Trinket story specifically, the fact that Vax helps rescue her is not the central part of the story; the central part of that story is her rescuing Trinket, and perhaps seeing herself in that motherless bear, which is maintained in the adaptation. We see Vex’s self-sufficiency elsewhere, in the “do not go far from me” sequence; but more importantly it’s not a “dilution” to have her need help to be rescued from a camp and then immediately rescue someone else. It’s in fact a fairly smart echo of the lesson Vex ultimately strives to learn, that it’s not weak to need or indeed ask for help. The fact that you see this as “motherly damsel in distress” says far more about how you see even the slightest hint of a teenage girl needing help as automatic damsel territory than it says about Vex’s depiction.

“Unproven ally, selfish and cruel” is something I’ve always considered to be specific to the broom incident. How is she an unproven ally in the series? This would require a setup that simply does not exist. Saundor’s words instead focus on what is ultimately the crux of their conversation; Vex’s possessiveness and her need for approval. He is intended as a dark mirror, of someone who never got the love they craved and so became a source of poison for everything around them. Saundor says quite a lot of words in their talk in Campaign 1, and as far as I can recall there’s no indication that those five you quoted are the specific ones that upset her rather than his whole “we’re not so different, you and I” (and the “unwanted daughter”, which, you know, he leads with) deal. He still hits those main points, and, in a hilariously unintentional pun, it seems that you cannot see the forest for the tree.

And as for her death: her death was always primarily about how it affected Vax and Percy, at least in the immediate aftermath. We see some of her recklessness, and some of the positives as well - how she responds to Keyleth and Vax’s relationship - in the show, but perhaps the single most defining moment of the entire Vox Machina campaign is in fact Vax making his offer to the Raven Queen, which he does because Vex dies. It is, in fact, relatively rare under any circumstances that someone’s death isn’t about their nearest and dearest’s responses. The Percy and Vax conversation is not only quite similar to the one they had in the campaign; we actually left off the part where Vex’s immediate response after her own death was to make Keyleth cry in order to understand why Vax was being weird, and then comfort Vax and give him the armor. With all due respect, how the fuck did you miss that Vex’s death in the Sunken Tomb was always almost entirely about Vax. I mean, I can't stand when people make Vex's life post-campaign about Vax's death, but Vax's life was in fact shaped almost entirely by Vex's death.

I don’t see any lack of agency, either. Vex is still making her own choices in the Feywild - in fact, rather than backed up by Vox Machina, she is alone for the Saundor fight while the others fight off his lesser tree goons, and she makes the kill despite her bow being broken, using nothing but her determination and wit. I am truly sorry for you that you apparently see this as nothing but love interest material, and that in general you seem to see a story that is about someone learning how to let herself rely on others and say “damn, that bitch seems to be relying too much on others.”

Anyway, in conclusion, what I think of the criticism presented in the posing of this question is that it relies on an analysis that one could perhaps magnanimously call “flat and superficial, but also demonstrating little to no understanding of the character’s arc in either the source nor adaptation.”

#answered #megalvrubikon #tlovm spoilers #cr tag #long post

[bilbobagginsomebabez]

Hi! I’ve been following your blog for a bit and I’m wondering if you or anyone else could help me with an idea I have. I’m graduating from college in about a month (mid-May 2024) and I was thinking of using the opportunity (large-ish crowd, lots of cameras, important/official school event) to decorate the top of my graduation cap with something in support of ceasefire, peace/liberation, and an end to U.S. support of the Israeli government’s violence. My current/best idea so far is to have simple, black-and-white text reading “CEASEFIRE NOW” and maybe a little dove holding a branch that is green, red, and black. I understand that some people who are also disgusted with this violence (genocide) find problems with the call for “ceasefire now” but I don’t know what else to write—I want to make sure that the design is clear, succinct, and easy to read/see. I’ve thought about adding a small border of text around the edge of the cap, to say something like “END GENOCIDE” and “END U.S.-BACKED VIOLENCE” but I worry that would make the design too busy.

Is this a good design? Good text? Should I take a different approach? Any ideas would be greatly appreciated! Thank you and I hope you have a nice day :)

i'm guessing the ceasefire thing is related to "not a war -- an occupation" rhetoric, but i would not worry about that. very different groups there with very different considerations; effective rhetoric amongst online leftists is not effective rhetoric during an american graduation ceremony. tune your language to your audience and what they'll understand. a ceasefire is the next most immediate step to saving palestinian lives and is commonly understood language. it's fine.

as for the design, i'd pick either "END THE GENOCIDE" or "CEASEFIRE NOW" with a fact or two. kind of like this:

^this is ugly. don't use this. but be bold with what it says. its purpose is to make a strong point fast.

