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#FREE ALL ANGELS
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NEW ALBUM : Ash have announced details of the vinyl reissue of their third album, Free All Angels, on 16 September
NEW ALBUM : Ash have announced details of the vinyl reissue of their third album, Free All Angels, on 16 September
PHOTO CREDIT: SOPHIE HOWARTH ASH FREE ALL ANGELS LP // 16 SEPTEMBER  NEWLY REMASTERED SPLATTER EDITION VINYL REISSUE  BAND CELEBRATE THE 21ST ANNIVERSARY BY PLAYING THE ALBUM IN FULL WITH CHARLOTTE HATHERLEY ASH have announced the reissue on newly remastered splatter vinyl of their hugely successful and beloved FREE ALL ANGELS album on 16 September. The release follows the reissue of their debut…
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palestinegenocide · 1 month
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A secret internal ‘NYTimes’ memo reveals the paper’s anti-Palestinian bias is even worse than we thought
The shocking revelation of the New York Times's offensive internal style guide on language it will not permit in its Palestine reporting should prompt a broad examination of the paper's longtime bias.
[link]
Kudos to the anonymous New York Times staffers who leaked the paper’s offensive internal guide about the language it won’t permit in its reports on Israel/Palestine, and more kudos to The Intercept for publishing it. The shocking revelation should prompt an even broader examination of the biased language that has long been routine in the Times and across all U.S. media.
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krakensdottir · 10 months
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Also something really important I want to point out about Aziraphale's religious trauma.
It's often framed as him being directly abused by Heaven, generally emotionally. And while I don't doubt he's been belittled at points - probably not by Gabriel, the iconic exemplar of the Toxic Positivity boss, but we know how Michael and Uriel etc. can be - it also seems like he's received quite a lot of praise and has generally managed to pull off the appearance of being A Good Angel, or at least a satisfactory one. I don't think, and this is controversial, but I don't think Heaven was usually overtly hard on him.
Because that's not how this kind of cult mentality usually operates. Instead, it teaches you to abuse yourself. Your overseers don't have to directly hurt or insult you if you're so ingrained with fear of failure by the culture you were brought up in that you constantly question yourself as not good enough.
It's not as... satisfying, I guess? As an external abuser being the main issue. But it's a lot more real. At least to me, because I suffered so much anxiety over being 'good' when I was a kid, and it wasn't from direct abuse. It was absorbed from the culture I was surrounded by. I picked it up by osmosis from society at large, and it tormented me. I worried, I doubted, there was a time I literally feared going to Hell. And I wasn't raised strongly religious. My mother certainly treated me as a Good Kid, and never gave even the suggestion that I wasn't. But I felt that way anyway. And it tore me apart. Because internalizing that shit makes it so much harder to fight.
And to be clear at this point, I am not saying Heaven isn't abusive. I just think the nature of its abuse is more subtle and insidious than it's often given credit for. And - this is even harder to accept, but it's true, and it's important - it's not just abusive to Az. All the angels are victims of it. Yes, even Gabriel. The moment he, one of the most powerful forces in Heaven, steps out of line, we see that no one is exempt. Never even mind Muriel, who is literally on the lowest rung of the Heavenly ladder and has probably never been told they're worth anything beyond being, you know, an angel, so at least you're better than humans and demons.
It's a contrast with Crowley, who has long since accepted most (not all, there are definitely some deep issues remaining, but they're nothing like Aziraphale's) of his internal doubts and struggles. His fears are almost entirely external. He doesn't beat himself up if he fucks up. He doesn't have to. There are people happy to beat him up for him. So when things go really bad for him, his instinct is to run. To get out of the way of harm as much as possible.
The fact that Aziraphale is harder on himself than anyone else could be is a vital part of his character. He self-punishes. He self-criticizes. He feels awful every time he breaks the rules in the slightest, even though he isn't usually caught at it. Crowley can find some safety in solitude if he keeps his wits sharp and his head down. Aziraphale can't, because he carries Heaven's conditioning with him at all times. He doesn't need oversight, it doesn't take external threats to keep him in line. You don't need direct threats when literally everyone in your celestial workplace has seen firsthand the consequences of rebellion.
