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alzirrx · 1 year

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So apparently I’m the only person that actually liked the Tyler/Wednesday dynamic, despite a couple things, so I’m about to make an entirely uncalled for essay defending them because I became very emotionally attached in the one night I spent watching this show

To start, I liked how awkward Tyler’s character was right off the bat, because I feel like you don’t see that kind of character type as love interests in much media. A lot of the time it’s overshadowed for the Golden Retriever or Angsty Brooding Type™, and it was really refreshing seeing a different archetype as a love interest. The way him and Wednesday coupled together was always kind of awkward and uncertain, but it felt kinda more real that way considering that’s how a lot of high school romances start out. I really loved the idea of a kind of “baby hold my flower” dynamic between the two, crazy obsessive outcast gf/laid-back supportive normie bf who makes posters to cheer her on during her rampages

On the flip side, once the reveal happened there was so much potential. I wanted his redemption so bad. I wanted him to go back to how he was, while also letting loose more on his more angry feral side while also getting a scene where he got to be redeemed. I was waiting for him to turn to their side any minute, with a speech afterwards about how yes his actions were bad, and while they weren’t his choice persay he just might have enjoyed them, but that doesn’t mean he never liked her! That was all him! Because in all honesty I liked his sweet and caring side contrasted with her cold unfeeling demeanor, although I do see many arguments being made in favor of the serial killer/serial killer stopper dynamic which could be explored

And in terms of canon: the date was adorable, well thought out and showed he actually knew her (like how a scary movie wouldn’t actually scare her: a chick flick would), the way he liked her dancing at the Rave’N, how he always brought her quads, the birthday cake + coffee, all the little sweet gestures of his

(I know that’s only the things he did- but this post is more about him than Wednesday)

I’m fairness, the “I thought you were sending signals” bit felt a little out of left field since she acted the same the whole time, but I’ve learned from experience that if you like someone and you hope they like you back, you can basically turn anything they do at all into a signal

All I’m saying is, ship what you want, but I feel that they worked a lot better than some people give them credit for, and if he hadn’t have been the Hyde they would’ve been really good together, and they still could be

TL;DR, Wednesday x Tyler worked and would also have worked better under different circumstances

#wednesday #wednesday x tyler #wednesday addams #tyler galpin #wednesday netflix

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cer-rata · 17 days

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An incomplete but very angry diatribe about the missed potential of the Star Sapphires

So back in the day Geoff Johns and co decided to open up the Green Lantern mythos and add some more flavor and expand the concept of sci-fi tech powered by elemental emotion to more than just willpower. Which yes, is not an emotion, we ignore it and move on.

Anyway we got some really cool stuff! A rage tyrant fueled by experiencing incredible injustice on a personal and cosmic scale, whose vendetta twisted him into something terrible. An avatar of greed who was never allowed to have anything, not freedom, not family, not safety, who takes and takes and takes to fill a void that can never be satisfied. A priest who lost everything but presses on through his unshakable hope that the future can and will be better. It's a lot of fun stuff!

So in this great creative re-imagining, they had to do something clever and fun with the idea of an all female corps powered by love right? They took the opportunity to move past the purely romantic, sexual idea of love and the obsessed femme fatale archetype, because they had the chance to really explore different types of affection now that there were a bunch of different avatars with different stories to pull from right?

Right?

Nope! The only Sapphires we ever learn about are heartbroken over a cursed romance like Carol, grieving a dead fiance like Miri Riam, forcibly mind controlled to be one like Fatality, or just Miss Bloss who...kind of said she wanted to join up? No clue what her deal is, as far as I'm aware that's never really explained. And then we just never learn about anyone else, and still haven't. The hell is "The Lost Sapphire"? No idea, we'll likely never know.

It's frustrating because not only is this a glaring example of the depth of plotlines offered to women in comics compared to their male counterparts, but also a wild lack of imagination. Love is one of the most complicated emotions we experience. Fear, anger, hope, all pretty easy to quickly define. Love is multifaceted, cultural, incredibly contextual and a factor in so many different kinds of relationship. Just thinking logically it should be much easier to flesh out the motivations of a group pulling from such a nuanced source of power, versus something as clear-cut as rage. But no, the red lanterns got so many varied reasons for their rage, the male ones especially: Bleez being the woman was of course given the SA narrative, which I don't think is inappropriate on its own, that's an incredibly valid reason to be angry, but as the ONLY truly prominent female Red Lantern it's like...c'mon guys. But still, at least she and Atrocitus had different reasons for becoming what they are, and that variation was played for plot and drama.

But there's not a single Star Sapphire that personally champions something other than romantic love. And before you shoot me, it is explicitly mentioned that they DO protect other forms of love, so there's no reason for them to all be sexy and obsessed with kissing people. There are no Sapphires that are driven by:

The love of their children and families, even in a tragic sense, like Atrocitus and Saint Walker and Larfleez are...

Their love of their people, or their culture. It would have been interesting if Fatality was inducted BECAUSE of her pain at losing her world, but no, they just...replaced her anger with lovey vibes and called it a day.

Their love for nature. Not everyone is social, but social love isn't the only way to strongly experience the emotion.

Their love for themselves. Where is the fun narcissistic ass who loves their own self image to the point of getting powers? It would have been a fun twist and a cool way to get another villainous Sapphire if you wanted to.

Their platonic love of ANYTHING really. Are ace/aro people just...not capable of love then? It doesn't mean anything to be willing to drive cross country to help a friend move just because they needed it and you care? No? You need to be fucking for it to count?

It's like...fascinating if you really think about it. In this vast fantasy universe full of alien races with wildly different perceptions and life cycles, and where the other corps have plenty of non-human, truly alien looking members, that the women's only love corps is full of only hot hot scantily clad baddies. Most love that people experience in their lives isn't even romantic! You will have far more experiences with friends and family members and even loving strangers than you will have with romantic partners.

Like the reason is clearly sexism, duh, but we know sexism is bad, that's obvious, what I really want to make clear is how much this blatant, unexplored sexism just completely desecrated the potential of the worldbuilding here.

From another angle even: Let's say this this WAS the sex and romance all the time corps. Let's say that you wanted to keep it all women. I hate the idea that women are capable of love in a way that men aren't, that's such a bad take and just regressive and unhelpful, but let's just play ball for a moment. They're not even hot? Their designs are such ridiculously narrow versions of feminine attractiveness that they're not even successful at really being mass appeal sexy. I haven't even reached the point of complaining about the fatphobia and criminal lack of different body types yet, I'm still just saying that from the standpoint of fantasy sexy it's not even good at being stereotypical offensive fantasy sexy. It's just boring! They're all so visually boring! You can be scantily clad and still have an interesting and coherent character design! But that is not what they gave these women! They actually redesigned the classic Star Sapphire costume and made it MORE sexist and boring:

Yeah it was cheesy but it was also cute and fun? The design is playful classic sci-fi girl and this is when she was still a dangerous unhinged villain. Its fun to look at and feels tonally coherent next to Green Lantern.

And then they just...

No actually, I will not explain this one, you have eyes.

And yeah they fixed her costume finally,

But! She's still stuck as Hal Jordan's romantic punching bag, and has not gotten to have any new adventures on her own.

So.

What I'm saying is it's a flop all around. 2/10, and only because despite everything Fatality STILL managed to serve. I actually think that all of the corps have been poorly used since blackest night, even the greens actually, but they never even gave the Sapphires a chance. They last showed up in...a WW annual I think? During the whole dark gods event, they needed Diana to help them fight the evil god of love, and there was a guy in the corp finally, and they talked about sisterhood and then we haven't heard a peep from them since. I think Carol might be due to get her ring back in the GL ongoing but she's not really been treated well so far, so I'm not hopeful for anything fresh and well reasoned.

So my lovely ladies (and that one unnamed guy), until they let you get it together it may be time to

#dc comics #comics meta #hal jordan #green lantern #star sapphire #carol ferris #fatality #atrocitus #larfleeze #saint walker #sexism #shut up cerata #dc editorial answer for your crimes

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hollowed-theory-hall · 26 days

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Can you talk about your thoughts on hinny? I have no problem with people shipping it but to me personally it just doesn't work. It feels like Rowling tried too hard or maybe just wasn't good at writing romance and messed it up. Maybe it was too rushed? The ship doesn't work for me but I'd love to hear your views.

Okay, sorry it took a while to answer this, I actually have a lot of thoughts and I have posts on some of them that I hope to get out soon-ish. I also wanted to go back to the books to make sure I'm not talking out of my ass. But I don't like Hinny, never did. And my reasons are kinda divided into three categories.

Disclaimer: I don't have anything against anyone who ships hinny, it's just really not my thing and I don't see it working with the way I see their characters.

And that's like the core of it. I just don't see Harry and Ginny as compatible on a character level. That and their relationship never really read as believable to me in the books.

The 3 categories I mentioned are:

Harry's character

Firstly, I think Harry is gay. Not bi, but gay. I think he was never actually attracted to a woman and I have a whole post to prove it. So, because that's how I read his character, I just can't really see him with any girl.

