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#Gursky
56130 · 2 years
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Andreas Gursky, Krefeld, 1989
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hemanchong · 2 years
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Mondays. “#AndreasGursky’s #sensational depictions of #stockexchanges, initiated in #1990 and repeatedly revisited throughout his career, are together one of the most arresting #metaphors for the #socioeconomic #topography of our age. This sequence comprises a significant number of Gursky’s existing portfolio of stock exchange pictures and stands as the most significant and comprehensive ensemble of #Gursky’s seminal cycle to exist in either public or private hands. Never before in Gursky’s ample and international exhibition history has such a large group of stock exchanges been publicly exhibited together. Across the breadth of the present compendium, East and West do not so much collide as conform to a pattern, a cross-cultural social paradigm homogenised by the uninhibited accumulation of wealth. Dispassionately detached, the brilliance of Gursky’s artistic eye lies in the distillation of an essential geometry or pattern symptomatic for our global age.” Text from @artsy (at Hamburger Bahnhof – Museum für Gegenwart – Berlin) https://www.instagram.com/p/Cf3gFEcIVU1/?igshid=NGJjMDIxMWI=
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dogwelder · 4 days
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Today's your last day to fake a Gursky.
Bigger: https://www.flickr.com/photos/dogwelder/53681668768/in/dateposted/
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rwpohl · 2 months
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il vinti, michelangelo antonioni 1953
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zegalba · 6 months
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Andreas Gursky: Niagara Falls (1989)
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aadanslanuit · 8 months
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Andreas Gursky
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obsessedbyneon · 2 months
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Andreas Gursky - 'Bahnhof Sloterdijk', 1989
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xmcu-fietro · 3 months
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why is it that when I write fanfic I get wayyyy caught up in details that don't matter (I seriously just googled "types of deer in Poland" so I could figure out the average deer height there and compare it to how tall Nina is next to one in Apocalypse so I could guestimate her height. This, surely, is not crucial to a fanfiction about Peter Maximoff and all his familial angst) and then I get so stuck on big details, like how to actually end a fic??
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house-of-dadneto · 3 months
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Hello and welcome to the House of Dadneto 2024!
I am extremely excited to announce the very first House of Dadneto event, a month-long fan creation challenge with a focus on Magneto and his (many) children! The event runs throughout the entirely of June 2024, and includes 15 main prompts, 15 alternate prompts, and an extra 10 prompts designed for editors! You can check out the whole list of prompts here!
All fanwork mediums are welcome (fics, art, animations, edits etc.) and you can complete as many or as few prompts as you would like, though there are prizes for those who complete either 15 or 30 prompts by the end of the month! Check out the rules here for information on how to participate, how to qualify for prizes, and any other questions you might have!
Can't wait to see what all you awesome creators make for our favourite Dysfunctional Dad this June! Until then, stay posted for more updates and details from this blog, and if you have any questions feel free to send in an ask!
Have an amazing day! ✨
Announcement // Prompts // Event Info
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superherotiger · 3 months
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Hello everyone! I'm back again with another piece of banner art for the @house-of-dadneto event, this time starring the Fox-Verse Magnet Family! These guys were how I first got into dadneto, so they'll always hold a special place in my heart, even if we were robbed of seeing them at their full potential. I suppose that's what us fan creators are for though, right? 😭
If you haven't heard of the House of Dadneto event yet, it's a month long fan creation challenge set in June with a total of 30 prompts to meet all your Magnet Family and extended members needs! Check it out here if you're interested!
Hope you all have an awesome day!
-Superherotiger
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germanpostwarmodern · 5 months
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Andreas Gursky’s photographs are strangely fascinating: from the early 1990s on he developed what he calls „knitted“ photographs, made up of different individual shots, massive in format and detail (and eventually also price). In 2008 the Kunstmuseen Krefeld staged a grand retrospective of Gursky’s works from 1980 to the then present at Houses Lange and Esters, an exhibition that was accompanied by the present handy catalogue: published by @hatjecantzverlag it offers a beautifully designed and comprehensive overview of the photographer’s development over almost thirty years, from his early „Pförtnerlogen“ to later works like „Kuwait Stock Exchange“. What we get to see in these photographs is the morphology of the world that grew in scope alongside Gursky‘s success: where his early works explore his familiar surroundings of the Rhineland and Ruhr Area he later travelled the world in order to capture the determinants of our globalised world. Interestingly there’s always a somewhat distant but inevitable presence of man in relation to the world. When Gursky photographs stock exchanges, production halls or crowds of people during concerts he makes visible more than the human eye can see. But at the same time he captures determinants and symptoms of the present day in the manner of an encyclopedia of which each photograph is a necessary part. Read in this way his massive and massively successful work functions as an inventory of the late-capitalist world we live in and opens up a resonance space for the manifold discussions surrounding the human condition‘s status quo. „Andreas Gursky - Werke 80-08“ is an excellent cross section of the photographer‘s career that thankfully also brings to light his lesser-known series from the 1980s, more intimate, smaller works that often possess a subcutaneous wit his later works only rarely show.
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Chris Gursky
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waidwund · 1 year
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' ... nicht abstrakt ' Gursky exhibition in museum K20, düsseldorf, germany // 08-2016 © 2016 waidwund-photo  
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slack-wise · 6 months
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Andreas Gursky
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aadanslanuit · 8 months
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Andreas Gursky
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