I don't know if I'm making sense here. Again, this is informed by personal experience and I can't claim to be unbiased. But I see so much internalization with Aziraphale. He literally can't even accept praise without being nervous as hell, and I don't think it's fear of punishment or ridicule that's his primary motivation. He simply cannot ever be good enough for himself.
That's how they get you.
Anyway, I think it's why his reaction to disaster is the opposite to Crowley's, why he feels he has to turn and face it and somehow avert the horror (or, alternatively, find some way to reconcile it in his head and accept it - because let's be real, that's often what happens) rather than get himself away. He's less afraid of failing his superiors than he is of failing himself. And God, who is, objectively, the biggest abuser in the entire story.
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anarchywoofwoof · 21 days
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this UCLA situation is a powder keg waiting to blow. massive LAPD presence on campus. dispersal order has been given. live stream here if you want to keep up with the happenings.
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miaushii · 1 year
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i’m so normal about them
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kaeyachi · 3 months
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Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).
He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.
And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.
No one knows how he does it. No one has to know.
Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)
He needs to be quick.
Efficient.
Perfect.
And so he comes and goes like the wind.
Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.
Kaeya had only been late once his entire life.
He'd rather he never be late ever again.
It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...
.
.
.
" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.
"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.
Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.
He imagines hearing a clock ticking.
Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?
Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.
#kaeyachi randoms#kaeya#kaeya alberich#this is actually shorter than it originally was can yall believe?#kaeya with anxiety truther there i said it#kaeya cant stand being IDLE#get it? get it?#you see that is a play of words in reference to when he is stood idle on our screens. he is one of the more verbally impatient characters#and we also see it reflected on his actions both in fighting and at work. he has a speed boost bonus and if he isnt teleporting he is#actually moving so fast that he seems like it. this is what i also concluded that results him in large amounts of free time that only amber#seemed to be hardpressed about. the people of mondstadt find him reliable and approachable despite the lax attitude and frequent nights at#angels share. we also had lore tidbits before of kaeya straight up saying he finished all his work and jean saying that he also did the#backlogged ones. It is actually insane that we hear him relaxing frequently and i bet its not because of the lack of horses COZ LOOK AT HOW#BUSY THE OTHER CAPTAINS ARE. Also id like to think that he is a toned down noelle and that is why jean told him to watch over her training#give us noelle and kaeya interactions pls i kinda need it tbh#to all those that reached this far into the notes i actually have more to say so get ready#if it wasnt clear the only day he was late was when crepus died. everything fell apart for him that day so i can see some obsessive need to#just keep running around and doing things as efficient as possible. I also think that he found the knights slow and inefficient in several#occasions and he is willing to put them in the line of fire just to get their hearts pumping with adrenaline (and fear lol). idk kaeya is#just so anxiety-coded. impatience-core. Mr. dont waste my time type of guy. and also wow look i found a way to make his idles become angst#silly me ehe#oh youre still here? how about i tell you that kaeya-efficiency-alberich probably knows where everyone is at any time of the day?#can we honestly please give him more free time i need more of him tbh#fun reminder that bro is working around 3-4 jobs casually lmao#i also just realized that the notes is a whole nother post on its own#AND THE ACTUAL FUNNY PART IS I CAN STILL ELABORATE MORE ON THIS LMAO#wait let me add this one tiny idea too but he thinks time is so valuable. bro lost 2 dads and lost time with his bro + he significantly#lessened his time at dawn winery for quite some time. i can see why he is extroverted now.
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upmost-rylan · 8 months
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✨ CRINGETOBER DAY 4: Angel x Demon✨ . // implied HERMITSHIPPING , Scrian/Desert duo (Scar x Grian), angel x demon (ofcourse) . “Oh! Look! A angel fell from heaven!!” . They are so sillyyyyyyyy!!/pos
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beebopboom · 3 months
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I don’t know why but I’m still at Gabriel saying,
“There was war in Heaven long before the Earth was created. Crowley and the rest were cast out but nothing was ever really settled.”