(Now, I don't think JKR intended for Harry to come off as gay, but he did)

Secondly, he never thought about Ginny, like, up until book 6, and even during large portions of book 6, he just isn't thinking about Ginny as a potential romantic interest. And when he does think about Ginny in the final two books it never reads like he really likes her. It reads like they decided they are dating, but I don't think Harry knows why he supposedly likes her. He just decided he does, but doesn't know why. It was kind of the same with Cho, where he said he had a crush on her and was nervous around her, but if you asked Harry what he likes about her, his answer would be: "Ehh...."

Like, Harry doesn't really seem to know why he's dating Ginny, and neither do I. It's just how it's written.

2. Ginny's character

So, this is again my opinion, but I don't like Ginny. I just don't like her character. I wish her off the page whenever she talks.

And, when it comes to shipping, for me, I need to find both the characters involved interesting and fun for me to explore to ship them together and care about the pairing. As I don't like Ginny and don't really care for her, I can't really ship her with anyone, not really. It's not even like I hate her (not the way I hate Dumbledore), I just find a lot of her actions and behavior iffy and she annoys me more often than not.

I'm not going to list everything I don't like about Ginny (some of it appears in the rest of this post). But her treatment of Fluer, for example, really soured her character to me. Like, sure, Ginny's young, but, she's 15, and by that point, I think she should take responsibility for being awful to Fluer who was nothing but nice to all of them. Envy is not a good look for Ginny.

3. How they are portrayed together

Like I mentioned in the Harry section, their romance just never really felt there to me. The descriptions were off and left me feeling annoyed at their scenes together more than anything else.

Again, I'm writing a more comprehensive post about it, but the gist of it is that Harry's thoughts about Ginny in books 6 and 7 are weirdly detached for a supposed crush at best or outright uncomfortable for me to read at worst.

Now, we know Harry can describe characters he finds attractive in greater detail. There is none of that detail with Ginny. He only mentioned her hair color and that her hair is long and smells nice. Like, he doesn't talk about her eye color, her facial structure, eye shape (like he does sometimes with characters he does find attractive) — nothing. He doesn't even call her pretty once! At least he referred to Cho Chang as pretty twice in the series.

In the books there is never a scene (not even one) that convinces me they should be together. Like, they have no chemistry. They kinda remind me of Ron and Lavender tbh. They make out and are present in the same space often, but they never talk. Not really. I don't think Ginny actually knows Harry all that well because he never honestly talks to her about anything real. They don't really have chemistry or a relationship, they're just together. At least, that's how I always saw them.

And yes, Harry has his jealousy moments (that are portrayed so weirdly I always narrow my eyes at them to make sure they were actually there, but that's a whole other post about Harry's chest monster of jealousy), but he still doesn't really explain what he finds in Ginny. He doesn't mention she's attractive or pretty at any point, nor does he mention anything he particularly likes about her personality (except that she doesn't weep like Cho and is good at Quidditch. Neither of which are particularly good basis for a relationship).

Like, Ginny mentions why she likes Harry and that she does multiple times. Harry by contrast, just feels so incredibly uninvolved in his own relationship, to me.

Also, personally, I just find the setup of their relationship iffy. Like Ginny outright says she never gave up on Hary and always knew they'd end up together. It means, that since she was 11 (or earlier), she was crushing on Harry, never gave up on her crush, and considered them ending up together fate. She dated other guys to make Harry jealous and pay attention to her, and that's just really gross. I don't like her long obsessive crush on Harry or her treatment of the other guys she dated on her way to get Harry.

Proof of that, for those wondering:

“I never really gave up on you,” she [Ginny] said. “Not really. I always hoped. . . . Hermione told me to get on with life, maybe go out with some other people, relax a bit around you, because I never used to be able to talk if you were in the room, remember? And she thought you might take a bit more notice if I was a bit more — myself.”

(Half-Blood Prince, page 647)

She literally said she dated other guys so Harry would take notice of her. That just grosses me out.

So, no, I don't like Hinny (or Ginny).

#anti hinny #harry potter #harry potter thoughts #hp thoughts #hp #that being said I don't particularly like drarry either #or most harry parings really #like there are parings with him I don't mind in fic #but I'm not truly passionate about any of them #there is 1 harry pairing I actively like #but I got into it on accident and its with a very minor character #harry is my precious boy and deserves only the best #that's why I'm so picky about who I ship him with #ginny weasley critical #anti ginny weasley

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avelera · 1 year

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I think one reason social class stuff is such a big part of how I write Dreamling is because, at its core if you accept them as a couple, if Hob and Dream are some level of perfect for each other, destined for each other maybe not literally but perfectly matched thanks to the supernatural omniscience of someone like Death setting them up together on purpose based on her greater knowledge of all living things, then it is such a powerfully egalitarian message for a romance.

If Hob really is the one person in all of existence that can handle Dream's bullshit, if he was only given the chance and the time for them to grow into being partners to one another, it's such an insanely profound message. It means that out of billions and billions of people over billions and billions of years, a commoner, a literal peasant was born with the qualities to be a match for one of the most powerful beings in the universe. That being born into the right class be it titles or riches or magical birth right don't actually matter as far as what makes two people suited to each other.

Even if you narrow it to just, say, the sweep of human history, that Death only picked a partner for Dream best suited for these few thousand years of written human history, maybe just for the lifetime of our planet, the message still holds without going all cosmic.

It means that an entirely normal person with no blood right at all, no inherent magical powers, no divine destiny, nothing to distinguish him even from the other soldiers at his table, someone who was born into one of the worst time periods to live through, living an entirely average life that would never make it into any history books except as a footnote, one of billions of people the great stories will simply forget, actually was extraordinary in a way that might have otherwise gone unappreciated but Hob would still have been here, his life still would have happened even if he never got the chance to explore the full potential of his resilience to immortality and his love of life.

If Hob's superpower that allows him to be a match for Dream is simply wanting to live so much that he can withstand the gift of immortality on a level that we rarely see in fiction, that alone is huge. Just some guy from a rainy little island with an entirely common profession of being some peasant soldier, manages to withstand the hardships of time better than immortal beings who were literally born into that existence and into the power and theoretically the supernatural comfort to polish away a lot of the day to day trials that would make living as a human for that span incredibly difficult, like hunger, and losing loved ones, and the daily grind of hardship.

Dream has all this power at his disposal, he is a being of the ultimate privilege. He can literally craft a realm for his comfort, people to be his companions who are best suited to serve him and his needs. Yes he is bound by a function but even that function is one of the richest parts of life: stories and songs and joy and sorrow. The things we toil for the rest of our life so we can carve out the time to indulge in those things. The truly great experiences. That's his job. Not saying it couldn't wear on you, only that it's not like he's Despair or Destruction or even Destiny, bound to helplessly watch all of time unfurl when you already know what's going to happen. Dream has one of the most desirable roles of all of the Endless, at least in theory. He's completed insulated by supernatural levels of privilege: powerful, male-presenting, beautiful, a literal monarch, with a kingdom of beings designed to serve him. The one inherent difficulty he might be argued to have is some form of clinical depression and of course the general traumas that accumulate over so long a lifetime. Not to dismiss it, or say he's not allowed to suffer, profoundly from this and what he's experienced, just to be clear that others have suffered from those things too without the other tools he has at his disposal. He is desperately alone and lonely too, which honestly makes it even more profound for him to have someone who wants to reach out to him.

So to say that Hob, who was not born with any of those privileges or tools, indeed, was born into one of history's most difficult centuries at a time when England was nothing more than a backwater and, yes, Hob is white and male and able bodied, etc, he does not have those privilege marks against him and that will mean more as time goes on and England rises to be a world-dominating superpower and being from there will evolve into a true privilege, but keep in mind, Hob's also from a time where his class, his birth mean he doesn't actually count as part of the "in crowd" of privileged people. He could never be part of his own government, he would not be invited to read or write or be any sort of force in the world. Until the century he was born into it was a vanishingly small likelihood someone like him could ever be more than a serf, legally bound to remain a serf no matter any ambition he might have had. If not for the extreme population loss of the Black Plague granting social mobility out of necessity, Hob could have lived and died as a serf, leaving no other record of his existence.

Instead, Hob's joy, his will to live, and his resilience to withstand eternity that he has as just one of his human qualities, puts him on a level with actual literal gods and creatures more powerful than gods. It means that there is no blood right or inherent structure that makes Dream better than him such that Hob would be inherently a poor match. It means just a guy, out of trillions, was best suited to be the lover of something as old as the universe and more powerful than a god. Because he could handle Dream's bullshit. Because his inherent joy and resilience made him a match to someone who more than anything needs someone like him who can put up with their bullshit, withstand it, look forward to seeing him, actually long for his presence in a way none of Dream's peers do.

That's just... wow I know I'm explaining myself in circle at this point, but I just can't get over it sometimes. Maybe it's the history buff in me just obsessing over someone so, so minor in the grand sweep of history being matched with someone so singularly powerful in this universe as Dream. But if you go with the popular headcanon that Death picked Hob just for the reason of being the best person in the world to be at least Dream's friend but maybe his lover and eventual partner, wow, that really just says something about birth and blood and magic not being the measure of any single beings actual importance to one another, I'm obsessed with it.