i don't mean for this to be patronizing at all, i just don't know where your experience level is regarding political action online vs in real life, where you live, your comfort with public speaking, etc. i'd like to warn you because sometimes people are surprised by it, but people may approach you about this. they may not choose to talk to their family about it later or post about it on social media or google it. the point of doing this publicly at a large event where it is unavoidable that people see it is to cause a reaction and to control the structure of the conversation that follows. their starting point is the one you chose. if you haven't spoken about or heard others speak about palestine in your community, don't underestimate how contentious this topic may be. someone may argue with you or even attempt to berate you. when making a public statement of your beliefs in this manner, you are inviting public discussion by starting a public discussion. an open-entry public discussion, where not everyone who enters will be well-mannered.

if you are approached, this is a limited contact type of activism; quick and dirty. the goal is to get them curious and questioning and hopefully refer them to stronger and more detailed sources. for this purpose, stronger and more detailed sources can be easy and digestible like a good social media account or youtube video. do NOT get bogged down in the details. do NOT dissect the whole history of the area. it is sufficient to address recent violence, it is not your job to cover the entire issue from start to finish, and you couldn't if you tried anyway.

i would operate on an assumption of good faith but prepare for bad faith attempts to debate. don't necessarily use terminology to determine good faith from bad faith. assume ignorance instead of malice where possible, and be prepared to control your temper if you have one. get your facts straight, and consider keeping a little notecard with talking points or specific numbers like you might for a speech class. a note on your phone. an album of screenshots. some sort of reference that you feel confident using.

though to be honest, the more likely result is a drawn out argument with a conservative family member at dinner. which is also important, if wildly unpleasant.

either way, be ready to talk about it, be ready to explain it, and be ready to challenge people you know directly and staunchly.

good luck!

this may be a useful quick and dirty talking point to sidestep antisemitism accusations: "Ethnostates are bad no matter which ethnicity is in charge. We know this. If you're confused: it's 2023. There are people everywhere. There is nowhere to establish an ethnostate where you will not have to forcibly remove people who already live there, which called ethnic cleansing. which is known under international law as genocide. Ethnostates are always bad."

[starmonsterrr]

Introducing: Undertale self-insert #102480124 • (Update 2.02 - Miscellaneous changes)

HELLO PEOPLE

I may have disappeared for a maybe long while

And that is because of 3 reasons:

Ink appreciation server

running @ink-simp-shenanigans (surprise surprise it's me)

And school just started a week ago (which is more recent but i guess that may have added)

Except there is a 4th one and that is,,,,,,, I MAY have been working on a little Undertale AU,,,,, and then made an OC out of it,,,,

The AU will get it's own post and i'll reveal as much info as needed at the moment to explain who even is this new character that will be one of my faces on this blog (because i'm gonna have 2 OCs representing me. yeah- second one's design is still W.I.P (nevermind this is future me i finished the design but i might make a separate post for it))

And HERE IT COMES

A FURRY. What's cringier (affectionate /gen) than an Undertale self-insert in mid 2023? A FURRY Undertale self-insert that can shapeshift (WOW OP WHAT A MARY SUE) and exists for SELFSHIPPING

YEAH

THAT'S IT

TH- THAT'S THE CREATURE

And speaking of selfshipping if you scroll in my blog for a bit you might notice that i very much like Ink

and also reminder that I run a blog that has the purpose of feeding Ink simps

So uh I think you get what i'm trying to say

what the flop is a star-born monster????

It might take me a little while (or until i get asks about it) for me to open up about the selfship shenanigans, but meanwhile, here are some bits of explanations and stuff!

which AU is this menace from?

OuterRenaissance. It's still being fleshed out (asks would help a lot), and I plan to later on make an outcode expanded version, and even have some basic stuff for that version. But in simple words it's Outertale but in addition of the space themes, i added themes of the Renaissance historical period, as it brought great advances to science; including astronomy!

I have a post explaining exactly this!

And here's some trivia to finish this off!

(also, Io can shapeshift out of this appearance because shapeshifting powers)

Backstory???

Its AU died (destroyed by Error), and it almost did too, but i possessed it and fused my soul over time with its own using my creator powers and it is now technically a walking corpse puppeteered by me so I can interact with the UTMV, while also forcing it to change its form into the Doppelganger form; giving it the ability to, well, shapeshift. Also ink snas selfship shenanigans i haven't properly written yet (yooo two walking corpses that love eachother!!!!!1!!!1). that's the fewest words i can put it in

IS THAT A 'THE STARRY NIGHT' REFERENCE???

Yes. Yes it is. and fun fact: the ship between Io and Ink is named exactly that. The Starry Night. how clever of me, i should get a prize

Does it have a personality?

Yup. I just don't know how to describe personalities, but here's an attempt at that.

Io is a passionate artist, but struggles with some degree of perfectionism driven by the pride of its art skills which are, by far, its best ability. It also tends to be (sometimes dangerously) kind-hearted at others. It might act one of two ways in social spaces: kind of awkward, not talking much, OR ABSOLUTE MENACE as in SUPER SILLY. No in-between.

