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#I hope I'm making some sense
muppenthings · 1 year
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What's an average day like for Snuffy and Hilda?
To not make it too long, I'll limit it to an average spring day! :)
More under the cut because it got long anyway. xD
Hilda always wakes up at 5 in the morning to start her morning routine, washing off in (cold) water and getting dressed. She'll then fire up the wood stove to boil some water for her tea and prepare breakfast consisting of oatmeal with some lingonberry jam. She'll also have bread with pickled herring or cheese.
When everything's nearly done, she'll open a window and tell Snuffy (he's always curled up nearby a window) good morning, which he politely returns (shortly afterwards unleashing a massive yawn because it's just way too early to be concious).
Then she'll have her breakfast by the table at the window, giving Snuffy a portion too. He's tried telling her it's not necessary but she's not having it. If she's eating then so is he.
While Hilda takes care of the dishes (and then feeds her murder of crows and other forest creature) Snuffy will go to the nearby lake and bathe. Scrubbing his scales with the sand and pebbles. If needed he'll bring a tree for Hilda and break it into manageable fire wood! :)
After breakfast they will continue with the everyday chores! The chores for the day varies. If Hilda needs to restock something she and Snuffy will walk to town. This trip happens once every week at least. Snuffy will politely wait at the outskirts while she gets everything she needs. Often it takes a while so he'll end up napping, he doesn't mind. ;)
Hilda bakes everyday however! Be it bread, pies, sugary cookies etc. Snuffy will be close by to taste test everything! Other times she'll be pickling vegetables or herring.
If there's anything in the garden that needs to be farmed then she'll do that, idly talking with Snuffy of all the things one can do with the veggie/herb/etc. She'll often go off tangent and tell a story from her travels which Snuffy's very happy to listen to!
If it's laundry day then Snuffy will help Hilda carry it to the little stream nearby. She always insist on doing the washing herself but he'll help her hang it up to dry! Then he'll keep guard over it so the water sprites doesn't "borrow" anything.
They'll have lunch together and after that, Hilda will take a nap. And so does Snuffy. He loves naps. xD
After that there's afternoon tea with whatever baked goods Hilda's got! And the chores continues. If they're done early then there'll be some quality time where she plays a record on her phonograph. This also involves nose rubs and scratches for Snuffy.
Hilda finishes her day with dinner and goes to bed pretty early, often around 8PM. She needs her beauty sleep after all! She wishes Snuffy a good night, and good hunting. Because that's when he heads out to get his fill. He's away for a few hours before returning to curl up by the cottage for the night. :)
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somnimagus · 7 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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inkskinned · 1 year
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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
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butchthirteen · 6 months
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okay the other thing is like. can we think about why, in-universe and out, one might choose to have the doctor return to a fan favorite regeneration and a regeneration where both the character and actor were reluctant to move on? and (especially in the context of new who being about the doctor's trauma) can we think about why one might then bring in the new exciting regeneration and have that regeneration extend comfort to the prior one?
like people keep treating it like tennant and gatwa are like. competing. but it's not a competition, it's a collaboration. it's a meeting of old and new, it's a passing of the torch. and it's honestly really really beautiful to me.
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To other sex-repulsed people: Please understand that your repulsion towards sex is your own issue to deal with. Understand that sex is important to a lot of people (you don't have to understand why, just simply that it is), and understand that it's not okay to treat sex as a bad thing simply because it exists and you're repulsed towards it.
It's completely fine to vent about your friend talking in great depth about their sex life when it repulses you (and maybe tell them that it makes you uncomfortable and you don't want to hear about it) or for any reason for that matter, but don't talk about how much you hate sex in front of the people who find it a positive thing because you'll just end up being seen as someone who kills the fun. It doesn't seem fair, I know, but there are lots of places you can talk about this without upsetting people who enjoy it.
And to non-sex-repulsed people: Please understand that we need a space to air our repulsion to sex. If anything we say isn't directly aimed towards you specifically and it upsets you, then maybe consider that this space just isn't for you. Not everyone has the same positive feelings towards sex that you do, and we have just as much right to talk about how we dislike sex as you have to talk about how much you like sex.