#dreamling #the sandman #sandman meta #shipping manifesto

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serenpedac · 5 months

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End of year fic rec list 2023

I was looking at last year’s list and how it said I was excited for this year, because of the Book 3 release. And it was great to be here on tumblr while people were reading it and talking about it, and to see new people join! While this list isn’t about b3 itself, of course it did affect the fics that were written. It felt like the book was a lot about setting up pieces for the next book(s), and I adore how people incorporated these new bits of information into their own fic. We may have a long wait ahead for Book 4, but with people here sharing their writing, their art, their thoughts, I don't mind it all that much!

As always, there are many wonderful fics that are not on this list, like the ones from the fic exchange earlier this year (I'm very much looking forward to the Secret Santa as well). Not because they don’t deserve to be, but because my energy and time are limited and the list is already so very long haha

Thank all of you who shared your beautiful writing <3

List below the cut! Please be mindful of potential warnings

sincerity is scary - @thee-morrigan

Fine. She was fine. Despite the strain of these past months, she continued to be perfectly fine. Had gotten through everything that’d been thrown at her. Not entirely smoothly, certainly not effortlessly, but…she had gotten through it.

This fic had to be the first on this list because it was exactly what I needed to read after finishing Book 3, even if I didn’t know it before reading it. So much is thrown at the detective in that book and, for a detective romancing N, there’s that one conversation at the end that must leave some kind of impact… This fic felt like it finally gave the detective (and me) time to let it all sink in and reflect—no matter how much Holland tries not to think about it. I’m just really thankful this fic exists.

quiet and content - @sealriously-sealrious

There’s more she wants to tell them—usually she’s so good at crafting her sentences with eloquence, tying them together and making them flow like silk. But then Marin’s hands are in her hair again, and that goes entirely out the window.

Choosing one of aeruh’s fics to share on this list was so so hard! They blessed us with many lovely fics, and I absolutely adored the lighthouse AU as well! But this oneshot about Nat and Marin just has so much warmth. Just like Nat gets to relax, be the one who is taken care of for once, I felt like I could sink into this fic. The perfect comfort read <3

to drink from a poisened well - @thcscus

His eyes refocused, one last time. As gray and as beautiful as the last time she lost him. “Mason,” she breathed, panic bursting across her body like fireworks. Stay with me.

Rereading this fic broke my heart again! The premise of Mason losing his memories of a romanced detective hurts so good. And to then have the two meet again, years later… Ah, I don’t want to spoil anything, but the story, the characterisation, the ending, everything here was so well-written! On top of that, the writing itself is simply wonderful. Loved it all!

Just a Nightmare - @lykegenia

Her blood sings, goads him, and his fangs lengthen behind his lips.

The start of this fic is so incredibly sexy!! And the rest is also so good. I love how Lykegenia explores what might happen if N stayed the night with the detective—something that was notably absent in b3. To add to that, Nate and Leah are one of my favourite couples, so to see the growth in their relationship in how Nate decides to trust and open up a little more at the end was lovely.

you make me laugh again, feelin’ so good - @lovelyfoolish

She used to think of these early-morning-after conversations as uncomfortable half-somethings. But they’ve become worn, softening the way leather does, or wool, and now the incomplete sentences feel more like uncut jewels, rough with possibility, an entire language constructed from what they leave unsaid.

A wonderful slice-of-life fic between Mason/detective. I love how it shows the beauty of a seemingly everyday moment. There’s something so delicate about this stage of their relationship, in how they have grown closer and more familiar with each other and are starting to share these “ordinary” moments, but there’s also a lot that’s still unexplored. This fic and its prose capture that beautifully.

Scarlet Welly Boots - @cigarettesandinevitablebetrayal

“You’re going to be the best mum I’ve ever had. I know it.” He looks back down at the boots in his lap, wrinkling his nose. “Even if you buy me boots.”

I will always be in awe at the thought people put into the backstories of their OCs and this fic is an amazing example of that. The impact of Rook’s death is felt throughout this story, affecting the relationship between Ciaran (Raine) and Rebecca. But what I love the most about this fic is the bond between Ciaran and his brother Eoin. There’s this part in the second chapter that made me so soft <3 I know the detective canonically is an only child, but we need more sibling relationships!

Half Past Seven? A Post It Note - @agentnatesewell

Don't you know, my beloved, I will give you all the seconds of my immortal life?

A short, sweet and little bit spicy fic! N leaving notes for a romanced detective is one of my favourite things and this note is so wonderfully Nate! His voice, the beautiful language in which he reminisces about the night before, how he thinks about their future together <3 The loveliest little treasure of a fic that I only discovered this year.

I Can’t See Me Lovin’ Nobody But You - @plasticdodecagon

His daughter, Avery. Her sweet smile and her chubby cheeks and her big, curious eyes. How he didn't want her to grow up without a father, how he didn't want her to feel lonely, how he always wanted her to feel loved.

Speaking of sibling relationships, this Rook lives AU has some wonderful ones as well! Reading about the family that the detective could have had, if Rook hadn’t died, may be a little bittersweet, but it’s mostly very heartwarming. PD’s interpretation of Rook is amazing, and this alternative take on how UB meets (not-detective) Avery and gets thrown into family life has been great! I’ve been enjoying every part of this fic so much!

Nightswimming - @nerdierholler

Beside him, Ethan floated, bathed in moonlight, stars reflected in his eyes.

First of all, this quoted sentence is beautiful and evocative and will stay with me for a while! After the pain b3 brought for A-mancers, this ficlet was like a soothing balm. Adam finally accepting his feelings and the tranquil feeling this brings him were written so well. The entire atmosphere of this fic was wonderfully quiet and peaceful.

Breaking the Yearlings - @evilbunnyking

That first night Adam invited him to his own rooms Tobias had entered slowly, cautiously, running his fingers over the fireplace mantle and then the carvings of the bedposts, and all that Adam had wanted was for him to touch him, instead.

This one kind of feels like cheating, since it was also on last year’s list, but Tobi and Adam have my entire heart. Bunny weaves Adam’s (and also Tobi’s) past and the present together beautifully and the writing is gorgeous, always. My favourite part was when Adam finally met present-day Tobi, which was as impactful as might be expected!

inside this place (i call our home) - @thelionheartedo3

Adam’s arms are still crossed over his chest, but he doesn’t tell Ely no. Mango stretches a paw out towards him, mewling, and Nate hides his smile with a hand over his mouth as he watches the stern mask melt off of Adam, shoulders dropping from their hunch.

Fluff!! This was pure and adorable fluff in the form of an orange kitten. I fell in love with Mango at first sight while reading this fic, haha! It’s so much fun to see UB reacting to having a kitten around the warehouse. I was looking forward to rereading this one a lot and it was still every bit as heartwarming as I remembered.

Finally, a very lovely person suggested that I should also celebrate myself, something I don’t find easy to do. Thank you, sweet friend, for your message and for giving me this nudge <3 Here is a snippet I wrote on a whim, but that has by now become part of my HC for Yael and Nate, in which that one conversation at the end of b3 ends with them breaking up. I hope to some day continue this storyline and give them the happy ending they deserve.

#fic rec #rec list #the wayhaven chronicles #one day i will stop making these lists so long asfadsfd

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thebibliosphere · 2 years

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I’ve never heard of Dark Romance. Is it like, 50 shades vibes? (In the abusive way, not the kinky way of course) I’m tempted to instinctively label the genre as damaging and I’m not even sure what it is outside the context of your earlier post saying they should be better about trigger warnings.

I mean, yeah I guess 50 Shades broke far enough out of its erotica cage to be classified as Dark Romance.

And I don't think it's fair to deem an entire sub-genre "damaging" when a lot of the time, it's just people wanting to explore things through the safety of fiction. It's a form of thrill-seeking, like going on a rollercoaster or visiting a haunted house.

Not all of it is to my taste (I'm picky about my content.) but I don't think anyone reading Dark Romance actually wants to be kidnapped by the rich fairy mafia prince from the magical land of "Servants-Do-the-Laundry," and turned into his sex slave.

(I mean, you might. That laundry part is pretty tempting.)

But for some people, the idea of being removed from your daily humdrum existence and having your physical desires not only met but expanded upon in a way you can't be blamed for has a fantastical appeal that can be not only titillating but emotionally freeing.

Now that kind of content isn't going to appeal to everyone, and I know some people get really mad about their romances taking dark twists and turns before getting to the sometimes questionably happy ending. But this is why I'd love for publishing to allow for content tagging and potential trigger warnings so that people can filter for the kind of content they want. Movies, tv shows, and video games are tagged with warnings--why can't we do it for books?

As it is, authors can and are punished by distributors like Amazon for alluding to any sort of explicit content, which is harmful to everyone.

Those of us who do tag for heat ratings and content tags, regardless of whether we write Dark Romance or not (I don't) have to do it stealthily on our websites, usually, after Amazon has approved the files or we might not get approved by the censors.

Now, there are some Dark Romance authors who refuse to tag for content and will say things like "it spoils the story" or "if you're reading Dark Romance you should just expect things to be fucked up."