Also, it is a quick learner, and could be considered quite intelligent. Thing is ... It carried over speech from the Renaissance time period and is still adapting to modern words. A bit of an overthinker too, which can lead to communication issues, and tends to plan elaborate strategies to perform the simplest of things...sometimes not even following them.

Pronouns/gender identity?

Io, like me, goes by it/its pronouns and identifies as non-binary! (Subject to change as I occasionally explore my gender identity)

Io, due to being puppeteered by me; a Creator, also has the powers of one, but either doesn't use the powers at all or uses them in subtle ways to try and steer things to its/my favour. It may sometimes disguise it as "art magic" shown in these doodles i made a bit ago:

also. autism. i'm autistic and because i take control of this critter i'm dragging it into the spectrum.

And I think that's everything that comes to mind right now! Thank you for listening to this bunch of rambling that i did not beta read prior to posting.

#cringe warning: undertale (multiverse) self insert made for self-shipping and also potentially a mary sue #Also reminder that the block button exists #i don't care about cringe anymore #just wanna have fun #corv rambles about lore #corv's OCs #one mention of OuterRenaissance so like #because it's like one or two mentions i'm not really tagging it as an Undertale AU #undertale au #i lied #Corv's OuterRenaissance mentions #Corv's OuterRenaissance #undertale au oc #undertale oc #utmv oc #original character #oc

[mariacallous]

On February 6th, Tucker Carlson spent more than two hours interviewing Vladimir Putin. The interview later aired, in a version dubbed by what would appear to be Kremlin-provided translators, on Carlson’s Web site, one of Russia’s main state television channels, and the Kremlin Web site.

What Tucker Carlson Saw When He Interviewed Vladimir Putin

More than anything else, Carlson seemed surprised: by the fact that he got to interview Putin in the Kremlin and even film himself sharing some post-interview impressions in a room full of lacquer and gold leaf; by what Putin said during the interview; and by the man himself. Putin used the interview to deliver a lengthy lecture on the history of the Russian Empire, the Soviet Union, and its aftermath, meant to convince viewers that Ukraine never had a right to exist. When he was done with the lecture, he segued into a litany of grievances against the West, where several generations of Presidents, Prime Ministers, and Secretaries of State have, according to Putin, let him down or ghosted him. After the interview, an incredulous Carlson held up a gray cardboard folder with a little rope tie: Putin had given him copies of documents to back up his historical claims. Carlson hadn’t opened it yet. “I thought he was filibustering,” he said, still apparently reeling from the history lesson. “But I concluded after watching all this, no, that was the predicate to his answer: the history of the area and the formation of this country and the connection to Ukraine is part of the basis for his Ukraine policy.”

The content of Putin’s conversation with Carlson was barely distinguishable from the content of Putin’s rare speeches and so-called press conferences and hotlines—annual hours-long, highly orchestrated television productions. Putin’s obsession with history is genuine, as is his belief in a narrative that justifies, indeed makes inevitable, Russia’s war against Ukraine. That Carlson was surprised suggests that he either didn’t watch Putin’s earlier appearances in preparation for the interview, or that, despite copious evidence to the contrary, he imagined that Putin the man would match Putin the role: a dictator whose opponents get killed and jailed and who invades neighboring countries ought to be larger than life, terrifying in person, and certainly not boring.

Carlson emerged from the interview shaking his head. “Russia is not an expansionist power,” he said. “You’d have to be an idiot to think that.” Actually, you might look at the evidence—the invasion and de-facto control over about a fifth of Georgia in 2008, the annexation of Crimea in 2014, the continued occupation of about a fifth of Ukraine and the ongoing offensive there—to conclude that Russia is an expansionist power. During the interview, Putin gave every indication that he thinks of former imperial possessions as still rightfully Russia’s. That would include not only former Soviet republics but also Finland and Poland. “The professional liars in Washington . . . are trying to convince you that this guy is Hitler, that he is trying to take the Sudetenland, or something,” Carlson continued. “Not analogous in any way!” In fact, Putin had clearly, and more explicitly than ever before, channelled Hitler during the interview. This is what a tyrant looks like: small, and full of tedious resentments.

What Putin Saw When He Was Interviewed by Tucker Carlson

Here was an easy mark. Carlson meekly tried to interrupt Putin a couple of times, to ask a question he seemed stuck on: Why hadn’t all this history and these territorial issues come up when Putin first became President, in 2000? It was an ill-informed question—Putin has trafficked in historical revisionism from the start and became increasingly obsessed with Ukraine after the Orange Revolution, in 2004—and an easy one for Putin to ignore. It seemed to show that Carlson was less well briefed than Putin, who dropped biographical trivia about Calrson into the conversation, a trademark intimidation tactic of a K.G.B. agent. He mentioned, for example, that Carlson had unsuccessfully tried to join the C.I.A.