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sophfandoms53 · 1 year
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Absolutely hysterical to me that Striker can afford a whole statue of himself with a you know what but he cannot upgrade past a flip phone, and then he proceeds to do this-
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amazing, i love him sm
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bunnylivehere · 4 months
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Kitty works for them instead of a hanger and "bring it-serve it"..I'm suing V for mistreating little Robo Fizzies! >:( I propose to sign a mass petition to save kittens and depressed spiders from pervert-knackers
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azrael08 · 2 months
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Dean gets hit with a love spell during a case and looks at Cas first trope except him and Cas are already together, so Cas and Sam assume nothings gonna change. And nothing really does, except that Dean now openly holds Cas's hand when their out walking around and he holds onto Cas's waist from behind when their just standing and he lets Cas scratch and play with his hair without pulling away from embarrassment and worst of all is the kissing!
Sam will be explaining what they should do next to catch the monster and when he looks up he sees Dean staring softly at Cas and Cas staring softly back which is fine, that's what they do, they stare, so Sam turns away. But when he looks back for the second time he sees Dean start peppering little smooches all over the angels face, just quick kisses on his nose and cheeks and forehead and neck too, all while they both smile dumbly, which is also fine, its not like Sam hasn't seen this before, they were exactly like this in their honeymoon phase at the beginning of their relationship, so he turns away again trying to focus but then he has a question to ask Cas and he turns and- HOLY SHIT THEY'RE MAKING OUT! RIGHT IN FRONT OF HIM THEY'RE USING TONGUE AND CAS'S HANDS ARE AROUND DEAN'S WAIST AND HIS HANDS ARE HIS CAS'S HAIR AND THEIR MOANING AND SAM NEEDS TO BEAT THEM OVER THE HEAD WITH A STICK-
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newgroundstier · 1 year
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i am once again missing niklaus hendrix [NARRATOR VOICE: SHE HAS NEVER LEFT THIS STATE]
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tierras · 16 days
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📍 Los Angeles / Socal All out for Rafah 🇵🇸
Outside of Gavin Hurburt Plaza (USC) on Jefferson
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drconstellation · 19 days
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Judgement Day
Aziraphale's Edinburgh Journey: Part 4
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Aziraphale's trip to Edinburgh - and most of S2 - is filled with hints and references to the Second Coming. Once you are clued into this, they are everywhere, with some clues more obvious than others. Gabriel's statue is one of them, but it has another role as well (and it's not for hiding anything under, sorry.)
We also have a lot of references to the Freemasons in S2, particularly in Edinburgh, but you can see related symbolism elsewhere - they use some of the same symbolism used around Memento mori, and they also believe in working towards upholding values in life to be rewarded in the afterlife. Judgement Day looms large for all, not matter what their belief.
Judgment in the Tarot
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Judgement is the penultimate card of the Major Arcana in the Tarot - the final card is The World, where the journey ends and everything comes together in harmony. But first, one must be summoned to their reckoning, and the past weighed up. It marks the completion of a karmic cycle; its time for renewal.
Three naked figures, a man, a woman and a child, rise out of the darkness of the underworld. Their nakedness denotes their spirituality, they have thrown off the clothes and material things of a physical life. An angel in the sky with a trumpet summons them to be reborn.
But which angel is it on the card? The book I'm favoring to do these card interpretations says its Michael. The information I have about cemetery angels (below) would indicate it to be Gabriel, who is sometimes depicted on headstones blowing a horn. Yet other lore says it's Raphael/Israfel that will blow the horn to start the Day of Judgement. And reading further, on some texts it just says it will be an archangel, they don't specify which one.
Cemetery Angels
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The statue of Gabriel in the Edinburgh cemetery is an example of a cemetery angel. The type and pose of the angel is supposed to give some indication of the life that was lived. Small cherubs for children, a lily held for purity, a circular wreath for everlasting life, for example.
Gabriel's statue is doing several things at once: its wings are open, indicating its ready to take flight upwards for the resurrection, and its holding a cross. This is because this statue is a replica of one of the angels on the Ponte Sant'Angelo in Rome and they all hold something relating to the Passion. A cross is probably the most recognizable symbol of all, and instantly connected with Jesus. Everything here is pointing us to the Second Coming.
The Missing Cross
But the cross isn't there in every scene. It's been pointed out that its missing when Gabriel shows his statue to Beelzebub in the present.
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This only appears to be the case when we view this scene from a distance. When we see the statue from between their shoulders, the cross is still there.