That is their opinion, and they are entitled to be wrong about it.

As someone who does tag for content and prioritizes readers' ability to decide whether my work is within their comfort level, I can honestly say I've never had someone complain that tagging for content has spoiled the story for them. I have in fact experienced the opposite, as well as people telling me that they saw some tags and went "hell yes!" and jumped in both feet first.

So, yeah, rambly topic is rambly.

I don't think Dark Romance is inherently harmful. What I do think is that authors trying to hide that something is Dark Romance, whether by using a really fluffy blurb or cutesy cover design because they want more sales is disingenuous and shitty. Those people can fuck off.

#long post #genre writing

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frillyfacefins · 8 months

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A constructive approach to building a solid Femslash Subculture in a new fandom, a thread (+ anecdotal “Case Study”)

(I posted this as a thread on twitter a week ago in response to some pretty old arguments getting thrown around again; the situation has cooled down now, but somebody asked me to put this thread on tumblr, and I thought it could help some people, so here we go.)

In 2013 I was in the Silmarillion fandom when the Hobbit movies brought in a giant influx of new fans.

I was not one of the people who had been into the Silmarillion for ages, I only just read the book too, and the fandom at the time was very much in flux.

Since Baldur’s Gate is in a similar situation - a very old fandom with a new influx of fans and new characters - I think it might be helpful for me to explain how we created a space for fanwriters and -artists to explore and celebrate femslash ships.

Here are my recommendations for femslash fans who want more f/f fanworks in the Baldur’s Gate 3 fandom, sectioned off in

“3 Warnings”

“3 Ways forward”

and a “””Case Study””” of what happened in the Silmarillion fandom.

Warning 1: Be aware that your fandom is a baby.

Nominally, the game has been out for less than a month. Most people who will write amazing fanfics for your favorite characters maybe don’t even have the game yet because they can’t afford it until the Christmas sales, or they just haven’t finished it yet (like me). Most people don’t want to write for a fandom until they have consumed all available canon. You don’t know how the fandom will look like yet, but you can start building a solid foundation to influence it.

Warning 2: Don’t alienate the Astarion-fans.

Astarion is fandom-bait. He is the exact kind of character people who ‘don’t get it’ have been fuming over for decades, and who people who ‘do get it’ get obsessed with. He is the exact formula that has been working since at least the 80s: A morally grey bad boy with slightly edgy good looks who is also - and this is THE key for this kind of fandom-bait - very vulnerable and can absolutely be made into a better person/ be healed by his love interest.

This is why most heroes in (especially older) romance novels work. This is why Lestat worked. This is why Kylo Ren worked.

The thing is - the people who go gaga over him now? A lot of them will grow bored at some point. Either they will leave the fandom, or they will become invested in other characters from this fandom.

So the worst thing you can do is make them feel like the femslash community is rude, confrontational, whiny. Sorry, but that is how fandom works.

Fanwriters write fanfics for 2 reasons: 1. They have fun while writing something specific. 2. They get great interactions because they write something specific. If they look at the f/f corner and see people constantly fighting or complaining, guess what? They won’t be as interested in writing about their favorite female characters. And especially in Baldur’s Gate 3, the female characters are not easy to love, but once you do, they have potential to make you into absolute stans. I disliked Lae’zel a lot during Act 1, but by now I honestly think she’s the absolutely cutest. And Shadowheart is definitely intriguing, but I want to know how her story ends before I get really invested in her. (And we don’t even have to talk about Karlach…)

Warning 3: Lurkers have no voice in fandom.

Sorry, but this is a fact. If you don’t write fanfic or draw fanart, you don’t get to complain about what other people draw/write about. We create fanworks because we are enjoying them, not because of some social obligation. We are giving you free labor, and if you keep complaining about the things we write because it’s not what you want to see, we will just be less likely to write the things you want to see. So if you don’t create your own fandom content, you can whine as much as you want, but you will just make those who actually do create look at your whole niche of fandom with way less interest than they might have had.

Now, what can you actually do to build the basis for a solid femslash subfandom?

Measure 1: For lurkers: Support those who create fanworks you like.

And I’m not saying financially. I’m coming from an old-school-fandom perspective here. You know what will absolutely make me want to write another fic for a pairing that maybe doesn’t have as much works about them as the big ships? Really, really nice people who either write detailed comments on my fics, or who engage with me on social media - like, actively comment on my post or even hop in my DMs and tell me how much they liked something I have written.

Complaining about people who don’t write your ships is the worst thing you can do. Celebrating people who do write your ships is the best thing you can do.

Measure 2: For most writers: Kind of logical, but - write.

Write long-fic, short-fic, flash-fic about your favorites. Plaster your social media profiles with it. Do monthly challenges, request your pairings in cross-fandom exchanges, write long rambly threads about how awesome they are. Right now, YOU get to potentially create the fanon. You get to sway people’s opinions of characters. And you get to actively build this community.

And please, try not to get discouraged if it’s hard at first. Like I said - this fandom is a tiny baby that only just started screaming its little red head off. New fans will come. And they will do the same as the person in the screenshot, and maybe if they actually look through the ‘other tag’ bar or by filtering for F/F, they will find your works and be super happy about it.

Measure 3: For fans who want to invest more time and effort: Organize cool stuff for your community.

Fests, exchanges, challenges, discord servers, tags on tumblr or mastodon - there are tons of things you can make happen that will inspire people to create. Make a femslash month with themed weeks and prompts every day, for example, both for fanfic, fanart, edits, fanvids, whatever kind of fan-work anybody wants to contribute. Or make a challenge with a list of prompts, or a generator, or anything else you personally are able to do. Invite people to participate. Make it easy. Make it fun and welcoming.

And now to my “”case study”” which is completely anecdotal but which definitely left an expression on me.

The situation: The winter of 2013/2014. The second Hobbit movie has come out, Elrond is hot, Galadriel is hot, Tauriel is polarizing, Legolas looks weird. A ton of new people come into the Tolkien fandom, and discover the Silmarillion.

The Silmarillion-fandom has to deal with a new influx of people like it never has since the LotR-films. These are new fans who are used to new fandoms, not the LJ-survivors who make up a lot of the fandom. The new fans glom onto the usual suspects - Maedhros/Fingon, especially. But with Galadriel and Tauriel being so prominent in the Hobbit movies, the few fans who were already trying to put some femslash flavor in this fandom suddenly get a trickle of new people. Not that many. But some.

And then somebody decides to try and build a little bed for that trickle. Tumblr-User Elleth (not sure if she’s still around) creates the (by now defunct) archive “Textual Ghosts” to register all 600 unnamed wife characters in Tolkien’s work. A labor of extreme love for a fandom, and a big stepping stone for a developing femslash-subfandom. Soon afterward, tumblr-user Elleth and I start the first Legendarium Ladies April Event (legendariumladiesapril.tumblr.com) which would - without my continued support because I’m a fickle bitch and I’m still sorry about that - continue until 2020 and fill the event archives on AO3 with 150 new fics - which doesn’t seem a lot, but it also leaves out a lot of fanfics, fanart, fanpoems, fanedits etc. that were only ever posted on tumblr.

Meanwhile, I - always a multi-shipper and not devoted only to femslash, but VERY devoted to kinky smut which is also not really such a big thing in the Silmarillion fandom at this time - open a kink meme for the fandom. It creates a few new smuttier fanworks, but it also creates a few handful of female-centric works when I make a mini-event for world women’s day.

I am sorry to say that I abandoned this one too after about a year or two, but the kink meme is still there. (It would take another 8 years for somebody to be like “Hey so maybe you have incapacitating adhd, would you like to try ritalin?”)

Anyway, in this way, that trickle did become a brook. The M/M and even M/F works still outnumbered the F/F ones by miles, but F/F fans (and fans of female-centric works) WERE fed. And maybe more importantly - we built a community of people interested in the stories of women who were treated extremely badly by their source material. We made friends, we wrote stories for one another, we had fun. And that’s how you make a community within a fandom - you find some way to make it FUN.

(If Elleth should read this, I’m sorry for being an absolute flake, you’re wonderful.)

Oh also this is when I realized I’m not straight. So there’s that, too.

So if really love a fandom and you want to have more femslash works in this fandom? Start working towards it. You don't have to do it alone, there are other people out there who want to help you. But you need to find each other.

And you REALLY need to encourage each other.

(And also, stop making people outside of the femslash space associate you with nothing but complaints. That's not going to bring anybody into the fold. Be inviting, welcoming, have fun, be a positive community people WANT to join.)

And just to make my own position a little clearer:

#femslash #wlw ships #f/f fanfic #fandom culture #fandom history #baldur‘s gate 3 #bg3 #text

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seirei-bh · 23 days

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About Rlain x Renarin future relationship

I'm so excited to see scenes of Rlain and Renarin in SA5! I can't stop thinking about them lately.