Carlson didn’t interrupt or challenge Putin on the many—too many to count—occasions when Putin told falsehoods about the history of Ukraine, the dissolution of the Soviet Union, the relationship between Russia and NATO, probably his conversations with former U.S. leaders, and, perhaps most egregiously of all, the Russian Army’s withdrawal from the suburbs of Kyiv after a month of invasion in 2022. Putin claimed that this was a gesture of good will aimed at achieving a speedy negotiated peace; in fact, it was a military defeat. This would also have been a good moment for Carlson to ask Putin about the well-documented war crimes Russian soldiers allegedly committed during that month of occupation. He passed up this opportunity.

Most important from Putin’s point of view, Carlson seemed to share two of his basic assumptions: that the war in Ukraine is a proxy war with the United States and that any negotiations will take place between the Kremlin and the White House, presumably without involving Kyiv. Carlson even nudged Putin to call President Biden and say “Let’s work this out.” To which Putin responded that the message Russia wishes to convey to the U.S. is “Stop supplying weapons. It will be over within a few weeks.”

What Russian Television Viewers Saw

Putin has reprised his history lecture many times. It seems likely that most Russians who watched the entire interview did so out of professional obligation—their job, as propagandists or political appointees, is to amplify and affirm the leader’s message. Ordinary Russians probably watched only outtakes and commentary. What they saw was that something momentous had happened: one of the most popular journalists in America came to interview Putin and looked like a deer in headlights. Channel One stressed both Carlson’s popularity and Americans’ evident interest in what Putin had to say. Carlson’s promotional video in advance of the interview itself had been watched more than a hundred million times! Russians see Carlson, not unreasonably, as a representative of a future Trump Administration, a preview of the coming America in which the liberals who support Ukraine are finally displaced.

What Tucker Carlson’s Viewers Saw

It’s hard to imagine an American viewer who would make it past the first ten minutes of Putin’s monotonous history lecture. (In the interview, Putin called it one of his “dialogues,” betraying either his ignorance or his idea of what constitutes a dialogue; the Kremlin translated “dialogues” as “my long speeches.”) The translator or translators generally cleaned up Putin’s prose, smoothing out passages that, in Russian, made no sense. For example, responding to Carlson’s question about a possible invasion of Poland, Putin said, in Russian, “Because we don’t have any interests in Poland nor in Lithuania—nowhere. What do we need it for? We just don’t have any interests. Only threats.” The translator rendered it as, “Because we have no interest in Poland, Latvia or anywhere else. Why would we do that? We simply don’t have any interest. It’s just threat mongering.”

In another exchange, the translator took liberties to make Carlson appear more dignified. When Carlson asked Putin about his obsession with fighting Nazism eighty years after Hitler’s death, the President said, in Russian, “Your question seems subtle but is very disgusting.” In English, though, Putin appeared to be praising Carlson’s question as “subtle” while Carlson himself, according to the transcript, called the question “quite pesky”— the words were actually spoken by Putin’s translator. However obscure the subject of Putin’s discursive exercise was, the genre probably looked recognizable to Americans. This was a conversation between an older man who has read a history book and fancies himself an expert and his eager nephew, who is trying to feign knowledge in a subject he failed in college. Except one of these guys reaches millions of viewers and the other has nuclear weapons.

What I Saw

I can’t get one passage out of my mind. In the history-lecture portion of the interview, when Putin got to 1939, he said, “Poland coöperated with Germany, but then it refused to comply with Hitler’s demands. . . . By not ceding the Danzig Corridor to Hitler, Poles forced him, they overplayed their hand and they forced Hitler to start the Second World War by attacking Poland.” (This is my translation.) The idea that the victim of the attack serves as its instigator by forcing the hand of the aggressor is central to all of Putin’s explanations for Russia’s war in Ukraine. To my knowledge, though, this was the first time he described Hitler’s aggression in the same terms.

Putin has reproduced Hitler’s rhetoric before. Ten years ago, announcing the annexation of Crimea, he seemed to borrow from Hitler’s speech on the annexation of Sudetenland. At the time, I assumed that the language had come from a speechwriter who knew what they were doing while Putin may not have. But the way Putin described the beginning of the Second World War in his interview with Carlson suggests that, although he keeps accusing Ukraine of fostering Nazism, in his mind he might see himself as Hitler, but perhaps a wilier one, one who can make inroads into the United States and create an alliance with its presumed future President.

It’s telling, too, that Putin took the time to accuse Poland of both allying with Nazi Germany and inciting Hitler’s aggression. As he has done with Ukraine in the past, he is positioning Poland as an heir to Nazism. He mentioned Poland more than thirty times in his conversation with Tucker. If I were Poland, I’d be scared.