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This is an inconsistent message, and casts some doubt on what its trying to tell us. Can Beelzebub see the cross or not? It can't be a demon thing, as Crowley has no problem seeing the cross in 1827. Is it instead a comment about Gabriel and Beelzebub as a pair?
There are a multitude of meanings that could be applied here around that missing cross: is it do with death and resurrection or is to do with having your sins forgiven and achieving eternal life? If its the latter, then the demons have always been excluded from that, right from the start.
Gazing in Parallel
Then there's this parallel in acts of admiration of the statue:
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The very first time I watched S2 and I heard Crowley say "he probably comes here to stare at it," I knew yep, he sure does, and so he did.
Parallel pairs like this usually give us a nugget of information about the characters or story, and this one seems to be another thing pointing us to Gabriel being the peacock mentioned in the Job minisode (i.e. "Did you give wings to peacocks, Job...") An old slang definition of a peacock is "a person, especially a man, who is arrogant or likes dressing or behaving in a way that draws attention to themselves" and "a man who is very proud of his appearance and gives a lot of attention to his clothes and the way he dresses."
Let us not forget at this point that Crowley is linked to Gabriel in S2 as both a parallel and foil, and he, too, takes some pride in his appearance. But while Gabriel admires the creation that is himself, Crowley tends more to admire creations that he has had a hand in working on himself.
But there is a curious moment here that links us up with a scene from the beginning of S2, in Before the Beginning. Notice how Aziraphale looks back at Crowley as he he says Gabriel "Probably comes here to stare at it. Marveling at his own beauty."
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Aziraphale has the same jealous look on his face as angel!Crowley marvels at the beauty of his newly created nebula and stars.
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We have to remember that Before The Beginning was one of the last parts of S2 to be written, even though its at the start, but it includes a repeated parallel to the dates at the statue - angel!Crowley admires his creation, and Aziraphale looks a little jealous that he's not getting that same attention from Crowley.
Demons in the Mist
There is another, larger, parallel sequence that the statue plays a part in as well, and this connects us to S1, and I suspect to S3 as well. This is one of the mobius strip parallels that I sometimes talk about, where the story history repeats itself ad infinitum. Notice the misty nature of the present day scene below; this is an indication we are seeing more than two times and places at once.
It starts here, as we switch suddenly from 1827 back to present, just after Crowley is sucked down into Hell, leaving Aziraphale gazing up at the statue.
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The parallel scene to this is the sushi restaurant in S1E1.
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In that scene Crowley has been summoned to the cemetery to receive the antichrist and start Armageddon. He was supposed to be on a date with Aziraphale at the sushi restaurant, but Gabriel turns up instead, on the other side of Aziraphale - the same side the statue is on in S2.
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Next, there are two demons. The first time, Crowley was summoned to meet with Hastur and Ligur to start Armageddon. Only this time, in S2, its Aziraphale talking to the demons, not Crowley.
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We have an indication that the Scottish pair are demon-related with the taller one having a misspelled tattoo on his forehead (and aren't there many stories of badly spelled tattoos?)
I think they also roughly match the height and size of Hastur and Ligur, too. And it's the Ligur-parallel that offers his phone - just like its Ligur that chats to Michael on the back channels that don't exist in S1.
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Free phone call? Not a problem. It's been pointed out that when Crowley hangs up the phone handset in S1 after calling Aziraphale you can hear a coin falling into the coin return box - apparently there was a thing done in the old days of leaving some change in the coin return for people who didn't have any money and needed to make a call; a kindness for strangers, if you will. So it's not a worry that there is no credit on the phone when Aziraphale needs to make the call.
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Lastly, we have some S3 foreshadowing, because this an Aziraphale scene and he connects us with the future. The old phone is looking worn and tatty, with the Union Jack on it, a sign of the Empire that is slowly fading, and is well past its peak. After he hands it back with a blessing, it looks renewed, with the St Andrews Cross of Scotland on it. I might live on the other side of the world from the UK but even I'm aware of the political debate around Scottish independence that has been ongoing for, well, many years now.
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I can't help thinking we are going to see a parallel to this scene in S3 as well, with Aziraphale demanding some form communication from Hell or some demons for which he does "ask nicely" about. This is all working towards a change in the way the authoritative structure works for the angels and demons (the death and rebirth theme.)