I want to see how they realize about their romantic feelings for each other, their doubts, insecurities, how they will declare their love for each other, etc. I think it will be something very beautiful. Also, since this is the first time we are going to see a homosexual relationship between two important characters in a Sanderson book, I'm very curious to know how the author will handle it in the story. Sometimes Sanderson isn't very good at writing romance, but there are some really well-written relationships in his stories! Like Susebron x Siri, Dalinar x Navani, Adolin x Shallan, Wax x Steris… so I think he will do a good job.

Besides! It will be the first time we see a romantic relationship between a listener/singer and a human! That will surely be a scandal in Alethi society and for the singers society as well. I'd like to see if the other characters are able to accept it, how they will treat them, and if they have problems, how Rlain and Renarin will confront them to defend their love and will be one of the definitive proofs that the collaboration between both races is possible, helping both peoples to alienate each other in one.

They both have a lot in common being reserved people, sometimes pushed aside as weirdos by others, and they're both now Truthwatchers, so there's a lot of potential there to explore here, in how much they're able to understand each other. Not to mention that they've already a solid friendship as members of Bridge 4, which will make their future relationship develop a stronger bond.

I'd love to see a scene in later books of Renarin learning the rhythms so he can show his feelings of love through songs and sounds and to undertand the way singers comunicate their feelings, and Rlain also showing affection intimately in ways they can both feel comfortable. From what we've seen so far, they seem to be a couple who could have such a great emotional connection that they would be able to understand each other without the need for words and even show each other affection without too much carnal need. I think all this could be very interesting.

And another important fact! Renarin is supposed to be the main POV in book 7, after the 10 year time skip, so if Rlain survives (pls!) that means we could read romantic scenes of them already being mature adults, and probably married! And we can also get more scenes about them in flashbacks! I really want to see all this. If they are written well they have the potential to be one of the best couples in the Cosmere, and oh I can't wait to see it!

#renarin kholin #rlain #rlainarin #rlain x renarin #stormlight archive #SA5 #I'm in my Cosmere ships fangirl hours #but oh c'mon THE POTENTIAL OF THIS TWO #I could be hours talking about them #pls Sanderson I trust you #you can do an amazing job with this bond #stormlight archive 5 #cosmere spoilers

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owmylasagna-blog · 3 months

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So, what's the real appeal in Ed/May? I see that this popular, but over all the show I see aproximately zero positive moments/development between them, including in the finale. Nothing positive, I can't think of anything that wasn't one-sided or outright negative. And I think Ed deserves faaar better than her; I don't see him just forgeting all she made and sudenly falling in love with her (fanfics where they're just dating out of nowhere specially irks me) without any explanation or development.

The appeal seems just ''pair the dumb/goofy ones'' (why not Ed/Nazz? Or Ed/Rolf? Or even Ed/Jonny?)

Honestly, I'm under the impression people only ship it as a Beta Couple for Edd/Eddy, and nothing else more. Your reasoning?

Wow I’m actually pretty glad I got this question because I’ve had a half baked post on this very subject that’s been sitting in my drafts for weeks. Now I have a reason to actually share it.

And from the jump, no I don’t ship Ed and May solely because I’m an eddeddy shipper. I actually see some interesting potential here! I also ship Ed wildly because he’s just a lover boi in my mind. Perhaps even most wildly out of the entire cast of the show: I have the receipts for dabbling in edrolf and ednazz but I can really only imagine those pairings as little flings.

So what is it about edmay that works?

Of the three Kanker sisters, May actually seems to be the only one to genuinely have a crush on her preferred Ed. It goes beyond the typical taunting and harassing her sisters subject the other Eds to. The intro to Hanky Panky Hullabaloo is a prime example of this: May makes a mushy valentine and Marie and Lee make fun of her for it. Afterwards the two talk about May behind her back: “Now we know who got mom’s genes.” “Hormones”. I think it's an interesting summary of how the sisters have differing perspectives on relationships and how they think about boys/men. While Marie and Lee are more disenchanted by romance, they see May as more naive and prone to getting emotionally attached in the same way their mom probably falls for one disappointing man after another. Anyway, the point is that I think May cares whether Ed reciprocates those feelings while Marie and Lee don’t with Eddy or Edd.

CUTE!

Now we have Ed’s reactions to May. In the earlier seasons, he doesn’t seem as averse to the Kanker harassment. Honestly sometimes he’s sort of enjoying it or just not bothered at all. I don’t think Ed generally would show his interests or feelings in a very typical way. Actually the most damning evidence that he might actually be attracted at all to May or just girls period are the moments where he is acting the most repulsed by them. We are talking about a 12 year old after all, probably a bit panicked by some new hormones and feelings about “icky girls”: to me, it reads as the early stages of immature boyish attraction.

I’d be remiss if I didn’t include at least one reference to the Ed-cyclopedia that is Kevin Lordi (as per usual), who got the scoop that the writers toyed with the idea of making Ed and May canon in the earlier seasons, even scraped S2 episode where they are caught kissing in the bushes being the basis for HPH (Lordi 2017, 2018).

So what is in this ship for them? I really like exploring this ship because of many of the parallels I see in their characters. I think it’s safe to say that Ed and May are respective outliers in their trios: May being the younger punching bag to her older sisters, Ed sort of being off on his own planet or plane of existence from Edd and Eddy most of the time. I could see both naturally branching out on their own while the remaining two are prone to buddying up. Other similarities, as you mention, also make them a cute pair: they are goofy, a bit ditzy, naturally kind hearted, a bit off beat, a tad (or a lot) gross. Nothing wrong with that!

Both come from pretty bleak home lives, lacking in support or parental nurturing. For this reason, you see them often compensating by being the nurturing types themselves: Ed being the protective big brother to Sarah and his two best pals, May often playing out a maternal fantasy (more than once she plays mommy and baby in the show; coddling Jimmy in BPS). Now just think of a relationship where these two get together!!! Having an outlet for compassion AND on the receiving end of it. I think they have the potential to have a very sweet relationship ripe for healing and personal growth.

I see them coming to appreciate each other with a bit of time and maturity, maybe striking up a friendship first before actually dating later in their teens or early adulthood. Oddly enough I make lots of parallels between Edd and May as well and could easily imagine some aspects of Edd and Ed’s friendship manifesting in edmay. The biggest factor being what I said about May having this maternal care-taker drive. Seeing as the Kanker sisters just about raised themselves and had to grow up really fast, you end up with a very “parentified” child. And if Edd isn’t the poster child for being a parentified kid I don’t know what… Anyway, in the same way that Edd acts as a stand-in parental figure to Ed I think May would quickly take on a similar role. I’m NOT endorsing this dynamic as 100% positive!!! I think it would be complicated! But it’s an interesting ship dynamic nonetheless and I’m trying to explore that in my aged up AU now.

#love having a reason to talk about edmay more! there isn’t enough discussion about them #yap yap dribble dribble #edmay

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aceredshirt13 · 5 months

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We'll never get a third Ritchieverse Holmes movie. But if we somehow did, this is what I like to think should happen.

I would absolutely love for the inciting incident to be that, since the reason Holmes faked his death was because he wanted to keep Watson and Mary safe, the reason he has returned from faking his death is because that backfired and Watson and Mary are very much not. Why aren't they safe, you ask? Well, because Moran is on the revenge trail. Typically, he didn't have much personal investment in the killing of his targets, but we all saw how absolutely furious he got when Watson nearly killed Moriarty and escaped with Holmes. Now Moriarty is dead, and Moran has no job, no purpose, no one in the world - nothing, save for anger and grief. He cannot kill Holmes, because he does not know Holmes still lives. But if Holmes took the life of the only person Moran ever cared about, then even if he's not around to suffer for it, he will do the same to him.

Except, naturally, Holmes is around to suffer for it, and this cues the ending scene of the movie where Holmes coyly reveals he's alive, and would pick up right from there. There would be action! There would be shenanigans! Holy hell there would be character drama! Watson and Mary are absolutely going to beat Holmes's ass within an inch of his life, but also Watson is so, so very glad to have him back... Mary's not forgiving him ever for what he put Watson through, but how can she - how can they - bring themselves to be fully angry when he went through this to the end in an attempt to ensure their happiness? Especially when, if one considers the reason he closed his eyes to be for Watson to be the last thing he saw if he died, Holmes wasn't even completely sure he'd successfully fake his death... And they can't just unpack that while sitting in a house somewhere talking about their feelings, because Moran and the remnants of Moriarty's wide-reaching organization are very hot on their heels.

How does the movie progress? Well, I'm not entirely sure. I would love for Moran to get betrayed by those he conspired with, and be forced to work with Holmes and Watson (and Mary, who is adamantly refusing to let these two do all this on their own when her life is as endangered as theirs) on some level, thus forcing everybody - including Moran - to actually talk to each other. I also want to show that Holmes is beginning to get tired of all this - he loves the adrenaline, he loves to exercise his genius, he hates being bored, but he's also tired of the people he cares about constantly being in danger because he knows he can't always protect them. He knows that, because of what happened to Irene.

