19/?? A quiet moment
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We return to a movie that has monetarily developed a sense of childlike wonder, Prometheus.
You would think a movie about reaching out to aliens that created humanity would contain more of that, but this scene is all there is, mocking me eternally. This entry will be image-heavy and light on main text. Check the image alt-text for secondary analysis, should it interest you.
Y’know what’s a great movie? Contact.
[Video description: A trailer for the movie Contact. It’s a dense 2:27, and has good audio coverage of what’s going on. In fact, the audio design is impeccable. Whoever made this trailer was damn good at their job.]
Based on a novel by Carl Sagan and directed by Robert Zemeckis before he descended into uncanny motion capture hell, Contact is a thoughtful science fiction drama that follows a scientist searching for extraterrestrial life who receives Earth’s first message from space. It deals with disagreements around religion, and whether it’s compatible with the pursuit of science and wonder at the natural world. It deals with the messiness of human response to this situation, but ultimately ends on a hopeful note. But before it gets there, it can be eerie and tense, both from the ambiguity of the aliens’ intentions, and what humans might do to each other in response to the mere possibility of the signal being real.
Y’know what would’ve been a great horror movie? Precisely that premise, adapted to the Alien setting. Dedicated and marginalized and thoughtful people who devote themselves to reaching out to the stars, slowly learning that what they find there might be wondrous, but it is also unfathomably destructive.
This scene is the only one that captures something of that feeling. David goes off alone to investigate a sign of life elsewhere in the ship. He finds thousands of dormant urns, the promise of horrific destruction. And he finds what seems to be the command center of the ship. He’s dwarfed by the scale of it, looking like a child sitting behind the wheel of a car. And with a little prodding, he activates a hologram that shows the Engineers before everything went wrong.
He watches in complete silence, taking everything in, reveling in the swirling patterns of the ship’s star map, reaching out and catching a weightless little hologram of the Earth in his hands like a soap bubble. Its meaning is sinister, but the sheer experience of the moment is beautiful.
And then the hologram cuts out, drawing attention to a single stasis pod, where a still-living Engineer lies dormant.
This is the best scene in the movie. It wordlessly conveys the kind of wonder and joy of discovery the way the rest of the movie’s failed to do, it conveys information about the stakes and dire intentions of the Engineers in a non-explicit manner that could logically flow into the rest of the plot without clunky exposition, and it adds a further twist to what’s going to happen next.
David has just discovered that the Engineers were preparing to go to Earth, two thousand years ago. They were bringing death with them. One of them still lives. And David smiles.
This is a fragment of a much better film, lodged deep in the runtime of Prometheus. It’s followed immediately by Holloway’s death, which failed to inspire much response in me at all, but this moment was beautiful.
And next time, we’ll get to the best piece of horror in the movie. We have reached the summit of Prometheus. We’ll be tumbling back down the slopes soon enough, but for now, let’s enjoy this.
Citations for alt-text rambles:
https://youtu.be/uhHIM-1IZ_4
https://en.wikipedia.org/wiki/Uranus#Axial_tilt
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A Dhampire’s Bite
Headcanons for the reader in Blood Oranges. Since she(the reader) is a dhampir, they are a little more powerful than the average vampire. I’d like to think that once the reader and the boys really start their romantic relationship, she will be the first one to bite all of them. Even though David is technically the leader and likes having that dominance, I feel like the reader because of their own vampire urges being much stronger, likes the idea of biting them first. My little headcanon for dhampirs is that they can be a lot more feral and possessive, acting more on their emotions.
Also, I have an idea that like, a dhampirs bite can tame a vampire if they start to get too violent or emotional. Like I don’t know, I imagine Marko getting all feral at some group of Surf Nazi’s that really ticked him off that night and the reader just wants him to calm down but he’s way to worked up. The reader is upset and just wants him to relax, so out of instinct she just bites him hard out of nowhere and everything just kind of like shuts off in his brain. Kind of like hitting him with a tranquilizer but it’s just because the reader is very powerful and their bites send him into a hazy state.
Basically just throughing some headcanons out there, might do more because I have no idea when I’m gonna publish part 8 of Blood Oranges. These are general ideas I have that I’m just working through and would love to hear other people’s opinion or something they would maybe like to see that’s not prominent in Lost Boy’s fics.
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