And everyone needs to understand that it's possible to have negative feelings about sex —and to talk about these feelings— without it automatically being sex negativity.
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lesbianlotties · 5 months
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so. i'm still thinking and taking too seriously the different possibilities on "Why the Wilderness™ killed Laura Lee?" and especially thinking about the Wilderness killing Laura Lee specifically as a way to punish/hurt/control Lottie
first of all, obviously, this is all going along with the assumption that the Wilderness™ is ✨something✨ real and purposeful and powerful, etc etc
Now, Lottie and Laura Lee were holding hands as the plane went down right? they had a connection before ever setting foot there. fun fact that i want to include here: both of them voted against going down to the lake btw (like jackie, resisting going deeper into the wilderness). but then they reach the cabin! and Lottie starts acting weird, she stays behind, it's her first moment of isolation (i think). she starts to "feel" bad things. she ran out of her medication of course but we can assume it's the beginning of her "hearing" the wilderness
if we keep going along this route, you could say Lottie got officially "chosen" by the wilderness during the seance, and who interrupts it and breaks her out of it? Laura Lee! maybe the beginning of the Wilderness' beef with our girl Laura Lee
if we accept what Lottie said in the s2 finale to be true and the Wilderness chose her because she was the only one that could listen to it, it would make sense that the Wilderness needed her, and it needed her alone, all to itself, believing and trusting only what she heard and saw from the Wilderness
when Lottie goes to Laura Lee to explain away the visions, when she goes along with Laura Lee's baptism and idea that the visions come from God, it goes against the Wilderness' wishes. you could even say that Lottie's vision of Laura Lee's death during the baptism was the Wilderness giving her a final warning, an opportunity. maybe if Lottie had wholeheartedly believed in her visions back then instead of in Laura Lee's words, she would have done something to stop her from getting on the plane
the Wilderness killing Laura Lee was It proving its power to Lottie, telling her to never doubt it again
and, by killing Laura Lee, the Wilderness got rid of Lottie's closest friend, strongest connection, and last tether to sanity and civilization and the group. it had Lottie isolated from the group and free to manipulate and share the messages it wanted, without a translator that believed in other gods
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uncanny-tranny · 6 months
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If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!
I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.
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blackkatdraws2 · 6 days
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This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]
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I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.
[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]
[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]
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For context, the comic below references this post about the Dungeon's children/guard dogs.
[They're more like the immune system since all they do is make sure the (body) is safe.]
[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]
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And the old man below is Joseph!
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Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!
[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]
[There is a secret third world, and that's our world. Our reality.]
These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?
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When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.
Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.
Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.
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This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.
It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.
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anewp0tat0 · 9 months
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I tried but not very hard to see what the anniversary date was, and i decided to just prepare myself for the 16th or the 18th... it was the former. so, as always, but this time truly by accident... happy belated 17th birthday Black Butler!! I truly hope this year is amazing for us.
this year, I decided to use an idea I had wanted to try for a while but I never thought I would be able to pull off. and I still probably couldn't in the best way.... but regardless, here is a made up last chapter scenario.
you can also see this comic on webtoon here. whatever your fancy, if you please :>
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911bts · 7 days
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Crash Course in When Cable Shows Air
If a show airs in the fall:
It will start airing sometime between late August and early October. Typically it's going to be in September (911 normally is) but some vary.
It will typically go on midseason break sometime between early November and mid-December. 911 normally is late November/early December.
Shows then return from midseason break around March. (There's some exceptions to this depending on the structure of the networks schedule and the number of episodes in a show's season. 911 is not one of those exceptions.)
If a show is airing in the midseason:
These shows normally start airing in January. They have normally have a smaller break in the middle. I want to say like 4-8 weeks (but truthfully I don't follow midseason like I do regular season so that's off 911 and what I vaguely remember from other shows).
Both fall start and midseason start tend to end in May depending on the number of episodes.