How does the movie end? Well, I can certainly tell you that. As a significant portion of the fanbase and Jude Law himself will tell you, the Ritchieverse Holmes movies come off very, very strongly as romances. In most cases, I am not the sort of person who advocates for any given ship in a medium to be acknowledged as canon just because a lot of fans like it, especially since that can often lead to disastrous results... but Christ alive, these movies are leaning so ridiculously hard into Holmeswatson vibes that I can't imagine it was an accident. And, well, part of the reason I want Moran to figure so heavily into this movie is because I think there was quite a bit of potential exploration of what exactly his relationship was with Moriarty just in the few tidbits you saw of them together... perhaps through a few flashbacks sprinkled in after Moran confesses what they really were to each other. Because if there's one thing I love, it's parallels. Watson and Moran, the military veterans and crack shots who are so very attached to the often-difficult genius masterminds they love. Unlike the singly-devoted Moran, Watson's affections are torn, because he adores Mary with everything he is, and is constantly fighting himself and pretending he can give up Holmes for her even though he can't imagine a life without both of them in it - but he is no less devoted for it. In different ways, they both cannot see a way forward - Moran cannot without Moriarty, Watson cannot because he cannot choose. So, in terms of an ending, I want Moran not to have to be killed by our heroes, or die in some sacrifice, or take his own life. I want him to have to live, without taking revenge. To figure out some kind of life, now that he's been spit out by the Queen's Army, and has lost the new life he was given now. It's more interesting, and less cheap, especially if this movie serves to build up and add depth to his character. And as for Holmes and Watson, well, it's not 2009 or 2011 anymore, so what's to stop your loose action movie adaptation of century-old, now-public domain stories from just going ahead and having them admit they love each other? (Or, potentially, having Mary admit it for them, to one of them, because she is sick and tired of their bullshit?) Why not let them, after all this is over, finally, finally share a kiss?

And as for the epilogue, I think it would be super fun and endearing if it cuts to Watson and Mary finally moving into that country house in Sussex together. He and Mary love each other, they're happy, they'll do so very all right. Then they get a knock on the door to find that the old woman who lives in the house next door has come to bring them a housewarming gift.

Except it's not an old woman. It's Sherlock Holmes dressed as an old woman. He has gone into early retirement to keep bees, and he just so happens, by pure coincidence, to have bought the house next to theirs.

Watson and Mary are exasperated. Then they probably think it's really funny, while still being exasperated. And ultimately, what Watson needs to realize is that there is something in this world that is insistent upon keeping these three together. If all of them can put up with each other - as they have shown they can just manage to do, this whole movie - and if all of them care for each other - as they have shown they undoubtedly do, for this whole movie - then no matter what he was sure was the "correct" and "right" thing to do before, he does not, and has never had to choose. Holmes doesn't have to steal him away from Mary any more than Mary has to steal him away from Holmes, because the great lesson of the Ritchieverse Sherlock Holmes movies ought to be that sometimes, polyamory is the best solution. And they all live in Sussex together, and quibble incessantly, and remain there for the rest of their days.

P. S. The number one thing this movie is absolutely, positively not allowed to do is kill off Mary. I don't care if she dies offscreen in the books, these movies did not have so much of their character conflict be Watson's inability to choose between her and Holmes for that to conclude with the immensely cheap act of offing her - not to mention that that would mean killing the only remaining major female character left in the series, and that these movies are so far removed from the ACD canon anyway that they can literally do whatever they want.

P. P. S. I don't have anywhere else to put these since I'll certainly never finish an entire screenplay concept for this without help, so here are a few disconnected, inaccurate-screenplay-format snippets using this idea that I jotted down on my phone way, way, back. Enjoy?

~~~

Opening shot: pigeons.

It’s early morning, and a man sits on a bench with a small bag of birdseed. He takes a handful of it, and reaches out to them. They flock around him with enthusiasm, some perching on his arm and hand.

The pigeons know him, clearly. It is SEBASTIAN MORAN.

He turns to look over his shoulder.

Moran: Hey, Professor, do you -

He stops. There is no one beside him.

Something hardens in his face.

He continues sprinkling birdseed. But his movements are listless, and it is clear the act no longer brings him much joy.

~~~

Holmes: It appears that Moriarty’s death, while ultimately a public service to the human race, has unleashed a far greater and more unpredictable danger to you than I could have imagined.

Watson: A danger?

Holmes: Indeed. And so long as I was believed to be dead, I was sure you and Mary would be entirely safe from it.

Watson: What - ?

Holmes: But I am now very much aware that that isn’t so, and so I have returned.

Watson: What danger, Holmes?

Holmes: Sebastian Moran.

Watson: Sebastian Mor- What, Moriarty’s right-hand man?

Holmes: The very same.

Watson: But why would he come after us? His superior is dead, he hasn’t got any orders -

Holmes: This has absolutely nothing to do with orders, Watson, and everything to do with the precarious and emotional nature of the human condition.

Watson: For the love of God, Holmes, can you just explain -

Holmes: I mean to say that this is entirely personal. Moran did not just work for Moriarty, he cared for him. Though to what extent, I haven’t the slightest idea.

Watson: For Moriarty?

(A disbelieving chuckle.)

Watson: Delusional bastard. I can’t imagine Moriarty cared for a soul in the world.

Holmes: And he may not have. How fallible man is, hm?

Holmes: Nevertheless, I believe that the colonel is seeking revenge. And if he cannot get it on me, then he will not stop until he has slain everyone I have ever cared for.

Holmes: Thus, my return from the grave. But I’ve already said that, haven’t I?

~~~

Holmes: No. No more deaths. No more lives lost because of me.

Holmes: …Not after Irene.

~~~

Moran: You should have died like the dog you are.

Holmes: Perhaps I would have, if I hadn’t known that Moriarty’s dog still lived.

Holmes: I had - foolishly, perhaps - thought that were I to die, Watson and Mary would be safe. A life for a life - my life, for Moriarty’s. No more.

Holmes: But you weren’t content with that. Were you?

Holmes: You wouldn’t stop until you’d killed everyone that meant something to me, even though I wasn’t there to see it.

Holmes: What will you do, if you succeed? What will you have left? It’s not as if revenge will bring him back.

Moran: You’d do the same if you lost your bloody Watson, wouldn’t you?

(Holmes is, rarely, silent.)

Moran: …And I don’t know how to do anything else.

~~~

Moran: …You’re wrong.

Moran: Nobody was kind to me. Not until I met the professor.

Holmes: But of course. It behooves a smart man to take good care of his tools -

Moran: You don’t know anything! It was real, what we had!

Moran: …It was real. I know it was. Because he told me that he didn’t even want to like me, at first, let alone…

(He trails off, as if thinking better of it. But then he shakes his head with a bitter chuckle.)

Moran: …What’s the point? I’ll hang for all the murders I’ve done. Another felony won’t mean much.

Moran: I loved him. And you’re the reason he’s dead. So I’ll kill everyone you love, and then I’ll kill you, or I’ll die trying.

~~~

Okay, that's it. If for some reason you read this far, thanks for sticking around! And if you have any personal thoughts on a third Ritchieverse Holmes movie, I'd absolutely love to hear them. See ya!

#rdj holmes #ritchie holmes #sherlock holmes #john watson #mary watson #sebastian moran #james moriarty #holmeswatson #holmeswatsonmary #moraniarty #and well i suppose i should tag this the almighty #johnlock #i honestly think all my screenplayish tidbits are waaaaaay too on the nose lmao #but i didn't want them to sit on my phone forever #but man is this a movie i'd love to work on if it somehow existed #even though there's no way it could given how much older all the actors are #i've seen and heard about numerous continuation concepts #but i always thought it a shame that they left out the fact that moran is still alive and kicking #and the fact that moran clearly cared about moriarty is such fun and barely explored territory in the movie #and appeared in none of the continuations that i could see #(sure it's entirely possible to interpret it that moriarty was just using that care)#(but i think that's boring)#(much more interesting to have your ruthless terrifying criminal mastermind villain be capable of genuine care)#(after all he canonically cares for those pigeons doesn't he?)

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albywritesfiction · 4 months

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Aro anon here! Dw, I've never felt that you as the author was pushing us to hate Ædan for not loving MC back. I think you've done fairly well, sort of, holding court(?) and showcasing asks without pushing any particular viewpoints.

Important addendum to my thoughts: I personally don't mind being uncomfy! like, not in this instance. Some fiction should be uncomfortable, especially attempting to delve into certain topics. It might be the only way to do it with honestly. It's worth it to read about the raw reactions Ædan gets. I don't want to police people's feelings on the matter - I think that's weird when we're talking fiction. Or worse, for any anons to be less honest going forward! But i do want to encourage self-examination, and give my own honest, first-reaction perspective to consider

I appreciate that you aren't planning to glorify sentiments like that, but i do hope you won't shy away from it altogether. Like, romance is messy, it can cause a lot of "ugly" feelings, and u should get to write the messiest version possible in a romance game 😂 where else to explore this? It'd be different if i was giving advice to a friend about a guy, but this is a story. Pls dw about making MC have "correct" feelings. Indulging in being vengeful, petty, or utterly enamoured with Ædan in the complete opposite direction from before could be really fun! MC being angry at Ædan specifically for not loving MC back is normal, and I think it'd make sense as an option in-game. But it'd be best, I think, to have varied reaction to this in-game. I think it'd be an interesting bit of characterization too, seeing who'd support MC unilaterally in this and who'd give more push-back against an MC who thinks like this.

e.g i think people already want the option to shove their happy relationship with Ædrick/Cyffrin in Ædan's face. There could definitely be a "if you'd picked me, you could've been this happy too 😒" bend to it 😂 so many possible reactions from everyone involved to be had:

Is Ædan actually jealous? What if not? I feel like he already knows his life would've been exponentially easier if he was in love with MC, but he had a decade and still couldn't force it. He knows what he'd feel like in a relationship with MC - utterly miserable. Maybe he'd just be happy that MC has found the happiness he feels with Helene in Ædrick/Cyffrin and say so. Would a Vengeance!MC be incensed about that?? What if Ædan was jealous and regreful! Would MC be pleased with that? Just openly gleeful? How do Ædrick/Cyffrin feel about being used for this so transparently? Or about an MC that's still so focused on Ædan, has such strong reactions to Ædan's opinions, even in a relationship with them?