Masonic Symbols
We are alerted to the presence of the Masons when Aziraphale does his detective cosplay and speaks to the barman in the Resurrectionist pub. If you are quick, you can also notice the square and compass symbol on the windows next to the pub as Aziraphale approaches, although most of us are looking at Jesus on the sign (and a reminder that we are looking out of a deliberate copy of the Eastern Gate of Eden here on the sign, too, into the deserted distance.)
The square and compass are a reminder of balance - the square at the bottom is about honesty and integrity, and the compass at the top represents wisdom and keeping one's desires within reach.
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But why are we looking at Masons? I think this is because they represent a similar but different alternative to the Abrahamic religions the Good Omens AU is built around - they believe in a Supreme Being (God) and they believe in upholding certain virtues and doing good deeds in life so that they will be rewarded in the afterlife, and that there is an eternal afterlife; they just don't believe in going about it in the same way the church does.* The Catholic church doesn't allow one to be a Mason and a member of the church at the same time because of this clash in ideologies.
The other thing to note about Masons, is that Masons wear black tie evening dress to their Lodge meetings, like the corpse in the next image below. The barman in the present even says to Aziraphale "It's the first time I've seen one in a fancy grey suit, though." This is a big Clue - but you all missed it, because you latched on to the fancy grey suit part of the sentence that screamed "GABRIEL WAS HERE!!" at you and didn't hear the silent part that the barman was saying - that the other person that was with Gabriel was wearing a black suit.
Hello? Anyone paying attention here? No? Just me shouting into the void...right, well, carry on then.
We see three dead bodies in the Resurrectionists minisode, much like the three bodies on the Tarot card for Judgement. The first is this Mason, clearly identified by the apron he is wearing (the other two bodies are a priest and wee Morag.) The decoration on it would indicate what rank or degree of mastery he held within his lodge. The background was always white, for purity.
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Coffins were a reminder that one day every one would die and return to dust. They were also a sign of leaving their previous life behind from before they joined the Masons and taking on their Masonic duties.
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Skulls and cross bones were part of Memento mori - reminders that life was short. They also appeared on Mason tracer boards.
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The hourglass was a particularly special symbol. While it, too, was a reminder that life was finite, it was also a reminder that life and death was a cycle. By turning the hourglass over, one started the cycle again. This also demonstrated the need at times for one to turn one's thoughts and actions around on their journey through life.
It was also a reminder that time was the great equalizer - it didn't matter your station in life, time always moved forward, and death would come for us all.
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Onward to Part 5, dear readers! Time to see if we really know where we're going with all this!
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Thanks once again to @vidavalor for pointing out the parallel between the statue of Gabriel and the sushi restaurant in S1, where Crowley is pulled away by Hell both times and Gabriel appears on Aziraphale's right.
@kimberleyjean has also put together a collection of all the infinity loops and mobius strip references in GO here.
*I'm not sure what it was like in other countries, but I know in Australia during the mid 20th century to get anywhere in certain jobs and industries you either had to be a Catholic or a Mason. Without the backing of one of those organizations you wouldn't get far. My grandfather was a Mason, but not religious, and consequently rose quite high in the government dept he worked for - took me a long time to put all those pieces together, because it was never talked about in my family. I just knew he went to Lodge. It was only listening to some podcasts about history that I was able to work it out.
The other posts in this series can be found here:
Part 1: Detective Aziraphale Part 2: Aziraphale-Beelzebub Parallels Part 3: Stocktaking in the Basement Part 5: I Know Where I'm Going
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generic-sonic-fan · 1 year
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Sonic having unexpected bits of secondhand expertise that he gets from his friends:
His coding skills wouldn't last a single second against anyone actually competent but he can hack Shadow's Netflix password every time it changes.
He knows how to brew a perfect cup of tea and also how to bake exactly one (1) cake.
Around the specific latitudes that Angel island tends to float around in he goes looking for a particular kind of edible plant that a certain someone showed him how to identify. He likes to snack on it when he's bored.
He's able to estimate the value of a piece of jewelry based off the quality of the gem. Knows the difference between a 'karat' and a 'carat'.
He can look at bullet holes and have a decent guess at the caliber of the gun that shot them. He could also, in a pinch, fully disassemble a HK45 Tactical pistol and put it back together again.
Fishing. You get the idea.
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