Not every show follows these perfectly, though. Like I said, number of episodes tends to be a factor. Also there's seasons affected by real world things (pandemics and strikes) so they don't follow a normal format.
Shows are also affected by production and events (awards, sports, holidays) so sometimes there's potentially other weeks off throughout the season.
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hazelpuff · 5 months
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skrunksthatwunk · 4 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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redflavor · 10 months
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RED VELVET 빨간 맛 (Red Flavor), 2017 dir. Seong Chang-won
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butterflysonnets · 4 months
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
#eve text#elmike#stranger things#byler#only tagging byler because i feel like yall will like this take lol#tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS#god i can't believe i'm making a post about stranger things. this feels like poking a bear#i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable#i'm seeing the bts of s5 and it's got me Having Thoughts#elmike friendship is something i am so passionate about#even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike#i always believed they were close friends at heart and needed to break up#the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me#and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me#and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin#also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK#so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows#i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk#tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO#stranger things hasn't historically subverted too many tropes if i'm being honest#anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul#i need frivolity#ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show
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brw · 2 months
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We will kill the most diverse X-Men team this era has ever seen, but don’t worry, self-described genetic absolutist White Queen will avenge their deaths. The character whose first scene in this project was announcing her intention to act as the capitalist colonial arm of the mutant nation is never criticised or analysed properly for this, and in fact is rewarded with being the revolutionary leader, organising what needs to be done in the fight against the terrorist Orchis. We will show any critics of Krakoa to be nothing more than racist Nazi scum who die horrifying and darkly comedic deaths, to canonise our great and beautiful paradise ethnostate as the dream we all shared, that was ripped apart from us by jealous fools. Both powerful enough to pull off that feat, but not powerful enough to stop Kitty-now-Kate Pryde from going through a goddamn door. Simultaneously strong enough to defeat mutantkind at their strongest and proudest, and weak enough that they grovel for forgiveness the moment they’re defeated. These depictions are not unique to superhero comics–but ethnostates are. Using these tricks when you’re writing an era that’s opening moment sets up the direct comparison to Israel is, bluntly, disgusting, and shameful. It is disgusting if it is intentional, and it is still disgusting if it is accidental. The promise of an interesting story with a harrowing fallout is gone, and all that remains are the lies of fascists put in the mouths of characters whose revenge we are supposed to root for.
Wrote an essay discussing my feelings on the fallout and legacy of Krakoa. I also have a substack ver if wordpress doesn't work for everyone.
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kazzettes · 8 months
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Ladybug Week 2023 Day 1, Oct. 23rd: College AU
With a Freezerburn guest appearance.
This one's for all my fellow Ladybug fans. (All, like, 2 of them).
When I sat down to draw this my brain went on a tangent and created its own full-on fanfiction, lol.
Basically, Ruby is this super talented freshman in the engineering department who's been gaining the attention of all the professors since she enrolled. She singlehandedly became the lead of the Science and Technology committee, which both she and her buddy Penny attend.
Yang is on a sport scholarship and is part of the Volleyball team together with Blake. She and her buddy Pyrrha are the aces of the team. She's very talented at the sport despite not seeming to have any aspirations to pursue it as a career…? Like Ruby she's also enrolled in engineering.
Blake is the Visa student- her parents saved money their entire lives to send her to a good university in a first world country. She joined the volleyball team with the goal to save money with a scholarship, but ended up enjoying being part of the team. She's chronically broke and isn't legally allowed to work due to her Visa status, but her buddy Sun hooks her up with some shady jobs that she takes from time to time to earn some cash. She met Ruby through Yang, who started inviting her out for lunch to discuss their shared favorite books series. Blake only agreed at first for the free food but eventually ended up enjoying and seeking out Ruby's company.
Weiss is this turbo-preppy model student and the president of the Student Organization's Committees. She had some friction with Ruby at first due to their clashing personalities but they eventually grew to respect each other. She met Yang through Ruby and was immediately smitten. She's suspicious of Blake and thinks she and her buddy Sun are bad influences on Ruby.
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