Messy messy messy 🤗

Hi aro Anon! I was really glad to receive this from you as soon as I had posted my response to your ask, and I'm sorry it's taken me quite a while to respond to this one 😓

It's quite a relief to hear that I don't seem to be biased towards any one version of things. I've been kind of worried about deciding what things should I put a reasonable limit on so that ATE doesn't become too overwhelming to work on while balancing it with the interactivity and branching narratives that I want to delve into, so I'm glad to hear that it doesn't sound like ATE's turning into more of a kinetic rather than interactive novel just yet 😅

I'm glad to hear that you're open-minded about reading, even for works that may go beyond your comfort zone. I especially like how you, in your own words, "want to encourage self-examination, and give my own honest, first-reaction perspective to consider."

I also greatly appreciate all the insights and thoughts you've shared, especially about romance in fiction, the variation in responses to the entire mess Ædan created, and the potential spaghetti of emotions that the cast may experience 🤭

I've reread your ask more times that I can count since I received it all the way back in November 2023 in my attempt to write a sufficient response, and each time I did, I've felt grateful that you took the time to write such a detailed, insightful, and reassuring ask, so I'd like to thank you for sending in this ask, aro Anon, and I hope you have a wonderful day/night!

#after the end #ate-if #ate-if asks #ate: mc #ate: ædan #ate: ædric #ate: cyfrin

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animehouse-moe · 10 months

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Pride Month Week 4 Recommendations: Broader Horizons

I really wish there was more weeks in June so I could recommend more things, but we're nearing the end already, so I can't give every genre/aspect the attention they deserve. Though similarly, a lot of non BL/GL manga is missing from the NA industry, so sadly there's not a wealth of series to talk about. But! I hope that with the limited licenses we have, and the ones that I recommend, people will buy more of these titles and encourage publishers to bring more of them over! So, with only a little further ado, the recommendations for this week.

As I just said though, the further ado first. This week's charity is Outright Action International, a charity focused on LGBTQ human rights violations at a global scale

Doughnuts Under A Crescent Moon

An office romance with an incredibly fresh perspective? A series about a romance between two women that isn't overly sexualized? The check list keeps growing and growing with this story that explores the challenges in regards to romance for both the working women that lead this story. Hinako is all over makeup and the latest trends and trying to find a boyfriend, but can never convince herself that she's in love. On the other side, Sato is a woman who throws herself into work and taking care of her younger sister, never leaving another thought for the concept of love or attraction. But what happens when this pair that can't fit the normal definition of "love" cross paths?

It's a really beautiful story that keeps expectations low, and wonderfully explores the challenges of not just adult romance in society, but romance that exists outside the norms. Not just in regards to two women loving one another, but how they love each other. How they express it, how they struggle with it, what they feel is right or wrong with how they're with each other. It's an incredible story about exploring asexuality and attraction, and does so in a very heartwarming and positive manner.

Our Dreams At Dusk

Tasuku is a teenager that desperately wants to keep his sexuality under wraps, but struggles because of a crush he has on his classmate. Through his anxiety, and wandering through this new city he's moved to, he's discovered by "Somebody", who owns "The Lounge", a gathering area for LGBTQ+ people. Within this small community, Tasuku explores his own sexuality while learning about the experiences and challenges that others have faced.

I was recommended this story by a friend ages ago, and decided to pick it up without knowing anything. I read it all in one go, and then read it all again a week later. In just four volumes, this story explores so many different forms of gender identities and sexuality, and does so through incredibly beautiful metaphors, and endlessly important (though very realistic and potentially painful) interactions and conversations. If there's a single queer manga out there that people feel like they should pick up, it really should be this one.

Last Gender

Bar California is a space for people of all different genders, orientations, interests, and sexualities to gather and shed the forms that they carry through daily life in society. Whether it's to explore themselves, or enjoy a night free of inhibition, Bar California is frequented by many customers, and this manga details the stories of those patrons.

Similar to Our Dreams At Dusk, Last Gender explores a plethora of characters through uplifting, challenging, emotional, and unresolved stories. Repression and lashing out, working up the courage to tell your loved ones, finding the right person or experience for you, it's stories about the realities that LGBTQ+ people face in their lives, and the stress and emotions and challenges that stem from it. It's a very mature story, as it features nudity and sexual acts, but in doing so refuses to avoid the harsher reality of a lot of these stories. Because of that, if people want something that takes a deeper and more grounded look into LGBTQ+ people and communities, this is a great starting point.

Boys Run The Riot

Need I say more? This list wouldn't be complete without Boys Run The Riot. A harsh but incredibly powerful story about the journey of a high school student named Ryo, and their outlet through fashion to express themselves and their story.

It's poignant, it's very candid, it doesn't shy away from truth or issues within the LGBTQ+ community, and it brings the story into society. It doesn't separate Ryo's journey from what's around them, but rather allows their journey to build upon and grow alongside the other characters that form their friend group. It presents it as another story of this world, rather than something that's separated and isolated from what's considered "normal".

X-Gender

X-Gender is an autobiographical manga about the author's journey in exploring their sexuality and gender identity through their adult years, with a dash of comedy, and a healthy helping of adult content.

Relatively straightforward, it details their experiences in coming to understand themselves and who they feel the most comfortable as, and is really informative for both people that are in the process of questioning themselves, and those that lack understanding of these types of experiences. I think it's a really great look at a candid retelling of learning the ins and outs of sexuality and gender identities, and finding the labels and banners that someone is most comfortable associating themselves with, so I definitely think people should give it a shot.

And that's all I've got for this week. In the realm of manga that exists outside of BL/GL, there's a world of information to cover, and I'm super glad so many titles cover vast swathes of information. But at the same time, I feel like there's a very large vacuum in regards to these stories in "typical" settings. A lot are informative or autobiographical, and it's only outliers like Doughnuts Under The Crescent Moon, or the super outlier Boys Run The Riot, that the approach is fictional and more traditional. So I really, really hope that people will pick up these titles (and other similar ones not listed in this list) and show publishers that we want more of these types of stories!

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teecupangel · 7 months

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Tee, I'm adding another fandom to our Isekai Protagonist Desmond bunny bank. I finally got around to playing Rune Factory 5 (after being distracted by a bevy of other games) and was hit by the idea that Desmond would find eating BREAD to gain new crafting recipes to be really fucking wild. Like. How in the hell?! And that, to separate them from normal bread- they're. They're just. They're just called [Insert Craft] Bread and that's it.

For example! You want to make a potion? Gonna have to scarf down some Chemistry Bread! A new battle-axe with added poison damage? Weapon Bread! Wanna learn how to make some, I dunno, soup dumplings to woo the local wolfman himbo? (Or himbo wolfman, either way he's pure of heart and dumb of ass.) Well, you might need to level up your cooking skill but once you've gotten a level (or three or ten), then you might get lucky after chowing down three or four Cooking Breads but when you don't get any sudden bursts of enlightenment after that then you're gonna need to level up again!

All of it might have Desmond questioning reality some more but at least he's got some eye-candy to make up for it all! (And we could even make some of the potential husbands local expies of his usual AC partners. And yes, you can choose to romance and marry your own gender now in RF and it's non-fantasy sibling game Story of Seasons.)

(Just in case anyone is wondering, Story of Seasons is the real Harvest Moon sequels, not whatever ‘Harvest Moon’ game Natsume Inc is publishing. If you’re wondering if it’s a real ‘Harvest Moon’, any Harvest Moon released in the US by 2014 named ‘Harvest Moon’ are not part of the real series under Marvelous/Xseed)

Okay, so let’s talk about Desmond waking up in some weird place he has no idea ever existed in his own world. People assumed he has amnesia because he ‘forgot’ so many things about their world but Desmond is pretty sure he’s been transported to a different world.

Exhibit A: monsters.

Exhibit B: the logic behind these… ‘specialized’ breads.

So Desmond is left with no choice but to… well… go with the flow.

He has no idea why they gave him a farm though but… it was nice.

There was something nice about how everyone was helpful. It made Desmond feel like he was truly part of Rigbarth. SEED sounded fishy as hell though so he didn’t agree to joining them (also, he didn’t want to join any organization right now).

Overall…

Desmond liked to think of this as his retirement.

And it was fun trying to figure out how this world works. There was a lot to do for the farm but, even though that was true, Desmond had never felt more relaxed.

There were also a lot of kind people who didn’t mind joining him in exploring what lies beyond Rigbarth.

Hell, he even got a monster ranch going on in one part of his farm.

And then…

A man with amnesia going by the name Lucas arrived in town and…

He believes he knows Desmond.

He doesn’t seemed to remember when or how though but it was a clue. A clue to why Desmond had been sent here…

But the real question is…

If he finds the answer to his questions… would he be able to return to his old world?

Did… did he even want to?

Unorganized Notes:

I kinda like the idea that the bachelors and bachelorettes remain who they are and this will be a case of Desmond finding love in the ‘strangest’ of places.

His children though… the game gives 3 (1 older and twins) so that means we can have Desmond’s children be reincarnations of Altaïr, Ezio and Ratonhnhaké:ton (called Connor in this one). The twist can be hidden at the beginning on and Desmond learns they’re really his ancestors later on. This does mean that you’re free to choose who Desmond falls in love with (or make it a vote idk).

Considering Lucas’ true identity in the game, this might end up being one of those “eternal love” setup where Lucas used to be an Isu who created the world Desmond is sent in as some kind of simulated universe and placed his conscious there to escape the Solar Flare millenias ago. Minerva’s last ditch effort to save Desmond pushed him into the Grey and Lucas noticed that Juno was trying to take him so he grabbed Desmond and yanked him to his ‘safe world’. Lucas lost his memories because Desmond isn’t part of his world so Desmond’s sudden appearance caused a chain reaction that ended with Lucas’ amnesia (as he’s being repaired). His children being ‘reborn’ is actually his Bleeds gaining their own bodies.

Will Desmond make his own Brotherhood in this one? Probably not. At most, he’d teach his children Assassin-like tricks to help them be safe but not train him the way Bill did. That’s why it took a while for Desmond to realize his children are his ‘ancestors’. Ezio was the one who realized something fishy was going on at the start because (1) his older brother is named Altaïr and (2) one of his parents is named Desmond. The monster and fantasy-esque setting of the world he was reborn in offkiltered him a bit though XD

Up to you if you want to have an actual ‘oh the world is in danger… sorta’ plot as well or you just push it in the background with Lucas and Radea and let Desmond have his retirement.

#ngl #i went for reinhard for the sole purpose #of him being voiced by chris hackney #dimitri alexandre blaiddyd still has me XD #this has become a #fic idea: crossover #assassin's creed #desmond miles #ask and answer #altaïr ibn la'ahad #ezio auditore #ratonhnhaké:ton #connor kenway #fic idea: rune factory #rune factory 5 #teecup writes/has a plot #fic idea: assassin's creed

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berryzawati · 8 months

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Rambling about wolnpc....

One of the reasons why I'm so deep into multishipping hell with my wol is that I love genuinely love exploring dynamics with different npcs. FFXIV throws so many awesome npcs at me, how can I just stick with one or two?

Ok, there's also the fact that she fell in love twice and the first time her lover died and the second time, the guy was already dead BUT...

As far as canon goes Layla had a whirlwind romance with Haurchefant. They fell in love fast and the romance ended just as fast at the Vault. It was a very cliched romance, Haurchefant swept Layla off her feet. Often literally. He was very affectionate with her and often times Layla was a bit shy, especially when they are in public. But she loved him just as much.

Her love for Ardbert was doomed due to the fact that he was already dead and not from the Source. Ardbert fell in love with Layla during Shadowbringers too but denied his feelings for her until the very end.

Layla felt like Ardbert was truly her soulmate and often wonders if she would feel similar about the other Azem shards. By then, Layla overcame her timidly and often persued Ardbert romantically and Ardbert was often unsure how to react to her advances - all the while he slowly fell for her. Also I constantly think of newlywed AUs for them lmfao

Layla and Leofard are friends with benefits but on a non-sexual level, they enjoy each other's company a lot. Leofard understands that Layla comes from a very different background and starts to banter with her accordingly. I call their dynamics charming rogue x graceful, courtly fighter.

Layla may act as if Leofard's teasing bothered her a little but deep down she appreciates him as a dear, dear companion. Someone who understands that the world is vast and that there is still so much for them to discover...

When it comes to non-canon ships, I'm afraid this is where my brainrot truly shines. I ship my wol with so many npcs, I sometimes even forget which minor msq/general npc I ship my wol with. It do be like that. Though these days I often think of job/role quest npcs.

As someone who ADORES job quest npcs, I was extremely sad that the stopped doing them in Shadowbringers.

Some of my favorites include:

Gransonwol. They're both tanks and they both lost a loved one. In my mind, Layla and Granson lick each other's wounds and get closer in the progress. Their personalities don't clash at all and they go well together.

But Granson is from the First and Layla is from the Source. Not only are they griefing but it is hard to deal with physical distance. This often leads to conflicts between them. Will they be able to overcome this? Who knows...

Oborowol. The first thing I think when I think of Layla and Oboro was how when she became a ninja, Oboro asked her to teach him about the culture of Eorzea. But Layla is not a native of Eorzea either! I think this may have lead to funny moments to them, Layla loves helping people, so she often answered all the question.

The second thing is:

Oboro's Zadnor field note gave me a lot inspiration. Layla may be experienced in all things romance but she can get pretty bashful and lets her partner lead. Oboro however is not really experienced, so she waits a long time for him to make a move on her. So, here's a rare case of Layla often taking charge in the relationship. Oboro is often thankful but eventually overcomes his own shyness, methinks.

Widargeltwol. Probably the ship that is connected to Layla's lore the most, even more than her canonical ships. Layla is half Ala Mhigan and her Ala Mhigan mother is one of the last surviving monks. This had a huge impact on Layla growing up. Growing up her mother strictly trained her to become a monk but Layla could not open a chakra despite her apititude for fighting and her strong body.

It wasn't until she met Widargelt during the first monk job quest that she opened her first chakra. Widargelt realized her potential and made plans to use her for his revenge against the Garleans (as shown during the ARR MNK job quests). I love this because during A Realm Reborn, Layla felt connected to the Ala Mhigans and started to see herself as an Ala Mhigan more and more.

So, queue in the angst when during the level 50 quest, Widargelt tried to kill her. Layla quickly became fond of Widargelt, so her heart broke after this but during the Heavensward quests they've mended their relationship fast. Even in the canonical timeline in which they don't end up together, Layla sees Widargelt as one of the most precious person she has met during her journey.

It is worth noting that Layla has kept her mother's identity hidden but after the events of the last ARR MNK quests, Layla confessed to Widargelt and Erik that her mother was a monk as well. They were the first people, Layla has told about her mother.

I think out of all my ships, this one is the one I'd label a slowburn. They saw each other as siblings in monkhood first but I also think that their romance is also a very smooth one once they realize their feelings. No need for big words, both know very well that the other has nothing but love in their heart. But first steps are hard...

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teamdilf · 16 days

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In Hushed Whispers

Potentially unpopular opinion but In Hushed Whispers is my favourite Dragon Age quest, period. It offers such an incredible introduction to Dorian (the inquisitor is forced to rely on a man they don't really know, who is from Tevinter, the big, bad, scary magocracy!), but it also shows us a version of Solas who full-on recognizes that he's the classic "high intelligence, low wisdom" character. He sat for a year in this nightmare future simmering in the consequences of his screw-ups and actually has the ability to recognize that even with all the knowledge he has, he was always going to make those mistakes.

You get this incredible insight into how Solas must view contemporary Thedas. His people are sundered, contemporary elves have lost much of the truth of their history and are treated with contempt and prejudice, and magic is widely feared. The inquisitor and Dorian roll back the clock a year, ending that nightmare future for good and it's viewed widely a positive thing and it feels like it could be a parallel to the way Solas is thinking/what he's planning. This is a guy who literally caused the apocalypse the first time around, and is apparently going to take a second crack at it (I love you Solas but you're such a dumbass).

Nowadays, I mostly just run through the game as my Lavellan, Iris and romancing Solas instead of creating new inquisitors, but when I do branch out, it's always kind of disappointing when I opt to take my character on the templar route.

I just love the angst of Lavellan watching Solas die, and then after she learns what he's up to, has to stew in the realization that she's very well going to have to watch him suffer that same horrid fate once more, on account of the fact that Solas has the red lyrium idol and may be using red lyrium to thin the veil. But, that's veering into theory-crafting and my own personal post-canon fanfiction.

After enduring what they did together, that Dorian and the inquisitor become such close friends makes a lot of sense. They survived something none of the others have any comprehension of and the horrors of it still remain. I have a lot of Dorian & Lavellan friendship feelings that are constantly making their way into my Dragon Age fanfiction, if anyone is interested in the exploration of a platonic friendship between two snarky mages.

#In Hushed Whispers #solas #solavellan #dorian pavus #dorian dragon age #solas dragon age #Iris Lavellan #solas x female lavellan #inquisitor lavellan

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